k The ^nthon Libi\ary. I PLLE£MIl4|.J,l^ftilR-LES ANTHON I Px^jfessor of Grr>eek and ILiatin in Oolumliia Ooll«ge. < Pti/rchdse^ by''-".C^'rielt ilTniversitjf, 1868. B395 344°™*" ""'*"""" '""'"'T '"'^iliiimiiiiifiiliniite Dialoflues of Plato olin 3 1924 028 994 543 ^ Cornell University 3 Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924028994543 INTRODUCTIONS DIALOGUES OF PLATO. SCHLEIERMACHER'S INTRODUCTIONS DIALOGUES OF PLATO. TRANSLATED FROM THE GERMAN By WILLIAM DOBSON, M.A. FEI.r.OW OF TRINITY COLLEGE, CAMBRIDGE: PRINTED AT THE PITT PRESS, BY JOftN SMITH, PRINTER TO THE VSIVERSITr. FOR J. & J. J. DEIGHTON, TRINITY STIiEET. LONDON: JOHN WILLIAM PARKER, WEST STRAND, M,t)CCC.XXXVI. ADVERTISEMENT. The apparently unfinished state in which the present work comes before the public requires some explanation. The Author of the following Introductions died in the year 1834, having then completed the translation, into German, of all the Dialogues the Introductions to wliich are here given. It was his intention to have published the whole of the works of Plato upon this plan; and we have thus to regret the loss of Intro- ductions to the Timseus, the Critias, the Laws, and all those smaller and spurious pieces not found in the Appendices to the first and second of the three parts into which Schleiermacher di- vided the Platonic works. The German trans- lation, moreover, is furnished with various notes, critical and explanatory ; a circumstance which I consider it necessary to mention, as the reader of these introductions will find in them occa- sional allusions to those notes. Such as referred immediately to passages in the Introductions themselves will be found at the end of the volume. CONTENTS. PAGE GENEIIAL lUTBODnCTION..' 1 Introduction to the PH^DRUS .V^. 48 LYSIS 74 PROTAGORAS v<. ■ 81 LACHES........ 97 CHARMIDES 104 EUTHYPHRO 109 PARMENIDES ..y. 112 APOLOGY OF SOCRATES 134 CRITO 141 ION 145 LESSER HIPPIAS 152 HIPPARCHUS 157 MINOS 163 ALCIBIADES II. 165 GORGIAS 169 THEjETETUS. ^.. 189 SfflNO 204 EUTHYDEMUS 219 CRATYLUS 228 SOPHIST Vf. 246 STATESMAN." 264 BANQUET 277 PHiEDON. ..l/. 291 PHILEBUS..KC 309 .TT'HEAGES 321 ERASTiE ' 325 ALCIBIADES I 328 MENEXENUS 337 LARGER HIPPIAS 341 CLITOPHON 347 REPUBLIC y^. 350 Notes ;:...... '..;.'.'.1 417 EBBATUM. , last line, for her read his. INTRODUCTIONS, Sfc. GENERAL INTRODUCTION. The Greek Editions of the works of Plato generally prefix to them the biography of the Author from the ■well-known coUectibn of Diogenes. But only the most indiscriminating attachment to an old custom could honour so crude a compilation, put together as it is without any judgment, with a translation. And Tennemann, in the life of Plato prefixed to his system of the Pla- tonic philosophy, has alreiady subjected to a sifting pro- cess this and the other old biographies of Plato, com- pared with what is found scantily dispersed in other sources. As, then, since that time neither materially deeper investigations have been published, nor new facts discovered, affording any well-grounded hope of leaving far behind them, in their application, the labour already bestowed upon this subject, it is best to refer such readers as wish to be instructed upon that point, to what they will there find. And there is the less need for anything further, as no one who would be a worthy reader of Plato can entertain the notion of wishing to strike out a light upon the sentiments of the philosopher, which might illuminate his works, from multifariously told and deformed trifles, or epigrammatic answers, even were they of undoubted authenticity — especially as, in the case of such an Author, the intelligent reader under- takes to learn the sentiments from the works themselves. And as regards the more important circumstances of his life, those more accurate relations, from a knowledge of which, probably, a more thorough understanding of many details in his writings might be developed, seem to be for ever so far withdrawn without the range of modern investigation, that any supposition which one might feel inclined to contribute upon these subjects, would be made at a venture; and very often in his writings we can point out, in the most decisive manner, where an allusion exists to some personal relation, without however being able to guess what it is. Nay, even with regard to the more well-known circumstances of his life, his remarkable travels for instance, so little that is definite can be with certainty made out, that no particular use can be made of them for the ^ chronology and arrangement of his writings, and the most we can do is, here and there to guess, with a degree of probability, at the place where the former interrupt the series of the latter. Such par- ticular conjectures, therefore, will be brought forward to more advantage in those places immediately in w.hichr they may perhaps spread some light around them. It would certainly be more to the purpose; provided it were possible within the prescribed limits, to adduce something relative to the scientific condition of the Hel- lenes at the time when Plato entered upon his career, to the advances of language in reference to the expression of philosophical thoughts, to the works of this class at that time in existence, and the probable extent of their circulation. For upon these points there is not only 3 much to explain more accurately than has been hitherto done, and some quite new matter to investigate, but there may perhaps still be questions to throw out, which, though to the professpr in these subjects they must be anything but indifferent, have, however, up to the present time, been as good as not thouglit of at alL But to pursue in connexion what is new and ambiguous in such investi- gations, would not be adapted to this place ; and some particulars even in this province, whether in the way of illustration, or of suspicion tending to confute what has been hitherto assumed, are better by all means to remain reserved for the particular places to which they refer. And what is common and well known is, moreover, pertinently set forth in the works of German writers illustrative of the history of that period of philosophy, as far as is absolutely necessary to prepare the way for the reading of the Platonic writings, so as not to grope about in the dark, and thus completely to miss, from first to last, the right point of view for the understanding and estimation of them. For these writings are through- out full of clear and covert references to almost every thing, both earlier and cotemporary. And in like man- ner, also, whoever does not possess a competent know- ledge of the deficient state of the language for philo- sophical purposes, to feel where and how Plato is cramped by it, and where he himself laboriously extends its grasp, must necessarily misunderstand his author, and that, for the most part, in the most remarkable passages. Of the Philosophy itself we are here purposely to avoid giving any preliminary account, even were it ever so easy to do so, or possible to dispatch it in ever so small a space, inasmuch as the whole object of this new exposition of his works is to put it within the power of every one to have, through an immediate and more accurate knowledge of them alone, a view of his own of the genius and doctrines of the philosopher, quite new ;it may be, or at all events more perfect. And nothing certainly could work more effectually towards preventing the accpmplishment of this object than an endeavour, just at the outset, to instil into the mind of the reader any preconception whatever. Whoever, therefore, has not yet been hitherto acquainted imme- diately with these works, let him leave all that external reports have taught, him respecting their contents, and the consequences to be drawn from them, to rest mean- while upon its own merits, and endeavour to forget it ; but whoever from his own knowledge of them has already formed an- opinion for himself, will soon feel how far, by means of the classification in which he here finds these writings arranged, even his own views experience, an alteration, or at least combine themselves better, and gain a greater comprehensiveness and unity, from his learning to know Plato more , strictly as a Philosophical Artist, than, certainly, has been hitherto the case. For of all philosophers who have ever lived, none have had so good a right as Plato, in many respects, to set up the only too general complaint of being misunderstood, or even not understood at all. The grossest indeed of these misunderstandings have been for the most part severally removed by modern exertions deserving all our gratitude ; meanwhile, whoever observes how superficially, or with a feeling of uncertainty which they try in vain to conceal, even the best interpreters speak of the objects of particular works of Plato, or how slightly and loosely they treat of the connexion of the subject with the form in detail, as well as in 5 general, will find traces enough to shew him that the authors of these views, however superior, have not yet generally gone upon a perfect understanding of the matter in hand, and that this is not yet brought to the point to which we might ourselves bring it even with the insufficient means we possess. And thus that feeling of satisfaction seems to be somewhat premature, which maintains that we might now be able to understand Plato better than he understood himself; and it may excite a smile to observe how unplatonically one who entertains such a feeling comes to the investigation of Plato, who puts so high a value upon the consciousness of ignorance. He deceives himself by at least one half — by all that, I mean, in the philosophy of Plato which can only be understood by an ability duly to estimate the pervading presence of a purpose in the connexion of his writings, and, as far as possible, to divine it when not obvious at first sight. And in this view, especially, an attempt like the present is a supplement, not very easily to be dispensed with, to what others have done in other ways, and must, in proportion as it succeeds, contribute to advance the right understanding of Plato. This must certainly be self-evident to every one; for it cannot be denied, that besides the ordinary difficulties in the province of Philosophy of thoroughly understanding any one except a sympathetic thinker, a peculiar and additional cause exists as regards PlatOj in his utter deviation from the ordinary forms of phi- losophical communication. For of these forms there are two in particular, the most choice vehicles of the great bulk of what generally goes by the name of Phi- losophy. First, that which is called the systematic form, because it divides the whole .field into several particular compartments of sciences, and to every one of the separate parts of the whole devotes its particular work or section, in which it is regularly built up, according to plan, with rooms and stories, so that any one whose memory, and fingers do not refuse to work, may measure and point but, if not without trouble, at all events without error, every particular detail; whence an opinion easily arises, that therei is something in the system, and that the student has followed and understood it. For, however weak the foundations of these structures often are, and their compartments . taken at random, they have still an attractive look of firmness and arrangement, and it is con- sidered easy to understand not only the details in them- selves, but also in connexion with the other parts of the edifice ; and the Author himself must afford a clear guide to this by references not to be overlooked. The second form, neither more rarely used nor less favoured, is the fragmentary, which has only to deal with particular investigations, and which, from disconnected pieces, with regard to which it is difficult to be sure whether or no they are real members^ or only, masses capriciously and unnaturally separated from the whole body, priifesses^ notwithstanding, to make Philosophy comprehensible. Although j then, in this case superficiality and ignorance are perfectly natural, because the authors have not even come to an understanding with themselves as to the centre point and ground upon which they stand, yet does this method assume an appearance of ease and certainty, for the reason that it defines and names at starting the object in view^ and makes at once straight for it. In this sense even the dialogistic treatment has been often applied; and many a writer has crept into a reputation of being a happy imitator of Platov per- haps still more Socratic and clear than he, who yet could make nothing of Plato's form of art but a loose dress for this loose method of discussion. Whoever then is spdiled by use of the expedients whic^ these methods seem to afford, \yill necessarily find everything in Plato strange, and either devoid of meaning or mysterious. For although the division of philosophy into different compartments of science was so far from being unknown to him, that he may be looked upon much rather, as the first originator of it to a certain degree, still hardly any of his writings are confined to any one of these compart- ments in particular. But since he considered their es- sential unity and thejr common law as of the greater importance, and made it pre-eminently the object of his aim, the varioijs problems are in consequence every where multifariously involved one with another. But whoever, on the other hand, would on this account de- grade these works to the denomination of fragmentary, will yet find himself constantly embarrassed as to the real subject-matter, which is seldom verbally enunciated, and and he will be compelled secretly to confess that the Philosopher does not appear to. have had the modest intention of treating only of particular subjects, but that he either was completely devoid of this, or had one much more comprehensive. Hence, then, the twofold incorrect opinions upon Plato and his writings which have been given almost from the earliest times. The one, that it is in vain to search in his writings for any thing entire, nay, even for the very first principles of a consistent and pervading philosophical turn of thought or doctrine; on, the contrary, that every thing in them vacillates and wavers, and that scarce any thing whatever stands in regular relation to the rest ; nay, that frequently one part contradicts another, because he is more of a dialectician than a logical Philosopher, more desirous of contradicting others, than capable of, or caring to pro- duce, a well-founded structure of his own ; and that when he has to deal with the plausibility of his own propositions; he first seeks up his elements sometimes from this, some- times from that, elsewhere perhaps disputed doctrine, according as his object may be on each occasion. Now such an opinion is nothing else but a disguised confession of a total absence of any understanding of the Platonic works, and that especially on account of their form, when it is only the ground of the sentiment that is misappre- hended, and instead of being looked for in the judge, it is transferred to the thing judged. But it is not necessary to honour this depreciating view with a lengthened dis- cussion, as it yields in itself a sufficient testimony against itself. For while it adduces accusations about contradic- tion and want of connexion, it does not, however, prove that it has ■ rightly understood the details ; otherwise whence those strange inquiries, in what persons' mouths Plato has brought forward his own opinion at least upon this or that subject ; a question which, as it supposes that his dialogistic form is only a somewhat useless and more confusing than illustrative embellishment of the perfectly common method of expressing thoughts, can only be thrown out by one who does not understand Plato at all. This view, therefore, is founded upon nothing, and explains nothing, but leaves the whole problem as it was before, and may, without going further, be contradicted by fact, if a successful attempt is made to bring our Platonic works into a connexion by means of which every detail with the doctrines therein contained be- comes intelligible. And the demand for such an attempt is in this point of view so much the more pressing, as the majority of those who pass so mean an opiriion upon the writings of Plato still cannot resist a certain feeliiig of admiration for the Philosopher. Now as we have no other tangible proof of his greatiaess and preeminence except these writihgSi^ the two will not agree together, that opinion, I mean, and this admiration, and the latter will scarcely have any other object except those beauties of language and composition lavished on matter of no impoirtance, or particular fine passages as they are called, or mordl sentiments and principles, all pointing to very subordinate if not very dubious merit, so that if these men would advance uninterruptedly in their admiration, they must themselves wish to find something more ili him tban they have hitherto founds Hence, therefore, others, with quite as little of a correct insight but with more good will, induced partly by particular expressions of Plato himself, partly also by a far-spread tradition pre- served from ancieiit times, of an esoteric and exoteric in his PWlosbphy, have adopted the opinion that in the writings of Plato Ws own peculiar wisdom is either not cbntained , at all, or only in secret allusions^, and those •^erf difficult to discovei:. This notion, in itself utterly vague, has shaped itself intb the most multifarious forms, and the writings of Plato have been robbed of sometimes more and sometitnes less of their subject-matter, and his geiittine wisdom, on the contrary, sought for in secret doctrines which he as good as not at ail confided to these writings; nay, extensive i'nvestigations have been entered upon in cader to determine what writings of Plato were exoteric and what esoteric^ arid so to dis- cover where most a; trace might be sought out of his genuine and secret widom. Setting aside therefore the 10 truth contained in this proposition, in so far as what is secret and difficult to find out is so only in a relative point of view, and there may always be something ob- scure and hard to find for some person or other; the whole is only a tissue of mis-apprehensions and confused conceptions which must first of all be unravelled and exposed. For these conceptions of an exoteric and esoteric philosophy demand a critical sifting, inasmuch as they, appear at different times with quite different meanings. For among the earliest Pythagoreans this distinction re- ferred so immediately to the matter, that subjects were denoted as esoteric concerning which they would not commit themselves without the limits of their most in- timate circle of connections ; and it is to be supposed that their political system occupied the place of the eso- teric far more than their metaphysical speculations, which were as imperfect as unsuspicious. But at that time even Philosophy was bound up with political views, and the schools were connected by a practical fraternization which did not afterwards exist among the Hellenes. In later times, on the contrary, that was chiefly called esoteric which could not be communicated in the popular method of instruction, to which, after the admixture of the Sophists with the Socratic Philosophers, certain teachers condescended, and the distinction therefore referred im- mediately to the mode of delivery ; and only mediately, and on account of the other first, to the subject-matter. Plato now stands in the intermediate period between these two; but in whichever of the two senses it should be attempted to apply these notions to the Platonic writings and Philosophy, in order thereby to divide the two into two parts, hesitation and doubt generally must 11 ensue. Foi- the last signification could hardly be em- braced by those, who would make such an application of it, as they start with asserting that the works col- lectively are hardly intelligible, and consequently must allow that Plato might as easily have committed to them what was most difficult and mysterious in his wisdom, as what was otherwise. And as regards the firsl signi- fication, of doctrines of his Philosophy, concerning which he purposely delivered himself, without the interior circle of his confidential friends, either not at all, or in mys- terious hints, it must be either regularly maintained and demonstrated that such was the case by a connected ex- position of such doctrines, and the indications referring to them, however slight, or at least shown in a less de- gree, by some kind of historical traces. Therefore, of all the advocates of this opinion, the so-called modern Platonists are deserving of most praise, inasmuch as they have actually attempted to accomplish the first. But the other parties would not have anything to show in support of their view of the subject. For aipart from theosophistic matter, and unless they would ascribe to Plato some sort of physical sciences which he could not possess, and which his own writings moreover would at once disavow, they would be at a loss to discover any- thing in the whole region of philosophy upon which some opinion, either directly and distinctly, or at least as far as a notice of the principles goes, is not to be met with in these writings. And those indeed who reduce the distinction of what is esoteric, merely to the war against Polytheism and the vulgar religion, do, in fact, completely cancel the same, and reduce it to a piece of political caution, which would be unsatisfactory in the extreme, as Plato's principles upon these points may be 12 read distinctly enough in his writings, so that one can scarcely believe that his scholars needed still further instructions about them, from the publication of which he shrank, or to a puerile .contrivance which indulged itself in delivering in a loud voice with closed doors, what might indeed have been as well said with open ones in a lower. And quite as little would really genuine historical traces be discoverable, supporting the opinion of a distinction between the esoteric and the exoteric in Plato. For if it refers merely to the sub- ject-matter, and we are to suppose the secriet doctrines to have been contained in the esoteric writings in the same manner in which the commoner are in the exoteric ; the first and most indispensable point must then be to make it probable, somehow, that those writings were made public in some way different from these, since otherwise the whole endeavour would have been use- less ; but of doing this no one seems seriously to have thought. And, further, how should it happen that Aristotle, who indisputably was concerned with a true understanding of the true Philosophy of Plato, and from whom, as many years an intimate scholar of that philosopher, nothing could easily remain concealed, does never, notwithstanding, either appeal to other sources, or appear to found his own writings upon a secret understanding of these. Qn the contrary, he ap- peals in every instance in the most unconstrained and simple manner to the works open to ourselves, and even when, as is now and then the case, other lost writings or perhaps oral lectures are quoted, these quotations do in no way contain any thing unheard of in the writings we possess, or completely different from them. If therefore these either did not contain at all the true doctrines of 13 Plato, or only cpDformably to a secret interpretation, how cQuld Aristotle, especially .cpnsi^ering the maiiner in which he attacks his master, have been able to escape the most severe censures from the genuine :fcUowers pf that Philosopher, if, contrary to his better knowledge, he had then fought only /against a shadow? Now in order to make these misapprehensions and their causes perfectly manifest, and to bi?ing even those who are involved in them to a confession and conspipus- ness of the same, it is certainly a praiseworthy under- taking to work out analytically the philosophical subject- mattM: from the Platonic works, and thus to expose the Philosopher to view, dissected and in detail, divested of his' superfluities and combinations, and with as little as may be of his own peculiar form. For if they could thus survey the pure fceasure,' and convince themselves on authentic groqnds that it is actually taken from those writings, they must be fain to confess that it was the fault of themselves alone not to discern it, and that it' is useless to lament over, or to dream of, other lost ricfies of Platonic wisdom. Thus much thjerefore may be attained by this method, that the ungrounded sus- picion against the works of Plato vanishes, atid the fajct of his npt being understood is brought more to light. And it is even cprtain that he who is thus to expose this truth thoroughly and completely must' have himself understood Plato in the same degree : and quite as certain also is it, that the understanding of Plato as concerns jotbers is neither facilitated nor advanced there- by : but that, on the contrary, whoever should stick exclusively to even the best exposition of this kind might easily attain to an imaginary knowledge only, and on .that very account remove himself still further 14 from the true. For though he must be accurately ac- quainted with the whole nature of a body who is to separate the particular vessels or bones in it for the purpose of comparison with corresponding parts of an- other similarly dissected, which would be the fullest use to which that philosophical process could be put ; still the mere passive spectator of the exhibition and comparison of these parts will not attain, by those means alone, to a knowledge of the proper natures of the whole. So also will those spectators of the analysis fail altogether to attain to a knowledge of the Philo- sophy of Plato, for in that, if in any thing, form and subject are inseparable, and no proposition is to be rightly understood, except in its own place, and with the com- binations and limitations which Plato has asssigned to> it. And still less will they comprehend the Philosopher himself; and least of all, will his purpose have succeeded in their case, tending as it did not only to exhibit vividly his own thought to others, but by that very means vividly to excite and awaken theirs. Hence, therefore, to that analytical exposition which we have now been in pos- session of for a short time, in a perfection far exceeding former attempts, it is a necessary supplementary process to restore to their natural connection those limbs, which without dissection, usually appear so very deplorably involved one with another, I mean, not the particular opinions but the particular works — to restore them to the connection in which, as expositions continuously more complete as they advance, they gradually developed the ideas of the writer, so that while every dialogue is taken not only as a whole in itself, but also in its connection with the rest, he may himself be at last un- derstood as a Philosopher and a perfect Artist. 15 / ^ Now whether there is any such connection, and such an undertaking is not, perhaps, unsuitable to the subject and far too great ever to succeed, will best appear from the first conception which Plato himself suggests to us with regard to his writings and their objects, and which we shall shortly hear him propound in the Phaedrus. Treating the subject in a somewhat trifling manner, he complains of the uncertainty which always attaches to written communication of thoughts, as to whether the mind also of the reader has spon- taneously conformed to such communication, and in reality appropriated it to itself, or whether, with the mere ocular apprehension of the words and letters a vain conceit is excited in the mind that it understands what' it does not understand. Hence, that it is folly to build too much upon this, and that true reliance can be placed only upon oral and living instruction. But, he continues to argue, writing must be hazarded at a venture, and more for what it is as regards the writer and those who already share in his knowledge, than for what it can do for those who as yet know nothing. Whoever then will consider what that so ex- alted preference for oral instruction means and upon what it rests, will find no other ground but this, that in this case the teacher, standing as he does in the presence of the learner, and in living communication with him, can tell every moment what he understands and what not, and thus assist the activity of his under- standing when it fails ; but the actual attainment of this advantage rests, as any one must see, upon the form of the dialogue, which, accordingly, truly living instruction must necessarily have. To this also is to be referred what Plato says, that a sentence orally de- 16 Ifvered mdy always be supported by its Father and re- ceive his protection, and that not only against the ob- jections of one who thinks otherwise, but also agairist the intellectual stubbornness of one as yet ignorant, while the written sentence has no answer to make to any further inquiries. Whence it is at once clear, in passing, to what a degree that man has forfeited all right to utter even a single word about Plato who could take up with a notion that that Philosopher, in his esoteric and oral instruction could have availed himself of the Sophistical method of long and continuous discourses, when, even by his own declaration, such a method appears to Plato farthest removed from that preeminence which he gives to' its opposite. /^But in every way, not accidentally only, or from practice and tradition, but necessarily and na- turally Plato's was a Socratic method, and indeed, as regards the uninterrupted and progressive reciprocation, and the deeper impression made upon the mind of the hearer, to be certainly as much preferred to that of his master, as the scholar excelled him as well in construc- tive Dialectics, as in richness ahd compass of subjective intuition. . As then, notwithstanding this complaint,, Plato wrote so much from the period of his early manhood to that of his most advanced age, it is clear that he must haVe endeavoured to make written instruction as like as possible to that better kind, and he must also have succeeded in that attempt. For even if we look only to the immediate purpose, that writing, as regarded him- self and his followers was only to be a remembrance of thoughts already current among them ; Plato considers all thought so much as spontaneous activity, that, with him, a remembrance of this kind of what has been al- ready acquired, must necessarily be so of the first and 17 original mode of acquisition- Hence on that account alone the dialogistic form, necessary as an imitation of that original and reciprocal communication, would be as indispensable and natural to his writings as to his oral iiistruction. [Meanwhile this form does by no means exhaust the whole of his method, as it has been often applied both contemporaneously and at a later period to philosophical objects, without a trace of the spirit of Plato, or of his great adroitness in the management of itT? ^ut even in his oral instruction, and still more in the written imitation of it, when^ we coflsider further, that Plato's object was to bring the still ignorant reader nearer to a state of knowledge, or that he at least felt the necessity of being cautious with regard to him not to give rise to an empty and conceited notion of his own knowledge in his mind, on both account* it must have been the Philosopher's chief object to conduct every investigation in such a manner from the beginning on- wards, as that he might reckon upon the reader's either being driven to an inward and self-originated creation of the thought in view, or submitting to surrender himself most decisively to the feeling of not having discovered or understood anything. To this end, then, it is re- quisite that the final object of the investigation be not directly enunciated and laid down in words, a process which might very easily serve to entangle many persons who are glad to rest content, provided only they are in possession of the final result, but that the mind be re- duced to the necessity of seeking, and put into the way by which it may find it. The first is done by the miiid's being brought to so distinct a consciousness of its own state of ignorance, that it is impossible it should willingly con- tinue therein. The other is effected either by an enigma c 18 being woven out of contradictions, to which the only possible solution is to be found in the thought in view, and often several hints thrown out in a way apparently Utterly foreign and accidental which can only be found and understood by one who does really investigate with an activity of his own. Or the real investigation is over- drawn with another, not like a veil, but, as it were, an adhesive skin, which conceals from the inattentive reader, and from him alone, the matter which is to be properly considered or discovered, while it only sharpens and clears the mind of an attentive one to perceive the inward con- nection. Or when the exposition of a whole is the ob- ject in view, this iS only sketched by a few unconnected strokes, which, however, he who has the figure already before him in his own mind, can easily fill up and com- bine. These are something like the arts by which Plato succeeds with almost every one in either attaining to what he wishes, or, at least, avoiding what he fears.->^|And thus this would be the only signification in which one could hei*e speak of an esoteric and exoteric, I mean, as in- dicating only a state of the reader's mind, according as he elevates himself or Hot to the condition of one truly sensible of the inward spirit ; or if it is still to be referred to Plato himself, it can only be said that immediate in- struction was his only esoteric process, while writing was only his exoteric. For in that certainly, after he was first sufficiently assured that his hearers had followed him as he desired, he could express his thoughts purely and perfectly, and perhaps even regularly work out in com- mon with those hearers, and according to outlines framed in common with them, the particular philosophical sciences, aftey having first grasped in his mind their higher ground and connection. Meanwhile, since in the writings of Plato 19 the exposition of Philosophy is in the same sense pro-» gressive from the very first excitement of the original and leading ideas, up to an all but perfected exposition of particular sciences, it follows, what has been above said being presumed, it follows, I say, that there must be a natural sequence and a necessary relation in these dialogues to one another. For he cannot advance further in another dialogue unless he supposes the effect pro- posed in an earlier one to have been produced, so that the same subject which is completed in the termination of the one, must be supposed as the beginning and foun- dation of another. Now if Plato ended with separate expositions of the several philosophical sciences, it might then be supposed that he had also advanced each for itself in gradual progression, and we should be compelled to look for two separate classes of dialogues, an ethical and a physical series. But as he represents them as a connected whole, and it is ever his peculiar theory to conceive of them generally as essentially connected and inseparable, so also are the preparations for them united in like manner, and made by considering their common principles and laws, and there are therefore not several unconnected and collaterally progressing series of Pla- tonic Dialogues, but only one single one, comprehending every thing in it. The restoration then of this natural order is, as every one sees, an object very far distinct from all at- tempts hitherto made at an arrangement of the works of Plato, inasmuch as these attempts in part terminate in nothing but vain and extravagant trifling, and in part proceed upon a systematic separation and combi- nation according to the established divisions of Phi- losophy, in part also, only take particular points into 20 consideration here and there, without having anything like a whole in view. The classification into tetra- logies, which Diogenes has preserved for us after Thra- syllus, manifestly rests merely upon the almost dramatic form of these dialogues, which gave occasion to ar- range them in the same manner as the works of the Tragic Poets spontaneously arranged themselves accord- ing to the regulations of the Athenian festival, and even on this poor chance-work the classification was ill kept and so ignorantly executed, that for the most part, no reason whatever can be discovered why, in particular instances, the results of it are at all as we find. them. Not even is the resemblance carried on so far as that, as every dramatic tetralogy ended with a satirical piece, so also in this case the dialogues in which irony and epideictic polemics are most strongly preeminent, were assigned to the concluding portions; on the contrary, they are all heaped together in two tetralogies. Quite as little regard was had to an old tradition, and one, in itself, at first sight extremely probable, that Plato, when actually a pupil of Socrates, made some of his dialogues public; for how otherwise could those which refer to the condemnation and death of Socrates be the first, and the Lysis and Phasdrus, which the ancients re- gard as works of so early a date, he thrown far into the middle of all? The only trace of an intelligent notion might perhaps be found in the fact that the Clit- ophon is placed before the Republic, as a justifying transition from the so-called investigative dialogues, and in appearance sceptical, to those that are immedi- ately instructive and exponential, and in this case it is almost ridiculous that so suspicious a dialogue can boast of having suggested this solitary idea. The Trilogies 21 of Aristophanes, although they proceed upon the same comparison, are more intelligible, at least in so far as that he is not for subjecting the whole mass of writings to this frolic of fancy, and constructs a trilogy only in cases in which Plato has himself, with suflficient clear- ness, projected a combination; or when such is implied by some external circumstance, leaving all the rest sub- ordinate to that arrangement. Meanwhile both attempts may only serve to show how soon the true arrangement of the Platonic works was lost, excepting very few traces of it, and how ill suited that kind of criticism which the Alexandrian Philologists knew how to apply, was to dis- cover the principles of a correct arrangement of Philo- sophical works. Less esoternal, indeed, but otherwise not much better are the well known dialectic divisions of the dialogues which Diogenes likewise has prepared for us without indicating the author of them, and ac- cording to which moreover the editions usually mark every dialogue in the title. At first sight, indeed, this attempt does not seem deserving of any notice in this place, as its tendency is more to separate than connect, and it relates to matters which do not profess to indi- cate the exponent of the natural order. But the great division into the investigative and instructive might certainly, if properly understood, be a guide for mark- ing the progress of the Platonic dialogues, at least in the main, since the former can only be preparatory to the latter as explanatory of positive theories. Provided only that the further subdivision were not made in the most utterly illogical manner, in the one according to the form alone of the investigation, in the other ac- cording to the subject, while the latter of the two methods again quite unplatonically arranges the works 22 acQording to the different Philosophical sciences, so that even what Plato had himself expressly combined is split asunder, as the Sophist and the Politicus, the Timaeus and the Critias, not to mention other most strange ex- hibitions of criticism in the details. The same unpla- tonic principle ip followed also in the Syzygies of Ser-p ranus, which are therefore perfectly useless for the ar- rangement of Plato, and at the most can only serve as a register to any one wishing to inform himself of the opinion of Plato upon particular subjects, where he has to look for the decisive passages, although even this, considering the character of the Platonic writings, is ever very uncertain, and can only be productive of very de^ ficient results. Besides these attempts at arrangement there is scarcely any other to mention, unless it be that of Jacob Geddes the Scotchman, and our own country- man Eberhard, in his treatise upon the Myths of Plato and the object of his Philosophy. The first would not indeed deserve to be mentioned, had not great merit been attributed to him in a variety of places, and even de- mands made that any future translator should arrange the works of Plato according to his plan. It is how- ever impossible that these should be complied with, sup- posing even the best disposition to do so. For the man^s whole discovery amounts but to this, that certain dia- logues of Plato reciprocally illustrate each other, and upon this principle he takes occasion to write a few at the most very meagre lines about each of them, shew- ing nothing so clearly as that there is scarce a siqgle instance in which he has traced out Plato's object with any thing like ordinary understanding. But even sup- posing all this to be better than it is, and that the greatest proofs of ignorance, as well as misapprehension 23 of particular passages were not to be found, how can an argument be undertaken upon a principle of reci- procal illustration? For which of the dialogues thus reci- procal is to be the first, and accotding to what law ? And as regards Eberhard's attempt, he sets himself to prove a reference in all Plato's works to a common object in his Philosophy, which, independent of the Phi- losophy itself, lies in the formation of the Athenian youths of rank to be virtuous citizens. Now in this, notwithstanding the very clear manner in which the po- sition is enunciated, it is difficult to determine whether this object was to have been at the same time the basis for the discovery of all the higher speculations of Plato, which, I suppose, it would be somewhat over- hazardous to maintain, and even disregarding the circle in which it is involved, as Philosophy must certainly determine what is the virtue of a citizen, it is far too subordinate a ground to rest the Philosophy itself upon. But if the opinion is to mean, that Plato invented his Philosophy independent of that particular object, and that this, the Philoaophy, must be supposed, while the writings are to tend to that object of education, and were worked out in the manner in which, under the cir- cumstances of that time, such an object might demand, this would be the strongest position ever taken up in favour of their exoteric character. Meanwhile, accord- ing to that view, the philosophical writings of Plato could only constitute a psedagogic, or rather a polemic series, in which, from its reference to external circum- stances and events, all must be accidental^ and thus it would be like enough to a string of pearls, only a capri- cious concatenation of productiohs, which, torn out of their organic place, would be, considering further the 24 total failure in the object in view, a useless piece of ornamental finery. Equally worthless is the view main- tained by others, that Plato published sometimes one part of his knowledge, sometimes another, either from mere vanity, or in opposition to that of other Philoso- phers. In all these endeavours, therefore, the restora- tion of the natural order of these writings, in refer- ence to the progressive developement of the philoso- phy, is out of the question. Quite different, however, from all that has hitherto been done is the character of the attempt made in Tennemann's system of the Platonic Philosophy; the first, at all events, with any pretensions to completeness, to discover the chronological order of the Platonic dialogues from various historical traces impressed upon them ; for this is certainly critical in its principle, and a work worthy in every way of an historical investigator like the author of that treatise. In this undertaking, indeed, his view is directed less to discover, by the method he adopts, the real and essential relation of the works of Plato to one another, than to discover in "general the dates of their composition, in order to avoid confounding early and imperfect attempts with an exposition of the Philosophy of the mature and perfect Plato. And to that undertaking, generally, the present is a necessary counterpart ; and thus, on the other hand, that method, resting as it does entirely upon outward signs, provided it could only be universally applied, and definitely assign to any Platonic dialogue* its place between any two others, would be the natural test of our own method, which goes entirely upon what is internal. It may not indeed be necessary on that ac- count that the results of the two should perfectly coincide, for the reason that the external production of a work 25 is subjected to other external and accidental conditions than its internal development, which follows only such as are inward and necessary, whence slight variations might easily arise, so that what was internally in existence sooner than something else, does not yet appear externally until a later period. But with due regard to these effects of accident, which would hardly escape an attentive eye, if we had the two series complete, and they could be accurately compared, they could not fail by a pervading coincidence mutually to confirm, in the most decisive manner, their respective correctness. We discover, how- ever, in proceeding upon this method, but few definite points ; and for the great majority of the dialogues only somewhat indefinite limits between which they must fall, and often an extreme limit only on one side is given. For in strictness the historical traces should not extend beyond the life of Socrates, within which indeed all the dialogues come, with the exception of the Laws, and the few which Plato makes others narrate, and in which, consequently, he had a later date at command ; an ad- vantage, however, which he has not always employed so as to leave a more accurate trace for us. Now the anachronisms which he occasionally allows himself, do indeed excite a hope of some little further historical evidence, so that one might wish that Plato had oftener been guilty of this fault; but even this slight advantage is made very ambiguous by the consideration that many of these facts may have been introduced on a subsequent recasting of the works in which Plato had naturally ceased to transport himself so vividly into the actual time of the dialogue, and might be more easily seduced to transgress its limits, unrestrained by fact. There might, perhaps, be yet another expedient hitherto unused with 26 reference to this method. Thus the predominant rank given to Socrates, which, if the dialogues are placed in a ciertain order, gradually vanishes, might be regarded as a measure of the distance at any given point from the period of his life; or even the choice of the other personages might be regarded as a sign of the liveliness of the interest which Plato took in Athens and in public life then, which was in like manner blunted and destroyed as time advanced. But all this is subject to so many limitations, that any confident use of it might be more delusive than beneficial, and no inference thence drawn can decide any thing, but only yield a slight increase of probability. So that by this method it might hardly be possible to attain more than what it has been applied to iii that work with praiseworthy moderation, though, it may be, not always according to correct hypotheses. At all events, the results arising from the consideration upon internal grounds of the Platonic works, can certainly be neither criticised nor contradicted upon that of those historical notices, as that operation only determines an order of reference, but not one chronolo- gical point. It must, however, be as much as possible called in to assist, in order to gain certain points by means of which that order also may be brought into connection with the external circumstances. Now, if the natural order of the Platonic works is to be restored out of the disarrangement in which they at present are, it would seem necessary to determine first what pieces are really Plato's and what are not. For otherwise how can an attempt be made with any degree of certainty, or rather, in case of anything foreign beirig mixed up with the works of Plato, how can even what is genuine fail to appear quite in a false light, if violence be used to place what is 27 ungenuine in connection with it ? Or is it to be com- petent to take the problem given itself as a standard, and to declare, slashingly enough, that what will not adapt itself to that connection cannot belong to Plato? Scarcely any one, I suppose, would be found to favour this process, or not to see that this would be an ex- tremely partial decision of a question to be answered upon quite different grounds, and that it is impossible that a notion arising from a consideration of the works assumed as Platonic, should pronounce at the same time upon the correctness of the assumption itself. Or more probably, the majority of readers will not expect to meet with the question about the Platonic writings perfectly entire, but regard it as one long since decided, with the exception of unimportant doubts touching only a few trifles, the adoption or rejection of which may be a matter of great indifference. Such, for instance, will be the opinion of all those who repose upon the long prescribed authority of editions. This authority does indeed coin- cide accurately enough with the list of Thrasyllus, in Diogenes, only that more modern criticism has withdrawn the Clitopho from our collection ; and on the other hand, the explanations of words are wanting in that list; and these, therefore, would be the only dubious matters. Nay, we have still a better evidence in favour of this collection in that of the Grammarian Aristophanes, who has been already named, whose arranging catalogue Dio- genes also had before him, and certainly would not have passed the matter over in silence if he had discovered anywhere a variation from it. But how, I would ask, can a searching criticism, even though it would pay no regard to the doubts which one's own feelings suggest, rest upon those authorties ? For not only, with the 28 exception ; of a few poets, have spurious productions insinuated themselves into all considerable collections of works of particular authors preserved from antiquity, so that it would be matter of wonder if those of Plato were to make an exception, especially as philosophical literature has in a less degree employed the industry of critics; but in Plato's case, an additional circumstance comes in, the importance of which does not seeem in this respect to have been sufficiently considered, that those critics have already rejected a considerable number- of small dialogues out of the collection which they found at handj as not belonging to Plato. For it is clearly manifest from this fact that at the period .when this was done, these dialogues must have already maintained their place among other works of Plato for a considerable time, since otherwise no particular operation of criticism would have been necessary again to deprive them of it. And this usurpation, on the other hand; could not have taken place if there had been evidence of the spuriousness of these dialogues documentarily descended from the time of the genuine academicians; for, ; generally, as long as men were to be found, who preserved the genuine Platonic tradition with zeal for the cause, it is not conceivable that foreign work should have been commonly : foisted upon Plato. Upon what ground, therefore, did these critics found their judgment when they adopted some dialogues and rejected others.'' If it should be said that they had, with regard to all not rejected, certain and sufficiently old evidence of their recognition by those who lived nearest after the time of their composition, we might .rejoin that the silence of contemporaries, who do not take the case of a futiire confusion into considera- tion, and require an occasiow for every quotation, is 29 neither cdlectively nor in detail a ground for rejection, and they might, therefore, very easily have judged wrong. In like manner, also, various grounds of sus- picion might be raised against the sufficiency of the proofs applied, as several examples both in former and even in modern times have shown at how eariy a period of antiquity supposititious writings have been adopted even by philologists and learned men into the list of genuine works. Now, if they judged chiefly upon inter- nal grounds, no prescription is valid as regards these at all events ; but they must remain fairly subject to renewed trial at every period, however late. Hence then arises, especially as in the mind of every attentive reader many doubts will suggest themselves against much that he meets with, a question whether these men did not in their criticism start from too limited a point of view; or whether they may not have failed to push principles, though correct, to their full extent, and consequently have preserved much that might have been quite as appropriately rejected. There are two circumstances that give particular encouragement to this doubt. First, that the dialogues at that time rejected are not all of them separated by a decisive line from all recognised at the same period, but whether we look to the subject-matter, or to the composition and mode of treatment, some of the first class approximate pretty near to the second. Again, that from the same period at which these authorities were commonly recognised, among the well known suspicious circumstances attaching to the Erastae and Hipparchus, a stock of doubts has lived, which perhaps only require to be planted in a better critical soil to spread perceptibly to a ' considerable extent, and strike out in many other places. But if our confidence in the authenticity of the 30 collection is thus shaken, any one endowed with any, however little, talent for such investigations, will be fain to allow that, in strictness, each particular work must itself be its own voucher that it is Platonic. Now this, to continue, can be done in no other way except by coming back to evidences again; and, looking at what has been said above, it might be doubted whether for us, at the present time, there is any other valid evidence but Ai-is- totle. Meanwhile even with him various grounds of suspicion come in, partly on account of the doubtfulness of many pieces which bear his name, as spurious works are mixed up even with this collection, partly by reason of the bad state of the text, which seems to be far more loaded with glosses than has been hitherto remarked; and in part, lastly, from his manner of quoting, as he often mentions the titles only of Platonic dialogues with- out the composer, or even the name of Socrates when we expect that of Plato. But the philological con- sciousness which should here confidently decide whether Aristotle had Plato in his mind or not, and whether or no he ascribed to him the dialogues named, must indeed have approved itself in possession of a high degree of practice, not only in general, but especially to avoid arguing in a circle in this case, and founding, it may be, the judgment passed upon the quotations of Aristotle on one previously formed upon the Platonic writings. Hence, any quotation in the works of Aristotle introduced only in a cursory manner, and, as is not seldom the case, almost superfluously and for mere ornament, need not necessarily be a proof of the genuineness of a Platonic dialogue. Now the only thing which rescues us from this state of uncertainty is a system of criticism upon Plato pervading the greatest part of the genuine writings 31 of Aristotle, particular parts of which, any one with a little practice may learn easily to distinguish. When, therefore, we find this employed upon passages out of our Platonic writings, or even only on ideas distinctly contained in them, we may then conclude with certainty that Aristotle had these writings in view as Platonic, even though, as is sometimes the case, he should not give us the name of the dialogue, but only mention it, in general, as one of Plato or of Socrates. To explain this more accurately would carry us far beyond the limits of the present introduction, and is the less necessary as among those who are ignorant of both sets of works the doubts are not sufficiently strong to require such a pro- ceeding, while those who know them will hardly make objections to the result, that by this method we can scarcely fail of sure proofs of the genuineness of the greatest of Plato's works, and of guides to the meaning of his philosophy in the most important of them. In these, then, lies that critical ground upon which every further investigation must build, and in fact no better is needed. For the Dialogues thus authenticated form a stock from which all the rest seem to be only offsets, so that a connection with them affords the best test whereby to judge of their origin. And for the next task likewise, that of arrangement, it follows from the nature of the case, that when we have that stock we are at once in possession of all the essential grounds of general con- nection. For it must have been natural for the first reviewer of the Platonic system to have especially taken a survey of all the most important developments of it without any exception, and thus we do actually find these in the instances of the works most accredited by Aristotle. As such, of a character which in both respects, as well 32 as regards their genuineness as their importance, entitles them to constitute the first rank among the Platonic works, we count the Phaedrus, the Protagoras, the Par- menides, the Theaetetus, the Sophist and Politicus, Phsedo, Philebus, and Republic, together with the Timaeus and Critias connected with it. In these, there- fore, we have a firm footing-point from which to advance further, both in the task of deciding the genuineness pf the rest, and investigating the place which belongs. to each of them ; and the second may be accomplished simul- taneously with the first, and without the two by their mutual relation contradicting one anotherj but either yery naturally supporting each other mutually in a variety of ways, as, it is hoped, the following investigation vyill shew. Now the first task, that of testing the remaining dialogues in our collection, and thus investigating whether or not they belong to Plato, is not without difiiculty, for the reason that the character to be drawn from those that are proved genuine is made up of several traits and distinguishing features, and it seems unfair to expect that all should be united in an equal degree in all pro™ ductions of Plato, and difficult to decide to which of these distinguishing marks we ought especially to look and what rank to assign to each. Now there are three things which come particularly under consideration : the peculiarity of the language, a certain common range of subject, and the particular form into which Plato usually moulds it. Now as regards the language, the matter in question would be fortunately dealt by, if any proof whatever could be drawn from that, regarding the origin of these pieces. But if we look to the phi- losophical part of them, there are among the dialogues whose claims to be considered as Plato's it will never- 33 theless be necessary to investigate, some which treat in general of no scientific subjects, nor of any in the spirit of speculation; while the rest take their subject-xnatter so immediately from the range of the undoubtedly genuine dialogues, and are so manifestly inspired by the same mode of thinking, that it is impossible to recognise in them a later or a strange hand, and yet they might, as far as depends upon this point, come only from a scholar or an imitator who faithfully followed the footsteps pf his master. But as regards the properly dialogistic part of the dialogues, scarcely any one could presume to select first from the common property of the period that which was the work of the Socratic school in particular, and from this again to distinguish with cer- tainty the peculiarities of Plato. Or, considering the great compass which the language of an author who has wielded the pen so long must acquire, and moreover the great loss of contemporaneous and similar works, and, finally, if the small and already long since rejected dialogues are to be accounted as forming part of the whole to be judged, considering the great difference in value and subject ; all these circumstances considered, is there any one now-a^days who would venture to pro- fess himself sufficiently skilled in Greek to pass sentence upon any expression whatever even in these small dia- logues, and to decide that it is unplatonic with such certainty that he would undertake for that i*eason alone to reject the piece ? Rather might we say that it is not so much the indication of the presence of what is strange or the absence of what is native, the want of choice and embellishing dialogistic formulae, that may draw down the sentence of rejection upon those dialogues already accredited as far as the language is 34 concerned. Among those therefore which cannot be accused of that deficiency there is much that need not belong to Plato without its betraying itself in the lan- guage, so that this exclusively can scarcely decide any- thing. For when suspicions arise in our minds which depend more upon a general impression than upon any distinct grounds which we can bring forward in sup- port of it, it may be assumed that these depend more upon the composition in general than upon the language alone. And such again might be the case when we would judge of the genuineness of the remaining works according to the subject-matter of those of the first class. For this might be done in two ways. Either it might be maintained that nothing can be Platonic which stands in contradiction with the subject-matter of these recognised dialogues. But Plato