College and Research Libraries difficult to comprehend and impossible to condone, is that N e w Jersey precedes N e w Hampshire in the alphabetical listing of states in the book's section locating collectors geo- graphically. It is conceded, to be sure, that N e w Jersey may stand before N e w H a m p - shire in certain respects of a numerical char- acter, but heretofore the alphabetical prece- dence of the G r a n i t e State has, I believe, gone unchallenged. Private Book Collectors is, nevertheless, a valuable reference w o r k of particular inter- est and utility to head librarians, special col- lections directors, curators of rare books and manuscripts, exhibits officers, and others re- sponsible for the development of library col- lections.—Edward Connery Lathem, Dart- mouth College Library. University of Virginia Library The University of Virginia Library, 1825- 1950: Story of a Jeffersonian Foundation. By H a r r y Clemons. F o r e w o r d by D u m a s M a l o n e . Charlottesville, University of Virginia L i b r a r y , 1954. xxii, 23 ip., illus- trated. $5.00. " T h e y have nearly finished the R o t u n d a — the P i l l a r s of the Portico are completed and it greatly improves the appearance of the w h o l e — T h e books are removed into the L i b r a r y — a n d w e have a very fine collection." So w r o t e E d g a r A l l a n Poe to his foster father in Richmond in 1826. T h e University of V i r g i n i a w a s then in its second session, and young Poe w a s a student there. It w a s indeed a fine collection. N o university in A m e r i c a had started with a more c a r e f u l l y selected li- brary. T h o m a s Jefferson, the founder of the University, had chosen most of the 8,000 vol- umes listed in the printed catalog issued in 1828, and he had planned the book collection as c a r e f u l l y as he had planned the buildings. F o r t w o decades a f t e r the highly com- mendable start, however, the library received scanty support. Some of the early prosperity w a s regained in the 1850's, but then came the w a r — a n d Reconstruction—and a disastrous fire in 1895. T h e University remained open through it all, but not until its second century did the L i b r a r y begin to attain the stature which Jefferson had envisioned for it. T h e f u l l story of the vicissitudes of the University of Virginia library is told here by H a r r y Clemons w h o directed its activities so wisely f r o m 1927 until his retirement in 1950. T h e library's history divides easily into five distinct periods, and each of these periods forms a chapter in the book. C h a p t e r I covers the founding period, f r o m 1819 to 1826, during which M r . Jefferson prepared lists of books to be ordered, secured funds f o r their purchase, and selected agents through whom they would be acquired. T h e years from the death of the founder in 1826 to the beginning of the C i v i l W a r in 1861 are described by D u m a s M a l o n e in the f o r e w o r d as "a period of torpor." T h e U n i - versity spent about $35,000 f o r "books and apparatus" before 1826, more than half of which certainly went f o r books. Funds for such purposes, however, w e r e small or non- existent in the t w o decades immediately fol- lowing, and most of the books received came as gifts. B u t with a substantial increase in enrollment in the 1850's came heavier de- mands for books and larger appropriations for their purchase. It w a s during this prosper- ous decade that a question about the adequacy of the rotunda f o r library purposes w a s first raised, a question which w a s to be heard many times in the eighty years which elapsed before permanent relief came in the form of the A l d e r m a n L i b r a r y . T h e third period, 1861-1895, began with a w a r and ended w i t h a fire. T h e library had survived the hazards of w a r and Reconstruc- tion, and broad progress w a s being achieved when fire reduced the book collections f r o m 56,000 to 17,000 volumes, and destroyed most of those selected by Jefferson. T h e significant feature of the fourth period, 1895-1925, w a s the extraordinary response of alumni and friends to requests for gifts. W i t h i n ten years a f t e r the rotunda fire, the collection had g r o w n to 60,000 volumes. N o t e w o r t h y collections and handsome endow- ments w e r e liberally sprinkled among the gifts, and by 1925 an endowment fund of $200,000 for books had been accumulated. B u t greater demands w e r e being made on the library, some from a department of graduate study whose program required that the library accept continuing responsibility for the selec- tion and acquisition of material not hitherto necessary in an