would thus be deprived of a right enjoyed by every one else, that of correcting or changing his opinions even after he has publicly explained them ; and it would be at once supppsed in his case, wonderful as such a supposition on consideration of our modern philosophy must appear, and so much so that it cannot be believed without the strongest proof, that from the period of his entrance upon his philosophical career, or still earlier, he always thought the same as he "did afterwards. Or, if less regard be paid to the accurate coincidence of all the particular thoughts than to the quality and importance pf the subject-matter generally, and a rule be laid down that eyery work of Plato's must have the same im- portance and the same relation to the main idea of the philosophy, it would in that case be forgotten that external circumstances frequently occasion the production of heterogeneous works of a somewhat limited size by 35 an author, who without the influence of such circum- stances would never have produced them spontaneously. In occasional pieces, properly speaking, like these, it cannot be fairly demanded that those ideas of the author which belong to a higher sphere should develope themselves, and when traces of them are seen, their appearance is accidental and supererogatory, and may not even always be taken as an infallible proof of their origin from him. Equally manifest is it that every great artist of every kind will work up studies out of his own particular line, and though the adept will dis- cover in them more or less of his style and spirit, yet they neither belong to the class of works which pecu- liarly characterize their author, nor advance his great views of art, or, what is more, he may in them, pur- posely perhaps, and for sake of some preparatory exer- cise, remove himself out of his accustomed circle of subjects, and even the method natural to him. There are clearly in our Platonic collection several pieces which can be ascribed to Plato only by regarding them in this point of view, and to endeavour to decide with respect to such from the trifling nature of the subject-matter, or from particular deviations in the treatment of it, might, according to this analogy, be a process very liable to mistake. These difliculties, then, clearly tend to show, that we should judge neither from the subject alone, nor from the language alone, but that we must look to a third and more certain something in which those two unite — the Form and Composition in general. For even in the language, what affords most proof con- sists not in particulars but in the whole tenor and peculiar colouring of it, which at once stands in the closest relation to the composition. In like manner 36 this will betray itself in its principal features even in those studies in which we miss the important matter of these works of a higher class. Moreover, and it is this which must contribute to give us a correct idea of this genuine Platonic form, we need not first abstract it, like those other two tests, out of the larger works as an analogy, the limits of the applicability of which can still not be drawn with certainty ; but it is, in every essential point, a natural consequence of Plato's notions with regard to philosophical communication, and must therefore be found, generally, to the same extent in which this latter exists. For it is nothing but the immediate putting into practice of those methodical ideas which we developed from Plato's first principle as to the mode in which writing operates. So that the same idiosyncracy of the philosopher which justifies us in looking for a pervading connection throughout his works, does also reveal to us that which yields the surest canon for judging of their genuineness, and thus the solution of both problems grows from a common root. Now the dialogistic dress has already been represented above as the external condition of this dialogistic form, and its almost indispensable scheme, but only where, vividly conceiving the purpose of imitating oral instruction, which always has to deal with a definite subject, it further adds thereto an especial characteristic, the ad- mixture of which forms the Platonic dialogue. I speak of that mimic and dramatic quality by means of which persons and circumstances become individualized, and which, by general confession, spreads so much beauty a;nd charm over the dialogues of Plato. His great and undisputed works plainly show us that he does not neglect this admixture even when he is most deeply 37 absorbed in the subject, as on the other hand they shew us almost universally that he admits it most co- piously when the subject-matter does not lead so far into the dark solemnity of speculation. Whence we may certainly conclude that this peculiar form can never be totally wanting, and that even in the most insig- nificant trifle which he undertook, whether as a study or an occasional piece, Plato will have applied some- thing of this art. Moreover, the want of this is indis- putably the first thing which, to the feeling of every reader, must distinguish as unplatonic the dialogues rejected from antiquity downwards; as it is also the correct basis upon which that old critical judgement rests, that all dialogues without Introductions are to be disavowed, except that this formula expresses the fact but very partially and imperfectly. And to the in- ward and essentia? condition of the Platonic form belongs every thing in the composition resulting from the pur- pose of compelling the mind of the reader to sponta- neous production of ideas; that frequent recommence- ment of the investigation from another point of view, provided nevertheless that all these threads do actually unite in the common center-point ; that progression, often in appearance capricious, and only excusable from the loose tenor which a dialogue might have, but which nevertheless is always full of meaning and of art ; the concealment, further, of the more important object under one more trifling; the indirect commencement with some individual instance ; the dialectic play with ideas, under which, however, the relation to the whole and to the original ideas is continually progressing : these are the conditions some of which must necessarily be found in all really Platonic works that have any philosophical 38 bearing. Meanwhile it must be evident that this cha- racter can show itself in its full light only in proportion to the importance of the subject-matter, and we here see first how, when we are employed upon Plato, the task of proving the genuineness of any dialogue, and the investigation of its right place, mutually support and verify each other. For in any dialogue which at once recommends itself by its language, and which manifestly treats of Platonic subjects, the more perfectly this form is stamped upon it, we may not only pronounce it genuine with so much the more certainty, but since all those arts point back to what has gone before and forward to what is to come, it will necessarily be so much the easier to determine to what main dialogue it belongs or between which it lies, and in what region of the development of the Platonic philosophy it can furnish an illuminating point. And in like manner, conversdy, the easier it is to assign to any dialogue its place in the list of the others, these relations must become more marked by means of those expedients, and the dialogue appropriates itself, with the greater certainty, to Plato. These dialogues, therefore, in which Platonic matter is united in proper proportion with Platonic form, and both appear sufliciently manifest, constitute a second class of Platonic works, which, even without looking to the pretty valid evidence which likewise appears in support of some of them, sufficiently authenticates itself by its relation to, and connection with, the first. But the more deficient a dialogue is in reference to the form, and when the subject-matter presents itself but slightly enough proportioned to it, the more suspicious, certainly, the genuineness of that dialogue becomes, especially as the other elements of the Platonic character must be 39 less distinctly perceptible. For even the thoughts them- selves will then betray less of the spirit of Plato, and the language also will have less opportunity to develop^ itself in all its power and beauty, as so much of both is connected with those peculiarities in the composition. Thus, as the distinctness of the form diminishes, the conviction of genuineness does so likewise in all respects, until, as more suspicions and doubts come into its place, it gradually becomes less credible that Plato, to whom it was so easy and natural to refer from all particular ideas and separate opinions to his great original principles, should have brought forward in a different manner any subject whatever in the province of philosophy, where every one may be so treated, because he must thus, without attaining any of his well known points and for no purpose, have transposed himself into a forced position. With respect to such dialogues it is therefore imperative to bring especial proof of the possibility of their being Platonic, and a preponderant probability at least must be shown in favour of them to prevent their rejection, and that with the most perfect justice. But even sup- posing the balance to waver, and that the matter could not be at all decided, even this continuing uncertainty will not throw the arranger of the Platonic works into any embarrassment. For dialogues of this kind do in no way belong to the list which it is his object to make out, for, even supposing their genuineness proved, this would only be the case when a particular object or an especial occasion for the existence of such heterogeneous productions was pointed out, so that in any case they can only be occasional pieces, which from their very nature are indifferent as regards this investigation. It is therefore easier also to decide upon the genuineness 40 of all which can belong to the connected system which the arranger seeks, and all in which the investigation of their genuineness can either be not made out at all, or only upon other grounds, falls at once and of itself into a third, and for him an indifferent class. I speak not only of those pieces that are dubious from a certain mis- understanding of them, but also of those in the Platonic collection which do not fall in any degree within the province of philosophy, and whose genuineness, there- fore, cannot be judged of according to the same rules with the others. Thus, then, the privilege is reserved of investigating quite from the beginning upwards the connection of the Platonic writings, and placing them in such an order as shall possess the probability of deviating as little as may be from that in which Plato wrote them ; and this under- taking is not endangered even supposing that a decided judgement upon the genuineness of many dialogues must continue in abeyance for future times, or for a sharper eyed and better furnished criticism. All therefore that now remains, since the marks of genuineness and the thence resulting different circumstances of the Platonic writings have been briefly sketched, is in like manner to lay before the reader the first principles of their con- nection and the arrangement resting thereupon, in the way of a preliminary survey of the whole in general. For to show in detail how every dialogue strikes into the rest, must remain in reserve for the particular introduc- tions; while here we can only give an account of the principles which are the basis of the general plan. If then, to continue, we keep to the somewhat con- tracted selection of the more important Platonic works in which alone the main thread of this connection, as has 41 been already mentioned, is to be fonnd perfect, there are some of them distinguished above all the rest by the fact that they alone contain an objective scientific expo- sition; the Republic for instance, the Timaeus and the Critias. Every thing c6incides in assigning to these the last places, tradition, as well as internal character though- in different degrees of the most advanced maturity and serious old age ; and even the imperfect condition which, viewed in connection they exhibit. But more than all this, the nature of the thing decides the question; inas- much as these expositions rest upon the investigations previously pursued, with which all the dialogues are more or less engaged ; upon the nature of knowledge generally, and of philosophical knowledge in particular; and upon the applicability of the idea of science to the objects treated of in those works, Man himself, and Na- ture. It may indeed be the case that in point of time a long period intervened between the Republic and the Timaeus ; but it is not to be supposed that Plato during this interval composed any whatever of the works- re- maining to us, or even, generally, any that would pro- perly come into connection with- them, with the excep- tion of the Laws, if those are to be counted as part of that connected series, for we have express testimony with regard to. these that they were written after the books upon the Republic. But these books, together with the Timaius and Critias, form an inseparable whole, and if it should be said that the Republic, as properly re- presenting ethical and • political science, though written later than those dialogues in which the nature of virtue, its capability of being taught, and the idea of the good are treated of, might - nevertheless have been very easily written earlier than the dialogues immediately prepar- 42 atory to the Timaeus, those namely, which endeavour to solve the problem of the inherence of ideas in things, and of the kind of knowledge we possess of nature; this would be not only as unplatonic, according to what has been said above as any thing could be, and would suppose the grossest ignorance of those preparatory works in which such a separation of subjects is not to be found; but it would thence follow in particular, that the Pblit-? icus, which is preparatory to the Republic, in exactly the same relation as the Sophist to the Timaeus, was written earlier, and that by a considerable period than the Sophist itself, which does, nevertheless, in conjunction with the Politicus, constitute but one dialogue, and is in fact the first part of it. But the Republic, as being clearly the earliest of the properly expositive works, at once sup- poses the existence of all dialogues not belonging to this class, and this splendid structure contains, as it were let into its foundation, the key-stones of all these noble arches upon which it rests, and which, previous to entering that edifice whose support they are, if one considers them only in reference to themselves, and surveys them im- mediately within their own range, one might, not being able to divine their destination, pronounce objectless and imperfect. If, therefore the Republic will not admit of being separated by any means from the subsequently annexed Timaeus and Critias, whoever would make any objection against the place they occupy in common, must assume that Plato premised, generally^ the perfected ex- position, and did not add until afterwards the elementary investigations into the principles. But every thing, as wdl the manner in which those principles are introduced into the expositive works themselves, and in which they are investigated in the preparatory ones, as also every 43 possible conception of Plato's spirit and style of thought, is so strongly repugnant to the adoption of such an in- verted order, that it is hardly necessary to say anything upon that point; but we need only ask any one what dialogues he would read in this order, and then leave him to his own feelings as to the inverted process and the miserable expedient that the investigations leading back to the principles will now be necessarily instituted with persons knowing nothing of the preceding expo- sitions, so to cut oflF all natural references to them. Moreover, instead of those references which he will in vain look for, other relations would spontaneously force themselves throughout upon the mind of any one reading in this order, clearly pointing to the opposite arrange- ment. It is hoped that no one will object that the case would, in the main, be the same with the order here pro- posed, inasmuch as according to this, a subject is not seldom anticipated mythically which does not appear until later in its scientific form. For the very fact of its being done only mythically does not only accurately agree witli that main purpose of Plato to excite his read- ers to spontaneous origination of ideas, upon the recog- nition of which our whole arrangement rests, bat it is even in itself a clear proof of how firmly convinced Plato was, that in philosophizing, properly so called, it is ne- cessary to begin not with a composite theory but with the simple principles. Nay, whoever penetrates deeper into the study of Plato, wUl then, and not before, be aware how the gradual development and moulding of the Platonic myths form one fundamental myth, as well as the transition of much that is mythical into a scien- tific form, affords a new proof in favour of the correct- ness of the order in which all this may be most clearly 44 perceived. The necessity, therefore, for assigning the last place to the constructive dialogues, is in every point of view so great, that if well-grounded historical traces were to be found of an earlier composition of the Re- public prior to any one of those preparatory dialogues, though none such has yet been found, and, what is more, will not be found,: we could not avoid falling into the most serious contradiction with our judgement upon Plato, and we should be much embarrassed how to reconcile this instance of unreason with his vast in- telligence. As then, these constructive dialogues are indisputably the last, some, on the other hand, of the remaining ones distinguish themselves as clearly as the first ; for instance, continuing to adhere only to those of the first rank, the Phaedrus, Protagoras, and Parme- nides. For these are contrasted with the former, first by a character of youthfulness quite peculiar to them, which may indeed be most easily recognized in the first two, but even in the last will not escape the attentive eye. Moreover by the- circumstance, that as by the for- mer all the rest are presupposed, so,, conversely, many references are to be found throughout to these latter as previously existing ; and even looking only to the par- ticular thoughts, they appear in these dialogues still as it were in the first glitter and awkwardness of early youth. And further, these three dialogues are not in- deed like those three last, worked up into one whole with a definite purpose and with much art, but not- withstanding, mutually connected in. the closest manner by a similarity in the entire construction scarcely ever to.be, met with again to the same degree, by many like thoughts, and a number of particular allusions. But the most important thing yet in them is their internal 45 matter, for in tliem are developed the 6rst breathings of what is the basis bf all that follows, of Logic as the instrument of Philosophy, of Ideas as its proper object, consequently of the possibility and the con- ditions of knowledge. These therefore, in conjunction with some dialogues attaching to them of the lesser kind, form the fitst, and, as it werej elementary part of the Platonic works. The others occupy the interval between these and the constructive, inasmuch as they treat progressively of the applicability of those princi- ples, of the distinction between philosophical and com- mon knowledge in their united application to two pro- posed and real sciences, that of Ethics, namely, and of Physics. In this respect also they stand in the middle between the constructive in which the practical and the theoretical are completely united, and the element- ary, in which the two are , kept separate more than any where else in Plato. These, then, form the second part, which is distinguished by an especial and almost difficult artificiality, as well in the construction of the particular dialogues as in their progressive connection, and which might be named for distinction's sake, the indirect methodj- since it commences almost universally with the juxta-position of antitheses. In these three divisions therefore, the works of Plato are here to be given to the reader; so that while each part is ar- ranged according to its obvious characteristics, the dialogues also qf- the second rank occupy precisely the places which, after due consid^ation of every point, seems to belong to them. Only it must be allowed that with respect to this more nice arrangement, every- thing has- not equal' certainty, inasmuch as there are two things necessary to be attended to in making it, 46 the natural progression of the development of ideas, and a Variety of particular allusions and references. With respect to the works of the first rank, the first of these two is generally perfectly decisive, and is never contravened by a characteristic of the second kind. Thus, in the first part, the development of the dialo- gistic method is the predominant object, and hence, manifestly, the Phsedrus is the first and the Parmenides the last, partly as a most perfect exposition of it, partly as a transition to the second part, because it begins to philosophiZ0 upon the relation of ideas to actual things. In the second part, the explanation of knowledge and of the process of knowing in operation is the predominant subject, and at the head of that part stands the Thesetetus, beyond the possibility of a mistake, taking up as it does this question by its first root, the Sophistes with the annexed Politicus in the middle, while the Pheedo and Philebus close it as trans- itions to the third part ; the first, from the anticipatory sketch of Natural Philosophy, the second, because in its discussion of the idea of the Good, it begins to ap- proximate to a totally constructive exposition, and passes into the direct method. The arrangement of the colla- teral works of the second class, is not always quite so decisive, as several, in the first place, are only enlarge- ments upon and appendages to the same principal work, as is the case in the first part with the Laches and Charmides in reference to the Protagoras, and in these therefore we can only follow certain particular, and not always very definite, indications; and, in the second place, several of them might be transitions between the same larger dialogues, as in the second part the Gorgias with the Menon and Euthydemus collectively are preludes 47 diverging from the Thesetetus, to the Politicus : so that we must rest satisfied with an accumulation of proba- bilities collected as accurately as may be from every source. The third palrt contains no other subordinate work except the Laws, to which, certainly, not only with reference to that important triple work, but also con- sidered in itself, we must give that name, and say that, although copiously penetrated with philosophical matter, they still form only a collateral {>iece, although, from their extensive range and genuine Platonic origin, they are perfectly entitled to belong to the works of the first class. Lastly, as regards those dialogues, to which with reference to the point of view taken in the arrangement^ we have assigned in common a third place, although they, in point of genuineness, have a very different value, they will be distributed into appendices under all three divi- sions, according as either historical or internal evidence, in so far as they are Platonic, assign them a probable place, or according as the critical examination of them is facilitated pju-tiisularly by comparison with this or that dialogue. For they also shall have the privilege which belongs to them, of bdag provided with all that can be said in a short space towards elucidating them, and bringing their cause more near to a decision. PART I. I. PHiEDRUS. This dialogue usually bears as a second title, " Or of the Beautiful C and has been sometimes named, "Of Love and of the Mind.'''' Indisputably all such second titles, appearing as they do to several dialog-lies of Plato, have arisen, probably accidentally, from- a later hand, and have produced almost universally the disad- vantageous effect of leading the reader upon a wrong track, and thus favouring views in part far too limited, in part entirely false, with regard to the object of the philosopher and the meaning of the work. This holds especially of the superadded titles of this dialogue, which have been understood almost universally as indicating the true subject of it, have been translated and used ■ in quotations, though love and beauty appear only in one part of the work, and could not, therefore, to an unpre- judiced person, obtain as the true and proper subject of it. The omission, however, of this deceptive title will be hardly sufficient to replace the reader in that original state of absence of all prejudice ; and from this cause, therefore, as well as from a desire to lay the Platonic method as clearly as possible before the mind, on occasion of the first dialogue, this introduction must claim to extend to what may appear a somewhat disproportionate length. 49 The whole Dialogue, exclusive of the richly orna- mented Introduction, consists of two parts, much alike in extent, but otherwise, even at first sight, very different from one another. For the first of them contains three speeches upon love, one of Lysias in favour of the position that a boy should bestow his favour upon a cold and dispassionate lover rather than an enraptured and impas- sioned one, and two of Socrates — the first a supplementary speech, in the same sense in which such speeches were usual in courts of justice to defend the same cause with the preceding; the other, on the contrary, a counter- speech in favour of the impassioned suitor so severely accused in the first. The '^ second part, to leave it, pre- liminarily, as indefinite as possible, contains several remarks, incidentally introduced on occasion of these speeches, upon the then condition of the art of speaking, together with notices of its proper principles. And from these entirely technical investigations no return what- ever is again made to the subject treated of in the speeches. Now, even from this briefly-drawn sketch, every reader must at once see that not only that parti- cular erotic question cannot have been in Plato's mind the main subject-matter, but not even love in general. For in either case this beautiful work, worked up as it evidently is with the greatest pains, would appear deformed in a most revolting manner, utterly contravening the maxim that it must be fashioned like a living creature, having a body proportioned to the mind, with parts also in due proportion. For the whole of the second half would then be nothing but an appendage strangely tacked on, and not even tolerably well fitted, which, of itself alone, and more especially from its position, could produce no effect so sure as that of necessarily drawing off the atten- G 50 tion as far as possible from the main subject. Moreover, supposing the last to be the ease, the subject itself would be yet but very indiflFerently completed. For notwith- standing that in the two first speeches the relation of the lovers is treated of merely upon the grounds of pleasure and profit— in the last, on the other hand, ethically arid mystically; and this separate treatment might have so easily led to the true point of dispute, with regard to the nature of love and to its higher essence — ^notwithstanding this, no notice whatever is taken of it in the succeeding criticism upon the speeches, and nothing is done to reconcile the opposing views. Accordingly, a subject so negligently treated could not be the proper subject-matter of the work, and nothing remained but to place the whole value of the dialogue upon the mythos in the third speech, which alone ex- patiates to a certain degree upon the question of love— • that myth, which, of all that the dialogue presents, is most celebrated and famous — together with what is said in connection with it of the high importance and the great influence of beauty. And then we shall have to explain all that remains to be digressive matter, strangely con- fused and unmeaningly compiled; if, that is to say, we are to start from the subject-matter of those three speeches in order to comprehend the whole. Now if, on the contraiy, we compare the second part instead of troubling ourselves so uselessly about the first, the result seems to be that as the Art is treated of in the second part, we are to look at the speeehes in the first, more with reference to the mode of treatment, and their value as works of art,, than to the subject discussed; whence ensues an attempt, the reverse of the first, to centre the main object of the whole in that which forms 51 the subject of the second part, the more coirect notions, namely, brought forward respecting the true' nature of the art of speaking. This view, which has even been already adopted by several persons, is favoured by an at least half-serioUsly intended declaration of Socrates, that he brings forward the speeches only as examples, and that, setting aside the correct method employed, every thing else in them is to be taken only as jest. According to that, then, we should have to pay especial attention, from the beginning throughout, to what is paradigmatic in these speeches, and we must endeavour perfectly to understand every relation existing between them and the theory advanced in the second part, which consists in the lidain of the three following points. Plato first attempts to make quite clear what is the proper busi- ness of ihe art of speaking. iPov, as is clearly seen from the rules adduced in the second part, and the inventions of the most celebrated rhetoricians of that most ancient school, this art was treated by the artists and teachers of that day in an exclusively empirical manner. To blind the understanding of th^ hearers by sophistical means, and then, in particular passages, to excite their minds Emotionally.^ — this was their whole object; as likewise an extremely deficient and uniform method of ihstriiction in compositfon, with uselessly accuniulated subdivisions and technical terms, and some maxims upon the use of language, leading at most only to harmony and fulness of sound, or to the production of striking and brilliant effect, made up the whole secret. And thus the art was altogether devoid of internal substance. All this then, which up to this time had passed for the art itself, is degraded by Plato to the rank of technical knack, and while he exposes in its nakedness the principle of the 62 sophistical rhetoricians, that he who would convince need not himself know the true and right, he shews, that in "order really to produce conviction, that is, to compel as it were others to certain thoughts and judgments, if this is to be done at all, however without reference to the truth, yet with that degree of certainty which alone can lay claim to the name of art — ^he shews, I say, that an aptitude at deceiving and undeceiving is requisite, an art of logical semblance, which can itself rest on nothing but a scientific method of comprehending similar notions under higher; and a like knowledge of the difference of notions, that dia^ lectics, therefore, must be the true foundation of rhetoric, and that only what is connected with its principles, pro- perly belongs to the art. With this, then, the second position stands in close connection. All those technicali- ties, he says, which were given out for art were borrowed only from practice in the courts of law and the popular assemblies, and referred to them, so that their trifling value must at once appear, even if they were only put forward as particular kinds, and no longer considered as the whole province of the art. Hence, therefore, Plato maintains that the art of speaking is universally the same, not only in these places, but also in written productions and oral discussions of every kind, as well scientific as civil, nay, even in the common usage of social life. By means of this extension and establishment of its province, now com- prehending every species of philosophical communication, beyond its hitherto too narrowly drawn limits, on the one hand rhetoric is cleared from many grounds of reproach, ancj compelled to seek its principles for all these various branches far deeper, and on the other the rising artist reveals himself in the process, while a great archetype, emblematical of the species which he almost created. 53 floats before him in his mind, and he subjects himself to strict conditions, which according to the general view he might have avoided. But as by this very extension, rhetoric, in the sense in which the word was hitherto used, is in a manner destroyed, Plato clears himself, prophetically, as it were, of the accusation of diluting it away and letting it vanish into the indefinite, which, among the moderns at least, might easily be charged upon him by those who bring with them to this investi- gation the common incorrect conception of Plato's hatred to the art in general. And this he does best by that declaration of his views according to which he sets up rhetoric, notwithstanding its maintained dependency upon dialectics, and even by virtue of it, to be art in a higher sense. For true art, according to him, is nothing but that practice of which again a true science, or, as our own countrymen usually call it, a theory can be made : for it is thus that Plato distinguishes art and artless dispatch. Now such a science can arise only when the classified variety, dialectically exhibited as resulting from the cen- tral notion of the art, is connected in a systematic and peirfectly exhaustive manner with what results from the whole range of the means and objects. Accordingly, he demands from the art of speaking, that it enumerate all the different kinds of speeches, and fix every one and each to correspond to all the different kinds of minds, in order thus to define how every speech, under given circumstances, can and must be fashioned according to the rules of art. From this point of view thus taken up, much con- tained in this work may be now more correctly understood. From it, first of all, the necessity of the examples, at least for a living composition like that of Plato's, becomes 54 evident, and these examples could only be either com- pletely or as good as completely finished speeches. Whence the propriety of their position before the theoretical pa:rt, and the necessity of a flctioii for the purpose of introducing them, naturally follows. But in order to facilitate the comparison, Plato needed an example of the Common illogical method no less than one of his own, and after the last again he was obliged to accomplish ends of an opposite nature if he wished to shew the influence of the peculiar tendency of that period upon the whole discussion, and at the same time to produce that logical semblance which leads unobserved from one contradiction to another. On this account, therefore, no one, we con- ceive, would "wish to overlook the first of the two Socratic speeches from a preference for the second, sLs it is only by the most accurate comparison that both can be understood aright. Thus the entirely different tone of each^ accord- ing to its purpose, will become evident. For in the one we have the pervading direction of the speech to the understanding arid to sober worldly-mindedness, the ex- pression moreover, notwithstanding all the rhythmical accumulation of words, preserved transparent and cold — thus it indisputably is that a mind must be treated which it is intended to lead to a contempt of passion by directing its views to a late future ; in the other, on the contrary, we have the inspired tone, the exaltation of beauty to an equal rank with the highest moral ideas, and its close connection with the Eternal and Infinite; the manner moreover in which indulgence is demanded for the sensuous system, without however concealing that it is only indulgence ; thus it is that with indulgence to the imagination a young and noble mind must be wrought upon, whicb, like that of a growing Hellenic boy, springs 55 fresh out of the school of the poetic art. Truly it could not easily be better proved than is done by this collocation, how necessary on every occasion it is. to consider in what way a given mind can be influenced to a given object. In like manner from this point of view it will appear natural that these examples should be taken from a subject appertaining to Philosophy, because in a subject of this description Plato found himself, most on his own peculiar ground, and because this was at the same time necessary, in order as well to verify, practically, as it were, the theory of the ex- tension of the Art of Speaking beyond the circle of political and civil affairs,, as to suggest a fitting rule for comparison between that more narrow province, and this the more extended, the sphere of the production of splendid philosophical works. Now if Plato had de- termined to start from an example actually given, and that example one which had already submitted to the laws of rhetoric, it will not be risking too much as to the range of his knowledge and reading at that time, to say, that his choice must have been extremely li- mited. For except the declamations of the Sophist, which were indeed works so unsound that for Plato with such views and principles to place himself in comparison with them would have been productive of no honour, and which moreover, as soon as Rhetoric and Sophistry began to separate, lost their consequence more and more from that point of view, there could be little else for him to choose but these erotic rhe- torical essays of Lysias, who moreover, from possessing to a certain degree fundamental principles, was a more worthy opponent than ever an orator out of the poet- icising school of Gorgias. 56 But this is just the point at which the insuffici- ency even of this view must strike every one. For why should Plato have wished to confine himself by such a self-imposed law, and that too quite contrary to his own method ? Or is it not usual with him to put into the mouth of his Interlocutors what they have never said, liable to the sole condition that it be like them and appropriate ? And what therefore should have hindered him from composing a speech in any one's name, unless he found one at hand upon a subject for which he not only had a peculiar interest, but which also stood precisely in the closest connection with the immediate object of this dialogue. For that love is in- deed a moral object, and that in the method in which it is here treated of, there lies at bottom something like an apology for Socrates who was accused of it in an unworthy sense, this would be perhaps sufficient cause for introducing it as one of those subordinate points of the second rank which we meet with not sparingly here in the introduction generally, in the transitions and in various allusions; but when anything stands in such relation to the whole as these speeches do, then it becomes incumbent upon us to discover a necessary connection between it and the main idea of the whole. J Now if the main idea here were nothing but the correction of the notion of rhetoric, in that case love and beauty, which form the subject matter of these speeches, would be, as regards this point, purely accidental. But this is just Plato's method, and it is the triumph of his master-mind that in his great and rich-wrought forms nothing is without its use, and that he leaves nothing for chance or blind caprice to de- termine, but with him every thing is proportionate and 57 cd-operative according to his subjects' range. And how should we miss this intelligence altogether, in this place, above all others, where the principles which he adduces are pronounced in the clearest manner ? Thus, therefore, it is at once evident that this is not yet the correct view, and not taken from the point ^from which alone a survey may be had of the whole^ and every particular appear in its proper form and posi- tion, but that we must sfeek out another, connecting every thing still more accurately. But there are yet other reasons at hand which would not allow us to stop here. For is it likely that it could have been a principal ob- ject with Plato to compose a treatise upon the technicals of rhetoric? and would this in any way agree with his other purposes as a writer ? or is it not rather the case that nothing similar ever occurs again, and the Phaedrus would then stand isolated in a manner in which a far less important work, in the case of this master, could scarcely be allowed to stand ? Nay more, even in the second part, though it is from this that the standing point for this view is taken, still much remains inexplicable and strange on the supposition that it is the right one. For this second part not only expatiates greatly upon love and beauty as the subject of the first, but upon the form of that part and rhetoric generally. For all that is said of rhetoric is suddenly extended to poetry and politics as weU, for these too are arts, and it can escape no one that, properly speaking, even rhetoric itself is set up and treated of only as an example, and the same even is said of it almost as of the speeches delivered, that, setting aside the higher laws which must be exhibited therein, its whole operation and business is nothing but child's-play. In such wise, therefore, we are driven from H 58 an outer to an inner, and as this last does itself in turn soon become an outer, we push still onwards even unto the innermost soul of the whole work, which is no other than the inward spirit of those ^ higher laws, the art, namely, of unshackled thought and informing communi- cation, or, dialectics. For which all else in this dialogue is but preparation, in order to bring about the discovery of it in the Socratic method by the exhibition of its spirit in a well known particular, and that one in which an ex- clusively scientific form was in part generally recognized, and in part easy to exhibit. Now not only does Plato intend to celebraite this art as the root of every other ramification to which that name can apply, but, while in all other arts we are indeed to recognise it, it is itself to appear to every one as something much higher and perfectly divine, which is to be learnt and practised, by no means for their sake, but for its own and for that of a divine existence. Now the priginal object of dialec- tics is found in ideas, which he therefore here describes with all the ardour of first love, and thus it is philosophy that Plato here extols, independently and wholly, as the highest of all objects, and as the foundation of every thing estimable and beautiful, and for whom he may triumphantly demand that her claims to these titles be universally recognised. And it is just because philo- sophy fully appears here not only as an inward state, but, in accordance with its nature, as extending and communicating itself, that it is necessary to bring to . consciousness and to exhibit the impulse which forces it outwards from within, and whicTi is nothing but that genuine and divine love which raises itself above every other, originating in and proceeding upon any notion of advantage,, as philosophy does by its nature excel 59 their subordinate arts which are content to play either with pleasure or profit. For however much the attain- ment of the object of that impulse must be the effect of art and of the judgment that arranges its details, still the impulse itself appears as something originally existing and ever at work in the mind of the finished and perfect man, seeking its object irova. without, con- sequently as passion and divine inspiration. Hence, therefore, all problems are solved, and this approves itself to be the real unity of the work — bringing out every thing, vivifying and connecting all. This object then, considered in connection with the manner in which it is brought forward, irrevocably secures to the Phaedrus the first place among the works of Plato. To this conclusion we are moreoy-er at once led., when we observe, that in this exposition of philosophy the consciousness of the philosophical impulse and nlethod is far more intimate and powerful . than that of the philosophical matter, which therefore only appears mythically, as if, on the one hand, it were still unripe for logical exposition, andy on the other, repressed to a certain degree by that predominant consciousness. Now this was very naturally the first state into which a worthily reflecting scholar of Socrates, and one already possessed with the art, must have been transported by the mode of teaching pursued, by that philosopher. For these two, impulse andt method, were in all his conversations the constant and ever unchanging elements, with which therefore the mind would be most possessed, which, as to the riiatter, he iused but to moot particular questions in particular detail, without selection or con- nected purpose. In later ( times, however, Plato, in proportion as the objects of philosophy had revealed 60 themselves to him more clearly, and he had practised the method more fully through all his productions and brought it to honour, would have abstained from making it the core of a composition of such extent in the manner in which he has here done. Moreover, the excessive, and almost boisterous and triumphant exult- ation, which at once and of itself points clearly enough to the acquisition of a newly gained good, relates only to the discovery of the first principles, and the Phaedrus exhibits, less than any other dialogue, a great and already acquired readiness in the application of this method. Moreover it points in a variety of ways to the poetic essays of Plato which preceded his philoso- phising. For any one who holds Plato in proper esti- mation, will not be willing to believe that he composed poetry only in the thoughtlessness of youth, but rather that he took it up seriously, and contemplated in very early times, and upon grounds of art, all effects pro- duced upon the mind of man. Thus the power which Socrates possessed of convincing and influencing the mind with all the apparent artlessness of his arguments, must still have appeared to Plato as a master-art never sur- passed, and have filled him with admiration and love. This then, under such circumstances and in such a mind, inclined by nature to favour the notion of the unity of the two, naturally exhibited itself in a re- ference of philosophy to art, the process of which at the same tinje contained an explanation and defence of his transition from the latter to the former. And, next, his immediate choice of rhetoric, which was not his own art, is conceivable upon the grounds that, more than poetry, it aims at conviction, and because he could not compare what Socrates effected in it by the science 61 of dialectics, with anything nearer than what the so- phists and rhetoricians thought to effect by mere em- piricism. But if such arguments, however accurately they combine with the only true center-point of the whole, should still appear to any one insufficient to decide the period at which the work was written, let him further mark the innumerable proofs of the youthful- ness of the work generally. Now these are to be found immediately in its whole style and colouring. It has a great inclination to the epideictic — to an ostentation of convincing power and superiority ; for not only, first, the opponent set up is conquered with little trouble, and afterwards, in gvery instance in what follows, the preceding position outbidden, but even philosophy it- self, in order to give it a lustre and excite our admi- ration, is praised chiefly, because it leaves far behind what men most praise and admire. Now this is in part involved in the subject-matter ; but, in Plato subject and execution are thus necessarily consequent one upon the other, and the spirit is youthful through- out in which that general design is applied and con- tinually worked upwards, through ascending degrees, till it reaches a point of extravagance. Look, first of ajl, but at the second speech — that speech which annihilates Lysias, then at the counter-speech which crushes, still more powerfully, the two preceding; ob- serve how in them Plato showily appropriates to him- self the great triumph of the Sophists, of defending opposite propositions one after the other, and, withal, the elaborate display immediately made of abundance of matter; in that every contradictory detail is despised as regards the speech itself, and only premised in the 62 dialogues as prefatory to it ; then the apologetic con- fidence, which does not even attempt to deprecate the name of Eros as regards Socrates, or assume a milder instead, but even in a prayer for health and happiness, ends with love. Further, the investigation which de- clares what is most beautiful in this speech to be nothing but child's-play, and rejects it along with the first as if it were nothing; the bantering challenge to Lysias ; the droll, comptehensive, and almost confusing polemics against the early rhetoricians, ridiculing un- sparingly even what is good in their labours, because it does not proceed from right principles — and this to a length of which , he would scarcely have thought them deserving at a later period, and which does itself make a somewhat ostentatious show of extent of reading ; finally, as the culminating, point in this epideixis, . the exalted contempt, genuinely Socratic, for all writing and all oratorical speaking. Even in tbe outward form this youthful spirit betrays itself, in the constantly renewed luxuriance of the secondary subjects introduced at every resting point; in an animation in the dialogue, which cannot be quite defended against charges of effort and affectation; lastly also, in a some what, immoderate introduction of the religious, and. here and there even in a certain awkwardness in the transitions, not indeed in the speeches, . but in the dialogistic half. i - With this view, moreover, the historical indications in the work itself accurately coincide, leaving as they do no doubt remaining as to the time in which the dialogue plays, so to speak. It would indeed be use- less to attempt to draw any proof whatever from these, and generally, with the exception of a few cases in which the impossibility of the composition prior to a 63 certain period is self-evident, it would be folly to form any conclusion upon historical grounds as to the time at which any work of Plato was written, if we are to grant what is maintained in Athenoeus, that Phfledrus could have befen . no contemporary at all of Socrates. For what writer ever allowed himself such latitude, unless he was one in whose eyes nothing was impro- bable, and for whom no impropriety, was too great ? Not indeed that Plato was to be bound to strict his- torical accuracy, or as if no offence against the order of time is to be met with in him. On the contrary, it may indeed be the case in dialogues which were transposed into a period pretty remote from that of their composition, that he starts away from, and leaves, his hypothetical grounds, whether from error of me- mory and negligence, or from his knowingly sacrificing historical truth for sake of a certain effect. But this is one thing, and it is. another to introduce, as must here be the case, two men as ;the only acting personages, who, as every one knew, were not eyen in existence at the same time.. And what was likely to have influenced Plato to such a course?. For one circumstance of the Phaedrus would be then of no value for. the dialogue, as there could be no want of a contemporary confidant and admirer of Lysias simong the young Athenians, and any one to whom he had here transferred the cha- racter of Phaedrus, might have also delivered the speech spoken by him in the Synaposium. JNay, what cause could there have been for making this same impossible interlocutor come forward in thej Protagoras, where, as a mute spectator, he only swells the accumulated crowd .'' We would not therefore take this even upon the word of Athenaeus unless he communicates to us some of his 64 more accurate sources of information as to this Phae-= drus, and so unproven an accusation is not to prevent us from treating our dialogue, in what we have to say further, as if it were possible to draw conclusions from historical relations contained in it. This premised, we add that two very well knovra personages are there mentioned in a very decisive manner — Lysias, namely, and Isocrates. Lysias, in 01. lxxXiv. 1, had travelled at the age of fifteen years to Thurium, and returned, as Dionysius tells us, when forty-seven years old, in the first year of the ninety-second Olympiad, from which period his great fame as an orator first commences. Now if we allow still some years to pass before Phae- drus can say of him, as something generally granted, that l^e wrote best of all his contemporaries, this dia- logue cannot have been held earlier than in the ninety- third Olympiad. And certainly not later, for Lysias could not well be more than fifty years old to write of and expound love-matters without shame, as Iso- crates, two and twenty years younger, could not have been much above thirty, to be brought forward as a young man. To this may be added the mention of Polemarchus as a living personage, who, according to Plutarch and the composer of the Lives of the Ten Orators, perished in the anarchy. Now all this does indeed point immediately only to the time at which the dialogue may have taken place : but when considered more accurately, we have from these grbu'iids the further result, that it cannot have been written much later; in which case it is at once self-evident, that Plato, who at that time had not been long a scholar of Socrates, could not as yet have written anything of this descrip- tion, but that the Phaedrus was the first burst of the- 65 inspiration drawn from Socrates. For, first, every man's own feeling will tell him that the manner in which Plato introduces the speech of Lysias could only have had its proper effect while this publication was fresh in the memory of the readers of the Phaedrus, and that upon the contrary supposition there would not only be a degree i?egards the Egyptian story, there 'is indeed no occasion here to suppose with Ast a proverbial mode of speaking, but Plato himself gives us a pretty clear hint that this tale was composed by himself,. and in order to have done so, he need not necessarily hiaye Jbeen in that country any more than he actually : brought from Thrace the Thraciaii Leaf ' mentioned in the Charmides with the Philosop'hy involved iii it. ' And as to the second ground j namely, the similarity between what is /said in this dia, logue of the efiect of writingj and what occurs to the same ^purpose, in the seventh of the. Platonic letters ; ■ it would seem that Tennemann himself did not mean the expressions in the; Phsedrus to .apply to. the same, par^ ticular case which is the basis of the discussions in that letter j". and consequently that he does not maintain that the Phaedrus was not written till after Plato's yiait to 67 the younger Dionysius. But he only thinks, in general!, that here also disagreeable circumstaitees in cousequerice of "writing must have preceded such expressions as we ^nd in the Phaedrus. But of this there is no trace at all to be found ; and be the case as it may with that letter, the depreciation of writing in comparison with true and living philosophical communication is itself per- fectly intelligible as a justification of Socrates' abstinence from writing, and as a sentiment inspired by that method' of teaching which Plato at that time despaired of ever imitating in written treatises, though he afterwards learnt to do so, and did not end with believing to the same extent in the utter iiicommttnicability of Philosophyj al- though, as we see, he was well aware from the first that it could not be' learnt historically. But perhaps that iatithor does in reality hold to another ground still be»- hind that already brought forward r namely, that in the Phsedrus so much that is Platonic appears, while he is only disposed to consider those writings of an early date which connect themselves immediately with Socrates, and in which the peculiar styl0 of Plato is still wanting, esteeming s,o large' a work and with such a subject, as oiily adapted to laiter times. But every skilful and selft experienced peirson will certainly allow that true philoso- phizing does liot commence with any particular point, but with a breathing of the whole, and that the personal character of the writer, as well as the peculiarities of his modes of thought and views of things in generalj must be to be found in the first commencement of the feally free and independent expreission of his sentiments. Why, therefore, should not the communication of the Platonic philosophy begin thus ? Or if we are to believe that Plato was not merely for a certain period a simply 68 passive learneT, but also wrote as sych, then it would be necessary to be able to point out a marked divir sipn between these two opposite classes of his works, a task which no one would be in a condition to petr form. For the existence in the Phsedrus of the germs of nearly the whole of his system, is hardly to be denied ; but then their undeveloped state is quite : as clear, and at the same time their imperfection betrays itself so clearly in that direct method in the conduct of the dialogue which constitutes the peculiar superi^ ority of Plato, throughout the continuous and unin- terrupted course of the last half, that it may be ex- pected that skilful read^s will agree as to the position to be assigned to this dialbgue. , Among the grounds here adduced for this arrange- ment, that old tradition which distinguished the Phsedrus as th^ first of Plato's works, has, not improperly, con- sidering the importance of the subject, found no place. For Diogenes and Olympiodorus refer l3ie origin of this tradition to no competent testimony; on the con- trary, what these authors say tends rather to favour the hypothesis, that this arrangement was only supposed already in early times, in order to destroy several objections made to this dialogue ; as to whether, foE instance, the language of it kept within the limits of pure prose, or indeed whether the whole investigation was not excusable only in consideration of the youth of the writer. It is evident what is meant by the last, namely, the «rotie question ; but in the first allegation one <^ the ixiost eminent masters of antiquity agrees, and that in no gentle manner — I mean Dionysius. What the nature of the case may be as regards that point, will best appear from what still remains for us to do ; 69 namely, to add certain preliminary elucidations con- cerning the particular details of the work. The Introduction is praised by Dionysius, and with- out taking offence at the piece of natural description in it, he accounts it an instance of that homely and tem- perate style, which, as the peculiar province of the school of Socrates, belongs, he thinks, to Plato in even an emi- nent degree. The first speech which Phaedrus reads to Socrates he clearly recognizes as a work of the cele- brated orator, a point upon which no one will entertain a doubt, although an English Philologist has laid a penalty on the belief of it. Now if more had Remained to us of the collection of Lysias' erotic publications, we should be better able to judge of the relation of this speech to others of that writer, as regards the art and character displayed in it. This here however is not deserving of much praise in itself; for the uniformity in the moulding of the particular propositions, as well as the mode of connecting them, could hardly be given in the translation to the vicious extent to which they exist, and the indefiniteness of expression which almost always admits of several meanings, is a cruoo for the interpreter. Now supposing the others to have been like this, the whole was an attempt, not indeed thought- lessly entered upon, but still perfectly unsuccessful, towards an extension in the Art of Speaking. Then the first Socratic speech carries forward the principle of Lysias more thoroughly and clearly worked out. Now here Dionysius at once censures the invocation to the Muses which precedes it, thinking that it comes down suddenly like storm and tempest from a clear sky, de- stroying the pure prose — a tastless piece of poetastry. And Dionysius adds that Plato means soon to acknow- 70 ledge himself that this is a specimen of high sounding sentences and dithyrambs, with great pomp of words and little meaning, when he says to Phsedrus tliat he should be surprised at nothing in the sequel, for that what he is now uttering is not far short of dithy- rambs. Now as to that invocation to the Muses, we might perhaps allow an affectation in the sportive de- rivations in it ; but; looking to the whole structure, scarcely any one would be disposed to deny its claim to the title of prose. By the surprise, on the con- trary, which Plato expresses at the dithyrambic nature of his sentences, he certainly did not intend to express any censur6 upon himself. For any one who pays at- tention to the passage in which this occurs, wiir easily discover that it does not refer to any kind of Poetic inspiration ; but that Plato only intended, certainly not to his own disadvantage, to attract iiotice to the dis- ""tinction between his own rythmus and that of Lysias. For in the latter all the periods are turned with a mo- notonous uniformity, one like another split into ante- theses ; and the whole speech is pervaded by' one and the same extremely flat melody. In that of Plato on the contrary, the rhythmus is in continuous gradation, so that he begins, where his ideas are far-fetched, with, short propositions at a quick step, and as the speech ad- vances from the general to the particular, the sentences also becom^ more developed ' and articulated ; until at last the .Orator, when he has reached a culminating point, hovers around it, and as it were poises himself in a slowly revolving period. Yet, notwithstanding, the struc- ture of these periods appears, to us at least, perfectly prosaic, as also the epithets are -taken from the philoso- phical and not from the poetical province of the subjects 71 So that to see how far the censure of Dionysius, which can strictly refer only to the feet of the words, is grounded in truth, could be the privilege of Gi-ecian ears alone, as it is evident that Plato's Theory : upon this point, rests upon difiFerent grounds from that of Dionysius. To us, who do not inquire quite so much into this matter, the fulness of expression seems actually to reach only to the extremest limits of language i unfettered by metre, and in this respect certainly Plato himself intended to be epideictic. In the second speech of Socrates, that famous Myth is, lastly, beyond doubt the most impor- tant part, for sake of which all other matter in this dia- logue has been, xmfairly thrown into the back-ground. The consequence of this has been, that not even the Myth itself has been throughout rightly understood. For the Love has, for the most part, been taken in a far too abstract and limited sense, and much has been overlooked or childishly trifled away. Least of all has the fact been remarked, that it is the fundamental Myth from which all that succeed and enter into the; whole system of the Platonic Philosophy are developed ; so that the more the subject-;niatter of it, at advanced stages, passes from the mythic into the scientific, the remainder is ever shaped out with less pretension, aud becomes more vividly mythiqaL Sd that Plato here seems most expressly to assume the privilege of ipter-^ weaving Myths with the expositions of his Philosophy; Though all this cannot be here regularly proved, but; must verify itself by the sequel. Now as to >vhat relates to the particular subject of the Myth, but little definite can be adduced ; in illustration of the iniagi-i iiative iti it; and the cosmographical conceptions espe-, cially which are the basis of if, are the more diflficult to explain, as' the Myth, rests quite on ^h? boundary 72 between the Natural and Supernatural. More accurate solutions of it would certainly be more welcome than that discovery which Heyne some time since communi- cated, that the horses in this Myth were borrowed from Parmenides, which will hardly be discovered after a per- usal of the fragment referred to. For the identity in a comparison, rests not so much upon the image, as upon a similar application of it to the object. Moreover, more would be implied in that assertion than that learned per- son probably intended, namely, that Plato borrowed his division of the Soul from Parmenides. In our confessed uncertainty as to particulars, it may however be said in general, that several of the conceptions in this Myth seem to be worked out from one another; and that, as several expressions are derived from the mysteries, a more perfect understanding of them would probably contribute most towards an explanation. On this ac- count a still more accurate acquaintance with the Py- thagorean PhiloBophemes may not be supposed to be the true key even to the mythology, still less to the doctrine of the human mindj as also the Platonic doc- trine of renewed recollection is hardly to be explained from Pythagoras. Moreover the bulk of this Myth is evidently treated as a by-work to add to the pomp of the whole, and to harmonize the strictly allegorical parts of it. Wherefore we must beware of entering too much into details in the explanation, and rather be satisfied with only comprehending aright those philosophical indications, which Plato himself marks as such in the delivery. It might be adduced as a consequence, suffi- ciently immediate and but little attended to, that in every case a man's character is not originated during the course of his life, but exists in him from the first. What Wiedemann however has discovered in the notion 73 that the essentially existent is beheld, not in heaven, but in the region beyond heaven, can hardly be implied in it. But it might be most difficult to explain what is said very particularly of the various character of men according as they have been more or less penetrated by the Eternal. If therefore still greater faults do not lie concealed under the considerable varieties in the readings, the whole passage might perhaps belong to that class of decorations in which we are not to look for too much. And, generally, it is impossible to draw attention too much to the fact, how completely every thing in this di^ogue is meant and applied rhetorically, so that even here, where untamed imagination has been so often dis- covered, like the wild horse as it were of the Platonic philosophy hurrying the wiser one along with it, Plato appears rather with all the judgmeht of a master. And even supposing that in the detail this composition carried him near the borders of a province that did not belong to him, as Dionysius even compares one passage with a passage in Pindar, still the style is in the main prosaic throughout. For to sketch an image, as is here done, first with a few strokes in the outline, and then to work it out further step by step, as regularity required, could not be endured in a poem. With regard to the second part of the dialogue, after all that has already been said in general, there is nothing further to remark, except that, although not fully applied to practice, it was the origin of that im- proved rhetoric which dates its commencement from Aristotle, who owes much to this work. The remarks will explain particular difficulties, and thus the reader will be detained no longer in the vestibule of this splen- did and genial work. 74 II. LYSIS. A suflScientJy unauthen^icated legend, ineisn)U|Qh, as Diogenes does not give us the name of its voucher, njajj;e$ t^s 4i^lpgue one of the ^rliest, at leas)t amojog thpse writ,t^n before the death of Socrates, j^ greater degree ^f authority however mi^ht fgirly atta^ch to it than to t^e s^niilar one respecting the Phaedrus> as tJtii^ latter rests pnjy upon internal evidence, while tlfie fojppiey is grounded upon tl^e tradition of a fiact,. namely Socrates' exclamation of siirprise when he saw himself in the representation giyen of him by Plato.^ Su^h a testimony, howeves, scarcely deserving as it is of tbie napae, is, not; li^re- the ^o.^nd upon which its place is assigned to. this dialogue; the connection diecyfes. aw.fllQient.ly; iji f^r your of it,> even though, it were n,ot Sr:^poj|;t^4 % hisr tprical references^ For in its subject-KiAtte]^ th,^ Lysi* is related to the Ph?edrus an^ the Sjfwpesium alone of all the dialogues of Plato, ii^a^qivch as the question, as to the nature and thje grovujds. of fdend^ip, anjd loye, which clace, whether the Lysis is to bie placed before or after the Phsedrus^ The latter does indeed likewise speak decisively upon the principal quiestion, inasmuch as it developes at length oSe source of love, and goes into an explanation of it ; so that any one rtiighl fairly think, in reference to this circutnstiEacej that, as in the case of the Symposium, it would bie contrary to the principles assumed to place that dialogue before the Lysis, inas- much as the Lysis only treats of the same subject sceptically. But the great distiinctidn mUst of itself be efMent to those who know the Symposium, while to Others who do not, it may certainly be made apparent without taking an anticipative survey of that later di- alogue. For the theory respectihg the sburce of love is dnly brought forward in the Phasdrus mythically.; and to think of deciding in this manner a question which had been alreeldy at an earlier period taken within the province of logic, would be nOt dflly tjontrary to the most redogriized analogy ki the Platonic writingSj and to every idea of the philosophy of their authc»:, but even in itself a vicious and useless undertaking; because the reproduction upon a dialectic sOil of those mythical elements among which the investigation begari^ must render the gul^ect again complicated and uncertain. To this, nlorfeover, the following argument may be ftdded, one which with maily will probably be hiore decisive. In the Phae- 76 drus the matter is treated far less generally, inasmuch as there are yet other kinds of friendship than that exclu- sively philosophical, which is there the subject of discus- sion, or than that exclusively sensuous kind from vrhich occasion is taken to start the question ; but at what point these others deviate from the fOTmer, or how far the solu- tion admits of being applied to them, is no where pointed out. In the Lysis, on the contrary, it is friendship in general that is the subject of discussion ; and to think of carrying on and bringing to a conclusion an investi- gation begun with such universal bearings, and which yet obtains no decisive answer — to think of doing this by means of a mythical exposition, and that relating but to one part of the subject — is an absyrdity so great that it could only be ascribed to an unthinking and random writer ; a description which least of all applies to Plato. The Phasdrus therefore is by no means to be looked upon as growing out of the Lysis, as the former also could not fail to appear ridiculous to any one who would read it with a still lingering desire to resolve the logical doubts contained in the Lysis; but this latter clearly stands between the Phaedrus and the Symposium. And upon this it may be farther asked to which of the two it stands nearest; whether it is to be looked upon as a supplement to the Phaedrus, or as a note of preparation to the Symposium. To the latter it does indeed approx- imate in its more general and various method of treating the subject; but not to mention other grounds which will not allow of being fully understood before we come to consider the Symposium, in the Lysis any trace is so utterly wanting of what Plato wrote between the Phae- drus and the Symposium ; and it is itself so entirely to be understood from itself and from the Phaedrus, that 77 it occupies indisputably the place next after it, and is almost to be viewed only as a supplement to this dia^ logue, or as an enlarged dialectic elucidation of its subject. For what in the Phaedrus is brought forward in a mythical form, that love has its source in the identity of the ideal between two persons, is here proved dialec- tically, though indirectly and in an enlarged sense. The latter, inasmuch as the notion of relation and affinity takes in more than that of the identity of the ideal ; and indeed this notion is alluded to in the Lysis so indefinitely, that it is only by reference to the Phaedrus that it can be easily understood. Indirectly, inasmuch as all other propositions resolve into contradictions. Fcjr that this is the case with the last proposition likewise, and the one particularly defended by Plato, is only ap- parent. Much rather is the manner in which the doubts raised Against the earlier position, that resemblance is the source of friendship, are applied to this likewise, to be looked upon as the key to the whole, and one which will certainly open up the entire meaning to every one who bears in mind the hints in the Phaedrus. Like is only then unprofitable to Like when a man confines himself to his own external personality, and to an in- terest in his own sensuous being ; not to him who, taking interest in the consciousness of a spiritual ex- istence, possible at the same time among many and for the good of many, enlarges the sphere of his being beyond those limits ; a process, in the course of which, first, every man universally meets with something like and related to himself, and not at war with his own en- deavours. Similar hints are also implied in the similar sceptically proposed positions as to the uselessness of the good, in so far as it is conceived, not as an antidote to 78 the bad, but independently and for itself. Aristotle, how- evef, seems not to haVfe understood these allustoafe. And this tmisundeffStanding of the dialectics atid polfelniGS oc- curring in the Writings Of Plato, may generally indeed be excused in his case, as his syaonyiaoiis arts are of a coarser metal, and of a csmposition ai'roltting of no polish. But in the present iMta&ce where the case is so easy, the source of his error seems to be that he probably knew but little of the donwection more especially of the earlier Pla- tonic writings. For several passages may be found in his ethical works, in which he appears to have had the Lysis in his mind, and all of thetn look as if he thought Plato's appareat indecision real, and believed that he was only unable to extricate himself partly because he over- looked the distinction between friendship and i»clina>> tibn, partly because he mistbok his three kinds of friend^ ship, and therefore, flaturally enough^ could not avoid Mling into a contradiction, as often as he thdught to transfer to the others what held only of one. Now it must be clear to every reader of the Lysis with What emphasis Plato, though only in his indirect method, draws attention to that distinction, as a cotisiderabk part of the dialogue is devoted to the dialecUcal expo- sition of it, and hoW decidedly he rejects the so-called frienddhi]^ of utility, and this too certdnly, dlalectieW^r considered, with the gt^eatest justice, as this utility is never and on no occasion anything for itself, but always, and this accidentally, Only in another. Still further particulars likewise speak in favour of a very early dale for the compodtion of the Lysis after the PhtedrUs. Thus, for example, we find in this dialogue also harsh transitions, a playful caprice in the connection, and occasionally a carelessness in the choice 79 of examples ; all of which gives us a strong feeling of inexperience in a composer. Thwa ail§6 what occurs r^pecting the subject of the erotic speeches find poems of ^ippothales, seems to be a continued aUosion to the eiwtic speeches ^ Lysias, very ptobasbliy produced by vmfejvqurable opinions as to the, conduct of Plato to that celebra.ted inan, It would be superfluous to think ojE ftoting in detail the whole course ^rf th^ dialogue after the general view of it that has been given, inasmuch as fvery one must now be iji a, Goniditlon to judge to what point the particular lines tend) and according to what rule they must be produced in ord^ to reach the centre-point ^f the whole. That many pole»mic$l particulars lie ^onicealed in thisi diatlogue also, every reender wU; divide:} and one feels pretty wrtain that Plato would completely separate the physical application of the idea of friendship from the ethicsil, if not ejitirely reject the former. Thus it can escape no one how the secondary object — that which connects the spirit with the form^ namely, to enjoin a morally erotic treatment of the. oibjept of love, is not only reached by the preliminairy pieces of dialogue, but is very artfully insinuated through the whole, and veiry easily also, with the exception of ei few p^ttici^btr harshnesses^ which, just because they we^e easiy to avoid,, mark the beginner. The same may b?' S^d oif the^ luxuriance in th# by-work, and a certain Qstentfttioiit of superfluity of matteir on all points- But this little dialogue is reratark^ able for the manner in which it suggests the principles from whieh it i$ niccessary to start ia order to underst^id and judge of the Platonic writings, partly as a striking example, and the first of such examples, of how little ground there is for the opinion, that Plato did not, gene- 80 rally, mean to decide the questions to the investigation of which he gives a sceptical colouring, without writing down the meaning of the riddle in plain words, as he here observes that method in the case of a subject with regard to which he decides in two other dialogues, and that in such a manner that the attentive reader may without trouble find the decision in what looks entirely sceptical. Partly, also, it is an example of how easily Plato could give birth to dialogues of a slighter castj which, considered in themselves, are merely dialectical, but stand in a necessary connection with something mys- tical without them, — planets, as it were, only borrowing their ligbt from the greater independent bodies, and moving around them. Also of how the appearances of those dialogues cannot be understood unless their relations to the larger are rightly comprehended ; and how neces- sary, therefore, it must be, if we would determine the subject of such writings, or decide whether they are Platonic or not, that every possible means should be tried to fix their distance from the principal bodies, and the path in which they move. For as regards the Lysis, few would now pay much attention to the doubts which a too austere and strict criticism could raise against its genuineness — ^nay, it could scarce be found necessary to refer the accuser further to its, imitative and dramatic form, which has so beautiful an effect, and so much of the Platonic character. Of the characters themselves there is nothing to be said ; moreover, there is no trace existing- that an actual occurrence is the basis either of the subject or of the dress in which it is clothed. 81 III. PROTAGORAS. To the most celebrated men of those who had at that period come forward as instructors of the Hellenic youth ; to Protagoras first, who of all masters of dispute and eloquence, by reason of the fundamental principle on which his art rested, most deserved to become the study of a philosopher, even as he was himself called a philosopher in ancient times and honoured as such ; to the learned Hippias, moreover, the skilled in history and antiquity, rich in stores of art and memory ; and to Prodicus, chiefly brought forward by reason of his philological labours, who, though as a less important personage, contributes to the effect of the whole; and, further, to the friends and admirers of these wise men, the noblest of the Athenian youth, celebrated partly through their fathers, partly in succeeding times by their own deeds as generals, demagogues, and poets ; to the sons of Pericles, namely, to his ward Aleibiades, to Critias, to Agathon and others, who, though only pre- sent as mute spectators, exalt the pomp and splendour of the whole ; to these it is that, together with Socrates and a young man whom he is to recommend as a pupil to Protagoras, this richly ornamented dialogue intro- duces us. And, moreover, to the most brilliant and luxurious house in Athens, the house of' Callias, who was the richest citizen, the friend of Pericles, as the second husband of his mother after her separation from Hipponicus, connected in the relation of brother-in-law to Aleibiades, who married his sister Hipparete, recog- nised and ridiculed by the comic poets as the most zealous and munificent patron of the Sophists, until his unlimited 82 extravagance put an end to the ancient splendour of his house, which had come down almost from the time of Solon. These are the wise and noble personages who take part in the dialogue which Socrates here details to his friend just after its occurrence, and it is not necessary to have any further previous information respecting them, as they all, and the latter especially, are reflected so clearly and distinctly in the work itself, that it is one of the first and most important sources from whence a know- ledge of their characteristics may be obtained. But the question how this company was brought together cannot be passed over, as even in the old times it was objected to the dialogue, that its author had been enabled to bestow upon it this profusion of important personages only in the most inadmissible way, by means of gross offences against the order and propriety of dates. For several points of evidence appear, which seem to argue that Plato conceived the dialogue to be held not earlier than in the ninetieth olympiad. Thus Hipponicus, the father of Callias, is never mentioned, but Protagoras lodges immediately with the latter, who appears exclu- sively as lord and master; and Hipponicus perished in the battle of Delos not later than the beginning of the eighty-ninth olympiad. Nay, still more decisively, there is a comedy of Pherecrates, called " The Wild Men," mentioned as having been brought out in the previous year, which adorned the Lenaean festival in the last year of the eighty-ninth olympiad. Athenseus, then, takes this as his standing point, and from it accuses Plato of two faults, namely, that Hippias the Peloponnesian could not have been staying at Athens at any other time except during the truce under Isarchus, in the first year of the eighty-ninth, against which Dacier, in het^ introduction 83 to the translation of the Protagoras, endeavours to justify Plato ; further that Plato, in the first of the ninetieth, could not have said of Protagoras that he had come first to Athens three days ago, as he is brought forwai?d in the comedy of Eupolis, the Flatterers, as already present in the third of the eighty-ninth. But even if any one should be disposed to agree with Dacier as regards the first point, and in respect of the second, to reject the testimony of a comic poet, who, as well as Plato, may have allowed himself a fiction, still the matter is not done with, as there are several unquestionable evidences in every way opposed to fixing the date of the dialogue in that year, and forcing it higher up ; and it is matter of wonder that these are not mentioned in that hostile passage of Athenseus, although he brings them forward elsewhere. For first Socrates is treated by Protagoras as still a young man, and even calls himself so, which it is impossible he could do only twenty years before his death. Moreover, Alci- biades, who only a year after that assumed by Athenseus is called a general, is termed a downy-cheeked youth, and Agathon, crowned as a tragic poet in the same olympiad, a 'boy. Nayi what is most decisive of all, Pericles is spoken of as still living, and his sons who died before him in the plague are present in the company, whence this dialogue is clearly thrown back to a date prior to the third year of the eighty-seventh olympiad. Now as so many minor points coincide with this last epoch, not belonging at all to what is essential in the dialogue, as for instance Agathon and the sons of Pericles, it is evidently that which was most clearly in Plato's mind, and which he really intended to adhere to in the execu- tion of the work. But as to the evidence for a later date, it may be asked whether the cofiiedy of Pherecrates had 84 not been already produced previous to the exhibition mentioned in Athenaeus, whether in the same or in a more imperfect form, especially as it is an exhibition at the Leneea that is here spoken of; for it is impossible to entertain the notion of an oversight committed by Plato, supposing him to have here come back to the time at which he actually wrote. In like manner it may be doubted whether it is absolutely necessary to conceive Hipponicus as dead, and whether he may not have been absent abroad, perhaps in the army before Potidsea, if the second year of the eighty-§eventb olympiad is not to be thought of, in which Hipponicus led an army against the Tana- graeans. In any way it may sooner be conceived that Plato transposed to a false period this one circumstance, not unimportant for his plan, than that he purposely pursued such a course with those of trifling magnitude and importance ; and in this case " The Wild Men " also of Pherecrates might be fixed to this date, in order not to leave that fabrication perfectly isolated, and to keep fhe more ambiguous what could not be clearly made out. For Plato could not have chosen a better place for this spectacle than th^e house of Callias, and probably " The Flatterers " of Eupolis were the occasion of this idea and the temptation to such a licence. And quite as necessary for him was that earlier period in which those wise men were actually in the flower of their fame, and could thus be collected at Athens ; and when, moreover, this generation of knowledge-seeking youths was not yet devoted to the affairs of state and war. Moreover, it might well shock Plato's feeling of propriety to repre- sent Socrates, in his year of approaching old age, engaged in such a prize-fight with the sophists, and to make even Protagoras, towards whom he cannot still divest himself 85 of a certain respect, a butt of such Socratic irony in his actually extreme old age. And even here what Protagoras says, exaggeratingly boasting of his age, and the way in which -Socrates depreciatingly mentions his own youth, may not be without its object, but intended to throw ridicule upon the standard of those who perhaps reproached even Plato with his youth. For Protagoras was banished from Athens at the beginning of the ninety-second olympiad, during the change of constitution effected by Antiphon the Rhamnusian, and died, it would seem, in his exile, according to some, seventy, according to others, ninety years old. Now if We look for the truth even between the two, although Plato in the Menon, plainly declares himself in favour of the first opinion, still, five olympiads earlier, he could not boast thus of his old age to Socrates, then nearly forty years old, without some degree of exaggeration. Therefore, I would continue, if it is thought not possible to solve the contradictions in, the dates, to rest upon the point that the earlier time is that which belongs to the nature of the dialogue, and into which Plato would properly wish to transpose the reader, and that from the later date only some trifling circumstances are intermixed, perhaps unconsciously, in the way of ornament. For at any rate it is but a shallow expedient to rest satisfied with the simple supposition that different dates are mixed up with one another, and that this apparent confusion- does not proceed from the method and conscience of an ancient author. But it is time to exchange the less important inves- tigation of the external circumstances for the considera- tion' of fthe internal subject of this somewhat complicated dialogue, one perhaps not quite so thoroughly understood as it is multifariously praised. It is indeed very easy 86 to separate the different sections and to draw out the subject of each particular one in its order; but whoever thinks that he has therewith discovered the sense of the whole, proclaiming plan and arrangement as easy and simple, can hardly suppose this dialogue in any other predicament than the very worst, and this with great injustice. For he must suppose that no arranging idea whatever is the basis of the whole, but that every thing spins out accidentally from what precedes, as much without unity as without art and purpose. On the con- trary, whosoever desires not to miss the object and idea of the whole, in which much that is complex is interwoven throughout, must trace accurately the con- nection of every particular, and into these the reader is now to be preliminarily introduced. 1. First of all Socrates endeavours, by means of a sceptical investigation into the nature and the peculiar art of the sophists, to bring the young man who desires to be taken to Protagoras, to reflect upon his purpose. This investigation is as it were continued by Protagoras quite as indirectly, though from a different point, in a short lecture delivered after a request for it had been preferred, upon the extent and antiquity of sophistics. And in this he partly exposes the boldness of his public profession to this trade, partly deduces the thing itself as of considerable antiquity, not indeed from the most ancient philosophers, but from poets and artists. Not anything however, uninvolved or definite comes out respecting the art until Socrates, in a short dialogical section, extracts from him thus much, that political virtue is properly that which constitutes the object of his instruction. 87 2. Hereupon Socrates, in a continuous speech, lays down the position, slightly sketched indeed, but sup- ported by instances and the expressions of general opinion, that no instruction can be imparted in this matter ; to which Protagoras offers a counterproof, partly in a myth about the origin of men and of social life, partly also by endeavouring, in some furthe? investigations, to turn the same instances of ordinary modes of acting, which Socrates had brought forward, to favour his own proposition. 3. On occasion of what is adduced by Protagoras, Socrates, after some premonitory hints as to the difference between an epideictic lecture and a dialogue, annexes a discussion of the latter form upon the question of the unity or plurality of the virtues, in which he first com- pels his opponent, who maintains their plurality, to oppose justice and piety to one another, and then when Protagoras has great difficulty in extricating himself from this dilemma, Socrates courteously breaks oflF, forces from him in a second course the confession that discretion also and wisdom must be identical, and at length is on the point of proving the same of justice, when Protagoras violently starting off in order to break the thread, brings forward a long, but exclusively empirical discussion upon the nature of the Good. 4. Hence arise naturally new explanations as to the nature of the dialogue, and while fresh terms have to be entered into for the contest, since the affair has taken the form of a regular philosophical prize-fight, to the increasing pleasure of the noble youths the nearer it had approached that form, Prodicus and Hippias now find opportunity for coming forward in their own way, with short speeches. And Socrates also, with regard to the proposal to choose an umpire, delivers his opinion in a 88 form which, with all its brevity, is distinguished above all others by the strict dialectic process observed in it. 5. According to the conditions proposed by Socrates> Protagoras has now become the questioner, and after introducing a poem of Simonides, continues the dialogue concerning virtue, without however any definite point being visible to which he would conduct by this method, but only the endeavour to involve Socrates in contradic- tions. Socrates, however, first, as respondent, not only repels Protagoras, but also carries on further a pleasant by-fight with Prodicus, and afterwards himself explains this poem in a continuous discourse, in which the position that all evil is only willed from error, is assumed to be the general opinion of all wise men, and also a derivation of philosophy from the worldly wisdom of the Lacedaemon- ians and Cretans introduced, but at last a serious tone being taken up, the discussion is brought to an end with the conclusion that by such argumentations taken from poets, nothing' can be gained for the establishment; of ideas. 6. Upon this, lastly, the Dialogue is again taken up, and Socrates is now the questioner in it, and in that character continues to shew that virtue is only one — knowledge, science, of that namely which is to be done. First he shews this of courage, and after removing an only apparently sound objection of Protagoras, he makes him allow, half voluntarily, that there is no good but pleasure, and no evil but pain, whence it follows, as a very easy consequence, that all virtue is nothing but a science of calculation and comparative measurement. And thus the contradiction is brought to light by Socrates himself, that on the one side Protagoras, who still maintains his ability to teach virtue, has refused 89 to allow that it is science, while on the other Socrates has himself been at the pains to prove this, though his purpose went to dispute every supposition in favour of the possibility of teaching Virtue. From this short summary of the details it must be at once sufficiently clear, that even here the common methods of viewing the dialogue, inasmuch as they could not comprehend the whole, but went to satisfy themselves with a part, have as good as failed alto- gether. Some for instance, separating what is insepa- rable, as they will do even in the plastic arts, have directed their attention exclusively to what can be con- sidered only as the colouring of the whole, the unin- terrupted irony, which certainly has been admired by every reader yet of this dialogue. It cannot indeed be overlooked that Plato here allows this his peculiar talent to play in a vast range, and with great self conscious skill, whence they who put a high value upon his study of the Mimes, and his approximation to the comic, might easily take up the notion that this ironical treatment, or annihilation as it might be called of the sophists, is to be understood as the chief object of the Protagoras. This is not indeed the place for deciding whether these acquired perfections, for such at least they are represented, were valued to the same degree aiid in the same sense by Plato himself as they are by some of his admirers ; two things however are certain, and sufficient to justify the view taken in the present instance. For, on the one hand, what every eye however inattentive universally observes in the dialogue, is far from being the highest kind of irony, either of Plato generally, or of this work in particular, but only that subordinate imitative colouring which may be met with M 90 not unfrequently even among the moderns, otherwise so little given to irony, under a more modern name. Again it is to be remarked, that every imitation of the peculiarities and manners of particular persons proceeds only from an endeavour after truth in the represen- tation of the speakers, and therefore supposes at once that something is to be saidj and what it is to be, that consequently this ironical imitation may occur any where in Plato, and certainly does so occur, when any point is discussed with these opponents of Socratic wisdom and modes of thinking, not only as mere orna- ment, but as a means connected with the end, in order to make the truth of the whole palpable, and to authenticate it by a careful removal of every thing unnatural and exaggerated ; but that for that very reason it should never be conceived as the first or. proper object, because then in the first place the ex- aggeration would be unavoidable, and in the next the philosophical object, without which certainly no larger work of Plato is ever framed, must either have been subordinate, or have been completely wanting. Others on the contrary, too eager for the real treasure, and not even fortunate discoverers because they sought without knowing their ground, have only adhered to one of the questions started, as if that one were to be here decided, whether it were that of the communicability of virtue or its unity or plurality; for any one who thus takes i^p only some particular point, must necessarily waver. And how insufficient this proceeding is appears from the fact, that from such a point of view several parts of the didogue do not admit of any explanation whatever; as for instance, the two sources mentioned of the sophistical art and 91 x)f Philosophy, and the whole discussion respecting the poem of Simonides, moreover that even such matter as is more closely connected with those questions does not advance but is continually beginning again from the first in a manner almost far-fetched and certainly singu- lar: nay, to express it in a word, how could the main point of the whole be involved in an investigation, of which it is said at the end of it, ironically indeed on the one hand, but very truly on the other, that as far as bringing it to a decision was concerned, it had been pursued poorly and confusedly enough. Now whoever attends not only to this or that point, in this dialogue, but to every thing, to the frequently interspersed and cursory hints which in Plato least of any writer admit of being overlooked, to the change of the form in the different sections, to what is continually recurring in and between these sections, notwithstanding all the multiplicity of subjects — whoever does this will recognize, in this very dispute respecting the form and method, the main purpose of the whole ; the purpose, namely, to praise and ennoble the dialogistic form of Socrates, and to proclaim it as the proper form of all genuine philosophical communication, in opposition to all sophistical forms, all at which therefore make their appearance, not even the method of commentating upon passages of poets excepted. If we place ourselves in this true centre point of the work, we see first, in the most decided manner, how very closely this dialogue con- nects itself by manifold ramifications with the Phaedrus. For as there the inward spirit of the philosophizing process was exhibited, so the outward form is here discovered, and what results, as such, is criticised. Further, as in thai dialogue the investigation respecting 92 the method was interwoven also with the expositicm of the communicative impulse, and that not the common one whose object it is, from a feeling of vanity, to spread a falsely so-called and really empty knowledge, but an impulse which is to form the mind by means of ideas, so that every thing else is grounded upon the ethical as the base of the Socratic philosophy ; so also here, the question regarding the possibility of satisfying that impulse is the subject on which the different forms are to display themselves, and submit to comparison, and that in such a manner that in this dialogue also the argument exclusively treats of the communication of the ethical, which is the very point that constitutes the meaning of the question as to the communicability of virtue. Nay, even in what concerns the outward conformation of the whole, a striking connection between the two manifests itself^ inasmuch as in this dialogue also the form of a pitched contest arises agreeably to the then condition of things ; only still more vividly' set forth, as at that time the sophists were connected with the philosophers more nearly than the orators were, so that even the polemical turn of the Phaedrus appears to be here continued and advanced. Moreover from this point the arrangement of the whole and of every particular in its place intelligibly manifests itself, and that move- ment which from almost every other point seems only circular, now assumes, on the contrary, the appearance of a beautiful and regular progression. For while by the comparison of the forms the deficiency of the so- phistical methods is made all the more evident the further this dialogue advances, and exposes itself still more in examples ; of how easily epideictic discourse lends itself to seduce the hearers from the true point in 93 question, and how much even that is beautiful in ap- pearance several persons together may throw off without ever understanding one another, and how on the con- trary, the dialogistic form brings the true meaning of every one to light, traces out the point of distinction, and, provided only that it is not met on one side by total absence of all meaning, discovers the original error ; co-ordinately with all this, by means of the continually renewed expositions of the subject from- all sides, the causes are always and continually developing themselves, which must prevent the sophists from attaining a better method, and which made them well content to frame a worse. And these causes are the absence of the genuine philosophical impulse and the base enterprises and pur- poses for sake of which they chiefly exercised their art. And this harmony which must work its efliect, like all that is beautiful in art, even though it is not recognised upon its own grounds, is certainly for the most part; the source of the extreme delight which most readers take in this perfect work. Thus the first speech of Protagoras at once discovers his self-conceit and avarice — thus in the very first piece of dialogue, where he is content to oppose the reverse of discretion to knowledge also, it becomes evident, when virtue is to be divided, and consequently the distinction between the theoretical and practical emi- nently obtains, that he is totally destitute of all percep- tion of it. If however this was a piece of dulness wantonly attributed by Plato to this man, it would in that case be sufficiently devoid of art. But it refers undoubtedly to something which Plato and his contem- poraries had before their eyes, it matters not whether relatively to ; Protagoras or some one else. For that philosopher is here less himself than the representative 94 of his sect. In like manner the sequel further discovers that it fares no better with Protagoras in regard of the distinction between the pleasatit and the good. And if, at the conclusion, when Socrates exposes to him the great contradiction in which he is involved, we learn that he has not reflected even in the slightest degree upon the conditions necessary for the instruction of others, or upon the notion of virtue in which he would instruct them ; we have been meanwhile convinced how far removed he must continue from that method, the grand principle of which consists in bringing the nurs- ling of philosophy to self-consciousness, and compelling him to independent thought. Such a method, then, has the dialogistic proved itself meanwhile to be; it is a method which brings all this to view, and applies those testing points, offering them for recognition or rejection, by overlooking which, Protagoras discovers himself to be a person who has never recognised moral truth, and consequently has never endeavoured to attain moral objects as the end of his philosophy. And it is the projection of these points and the trial whether the right can in any way be found which is the aim of the manifold artificial and dialectic turns which Socrates makes, which can only be falsely accounted as tech- nicalities and sophisms in him, by one totally unac- quainted with the Platonic method. On the contrary, if we compare them with the execution of the Phsedrus, they are the very points which at once constitute a clear proof of Plato's advancement as a philosophical artist. For in the Phaedrus we do indeed find that indirect process which forms as it were the essential character of all Plato's dialogues, particularly those not immedi- ately constructive, we find it, I say, sufficiently predom- 95 inant in the whole of the composition, but only very sparingly applied in the details; but in this we have it pursued no less in the details than in the whole gene- rally, so that the Protagoras is upon the whole a more perfect attempt to imitate in writing the living and in- spired language of the wise man. As also the dialectic maxims of deception and undeception delivered in the Phas- drus, are put into practice with that laborious industry with which able pupils in an art, who have already made considerable progress, or rising masters in the same, seek every tolerable opportunity in their exercises for exhibit- ing any of the secrets they have discovered before the eyes of the skilful adept. But it is not only the prac- tical dialectics, and the commendatory recognition of the genuine form of philosophical art which appears here further advanced than in the Phasdrus, but also the scientific bearing is improved. The proposition indeed that virtue is the knowledge of what is to be done or chosen, and, consequently, that vice is only error, this proposition, however serious Plato may have been in making it, is not here put into a definite form and brought forward directly as his opinion, but, left as it is indefinite, it belongs rather to the web in which he entangles those who have not yet possessed themselves of the true idea of the good ; which results in part from the evidently ironical treatment of the whole proposition, partly from the connection into which it is so easily placed with that utterly un-Socratic and un-Platonic view that the good is nothing but the pleasant, partly also from the resulting application of what in virtue might be knowledge and science to the arts of measuring and arithmetic. But at all events we here find some indirect notices tending towards what certainly must precede the 96 decision of the question, the more accurate definition namely of the idea of knowledge. Thus the apparent contradiction which Socrates himself detects, involved in the fact that he disputes the communicability of virtue, and yet maintains that it is knowledge, this is evidently an enticement held out to reflect upon the relation of knowledge to teaching, after consideration of what had been already said in the Phaedrus upon the nature of ideas. The opposition in reference to the School of Heraclitus between being (to ehai) and becoming (to yiyvecrOai) although at the same time ironical as regards the Protagoras, has a similar tendency. As also the subordinate question of the unity or plurality of virtue is only a particular case belonging to the more general investigation into the nature of unity or plurality, or the manner in which the general ideas communicate with particulars, so that the doctrine of ideas here begins to pass from the mythical province into the scientific, and by the very principles brought forward in it, the Protag- oras contains, over and above its own immediate object, the germs of several succeeding works of Plato, and that in such a manner that it is at once clear even from this that it is of an earlier date than all other dialogues in which these questions are treated more at length. Now as to the myth brought forward by Protagoras, there is no need to number it as some have done, good- naturedly raising it to an exalted rank, among those of Plato's own ; on the contrary, if not the property of Protagoras himself, as seems likely, though there is no evidence to confirm the supposition, yet the manner in which Plato applies it makes it much more probable that it is at all events composed in his spirit. For pre- cisely as is natural to one of a coarsely materialistic mode 97 of thinking, whose philosophy does not extend beyond immediate sensuous experience, the reasoning principle in men is only viewed as a recompence for their deficient corporeal conformation, and the idea of right with the feeling of shame as requisites for a sensuous existence, and as something not introduced into the minds of men until a later period. Hence also the proof contained in this myth, because Plato could not give any other colour- ing to such a view, is very oratoricsUy stated, as he does not so much spare investigations upon principles as make the want of them perceptible, since even what he has properly to explain is not connected with the course of the narrative, but is only adduced as a command of Zeus. It appears also strange on that account in respect of the style, and probably imitated after Prota- goras. And, as to Socrates' opinion of the poem of Simonides, of which nothing but this fragment is pre- served to us, namely, that it must be a censure upon the apophthegm of Fittacus, this is not to be taken merely as a jest. At least we are in possession of another poem generally ascribed to Simonides, in which the resem- blance in manner and style to this is not to be mis- taken, which stands in a similar polemical relation to the epigram of Cleobulus quoted in the Phaedrus, who was also himself one of the seven wise men. IV. LACHES. Among the smaller dialogues immediately dependent upon the Protagoras, the Laches will stand the first, because it so nearly resembles the former that it can only be looked upon as an appendix to, or enlargement 98 of, the last part of it. For Courage, of which it is the immediate problem of the Laches to discover the cor- rect idea, formed the subject of an argument in the Pro- tagoras with reference to the disputed point of the unity of all the virtues, or the distinction of them. Protagoras, in maintaining the latter proposition, being reduced to a dilemma by dint of several examples, had however brought himself, influenced by an appearance seemingly favourable to his views, to uphold courage as an exception to that similarity, because in its nature it is distinct from all other virtues ; and, even in experience is often to be met "with separate from them. In opposition to this, Socrates had shown, that, if we look to the fact how courage ex- hibits itself in its development as spirit and boldness, but that these qualities only obtain the appellation of that virtue in so far as skill and judgment are connected with them, we shall see that these last properly constitute the points of distinction between courage and foolhardiness and precipitation ; and, consequently, that that virtue also ranges into ingenuity in calculation. Against that proof Protagoras had defended himself in a manner, as has been already remarked, actually worthless and foreign to the subject, which Socrates evidently only admits be- cause further investigation upon this track would have led him too far from the point which he had in view. Consequently he there opens up the investigation on another side, inasmuch as he shows, that upon the sup- position that the pleasant is generally the good, we need only oppose the unpleasant courageously as a means towards acquiring the pleasant, and that, consequently, courage can be nothing else but a correct comparison of distant pleasure with near pain; consequently a measur- ing art, consequently intelligence and ingenuity. This,- 99 when applied to the main question of the Protagoras re- garding the communicability of virtue, was the conclusion of the dialogue ; but the question as to courage was cliearly not exhausted with the conclusion here obtained, but on the contrary remained in a state so dislocated and unsolved that Plato could scarcely let it rest there. For he had given up the first mode of considering the ques- tion in an incomplete form, and the hypothesis in the pecond was not his own; in respect of which, moreover, readers of that day might as easily deceive themselves, as it has happened to those of more modern times to do. This therefore is the meaning of this little illus-r trative dialogue, in which, what is argued respecting courage connects itself immediately with those investi- gations, with the intention of pursuing them more accu- rately, and more from Plato's own point of view. Hence, first, it is argued that boldness does not in its operation exhaust the idea of courage, inasmuch as the province of the latter extends far beyond the fearful, properly so called, and resistance to every kind of pain, nay, even to pleasure, belongs no less to courage ; that therefore perseverance would better express the distinguishing quality of this virtue. Corrected then in this manner, the first investigation in the Protagoras is repeated and brought to the conclusion, that, on the one side neither is all, perseverance courage ; nor^ on the other, what is ingeniously calculated to attain a certain object or re- sult ; inasmuch as the moral judgment that an act is courageous, is proportioned neither to the degree of per- severance, as even too much of this is censurable, nor to the degree of ingenuity displayed in the calculation. Hence, generally, courage is not to be conceived as physical strength, because in that case it must be 100 ascribed to brutes as well as men, a supposition which Nicias, who indisputably pronounces the opinion of Plato, rejects. The second question from the Prota- goras is not taken up again, until, in order to make any delusion impossible, the hypothesis that the plea- sant is equivalent to the good, is removed, and a dis- tinction established between the two. Now with a view to this, there could be no point of comparison better or more intelligible than the Art of Prophecy ; for, clearly, if all morals are only a geometry of pleasure, that knowledge which is to constitute virtae, can be nothing else but a prescience of results and their ac- tual value as sources of pleasure. From this then the knowledge of the good is here completely distinguished, and it is then first demonstrated, that in so far as courage is to be considered as such a knowledge, it can be no particular virtue distinct from other virtues, because the only principle of division, according to which, looking to the ordinary meaning of the idea this could be done, namely, that derived from time, does not fall under con- sideration in moral matters; consequently, in this place also the conclusion, that virtue is indivisible, is con- firmed, as well as that the same power which produces one must also produce all the others. While therefore the investigation into the idea of courage is continued, the higher ethical ideas, which were laid down in the Protagoras, are not only confirmed by a clearer refu- tation of what is opposed to them, but also actually projected further, although as is usual in these Pla- tonic dialogues of this class, and agreeable to the principles of them, this is only done imperceptibly as it were, and with imconnected strokes, that he alone may find them who has been already put into the 101 way of discovering them at all events of himself. For what Laches in his innocence says of the nature of moral wisdom, as being harmony of the mind, and coincidence of knowledge and of life, this is the right key to the Platonic Theory of Virtue, and to the meaning of his opinion that it is knowledge, or, a knowing. And this, we may observe in passing, is not the only remarkable instance which tends to limit greatly the general proposition, that Plato always an- nounces his own opinion through Socrates ; or, if not, through the person who distinguishes himself as the wisest, and who conducts the dialogue. For neither is all that this personage says exclusively the opinion of Plato, who, on the contrary makes even the leading characters say much according to the views of the others, in order- to detect the contradictions hidden in those views; nor is that alone the truth which the leading character says, but much also said by others which Plato allows to pass without contradiction, and which the attentive reader easily distinguishes by the peculiar tone in which it is delivered. So much for the main subject of the dialogue, which indeed, as regards its external dress, is there somewhat differently arranged, though not to such a degree that any one can mistake the references to the Protagoras here pointed out. Much also here occurs to illustrate and exalt the dialogistic method, and we may remember to what a degree this was a main point in the Protagoras. Among other matter to that effect, is a very clear ex- planation, brought forward, probably, to justify Plato against misconceptions of the Lysis and Protagoras, and tending to show that the purpose of such a dia- logue could never be only to expose to another his own 102 ignorance, while the expositor knows nothing himself; for this is unquestionably the meaning of the passage in which Nicias censures this very point as something contemptible in Laches. So also the assertion that it must be a matter of indifference whether the teacher is young and unknown or not, is certainly a defence of Plato himself in regard of his treatment of Lysias as well as Protagoras ; and the other, in opposition to those who are of opinion that age is of itself to bring understanding, has a similar object in view. It can- not be superfluous to draw the attention of the reader of Plato to such particulars, partly because they bring to light still more the connection of these dialogues, partly that he may learn in time to estimate properly the constant presence of a purpose in the author's mind. This pervading connection then with the Protagoras indisputably secures to the Laches its place in the series of the dialogues of Plato, notwithstanding that Aris- totle, when he speaks of courage in his ethical works, never distinctly mentions it. Nor is this circumstance to be wondered at, and it can excite no suspicion ; for it would have been superfluous for one who dis^ putes the Platonic views of the good in general as well as of virtue, to delay in particular over Plato's treat- ment of the detailed and popular parts of virtue, and his own objections to it. Moreover, all that is external is here so perfectly Platonic, and even in part to be explained likewise from the connection of the dialogue with the Protagoras, that not a doubt can remain upon any side in any one's mind. The richness of the by-work, the change of the speakers, the presence of mute persons, are altogether a,s it were a con- 103 tinuation of the Protagoras. And as regards the choice of persons, Lysimachus the son of Aristeides, and Melesias the son of that Thucydides who maintained for a long time the balance of power against Pericles with great ability, verify with much accuracy the re- mark first offered in the Protagoras, that the greatest statesmen were still incapable of instructing others in their art. Moreover they are clearly here for the additional purpose of defending- youth, by an almost comically kept-up representation of well-meaning but incompetent and insipid old age; and in order to show how perfectly worthless objections grounded upon youth are, as extreme old age, most of all when it has nothing else to be proud of, is accustomed to treat even men of the ripest years depreciatingly as boys, as Lysimachus here treats Socrates. In the choice of the other persons it seems to have been a general object to repel the charge, that the Socrates of Plato only understood how to parade consequentially before boys and Sophists. Therefore there are indeed boys here, but mute; and the regular interlocutors are noble personages from among the first of their class, with whom Socrates argues upon that which they might fairly be supposed to understand; of courage, that is, with captains. And Laches may have been selected above the rest of them with the intention of enno- bling Socrates as his comrade in campaign, and an eye- witness of his courage. And Nicias, of whom Plu- tarch says that he was by -nature averse to precipitation and ambitious hopes, and only concealed his innate cowardice by chance* successes in war, very appropri- ately defends the unusual theory of courage, which makes it more a matter of insight and ingenuity. 104 Only the too prolix discussion of the first question re- garding the art of weapon-practice, and the very agree- able though little appropriate tale of the sickle-spear of the utterly unknown Stesilaus, are not quite to be understood, and it might be difficult to come at any other information about it than that it is a luxurious excess of that pleasantry, of which, as is said in the Phaedrus, there must necessarily be an admixture in every , piece of writing. V. CHARMIDES. Of all the particular virtues applied in common life, as Socrates enumerates them in the Protagoras, Discretion was there discussed in the most unsatisfactory manner. At first it was only ironically represented as one and the same with wisdom, and afterwards, when its relation to justice was to be discussed, Protagorasi fearing the result, shot o£F in another direction. Hence, the Charmides very naturally arises as a second offset from that, with the view, as was done in the Laches in the case of courage, partly of confuting this notion of discretion and reinstating it as an independent virtue in the ordinary acceptation of the term, partly with that of establishing it anew in a higher sense. On behalf of the first it is here shown at large, that the particular exhibition of outward action, in which the nature of this virtue is ordinarily made to consist, may as easily be an imperfection as a perfection, and there- fore cannot in any way claim to form an unconditional ethical notion. Neither tardy caution nor bashfulness. 