undergraduate curriculum. T h e most remarkable progress of the li- brary came during the administration of the APRIL, 1955 221 author, and he describes this in his character- istically modest manner. Jefferson expected the library to be the heart and life blood of the University. U n d e r M r . d e m o n ' s guiding genius and w i t h the help of his " B o a r d of A l d e r m a n , " as he called his key assistants, the A l d e r m a n L i b r a r y has come close to achieving the stature which the founder's vision and personal efforts had established f o r it a century and a quarter before. L i b r a r y history has been neglected in the literature of scholarship. Academic libraries in particular have lacked chroniclers. T h e O l d Dominion's University L i b r a r y has had a particularly interesting history, and its publication is highly appropriate. N o one else could have told the story as w e l l as H a r r y Clemons, the tenth librarian of the University. H i s appointment at V i r g i n i a fol- lowed a term as librarian and professor of English at N a n k i n g University in China, from which he w a s driven during the " N a n - king Incident." T h e Chinese bandits forced him to decide between librarianship and a professorship of English, he says, by destroy- ing his lecture notes. H i s story is told in the dignified prose of a man of letters, in a style all too rarely found in library literature. T h e volume is unencumbered by footnotes, but a single note at the end informs the reader that a f u l l y documented manuscript of the books has been deposited in the A l d e r m a n L i b r a r y and is available f o r examination. D u m a s M a l o n e has contributed an ad- mirable f o r e w o r d in which he pays high and well-deserved tribute to the author and to the A l d e r m a n L i b r a r y . If Jefferson could return, M r . M a l o n e says, " H e w o u l d find the A l d e r m a n L i b r a r y , as thousands of students and hundreds of scholars have found it, a free and happy place. . . . T h e r e is more sun- light . . . more w a r m t h and courtesy and sheer human kindness, than is commonly encount- ered. M a n y have contributed to this spirit, of course, but the person most responsible for it is H a r r y Clemons, w h o with unerring instinct seized upon the best traditions of V i r g i n i a and of Jefferson and reincarnated them in an institution." T h i s volume which becomes an important milestone in the w r i t i n g of library history contains much of the spirit and w a r m t h to which M r . M a l o n e r e f e r s . — B e n j a m i n E. Powell, Duke University Libraries. T h e Graphic Image—Some Books about D r a w i n g s and Prints: the A n g l o - A m e r i c a n Tradition II English Drawings of the Tenth and Eleventh Centuries. By Francis W o r m a l d . N e w Y o r k , P r a e g e r , 1953. 83p. $6.00. Engraving in England in the Sixteenth and Seventeenth Centuries; A Descriptive Cat- alogue with Introductions. P a r t I. T h e T u d o r Period. By A r t h u r M . Hind. C a m - bridge, C a m b r i d g e University Press, 1952. $22.50. IVilliam Blake's Illuminated Books. A Census compiled by G e o f f r e y Keynes and E d w i n W o l f 2nd. N e w Y o r k , T h e G r o l i e r C l u b , 1953. 124P. $10.00. T h e three books to be reviewed here deal with drawings, prints and book illustrations in England. I had hoped to include them in my last review column in the October, 1954, issue, which w a s devoted to the A n g l o - A m e r i c a n tradition in bookmaking. H o w - ever, so many books had to be included in that column that it became necessary to hold some over f o r another occasion. T h i s is one of the reasons w h y they w e r e not re- viewed earlier (the other one being the pres- sure of other obligations). O n e of the most interesting and most puzzling aspects of England's participation in the graphic arts of the W e s t e r n w o r l d is the sporadic nature of her contribution. W h e n seen in the broad perspective of a 1000-year history, there is a curious pattern of high creativity abruptly followed by al- most total sterility and vice versa. " I t is w e l l known that the condition of English art f r o m about the middle of the ninth to the middle of the tenth centuries w a s bad," states Francis W o r m a l d in his English Drawings of the Tenth and Eleventh Centuries. T h i s book, by the professor of paleography at the University of London, and f o r m e r l y assistant keeper in the British M u s e u m ' s D e p a r t m e n t of Manuscripts, re- cords the first significant revival of the graphic arts in the British Isles a f t e r the stupendous 222 COLLEGE AND RESEARCH LIBRARIES