105 which Socrates himself recognises as the ordinary ex- planations of discretion, and which are conceived as opposed to impudence and precipitation, can be, as he shows, virtues in and for themselves. In the Laches the phenomena corresponding to courage, I mean bold- ness and perseverance, were less formally discussed, In this dialogue on the other hand, what was there worked out more circumstantially, is here brought forward in a shorter and less direct form. I speak of the pro- position, that it is not by subdivision of the object that particular virtues can be defined, but that in the case of each and every one, we come back to the good as its sole and exclusive object. Now as regards the particular mode of stating the idea, it is only a de- ceptive appearance, though one which might haunt the minds of many readers, which, in this dialogue as well as in the Laches, would lead one to believe that Plato has only gone sceptically to work. For the view in which he gives to the one and indivisible virtue the title of discretion, is sufficiently shewn, even previously to that' sceptical investigation, where he lays it down as the real health of the mind, and, in another passage, makes even Critias coincide in this position with great emphasis. Whoever then further connects with this the general proposition : no man can be discreet without knowing as a consequence of it, and also what Socrates allows to pass from Critias concerning self-knowledge, it is impossible that after combining the Laches and the Protagoras with this dialogue, he should continue in doubt as to Plato's opinion. And we would more- over leave it for the decision of readers who have thus arrived at a perfect understanding of the subject, whether setting aside the. trifling advantages which this 106 translation ol ours of the Greek aophrosyne by the word besonnenheit, may have obtained in consequence of our former application of it in the Protagoras, Plato's idea could be expressed more appropriately in our lan- guage, than by this term. That of moderation (Mas- sigung), as it was translated by Cicero, in which he seems to have had Aristotle in his mind more than Plato, is certainly not to be used at all. Socrates' transition from the one explanation^ that discretion is self-knowledge, to the other that it is knowledge of knowledge and ignorance, might perhaps at first sight appear forced and sophistical. But if self-knowledge is knowledge of perfection and imperfec- tion, of virtue or its opposite, and if virtue itself is a knowledge, which, rightly understood, must certainly be pre-supposed, and which Plato only ceased to repeat when the further repetition of it would have been te- dious ; then, certainly, self-knowledge is a knowledge conversa,nt about knowledge or ignorance. And it is simply by means of this transition, and of the way in which this investigation prefaces the separation of the dialectic from the ethical, that the investigation of the particular notion of discretion is connected with the more general one of the nature of morals, which per- vades all these dialogues, and the progress of which, moreover, is the reason why the Charmides has its place rightly assigned after the Laches. For the difference between the good arid pleasure is here at once pre-sup- posed as recognised and granted, the required unity of knowledge and station in the province of ethics is brought nearer by the inquiry into the operation of virtue as separate and distinct fi-om virtue itself, and above all ■ the distinction between that higher species of 107 knowledge, and that which is particular and empirical, is further carried out. And at the conclusiop not only is the instance of the prophet repeated connec^tedly with the Laches, but is further outbidden by an instance of one who knows all from all times, and judges of all who know, so that the distinction between practical and technical knowledge can escape no one. Moreover the distinction taken between the knowledge that one knows, and the knowledge of what one ki^ows, the complete diiFerence of knowledge from perception with reference to its power of making itself its own object, and the hints given as to the relative and absolute, are very remarkable as leading notices in the work. The fact, that all these general elucidations are disguised under apparent attempts to discover yef new explanations of the idea pf discretion, is a peculiarity which to a certain degree alrea^dy assimilates the Char- raides in point of execution to the artificiality of the works of the second period ; while by the more en- larged and more perfectly conceived problem relative to the definition of knowledge, it prepares the way more than anything that has preceded, not only for the Parmenides, but also for the Theaetetus, and again starts from the apparent separation of the theoretical from the practical, which strikes us in the Protagoras and Par- menides. Any one not satisfied with the evident allu- sions to the Protagoras, must at all events be con- vinced by this connection that the Laches and Char- mides do certainly belong to this place. For otherwise it would be natural enough, to consider these smaller expositions as exercises and introductions preparatory to those larger ones of justice in the Books of the Republic. But even supposing this to be the case, still, 108 in the first placej a corresponding exposition of wisdom would be wanting ; and in the next, we may add, that that larger work evidently stands upon a different basis from these smaller ones with reference to the ethical ideas. Moreover the reader who has but rightly under^ stood the nature of morality, as it is given in the present series, will not look in vain for proper expo- sitions of justice and wisdom, but both may be con- structed after Plato's own mind out of what is brought forward in the Laches and Charmides. Some quite peculiar circumstance there ; certainly is attaching to that one explanation of discretion here ad- vanced, which makes it consist in every one doing his own business. And even supposing that some . of the sophists perhaps explained it thus, in order to give to this virtue quite a different meaning as applied to the governing and the governed : still this is not sufficient, nor is it indicated in such a manner as to justify the conclusion that it was Plato's object to refute this view. On the contrary, whoever observes the facility with which this explanation is again given up, and to , the pecu- liarly satirical emphasis with which Socrates announces that it comes from Critias, will see that some particu- lar allusion must be here concealed, and will hardly be able to refrain from thinking of personal relations of Critias, whether it be that in his challenges to Plato relative to the undertaking of public affairs he appealed to such arguments, or that in his notorious attempt to dissuade Socrates from teaching, he may have availed himself of a similar principle, which Plato here covers with ridicule as in itself perfectly indefinite. This would coincide very well with the probable period of the com^ position of the dialogue, which may be conveniently 109 placed in the anarchy, for after the death of Critias such an allusion would be no longer in the spirit of Plato, so we should have to look already for an apo- logetic purpose in it. The character of Charmides is strikingly the same as Xenophon represents it, so that this comparison is no slight voucher for the imitative truth of. our Author. VI. EUTHYPHRO. As an investigation into the idea of piety, which is likewise brought forward in the Protagoras as one of the parts of virtue, the Euthyphro connects itself with that dialogue. But when compared with the Laches and Charmides, it appears, however, in the light of a very subordinate piece, because not only does its imperfect dress stand in very disadvantageous contrast with the richness and ornament which characterize these dialogues, but even its internal substance, when compared with what we find in them, does not acquit itself much better. For in the Euthyphro we can neither point to a pro- gressive connection of the most general ethical ideas, nor, if we go no further than the particular notion which con- stitutes the immediate object of the investigation, are those indirect indications to be found which make the attentive reader sufficiently well acquainted with the views of the composer ; but it is clear at once, and upon the face of the work, that the object in view is as limited as the mode of treating the argument is sceptical. Now the fact that so essential an element in the formation peculiar to the Platonic dialogues is here wanting, might fairly excite a suspicion that the present dialogue is one 110 of those which are to be denied a place among the worfc^ of Plato ; and this suspicion is strengthened : by many peculiarities in the execution which, instead of the already approved and finished master, betray a not unsuccessful, and therefore complacently consequentializing imitator, eager to push to extremes the moderate acquisition of a little dialectics and a somewhat superficial irony. Meaur while, the rejection of this suspicion depends upon the validity of the following grounds. Firstly, the dialectic exercise contained in the Euthyphro, though not so com- prehensive as that in the Charniides, is no less a natural offset from the Protagoras than, in itself, an approxima- tion to, and preparation for, the Parmenides. This holds especially with regard to the development of the distinction between what indicates the nature of an idea, or only one of its relations, as well as with regard to the origin of that usage of language which Plato observes throughout in the sequel to mark this distinction. Moreover, in the remaining works of Plato, the notion of piety is cancelled out of the list of the four cardinal virtues, with which, in the Protagoras, it is still associated, and in such a manner that a particular notice on the subject is altoge- ther necessary, and, if it were not to be found, must have been supposed lost. Later dialogues do indeed contain some positive expressions as to the nature of piety, and the relation in which it stands to those virtues ; but in our author what is covert always precedes what is open and undisguised ; and even these ' expressions are imme- diately connected with the merely negativing result of the Euthyphro. Lastly, it must be taken into considera- tion that this dialogue was unquestionably written between the accusation and condemnation of Socrates, and that, under these circumstances, Plato could hardly avoid Ill botnbining with the object of dialectically investigating the notion of piety, that of defending his master in his own peculiar manner, connected as the charge against him was with this very subject. Nay, it might be, that the more pressing the circumstances, the more easily this apologetic purpose would so far swallow up the original ethico-dialectic one, that Plato neglected to introduce explanatory hints into the sceptical discussion in his usual manner, without, however, our being able to say that he is untrue to, or that he has completely renounced himself. Thus with this undeniable "complication of pur- poses, the alleged and imquestionable deficiencies of the little work may be explained from the urgency of the endeavour to exhibit, as far as might be possible, the common ideas in their nakedness, and the haste, it would seem, of the composition — so far at least — that as we have no traces of any follower of Socrates who composed and wrote in so Platonic a style as that exhibited in this work, and the piece can hardly be fixed in the later times of the regular imitators, I still would never venture to pronounce sentence of condemnation decisively upon it. If, therefore, we continue to regard this dialogue as Platonic, it may be added, that while it has indeed much of the character of an occasional piece from the preponderance of the subordinate purpose, it cannot without unfairness be excluded from the list of those which connect themselves with the Protagoras, in which it is probable, indeed, that it would have filled its place more worthily without the references to Socrates, though still, if allowed a certain degree of indulgence, it may certainly maintain it. The introduction of Euthyphro as the interlocutor is quite in the style of the Laches, in which dialogue 112 also Socrates has to do with persons eminently' skilled in the subject undei: discussion. Now this man was, as is manifest from some of liis own expressions, a very well-known and somewhat ridiculous personage— a pirophet, as it would seem, and one who professed himself espe- cially knowing in matters relating to the gods, and who boldly defended the orthodox ideas taken from the old theolojgical poets. One Euthyphro, indisputably the same as this, appears also in the Cratylus of Plato. The idea, then, of bringing this person into contact with Socrates, while the process against the latter was actually going on, and to exhibit him in contrast with the philo- sopher, by means of the piece of immorality which his zeal for piety had occasioned him to commit, was one by no means unworthy of Plato. This action brought by Euthyphro against his father, bears pretty much the stamp of a real occurrence, though it might be trans- ferred from other times or persons. The manner, more- over, in which it is discussed, may be almost compared with the story of the sickle-spear in the Laches ; only that the suit in the Euthyphro has a far closer connection with the subject, and that neither its greater prolixity, nor the frequent recurrence to it, when the unquestion- able apologetic reference is taken into consideration, can be viewed in the light of a fault. VII. PARMENIDES. Who knows not how in former times the Parmenides was by many contemplated at an awful distance as a gloomy sanctuary concealing treasures of the most ex- alted wisdom, and those accessible only to a few? But 113 after this fancy, however natural it might be, had been though not till lately, set aside, that falsely grounded opinion of exalted wisdom was changed into objections of such a nature, that supposing the correctness of them, the whole only becomes inconceivable in another point of view. Or is it not to be thought inconceivable that a man of Plato's genius and philosophical acuteness should either not have remarked the multiplicity of meanings in the words which involved him in the contradictions which he has accordingly written out for the world, with so much patience and without tracing their solution, or that he should have run his jokes with his still unpractised readers more mischievously than all the Sophists whom he so multifariously attacks, and that he should even have pushed the thing so far as to be in danger of fatiguing the instructed with the performance, or of disgusting them with the intention. To review, pre- liminarily, these objections and the different explanations of them, and to endeavour to set them aside individu> ally or collectively, might contribute more than anything to render difficult the introduction of the reader into this dialogue, on other accounts sufficiently terrifying to many in many points of view. Hence it may be' more advisable to state briefly the view which seems to be the correct one, as it may possibly approve itself suffi- ciently to give a standard whereby to judge of other opinions. It is in general supposed that the Parmenides be- longs to the later writings of Plato ; but as this hy- pothesis rests upon hardly any other ground except a reluctance to give him the credit of having composed so profound a work in his youth, the reader may as easily admit the opposite assumption, preliminarily and only 114 as hypothesis, and consider the Parmenides as belonging to the Phaedriis and Protagoras. For as the Phaedrus had only in general inspired and admiringly praised the philosophical impulse and its organ dialectics, while the Protagoras, artfully connecting the external and the internal, had exhibited by examples this philosophical passion and the sophistical pruriency, as well as the methods resulting from each of the two : so the Par- menides also shews itself to be a similar efflux from the Phaedrus, inasmuch as it completes in another point of view what the Protagoras had begun, as a supplement to it and counterpart of it. For, in the Protagoras, the philosophical passion is considered as communicative, while in this dialogue it is Represented in reference to the independent process of investigation which must pre- cede communication : how, I mean, it looks in its purity to truth alone, atad rejecting every collateral point, and all alarm at any result whatever, starts only upon the necessary assumption, that scientific knowledge is possible, and searches for it in well arranged excursions. There is, therefore, no want of opposition taken between the true and the false, but it is shown partly in Zeno, who works onwards to a definite point, the refutation of others, not without a consciousness of the inadmissibility of his weapons — to whose books, at that time generally known, the reader is almost tacitly referred ; partly also in Socra- tes who does not yet go far enough, and from youthful apprehension, still confines himself within too narrow limits. That Plato did not by this intend to imply a censure upon his friend and master, we see, partly from the circumstance that in the earlier dialogues he attributes to him a genuine zeal for dialectics; partly, because in those pieces as well as in this he represents him as only in an 116 earlier and imperfect stage of his philosophical career. Two things, however, may probably be looked for m th^s indication — on the one side, I mean, a censure upon those Socraticians who only applied themselves to ethics, and who upon that very account considered them- selves more genuine scholars of the philosopher ; on the other side hints for those who, overlooking, perhaps, in the Protagoras and the dialogues belonging to it the dialectic purpose and the speculative indications, would confound Plato with the class just mentioned. As then in this opposition, one side is only just indicated, so also is the other verbally set forth only in some parti- cular expressions in the Parmenides, but shown in the main by the quiet manner in which the investigation, from which so many terrific results come out, is brought to a conclusion, and by the strictness of the method pursued in it. Now as regards the examples of philo- sophical investigations here chosen, the doctrine of correct division of ideas was attempted in the same way in the Protagoras ; and it is there satisfactorily shewn why the philosophy of morals is chosen with that view, and every thing reduced to the question of the communicability of virtue. From the same grounds, then, and in the same spirit, in this dialogue in which investigation in the abstract is to be exhibited, the exercise is undertaken upon the doctrine of the mutual connection of ideas, as it is only by such connection, and not by separation, that knowledge can be really extended. And it is perfectly consistent with this, that in this dialogue the philosophy of nature predominates, and the highest question in it, that, namely, of the possibility of the knowledge of things, constitutes the centre-point, around which the whole moves in distant circles. Now it can hardly escape any one's 116 notice that such coincidence in tendency and inward form points to the same unaltered state of mind and to a similar view in the author. And all that I would regularly maintain is this, that the Parmenides has its origin in the same aims and youthful method with the Protagoras; not that Plato constructed it as a counter- part to the Phasdrus and Protagoras, with a distinct consciousness of doing so, which is least of all to be ascribed to the youthful writer at that time, for now the youngest writers are often the oldest and most re- flecting. We see also in the Parmenides decidedly more historical knowledge of science than in these two, and a more multifarious practice in philosophical art ; but still there is a youthfulness in the manner in which these are brought into view, and put into the mouth of the great Parmenides himself. Now the question of the possibility of the knowledge of things rests on the one side immediately upon that of the tenability and constancy of ideas, and on their relation to the objects themselves, and consequently, it is this point which is chiefly discussed in the first part, which is indeed something more than an introduction. But, as we are accustomed to see in the majority of these dialogues hitherto translated, it is only treated of indirectly, by a statement of the manifold difficulties involving the consideration of ideas as something inde- pendent of the mutable, and as existing of themselves. This however is hardly the proper place for deciding the strange dispute about Plato's peculiai: doctrine of ideas, as this dialogue, accurately taken, can be consi- dered as the seat of that doctrine. Only thus much appears certain in reference to this dialogue, even if we only consider the words with which Parmenides con- 117 eludes the statement of the difficulties which beset the assumption of ideas independently, that the substantia- tion of ideas,- as it is called, is by no means the matter here in dispute, and which it is the purpose of Socrates to establish. And what is said elsewhere upon this subject can only be brought under consideration in its proper place. For if Plato has been generally viewed, I do not say improperly, as a precursor of the sacred writers, he resembles them especially in this, that it is necessary, in judging of the doctrines ascribed to him, whether they are his own or not, to consider every expression in its own proper place, and in the connection in which it is there found. There is however much that is remarkable in the examples under which Parmenides states his doubts, in so far as they involve a division of ideas, which if not systema- tically carried out, is at all events very striking. For he divides them, first, into those which, like the moral ideas, most easily subject themselves to the faculty of original conception ; secondly, into the physical, the ob- jects of which are the ever recurring creations of nature, and which therefore appear to be produced only by observation; thirdly, into those to the objects of which no independent and constant existence seems to belong, inasmuch as they signify only parts of universal nature, or transitory operations of natural powers; and, finally, into those which represent relations only, and under which, at last, the idea of knowledge itself is again brought. And to the reader who does not overlook this dis- tinguishing character, the notion will scarcely suggest itself that Plato had in view to contradict any par- ticular theory as to the conception of truth, or the 118 existence of ideas, whether peculiar to Parmenides or Socrates ; but it must be clear to him that Plato's object is generally to draw attention to the difficulties which the susceptibility of distinction does itself oppose to any one who attempts to give a general answer to the question as to what mode of existence or reality must be ascribed to ideas exclusively, of the appearances which fall under our observation. But this was far from being the place in which these difficulties were to be solved, and the more so as with the preparations here made for that purpose, a whole series of succes- sive dialogues from the Theaetetus upwards is occupied with the - question. Even Plato indicates them exact- ly in the manner which he generally pursues with questions which he is yet unable to solve by means of what he has hitherto imparted or satisfactorily in- vestigated himself, or which suppose more profound. views and a higher degree of philosophical perfection than any to which he can yet hope to have brought his readers. Meanwhile, for those who have well con- sidered all up to this point, it will not be difficult to conceive that highest philosophical problem which al- ready at times was haunting Plato's mind as the only means of escaping from these difficulties — we speak of discovering somewhere an original identity of thought and existence, and deriving from it that immediate connexion of man with the intelligible world, expressed preliminarily in the Phaedrus by the doctrines there mythically set forth of original contemplation and recol- lection, connected with which and dependent upon it is a higher state of knowledge, by means of which an eminence is obtained above the subordinate matter of ideas of relation. 119 As, then, this first part annexes itself to the assertion of Socrates, that there is no art involved in predicating various contradictions of individual real things, but that the only process deserving admiration would be to shew the same of ideas themselves, so also upon this senti- ment as upon the hinge of the whole, the second part of the dialogue turns. For Parmenides, after having subjoined to this request of Socrates that he would enter upon the investigation of ideas still further, rules as to the method of pursuing it, allows himself to be persuaded to illustrate these rules by an example, and thus actually to follow out a thesis upon a manifold and exhaustive ;plan; and with this view he selects the instance of unity — a choice very natural for Parmeni- des to make, but also considered by Plato as of great importance as regards the whole subject of the dialogue. And he is to shew what are the consequences to unity itself and all besides unity, according as the former is supposed to exist or not to exist. And with this, notwithstanding that 'he had not pledged himself that such would be the result, he finds himself in the strange predicament, as it were involuntarily, of enun- ciating manifold contradictions concerning the notion he selected. For the whole investigation separates into four parts, formed by the supposed existence or non-existence of unity, and the consequences which follow for unity itself and all besides, and each of these parts attaint to two contradictory results. For while the two in- vestigations, that into the nature of unity and that into all that remains constituting plurality, are worked out in a double series of ncrtions related each to the otherj it turns out that to 6ach and every one of these notions none of all these predicates can belong, and then again 120 that two opposite predicates may be applied to all : and in many cases the contradictions are accumulated still more strangely. And those results in general, as well as the detailed proofs in particular of a similar de- scription, have given rise to the belief with many persons that the whole investigation consists of mere sophisms; and wfth others, who could not believe this of Plato, to the notion, that he intended only to give a proof of false dialectics, or even put into Parmenides' and Zeno's own mouth their own refutation. But to these suppo- sitions the reader who takes a proper comprehensive survey of the whole will certainly refuse his assent. To follow up, however, and elucidate this whole, with the view- of making intelligible every point brought forward in it, would be an undertaking not at all ap- propriate here, and if it should still appear necessary to do so after what may here be said, must at least be spared for another place. But in this the following particulars only can be noticed. First, it must by all means be Remembered that Parmenides had expressly retognised the re(3[uest of Socrates to institute an in- vestigation into the nature of ideas, and that he there- fore contemplates, in pursuing that investigation, unity in general, and as an abstract notion. Hence, then, it is not allowable to quit this point of view, though by so doing we might perhaps be enabled more conveni- ently to explain this or that particular point. It is also self-evident, that, taken in the main, the contradictory results arise chiefly from the different signiflcations of the word existence or being, consequently from the different conditions under which the notion is brought. And it is by this in particular that the second part is connected in spirit with the first, where other- 121 wise only an extremely loose, connection would be per- ceptiblcj by the prevalent purpose, I mean j. observable,' of ' drawing attention to the different significations of existence, and their relation to one another and to ideas. And in this process it cannot indeed be denied, that: the idea, of unity is considered also according to its' own separate potentialities : but this is, first, not an educt from the idea of unity; and, secondly, Plato in- dicates so clearly' when this is. the case, that neither can the attentive reader go wrong, nor can any one suppose in the writer the intention of deluding by this course. If however, and this cannot be denied, the idea is worked out by such predicates as do not appear applicable! at all to an idea, stilL lett it be re- membered, that nothing definite had been previously established to determine in what manner an abstrac- tion with no objective, existence can. be classed among ideas, or what abstraction can be so classed, and that every point is to.be essayed, ih' order j by. this dialec- tic process, to bring the question nearer to a decision. And: this indeed', would suffice for an explanation as regards the great bulk of the difficulties; the following' consideration, however raayr be; further added. The most intricate developements, and those most consideried as intentionally sophistical, are distinguished by the circumstance, that the train of ^ consequences resulting from them and strictly belonging to the general series might have been discovered l)y a far easier method, also' that nothing peculiar to unity is discovered by probing deeper in the investigation; a fact to which Parmenides himself frequently calls attention. The object therefore, for; which these . particular, parts are here, i.s not the immediate resralt,. but the actual mode) of proof, by a 122 means of. which, as it recurs in the different parts of the investigation, Plato intends, in his own peculiar manner, to draw attention to the nature of certain ideas of relation. It is very profitable to follow this eollateral object through all the turnings of the dia- logue, and to see how Plato makes way towards it, and how one elucidation always refers to another. That these ideas constituted an important subject of consideration in his mind, and that he held it by all means necessary to put them in a clear point of view, may be seeii frbm a passage in the Charmides, where he speaks of it as an important and diiSicult matter to investigate, whether any, and what. Ideas exist in reference to themselves alone^ or only in relation to others. Now as regards the Jiartieular train of consequences in which we have a comprehensive view of the peculiar properties of unfty> it must not be forgotten, that unity is the general forhi of all ideas alike, which Plato himself sometimes calls Unities; and that, accordingly, it is -froim this dialectic point that the opposition of unity to all not comprised under that term, which would otherwise have no proper keeping., is to be con- sidered, as well as this opposing results in particular. But the different views and hypotheses which co-operate towards establisMng this connection, will not be easily followed out by any one to his own satisfaction who does not first compare, with much pains and accuracy, tbe mut ally opposing sections of the invratigatibn with one anotha*, as well as the modes of treating homo- geneous points in piarticnIdiF in all the several sections. And the attentive reader will find something eminently retnarkable in the atteimpt made at the end of the first 123 section, certainly the most ancient in philosophy, to con- struct knowledge by the reconciliation of antitheses. But few persons have divined the antiquity of this method, and will perhaps be disposed to recognize the mighty dialectical and speculative mind in this slight attempt^ so similar to much that has appeared among ourselves, sooner than in many theories of Plato pro- perly of more importance. Still more remarkable are two notions developed in the course of the investigation, the one in the attempt just noticed, the other where unity is supposed non-existent— I speak of the idea of the infinitesimally small in time, or of someting ob- jective existing in it, and of the idea of magnitHd'es or spacial repletion without unity. They are, as re- gards this dialogue, the result of that peculiar manner in which, in Plato, from the fundamental character of las philosophy, which some have mo^ unjustly con- sidered to be a confusion of thought with knowledge, speculation of the more lofty kind is combined with the dialectic process. The manner in which this notion of magnitude, if we may so call it, is discovered, and the way in which, notwithstanding its obstinate resist- ance to all management, it is nevertheless grasped and described, appears so deserving of admimtio», that it u diflScult to eonesive how a philosophical erJtic, who deserves in other respects some merit in his essposJtioB of this dialogue, gives up, not long before thi§ section, on receiving notice of the subject, as af he were we^xy of pursuing further this loose web of so|^hi«ra6. One should have tjjougbt tJjftt a commentatpjr who, even ia tjie iniddle, had met with much that had kss ckii» upon bis attention, w 129 mentions this with a degree of emphasis as a, circumstance not generally known. But this only in passing. The principal questioij is, who are Glaucon, Adimantus and Antipho .'' The first two, every one answers, are the welUknown brothers of Plato, and Antipho is a half brother of his, not indeed otherwise known, the offspring of . a second marriage, mentioned, it must be allowed, no where else except in reference to this dialogue, of. his mother Perictione with one Pyrilampes, who could not therefore have been the well-known person of that name, his own uncle and the friend of Pericles. But do these things come even within the range of possibility .'' For it cannot, notwithstanding the uncertainty which attaches to Cephalus, be meant to be said, that Plato's brothers, in the Republic, when Cephalus appears as a person- of advanced agej are young men, and herej at the period of the same Cephalus' arrival at Athens, already settled and ready to. promise him their interest. But even sup- posing Cephalus to have been another of that name far younger, consider the strange circumstance that PlatOj in orderi to prove the authenticity of the dialogue, makes a Cephalus relate it who has himself heard it from Plato's own younger brother ; so that Plato might have had it by a far less roundabout process. And the yet much stranger circumstance that a younger brother of Plato should have heard this dialogue immediately, and while still a growing boy, from an ear-witness, whose minion he appears to have been, and, notwithstatiding, should be already a man at the time of Socrates' early youth. Whoever considers these things will allow that nothing more irrational can be easily conceived, and that such a plan was calculated to make the meeting, the actual occurence of which- Plato wished to warrant, a 130 mere baby tale. Let us therefore without more ado relieve Plato from this half-brother who has been forced upon him, whom even Plutarch and Proclus appropriate to him manifestly only on the ground of this passage of ours ; and let us rather confess that we do not know who Glaucon and Adiraantus were, unless perhaps Glau- con the elder and Callaeschrus had yet another brother called Adimantus from whom the name was transposed to the younger. But too much already about the out- ward circumstances of the dialogue, as there is yet some- thing remaining to be said upon the internal matter itself. The dialogue, I should say, comes to such a strik- ingly abrupt conclusion, that it might easily be doubted whether this really is the conclusion. For to conclude such a result of the investigation, and at the same time the whole dialogue, only with a simple expression of assent, such as has occurred a hundred times in the dialogue itself, seems, whether we regard it as disproportionate or over simple, entirely unworthy of Plato. Whoever recollects how in the Protagoras also the investigation concluded with a confession of a contradiction prevailing through^ out its whole course, will, in this dialogue too, expect in conclusion at least a similar indication of surprise, and an express confession that a still more searching investigation is requisite. How then such a conclusion, supposing it to have been there, could have been lost, it is difficult to conceive ; for whoever had worked on through so much that was tiresome would hardly have refused to add the little that was gratifying; There remains, accordingly, scarce, any other supposition except that Plato was interrupted for a considerable time by some external circumstances while, he was bringing the 131 dialogue to a termination ; and that perhaps he did not afterwards subjoin the conclusion, because he already had in his mind the sketches at least of other dialogues which were intended to approximate to the same ultimate point by another method. And that external interrup- tion, if the supposition is to be more accurately made out, may have been either the flight to Megara, which followed after the death of Socrates, or even Plato's first journey, upon which he started from that place. The last, according to my notion, would be the most agreeable with probabilities. For even supposing Plato, and this supposition is of itself hardly credible, to have composed such a work during the unquiet times in which Socrates' accusation was prepared and finished, in that case, nothing could prevent him from giving it the finish- ing touch at Megara. It is much more probable that it was composed at Megara, when, during Plato's stay there, and certainly not without his having exercised important influence upon it, the school which took its name from the place, and devoted itself especially to dialectics, was formed. But if any one, though with the view of setting up a more plenary defence of the work, should think to found still more important suppositions upon the condition in which the end is at present found, as that, generally, the best part and the right conclusion are lost, and that otherwise the second part would be put in connection with the first, and the doctrine of ideas more accurately defined according to dialectical investigation, we could not assent to such a view. For whoever is convinced by the exposition as brought up to the point at which it ceases, that the Parmenides is ~Sk counterpiece to the Protagoras, though not without the advancement which is never wanting in the progress from 132 one work of Plato's to another, will find in the work as we at present have it, a character perfectly agreemg with that dialogue, and will have no occasion to look for any- thing further. But as to the reader who is not convinced of this, we can only lay before him the following con- siderations which to the reader yet unacquainted with Plato can be verified only by the sequel. The difficul- ties which are here adduced in opposition to every theory of ideas, are not to be solved in the philosophy of Plato otherwise than by an accurate comparison of the purer or higher knowledge with that which is empiric, and further, by the doctrines of Original Contemplation arid Recollection ; subjects, therefore, to the exposition of which Plato has devoted a series of important dialogues from the Theaetetus upwards. Now if he is to be sup- posed to have already completed this in the Parmenidesi to what purpose are all these dialogues, every one of which treats its subject as if, from the very bottom, it had never been at all explained before.'' Btit if the composition of the Parmenides is to be dated later than that of these dialogues, the Theaetetus, the Meno, and even, as Tennemann assumes, than the Sophist, what an unhappy toil it would be for one who knew how to do better, to propose as riddles what had ceased to be such ; and to repeat with useless [obscurity at a later period • what had been said clearly at an earlier? Even the language is a proof that the place of the Parmenides is only in the transition to the dialogues of that class, ■ for, partly of itself, and partly as compared with them, it shews itself to be technical language still in a state of earliest infancy, by its unsteady wavering,^ by the manner in which it grasps, riot always successfully, at correct expression, and by the fact that it can scarcely 133 clench the most important distinctions in words. This circumstance occasioned great difficulties in the trans- lation. But there was here no other expedient, unless the spirit of the whole was to be extinguished, and under the appearance of facilitating the understanding of it, the difficulty of doing so infinitely aggravated, there was, I say, no other expedient but that of ob- serving the most accurate fidelity, and of introducing the reader altogether to the simplicity, and, if one may so speak, the helplessness of the growing philosophical language — a process by which alone a translator is pre- vented from attaching to his author what does not belong to him, and,: on the other, his own merit in having seen the truth through all its ambiguities, and himself espe- cially conceived it, is diminished. APPENDIX TO PART I I. APOLOGY OF SOCRATES. In the general Introduction to this exposition of the works of Plato, it has already been said that when any pieces are thrown into this Appendix we are far from intending thereby at once to deny or call in question their Platonic origin. Thus also the Apology of Socrates, at all times loved and admired for the spirit which breathes through it, and the image it pre- sents of calm moral greatness and beauty, is only found in this place because it contents itself with its peculiar object and has no scientific pretensions. The Euthyphro too has indeed an undeniable apologetic reference to the accusation brought against Socrates : but on the other hand its connection with the notions started in the Protagoras gave it a manifest right to be subjoined to that dialogue. The Apology on the contrary, as a purely occasional piece can find no place in the series of the philosophical productions of its author. And there is even one signification in which — ^let not the reader start — it might indeed be said that it is no work of Plato's. I mean that it is hardly a work of his thoughts, — any thing invented and composed by him. For if we attribute to Plato the intention of defending Socrates, we must then first 135 of all distinguish the times at which he might have done so, either during his process, or at all events at some period, how soon or how late is indifferent, after his condemnation. In the last case then Plato's only object could have been a defence of the principles and sentiments of his friend and master. This however, with one who was so fond of connecting several objects in one work might very easily have combined with his scientific purposes, and thus we do really find not only particular indications of this nature scattered over his later writings, but we shall soon come to know an important work, and one closely enough interwoven with his scientific labours, in which notwithstanding it is a collateral purpose and one brought out into dis- tinct relief to hold up to the light Socrates' conduct as an Athenian as well as his political virtue. Now a pro- ceeding of this kind admits of explanation, but Plato could scarcely find occasion at a later period for a piece which merely opposes Socrates to his actual accusers. It must then have been during the process that Plato composed this speech. But for what purpose ? At all events it is clear that he could do his master no worse service than by publishing a defence in Socrates' own name before he had defended himself in court. For the only efi^ect of such a defence would be to assist the accusing parties to discovei; what they were to be on their guard against and what they might neglect, and to put the accused into the dilemma of either being obliged to repeat much or say something else less power- ful. Hence then, the more excellent the defence and the better adapted to the character of Socrates, the more disadvantageous it would have been to him. But no one, I suppose, will give any weight to this hypo^ 136 thesis. After the decision which, succeeded, finally, Plato Miight have a twofold purpose, either simply to make the progress of the matter more generally known, and to establish a memorial of it for, future times; or to place in the proper light the different parties and the method of the proceeding. Now if we examine what would have been the only reasonable means for accom- plishing the latter object, we shall find that a speech not attributed' to Socrates but to another advocate could alone furnish them. For the latter could: then adduce much of what Socrates would be compelled to omit on account of his character, and show by the work itself that provided only the cause of the accused had been conducted by one not accustomed to despise what many even of noble birth did not despise, it would have- taken quite a different course. Were there' any ground whatever for an anecdote, a very improbable one it must be confessed,, which Diogenes has preserved for' us from an insignificant writer, Plato's more natural object would have been to make known what he would himself have' said if he had not been prevented. He would then have had an opportunity here- for displaying in practice those higher precepts and expedients of language the; power of which he had himself been the first to discover ; and he certainly would have been able to apply- them with great truth and art to that point in the accu- sation which related to the new gods and the cor- ruption of youth. And in like manner in the name of any other person, he would have retorted with far better ieffect as much or more upon the accusers of Socrates, and have spoken of his merits in a different tone. On the other hand, in a speech attributed 4o 137 Stocrates himself but different from that which he ac- tually cJeMvered, Plato could have no other object than to show what Socrates would have voluntarily neglected or involuntarily omitted, and' how his de- fence must have been conducted in order to produce a better effect. Not to mention then that this would have been scarcely possiM'e without renouncing the method of Socrates, it is moreover manifest that the defence which we possess is not contrived in accord- ance with such a purpose. For after such a speech how should the supplement come in subsequent to the pronunciatioH of the verdict- — a supplement which sup- poses a result not more favourable than the real one ? It therefore only remains to suppose that the sole pur- pose at the bottom of this piece was to exhibit and preserve the essential points in the actual progress of the cause for those Athenians who were prevented from hearing it, and fbr the rest of the Hellenes, and for posterity. Are we then to conceive that in such a ease and under such circumstances Plato was unable to withstand the temptation of ascribing to Socrates an artificial piece, wrought by himself, perhaps perfectly strange to Socrates,' with the exception of the first principles, like a pupil in rhetoric who has an exercise set him .'' This we should indeed be loath to believe: rather would we assume at once that in a case like this, where nothing of his own was wanted, and he had entirely devoted himself to Ms friend, and especially so short a time before or after his death as this piece was certainly composed — we would assume, I say, that his departing friend must have been too sacred in his eyes to allow of his disguising him with any ornament however beautiful, and 138 his \yhole form too spotless and noble to be exhibited in a dress, or otherwise than a divinity, naked and enwrapt in nothing but its native beauty. Neither indeed do we find the case to have been different. For the critic in art who had at the same time undertaken to improve this speech would have found in it much to chaise. Thus the accusation relating to the seduction of youth is far from being repelled with the solidity with which ^it would have been possible to do so, apd, in opposition to the accusation of infidelity towards the ancient gods, the defensive power of the circumstance that Socrates did every thing in the service of Apollo, is far from being made sufficiently prominent ; and any reader whose eyes are but half open will discover more weaknesses of this kind not in any way founded upon the spirit of Socrates to such a degree that Plato would have been com- pelled to imitate them. Accordingly nothing is more probable than tha,t in this speech we have as true a copy from recollection of the actual' defence of Socrates as the practised memory of Plato, and the necessary distinction between a written speech and one negligently delivered, could render pos- sible. But perhaps some one might say ; If then Plato, supposing liim to have composed this piece, had never- tljieless no hand in it but as a scribe, why are we to insist upon this, or whence can we know even that it was Plato himself and no other frienid of Socrates who was present? The questioner, if he is otherwise ac- quainted with the ' language of Plato, need! only be referred to that to perceive how decidedly this defence, betrays that it can only have flowed from the pen of Plato. For Socrates here spegiks exactly as Plato makes him speak, and as we, according to all that remauis to 139 us cannot say that any other of his pupils did make him speak. And so little does this similarity admit of doubt, that on the contrary an observation of some im- portance may be founded upon it. I mean, whether certain peculiarities in the Platonic dialogue, /particu- larly the fictitious questions and answers introduced into one proposition, and the accumulation and com- prehension under some other of several particular pro- positions in common, often much too enlarged for this subordinate passage, together with the interruptions aimost unavoidably ensuing in the construction of the period as begun — whether these, as we find them here so very prevalent, are not properly to be referred to Socrates. They appear in Plato most iri those places in which he is particularly Socratic ; but they are most frequent and least clear of their accompanying negli- gences in this dialogue and the following one, which is probably homogeneous with this. And from these con- siderations taken together a manifest probability arises that these forms of speech were originally copied after Socrates, and consequently are connected with the mimic arts of Plato, who endeavoured to a certain degree to imitate the language also of those whom he introduces, if they had peculiarities .otherwise which justified him in so doing. And whoever tries this observation by the different works of Plato, especially according to the arrangement here established, will find it very much confirmed by them. And that other Socyaticians did not attempt such an imitation is accounted for on the - one hand, from the circumstance that no little art was' required to bend to a certain degree these peculiarities; of a negligent colloquial style to the laws of written language, and to blend them with the regulated beauty 140 of expression ; and on the other, m6re courage was tequired to meet a certain share of censure frbm small critics 'than Xeiiophon perhaps possessed. But to en- large further upon this 'belongs not to this place. One circumstance however is yet to be touched upon which -might be -brou^t forward -against the ■supposition of this dialogiie having come from Plato, and indeed with more (plausibility 'than 'kny other ; I mean that it is stripped of the dialogic difess under which Plato produces all his ve admitted of 'this embellishttient, of all the -w^oflcs of Plato alone dispense with it ? However convincing, then, this may =sourid, still the pf'epOnderance of all 'the other argunienfts is too great, to allow it to be sufficient to excite a suspicion :; and we reply therefore as follows tft the objection. It may be that the dialogic dress had not at that time become quite so much a matter. of necessity to Plato as it- -subsequently did, and this may serve to satisfy -those who are inclined to set a great -value upon the dress of 'the Menexenus ; or Plato 'himself separated 'this de- fence too ftir from his other writings to admit of his wishing to subject it to the same law. ^And then again, it would 'be in general very unworthy of Plato for us to think of considering the dialogic dress, even in 'the case of works where it does hot penetrate very deep into the principal riratter, only as an embellishment capriciously appended ; on the contrary it always has a meaning and contributes to the conformation and effect of the whole. Ntiw if this wrtiild not have been 141 the case here why Should 'Pkto have wished forcibly to introduce it ? Especially as it is extremely probable that he wished to hasten as much as ipossible the paWicaition of this 'speetth, and perhaps considered it not advisable >to 'commit himself at that time to a public opi- nion as 'to the result of the case, Avhich, if 'he had involved the speech in a dialogne it would not have been easy to avoid', or this form would ihave been utterly empty and unmeaning. As to the Athenian judicial process in similar. caiSeSj we may certainly suppose all that -has been contributed from "vanrious ^quarters for the understanding of this piece to be igfenerally known; moreover, the speech' it- self explains "most of 'what is 'necessary. II. CRITO. I HAVE already observed in the introduction to 'the preceding " Apology," that the Crito appears to be similarly circumstanced with that piece. For it is possible that this .dialogue -aiHy not be a work regularly framed by Plato; but one which did actually take, place as is here described, which Plato received from the interlocutor with Socrates as 'accurately as the former could give -it, while -he himself hardly did more, than embellish and reinstate it i in the welUknown language of Socrates, ornamentitjg the beginning and the end, and perhaps filling 'up 'here and there when necessary. This view rests upon exactly similar grounds with those which have been already explained in considering the 142 Apology. For in this dialogue also there is the same entire absence of any philosophical object, and although the immediate occasion invited to the most important investigations into the nature of right, law, and com- pact, which cei'tainly engaged Plato's attention at all times, these subjects are treated of so exclusively and solely with reference to the existing circumstances, that we easily see that the minds of the interlocutors, if the dialogue was really held, were exclusively filled with these; and if it is to be considered as a work of Plato's, in the composition of which facts had no in- fluence, then we must attribute to it the character of a perfectly' occasional piece. It is indeed expressly shewn that philosophizing has no place in it, as the particular principles are only laid down as granted without any investigation, and with reference indeed to old dialogues, but by no means such as could be sought for in other writings of Plato, a process which, in those works of Plato which have a philosophical mean- ing is perfectly unheard of. And what may be thought to have been the occasion of such an accidental piece, if we regard it5'asa work exclusively Plato's own.'' For in point of meaning, nothing is here giVeil which was hot' alrea,dy contained in the Apology. Or, if we are to believe that Plato intended to make known the fact' that the friends of Socrates wished to assist Socrates to escape, but that he would not allow them to do so, and that all the rest with the exception of this historical foundation is his own invention, in thsit case, on closer consideration, only about the first half of the dialogue would be iritelligible, the latter half not. ' Fof, on the one hand, there is nothing remark- able in this circumstance, biit the manner in which it 143 takes place ; inasmuch as the result might be at once foreseen from the defence, and therefore the friends of Socrates were justified even by that, supposing them not to have undertaken anything of the kind. And on the other hand the dialogue itself is constituted exactly as one that actually took place, subject to a certain degree to chance circumstances as one of that descrip- tion alvyays is, must be constituted, but not at all like one composed with an object, or into which art in any way enters. For dialogues of the former class may easily start away from a thought after barely alluding to it, or even proceed to confirm by frequent repeti- tion ■vyhat might haye been said at once definitely and expressly; while those of the latter can neither return to th0 same point, without addition and advancement, nor excite expectations which they do not satisfy. Now the Crito is clearly framed upon the former plan, and although the idea is in the main worked out beautifully and clearly, still in the details the con- nected parts are often loosely joined, uselessly interrupt- ed, and again negligently take@ up, exactly as we might suppose, generally, that none of the deficiencies as pe- culiar to a dialogue actually held and only told again, TFOuld be altogether wanting. In this manner, therefore, I still hold it possible that Plato may have, coniposed this dialogue, and think that so immediately after the deatl^ of Socrates, lie may have had the same conscientious purpose in the publi- cation ^of itj as in that of the "Apology". Not before £j remote period, that into wbieh, according to my views, the Ph^dpn falls, , could Plato even in what relates) to the death of Socrates, pass from literal Accuracy to a greater latitude in treating of those subjects, andi inter- 144 weave them wiih aa independent work of art, designied ifor philosophical exposition. I at all' events, will' still endfeavour, by means of this view, to reserve this dialogue for Plato, umtil a somewhat more able criticism than has hitberto appeared completely disproves its cfeims to be considered so. Two reasons in particular incline me to this opinion, first, the language^ against whdich Ast brings no imipoiftant objection, and which quite as clearly as that iiai the " Apok)gy" uraites all the peculiarities of' the fi*6t period of the Platonic writings. And, secondly, the very strictness witb which the composer confines himself tO' the particular circumstance which is the subject of' the di- alogue, and here abstains from all admixture of investi- gaitibin into the fiirst principles, an act of abstinence which was certainly not possible ta small philosophers like the other Socraticians, but only to so distinguished a ma», — am, act by which be does at the same- time expressty remove this piece' out of the'lis't of the others. Hence also the strong eHiipbasi& with which the announcement i« made, tha* to those who do noit start ftom the samel moral principles, all deMberatiom in common is impossible, an eimphjisis to be ascribed rather to Plato, in order to explain the style and method of the dialogue, than to Socrates, who would hardly have needed it toward his friewd Crito, who could entYy differ from him in conse- quences, and not in first principles. Little value is to be put upon the story of Diogenes that ^sehines was actually the interlocutor, and that Plato from dislike to him intruded Crito in that eha- raeter. It is, however, very possible, that Plato allows himself in this particular to deviate from faet, and has chosen. Crito because he was best secured by his age and condition against unpleasant consequences, probabfy, 145 also, died soon after the death of Socrates. We see at all events an endeavour to avoid injuring any Athenian friend of Socrates in the fact, that Plato only mentions by name foreigners as having any share in the plot of abduction. So that the circumstance is probably founded in fact, and only the cause of it, by whom who can tell ? fictitiously superadded. III. ION. SocKATEs proves two things to the Athenian rhap^ sodist ; First, that if his business of interpretation and criticism is a science or an art, it must not confine itself to one poet, but extend over all, because the objects are the same in all, and the whole art of poetry one and indivisible. Secondly, that it does not belong to the rhapsodist generally to judge of the poet, but that this can only be done in reference to every particular passage by one who is acquainted, as an artist and adept, with what is in eyery instance described in those passa,ges. Now it will be at once manifest to every reader that it, cannot have been Plato's iiltimate object tq put a rhapsodist to shame in st\ch a manner. For even they ■yrho can never discover any purpose in Plato's writings except, in a far too limited sense, that which is directed, towards common life and. the, improvement, ojf it, cannot overlook the circums^tance that fho^e rhapsodists, a, somewhat subordinate class qf artists, iitrhq were for the most part concerned only with the, lower iranks of the, people, enjoyed no such influeqce upon the morals and 146 cultivation of the youth of a higher rank, that Plato should have made them an object of his notice and a butt of his irony. Nay, viewed even as a genuine So- cratic dialogue,, we must still look for some other and more remote purpose in it for which Socrates committed himself so far with such a man. It was therefore very natural, certainly, from the precise manner in which they refer continually from the rhapsodist to the poet, and from many very definite allusions to the Phaedrus, to fall into the supposition that the rhapsodist is only to be looked upon as the shell, and that what is here said of the art of poetry must be considered to be the real kernel of the dialogue. We find also here, and that most distinctly announced, the notion of inspiration in opposition to art. But not only is this proposition brought forward in so direct a form, that it could scarcely for that very reason be considered the main purpose of the dialogue to maintain it, but it returns- upon us in almost the same words as we found in the Phaedrus, neither more deeply grounded, as it might_ be inferred from the same principles that poetry is but an artless craft, nor more definitely enunciated, so that it might in any degree be explained why, in that dia- logue, art was cursorily attributed to the tragedians,, and in this manner the two ideas, that of art and divine inspiration, be combined with one another. As then nothing of the kind is here to be found, how should a dialogue have been expressly written for the purpose of endowing a mere repetition of what had been already said with a few fresh examples. On the contrary, it is clear, upon more accurate consideration, that a contra- diction exists in what those two main propositions about the art of poetry enunciate. For it is supposed, first. 147 Ihat the art is one and indivisible; then the principle is set up that every art is one by reason of its object, and it is lastly notified that poetry has many objects distinct from one another, according to which it cer- tainly would not in that case be one. This is upon the whole so very much in the Platonic manner, to lead from one proposition over to its opposite, that whoever has remarked the gradual transition will certainly look at once for more accurate advices upon the nature of the art of poetry, by which alone this contradiction may be solved, as the real object and purpose of the dialogue. Now for him who searches carefully, there do indeed exist in it something like the following; that the pro». posed object is by no means an object of the poet in the sense in which it is his who deals with it for a certain end according to the rules of art, but that the principle of unity in the art of poetry must be looked for in something else ; and that the work of the poet exercises a creative influence in the minds of the readers. But, first, there is a greater want of any kind of instruction for pursuing these notices further than can be well ex* cused, and then both they, and the consequences which might be drawn from them, for the separation and sub- division of the arts generally, have been already quite as clearly enunciated in the Phaedrus, and certainly placed upon a better and mote dialectic foundation ; so that the dialogue does nothing for them, further than investigate them in disconnection with the principles on which they rest; a process which can tiever be of any but the very slightest use. Hence the question naturally upon this presents itself, what the Ion is to do placed after the Phsedrus, and yet no one who compares the similar paS' sages in the two, can conceive a wish to change the order. 148 For, compare as we will, the thing always assumes -the appearance of the Ion haying had the Phaedrus in view, and not the Phaedrus the Ion. Add to this, that what might lead the reader to consider the notices to which we just now alluded as the main object of "the piece, is placed too much in the shade. For art. is regarded almost entirely from the point of view alone that it supposes a knowledge, of its object, whereby it is distinguished from artless handicraft, but not from that which presents it as endeavouring to produce a work by means of that knowledge, whereby it discon- nects itself from pure science. This latter point is touched upon in a cursory manner only, and never accompanied by a hint of the kind which in the Pro- tagoras and its family, and even so early as in the Lysis, marked out the way with so much distinctness. And this can be neither attributed to the nature of -the dress in which the dialogue is put, as it expressly ascribes the same work to the rhapsodist and the poet ; nor does this confusion of the unities of the object and the work wear the appearance of purpose sufficiently to make it without going further, a com- petent guide. And since the conclusion comes round again, and considers the rhapsodist simply, without con- taining even a hint respecting the true view, we are almost compelled, from the obscurity and deficiency of the execution, to reject again the only tenable theory contained in the work. And the same difficulties present themselves, when we consider closely, and compare particular passages in reference to subject and arrangement, as well as execu- tion and language; for many details are so mucb in the peculiar spirit of Plato and in his most genuine 149 ■method, that we think we certainly recogtiiae him in them alone ; and then again we come sometimes upon weaknesses such as we could scarcely ascribe to him in his earliest stages, sometimes upon faulty resemblances to other passages which have completely the appear- ance of unfortunate imitations. The annotations will show this more accurately, as points of that kind can be made manifest and judged of only by considering them in the particular place where they occur. While, then, as we contemplate this dialogue, our judgment IS thus drawn from one side to the other, and the balance wavers unsteadily without giving a decisive kick, two distinct theories spontaneously arise, between which it may not be very easy to make or to keep a deter- mined choice. For either one of Plato's pupils may iave composed the dialogue after a hasty sketch of his master, in which some particular passages were worked •out more fully than others, or at least taking Plato's hints and expressions as guides, whence the obscure arrangement of the ^vhole, as well as the various exe- cution of the details, is satisfactorily explained: or this dialogue does indeed come from Plato, but only as an imperfectly executed essay, which had scarcely had the correction of the finishing hand. The only period in which it can claim to have been composed must be as early as possible after the Phjedrus; and it can be viewed only as the first essay towards the mode of treat- ing the dialogue commenced subsequently to this work, in which the development of details resembles the com- position of the whole. But whether in this case the Ion is to be considered a kind of prelude to some greater work of Plato which remained unexecuted, upon the nature of the Art of Poetry, or whether it had nothing 150 in view beyond a playful and polemic extension of cer- tain sentiments expressed in the Fhsedrus — to attempt to decide this further^ in the present uncertainty of the case, might be hazardous. Sooner might one be able to maintain that the bringing out and publication of the work were, not to say unintentional, such as Zeno complains of in the Parmenides, but hastened by some seductive cause or other from without. This, since no trace of external circumstances can be found in it, might perhaps most naturally have been that pretty, though like a pet, somewhat spoiled and abused comparison with the loadstone, from fondness for which, in order to bring it on fresh and shining, Plato may on the one hand have at that time finished off this little exercise more hastily than would other- wise have been done, without expending any par- ticular pains upon every particular, and on the other, perhaps, not have been disposed to withhold the pub- lication of it, if he did not otherwise lay any par- ticular value upon the main subject. But even this comparison would have found a place so appropriately in the Phaedrus, where the dependency of different men upon different gods, and the attractions to love thence resulting, were under discussion, that it were to be wished Plato had discovered it at that time, and by that means perhaps spared us this ambiguous Ion. In any case this little dialogue, betraying as it does so many suspicious features, and devoid of any par- ticular philosophical tendency, could hardly lay claim to any other place but this which we assign to it. 151 SUPPLEMENT. It is not without mature reflection that I leave this introduction to stand in the main as it was originally written ; for it does not seem to me good to extinguish in a later edition all traces of how circumspectly, and turning every thing to the best, I have gone to work with those dialogues ascribed to Plato which appeared to me at first suspicious, that my method of proceeding might be the less liable to be confounded, by attentive readers at least, with a frivolous and precipitate criticism coming in after the thing was decided upon. As for the rest, every reader who compares the annotations with the introduction will remark that I give more space to the grounds of suspicion than to the defence, which last however I thought it incumbent upon me to investigate in the case of a work which, with all its weaknesses, is not entirely without a Platonic tone; and even now I re- frain from cancelling that defence, as it may pave the way towards explaining what is unquestionably Platonic in detail, supposing the work itself to be condemned as not genuine. But Bekker marks this and the follow- ing dialogues more decisively as ungenuine, and, in so doing, has my full assent. 152 IV. THE LESSER HIPPIAS. This dialogue has a great similarity to the Ion, considered as well in itself and its whole design, as any one must see on a comparison of the two, as in refer- ence to the ambiguity of its Platonic origin. For in the Hippias also we not only find combined with much that is genuinely Platonic so much that is suspicious, that one side might easily balance the other, but also in point of peculiar character each looks so like what we meet with in that dialogue that the same view which rejects or adopts the one must draw down a like sen- tence upon the other. For as regards, first of all, the subject-matter and what is essential in the form, each is not only worthy of the remaining works of Plato hitherto laid before the reader, but also in accurate agreement with them. The two positions which are im- mediately adduced, that, first, the man who is right and the man who is wrong in any matter is one and the same, namely he who knows something of it; and that again which in itself I can by no means consider, as Ast does, unsocratic, which maintains that he who errs intentionally in all things is better than he who errs unintentionally and without his knowledge; — these propositions are adduced in such a manner from the particular Homeric case, and the whole discussion so manifestly intended to draw attention to the distinction between the theoretical and the practical, consequently to the nature of the will and the moral faculty, and at the same time to point out in what sense alone virtue can be called a knowledge, that in this no one can mistake the whole style of the earlier Platonic 153 iiiethod of philosophizing. In like manner, especially in the devfeloptnent of the second position, the gradual transition to the opposite is so entirely in accordance ^ith the maxims in the Phsedrus, that the spirit and earlier period of the philosopher appears in this dis- tinctly prominent This then supposed, the final object of the dialogue is so similar to that of the Protagoras, that it is impossible not to ask what is the order of the two dialogues and what relation they have to one another, if they are both to be established as coming from Plato? Now if the Hippias was written after the Protagoras, then some point ought to appear further de- veloped or more distinctly set forth in the former than in the latter. But we cannot discover this to be the case : for it might indeed appear that the first part must bring an attentive reader, advancing in his con- clusions beyond the letter of what he reads, sooner than the Protagoras could do, to certainty as to what, if Virtue is a knowledge, is to be the object of this know- ledge, namely, the Good. But in the Hippias this in- vestigation is by no means carried forward from the point at which it had stopped in the Protagoras ; but it is introduced quite in a diflFerent manner, and in both conducted negatively only. For in the Prota- goras it is only tiursorily that the proposition, that pleasure is the object of moral knowledge, is reduced to a contradiction; in the Hippias it is argued against it, that Virtue, in so far as it is a knowledge, is not the knowledge of the object with which it is concerned from time to time. Now the fact that many persons will find it easier to discover the positive conclusion in the Hippias, can prove nothing in favour of the later composition of that dialogue. On the contrary. 154 it is manifest that Plato was very well satisfied with the course pursued in the Protagoras, as in the little dialogues that follow he advances so immediately upon the conclusions there drawn ; and the entire idea of the communicability of Virtue is further preserved in a long series which we have before us, and is even far more intimately connected there with the whole philoso- phy of Plato than the somewhat partial though perhaps more purely Socratic treatment of it in the Hippias. Hence this dialogue, if it is placed after the Prota- goras, a position which it always occupies, must ever interrupt the natural progression. Moreover we find neither in the Hippias any reference whatever to the Protagoras, nor in any of the appendages to the latter, any to the Hippias. And this view is quite as little confirmed by the proposition worked out in the second part of our dialogue, which maintains that the good man errs intentionally and only the bad man uninten- tionally. For if the Hippias were a supplement to the Protagoras this ought manifestly to have been brought into connection with the supposition there advanced, that no man errs intentionallyl Now it is indeed true that to the proposition in the Hippias such a turn is given that it is inferred that if any man errs intentionally it must be the good man, when it seems to be sup- posed that more probably no man errs intentionally : but this would have been brought out far more promi- nently if it had been written by Plato in reference to the Protagoras. Hence we are always far more tempted to entertain the notion that the hypothesis in the Prota- goras might be laid down naked and unsupported as it is, partly in reliance upon this position already worked out in the Hippias; therefore nothing now remains but 155 to place the Hippias before the Protagoras, and to re- gard it as the first attempt to bring forward those ideas upon the nature of virtue in the well known and in- direct method; but an attempt which did not seem to have been sufficiently successful, and from that cause occasioned that larger and more beautiful work. Now it is true that all the testing of spirit and method inter- woven into it, with all immediately dependent there- upon would be an addition perfectly new, but then it is also very conceivable that something of the kind must have occurred to Plato when he wished to improve and discuss anew a subject already treated of. And this view might even be brought to a higher degree of pro^ bability, if it was more accurately shown how some kind of germ, though mostly in an extremely imperfect state, of every thing else contained in the Protagoras may be found in the Hippias, whether we look to the subject- matter, or to the different modes of treating it. As then this is the most favourable view which may be taken of the work, and yet supposing it true, the Hippias appears to a certain degree supported by the Prota- goras, in no case could any other place be assigned it except in this appendix. • But when details come to be more accurately in- vestigated, this favourable view wanes again, and a variety of doubts arise as to whether this dialogue can in fact be the work of Plato at all. These doubts do indeed arise immediately and at first sight only on consideration of the dress in which the dialogue appears. For, first, there is much here so awkward that we can hardly attribute it to Plato, and then, in the whole conversation about Hippias' Olympic exhibition, the irony upon the sophists is severed from the remaining subject- 156 matter of the dialogue in a way not to be found in Plato elsewhere; and again, the variations in the manner of the dialogue are so pointlessly introduced, that it seems scarcely possible that Plato should have so applied them even for the first time. But when once the read- er's attention is taken by these particulars, he will then be led to view more in this dialogue with a suspicious eye. Many, for example, of the unquestionable resem- blances to the Protagoras are open to the suspicion of imitation, when we consider that in that dialogue they arise out of the additional subject-matter not found in the Hippias, while in the Hippias they furnish only unmeaning ornament. And again, the manner particu- larly in which the interlocutors start with Homer looks like an expedient of some pupil unacquainted with those lyric poets, more valued by Plato ; as also the com- plaint that it is impossible now to ask the Poet what he meant by the sentiment, is an echo of that in the Protagoras. Even Hippias seems severed away from among the personages of that dialogue to be the princi- pal one here only for good luck, and without any par- ticular reason, such as we can most generally produce in other dialogues.* Nay more, whoever once looks closely at the whole dialogue in this light, the example it affords of the practice of dialectics, will appear to him of a remarkable kind; sometimes timid, sometimes awkward, and almost only resembling the Ion. So that many persons might easily be led to consider it best to apply to the Hippias also the same theory as to the Ion ; reserving, that is, to Plato, his undeniable property in the first invention and arrangement ; and re- cognising in the rest the after-work of some pains-taking and pretty intelligent pupil, destitute of the spirit and 157 taste of his master. Hence Bekker has, in my opinion, done quite right in at once ascribing this dialogue also to an unknown composer ; who, it is extremely proba- ble, might be one and the same person with the com- poser of the Ion. On the other hand however, others may regard it as a preponderant argument in favour of the genuineness of this dialogue, that Aristotle quotes it not indeed under the name of Plato, but still just as -he will frequently quote other decided works of his teacher. For to say in general that in investigations as to the genuineness of Platonic dialogues no regard is to be paid to the quotations of Aristotle — this is an answer which I would not at all events now make. But this quotation does indeed properly show only that Aristotle knew our dialogue, but does not decide that he ascribed it to Plato. V. HIPPARCHUS. It was not until after the exercise of long and complex consideration, that the', final resolution was taken of following the example of two great masters in the art of criticism, and striking the Hipparchus out of the list of dialogues belonging to Plato; for the object which an intelligent reader can discover in the dialogue, is Pla- tonic enough. This is, to treat the love of the good, as love of gain, or as self-interest, a notion very closely connected with those well-known propositions that there is nothing useful but the good, and that when men embrace the bad they do so only in error. Heiice it might be very easy to believe that it was Plato's 158 purpose to start also from this idea appertaining to common life as he did from that of discretion and courage, and thus to penetrate to the central point of his philosophy. As it is also the case that this notion is very well calculated to be projected into that higher and genuinely ethical theory relating to the love of the good. This favourable view of the dialogue appears to be still more corroborated by a passage almost at the end, pretty clearly alluding to a further extension of the principles and views brought forward in what has pre- ceded. Accordingly it might be thought that this dialogue, like the former, is constructed upon a design of Plato ; in such a manner however that only a small part of it was executed, which might at the most have borne the same relation to the whole as conceived by Plato, as in the Lysis the preliminary dialogue does to the rest. An example the more applicable in the present case, because it is just from the kind of dis- cussion the idea of the good there receives, that the transition to an extension of it like that in the Hip- parchus may very easily be conceived. Except indeed tijiat what is there hinted of the idea of the useful proclaims itself to be far more Platonic than what we have here in the Hipparchus. The dialogue would then be a small fragment of which the commencement is want- ing, and whose present conclusion must have been added by a very unskilful hand. For no intelligent reader will be able to discover in any thought of Plato's, however cursorily expressed, any ground for believing him capable of annexing such a termination, nor would any one with even the slightest insight into the plan of the dialogue think of concluding or interrupting it thus. And quite as little is it Plato's custom to break in with such a 159 beginning; for even the Menon, notwithstanding that he there begins with the main question, is not without its introduction. Meanwhile, even though we would ascribe the beginning and the end of the dialogue to a strange hand, whose mutilation and mischief it may not be very easy to repair, the dialogue itself, we shall find, receives but too little assistance from this favour- able view. For, firstly, that connection with other Platonic ideas, which is to save the piece, is never even in the slightest degree forthcoming, and the sup- position of the existence of a higher ethical object, or a genuine dialectic treatment, has no foundation in any- thing but good-nature ; since there is no dialogue of Plato, take it where you will, such that, if a portion co-extensive with the Hipparchus were selected or com- piled out of it, the main branch to which that portion belongs might not be recognised by any one from in- fallible tokens. On the contrary, the Hipparchus as we have it, is connected with no other dialogue of Plato whatever, and is so far from being unworthy of its insignificant and unplatonic ending, that the unfa- vourable prejudice which the two extremities at once excite against it never meets with anything effectually calculated to remove it. For the dialectics which it exhibits are a tedious and lame performance, always re- volving upon the same point on which it was fixed at the commencement, without making a single step in advance. And even supposing the plan of the dialogue to have been designed with far more enlarged views, who could think of ascribing to Plato that digression about the Pisistratidae, with which so much that is not to the purpose is mixed up, and which could not have contri- buted even in the slightest degree to any conceivable 160 object whatever of the whole, so that it might rathei' be looked upon as a specimen of antiquarian knowledge produced by some sophist who wished to display his erudition. But above all the Hipparchus is denounced by the total absence of that which in the general prefacej with the assent it is hoped of every reader, was men- tioned as a test of Platonic dialogues, I mean, the individualizing of the persons who are interlocutors with Socrates. For there is not a single trace to be found hercj whether internal or external, which might indicate more accurately anything about the interlocutor. Nay even the most external condition, the mention of his name^ is not satisfied by a single notice of it throughout the dialogue ; so that the prefix of a name to his convert sation seems to be only the addition of some old copyist or perhaps grammarian, who was surprised by this un* usual circumstance, while the title of the dialogue seems only to have come from that digression about the Pi- sistratid*. Thus much at least may be easily shown> that if Plato composed the dialogue, this man was not called Hipparchus with his consent. For how in such a case would Socrates even at the very first mention of the Pisistratid have abstained from noticing the si- milarity of his name to that of the ititerlocutor ? Certainly on no supposition whatever. But the intro- duction of a quite indefinite and anonymous person iS not only completely at variance with the nature of the Platonic dialogue, but here in particular it would have been very easy for him to select extremely appropriate characters out of those already used by him on other occasions. So that, every thing duly considered, not even a plan of Plato's can have been in existence according to which some other writer has worked ; 161 for the plan must have contained the first outline, upon which the suitability of the person for the dialogue rested. On the other hand, the marks of an imitator, and a very poor one too, will be pointed out frequently enough in particular instances by the notes, in order to confirm the sentence of rejection from this side also, although even here only some points are indicated while the rest is left to the private observation : of the phi- lological reader. The notion from which the dialogue starts could not well be rendered otherwise than by gewinnsucht (avarice,) although in common life this word does not bear so bad a signification as the Greek one. For the essential characteristic of eagerly seeking to gain in trifles is more strongly implied in that word than in . any other, and moreover the opposition to the ethical notion of love for the good cannot strike the ear too strongly as far as the purpose of the dialogue is concerned. 162 SUPPLEMENT- SINCE I first wrote this introduction, further pro- gress has been made in the case of this and of the following dialogue. That both might fairly be attri- buted to one and the same composer I had already hinted; and not only has no protest been entered into on the other side with a view to establish their au- thenticity, but even Boeckh's ingenious opinion, which ascribes both of them together with two other previously excommunicated dialogues to Simon, has not yet been met by a contradiction. For what Ast mentions in op- position to that hypothesis is by no means of much importance. Notwithstanding this I have let my cautious introduction stand as it was, partly that the history of the investigation may remain entire, partly for uniform- ity's sake. For the same reason also I have left the dialogue in its old place, and in the title, though I am fully of Boeckh's opinion that the original one only mentioned the subject, have nevertheless followed the text of Bekker ; and this may be said in anticipation with regard to the next dialogue also. 163 VI. MINOS, A FEW words again will suffice to gain assent to the rejection of the Minos as well as the Hipparchus. First, as to the reason for assigning this as its proper place, every reader must see the remarkable similarity between it, and the Hipparchus, which is so great that they seem both of them to have been turned out of the same mould. The beginning breaks in just as violent- ly, and the end breaks off just as weakly and inappro- priately, after a new investigation had apparently but just begun. So that even with regard to this sorry performance some persons have (quieted themselves with the supposition, that all that is wanting to it is that it should be complete; as if such a design could ever be worked out to any good. Like the Hipparchus, again, the Minos is ornamentally disfigured in the middle by a discussion, not tending at all to advance the main sub- ject, upon a personage of antiquity- And, what is more, this very discussion has equally given the dialogue its name, while the interlocutor is not only divested of all character and circumstance, but also nameless, and can the less be called Minos, as he no where gives even a hint that betrays him to be a stranger, and Minos was never an Athenian name. And further, whoever looks to the tencar and course of the dialogue, will recognize it as unplatonic. Nothing is ever gained by all the abundance of examples, nor anything more accurately defined by comparison with a similar idea; on the con- trary, they pass with the most unsocratic carelessness from one idea to another ; as from that of certainty to that of opinion, and every thing once said, however 164 useful or tending towards a , decision of the question, is always heedlessly abandoned. So that as regards the lame progress of the investigation, the Minos does in- deed resemble the Hipparchus, but is far worse ; this circumstance, however, excites no presumption against the supposition of an identity of composer, but is suffi- ciently explained by the nature of the subject. For the purpose of the dialogue generally cannot have been the investigation of an idea, but this is all show and pre- tence, adopted however, because no Socratic dialogue can exist without it, the main object being only a poor jus- tification of Socrates' prejudice in favour of Crete. But this Minos has in itself a still further and more peculiar mark of spuriousness, in the pre-eminent awkwardness of the language. Instead of either seriously using the words connected with the principal word, by derivation and sound, or playing with them without injury to the investigation, and without sophistical trick, the author, like a clumsy workman, miserably entangles himself be- tween these two processes. Again, the name of the kingly art is put abruptly and without any referential notice as a thing conceded, for the art of statemanship, and that of the kingly man for statesman. This is brouglit in here out of the later Platonic dialogues, out of which however the composer, whose imitation of Plato is always harping upon the most frequented places, was incapable of drawing anything more profound. But it is unnecessary to add more upon a subject clear as day to any one who will see. 165 VII. ALCIBIADES II. Alueady in ancient times, doubts were entertained of the legitimacy of this dialogue, as some persons attri- buted it to Xenophon. For this supposition there were indeed no particular grounds, and least of all a decisive similarity of style ; and we might almost say that it must have been at once rejected by every philologist. But it is only the more probable that there was at least some decided reason existing for denying this little work to Plato; though no such testimony is in fact wanting upon which to hang a decisive sentence of rejection. The case however of this dialogue is very different from that of those hitherto rejected or suspected. For many might probably say that it is better in many points of view, but every reader will certainly be obliged to confess that it is also far less Platonic in the thoughts, in the arrange- ment, and also in the execution. For, first, as regards the subject-matter, the interpreters have at various times congratulated themselves on finding here the true doc- trine of Socrates upon the subject of prayer ; and this is principally the reason why this place in particular has been assigned to this dialogue, in order to, refer back to the Euthyphro and the Apology together. For when we talk of finding in Plato a doctrine of Socrates pure, this can only mean mixed up with the doctrine of other wise men, and not perfectly estranged from the manner in which Plato had once for all conceived So- crates. Now how could any one who has understood the hints in the Euthyphro and the spirit of the Apology consider it as a Socratic doctrine that the go(fs, without any fixed principle, and without even considering what 166 is best, sometimes grant and sometimes deny, nay, that one might suppose the case possible of their offering, what could be dangerous for mankind to receive ? or that to meet with death after the performance of brilli- ant exploits, or live in banishment is a great evil which a man must use great foresight to avoid ? On the con- trary, this is manifestly a doctrine about the gods of the nature of those of which Socrates says in the Euthyphro, that it is perhaps because he does not consent to anything of the kind, when people maintain such propositions con- cerning the godsj that he is calumniated and accused of impiety. And the latter view is quite as manifestly at variance with all the notions attributed to Socrates himself in the Apology, not to mention other Platonic dialogues which the composer of this clearly had before him. And again, whether the notion is Socratic or not, how poorly it is worked up. For as long as the supposition remains in existence, of inconsistency and uncertainty in the minds of the gods, of what use can it be to wait to pray for the knowledge of what is best, if they may also refuse this according as they think' proper ? But if it should be said that Plato by this contradiction wished to negative the former supposition, we answer that there is not at the end any indication of the contradiction, as there is in the Protagoras and other similar cases ; nor again, is there in the course of the dialogue any trace of the irony which Plato in such a case never could have omitted to intro- duqe. But more accurately considered, the doctrine of prayer, even according to the intention of the composer, is certainly not to be taken for the main subject of the dialogue, but what we find about the reasonable and unreasonable man, and about the relation of other arts &nd sciences to that of the good and the best. 167 Now this doctrine is certainly Platonic enough, and a preliminary discussion of it might fairly find a pl,ace here with reference to the dialogues soon to follow. But the manner in which it is brought forward is far from Platonic, or even Socratic ; for it was, as we know, Socrates himself who said that all good, private and public, can arise only from virtue, and not conversely ; while here the necessity for the knowledge of the best is itself only put upon the ground that otherwise security is endangered, and the state must prosper ill. And in like manner this method of drawing conclusions is neither moral nor scientific enough, as has already appeared up to the present point, and will appear still further in reference to the time of his later works, which manifestly enough our composer had in view. For immediately before the last result quite comes out, that those namely must rule in the state who have attained to the knowledge of the best, Socrates shoots off again to that discussion about prayer, which can however be nothing but the setting of the whole. And even before that the unity of the work is destroyed by the proposition being maintained that ignorance itself may be to a certain degree a good, a proposition which, in default of anything better, leaves still remaining an unsocial, uncultivated, aboriginal kind of life, such as forced itself upon those who misunder- stood the cynical principles, of which generally many traces appear here, though not however without contradiction. The arrangement, moreover, as exhibited in the manner in which this theory about the knowledge of the best is connected with that of prayer, must appear to every reader so capricious and so entirely destitute of any art that it is not possible to tax Plato with sych a work. And in like manner, as regards the execution, the un- 168 Platonic character of the work upon the whole is shown in the poverty of Socrates'" sentences, the miserable little formulae with which, in order to tack the dialogue on again as it is slipping through his hands, he asks Alcibiades' opinion of it, the very slight use made of Alcibiades, his want of anything like mai'ked character, the indistinctness in all the by-work, and still more matter that might be brought forward — all this is so prominent, that particular turns, which come out Platonically enough, can excite no doubt whatever of the spuriousness of the dialogue, but only confirm the opinion that the composer had indeed read his master industriously enough, but had penetrated less into his spirit than his language, and been iiicapable of learning from him his peculiar secrets. Plato is also thus acquitted cursorily of one of the worst anachronisms of which he can be accused. For it is only necessary to have a general knowledge of the dates, and decide as we may all that is questionable with reference to certain facts connected with this dialogue, it will still be foimd impossible that Socrates should have conversed with Alcibiades about the death of Ar- chelaus ; to say nothing of the fact that in the same dialogue the intention of murdering Pericles is without any necessity lent by supposition to Alcibiades, as if it were possible that the former should have been alive a short time after the death of Archelaus. END OF THE FIEST PART. PART II. I. GORGlAS. Like all Plato's greater dialogues up to this point laid before the reader, the following has been in regard of his principal meaning almost universally misunderstood. For we must in Plato's case especially regard a mere half apprehension of anything as an entire misunderstanding; since where the reciprocal connexion of the parts and their relation to the whole is missed, all correct insight into particulars, and all fundamental comprehension, is ren- dered impossible. Now, as in the Phaedrus> most critics overlooked too entirely the subject of rhetoric, and for that reason could hardly form a conception of the meaning of the whole ; so in the present instance, misled in like manner by a second and unquestionably later title of the dialogue, " Or upon the Art of Speaking," they have laid far too much weight on the topic of rhetoric, and taken every thing else merely for digressions and occasional investigations. Others again have looked to some othei: particular point, as to'the doctrine set forth by Callicles, of the right of the stronger, and to its refutation by Socrates; or to the incidental remarks tending to the degradation of poetry, and have deduced as a result the ingenious notion, that the Gorgias contains the first outlines of that which has been treated, (I cannot tell whether in their opinion later or earlier) more fully in the books of the Republic. "~ An idea which for the very reason that it is more ingenious than they are aware, conveys nothing at all definite as to the peculiar character 170 of this work. For what important production of Plato may not be said to contain, rightly understood, such outlines ? So much, however, is clear without further exposition, that according to any one of these views, the portion of the whole so prominently brought forward must appear in very loose connexion with the rest; and especially the inquiry upon the nature of pleasure, if one regards the whole in this light, can hardly be viewed but as an idle supernumerary labour, strangely pieced on to the rest. But a reader must know little of Plato who does not speedily detect thus much, that where anything of this kind occurs, and withal sounding so deep, this must undoubtedly be the weightiest of all the topics handled, and the point from which alone every- thing else can also be understood in its true connexion, and for that very reason the inner unity of the whole can be discovered ; and regarded in this light, the Grorgias appears exactly as the work that is to be placed at the head of the second division of the Platonic writings, with reference to which our general Introduction main- tained, that the dialogues which it includes, occupyirig a middle position between the elementary and constructive ones, treat generally, no longer as the first did, of the method of philosophy, but of its object, aiming at a complete apprehension and right decision of it. Nor yet, as the latter, endeavour absolutely to set forth the two real sciences. Physics and Ethics, but only by prepa- ratory and progressiva steps to fix and define them ; and that when considered either singly or in their community of mutual dependence, they signialize themselves by a less uniform construction than was in the first division, but one peculiarly articifial and almost perplexing. Now let this theory be again expressly brought forward here. 171 as introductory to this second class of Plato's collective works, and if it be immediately applied to the dialogue before us, and its position justified in accordance with the theory, all will be said that can be adduced before- hand to facilitate its comprehension. The intuition of the true and perfectly existent, in other words, of the eternal aiid unalterable, with which, as we have seen, every exposition of Plato's philosophy commenced, has its opposite pole in the equally general, and to common thought and being no less original and underived, intuition of the imperfectly existent, ever- flowing and mutable, which yet holds bound under its form all action and thought as they can be apprehended in actual, tangible, reality. Therefore the highest and most general problem of philosophy is exclusively this-^ to apprehend and fix the essential in that fleeting chaos, to display it as the essential and good therein, and so drawing forth to the full light of consciousness the apparent contradiction between those two intuitions, to reconcile it at the same time. This harmonizing process necessarily resolves itself into two factors, upon whose diflerent relation to each other rests the diiFerence of the methods. Setting out from the intuition of the perfectly existent, to advance in the exposition up to the semblance, and thus, simultaneously with its solution, for the first time to awaken and explain the conscious- ness of this contradiction ; this is, in relation to philosophy, the immediate way of proceeding. On the other hand, starting from the consciousness of the contradiction as a thing given, to advance to the primary intuition as the means of its solution, and to lead up by force of the very necessity of such a mean towards it, this is the method which we have named the indirect or mediate. 172 and which being for many reasons especially suited to one who commences on ethical ground, is here placed by Plato in the centre, as the true mean of connexion and progressive formation from the original intuition, his elementary starting-post, to the constructive exposi- tion, the goal of his systematic conclusion. Now the relation which, in the sphere of nature, being and semblance or sensation bear to one another in this antithesis, is the same as that' which in ethics exists between good, and pleasure or feeling. Therefore the principal object for the second part of Plato's works, and their common problem, will be to show, that science and art cannot be discovered, but only a deceitful sem- blance of both must be ever predominant, so long as these two are exchanged with each other, being with appearance, and good with pleasure. And advances are made to the solution of this problem naturally in a twofold way ; yet without holding each course entirely apart in different writings : on the one hand, namely, that which hitherto had past for science and art is laid bare in its utter worthlessness : on the other, attempts are made, from the very position of knowing and acknow- ledging that antithesis to develop rightly the essence of science and art and their fundamental outlines. The Gorgias stands at the head of this class, because it rather limits itself, as preparatory, to the former task, than ventures upon the latter ; and starting entirely from the ethical side, attacks at both ends the confusion exist- ing herein, fixing on its inmost spirit, as the root, and its openly displayed arrogance as the fruits. The remaining dialogues observe this general distinction, they partly go farther back in the observation of the scientific in mere seeming, partly farther forwards in the idea 173 of true science, and partly contain other later conse- quences of what is here first advanced in preparation. From this point, then, we observe a natural connection between the two main positions demonstrated to the inter- locutors with Socrates in this dialogue. The first, that their pretensions to the possession of an art properly so called in their art of speaking are entirely unfounded ; and the second, that they are involved in a profound mistake in their confusion of the good with the pleasant. And from the same point likewise the particular manner in which each is proved, and the arrangement of the whole, may be explained. For when it is the good that is under consideration, and the ethical object is predo- minant. Truth must be considered more in -reference to art than science, if, that is, unity is to be preserved in the work generally. And moreover, it is art in its most general and comprehensive form that is here discussed, for the dialogue embraces every thing connected with it, from its greatest object, the state, to its least, the em- bellishment of sensuous existence. Only, as his custom is, Plato is most fond of using the. greater form as the scheme and representation of the general, and the less, on the other hand, as an example and illustration of the greater ; that no one may lose himself, contrary to Plato"'s purpose, in the object of the latter, which can never be anything but a particular. For rhetoric, it is to be observed, is here used to represent the whole would-be art of politics, but still only to represent it, and on that account especially, the introduction to the Protagoras is here repeated, verbally one might almost say, in order to draw attention the more certainly, by this change in the application of the word, to the more closely drawn variation from the earlier usage of it in that dialogue 174 and the Phasdrus, and further, to what is notwithstand- ing here more intimated than expounded or systematised, the separation of rhetoric from sophistics, so that the former, regarded as an art under the category of the science of semblance, is to contain whatever refers to the greatest object of all art, the state, while sophistics, as is further explained elsewhere, contain the semblance of communicating with the principles themselves. For though Socrates compares rhetoric only with the admi- nistration of justice, and sophistics on the contrary with legislation, the proper sense of this indisputably is, that sophistics are to be supposed to imitate the knowledge of the first principles, from which certainly original composition and conformation proceed, and rhetoric the application of them to a given subject. The case is exactly the same, according to the ancient ideas, with gymnastics, in which outward perfection of the human body is one and the same with the principles of its pre- servation and production ; rhetoric, on the contrary, like politics in the ordinary sense, can never be anything but a remedial art, and applies those principles to a given corruption. Here then, to discover and expose the utter superficiality of the art of speaking, Socrates has to deal with the artists themselves, Gorgias and Polus. The confusion of the pleasant with the good is shown on the other hand in Callicles, whom a similarity in disposition had made a pupil of the other two ; and then in the last section in which Socrates recapitulates all that had pre- ceded, both sets of principles are shown to originate in the same one vicious principle, and to point to the same deficiency. Still, as it is not natural to Plato to make any decisive divisions in his general plan, so neither do we here find them in particular in the different sections. 175 In the first, then, of these, Socrates shows to Gorgias, to whom Plato, we know not with what justice, ascribes at the outset a somewhat limited purpose in his instruc- "tionsj representing that that purpose tends only to a proper conduct of political life, and in no way to the cultivation of virtue — Socrates proves to him from his own method, and that of the other rhetoricians, that justice and injustice, which nevertheless he is obliged to recognise as the objects of his art, can never be consciously contained in it, or given by it. To Polus however the nature and relations of the art of semblance are still more accurately exposed, and he is shown in particular that in the idea of the beautiful, which he still refuses to give up as unmeaning, and persists in assigning to it a province of its own, the commission of injustice proves to be worse than the sufferance of it, which leads immedi- ately to a distinction between the good and the pleasant. Here again the comparison with the Protagoras comes very near, that we may be enabled to see the use which in his indirect investigations Plato makes of the idea of the beautiful ; I mean,, that he propounds it formally and hypothetically only, and, allowing it to be entered as an abstract and exclusive notion, explains dialecti- cally its relation to other homogenous ideas as to which men are substantially agreed. In the Protagoras, now, the apparent supposition of the unity of the good and the pleasant had been made the ground-work of the argument, and there remained thercifore no other instru- ment of distinction, but mediateness or immediateness of the pleasant and unpleasant in time, which however can constitute no such instrument, as i& so multifariously explained in the Protagoras itself and the dialogues con- nected with it. In the dialogue with Polus the identity 176 of the good and the pleasant is left less definite, and only the difference between the pleasant and useful more strongly laid down, without its being decidedly assumed (what indeed bad been already contradicted in previous dialogues), that this distinction would depend only upon time. Whence, as soon as the distinction between the good and the pleasant is made out, the result comes out of itself, that the idea of the useful is immediately connected with the good. In the conversation with Callicles Socrates'" imme- diate purpose is chiefly to awaken the consciousness of that opposition, and to force his interlocutor to allow that the proposition, that all good is exhausted in the pleasant, has no support in internal consciousness, but that this hypothesis compels- us to place yet a further good beyond the sphere of the pleasant. And the attempts which in conjunction with Callicles Socrates makes for accomplishing this end, and which, moreover, are especially remarkable on account of the admixture, the first as yet, of Italian wisdom, might fairly be allowed to constitute in themselves the most ingenious part of this work. I mean, when we further take into consideration the manner in which they fail and the necessity for this failure, which is as nicely calculated as from the whole description of Callicles' character it is beautifully applied, and the way in which Socrates, without having neglected, as he would have been most glad to have done, the excitement of the feeling, guards against the objection of giving himself pliable opponents ; and returning to his own peculiar philosophical organ of dialectics, adduces a most important exposition of the true nature of pleasure, that it is something in per- petual flux^ and can only be conceived as arising in the 177 transition from one becoming state to another. All this is in fact far too ingenious, far too fully worked out and too accurately treated to allciw of our considering it as only collateral matter occasionally touched upon, and the political part alone as the peculiar object of the work. This explanation, as soon as Callicles has admitted a distinction between the pleasant and the good, though only quite in general terms, is followed by the third section, which connects and comprehends the two pre- ceding. In this, then, Socrates, in accordance with the ethical and preparatory nature of the work, concludes with a development resting upon the disposition of the mind, and expressing it mythically. Now if a comparison is to be instituted also between this myth and that in the Phaadrus, and there is to a certain extent much resemblance between the two, in so far as even this has been celebrated as a fundamental myth, it must be re- membered that the future bears exactly the same relation to the will and to art in this, as the past does to science and knowledge in that, and that in the one as well as the other Time is only an image, while the essen- tial point consists in the consideration of mind divested of personality. And thus Plato is so far from intending to set such a value upon the mythical part as might lead us to take it historically, that he connects it with the popular mythology. Nor, moreover, does the Gor- gias leave the subject of love unnoticed, but in this dialogue love is quite as much the guiding principle of the political art, as it is in the Phaedrus of the cultiva- tion of the individual; only, as we must at all events suppose, relying upon the investigatipns pursued in the Lysis, it has already divested itself of its mythical dress. z 178 But we need not pursue particular comparisons of this kind ; only we may observe in general that a comparison with what has preceded brings us to our second result: I mean that with reference to the proof which the form may supply, the Gorgias not only belongs to the second part, but also occupies the first place in it. For in that which constitutes the main subject of the dialogue, the mode in which the particular instance, rhetoric, that is, as an example of mere semblance in art, is combined with the more general object of the whole exposition, the endeavour to investigate upon the practical side the opposition between the eternal and the mutable, in this the Gorgias, notwithstanding all its apparent similarity with the Phaedrus, bears entirely the character of the second part. For in that dialogue, where philosophising was only spoken of as an impulsive feeling, and knowledge as inward intuition, the method, as a thing external, could only serve for illustration. But now when the Parmenides has so prepared the way, that it is rather the reality of knowledge together with its objects, that are to be discussed, instead of mere method, art is set up as something formed and finished, and the connection between the arts as something ex- ternal, and the investigation is pursued rather with a view of discovering whether they have an object, and what it is. Nay, if we look to the mere structure, a decided transition may be pointed out from the Phaedrus through the Protagoras to the Gorgias, and from this to the Euthyderaus and Sophist, in which the form of utter negation comes out most strongly. And in like manner all these dialogues are penetrated throughout by a germ, continually growing and treated only as an indirect object, of the positive, in the indi- 179 cation of true science and art and the objects of them, until at last it leaves this connection with the negative and comes out alone, when at the same time the whole of the indirect treatment passes into one of an opposite form. Thus, while the Gorgias clearly proves itself to belong to this series, it is quite as manifestly the first member of it, partly on account of the similarity already mentioned to the earlier method of instruction, partly because the last-mentioned combination of the negative object with the positive is far from being so ingenious and complicated as in the subsequent dialogues, the Euthydemus for instance, and Sophist. Moreover, the subdivision of the investigation under several heads, and the apparently frequent return to the commencement of the subject, are forms which appear more often in the sequel and become most important features, to which the Lysis and the little dialogues connected with the Protagoras afford but slight approximations. Add to this, in order to fix the place of the Gor- gias still more decisively, the ingenious manner in which almost all the earlier dialogues are again taken up in it, and sometimes particular points out of them, sometimes their actual results are more or less clearly interwoven with it, and, on the other hand, the per- fectly unintentional way, though the skilful reader can- not overlook it, in which the germs of the following dialogues of this series already lie folded up in this. The former point has been already touched upon in general with reference to the Phaedrus and Protagoras, but might still be pursued much further, and still more numerous references might be discovered in de- tail. Thus from the Phaedrus the objection might be especially brought against Plato by other Socraticians, 180 that notwithstanding his apparent intention in that dialogue of correcting the method of that species of rhetoric which tends only to delude, and his depreci- ation of it, he still allows it to hold such a place, that a person might look upon it as an object of de- sirable attainment. And it is precisely for this, that in. the Gorgias its only possible use, according to moral principles, and of the necessary connection between me- thod and thought, appears in so emphatic a form, and is so multifariously repeated, in order to show how impossible it is, starting from his principles, to come to any view, with regard to this subject, different from that here projected. And in the Protagoras the de- scription, of sophistical self-complacency might easily be thought exaggerated, and the game too easy, when the writer of the dialogues attributes to his opponent such follies and absurdities. Hence in this dialogue, when Gorgias finds himself similarly circumstanced with Protagoras, he proves far more pliant and docile with regard to the turnings of the dialogue, and draws less ridicule upon himself. But, on the contrary, Plato shews afresh in Polus at all events, that there is no doubt, that rhetorical undialectic sophists are incapable of accomplishing anything in that art of conducting a dialogue upon which his Socrates prides himself; 'a se- rious play with the method which, though certainly in some degree an echo from the first series, manifestly stands here in a far more subordinate relation than the similar one in . the Protagoras. Thus again from the Lysis ; not only is the notion of the neither good nor bad taken up as a thing granted and acknowledged, but also what we find in that smaller dialogue upon the subject of love, predominant as it is, in a confined 181 and limited form, obtains in this, like what was said in the Phasdrus upon the nature of love generally, an extended application, beyond mere personality, to the more important civil relations as well, inasmuch as with almost verbal reference to the Lysis, love for the people and love for the boy are laid down as co- ordinate. And thus too it is now for the first time clearly proved, that in the Phaedrus a peculiar value was justly attributed to the doctrine, not, it must, be allowed, brought forward with sufficient clearness for every one, which inculcates the necessity of, a simi- larity in the ideal, or character, for the production of love between two minds. With this, moreover, we are to put in connection that view of Plato which supports itself against all unmeaning disputation , and. persuasion, that those, who pursue principles morally opposed, can entertain no deliberation with one another in common ; a view which had been already enunciated verbally in the Crito, but is here palpably exemplified in the first discussion of Socrates vwth Gallicles, and contains like- wise from this point of view the defence of the indirect dialectic method for the second part, of the Platonic works. Moreover, in our present dialogue, Plato makes Socrates expressly acknowledge that the principle brought forward in the Laches, that courage cannot be conceived apart from knowledge, is certainly his opi- nion ; and, in like manner, . what has been declared in the introduction to the Charmides to be the result of that dialogue with reference to discretion. I mean that Socrates agrees in the explanation, that discretion is virtue, in so far as it is to be regarded as health of the mind ; this principle also here receives corroboration. So also piety appears here, exactly as it was defined in 182 the Euthyphro, as justice towards the gods. All these are retrospective references, if not quite literal, still quite certain and decisive; and we are sure that who- ever considers them comparatively, will never entertain the notion of inverting the arrangement, and take these dialogues for further enlargements upon points here as it were preliminarily noticed. And even as to the lesser Hippias, any one who would undertake to find a con- firmation of it in the Gorgias, might do so by affirming that the supposition started at the end of the first sec- tion, that the just man always wills to act justly, appears to refer less to the general position already ad- vanced elsewhere, that every one always wills the good, than to the principle that willing belongs quite as necessarily as knowing to the nature of justice in par- ticular, and that this is exactly the natural result of the sceptical treatment of the idea of justice in the Hippias. But any one must see that this reference is far from being either as important or as certain as the others. For the principle itself, that the exercise of justice eminently implies the presence of volition, is a thing so generally recognised, that it may be assumed without any reference to a previous proof. Again, the traces of a promise or preparation for the majority of the subsequent dialogues, appear quite as clearly as the references to earlier works which we have instanced above ; partly in the design of the whole, partly in particular passages. The manner, for instance, in which, after the establishment of the essential dis- tinction between the good and pleasant, the notion of a combination of the two is notwithstanding again enter- tained, points to a problem not yet solved, and which is interwoven with the subject of the Philetus, the last dia- 183 logue of this series. The manner in which the nature of the art of counterfeit is taken up, and its province divided according to the rules of dialectics, is the first breathing of what we meet with in the Sophist and Statesman so artificially and comprehensively worked out. The stress laid upon separating and divesting mind of personality, and the mode of exhibiting it my- thically, is, as it were, a prophetic anticipation of the Phaedo. So that we may even decide from hence, how much in this second period proceeded from the point which we have specified as the centre point of the Gorgias, and what on the contrary belongs, so to speak, to a second formation, or must be referred to the point already indicated, as contradistinguished from it. And I speak not so much of the dialogues, as of the prin- cipal factors of the dialogues ; for it is precisely in this reconciliation of the two points of view, the theoretical and practical, brought about as it is, without uniting them so completely as to cancel all opposition between the two, that the still more artificial form of the sub- sequent dialogues consists. Hence, even the Gorgias, strictly taken, can only be viewed as a moiety of the beginning of this second part, and it is not until we have combined it with the Thesetetus that we can look upon it as constituting a complete commencement, inasmuch as the latter treats of the opposition between existence in the abstract and conception, exactly as the Gorgias does that between the good and perceptive feeling. Hence, considering the total absence of any decisive testimony whatever as to the period of composition, and moreover, that the idea of the two works must arise almost simultaneously, and they are both of considerable extent, the appearance 184 of the Gorgias prior to that of the Theietetus cannot be immediately and at once established. On the con- trary, .it is only as an inference mediately drawn from a, variety of particulars, and these are nothing more than manifold references to what has preceded and to what follows, the character of a general prelude, if I may be allowed so to express myself, and that analogy, ac- cording to which every new layer in the philosophy of Plato commences originally with the ethical — these are the only grounds which can justify the precedence of the Gorgias, against several particular objections which might possibly be alleged against assigning it such a position. Whoever takes up those traces and references, and is acquainted with the manner in which it is Plato's custom to mark such notices, will undoubtedly discover of himself more of the same kind copiously interwoven with the details of this dialogue. For other persons we may be allowed to draw attention to some of them only. Eor instance, with what in reference to the Phaedrus and Protagoras appeared to us before in an apologetic light, still more matter connects itself in this dialogue which we can only understand as a, review of particular declarations of opinion against such Platonic writings as had hitherto appeared. However, what miglit be -said upon this point must always remain within the limits of supposition, and the best method tlierefore will be, only to give slight indications in the particular places and passages where such matter occurs. And, besides this, there is much that stands in such close con- nection with the Apology of Socrates, that it might be said that all the essential matter in that piece is here repeated, only so given as to be exalted above the imme- 185 diate personal relation. And it looks almost as if the Apology of Socrates, changed as it thus is into a defence of the Socratic modes of thought and action, has rather changed than lost its personal relation, and become a de- fence of Plato. Least of all can this repetition lead us to agree so far with another writer as to believe that the Gorgias must have been written soon after the death of Socrates, because assuredly Plato would not have reproached the Athenians a second 'time with so detailed a history of that act of which they had long since repented. For when we recollect that this also applies naturally to the Phaedo, we have these repetitions com- pressed within so short a period as to excite a feeling of satiety relative to the subject of which they treat ; a process quite in contradiction with that richness and abundance which characterizes the Platonic composition, and which, in the present case, would have no conceiv- able object; nor is there any sign whatever of ridicule suffered or anger felt, for no trace appears anywhere of either, that might have driven Plato to such reproaches of his fellow citizens. On the contrary, the purpose I have indicated, of justifying himself by a retrospective view of what had lately happened, for his continual political inactivity, and at the same time of showing how fearlessly he intended to continue his philosophical course — this is a purpose which he may well be con- ceived to have entertained at a somewhat later period. Though indeed, as Plato, after having lived some time at Megara with the other Socraticians, does not appear to have returned to Athens, for any long time at least, what I have suggested can hardly have been the case at an earlier period than after his return from his first travels. Soon afterwards, however, he might have had A A 186 abundant occasion for expression of sentiments of this kind. For in the Apology Socrates represents his own disfavour as having commenced with the calumnies of Aristophanes, and similar false reports respecting the tendency of his exertions; and thus Plato also experi- enced something of the same kind soon enough. Let but the reader recollect how in the Ecclesiazusae of Aristophanes, the representation of which is usually put as early as the ninety-seventh Olympiad, the political views and new doctrines of Plato were exposed, and he will have no difficulty in conceiving how easily Plato may have apprehended a similar result. Hence^ then, in order at the same time to justify to his friends and relations implicated in the concerns of public life — those friends who perhaps had hoped that his travels would have recalled him from abstract thought and brought him nearer to the world — thoroughly, I say, to justify to them his persevering withdrawal from the government of a state, in his own opinion, corrupt, as well as his own disadvantageous judgment upon the forms of it, and to show the necessity of being allowed to philoso- phize freely upon the art of politics; hence come those very strong expressions, outbidding anything in the Protagoras, against the most celebrated Athenian states- man of all time, with a slight reservation in favour of the living, as if they were less guilty ; hence the way in which he puts into the mouth of Callicles the imputation of Laconism against himself, in order to show that what is so called arises at once quite natu- rally and spontaneously from the most simple and every-day experience. Nay, even what he says cursorily upon the subject of poetry, may, in its more accurate application, be 187 connected with the same circumstances. Much of the natural hatred and spite of bad persons in the possession of power towards wiser men seems brought out exactly in the form in which it is, in order to touch, with a slight justification and correction, upon what had oc- curred to Plato during his first stay in Sicily with the elder Dionysius. And this again leads almost to the supposition, that the example also of Archelaus, if we are not to imagine that that monarch had not already - at so early a period Socraticians about his person, and proceeded with them in a similar way, was chosen with the same referential purpose, in order to show most strongly how impossible it was, that Plato, as had perhaps begun even at that, time to be the opinion of «ome, should have sought the friendship of an unjust and oppressive despot. These however are the only traces, slight ones certainly, of the time at which the dialogue was composed; and we could indeed place but little reliance upon them, did they not coincide so admi- rably with the position which must be assigned to it, between and after others, the period of which may be more diecisively fixed. According to this it would be right to consider it as the first or second work after Plato's return from his first journey, as soon, that is, as his school had become so firmly established, and so widely extended as to induce Aristophanes to give a comic representation of it. For unless all accounts of this journey are false, Plato can scarcely have formed, previous to it, a particular school of his own. There is one objection however to this date, which might certainly be brought by an ingenious person, and which I will not suppress. We know of a philoso- phical work of Gorgias, and the question may very 188 ■fairly be started, how Plato could have liiade Gorgias the principal person in a dialogue without uttering a syllable about this work, or noticing it by a single allusion. Put the dialogue into the period at which the process against Socrates was still going on, and we then have a very easy justification, in the supposition that at that time Plato had not yet become acquainted with it; but this supposition will not hold after his return from his travels, as he must unquestionably have inade acquaintance with this work in Sicily. In this case, there are but two hypotheses from which to choose: either Plato, contrary to his usual custom in this par- ticular, has kept so accurately to the time in which he places the dialogue, that he does not mention this work because at that period it was not yet known at Athens, and this may certainly be conceived, if as Olympiodorus says, it was written in the eighty-fourth Olympiad ; or Plato did not consider this work deserving of parti- cular notice, not so much by reason of its sophistical tendency, as, much more probably, its utterly rhetorical fetyle ; and thus he only comprehends it generally under the description of the corrupting art of counterfeit, and makes Gorgias say, probably not without a meaning, that he does not pretend to be anything but an orator. 189 II. THE^TETUS. If the reader looks only to the difficulties which surround this dialogue considered in itself, and as it is usually understood, and to the sophistries of which it is accused by those who are uninitiated into the con- nection, he may perhaps wish for a fuller introduction to the understanding of it than he will here meet with. Sut much becomes at once clear from the place we assign to the Theaetetus, and from immediate reference to what was said on the Gorgias. For when it is remem- bered what was there stated to be the common object of the two dialogues, and how the Gorgias is intended to pursue that object more on the practical side, the Theastetus more on the theoretical, the perplexity must at once become considerably less intricate, and some notion will be given of the real subject of the dialogue, in which, otherwise, at first sight, every thing seems to cancel the rest, and notwithstanding that knowledge is the subject of the argument, nothing apparently re- mains but ignorance ; so that this hitherto sealed work will be explained at the same time that the correctness of that connection, and of the general view taken of the whole, receive additional confirmation. For according to that view, the main object of the Theaetetus must be to show, that no science can be found unless we com- pletely separate Truth and Being from the Perceived and Perceptible or Apparent. Only that- in this dia- logue, as the sciences generally were not so strictly sepa^ rated and individually defined as the arts, Plato himself baving been almost the first to attempt this,, the dis- 190 cussion does not here enter upon the whole system .of the sciences, as in the Gorgias on, that of the arts, but treats of their common element, or of knowledge in the strictest sense of the word. And not only this, but it was a prin- ciple of Plato, as well as his object to show, that both investigations are in their nature counterparts of one another, that the search for the good in pleasure, and that for pure knowledge in the sensuous perception, are grounded upon one and the same mode of thought, that, namely, which the Gorgias exhibits more at full. There- fore it is shown betimes, and no one will wonder how this isubject came to be here introduced, what influence the doctrine tried must have upon the ideas of the good and beautiful, and upon the method of considering them — rit is shown that in the mind of the follower of it, knowledge itself can only refer to pleasure, and that, as he- who seeks only pleasure ends in the annihilation of all community of sentiment with others, contradictory even to the inward feelings themselves, so also he who, instead of knowledge, is content with sensuous impres- sions, [can find no community either of men with one another, nor of men with God, but remains confined and isolated within the narrow limits of his own per- sonal consciousness. These allusions however to the connection between the theoretical and the practical, and consequently be- tween the Theaetetus and Gorgias, are found scattered in almost all parts of the dialogue. But the exposition of the theory, that knowledge ought not to be sought in the province of the senses — that, as the only source of pleasure is in the transition from one opposite to the other, so also perception is inconstant, and that whoever thinks to confine knowledge within its province, can never 191 attain any of the objects of knowledge — forms in its gradual developement, the framework of the whole. Hence the dialogue begins with showing that the Pro- tagorean denial of a general standard of knowledge, and the Heracleitic theory of the flux of all things, and of Becoming alone remaining to the exclusion of all Being, as well as the principle here tried throughout, which sets up Perception, and Perception alone, for knowledge, do all refer to one another, and form one system. Socrates shows this while he supports the prin- ciples himself, and mutually upholds them by means of each other better than their authors had done, who in part, perhaps, less perfectly understood themselves, and the connection of their thoughts. And it is not before the Platonic Socrates has thus armed the theory of Protagoras against his own preliminary objections, as well as the nature of the subject admitted of, and exhibited it in a different and more connected form, that the dialogue proceeds to grapple seriously with those theories, and to show that the whole system, in so far as it affects to be knowledge and matter of instruction, falls to pieces of itself, and can never attain its object. Thus, first of all, the theory of Protagoras is attacked on two sides, which the dialogue itself, in order to pre- vent any misunderstanding, pronounces victorious. First, upon the side of the contradiction involved in the pro- position which makes opinion the arbiter of knowledge. For, as long as other men place a knowledge still above opinion, that proposition destroys itself, inasmuch as the number of those to whom a thing appears true, is now the measure of certainty, and the predominant opinion, by the supposition, maintains itself against the value of opinion. Then it is shown that although 192 it may hold for the time being, that what appears to every one, is, as regards him, yet that it cannot hold for the useful, or for any thing which concerns the future*. Now should any one discover in this conclusion a con- tradiction to the way in which Plato has already con- sidered the future elsewhere, when he showed that the knowledge of the future is not a particular knowledge, but that only he who is cognizant of the present can possibly be in a condition to judge of the future, he would nevertheless be mistaken. For, in the first place, Plato here places himself at the point of view of those to whom the future is a particular, and then the whole series of conclusions to which Plato intends, cannot still be drawn without taking the antecedent into consider- ation. Because, for instance, only what the physician thinks about the future fever is the truth ; so also, by consequence, only what the physician thinks of the pre- sent state of health is the truth, and therefore the know- ledge of it is distinct from mere perception. A conse- quence which Plato himself would have drawn somewhat more definitely, had he not been carried onwards by a press of accumulating investigations and applications, all of which were intended for this dialogue, as indeed he leaves throughout many conclusions in it to be drawn by the reader himself. Next, and in a manner resembling this, the theory also of Heraclitus which had been already contained in the exposition of that of Protagoras, is attacked inde- * See Thesetet. p. 178. A. 'Eti Toivoi' eudevee uv fiaWov irui tic duoAoyija-eie -ravTa Tav-ra, e'l irepi vrai/To? ti? rov e'liovi fpiarwri, iv il Kai t and which, by means of the ex- ample chosen, again refers to the practical and the Gorgias — the distinction between true conception to be mediately attained, and knowledge at all times and in all things immediate. This, agaiuj paves the way to the last attempt here made to grasp the nature of knowledge, starting with 195 the assumption, that it is right* conception comt>ined with reasonable explanation. And here again by far the largest space is occupied by an accurately considered, though only incidental, investigation as to an assumed opposition, not however tenable throughout, lin- .th§ relations of the simple and compound tq knowledge in the sense assumed ; and then a,gain the principle itself is very soon dispatched according to the two significations given of reasonable explanation, which Plato especially distinguishes, inasmuch as the refutation of the last is also good at the same time for the first. i Wonderfully ingenious, when we consider these par- ticular grand divisions one with another, is the uniformity of execution in the structure of the whole and of the particular parts. To begin with what comes last: how limited in comparison with the beginning appears at the end the sphere within which knowledge is still sought, though not found ; and how near at last is what proceeds merely from sensuous impression, independent of ideas, brought to a deceptive similarity with knowledge^ though it can never exalt itself to a level with it. It maybe said that these three transitions from mere perceptionj as it is here represented, to right conception geperally, and from this to such conception as is full and clear enough to furnish a reasonable explanation, giye us a graduated scale for the simplest, and so to speak, the rudest up to the most refined view of common conscious- ness, so that it is rejected with all its pretpnaqns to knowledge, and a question is at last started which mani- festly points to the necessity of an opposite principle, but * P. 201.D. Ttjl/ fiev nerd \dyov d\t]6ij Sofai/ eirKTrtJUrji/ etuai, Ttjv Se a\oyoii eKTOS iwia-Tijftti'!' Kai laii neu fiij eo-Ti XOyot, ovk tmo-Tf/TO eivat, ouTuxA Ka\ 6vofia'(uiv, d S' e;^£<> eirien-jjTtt. 196 at the same time the sphere within which that lower consciousness is true is assigned to it throughout, and the element of right which it contains is conceded to it and defined, which even the terms themselves imply in which those untenable pretensions are stated. For we are by no means to believe that what is gained in the several parts of the dialogue by the production of objections which Socrates afterwards either allows to drop or to be refuted by Thetetetus, or by investigations which with reference to the immediate silbject of the dialogue are only incidental, we are not to believe that all this is intended to fall to the ground and come to nothing. So far from it, that all this matter is assuredly to be pre- served and used : but better opportunities for noticing this in detail will occur in the notes on the particular passages. Again, each of the several parts is constructed precisely in the same manner. The Protagorean prin- ciple, for example, is more finely worked out at every fresh addition to the dialogue, and is at last confronted by the question as to opinions about time future held in time present. In like manner conception itself is con- tinually more pointedly disengaged from perception, espe- cially with reference to arithmetic, when every reader will certainly recollect the Platonic principle which Plato's disciples certainly did not forget, I mean that Geometry is a thing distinct from pure knowedge generally, and that the rank of the highest science does not belong to it. In like manner the idea of false conception is rid by the interposition of that of eaichanged conception*, of the rude form under which it was commonly and * AWo'ho^iav r'lva ovaav \^evlti tpafxiv eivm SdA'ai/, orav Ti! Ti TMK ovTiav aWo av riav ovraiv, ai/Ta\\a^dnevo easily detect the inclination to consider the doctrine of that philosopher more thoroughly' at a future opportunity, in short an announcement of what he afterwards carried into effect in the Sophist. At the same time however it contains an almost tacit exposure of Zeno, who is by no; means excepted from among those whom Socrates considers undeserving of much notice, ' arid a hint im^ plying how little any one should venture to make Par- menides the object of his satire,' and how difficult it was to penetrate to the real meaning of his doctrine. Both refer manifestly enough to the dialogue of that name, and to a variety of misapprehensions in the un- derstanding of it which from these allusions may be easily surmised. • So again, without any particular men- tion of the philosopher, several of the antitheses dis- cussed in the Parmenides reappear elsewhere in this dialogue, in part- accompanied by elucidations of what is there %arely stated as briefly as possible, so that the position ■ of the Theatetus between the Parmenides and Sophist is thus in every way justified. And moreover, besides these that are contained in the general plan, there occur in detail several allusions to the Gorgias, and among these too, individually considered, those 200 which presuppose the Gorgias have a great advantage over those which look as if the Thesetetus ought to be placed before it. In two other respects, moreover, these two counter- parts especially resemble one another. One of these points of similarity is, that in both dialogues a variety of perfectly similar matter occurs incidentally. Thus also in the Theatetus important passages from the de- fence of Socrates are brought up, and as it were com- mented upon. For Plato expatiates in a peculiar man- ner, and one which almost warra,nts the conclusion that he must on some occasion have exposed a weak side in this respect, upon the extremely natural and very pardonable ignorance of a philosopher in all civil mat- ters and usages. More skilful persons may decide whether this is to refer to that apology, or to passages in some -other writings of his, or to some fact of which t4"aces still survived. Moreover we find in several pas- sages a manifest defence, partly of his indirect mode of speculation in general, as in the explanation of Socrates'" midwife practice, partly directed against a variety of objections which must have been made to his writings, and likewise censure of the form and method in which many of his opponents probably endeavoured to confute him. Thus for example, he constantly repeats here as well as in the Gorgias, that in philosophical matters apparent consequences are not to be made the grounds of confutation, and particularly lays down- the condi- tions under which, in the dialogue, a position of the opponent can be regarded as confuted. So that, these vivid expressions which recur so frequently in the course of the two dialogues rightly considered, we shall remark a concealed and gradually gathering indignation, which 201 afterwards strives to vent itself thoroughly in the Eu- thydemus. Secondly, the two dialogues have even in their philosophical bearing some polemics in common with one another, quite of a different kind from what we meet with at «u earlier period against the Sophists. For, as in the Gorgias, the philosopher especially con- futed under the person of Callicles is manifestly Aris- tippus, in whose system the principle that nothing i« naturally just, but only becomes so by capricious esta- blishment, occupied an important place, so also the first half generally of this dialogue Aristippus is the person especially in view. That Aristippus took the impres- sions of the senses to be certain knowledge, that he did not notwithstanding deny the possibility of a progress towards greater perfecticm in knowledge, and the exis- tence of a distinction between the philosopher and other men, we learn from all the sources of information we possess ; and this furnishes us with a key to explain how and why it happens that Plato represented this doctrine as Protagorean though supported by Socrates, and we find Aristippus especially denoted, by those who did not indeed , follow the doctrine of Protagoras exclusively, but still ended with the principle that there is nothing just by nature ; we find him with his pro- pensity for good living represented in that long di- gresdon as one of those who do not occupy themselves with philosophy in the proper way, and some perhaps may even think fit to view that exposition of the So- cratic midwifery as at the same time a |)rotestation that that philosophy was in no way learnt from Socrates. In short, a multitude of allusions discover themselves as soon as ever we take these polemics into fconsideration. Every one however must also cei^tainly admire the- art c c 202 witli which they are interwoven with the whole, so completely without detracting from the universality of its purely scientific, bearing, so that the reader, with the exception of very particular allusions which do not interfere with the progress of the whole, and which every, one may easily be content to take as embellish- ments without thinking to find in them any thing par- ticular, may understand the whole without having been aware of those allusions. The second half gives great occasion to suspect the presence in it of similar po- lemics against Antisthenes of whom ■ we know, though only, I regret to say, in the most general way, that he maintained the principle of the impossibility of con- tradicting successfully any position whatever. These polemics appear to begin in this dialogue at the com- mencement of the section about false conception, and are elsewhere concluded under more definite and ex- tended views. The character of this opponent and what we know of his relations to Plato make it probable that much has reference to him which appears to be defence against unscientific and rude attack. There may yet be much besides of a polemical character which it is now almost impossible ■ to decypher, with the exception perhaps of a few scattered traces. What is said of the followers of Heraclitus is particularly strange, and it may be doubtful whether others than themselves are meant under their name, or actually themselves ; in which case it is scarcely possible to avoid thinking of Plato having sojourned in Ionia, probably on that great journey, - when, according to sooje accounts, he wished to penetrate even into Persia. Historical testimonies upon which to determine the ti«ie of the composition, of the dialogue are not to be 203 found, with the exception of what follows immediately from the allusions to all those circumstances, that the schools of Plato as well as of most of the other So- cratic philosophers had been already formed. Not muck can be built upon the mention of the battle at Corinth in which Theaetetus had been wounded; the most to be inferred from it would be only what is also certain upon other grounds, that the dialogue cannot have been written before the middle of the ninety-sixth olympiad. We should however by no means be warranted in con- eluding that the fight thus mentioned is the same which Xenophon notices in the fourth book of his Hellenics; on the contrary we might , easily find just as inuch> reason for thinking of less important events which ra&y have taken place subsequently, wh6n Iphrcrates had the command in that quarter; We have however every reason for considering as historical, both the -character of Theaetetus and what is said of him, though not the literal words of the conversation held. Suidas mentions him in two characters, as a scholar of Socrates and a hearer of Plato ; we see clearly that both notices refer to the same person : he also mentions him as a phi- losopher and mathematician, and knows that he taught at a later period in Heracleia. So Proclus also mentions him among celebrated mathematicians. Hence it may easily be inferred that from the school of Socrates,' as far as this expression may be allowed, he passed into that of Plato, and is" very properly represented as quite young at the death of Socrates. From this point of view, that is a striking' description which is sketched with so much fondness and put by Plato into the mouth partly of Euclides, partly of Theodorus. For what philosopher would not have 204 been glad to possess and immortalize a young friend like this. What Theaetetus here produces about the square root has very much the appearance of having been at that time something new, but whether it was a discovery of Theastetus himself, or one of Plato's with which he ornaments his pupil, I cannot take upon myself to decide. With regard to Theodorus it is not necessary to say anything, as be is sufficiently known, and the only question which could be a subject of curiosity, namely, wliy he is found in this place particularly, and why Socrates is so urgent with him to unite in con- ducting the dialc^ue, cannot be satisfactorily answered out of the dialogue itself. Meanwhile the more probable the fact is of his visit to Athens, the less probable the account becomes that Plato went expressly to Cyrene to learn bis science from him there. III. MENO. If the reader bears in mind the end of the Theaetetus, and compares it with the beginning of the Sophist, where manifestly the same persons again meet together with decided reference to the plan we find there concerted, it may fairly be matter of surprise to him that the Sophist does not here follow immediately upon the Theae- tetus. And there ought indeed to be very sufficient grounds to justify us in disregarding so clear and apparently so intentional a iiotic6^ But for this very reason these grounds are of such a kind that they cannot be perfectly understood by the reader until he can refer back from the Sophist to the Theaetetus, and the matter 205 which the present arrangement introduces between tbd two. Only every one must at least allow that that notice does not contain any compulsive necessity, or exclude the possibility of the insertion of several dia- logues between the two just mentioned. For how easy it is to suppose that Plato may indeed have intended to produce, immediately after the Theaetetus, what we now find in the Sophist, and yet have been afterwards either called upon by particular occasions first to explain certain poiats, or have even seen that he could not appropriately comprehend in one dialogue all that was necessary, in order to attain to the results he wished, and that he therefore subjoined intermediately several smaller ones, without however snapping the main clue after having once indicated it. Or it might even have been his original intention, when he ended the Theastetus, to continue the same persona in the Menon, making them say what we now find in this dialogue, and then he may have been subsequently influenced by some motive or other to prefer the choice of othiers for this purpose, and to apply the intimation formerly thrown out to a later work. In short, that external circum- stance, explicable as it is in a variety of ways, should not stand in opposition to an internal necessity or even probability, as soon, that is, as it can be shown that the Menon does really connect itself immediately with the Theaetetus, and must at all events be placed between that dialogue and the Sophist. And this, as far as this place admits of an elucidation of the subject, will; it is hoped, be clearly enough manifest from the follow- ing comparison. We find the first indication in the fact that in that part of the Theaetetus where the opposition between 206 icnowledge and ignorance is set up, Socrates says that he prefers setting aside for the present the states of Learning and Forgetting as lying between the two, and clearly speaks of them as if they involved a problem which he would suspend until another time, in order not to lose sight of his principal subject. Now this is precisely the problem stated in the Menon, and whoever compares attentively must at once, and on this acco.unt, give up all idea of placing the Menon before the Theaetetus.- Neither is it solved otherwise than Plato usually solves his problems when he does so pre- liminarily, . I mean by a mythical hypothesis, so that we here find precisely what according to his own method, after this question had been once started, was necessary to be done. As then in the Sophist, as well as in other dialogues manifestly belonging to this series, the same question is treated more dialectically and scientifi-* cally : the Menon naturally comes to stand nearer to the Theaetetus and before the others. For when Plato wrote the Menon, had as much been already done in public expositions towards the scientific solution of this question, as we shall find in subsequent dialogues, the mythical treatment of it in this dialogue would no longer have had any meaning, but Plato would have referred the reader by a different method, with which we have already been made acquainted in his writings, to the works in which this was better done. And the same conclusion will ensue from the consideration of another question which likewise 'pervades several of these dialogues, I mean that of the immortality of the soul. When it is considered how in the Gorgias and Theastetus this idea is first of all little more than hypothetically assumed and mythically sketched out^ 207 and then i-n this dialogue set up as a ground of expla^ nation of a fact, and as it Were postulated, how it is elsewhere, and in the Phaedon particularly, demonstrated and expounded, with a higher degree of scientific clearness, any one having already any however slight acquaintance with Plato's method of proceeding must allow that it is only by assigning this position to the Menon, that this continuously increasing distinctness which gradually penetrates to the very centre-point of the subject, pe- culiar to Plato, can enter into the discussion of this, and that the first thing which Plato had to do after that general projection, was precisely to show that he was justified in thus assuming the doctrine of immortality, in so far, that is, as the possibility of all science and communication of knowledge must stand or fall with it. However, this is certainly no proof for those who are able to consider the Phasdon an earlier worii than the Gorgias. But we cannot notice these opinions until we compare those two dialogues with one another according to our own arrangement. Now if it is kept in view, on the one hand, how these two questioiis, that of the possibility of communicating knowledge, and that of immortality, are brought into connection with one another; and on the other, how the question of the possibility of attaining to knowledge is here reduced within the other, of the possibility of attaining to virtue, and of the nature of virtue generally, it will be seen that the Menon belongs quite as immediately to the Gorgias as to the Theaetetus, and that the view taken of the relation of these two dialogues to one another is still more confirmed by means of it, inasmuch as the Menon is intended to draw the two still more close together, and to interweave them, with one another, and 208 this for those readers who might not perhaps yet be able to comprehend how the main problems of the two dialogues are connected with one ariothei*, and how in each of the two what is brought forward as digression is connected with the principal subject. And this view is confirmed by all closer consideration of the Menon, which, the more nearly we take it in connection with those two dialogues does the more closely and sponta- neously connect itself with them, and this so immedi- ately that it is impossible to conceive the intervention of anything else between them. Hence scarcely anything will be necessary here but to put down the particular points. First then, the projection and development of the idea of right conception, and the distinction pointed out between it and pure knowledge properly so called, must present itself to every one as the last result of the Theaetetus, though not in that place regularly and fully enunciated. And this in the Menon is not only as- sumed as proved and expressly put among the little of which Socrates can maintain that he knows it, but it is evident that the decisive treatment of the question respecting the possibility of teaching political virtue, (voKitIkyi dperri) is nothing but an immediate deduction, a corollary from the Theaetetus intended to apply to the subject of the Gorgias the last results of the former. In like manner the Menon gives us an immediate con- tinuation of the Gorgias, inasmuch as it is demonstrated in iti that the ideas of the good and of virtue can be quite as little determined by any more accurately defined method of attaining to th^ pleasant as by the pleasant in general, and that it is necessary to discuss the two connected ideas purely for themselves upon exclusive and original principles. And that the connection may 209 not be overlooked, the interlocutor is introduced as a dis- ciple of Gargias, and expressly referred to a dialogue of Socrates with that philosopher. Moreover Menon an- swers precisely in the sense in which Gorgias and his friends must have understood the beautifuL And as the last result <£ the Theaetetus is confinuatively enunciated, so also is that of the Gorgias repeated, and it is shown to be still not the last, and that it carries the investigation still higher- The same result also appears wh«n we look to what is, or seems to be, accidental matter ; for in the Menon this is throughout so identical with what we find in those {dialogues, that we are compelled to infer from them the existence of still further similar relations »nd connecting circumstaraees. The same use of mathematics for ex- amples as in the Theastetus, nay, even the object selected in visible connection with that dialogue. For the pro- blem which is the foundation of the Pythagorean theo- rem, to find the side of the double square, is precisely the instance in which the incommensurability of two lines with one another was most immediately, and certainly also first, Miade palpable. This consistency in the matter from which the examples are taken can be so little the result of accident, that we might rather be tempted by it to attribute to the example itself a still higher symbolical value; especially if we remember that Plato is in the habit of introducing remembirances into his works for the hearers of his immediate oral instructions. This however might remain for ever nothing but a weak supposition, or perhaps be altogether precipitate and false; but clearly this application of these subjects, which no where else appears so prominently, points to the fact, that during the composition of the two dia- 210 logues Plato was enjployeii upon the same subject, whether it were more in a mathematical or a Pythagorean point of view. Again, the examples which occur in the Menon taken from natural philosophy are most manifestly connected with what is adduced in the Theaetetus in illustration of the doctrine of Protagoras, and is intended defensively to show that Socrates did really there bring forward the doctrines of that school in the sense in which the master of it meant them. And Gorgias as a disciple of Empedocles is here expressly associated with the Pythagoreans, and moreover, atten- tion is thus drawn to the inward connection between the dialogue which bears his name and the Theaetetus. In ]ike manner the Menon connects itself with both dia^ logues by the similarity of its polemics. For the allusion to Aristippus, the bosom friend of rich tyrants cannot be mistaken, when Menon the friend of the great king declares that virtue consists in the compilation of wealth, even when he makes the limitation, not, according to Xeriophon''s description, consistent with his own opiiiionsj that this should only be done by legitimate methods. In like manner every reader will think of Antisthenes where it is conceded somewhat contemptuously by all and repeatedly asseverated, that a sophist cannot teach virtue, for Antisthenes maintained the positive side in a sense which did not meet Plato''s views, and where his first master Gorgias is held up to him as a pattern of one who made no claims to this. Moreover the Menon has in common with the Theaetetus and Gorgias a similar allusion to the accusation of Socrates. For as in the Theaetetus express and somewhat gratuitous mention is made of it, and in the Gorgias it is almost prophesied, and in both dialogues much from the Apo' 211 logy recurs in a very remarkable manner, so here the future accuser himself appears, and we see his anger rise exactly as Socrates describes it in the Apology ; and these allusions are found in so similar a dress that manifestly a similar occasion lies at the bottom of them in this dialogue as in the two others, and the Menon falls coincidently into the same period with those dialogues. And this dialogue connects itself with the Gorgias still further, and more particularly by what Socrates extracts by questions from Anytus, and says himself about the Athenian statesmen. For Plato assumes the appearance of changing into a more favourable opinion what he had maintained in the Gorgias ; but he does this apparently only, and with a sufficient quantity of irony which at the end rings out clearly enough. It seems, indeed, to be a regular apologetic recantation with which Socrates presents them, intended to convey that there have always been among the poli- ticians of Athens many honourable and just men, and that he would here only maintain that their virtue did not rest upon knowledge, and that thii? was the cause why they could not also teach and communicate, and this ^planation seems all the more powerful as Socrates now comprehends under the sentence, in this its milder applicatioUj even Aristides himself, whom he had befpre exalted so far above the rest. But this man, whom as far as communication is concerned he was certainly compelled to give up, remains nevertheless free from the other objections of which no further mention is here made, and the possibility of bis so remaining is founded upon the principle that there may be men in whom the correct conception which they once have con- tinues unchangeable ; and it is precisely this which is 212 laid down as the true value of that virtue which is not accompanied by a perfectly finished reason, and consequently does not rest upon knowledge properly so' called. The rest, on the other hand, of whom it has been already shown elsewhere that they cannot keep possession of the useful, are, with their true conception, which will not remain without knowledge, most gently merged into the same class with soothsayers and poets, and it is at last distinctly declared what was meant by this elsewhere, namely, that all these men are but as shadows to one, if such there be, who knows and can teach. This leads of itself to a still further resemblance between the Menon and the Gorgises. For in the latter we found explanatory references to several .earlier dialogues; and it may be said of the Menon that it touches upon almost all in the first series, and con- cludes and seals in so many words a large share of their common subject-Miatter of which the decision was as it were still left open. This holds especially of the Protagoras and the dialogues immediately connected with it, and on account of this relation much matter is again taken up, almost too literally and too fully, out of the Protagotas, which already lay at too great a distance to admit of Plato's referring to it only by one or two slight allusions. It is now shown here how much of the virtues remains, as they are ordinarily enumerated, and are no longer allowed to be compre- hended in a unity of virtue, if we separate them from knowledge; and at the same time the whole dispute, in which, in the Protagoras, Socrates is not only en- gaged with Protagoras, but also each of the two with himself as to the identification of virtue with know- 213 ledge, and the possibility of communicating it^ is solved by the preliminarily established distinction between knowledge and true conception. And in doing this it is said that the more exalted species of virtue rests certainly upon knowledge, though upon a higher mode of it than that calculation of the pleasant, and is more- over thus communicable in the sense in which it may be said generally that remembrancing, and the excitement and reanimation of ideas, is communication; while the ordinary political aperri is not communicable, but rests for the most part only upon correct conception, upon a feeling which has never penetrated up to the point of true knowledge. If therefore, in consequence of what was first remarked, the Menon is indispensable to us as a strengthening key-stone of the dialogues which form the beginning of the second series, so it is also from those references indispensable as a key to much not yet expressly solved in the first series. Again, a slight degree of attention will show us that the Menon thus becomes a fresh confirmation of the arrangement hitherto pursued in general. For that it solves the riddle of the Protagoras, and, not to go beyond what is particularly mentioned, that of the Laches also, and that hence those two dialogues must be placed before the Menon and in connexion with one another, is clear to every one, and no intelligent reader will think of inverting the relation and saying that those dialogues were later in point of composition, and intended to be further continuations of what is here preliminarily said. The same is true of the Phaedrus, to which dialogue sufficiently decided reference is made j by a resemblance in the diction, which, though without anything like verbal coincidence, strikes us almost as 214 ah ehlargement upon that dialogue, though without any abrupt deviation being adtriitted from the very diffe- rently pitched tone of this. Here too, no one on comparison of two passages will find it possible to entertain any view except that the Menon refers retro- spectively to the Phijedrus. Otherwise we shall be obliged to conclude that he is resolved to recognise no relation whatever between, the mythical and philosophical method of exposition, and intentionally to overlook what is struggling to show itself spontaneously. This is the view which we obtain from the somewhat complicated relations of this dialogue, after placing ourselves upon that chief and corner-point from which alone an accurate survey of the whole can be made. Thus prepared, we shall find it no difficult matter to judge how the case may stand with two other views very diflFerent from this. Of these' views one had not up to a certain time been even published, but only circulated in private by learned men in some respects entitled to much attention. It might however be produced under a form which should give it a certain degree of proba- bility, in my opinion, that is a far better one than that under which Ast lately produced it. Thia view undertakes to deny our dialogue to Plato,, conceiving that it contains but little philosophical matter, not more precisely and better stated elsewhere, that it may therefore be almost dispensed with for the understanding of the Platonic philosophy, and is not moreover in respect of arrangement and treatment of the subject particularly worthy of Plato. And certainly whoever, from not having considered the dialogue in the proper connection, has convinced himself of the first point may easily find many particulars to corroborate the second, 216 which will necessarily strike him the more in proportion as he has less understanding of the whole. For instance, the abrupt commencement without any introduction is not very Platonic, and an introduction seemed here the more necessary as we learn for the first time, and quite unexpectedly in the middle of the dialogue, that Anytus has been present from the beginning — a thing which occurs no where else in Plato. Moreover, it is only by an introduction that the turn could be justified upon which the last part of the dialogue rests, that Menon is in want of a teacher in civil virtue; for we are not prepared for this by anything in the dialogue. Again, several harsh transitions and disproportionate strides in the progress of the dialogue seem only ca- pable of being explained upon the supposition of some precipitate impetuosity in the characters of the speakers, which however no where comes out in the dramatic representation of them ; and the resemblance to the Phaedrus and Protagoras might seem nothing but me- diocre imitation, the rather as it can scarcely be conceived upon what principle Plato could have found himself compelled to do a second time what he had already before discovered the fruitlessness of, I mean, enquiring after a quality of virtue, whether, that is, it is commu- nicable or not, before investigating its nature. But of all these objections no part will remain good in the estimation of one who has rightly apprehended the philosophical bearing of the dialogue, except that, with us, he will consider the Menon as one of the more careless and not perfectly finished expositions of Plato. For, this granted, all particular objections shrink and partially vanish, as they agree almost universally with the manifold subordinate views of the dialogue which 216 we have pointed out, and some negligence in the exe- cution of details is to be looked upon with indulgence, the rather as it is probable that the larger works which follow in connection with the Theaetetus were already floating before him in his mind and he hastened to close with them. And truly nothing is more strange than to desire that all the works even of a great master should be possessed of similar perfection, or to suppose that he cannot have produced those that are not so. On the other hand, as to the objection that this dialogue contains a kind of investigation which we shall look for in vain elsewhere, this is not after all so fatal to the cause. For by the assumption that virtue can only be communicable when and in so far as it is identical with knowledge, the question becomes part of the original one, what virtue is or is not in itself. And as to what Ast otherwise calls the un- Platonic propositions of our dialogue, his objection is in part tantamount to this, that he is unable to recognize throughout that simply preparatory charactCT of the dialogue which prevails over the larger portion of the subject matter, and then that he will not allow Plato to use words in diiFerent dialogues sometimes in a more limited, sometimes in a more extended sense, and in some of them more scientifically, in others more in the manner of common life. Had it pleased him to allow this, he could not have indulged in such severe censures upon the point that the virtue here spoken of is sepa- rated from tppovrjffK, and it would not have escaped him that it is precisely the distinction between politioal virtue and virtue in a higher sense that is here to be started. All other objections give way partly from what has been adduced, and in part appear to me to 317 deserve no particular notice; where so much is undeniably excellent and Platonic, and we rn^y confidently affirm that it would be impossible ever to discover any other probable composer of it. The other view different from our own and opposed to it in a different manner, is that well known one which attributes to the Menon an important and dis- tinguished value, because it is supposed to be a noble exercise in the doctrine of reason as it is called^ and moreover the Socratic midwifery is practised in it with particular adroitness, and supposing it to be first intelligently prepared, much that is beautiful might be demonstrated out of it to little boys in school. Only it is a pity that Plato was not in the habit of produc- ing exercises in logic at all, such things being rather to be found in the later compilation of little dialogues that were foisted upon him, and that if he does here seem to represent anything himself under this form, this is only done in order to disguise to a certain degree the introduction, subservient to quite different purposes, of a foreign ingredient. Pity also that we find in the more artificial dialogues far more artificial and fruitful examples of his midwifery according to the ideas which he himself lays down in the Theaetetus ; and he declares this to be only the first commencement of bringing conceptions to consciousness, and does moreover treat somewhat lightly the merits of mathematical elements iri comparison with philosophical, upon which he is generally accustomed to exercise this art. Pity, lastly, tha;t it is not quite so easy a matter to prepare and demonstrate this very dialogue of the Mehon essen- tially and entirely, as has been done with particular fragments detached from it, but which then are not E E 218 themselves understood in their relation to the whole. Hence again, these panegyrists are themselves involved in a learned dispute as to what may really be the opinion of Plato upon the communicability of virtue, whether he is indeed in earnest with the whole question, and whether the decision come to, that it is only attainable by divine inspiration, coincides with other ex- pressed sentiments of the philosopher. And among the disputants are many so truly divine, that whatever they are to understand must come from divine inspiration, and that because they have taken upon themselves to con- sider for itself alone what depends upon something else, and they require not only a voice to warn them, but one to call upon and awaken them to hear when the author imparts the answers to their sapient questions. For had they but understood his voice themselves they would have given better attention to three passages, to the way in which he states the first question as to whether virtue is knowledge or something quite distinct and separate from it, and then to the limitation that in political dperti, right conception may supply the place of knowledge, and finally to the last sentiments about the true statesman. As to the persons, Anytus the accuser of Socrates is not, as far as I know, mentioned either by Plato or Xenophon with his father's name. Diogenes and Athe- naeus consider the Anytus of this dialogue and the accuser of Socrates as one and the same, and generally the way in which he is here brought forward speaks too clearly in favour of the supposition that Plato had him in his mind to render it necessary to look for other vouchers. Hence, therefore, it is not necessary to inquire who the numerous authors can be in whose 219 writings it was found stated that the accuser of So- crates was a son of Anthemion. Menon is unquestion- ably the same with him whom Xenophon mentions in the campaign of Cyrus, although Plato does not de- scribe him as so abandoned a profligate. His country, his beauty, his wealth and the friendship of the Thes- salian Aristippus, who cannot be supposed to be also a duplicate, are circumstances sufficiently material and to the purpose to establish the fact. IV. EUTHYDEMUS. In the Euthydemus, if the reader regards the part which is at once the most striking and amusing, the conversation, that is, in which Socrates and Ctesippus, the same whom we already know fram the Lysis, are engaged with the two sophists, Dionysodorus and Eu- thydemus, and how far it is from being conducted dia- lectically in Plato's, sense, with a view to rectifying their mutual sentiments and to the extrication of truth, but is most perfectly worked up in the style of a regular prize-fight only with a view to keeping the right in words — if he considers how perfect Plato shows him- self to be, though this is but his, first and solitary attempt, in exhibiting the way in which the matter of the sophistical questions that may be started continu- ally dwindles away, while at the same time the plea- sure and the pride of the actors increase, until at last the former merges into mere nonsense, and the two latter pass into the most extravagantly vain self-conceit, which 220 confounds the ridicule of the intelligent with the assent of the simple, and only puffs itself out the more ; and, lastly, if he notices the way in which the whole ends with that undisguised burst of ridicule so cheerily rung out, he will, we inay be assured, at once admire the life and dramatic power of the whole, but will however afterwards discover in the subject thus exclusively re- garded one not quite worthy of the author. And though no one can immediately doubt whether Plato could have composed any thing with this view, still every reader will require an occasion for the compo- sition of a piece which can only be conceived to be occadonal, and will be surprised to find it given in the series of scientific productions. But it is strange enough that attention has always been exclusively given to this sophistical dramatizing when to every reader the dia- logue presents more important matter^ a genuine phi- losophical bearmg and a visible reference to other Pla- tonic writings, hi that other conversation ; which, though but in an interrupted and intermitted form, Socrates carries on with CJliniasj and which, like the dialogues up to this point, treats of the communicability of virtue and the nature of the most exalted knowledge. This conversation may be regarded as an illustra- tive continuation of the Menon, and therefore, mediately, of the Thesetetus and Gorgias, as it enlarges further, by an indirect method, upon the same subject. For the consequence which we have often only inferred from former dialogues as their proper result, without finding it verbally enunciated^ is so verbally enunciated in this, and, as if it were already evident, assumed ; and the problems with which the subsequent dialogues are en- gaged arc here discovered and pointed out. By this 221 then, if it is actually the case, the place which we have assigned to this dialogue, is sufficiently assured to it. And of this every reader may convince himself if he considers the course of this conversation, the main points of which we will here note down in a few words. In this it is at once assumed almost at the beginning, as had been proved in the Gorgias, that pleasure is not identical with the good, and therefore that happiness which is sought as a common object, is defined, only for the purpose of keeping to the ordi- nary translation of the word eu^aimonia, to be "right doing" {or, "well doing"). At the same time the con- versation connects itself with the Menonie position, that every thing which is ordinarily called a good is not so in and for itself by virtue of the mere possession of it, but becomes so first by coming under the pother of wisdom so as to be governed and managed by it. Ac- cordingly the proper object of desire is defined to be knowledge, to which Plato here deliberately gives the more exalted name of wisdom, and without even men- tioning that lower grade which is there called correct conception. But this is by no means a sign which can imply that this distinction had not yet been made, or that Plato contradicts himself in any way consci- ously or unconsciously i but the ground of it is as fol- lows: just at the beginning, where Socrates staites the problem, the two, the search, that is, after wisdom and the diligent endeavour to attain virtue, are laid down as identical or as connected in the most intimate man-^ ner. He intends therefore by this, expressly to show what he meant by what is only thrown out at last iff the Menon, that it is certainly necessary to seek that virtue and statesmanship which proceed from wisdom^ 222 notwithstanding the fact that they have not yet existed, because without them those more common kinds which are satisfied with right conception, can have no perma- nent existence. After the proper result of the Menon has been thus enunciated and elucidated, it is now en- quired further what that knowledge must be, and after it has been established, in part with reference to the Gorgias, that it must be an art which is capable at the same time both of producing and using its object, and , thus several particular arts have been brought for- ward by way of example which satisfy these conditions, the conversation comes at last, less by the strictly scien- tific method of analysis and investigation, than by the unmethodical, process of promiscuous adaptation, to the real political or kingly art to which all others surren- der their products for its use. But now the progress- ive advance of the dialogue is at an end, and the con- versation changes again into a hesitative kind of specu- lation which only starts riddles and hands them over with a few hints to the reflection of the hearer for their solution. It is in this sense then that the pro- duct of that art is investigated, and nothing is discover- able except that if in the good we are always to in- quire after the end we must always come round in a circle; in this sense Socrates quite at the beginning started the question whether to teach wisdom and to create a passion for it belongs to the same art; and it is precisely in this sense that the relation between the true and the good, wisdom and art, is so multi- fariously repeated and brought to light. And thus, as was before maintained, ■ this conversation contains, on the one hand, corroborative illustration of the preceding dialogues; on the other hand, the reader is to be 223 excited not to rest content with the assumptions there made, as that virtue and wisdom are the useful, and thus this conversation becomes a preparatory indication pointing to the subsequent dialogues, in particular the Statesman and Philebus; and hence on their account, the Euthydemus appears to be a transitional member by no means superfluous, and here certainly, quite in its proper place. After we have thus properly estimated the essential part of the dialogue, it then becomes easy to take up another view of the remainder also. For the question arises of itself. Was Plato, whom in the dialogued im- mediately preceding the Euthydemus we have already found occasionally engaged in controversy with the founders of contemporary Socratic schools ; was he, I say, likely now again to commence a battle, for which the time had quite gone by, against earlier sophists whose inflluence and exertions were suppressed without it, as soon as ever the Socratic schools had become regularly formed .'' and was he likely to support this superfluous contest by such an expence of demonstrative art, and to be so well pleased with himself in the ex- ecution of his task as is here manifestly the case.'' Who then were these men, Dionysodorus and Euthy- demus, to deserve such notice arid meet with such treat- ment .'' History is silent respecting them more than any other of the sophists mentioned by Plato, so that we may certainly maintain that they never formed anywhere any kind of school, nay, it would even seem that they were not generally men in very great repute. Xeno- phon mentions Dionysodorus and speaks of the time when he taught the art of war, whence we must con- clude that it is a real fact which Socrates mentions 224 that they did this first, though probably more as tac- ticians than trainers in the art of fighting, and only applied late to philosophizing sdphisticism. Plato him- self in the Cratylus brings forward Euthydemus, but with a sentiment flowing immediately from the prin- ciples of the Ionic philosophy, and from which more- over no such sophistical misapplication immediately en- sues, so that we do not at once recognize this Euthy- demus in him. Aristotle also mentions him, and that with a few positions of the same kind as we find here, though their fortaulae will from their nature admit only of an ironical application, and could never be directed against philosophy; and hence Euthydemus would not have deserved so cruel a treatment for their sake. On the other hand Aristotle brings forward almost all the formulae which here occur, several of them even ver- bally, without mentioning Euthydemus or his brother, but ascribing them entirely to the Eristic philosophers. Moreover, there is an important passage in our dia- logue in which the catch-questions brought forward are mostly referred to the principle of Antisthenes, that there is no such thing as contradiction. Now if we compare with this several particular allusions in the dia- logue, and another passage of Aristotle, where he says that Gorgias, the first instructor of Antisthenesj taught how to practise these nieitters, but not upon first prin- ciples, and consequently only communicated > a few par- ticular maxims and not the whole art itself, more and more light falls upon the whole, and it becomes very probable that under the name of those two sophists Plato intended rather to assail the Megarian schools and Antisthenes. He might be inclined to spare the former for old friendship's sake, which connected him with the 225 founder of them ; and he might prefer not mentioning Antisthenes by name in order to avoid personality as much as possible and to expose himself less to his rough treatment. And in considering this point indeed we must remember, in order to come to the right con- clusion, that much was very intelligible to contempo- raries, and would spontaneously obtrude itself upon thieir notice, which we can only discover by laborious means, and a variety of combinatiops and comparisons. From the extravagant ridicule moreover the attentive reader is made aware throughout of a profound and bitter satire upon the then prevailing degeneracy among those even who professed themselves disciples of Socrates. Still however there remains yet something to illus- trate and explain. For if we consider accurately what it in reality is that is here criticised, and controverted only in a spirit of ridicule, it must indeed be generally allowed that the particular examples as they here occur deserve nothing else ; it is however not to be overlooked, that the whole tissue of these lies and cheats was in its nature nothing but that scepticism, which always ac- companies the doctrine of flux and progressive incom- plete existence, generally or partially taken up, in its particular application to language. If Plato therefore wished to treat this sophistiaal art independently and for itself, it was necessary for him either to show short- ly how closely it was connected with the principles already refuted by him, or he was obliged to penetrate deeper into its proper object,-^ — ^language; and in this also to point out together with the changeable, the un- changeable and constant. The first he certainly does, but in such a manner that the greater part of the ex- amples discussed have no business there. To the latter P F 226 he appears rather to point preliminarily than actually to set to work in earnest upon the subject, which was indeed under the circumstances scarcely possible; and any one may see that Plato does not draw from the various character of his examples the advantages which present themselves for this purpose. Hence then the inference manifestly is, that the examples there found are not merely referable to the treatment of the sub- ject, and have not been determined by it. What other cause then produced them ? and did Plato indulge him- self in this empty trifling, and continue it so long from mere pleasure in the exercise of dramatic power which he applied to them ? We are at least not compelled to hold to this, and to ascribe to Plato in this dialogue a mode of proceeding which is not generally peculiar to him. For if we consider the particular examples ac- cording to their meaning, we shall find among them several which have very much the appearance of allud- ing to attacks directed partly against the thoughts, partly against the language and expression in Plato's earlier writings ; inasmuch as his opponents might have twisted this point or that into nonsense by just such sophistical tricks. And thus we again find, and cer- tainly without feeling much surprise thereat, in this dialogue also the same kind of polemics and extorted self-defence which we had already found, almost gradu- ally increasing in the immediately preceding, dialogues ; which is moreover the character in which, in the in- troduction to the Theaetetus, attention has been already drawn to the Euthydemus. And it is only by all this collectively considered that the management of the whole can justify itself before the judgment-seat of a higher criticism, or phi- 227 losophical spirit. For otherwise it might seem a vicious proceeding, and a disproportion destructive of all more exalted purpose, so to interweave as is here done mere ridicule of things utterly worthless, with the further advancement of genuine philosophical objects. It be- comes however quite another matter when on the one side the ridicule is only the disguise of polemics which have relation to science itself, and in which, by the very method pursued personality is avoided, and on the other moreover the scientific bearing is itself less than usual, and only affords illustrations rather than delivers any thing of its own. It is moreover perfectly clear in this the first dialogue upon which we come after the Theaetetus, repeated only as it is and not immediately represented, that Plato was necessarily brought back to this method from wanting to give free scope to the dramatic element which was not possible otherwise than as a narration. Again, the construction of this dialogue has yet something peculiar in detail, not only from the two-fold internal dialogue, the mem- bers of which are quite separate from one another, but still more from the circumstance that the external one between Socrates and Crito to whom he narrates, is afterwards continued in a criticising spirit; and though such a proceeding is not to be found anywhere else, it agrees very well .with the particular artificiality of this dialogue. Besides, this appendage contains further some polemics of its own, which have a different bearing from the dialogue itself, against the manner, namely, in which a certain respected class viewed and treated Philosophy, probably not without confounding it with Sophisticism. The same thing had been already alluded to in the (jrorgias, but probably not properly understood by those 228 whom it immediately concerned. Hence the practice is here in part more thoroughly attacked, and in part the person more distinctly indicated ; and as the school of I Socrates was the most important of this kind at Athens, we can scarcely suppose otherwise than that the objections of this school were particularly meant. V. CRATYLUS. The Cratylus has at all times given much trouble to the good and sturdy friends of Plato. For it seemed difficult to decide what opinion about language he does in reality profess; whether he is indeed of that which places the origin of language in convention and compact, and consequently looks upon all the details in it as indifferent and accidental; or of that which considering it in the light of a natural production ascribes to it inward truth and necessary correctness; or whether he may not perhaps have secretly in reserve that other opinion concerning language which suspects it to have been introduced among men by divine agency. Just as in the Menon we can never quite tell whether it is intended to be implied that virtue is simply practised without, and is consequently pro- duced by custom in a kind of conventional manner, or viewed as matter of inward necessity, or whether it is to be regarded as a gift of the gods to men which comes to them according to the divine pleasure, and is properly on that account the only good. A still more difficult task was it to defend the great man in 229 the matter of the utterly false derivation and explana- tion of the words, when alas ! among so many examples there is hardly one that can meet with toleration, to say nothing of support. For even though we may be disposed to excuse, and regret that the admirable philosopher, from fault of the times, was capable of producing so little instructive or sound upon so im- portant a subject, still this resource can never suffice, because in fact the ignorance is too great, and even against our inclination something like a feeling of contempt will always enter into the surprise we feel, that one who laid so much stress upon the obligation we are under to know the variety and extent of our ignorance, should have plunged into such trifling and unmeaning play, upon a subject about which he mani- festly knew nothing. On the other hand, much has indeed been gained by the discovery of modern times, that to Plato likewise all this was but play and jestj and that here, as in several of his works, we are to look for no exalted wisdom. Only even upon this view it is again difficult to justify the profound philosopher for such a mass of ponderous and pointless jesting, and for his unexampled proceeding in allowing his unfor- tunate propensity for playing upon words to break out in so astounding a manner ; as a natural philosopher would be astonished to come suddenly upon a complete and prodigious layer of a rare kind of stone which usually only appears distributed here and there in small grains. And this discovery imposes upon us a diffi- cult investigation, with a view, I mean, to separating the jest from the earnest ; unless Plato is to be accused of the worst joke of all, namely, of affecting a serious air in serious matters, and this too only for 230 a joice. Whoever then has embraced this latter view in a random kind of way, and thinks either to content himself with it in general, or by such a method to open up further traces for judging of or separating the details, and so taste about with a new palate among the old fruits and cates, we commend him to his employment ; for us however it is necessary to strike into another road, and rather to follow out the work itself as if nothing had been said about it, and to try if it will not betray to us what it really means, as also to ascertain how we- are to estimate every par- ticular in it. That we may then be able to consider more at our ease the more important matter, it may be advisable first to look at all the details, in order to draw attention separately to what is intended seriously, and what is jest. And first the principle which appears to be the ground-work of the whole, that language is the artificial instrument of the dialecticians, and that appellations must be given in conformity with the nature of things," does indeed sound strange when we hear it thus super- ficially stated ; but it bears too great a resemblance to other investigations with which we are already acquainted, and follows too closely the fundamental laws of all Platonic speculation, to allow of our rejecting it as not seriously laid down. But the illustration which follows upon this, by means of more or less known proper names, which are referred to the condi-. tion and peculiarities of persons or to circumstances in, their life, this is clearly not serious in a similar sense, inasmuch as Socrates himself subsequently destroys it by the remark, that the manner in which particular individuals are named is not the same with that in 231 which material things acquired their appellations, but that we must look in the latter case to the appellations of the various species of the general and eternal. Now this is again manifestly said in earnest, inasmuch as these names do certainly form a moiety of the core of language, as this core also, like the Greek, divided into nouns and verbs. But when again the dialogue pursues this further, and investigates the natural cor- rectness of nouns, first in the names of the gods, which are so treated that we cannot well say, that as proper names, they would not have belonged rather to the first section, and then, in those of the heavenly bodies and their relations, the, elements, the virtues, the various other phsenomena of the mind, and finally the poles of all thought and knowledge itself, all this, when thus taken in the gross, is manifestly jest. We infer this not only from the violent method of dealing with the words, from the total neglect of the distinction between fundamental and inflected syllables, and the commutation and transposition of letters, so that often- times a scarcely similar sound is produced ; as well as from the unlimited share ascribed to the desire of embellishment in the then construction of words, so that, as Socrates allows, something was introduced froni the very first in order to conceal the meaning, and consequently in entire contradiction to the supposed nature of language; but we recognize the jesting spirit even far more in the expressions of Socrates himself, when he ridicules this species of wisdom as an inspi- ration quite foreign to him, which he would follow to-day, but to-morrow would purify himself of; when by the same process he educes a similar sense out of opposite words, and shows consequently that it destroys. 232 itself; when he appeals in one place to barbarian origin or the destructive effects of time, and subse- quently declares this himself to be the excuse of one who would avoid giving any regular account. But this mass of joking leads yet again to something perfectly serious, to the distinction, I mean, between fundamental and derivative words, to the investigation of what is the proper object of representation in language, to the distinction between the imitative and musical use of the voice, and to the illustration of how in conformity with it the original significancy must be looked for in the letters. And this is certainly serious, because Plato makes Socrates sketch a theory on purpose, perfectly corresponding to those dialectic ground-forms which he has already brought forward in the Phaedrus. But the manner again in which this is, illustrated, by way of example, in particular letters,- and their mean- ing investigated, can hardly be taken for serious ; for the way in which Socrates sets to work in this must appear very frivolous to any one, who, however super- ficially, balances the problems and solutions against one another, as our annotations will do in the particular passages ; nay, even to Socrates himself, as he assures us, his own method has a very vacant and ridiculous air. And should any one be inclined to think that all we find here wears such a harlequin and strange dress, and is intentionally made ridiculous only because it is intended to prove by violence that the doctrine of Heraclitus lies at the bottom of the formation' of language, let him not disguise from himself the fact, that in the few examples in which an Eleatic style of thought is intended to appear there is quite as great an accumulation of all that is random and vague. But if 233 there is any one to whom the grounds suggested for forming a judgment do not otherwise appear sufficient, we would recommend him, in order to decide accurately between jest and earnest, simply and exclusively to fol- low Euthyphro, and when he is a party to the sport, and the wisdom is referred to him, then let the reader con- sider that he is certainly in the province of jest. More- over, from this the serious parts also will admit of being recognizedj and we shall discover where they begin and how far, inaccessible to that pleasant, spirit, they reach. And in whatever light we regard the dialogue we must inevitably arrive at the same conclusion, that Plato only marked out the particular details of that discussion upon language with a view of bringing forward a comedy, or whatever may be the meaning of it, but that all that is general is to be taken quite as seriously as the core of every Platonic dialogue. And this con- sideration must at once make every not unintelUgent reader of Plato inclined to leave those details to rest at present upon their own merits as collateral matter, intelligible perhaps only from the consideration of the whole, and to begin the understanding of that whole, if it is to be rightly estimiated, at the other end; and to suspect in the Cratylus a similar arrangement to that in the Euthydemus, where likewise an ironical whole and a serious investigation are strangely inter- woven with one another. Now if we consider apart the serious subject- matter of the work, the investigation into the nature of language ceases at once to appear alone entitled to that character, although it certainly presents itself most obtrusively and in a manner sufficiently strange. For the subjects of Platonic investigation generally G G 234 occur in several works, and after they have been once discussed, they are subsequently viewed once or twice again from different points, or otherwise put into a clearer lights until, as being made perfectly clear, they are taken up into the great and all-comprehending work- But we have no trace whatever that this thread, of which certainly it cannot be said that it is here spun to the end, was ever again continued ; and had fate grudged us the possession of this one dia- logue, the subject would have been totally omitted, and we should be obliged to say that Plato's position relatively to language was that of a genuine artist; for that he understood excellently well how to use it, and to construct it for himself after a method of his own, but had nothing to say upon the subject. And this indeed even now, notwithstanding that this loss has not occurred to us, is the opinion of many persons, though it is far from being our own. For if we take notice of the manner in which he grapples to the opinion of Hermogenes, and instead of something com- piled at random and confirmed only by convention, considers language as a thing which followed in its origin and process of formation an inward necessity — as a type of an idea, and as an instrument of art to be criticized and improved by the artist who uses it; and then of the way in which he compares the combina- tion and connection of sounds with the connection and combined relations of things, and regards the two as systems running collaterally with and corresponding to one another, and which are therefore united in a higher; and how he recommends us to seek, in the physiologi- cal quality of sounds, the ground of all that is significant in language, not so much as imitation of the audible 235 but as expression of the nature of things; — all this considered, we shall be obliged to confess that this is some of the most profound and most important matter that has ever been delivered upon the subject of lan- guage. ^ It is indeed true that what Socrates adduces in op- position to Cratylus, when he speaks of the necessity of assuming the presence in language of a capricious element, intelligible only upon the supposition of some kind of convention, may appear of a weaker character, and even in -the light only of a subterfuge resorted to by one who was incapable of giving a satisfactory ac- count of the matter ; but it is equally certain that it only appears so because it is more difficult to under- stand, and required continuation to complete what is only delivered in imperfect hints. For when it is con- sidered that this whole proof proceeds upon the prin- ciple that a better and a worse* enters into the affix- ing of appellatives, and this not so that the better exists in one and the worse in another language, in- asmuch as every language, beginning with the first elements of speech, is something essentially peculiar, but that each appears in the same from a comparison of the variations which take place within the substance of every one, and consequently with reference to their growth and progress; — ^it will be seen that the ca- pricious element in words according to Plato's peculiar * Crat. p. 429. B. 2Q. 'Ou?£ Sq ovofxa, ais eoiKe, Soxer 7 TTOv yaipovtnv ovk ei^PTe^ ctyadov \eyeiv etvdpbyn'ov, dwd TO H6V dyaffov dyaBov, t^v he avBpairov avdpuiwov . E. — Kol TidiSiiev ye auToi/c \eyeiv, el /3ov\et, wpwrov jtit/Sevi ftti^ev juqSeju- laii Sviianiv e^eiv koiv laviai eh ftriteii — 2S2 more important, or any method peculiar to the views and method of Plato, more suitably adapted to con- duct pupils and readers to the point than that which is here pursued. Let the reader but notice first how this the most inward, and, in point of extent, far from important kernel of the whole, exactly according to nature's method, forms itself into two halves exter- nally, quite separate from one another, but quite grown together, and organically connected in the closest man- ner. For first, starting with the statement of the impossibility, that these persons should have reached the sphere of abstract existence who begin with mere unity, or they who continue to remain within the sphere of opposites ; the real life of the existent, in which all opposit.es reciprocally penetrate and unite, is pointed out, and at the same time it is shown that knowledge can subsist neither without rest not without motion, neither without station nor without flux, neither with- out constancy nor without progression, but in each pair requires a union of both. And let no one be misled by the apparently sceptical surprise at this required amalgamation of opposites, inasmuch as this is the last point at which the indirect method of demonstration, at the highest summit of which we here find ourselves, must terminate. And thus again, as if some quite new matter was arising, and without even the connection being pointed out, a descent is made from this sphere of the highest existence into that of opposites, which are here represented by the great one of motion and rest*, and it is shown that, first, community with op- posites is founded upon the self-identity and diversity f * P. 254. D. t TO rauToi/ Ka\ ddrcpov. 253 of the existent as common properties, and that in this sphere of diversity the existent exhibits itself neces- sarily, and in a variety of ways under the form of the non-existent, so that there can never be any opposite in respect of that highest existence itself considered as such, but he who has not penetrated to the light of true existence cannot, in general, advance further than to this non-existence of true knowledge, and the igno- rance of true existence. That, therefore, the nature of all true philosophy is in fact here enunciated is a position requiring no further elucidation for him who is generally capable of apprehending it. Only let every reader notice the manner in which these conclusions are drawn, I mean, that Plato starts from the point at which every one necessarily finds himself, the sphere of conception, which is indeed at the same time that of contradictory opposites, showing that the establish- ment in this of any propositions respecting the existent carries with it exactly the same difficulties as the establishment of propositions respecting the non-existent, and that any one who thinks but to conceive or state anything, mUst first acquire a title of possession by virtue of which he can do so; and for this purpose the glance into that higher sphere of speculation is dis- closed for all who can penetrate into it, as the only defence against the pretensions, not to be otherwiee repulsed, of sophistical contentiousness. And because in our present dialogue the advance commences from this point, and presses forward up to that, the highest, immediately and without calling in the assistance of any mythical expedient, or otherwise deserting the course of the purest dialectics, we may fairly regard the Sophist as the inmost core of all indirect specula- 254 tions of Plato, and to a certain degree as the first, and in its kind as a perfect image of the philosopher himself. The latter moreover for the reason that as Plato himself grew as it were from the comprehensive sur- vey and penetration of all earlier Grecian efforts in the province of philosophy, so also the inmost and most real substance of our dialogue results from a test- ing of the principles of all earlier philosophizing, of which we would here recall to the recollection of the reader as much as is necessary, and at the same time possible: for I regret that as to every point which it might be necessary and desirable to clear up, it does not also seem possible to do so. First of all then, that position which it is especially an object to refute, which asserts the utter impossibility of the non-existent, is referred to Parmenides as its most especial and preg- nant source, and supported out of his own peculiar works, and it is accordingly demonstrated to him, with reference to existence, that it is not attainable under that higher potentiality of the unity of being and know- ledge, by him who starts from simple unity without multiplicity, under the conditions of which the existent could not be under every form, not, consequently, both as a whole, and as in a state of progressiveness. It is in every way significant, that this refutation of Par- mgnides is put into the mouth of an Eleatic, and it might easily suggest itself that in what he here says, Plato only had in view a more correct explanation of the much misunderstood Parmenides; did not the ex- pressions of the Stranger himself seem to oppose this view, and moreover he is not set up as a strict disci- ple of the Eleatic wisdom, but, as a dialogic personage, he forms in an extremely remarkable manner the trans- 255 ition as it were, from Parmenides himself to the Py- thagorean Timaeus. We have, therefore, certainly in this dialogue the chief loeus of the diiFerence between the Platonic and Eleatic philosophers, though we could by no means maintain with Simplicius, who otherwise says here and there much that is instructive about our dialogue, that in the dialogue of the Parmenides Plato adopted the existent unit from the philosopher ; ahd in the Sophist, contradicted him throughout. Only it is a pity that we have not, I fear, enough remaining of Parmenides to enable us to conceive Plato's opinion about the philosopher, and especially for the reason that Plata nowhere expresses himself decidedly upon the philosophy of Parmenides as to the sensible world, though we might really feel ourselves authorized to re- fer much upon this subject to the Eleatic philosopher, notwithstanding that he is not named as the author of it. What, for instance, are we to say of those friends of the ideal who are mentioned at the last, who con- ceive the possibility of an imperfect existence without that perfect existence and separate from it, and con- sider man as participating in both ^ ? It would not be surprising if many readers were to hit upon the idea that Plato here meant himself and his own doc- trine ; and when again, he involves this doctrine also in the perplexing contradiction in which the existent cannot be discovered, that this, on the other hand, is only pushing his indirect method to extremity. But * P. 248. B. T£ve. 261 But it may be useful here to throw a glance of comparison, not upon the Parmenides alone, but upon the remaining dialogues, with the view of avaiUng ourselves of the opportunity of testing from this im- portant point the arrangement we have hitherto pursued. First, then, the Sophist is manifestly the crown of all that is antisophistic in the Platonic dialogues, and no dialogue of- which this is a principal component part can be conceived to have been written subsequently to the present, for it would have been as unseasonable in the author as putting the salt on after supper. So complete a process as we have here, by which the sub- ject has its place assigned in the order of things, must from its nature be the last member in the investigation, and conclude the whole. For a work in which the dramatic character is so predominant as it is in the Protagoras, must precede a dialogue like the present, as far as mythical expositions elsewhere precede the productions of purely dialectic speculation. Moreover, the Protagoras supplies us with yet another, although subordinate point, of comparison. For what was said in that dialogue about baseness and vice is here mani- festly intended to be illustrated, and protected from misconception, by the instancing of two species of it, so that we may say that, in this point of view, on the one hand, the Sophist briiigs the Protagoras into agreement with the Gorgias, and on the other, that it forms the transition to that ethical character which predominates in the books upon the Republic. In the Gorgias, which is indeed more anti-rhetorical than anti- sophistical, we find the application of the terms idea, type, and imitation, in order to explain from them the nature of what is false and bad, manifestly with the 262 appearance of being earlier than it is here, because it is there put only hypothetically, while here it is regu- larly deduced and established. Moreover, the Sophist appeals to the notion of the semblance of the just as to a thing known, and sets up a connection between rhetoric and sophistry, such that they both coincide in the idea of mere appearance. And as the Euthydemus generally is presupposed in the Sophist, and every thing in which Plato could appeal to that dialogue is briefly dispatched, as, for example, that non-existence cannot be ever made the predicate of a proposition, and that it is self-evident, that when a man asserts falsely about a thing, he does not speak of the thing at all ; so also, any one may easily see that much that was too shortly touched upon in the Euthydemus, is here demonstrated more at length. If we compare further what the Cratylus and Sophist have in common, we can scarcely doubt thaj; the illustrations about types and imitations preceded the -application here made of the same thought ; especially if we notice the easy way in which the stranger is satisfied with the expla- nation, that a type is a second reality made to re- semble a first, while in the Cratylus we find extensive explanations as to how the type can only be externally and in part the same with the archetype ; and even in the manner in which in the Sophist the idea- of a type is first introduced, we- may easily observe the reference to the Cratylus. In like manner, Plato could scarcely have expressed himself so briefly as to the relation between thought and language, if he had not himself already represented words to be immediate imitations of things and actions. From these points, certainly, every appearance of an inverted order in 263 the arrangement of the dialogues will easily admit of being destroyed. And how should Plato, just at the beginning of this dialogue, have come to consider all knowledge, not as resulting from an act of production, but of appropriation? and how, with his accuracy, should he thus have allowed himself to maintain this point without further discussion, if he could not reckon upon what the Menon was supposed to have made clear to his readers? This short analysis will, it is hoped, suffice with reference now to much that has been already said on former occasions, fully also to justify the separation of the Sophist from the Theaetetus, notwithstanding the two are placed so closely in connection with one another. For while, with regard to some of the dialogues introduced between these two, the manner of their connexion with the Theaetetus has been made more clear, and how they develope themselves from it, and again with regard to others, how they are presupposed by the Sophist ; these two circumstances taken in con- junction, become too evident in the case of every one of these dialogues to allow a doubt to arise as to their place with reference to these. But it is also imme- diately certain, that the Sophist rests upon the Theae- tetus, and would be perfectly unintelligible without the distinction previously established between knowledge and conception, and the suggestions in the Theaetetus respect- ing the first, which constitute in fact a sufficient foun- dation for what is here said, and no other is essentially necessary. Let any one, however, conceive the Sophist to have followed immediately upon the Theaetetus, and consequently to have contained in itself all that he can now take for granted out of the. Menon, and 264 Euthydemus especially, and then say whether it would not necessarily have been a shapeless work for Plato to have composed, and if. to its present difficulties such supierabundance and complexity of matter had been further added, whether it would not then have been perfectly unintelligible. Only it is not here in- tended to be said, that in completing the plan of this dialogue, Plato projected in his mind those other- dia- logues purposely with a view to the future; but this is only to be understood in the sense in which one may reasonably speak of the natural course of the de- velopment of inward conceptions from one another. Hence, as to the assignation made at the end of the Theaetetus and the continuous connection at the be- ginning of the Sophist, it is scarcely worth while enter- ing into a more accurate explanation, as any reader, not satisfied with that given in the Introduction to the Meno, can do this for himself. VII. THE STATESMAN. It must be at once self-evident to every reader how the Statesman, as the second part of the trilogy announced in the Sophist, is connected with that dia- logue. But althpugh it takes place among the same persons, and annexes itself in a continued conversation as it were with the investigation concerning the Sophist, it would be too much to. think of viewing the two as in reality and on that . account one dialogue. There 265 is, on the contrary, reason to believe that some time in- tervened between the publication of the two, especially if we are to give any weight to several particular sen- timents in our dialogue, which have fully the appear- ance of being intended to defend the Sophist. Hence, we have not hesitated to follow with the greater con- fidence, the old method of separating the two dialogues from one another under the titles that have come down to us, notwithstanding their intimate connection. And indeed the similarity of the two is of such a nature as to direct us rather to. place them in juxta-position as counterparts, than to admit of our conjoining them as parts of a whole. For they do in fact, correspond to one another in their whole construction more accu- rately than any other two dialogues of Plato ; and whatever dijGference is to be met with appears only to be the result of the general distinction, that in the Sophist the immediate object of the speculation is an object of aversion ; in the Statesman, on the contrary, it is something genuine and excellent. Although even in this respect our dialogue approximates again to the Sophist, for collaterally with the meritorious object, it at the same time, and with great pains, deduces and describes the reverse ; just as in the Sophist also the meritorious object, namely, the philosppher, is at all events sketched out collaterally with the elaborate de- scription of its opposite. Thus then our dialogue justly occupies the middle place in the designed trilogy, as it does in fact form a middle term between the Sophist and the promised description of the Philosopher, as near as we can conceive what the character of the latter is to be. I L 266 Even in the very first outlines it is impossible not to recognise a great coincidence between the two ex- isting parts of this trilogy. For in the Statesman, as well as the preceding part, the object of the wh6le problem is a delineation, and it is to be discovered in like manner by subdivision of the whole province of art, though proceeding upon a different principle of separation. Only, as in the case of the Sophist, the whole process was not seriously meant, so also neither is it true. For scarcely, had this been an essential part of the whole,^ could we have attributed to Plato such errors as are here committed. For instance, under the department of Command, in so far as it is a part of the province of knowledge ; the office of the mere publisher of commands is comprehended, in the exercise of which no knowledge,, properly speaking, is necessary, and which we accordingly find afterwards numbered among the merely serving arts. Again, at the end of the whole subdividing process, swine are made to stand in closer and more direct relation to man than to horned cattle, whereupon Plato himself exhibits a littfe pleasantry, and aftierwards tells us more seriously that man is related to other beasts as the nature of daemons to that of man. Similarly also in the- repetition of the panegyric upon the subdividing method, where it is said that this method does not concern itself with great and small, there is in what is said seriously a touch also of jest; if that were not the case, Plato would have been justly censured by that well-known bad joke of Diogenes with the plucked hen, which bears accurately enough upon one of the subdividing processes here pursued. And after the delineation has 267 been discovered, it turns out not to be suitable, but more adapted to the daemoraic protectors of mankind in an earlier period, than to the real statesman of an historical time. For as regards the latter, much that belongs to the province of other arts must be sepa- rated from the character comprehended under that ex- planation, in order thus to obtain that of the art of the stategman properly so called. This separation now, because, as is clear enough from a digi'ession upon the nature and the use of examples, and which can only be intn>duced in this place to defend the method em- ployed in the Statesman and Sophist, because, I say, it is a new process, as that of subdivision itself was in the Sophist, is tried, as that method was in the preceding dialogue; first, in an insignificant instance, namely, that of the art of weaving, with which at last the statesman's art turns out to stand in the same relation as the practice of the sophist does with that of the angler and several others. The art of weaving, however, is itself' explained by the former method of subdivision, and as the explanation discovers itself to be one that might have been far more easily found by immediate inspection, a digression is here subjoined upon the method of measuring great and small, and upon the measure which every thing has in itself. And upon this, every thing is separated, first from the art of weaving, and then conformably to this example, from that of statesmanship also, which is merely subservient to it, or is connected with its province, as remotely co- operating to the end and object of the art. And in this, the argument is visibly progressing as to its proper point, to the separation of the false statesman from the true, though there is nothing analogous to the former 268 in the art of weaving, and he is, therefore, notwith- standing all artificial preparation, by means of a dis- cussion upon the various forms in the constitutions of states, somewhat hardly, it might seem, attached to that class which is only subservient to the state. And the connection, which does not appear very clearly, is properly this ; that governors of such states as are governed according to existing laws, if they remain true to the supposition, that such laws are the work of a really skilful statesman, are only servants and in- struments of such a master ; but, as soon as they presume to throw off this character of servants, and imitate the freedom of the legislator, they then become that great and fundamentally corrupting evil, the false and counterfeit statesman, who again, as an imitator, and a bad imitator, corresponds accurately to the sophist, and is, therefore, described also as the greatest sophist and quack. We see manifestly, how the whole of that description of the different forms of states, with the exception perhaps, of the few passages relative to their unequal value, is only treated as a means of discovering the false statesman; for as soon as that character has exhibited himself with sufficient clearness, the work of separation is continued, in order to separate from the statesman those officers who, according to the exer- cise of their respective duties come next in the general description, so that at last, the statesman's art remains as that which is supreme over all others, and assigns to men all their duties, and then again by a harsh transition, and without any natural connection being apparent, returning to the example of the weaving art, as in the Sophist, the philosopher was incidentally described as a separating and analysing artist, so here 269 the statesman is described as a combining one, upon whom it is incumbent as his chiefest and almost only duty to connect together different, and therefore reci- procally repugnant, natures. If now we look only to what forms the chief thread of the whole, and to the last result, these may certainly appear scanty enough. And that indeed, not only to the great mass of modern politicians, whose highest problem is ever only how they may increase the public wealth; — ^for how little Plato has to do with this, must at once be clear enough to these men from the begin- ning of that process of separation, when agriculture, as well as trade, is treated very contemptuously with reference to the state. But they also who bring with them more exalted moral and scientific views might look upon the result arrived at as barren, and this last, and only object of the statesman, although to a certain degree an important one, might still not satisfy their expectations, and the less, as it does not appear even once to be immediately mentioned to what particular end this combination of nature and that dominion over the business and affairs of the state is to refer; or under what form, whether always the same, or varying according to . circumstances, the two are to be exercised. And the persons in question might next suspect, that as in the former dialogue the de^ scription of the sophist is manifestly drawn up with an eye to the then sta:te of science, so also here, that of the statesman may be given with reference to the po- litical relations at that time existing among the Helle- nes ; inasmuch as in this, the most - profound as well as the noblest views are taken of the confusion and madness of parties, and certainly to relieve the state 270 from these, or preserve it free from them, must be represented as the highest exercise of the statesman's art. Chiefly however, they might observe that in the present dialogue, exactly the same complic3,tion and composition obtain as in the one precedJNgi and that therefore it may not be in vain to look for the most important conclusions on points which they miss in that immediately connected main-thread, in matter which is given merely as digressive and incidental. For instance, as regards the form of the state, first of all, Plato gives us clearly enough to understand, that from the rarity of political wisdom the real state can scarcely admit of any other than the monarchical form ; but if we, as he also does, leave the real state completely out of the question, and only regard the Statesman as prescribing his laws to another state which is to be an imitation, Plato then allows all three forms named to obtain as such; but from the statesman's business of combining natures or regulating dutiep alone, it cannot appear under what circumstances he will give to any one state any one of those forms; or wheij he would prefer to charge one individual, or the few, or the many, with the imitation of it. And we have there- fore that digression upon the merits of the different forms, which clearly enough gives us to understand that in proportion as courage and discretion are com- bined in one, or in a few, power also must be concen- trated in him or them; while, in proportion as the two are separated, the power also must be loose and disunited, and the state consequently weak in the same proportion as that main object of the statesman is still imperfectly accomplished in it. Again, the whole view of the statesman's art is greatly illustrated by that 271 other digression upon the idea- of measure, though introduced not in reference to the subject, but only to defend the' method pursued. For it is not with- out reference to his principal subject that Plato so definitely explains that the statesman's art, like every other, aims in its operations at this natural proportion, founded upon, and contained in its nature, and which consequently, the true statesman as the scientific phi- losopher, must bear within himself, and also, together with right notions of the gOod and the just — ^for by what except by this proportion are these two to be defined? implant it in others, that he may be enabled in con- formity with this, and in common with them, to mark ofF the outward and limiting circumference of the state, and also to assign its own to every part of it. With regard, lastly, to the highest object of the state in that great myth already mentioned, the character of the golden age is criticized according to the rule, that no wealth in natural things or facility of obtaining sus- tenance, can have any value unless the conversation and dealilig of men with one another and with nature conducts them to knowledge ; so that at last, nothing- either in themselves or in nature can remain concealed from them, which must therefore clearly be the aim of that political art which in the end, when combined with all others, may correspond to those exertions of the gods, and of the daemonic protector. Meanwhile, part of the similarity between the present dialogue and the Sophist consists in the fact,, that the references adduced as bearing upon the im- mediate subject of the dialogue, do yet not exhaust the purport of these interwoven pieces, and we must, therefore, follow up that purport still further, as well 272 as the traces admit of being indicated in a few steps. For instance the myth, which appears to have been suggested by an Egyptian tradition mentioned by Hero- dotus — for if any thing resembling it occurs elsewhere, as Plato does certainly suppose the single point which he forms into a great and important image to be well known by tradition, such resemblance has escaped the transla- tor, — tbis myth has manifestly a far more comprehensive tendency. To explain the description there given of the relation of the Deity to the world, or to judge how far it might be available to search in it for the doctrine ascribed to Plato, that the principle of evil exists and originates in matter, would not be appropriate to this place, because the subject lies quite without the limits of the present dialogue. It may, however, be indeed remarked, that Plato here intended to lay down a com- prehensive view of the historical periods of the worldj and of the mighty revolutions of human aflFairs, and especially also, of their remarkable retrogression at par- ticular times, in which he found even his own country involved, especially in a political point of view; and it is certainly part of the harmony of the whole, that this degeneracy also is explained from the absence of living knowledge, and from the presence in the state of that mere imitation in which the resemblance to truth vanishes, more in proportion as the imitation con- tinues longer. But whoever considers this description, and follows it out more according to our method, would discover in it, not erroneously, the first finished ex- pression of these views, which have already appeared at a much earlier period, and which contemplate the life of the world as alternating in opposite motions, and again reproducing itself. It is moreover remarkable, 273 and a task very much to the purpose here, to compare this myth with that in the Protagoras. For it is hoped that every reader who pays attention on perus- ing this myth, to the manner in which the Protagorean one is here taken up again, will consider what was said about the latter to receive additional corroboration. In like manner the idea of measure here, has a par- ticular, though but slightly indicated reference to the two parts or forms of virtue as they are called, in order to prevent every possible misunderstanding, by which it might be conceived that they are only great or small in comparison with one another, so that the same action when considered with reference to one of two others would be considered courageous, and with reference to the other, of a contrary character ; or indeed in comparison with the one courageous, and with the other mad and precipitous, and that it may be established that they are only virtuous, for the very reason that they have their measure in themselves. And hence the view of virtue here started connects itself immediately with that given in the Sophist, as the two species of vicious states, disproportionality and disease, are thus shown in their connection, and the simile here constantly employed with reference to the statesman obtains its proper significa- tion, because the statesman now becomes the physician for the disease of the soul in general, inasmuch as he gradually corrects its temper, and together with true notions of the good and just, implants at the same time in all its natural abilities, which, as long as they want this essential unity must stand up in rebellion against one another, their true and proper proportion. So that now, by means of a complete adoption of true and correct conception into the idea of knowledge, from 274 which the former must still always proceed, that first view returns in a more exalted sense, and raised above all objections, which maintained that all virtue was knowledge, and all vice ignorance. Finally, that last elucidation also, and one which interrupts the main thread of the dialogue, concerning the different forms of the states as they were apprehended and framed by the Hellenes, is very visibly intended, in connection with comprehensive views, to explain without conceal- ment Plato's opinion of the Hellenic States, and of the constitution of his native town in particular, and the extreme perverseness with which the influence of philo- sophers upon the states was depreciated there by the merely oratorical demagogues, and as much as possible obstructed by them, in order thus to justify at the same time, and place in the proper light what he him- self had in vain endeavoured to perform elsewhere, as a framer of states and teacher dI princes, and to proclaim in defiance of all satirical censors, that though he had not condescended to govern, he nevertheless considered himself and every philosopher as the true statesman and king. This naturally leads us to observe this further similarity between the present dialogues and the pre- ceding one, that the former is likewise to be regarded as the completion of one department of Platonic pole- mics, that, namely, against demagogues, rhetoricians, and state-quacks, and that after the thorough handling which they here receive, nothing more was to be brought up against them, but the battle was to be looked upon as now at an end. When once a species of perversity has been so fully exposed, particular and incidental ex- pressions may indeed be continually called forth upon 275 the same subject by particular occasions, when an author thinks he may never be taxed for an answer, but such expressions, however pointed they may be, will always say less than what has been said before, and hence, after such an exposure as this, by a judi- cious writer like Plato, they will not readily be brought forward with such freedom and unsuppressed abundance as we have been accustomed to find them in other dialogues, which do, therefore, from this circum- stance prove themselves to have been earlier written. To enter into particulars upon this subject, would be to write as full and accurate a counterpart to our Intro- duction to the preceding dialogue, as the Statesman itself is to the Sophist. Only we would request our readers to look at all the dialogues, beginning with the Protagoras ; for the particular character to which we are now calling attention runs more or less through all ; and to observe, independent of the similarity of purpose in all, how also the strength and efficiency of the polemics depend upon and correspond with the gradual growth and development of the scientific ideas, and keep pace with that progress, and also, how the dramatic and ironical skill ceases here to be so pro- minent, and continually keeps its pretensions more in the back-ground in proportion as preparations are made for scientific speculation. And the results of this ob- servation will infallibly suffice at the same time as a justification of our whole arrangement up to the present dialogue, if we take a retrospective survey of that arrangement from this point of view. For, first of all, it is manifest that the Statesman lays holds of the second side of the Euthydemus, and sticks to it also quite as decisively as the Sophist did to the first, and 276 that here as well as there, we are only reminded briefly of what had been discussed at sufficient length in the Euthydemus. Nay, when we recollect in what a help- less condition Socrates and Clinias separated in that dialogue, because they were not in a condition to discover the kingly art, we must at the same time observe, that the Statesrnan presumes what the reader is supposed to have learnt from that helplessness. In like manner it is clear that the present dialogue rests upon the idea of imitation, as established in the Cratylus and Sophist, and upon the theory of true conception, which is cpntinoally developing itself from the Theae- tetus onwards ; as what was said in the Gorgias upofi the perverse tendencies of common state-q^ackery, as being less positive, and containing its own reasons in itself, must necessarily have preceded what is said in the Statesman ; finally also, that the Statesman again resumes the Protagoras, nearly in the same degree as the Sophist does the Parmenides, and that what is particularly said in the Protagoras of virtue in general, and of all the virtues in detail, and in the Laches and Charmides of courage and discretion, which are here again brought forward as apparent opposites, must quite as certainly have preceded what we find in the Gorgias on the same subject; nay, that all matter of an ethical character in the strictest sense, is here sum- med up in a peculiar manner, and under the highest point of view possible for Greeks, namely, a political one, and thus preserved entire for future discussions. Hence, then, the Statesman together with the SopWst constitute the middle point of the second period of the Platonic system. For in them, as regards the form on the one hand, the combination of every thing ele- 277 mentary, tentative, and indirectly delivered, coincides in such a manner with the germs of pure philosophical speculation, that the two appear as one and the same. And again, as to the subject-matter, while in point of outward form physics and ethics become more distinctly separate, they are united in a peculiar manner in both dialogues. And in the Statesman this is done by the view, only mythical indeed, taken of the historical as subject to the law of nature and conformity of the world itself, and in this point of view, our myth, as it is generally regarded, is anticipatory of the Timagus, and, as such, corresponds to the approximation to the Platonic Republic. VIII. THE BANQUET. A PERSON having read the two preceding dialogues and now seeing the Symposium follow, might ask, look- ing to the beginning of the Sophist, why the Eleatic Stranger, when Socrates enquired what place the Sophist, Statesman, and Philosopher — all these occupy both in- dependently and according to their distinction, form, and relation to one another, has answered only as re- lates to two of them, and not the third. And we might repeat to him on the one hand, that this Eleatic Stranger, because it would have been a sacrilegious act to describe the sophist first, has already mixed up with his attempt to discover that character, the description of the philosopher, though without naming him, as has already been remarked in the Introduction 278 to that dialogue; on the other hand, that Plato, in- dependent of this anticipation, tired with the already twice repeated and strict form, which could only be al- leviated and enlivened by the touches of humour thrown in, did not wish to describe the philosopher also by the same method. Whence it arises, that the trilogy, regarded in this point of view, does indeed continue imperfect, but to those who consider it on less narrow principles, it will appear in general more beautifully and nobly completed by the dialogue now before us, and the next that follows, the Phifidon. For in these two dialogues taken together, Plato exhibits before us an image of a philosopher in the person of Socrates. In the Phaedon, of which we cannot here speak more closely, he displays him as he appears in death, while in our Symposium the same philosopher is ennobled as he lived, by that panegyric of Alcibiades, which is mani- festly the crest and crown of the whole dialogue, and exhibits Socrates to us in the unwearied enthusiasm of contemplation, and in joyous communication of the re- sults, in the contempt of danger and exaltation above external things, /in the purity of all his relations, and in his inward divinity under that light and cheerful ex- terior ; in short, in that perfect soundness of body and mind, and, consequently, of existence generally. But if we were to repeat all this, and no other answer, certainly, could be given, it would strike the majority of readers with surprise, because it is unusual to consider the two dialogues from this point of view, and few only would find in such an account any thing worth notice, the ma- jority nothing; because in the two dialogues, even if more importance is to be attributed to the description of Socrates than is usually done, still the remaining and 279 larger part cannot be thrown entirely into the back- ground, and as regards the present dialogue, it may seem as difficult to explain how the preceding speeches about love are to be connected with this panegyric of Al- cibiades, as that panegyric with these speeches, if the former is regarded as the principal part. But our answer was intended to apply only to the first inquiry, a half which does not pretend to be more than the whole. On the contrary, the connection of the Sympo- sium with the Phaedon, as well as the place which we assign to the former, depends no less upon the love- speeches than upon the episode of Alcibi'ades, and our opinion only goes to uphold that, from the point of view here established, the whole may sooner appear as really one united whole, than from any other ; so that we might maintain that whoever considers the Sym- posium only with reference to itself, and independently of this connection and purport, as is usually done, sees, as far at least as regards the composition, only as it were the external Silenus-form, beautiful indeed, and elegantly worked, but still extravagant and eccentric, and not the infinitely more costly image of the god enclosed within. In order, then, to open the former and bring the latter to light, we must connect the Symposium also with the problem started in the Sophist, which an- nounces a complete trilogy. Now, in addition to the Sophist and the Statesman, the third object of Socrates' enquiry is not merely the idea of knowledge and wis- dom, but a philosopher, a man also like them, who, although god-like when compared with the inferior life of the majority of men, moves notwithstanding a man among men. Consequently, it is not the abstract essence 280 and nature of wisdom that is to be described, but its life and appearance in the mortal life of the visible man, in which wisdom herself, for this is manifestly Plato''s principal point in all his explanations respect- ing philosophy, has put on mortality, and displays herself subject to the conditions of time, as a pro- gressive and expanding power, so that even the life of a philosopher is far from a. repose in wisdom, but an endeavour to retain it, and, attaching it to every pro- jecting point, to create in the whole of time and the whole of space something upon which ah immortality may arise in the mortal. And when the name of love is given to this endeavour, and the excitement and living formation, not only of true conceptions of the good and just, with which the statesman is engaged, and of which even the great mass is susceptible, but rather the formation of knowledge in the few who are capable of it, is regarded as a species of procreation, this is far from being merely a poetic comparison ; but it was absolutely necessary that Plato should look upon both as one and the same, and only view that spiritual procreation as a higher order of the similar and simi- larly named energy, since, according to his theory, even the natural birth was nothing but a reproduction of the same eternal form and idea, and, consequently, the immortality of the same in the mortal. Now that the recipient of every means of production generally is the beautiful, the same, that is, in whose particular life and existence the harmony of the universe is visibly recognised as peculiarly innate in it, this is a point which, to any one who is not a perfect stranger to the Hellenic nature, can require no elucidation. When, therefore, the love that creates in the beautiful is de- 281 scribed, the business of the philosopher in general is described at the same time, and in order to designate his place in particular, it is only necessary to define the relation of his love and its object, to every other species and object of the same passion. Now, this easily appears to every reader to be the main subject of what Socrates here again repeats, as matter of former dis- cussion between himself and Diotima. For it is scarcely possible that any one should be misled by the single fact, that this wise lady, when out of the more general idea of desire, she seeks for the proper idea of love in the more contracted sense, excludes the love of wisdom, with others like it, from this narrowed sphere. Or, if any one should take occasion from this circum- stance to object to our explanation, let him only try whether it would have been possible to place the sub- ject in that light which the purport of Diotima's speech required, without setting aside, by way of beginning, the endeavour after wisdom also, as coming under the general idea of desire, in order to obtain for love as its peculiar character, the desire to create. But starting from this, the whole discussion manifestly displays the uninterrupted gradation, not only from the pleasure aris- ing from the contemplation of personal beauty, through that which every larger object, whether single or mani- fold, may occasion, to that immediate pleasure whose source is in the eternal beauty, which, without further contemplation of that which is particular and individual, displays itself to the mind's eye when practised and quickened by this order of training, but also, the gra- dation from the procreation of natural life through that of correct conception up to that participation, which ranges far beyond all master-skill in detail, in NN 282 that immediate knowledge which alone beatifies and comprehends within itself all other good; so that it is to be shown how it is in philosophy only, that the greatest good is the object of that general desire for an ever-enduring possession, and to make this highest object immortal in a mortal subject, belongs to it alone as to the highest species of love. We thus appear, accordingly, to have discovered the essential part of our whole work of art, in what So- e^rates says about love, and Alcibiades about Socrates. For the former exhibits to us the proper nature of the philosopher, it liiay be under a totally different external form, but when more closely considered almost accords ing to the same method, by means of the establishment of a general idea, and by the separation of the" other species, as in the Sophist and Statesman, the nature of these two characters is described, while the life and real actions of the philosopher, with respect to which, as regards the Sophist and the Statesman, only a few scattered traces appear in these dialogues, are exhibited before us in that last panegyric of Alcibiades, in a picture, which though only half worked out, is at least finished as far as the outlines are concerned. Yet may we not pretend so far to discover the whole in this last half, that the earlier love-speecfaes are to 'be looked upon only as embellishment, or as devoted en- tirely to other subordinate points; but, although it might be an unsound Eros to love any one of these speeches, or regard it, as of any importance in it- self, as Eryximachus the physician describes that pas- sion as his own, yet must they have been necessary when taken in connection with the rest, and consequently each in its place and its kind, beautiful — and, certainly. 283 we may at all events assume, that the whole cannot be understood in its immediate connection with the rest of the works of Plato without them. First, then, to continue, these speeches serve in a variety of ways to denote the sphere of love through- out its whole range, and to show further, how mor- tality begets upon mortality only what is mortal and transitory ; and the desire to do this, is a morbid passion, and the left-hand love, with which we are already acquainted from other dialogues. Eryximachus, for instance, who enlarges the description given by Pausanias, mentions the cooking art, and consequently reminds us of the Gorgias, and the opposition in the constitution of man there treated of, so that we see how even that which is most opposed to philosophy in re- ference to its object, may still be united with it under the idea of love, as co-operative with it, and influential upon animated nature. Thus, they show also, how, if they who have not understood the real nature of the subject, but start only from the obscure feeling, collect and explain the particular phoenomena, these phoeno- mena all present a partial and one-sided appearance ; and the particular details in them are again taken up in the speech of Socrates, who represents them as only conditionally and partially true, correcting what is wrong, and supplying what was wanting. We learn also in them^ to examine by comparison what the com- mon language of that period cottiprehended as belonging to the appellation of love, and to separate that which, coming under the more modern notion, does not belong to it in this place. And in this respect, particularly the speech of Eryximachus is remarkable, whose phy- siological and medicinal notion of love is ludicrously 284 introduced by means of the little interruption occasioned by the hiccough of Aristophanes, and for that very reason is not again particularly referred to in the speech of Socrates. And as these speeches show us the dif- ference between the philosopher and the not-philosopher, in their subject-matter and ideas, so do they also, ' in enunciation and expression, partly by means of a loose, unconnected extravagance, partly by a corrupt musical rhetoric, and the application of sophistical expedients — both of which, in the speech of Agathon immediately preceding that of Socrates, are pushed to the utmost. And here also we see a new trace of connection between our dialogue and the two preceding, in which likewise, as we have endeavoured to show, the polemics against the sophists as pretended dialecticians, and the rhetori- cians and demagogues as pretended politicians, constitute no small part. In like manner these speeches, of which each is distinguished from the other by a peculiar manner, which the translator has endeavoured as far as possible to imitate, are certainly not deficient in Pla- tonic polemics. For it is indeed hardly to be believed, that these peculiarities were merely dramatic, and in- tended to show the manner in which the characters introduced were generally accustomed to speak ; since, as several among them do not seem even to have been authors, as Phaedrus, Pausanias, Eryximachus, and, supposing them to have been alive at the time of the appearance of the Banquet, were far from being generally known, it would have been lost labour to imitate them, and not worth the composition. Also, the mention of Gorgias does of itself lead us to quite different notions on the matter. For hardly can these polemics^ dramatic in- deed as they plainly are, have been directed against other 285 than well-known orators and authors, and indeed such as laboured after a theory which was the creation not of philosophy, but only the instrument of a false Eros, where one cannot avoid thinking particularly of the later schools of Gorgias and on those of Socrates ; al- though the myth of Aristophanes in its whole style, the comic turn certainly excepted, so beautifully imi- tates those of the poets themselves, that it seems to me to bear a striking similarity to that told by Pro- tagoras in the dialogue that bears his name. So that, upon the whole, Sydenham may certainly have been right when he conceived, that in this dialogue the persons imitated may be not so much those actually introduced to speak, as others represented under their name, only that he himself followed too slight hints, and was over hasty in his particular decision ; where- in we will not imitate him, but leave the matter to other learned men, so much the rather, as it belongs not to our object to follow out such points. But, on the other hand, without these speeches, the relation of the Symposium to other dialogues of Plato, namely the earliest, would not be near so open to recognition, and there is clearly much that refers to these dialogues intentionally introduced into it. Every reader, for instance, will naturally be reminded by this work of the Phaedrus and Lysis, as when we were engaged with that dialogue we were compelled to refer in anticipation to this. To the Phasdrus there appear references sufficient in the first speeches, espe- cially where the relation of the lover to the beloved object is spoken of, to render it unnecessary expressly to bring them forward. But several of these speeches have, more especially, a peculiar reference to the Lysis, 286 as they respectively take up respective points of what was there laid down as the ground of friendship and love, and always found inadmissible; and they pursue their panegyrics of love accordingly: so that that dia- logue, of the over-sceptical tenor of which complaints might with justice be made, finds here its appropriate solution. Thus Phsedrus lays down in the most gene- ral way the endeavour after the good as the ground, and the secure attainment of it as the effect, of love. Pausanias, though . he does not expressly say it, speaks more of resemblance : whence he gets a twofold love, the one superior, the other inferior. Eryximachus fur- ther assumes that there is a sympathy between oppo- site principles, and Aristophanes lastly gives a comic dress to the theory which maintains that love tends to a union of counterparts. His view is, that not all good, as appropriating and informing, is the counter- part of being, but that the notion to be entertained, in speaking of the good as the object of love, is a supplementary completion of the sensuous unity of ex- istence, ^nd nearly the whole of this is criticized by Socrates, from the notion of love which h? himself sets up; wheijce it is easy to see how far, and in what sense, he js compelled to reject the theory that love tends to the good, and to the union of counterparts, and how he woijld certainly have adopted that theory if it had only been a little more accurately defined. And here we can illustrate, from a particular side, and with a view to showing its correctness, the arrange- ment we have adopted of the dialogues up to this point. If we first consider the Lysis, it now becomes incum- bent upon us to show satisfactorily that this dialogue must stand nearer to the Phsedrus than to the Ban- 287 quet, and why it must do so. And this is seen, as it appears to me, evidently enough from the different form under which the notion common to the two dia'- logues, of the neither good nor bad, is stated in both; in the Lysis, indeed, quite inartificially, as being de- rived from the common conversation of ordinary life, so that it can be considered only as a feeler in refer- ence to the higher department of the investigation ; as something, as it were, which might be true, if the ne- cessary confirmation were added. And what confir- mation then is there here, when Socrates expresses his surprise at the theory brought forward by the wise Diotima ? The analogy of a mean precisely similar in another department, namely, the notion, treated of in the Theaetetus, of true conception : and every reader will certainly be put in mind, even though it is not expressly here mentioned, of what is said in the Sophist of non-existence — ^namely, that it is no real opposition — as the peculiar ground of the certainty with which this theory may be enunciated. If, therefore, these con- firmations had been already given in the works of Plato when the Lysis was written, why should he have enun- ciated the theory in that dialogue only so precarious- ly ? We have the Lysis therefore manifestly rejected to a place the other side of the Theaetetus, and when once there, it becomes easy, if we would assign its place to it, to force it to retrograde a dialogue at a time, and remain in its natural position immediately next after the Phaedrus ; and the more, if we bear in mind the remarks there made upon the weakness of the Lysis in point of dialectic composition. For as soon as we have become fully aware that Plato's whole theory of love rested upon the Hellenic character, and 288 that in every thing even of higher purport which he would contemplate under this idea, he was compelled to proceed upon the condition given in that character of the sexual passion and the sexes; and, consequently, if we are not to be surprised to find here precisely the anti-modem and anti-christian pole of his style of thought, we must allow that in the Symposium love is discussed in a more judicious, manly, and, that style being supposed, more perfect manner, than in the Phae- drus. And this because the philosopher is now no longer satisfied with that youthful idea of the relation between the lover and the individual loved, even in its most sublime sense, as a representation of the philo- sophical impulse, declaring it only proportioned and appropriate to the notions of a beginner ; and because the desire to generate is now no longer according to him the highest object, and in itself immediately divine, but as the child, indeed, of that immortal and eternally supplying Poros, though, at the same time, of the needy Penia as well, it has its origin indeed in the immor- tal principle, though only in so fax as that principle exists in the mortal being, in order also to produce the immortal in this last; and therefore Diotima takes especial pains to show that in mortal man, even know- ledge herself appears as mortal ; not as that whicli is ever immutable and self-consistent, but only as that which is ever renewing itself; and therefore, confined between two periods of time, is in each several instance only recollection going back to its eternal and perma- nent archetype; and she endeavours to show that love cannot in any way generate the eternal nature and im- mortal essence of knowledge, but can only generate for it its state of mortal appearance, and not only vivifies 289 it in the individual, but by this transference from one to another, makes it immortal in the mortal. But whatever pains she takes, are available only to those who know from the Statesman, that the finite, as such, is never the immutably permanent and self-identical, and who, being already acquainted with the doctrine of the suggestion of knowledge, and the relation it bears to its eternal essence, as contained in the Menon and elsewhere, only require some still more palpable assistance. So that from this point also, the place we have assigned to the Symposium acquires additional justification. And what is more, our general arrange- ment receives remarkable confirmation from what Dio- tima says of the gradual advances in the mysteries of love. For this gradation harmonises most accurately with the continually developing philosophical specula- tion in the works of Plato, so that he here, uncon- sciously perhaps, as is often the case with beauties, most elegantly exhibits a mirrored likeness of himself. f r For first of all, the Phaedrus with its enamoured pre- i i ference for one object, is excused as a work of youth; then the beginner rises to the contemplation of the beautiful, in practical exertions and laws; consequently, to investigations into the political virtues, such as we find in the Protagoras, and the dialogues connected with it, and in the Gorgias. Then come the modifi- cations of knowledge, in their plurality indeed, but still as modifications of knowledge, consequently, with the consciousness of the peculiar character of knowledge as exhibited from the Theaetetus onwards ; and thus the mind rises at last to the conscious contemplation of the absolutely beautiful, as it is beheld in disconnection with any individual beauty; and, as producing all in- 290 dividual beauty in the world, both moral and material, will manifest itself to us in the last and later division of his works. For the determination of the time also when the dialogue was written, we find yet further some evi- dence, though of an uncertain character, in the ana- chronism already censured elsewhere, by which, in the speech of Aristophanes, mention is made of the destruc- tion of Mantinea, which, followed four olympiads after the death of Socrates, and it is certainly true that at the time when Plato wrote, the circumstance must have been fresh, in men's recollection. But are we not to suppose that this recollection must have been as vividly renewed at the time when preparations were made for the restoration, of the town, and do we not therefore still continue in doubt between the ninety-eighth olym,- piad and the hundred and second? The characters, with the exception of the otherwise sufficiently well-known poets, have been already intro- duced in other dialogues of Plato, and in Wolf's In- troduction to his edition of the Symposium, enough for the satisfaction of every reader is compiled together about them. But why these persons in particular, and not others, should have these speeches put into their mouths by Plato, is a question which, as regards many of them, might be a difficult one to answer. Only we might regard Agathon's character as found- ed upon historic truth, and we find Phaedrus here, partly because he was described in the dialogue that bears his name, as a great friend to speeches and as a cause of many, partly to remind us still more decisively of this dialogue. As to Aristophanes, I should be in- clined to regard his introduction here in the most 291 friendly relation to Socrates, as an honourable compen- sation for what was said in the Apology ; especially when we take into consideration the quotation from the clouds ; perhaps also to show how entirely all bad feel- ing had vanished in him who had in earlier times written that beautiful epigram upon the poet, notwith- standing all the satire which the latter had aimed at the philosopher. IX. PHiEDON. It now becomes incumbent upon us to explain more accurately the proper meaning of what has already been said preliminarily in the Introduction to the Sympo- sium, as to the relation and connection between these two dialogues. Now, if the reader would assume with us, by way of experiment, that the Symposium and the Phaedon constitute the third description, that of the Philosopher, as connected with the other two already given of the Sophist and the Statesman, we would then, in order that a more accurate view of the subject may not escape him, draw his attention to the fact, that in the speech of Diotima the passion for wisdom is expressly excluded out of the idea of love, in order that this province may be assigned solely to parturition in the beautiful*, and that reference is as it were thus made to another place; which might at once, and of itself, be regarded as a prefatory indi- cation of the Phaedon. For it cannot certainly be denied, that if the good is the object of love in general, * T0K05 iv kuAm. Syrnp. 292 then wisdom for its own sake is to be the predomi- nant object of the love of wisdom, so that this feeling as essentially belongs to a man's life and conduct, as the communication and engrafting of wisdom in others. And it is by the mention of these two peculiarities of the philosopher, that his relation to the sophist and the statesman is first fully defined. For the states- man as such also creates, but only as preparing in their kind the superior natures that vibrate interme- diately between the furthest extremes, which are thus made most susceptible of knowledge ; so that the philosopher best receives the object of his love out of the hands of the true statesman, in order then to create and perfect in that object the higher life of knowledge. And the sophist likewise is also engaged in dialectic separation and combination, but, confined as he is to the world of sense, and involved in plea- sure and vanity, he adheres only to the terrestrial copies, and will thence obtain and possess for itself only the non-exist ent. 1 The ^philosopher on the contrary struggles to acquire the self-existent, and to preserve it pure in knowledge, and, therefore, in order to exalt himself to the archetypes, in which alone it is to be found, he seeks how he may make his soul, in which they dwell, work for itself alone, and go free from the influence of sense and matter collectively. And this is that passionate desire to become pure spirit, that wish for death in the wise man which we find described here, at the beginning of this work, and out of which all the following investigations develops ■themselves. But, it will be said by many, even though this wish for death is the other essential inpulse of the philosopher in Plato's opinion, still, it does not 293 form the most principal subject-matter of the Phaedon, but appears only to subsist as an introduction, and an occasion subordinately giving rise to all the discussions upon the soul's immortality, which clearly constitute that to which the chief importance is attached. Now, that the subject of immortality, at least, goes equal shares with that of the wish for death, I am not going to deny, only let it not either be overlooked, that the possibility and truth of knowledge are continually, and repeatedly interwoven with the allegations of proof re- specting immortality, and that as regards our author, the two are in fact most intimately combined. For the endeavour after knowledge could not exist at all under the form of a wish to die, not even in a philo- sopher, if it were necessarily, at the same time, a wish for annihilation. And if the soul is to apprehend the essentially existent, which is not subjected to origination and destruction, and to all the conditions of imperfect existence, it can only do so, (according to the old principle, and one, which in this argument must be always born in mind, that like is only apprehended by like,) as existing similarly, and in the same manner with that essential existence. Thus, then, the immor- tality of the soul is the condition of all true knowledge as regards men, and conversely, the reality of knowledge is the ground upon which the immortality of the soul is most certainly and easily understood. Hence, in the former dialogues also, in which knowledge was investigated, immortality was always presupposed and investigated simultaneously ; and one may say, that, from the Gorgias and Theaetetus downwards, the two subjects are continually approximating in their progress, until they are at last in this dialogue most closely 294 combined. Whoever then comprehends the connection of these two points in the sense in which Plato meant it, will certainly no longer hesitate to place the Phas- don and the Symposium together, and to recognise the reciprocal relation of the two. For, as the love there described exhibits the endeavour to connect the im- mortal with the mortal, that pure contemplation here represented is the endeavour to withdraw the immortal, as such, away from the mortal ; and the two are manifestly in necessary connection with one another. For, if the soul in its advances towards knowledge wishes to be continually removing further from the sphere of imperfect existence and appearance, , and to be at last entirely separated from it, it is but a return fairly due from a soul in this condition, as it is, not- withstanding, incumbent upon it to interest itself con- tinually in every thing not endowed with soul, first, to engraft knowledge in other souls destined to move longer in this sphere. And on the other hand, if the soul exerts itself to introduce the truth into others, the only proof of its love for them that can be given is, that it adhere itself to truth alone, and fly as far as possible from the semblance of it. Now, of these two essential characteristics in the conduct of a philo- sopher, one predominates in each of our two dialogues respectively; although their necessary connection did not admit of a complete separation, in that respect also entirely corresponding to the character of the second period of the Platonic composition. For, as the description of love in the speech of Diotima could not exist at all without reference made to pure contem- plation, so also in this dialogue, where, properly speak- ing, that contemplation is represented, we find manifold 295 allusions throughout to the passionate desire always to live with sympathetic minds, and to co-operate in cre- ating truth within them, as a common task and profit ; only, that as regards Socrates, in order as it were to secure him a tranquil departure, this is represented as already essentially completed in his own peculiar circle. And this leads us also "to remark how the dramatic cha- racter in both dialogues appears so very analogous, and indicates the same relation. For, in the Symposium, Socrates is eminently exhibited in the joyousness and pride of life, though it is not forgotten at the same time how he is plunged in philosophical contemplation, and can postpone all else to that ; in the Phaedon, on the contrary, what appears most prominent is the tran- quillity and cheerfulness with which he expects death, as the liberator from every thing that interrupts con- templation ; and on the other hand^ he does not never- theless interrupt his accustomed social practice, but even with the fatal goblet will observe the sacred cere- monies of the festive meal. It is, indeed, generally al- lowed that little is to be met with in the way of de- scription more beautiful in its kind than this of the dying Socrates; but still the mind is not completely filled with the greatness of the subject before the two images of the same man, that given here and in the Symposium, are combined into one. If then it should be asked why, if the case stands thus, Plato has not done this himself, and in general worked up into one piece the description of the phi- losopher in his two-fold character, we may reply, that since we can no^Aenger enquire of Plato himself, this question on the one hand goes too far, and it cannot be incumbent upon us to give an explanation of the 296 fact ; and, on the other, it is easy to point generally to the progress which even at this period the philoso- phy itself of Plato had made towards perfection, and to the influence it had upon the form of his works; so that without total separation, there yet prevails in all of them a preponderating antithetical character, and the Symposium and Phaedon are most naturally con- nected together, exactly in the same manner as the Gorgias and Theaetetus are. One may even venture to say, that in the dialogue we are now considering, this influence is particularly reflected in the description of the opposition between soul and body, two things which, regarded from without, are quite distinct enough ; but still, when the fact itself speaks, can never be completely disconnected from one another. For the rest, however, it would be a strange misunderstanding of what has been said, if any reader were ' to understand this so strictly and literally, as to suppose that the two dia- logues constitute the third part of the trilogy which was promised in the Sophist, as if Plato, fearing the frequent repetition of the same form, had now deter- mined to exhibit the philosopher in a dififerent way, and because, instead of the somewhat dry ironical sub- division, he had again chosen the most elegant drama- tic form, he was by that perhaps induced to divide his subject, and thus constructed the two dialogues with one another, and sketched them at the same time. For this would be too dry and mechanical a process for us to think of maintaining it. But Plato may easily have let the trilogy go unfinished, thinking that his readers might now turn a speech in the Phsedrus to the con- struction of a philosopher after the manner of the second part of the trilogy, combining much both earlier 297 and later in point of composition, to which he might mentally refer them. But even supposing this to have been the case, still, and this is all, properly speaking, which we maintain, in his progress or his career as an author the same problem must necessarily have re- turned upon him under another form. For our two dialogues form the first, as the Philebus forms the second point of transition from the dialogues that have preceded, and were characterized by the indirect pro- cess to those that follow, which belong to the immedi- ately constructive class. And, when Plato was upon the point of adopting another method, and wished yet once for all to connect together what he had surveyed by the one already used, and what, although without every where enunciating the results with equal precision, he had also in reality taught and established, when he wished to conclude the old matter as well as prepare the way for the new, what could be a more natural result than that he should describe the process of a philosopher as a purely mental process, as he had prac- tised it according to his own inclination and judgment; for the description of his own mode of operation would now for the first time come in his way ? It must, in- deed, always remain a remarkable circumstance, and one that might point to an earlier period for the com- position of this dialogue, that that dramatic character, which in the dialogues immediately preceding had al- most vanished, and in the Philebus again is likewise much suppressed, comes out in such strong relief in these two, as it were in its last and highest glory. But, in the first place, every reader must see that there is no other dialogue, and least of all is it the case with the earliest, as the Phaedrus and Protagoras, p p 298 in which the dramatic character is so completely part and parcel of the subject, or so intimately identified with it as in this dialogue, and it could therefore never display itself in its full splendour with more perfect right. And again, a variety of other circum- stances may have given occasion to this display ; in the Symposium, first, which we know certainly upon other grounds not to belong to the earlier works of Plato, that Apologetic tendency which cannot be denied to exist in it, and for which a living representation of the Socratic mode of life must have been of great ad- vantage ; in the Phaedon, probably, Plato's recollection of his own Sicilian affairs, and the wish to show how impossible it was that a cowardly fear of death should exist in the breftst of a true disciple of Socrates. It is therefore by no means the close connection with the Symposium that alone determines this as the proper place for the Phaedon in the works of Plato. Rather should we say, that it is that combination of all that has preceded, which is so manifest, and to which we especially refer all who would be convinced upon this point ; and then, whether that particular -relation pre- sents itself in a light more or less clear, can make but little difference as regards the principal question. And first of all, it must be evident to every one, that it is only on the transition from the previous works to those that are to come, that the account would be in its proper place, which Plato in the per- son of Socrates here gives us of bis own advances in speculation, and of the turns in his philosophical career ; how, for instance, he begun with Anaxagoras; how, from the study of that philosopher, the idea of the good, and the supremacy of reason as the highest norma of 299 all cosmical contemplation, first shot upon him ; how by the dialectic method he convinced himself of the unsoundness of the Empedoclean doctrine of physics, and therefore, so long as his own ideas were not sufficiently clear and distinct to follow them out consistently and plenarily as principlesj he could not proceed otherwise than critically- and hypothetically ; and this applies par- ticularly to his speculations upon the Eleatic and Heraclitic philosophy, and to the result of those spe^ culations, which taught him that in the eternal forms alone is found the constant as connected with the changeable, and real unities as connected with plurali- ties, and that it is only upon them, and the relation of things to them, that knowledge or science of any- • thing whatever can be constructed. And this principle is here for the first time established so totally without restraint, and with so much reference made J to the construction of sjcience, that every reader who is familiar with the Platonic turns, and the value of Platonic ex- pressions, must very easily see that when Plato wrote this, the idea of the good had ceased to be too strange to him, or too obscure to prevent him any longer from constructing in connection with that principle the two sciences which are here alluded to. But' every really attentive reader must feel in this place the most de- cided inclination to pass at once from the Phaedon to the Timseus, until he reflects that in Plato's specula-r tions the ethical generally precede the physical, and on the other hand, that the idea of the good itself was still susceptible of more accurate explanation, and indeed, more especially on account of disputed ques- tions, at that time still unsettled, even required it; and we have, therefore, yet to pass through the Philebus 300 and the Republic, of both of which the germs mani- festly appear in this place in the Phaedon. And again, it can hardly escape any one of sound and unpreju- diced mind, that the doctrine of the soul is in our dialogue still imperfect, though in its last stage of developement, no longer in a mythological chrysalis' sheath, as in the Phsedrus, but like the just emergent butterfly, whose wings only want to grow to maturity, a process which a few moments may complete. And this circumstance in the case of the Phsedrus, points very nearly to the Timaeus. For the manner in which the soul is here described as producing life generally, and as related to immutable essence, does indeed ap- proximate to strict definition, but still is not definition itself; and we observe here exactly the appearance of an author's only producing so much of one subject, to which a particular investigation is to be devoted, to bear upon another, as every reader must grant without more ado. As then all these allusions to what is still to come, assign the Phaedon its place before the last great works of Plato, though in such a manner as to bring it near to them, so also, all references to the dialogues already given determine its place after them. For, if we look to the dialogues forming the second part, in the order in which they are here published, we find that in that arrangement the connection which obtains between the Platonic doctrine of knowledge and that of im- mortality has not as yet been indicated by decisive strokes, but only in a vague and sketchy manner, inasmuch as, wherever perfect and immutable existence is spoken of, in opposition to that which is imperfect and mutable, mention is also made in some way or 301 other of immortality. It is first brought nearer, by the way in which in the Menon the doctrine, that knowledge is recollection, is expounded and put into tangible form, and to this Plato himself appeals here in the Phsedon, perhaps more definitely and expressly than he anywhere else alludes to an earlier work. For a denial " of this appeal would scarcely leave us any- thing remaining, but to suppose that the speech of the Socratic Cebes refers only to colloquial discussions, whether of Socrates or of Plato, and that the Menon was composed after this had been said by Cebes, though not indeed then by Plato, but by some one else, a supposition, however, which it would be difficult to make appear probable to any one who understood the practice of sound criticism. But the connection of which we speak could not be . well represented quite clearly until the investigations contained in the Sophist had preceded; and the ease with which Socrates admits all principles relating to this point to be taken for granted as long since dispatched, would be, without such a re- ference, inexplicable. The exposition, therefore, of this theory follows in this place, being the first in which it is found ; but here it is quite complete, and that part of the dialogue in which it appears is indisputably the kernel of the whole. And agreeably with this sup- position, the Platonic Socrates himself clearly lays most weight upon the theory, that the ideas and the soul exist by a similar necessity even before we are born; and moreover, that there is a similar mode of the ex- istence of ideas and of the soul, without the sphere of that imperfect existence in which it appears in life. To Socrates and his disciples this is the immediately cer- tain principle to which they firmly adhere, simply. 302 because it is immediately one and the same with that of the reality of knowledge, and they who understand Plato otherwise, or at least foist upon him any other conception of immortality, as if it were that of which he is immediately certain, and the result of his demon- stration, might learn to be cautious from this passage, not to associate themselves without intending it with thos^ who dream, erroneously enough, that, according to Plato, the ideas had a kind of sensible existence, or, somehow and somewhere, a special and external being, or I know not what, out of nature and out of the mind. For, with the exception of what is necessarily connected with that higher and truly immortal existence of the soul, and is here also followed out as a regular theory, that, namely, the repeated appearances of the soul in the body always proceed out of the abundance of that immortality, and are real repetitions, and not new crea- tions; with the exception of this, Plato arranges all other conceptions and minor points subordinate to that dqctrine, as something not homogeneous with it, nor of an equal degree of certainty, considering them partly in the light of amusing conversation, and exorcisement of the baby within us which foolishly fears death, while they have in , part quite a diiFerent bearing. Thus, for instance, the repeated and always perfected appear- ances of the soul in the life of the body are quite homogeneous with, and correspondent to its different places upon the earth,>-in one of which it may see more clearly, and be less exposed to disturbing influences than in another ; but what it sees must still be only material things, and it is not in a more distinct con- ception of clearer impressions of ideas that every glimpse of higher and really immortal existence is vouchsafed to 303 it, but only in knowledge itself. Hence, both do in- deed serve more to specify the whole province of the soul in the kingdom of imperfect being and of corpo- real life, than to exhibit or define more closely immor- tality itself. Nay, who can say that the whole of Cebes' objection, that the fact of souls lingering among many bodies does not nevertheless prove their immortality, an objection which is somewhat harshly and unexpect- edly directed against Simmias the disciple of Philolaus, is not covertly meant against the Pythagoreans, who thought that they Ijad in the doctrine of Metempsychosis demonstrated the immortality of souls, and therefore, produced no more accurate information upon this point; a deficiency upon which some regret is expressed in an earlier part of the dialogue. Only, let no reader be misled by this, and by the mention of the harmony, to suppose that Simmias probably brings forward his argument, that the soul may be after all but a dis- position of what is given in the body, in the name of the Pythagoreans. On the contrary, these philosophers were perfectly agreed with Plato, that only virtue and vice could be regarded as arising from a disposition of the soul itself; and the argument may be rather considered as exclusively in the spirit of the strictly atomical system, to which indeed Empedocles, in this point of view, in no small degree approximates ; so that it might scarcely be possible to decide, from whom in particular the dress into which the thought is put is either borrowed or adapted. And if there are any to whom the answer appears, partially at least, obscure and unsatisfactory, let them not overlook that it refers to the distinction already started in several places between the ideas subjected to the conditions of more and less. 304 and those which, as expressing independent existence, have also their own measure in themselves ; for from this it may be discovered, although it is not quite after our manner of viewing the subject, how far the theory of the disposition may be placed among the former, and the soul only among the latter. Now without taking into consideration this general reference to the previous dialogues up to this point, by means of the connection between the doctrine of knowledge and that of immortality, further allusions to other earlier matter more or less connected with that pervading and principal point, are not wanting. Thus, for example, besides the quotation already alluded to, we are also further put in mind of a passage in the Menon, by what is here said of public and civil virtue; and it would seem as if Plato here wished to show that this inferior kind of virtue, properly speaking only a shadow of the true, may even exist without being based upon any independent or true principle; and that view in the Statesman, of the natural qualifications which lead some to this and others to that species of virtue, forms as it were, the transition between the two. So also, when the true virtue is spoken of, and it is described to be rationality, the way in which the Protagoras is referred to, and every possible misunder- standing of the dialectics there employed is once for all now removed, necessarily supposes the existence of all the intervening dialogues between that and the Phae- don. For we are now first enabled to learn, what nevertheless necessarily belongs to the subject of that dialogue, that the comparative estimation of dilFerent degrees of pleasure against one another, cannot consti- tute any kind of knowledge. Moreover, the derivation 305 from the dead, of those who are in the natal state, which is here taken generally from a natural law af-, fecting every created being, has been already given in the Statesman in a mythical description, which every one will easily recognize as the earlier of the two. So also, in the very same place, the first foundation is laid of the most sublime expansion of, and most gene- ral speculation upon, the idea of the soul, as it is said that even heaven and earth are participative of the na- ture of the body, which must thus necessarily possess a soul, so that, viewed on this side also, the Phaedon comes between that work and the Timaeus, as prepar- ing the way for the latter by more minute explana^ tions and accurate definitions. In like manner, when we consider closely what is here said of pleasure, we can scarcely suppose that it is of an earlier date than the discussion in the Gorgias, so much more dispas- sionately is it introduced, and drawn from views so much more profound : while we must at once recogn nize it as earlier than the Philebus, which first con- tains the full discussion of the pleasant in this point of view, nay, it seems almost as if Plato here wished to prepare the way for a still necessary discussion of this subject, which was to be more mature, laaore tran- quil, and with more regard for nature. But for all who from the Phsedon as their point of view, take a survey of the works hitherto communicated, the com- parison of this dialogue with the Phaedrus will have most attraction from the manifold points of contact be- tween the two. And, it will probably be the case with most, that if they put aside the Phaedon for a short time, and then fix their attention upon the Phae^ drus, they will find in it particular points which appear a a 306 tt> them t66 similaf to allow of a gfeat internal between the two; dtid even many in which they discover a fbtetftSte of the Timseus, and thfey might on that ac- count consider the Phsedrug as later than the Phsedon ; whence I explain to myself the factj that this opin^ ion alsa has not been without its followers. Whoeref , on the other band, places both works at an equal dis- tance from the Timaeus, and is Consequently in a con- dition to survey the whole system uniformly from the tWd, can hardly, I think, fail td feel surprise when he sees how much more perfect the Phtedon appears 5 wiser, and worthy of more mature age; so that it stands to the PhEedrtis precisely ia the k-elation of the dying Socfates to him who still hopes to learn much ftom the people in the market-plae^. For even the mythiedl part, to g6 no further, how much more sober and judicious is it f In this dialogue we hear nO more of a supercelestial regioft, and of a dasszling gaze at ideas, and no necessity arises to assist the dry un- certainty of them by an indistinct image ; but it is suffideiSt, in Order to demonstrate the revolution of the soul, to give a theory of the earthy which,, though con- structect indeed upon lore of poets and ^ise meUj is t^keft from later sources, and such aS contain more of A, prggentiaifent of science. Nay, though a special mdan^ itig is HSt to be looked fbr in .every pairticulai^, we should, T&ey^nhsiesii, scarcely be disposed to disagree with any one who might Suppose that what is said of SOfcrAtes' tteatrflent bf the ^Esopic fables, is a juttifi- eatiOn of the fact, that in the majority of the Pla- tonic myths so little original invention is contained. Attd how mUBh mdl'6 finished is the pliilosophic talent- fti th<^ Ph«d6n, hovr much mare definite the connection 307 of the author's own viewa, ■ how differently, compared with that youthful joy in the firat elements, is tljp philosophical method spofeen of, after long practice and complex knowledge ; so that certainly in the Phsedrus, the young Plato might more easily make Socrates speak so like a youth, than in the Phasdon so like a sage. Nay, even if it is to be supposed that Plato, when he wrote the Ph^drua, already professed an acquaintance with the Pythagorean writings, which does however to us never seem necessary, hflw very diiferently is this sebool treated of, when it appears in the light of distant mythical wisdom, and hgrq, wh^re Plato s§ta to work to complete what is insufficient in their doctrines. And then, as to the proof given in the Phaedrus, of the immortality of the soul ; will any ong bring hjtBself to believe that this would be an acceptable supplement, after all the disEussion in our dialogue upon that point? Or, must not every one see, on the contrary, that Plat© s&t aside this proof, and as it were disowned Jt, ber cause he now shrank from calling the soul, as he the** does, the original principle ; or God, who is the real original principle, soul."" Those, therefore, who believe the Phsedon to have bggn written immediately after the death of Socrates, and the Phaedrus not before his Egyptian travels, what proof can they bring forward but that already an^ tidpated in the Introdujctipn to the PHaedrus, except perhaps, on the one side, the grand discovery, if we are not the first to make them a present of it, that in the Phsedrus gJBimias is rajiksd above Phsedrus m (ip oGC8i,sJon of arguments, because he sceasioped those in the Phaidqn ; and on the other aide, those pai'ticqlRy P9,?sages in the Ph^drus in whicsb dofstrinsl ppints. flr« 308 enunciated with greater precision than appears suitable to a first piece, and in which words occur, which sup- pose the existence of investigations not to be found except in subsequent dialogues? But any one must see at once how little that circumstance will avail against all that we have established; and thus, it may be left for every reader to explain for himself, how these few passages in the Phasdrus arose from the dialectic ten- dency of the dialogue, even when the Platonic philo- sophy was yet in an entirely undeveloped state, so that there may be no occasion for the subterfuge, that they were first introduced on a subsequent elaboration of the work, although they look suificiently as if they had been so introduced. Finally, without any reference to the Phaedrus, there would be nothing to say in favour of so early a position of the Phaedon, except that so elaborate a description of Socrates would have been in its place only a short time after his death, and that the passage in the Theaetetus about the flight from this world, is intended to be an elucidation of the wish for death in the Phaedon; and the allegation of such arguments is sufficiently tantamount to bringing to light the weakness of the cause. This analysis, into which all that there was to say by way of preface upon the subject of the dialogue, has at the same time spontaneously worked itself, will, it is hoped, secure to the Phaedon its place between the Symposium and the Philebus. Beyond this, we find no immediate chronological traces, though several indi- cations do indeed point to a somewhat advanced period. We will draw attention to two only. In the first place, the way in which Socrates not only in the myth de- scribes the locality of the Hellenic education as the 309 worst district upon earth, but also expressly advises his disciples to seek for wisdom even without Hellas, among the races of barbarians, bears throughout the dress of a late period, where from an acquaintance probably with the Pythagoreans in particular, the pas- sion for the wisdom of the East was excited, and has an entirely different bearing from particular commen- dations elsewhere bestowed upon the Egyptians, or Locrians, or Getae. And in the next place, an ac- quaintance with the writings of Fhilolaus is manifestly here supposed, and the dialogue itself sufficiently teaches that these had not yet at that time become naturalized in Athens itself, because it is only to his Theban friends that a knowledge of the doctrines of the phi- losopher, who had lived there, is attributed ; and a dif- ferent style is usually observable in enquiries made after writings already known at Athens ; so that the legend certainly acquires a degree of probability, that Plato brought these books home with him from his travels as a present from his friend. X. PHILEBUS. Fkom the earliest times to the present, the Philebus has been regarded as one of the most important of the works of Plato, and also, as one of the most difficult. Even those who, strangely enough, consider the great majority of his works only as play and pastime, do yet think that he is at last in this dialogue serious for once, and intends to say something that has a mean- ing. Pity only that this correct sentiment has never 310 grown into a clearer insight into the work, for thofse on the one hand, who have in general taken a right view of its most universal bearing, have not been so fortunate in their endeavours to penetrate into the dfo- tails, and superadd, therefore, to the difficulty of the subject a perplexed style of expression, and confusion of language upon these points; while they who speak easily and intelligibly of the same, display little else, than the narrowness of their own capacity tp see the meaning of such works, and consequently a very defi'- cient criticism. Now in this result of the pains we have bestowed upon the dialogue, the place which it occupies, and its connection with the earlier, will contribute muah to facilitate the understanding of it, with those who adhere to the indications already given. And, next to these, every reader who pays sufficient regard to the structure of the whole, and the way in which the coUt nection is interrupted and again taken up, may get a clear conception of what is meant beyond what is actually said; following exactly the recommendations we were obliged to give in the case of the Sophist, to which dialogue the present bears an especial resemblance in its principal features. For here also we have a question, and that not an unimportant one, to which of the two, namely, in the life of man, the 2^rize is due, pleasure or knowledge, proposed for depision jugt at the beginning of the work, and as soon as the ques- tion is satisfactorily answered thg dialogue concludes, as if in this it had entirely exhausted its subject. But on closer consideration, we see that much th?it is pf weight and importance is intermediately introduced, not essentially connected with the solution of that problemj 311 or of which, at least, as much as was necessary might have he&a. incidentally brcmght in, as iS here the case with much be&ideSi And this circumstance excites at the same time a suspicion, that the question started just at the dommettcement is hy no means the only one, ftayj may not perhaps coiltain even the main purport of the dialogue. For^ after the dialectic foundation^ which proves that we are not at the outset to consider pleasiire and good as two names of obe thing, and consequently as identicals and after the allegation of proof, that neither pleasure nor khowledge are in them.' selves sufficient, nay mofe^ that accurately speakings for this is certainly implied in what is said, neither of the two ever appears in reality unmixed with the other, Socrates might have advanced at once to that mas- terly explanation of pleasure according to its inward essence, and of desire, and of the intermediate state between pleasure and pain, and might have shown how false pleasure, of which several kinds spontaneously pre- sent themselves to his tiotice solely from these explana- tions, cannot partake of that admixture with knowledge fteoessary in the life of man. And if he had there further Shown in conclusion, howj on the other hand, the latter is harmless in all its degrees even to the lowest, and how fevery species of it is capable of being Combined, and is already naturally combined with pure pleasure, the question started would have been thus satisfactorily answered. Such matter as would have entirely dropped out, supposing this uninterrupted pro*- gress to have been adapted, consists chiefly of the second dialectic piece, in which those two pairs of ideas, that of the indefinite, the defining, the compounded and com-> pounding cause, are established. These ideas do itideed 312 come into application, in so far as it is shown of impure pleasure that it belongs to the indefinite, but no one will be disposed to maintain that they are set up here only for that purpose. Rather should we say, that the passage connects itself with that in the Sophist, which in a similar manner there forms the kernel of the whole. For in the Sophist also, he begins with speculations upon the nature of our notions of things (So^ai), and thus shows the necessary union, in know- ledge, of the fluent and constant, and, correspondingly, the necessary union of existence and knowledge in that principle which is supreme and original. And in like manner in this dialogue, starting from the same point, he investigates more closely the mode and manner of created existence, and of the origin of the fluent and constant elements in it. For, if we take away every- thing connected with form in our notions of things, under which we must reckon all that can in any way be called measure or definite magnitude, there remains nothing to constitute the abstract essence of matter but the indefinite, entirely dependent upon conditions of comparison as apprehended in fallible perception ; and which is precisely the same with the absolutely mani- fold, never self-identical, and consequently, not essen- tially existent. Now the fact that Plato here avoids this definition of the non-existent, current in the Sophist and elsewherfe, and thereby, although certainly unin- tentionally, increases the difliculty of connecting the two passages, is in part the result of the same subject being in fact here viewed from a different side, and conse- quently needing different forms of expression; and more- overj Plato wished to avail himself of the language of the Pythagoreans, and that the more, because he is here 313 already upon his way towards the Titnseus, in order to show, by so doihg, the coincidence between his own mode of thitaking and theiirs. This indefinite, thetefol-e, and the principle of dejiniteness, here expressed particularly utader the schema of number, because this exprBsseg the mean between the infinitely great and unity, are the two sources of fifeated existence; while the real cause &f it is that which COnnectB and compounds these two, the eternal nature of JZeusj expressed also under the name of Reason, in which the Sophist had already pointed out the necessary union of existence and knowledge as taking place. This doctrine is certainly expounded very briefly and impet-fectly^ both as regards the necessities of the Jfeader, and also as compared with that to which it is to serve as a feuppleiilent;, although the exposi- tion here has the advantage of not being givefl in so indirect a form, but more positively. And this patt of our dialogue might be added to atlything in the othets that have preceded, if anything can be fouhd teiid- iOg to justify the opinion, that a full utiderstanding of the philosophy of Plato from his works Was only in the power of his disciples, whoj on the perusal of them, could call to mind his other instructions, while, froih others, the best part remain concealed. But we have not been so badly dealt with; attentive readers who have followed hitherto the develbpmehts of the doctrine of forms and origindl existence, and that which i& derived frotn it, will follow also here. But even to sUieh it must ever be matter of' surprise, that Plato, when he deiMteS the Universal causative as reason or tilli^d, appeals oilly to the geftefal feeling of mankind, and when he establishes that principle of indefinitertes* as an original principle, not produced from the eternal R R 314 nature of Zeus, but only bound up with it, in so far as the monarch mind dwells in it, this is a point upon which, as the subject lies close upon the border of the propferly philosophic speculation of Plato, and approximates to that which he believed it possible to explain mythically only, not even the immediate scho- lars of the philosopher were more scientifically instructed than we ourselves are from the Phaedon, where Socrates equally contents himself with the arranging mind, and where the method of discussing the opposition between body and soul favours the view of the originality of the indefinite. Again, what is here said incident^ly only of the soul of the universe, intimating rather than explaining the niode of connection between created being and ori- ginal existence, stands in the closest reference to this speculation upon the former, and has, on the contraryj little or nothing to do with the question, of the prece- dence of pleasure or knowledge. This also depends upon the Phaedon, and will only be understood to the whole extent of its meaning by those who bear in mind how, in that dialogue, the immortality of the soul is demonstrated from the nature of consciousness, and the law to which all opposites are subjected in the sphere of apparent existence, and an alternation, as it were, established ,between a personal existence of the soul, and one not personal. With these hints also is connected the extremely remarkable enlargement which is here given to the doctrine of recollection ; for every, even bestial, desire is in this place considered in the same way as, in the Menon and Phsedon, this doctrine is demonstrated with regard to ideas, as if those de- sires also, when they appear for the first time, mu^t 315 be based upon a recollection of that state which is now the object of them. And the purport of this clearly is to intimate that brute instinct also is to be taken into the nature of the universal soul. Now if we collect together all that concerns the im- mediate object of the dialogue, the comparison, that is, of pleasure and knowledge, and then ask ■ for the connecting link whereby those hints and this discussion are combined together into one whole, we shall find the answer immediately in that passage in which Socra- tes says, that if pleasure were the good, it could be so only in the mind, and that then there would .be none whatever in bodies, and all other beautiful and good things. He therefore cherished the idea of not confining the good to the life of man alone, but of extending it at the same time over the whole sphere of created existence, and it must also have been a great object to do this, with one who had made the idea of the good the principle of the knowledge, not' only of man himself, but also of that of all other things. And he wished at the same time to establish this common basis for the books of the Republic, as well as for the Timaeus, and this is the object of the in- vestigations here given of created existence as a mixed compound, these investigations being only intended to show the relation in which the good stands to it. For after having thus discovered the nature of the good, and satisfied himself, first of all, as is likewise here done, that material things as they actually' occur to experience cannot form the object of knowledge, but only the idea of them, as that which the former try to resemble, though they must ever fall short of perfect similarity, — then, and not till then, could he pass to 316 the ^pe^ul^ti^n upon man; ?§. well as nature, and the Philebus is eipinentlyr» h^ thisi respect, t)s>^. ivm^edi^^ introduction to th,ose two gyegJt varfcs. From this point of view; ^n, WiWl* that was dif- ficult to be understood 0|^ Qverloojfieii by the vmy^ritj of pevapins may be pretty easily eyplgineA. Haws ftsf iflstance, knoTyiedge apd pl^easure desfend to the fiaurtJi a,nd fifth places instead o{ tsJcing' %& second and thi^»d;. For at the end i\fp two, oppc^gitC: the<»jes are wsitedfe and therefore the fo^ijjaj, elements of thfe gO0(i^ upm Tjibiqh thjB perfection of the con?pou#d njij^twre, as suchj depend^r ^nd which; s^e also con9m.0% ^ niaiteri°0,l tMngsr, ape rapjted first, apd tihalb, vhjjeb e^^ists is meiji ip pajh ^QulajF, foB^iS: the concIjii^sioB. AgaiiJj,. why the miw^, which as the caMse, as the source of uni^ersdlj tntdep, and as the QOBapujandifflg power, is; adlsiifttedi to be afc. sqlutely gogd and worthy of the first places, obtains here only th©' thjijd. And. the reason is. this, it is not here the djyine and moglj supreme, mjdid^ thaife- is; spokea of, for th,e trug and divine. Reason, is. exalted aboKS aH strijggle ft)ji the preQedenee>. andi is presumed to, be> re-= cognized ajidi ^ebno^Ijedgeds as. the, good in the highest sense, huti of tjiat wihioh has iteelf entened into the Qpnippund; as. such. Altbougbi here,, a: degree ofi obv scurity npfe to, be da^ujsedi. ipus* eveE- remain. Fou tRUth, which Socrates first necogfflises as the conditioB of every compound,,, and; without whiehi none w,hat«vieB can exist, is; now according, to what is here said». made conviertible, with mindt We must, therefore, say in exh planatipn, that; mind;: qs the sole locus of truth^. does certainly first give reality to material things, and! thpne- fere a}so, ass the mediaiing, powen, rightly stands bs'-. tween the genoiW elements of the crieated. good and ai!7 those whicb are peeuJAaE to mam. AnMher point, too, in appearance not less obscure, can only be understood upon a similar view of it. It is,, why Soerates first ex^plaios proportion and beauty as to a certain degree identical, and then again separates the two in the most decided manner. And the explanation is, that it is by th& presence ojf defimte measure generally that a thing, ficst Attains individuaJolty and beconsues a thmg; while' beftijity, although limited by definite measure, is the superadded perfection to that essential condition. From what has been hitherto said, it must now be c^e^ar in what sense our dialogue intervenes immediaifeely ^d next between ther Fhaedon as its immediate ante^^ cedent, and the: two. eons^muctiive works, the Republic a)Q,d; Tij^naeus; and that in its particnlar nelatiom to the la^t» if; we would go ba^k to the; farthest, possiblfir point,, it is grounded upon: the Parmenides,,. but. next, andL ; im- mediately upon the Sophist,, to the dialectic profundity of which it is supplfemensfca-ry by sensible and palpable cleaa-ness. And paijtly on. this, account, and in part be- cause the reference to the HepiUiblie,, and^^ consequently, the ethical chafacteE,. is- predominant ixh. ib^ thifi dialogue has not, like the. Sophist and Timaeus, any other leadfir than, Socrates himself. For the expressly enun- ciated, thoughiless general subject,, the claims, of pleasure in the definition of the; goed for mankiad, is the especial foundation, of the; books, upon the Bepjublic, because it is only aftier a decisdve subordination of pleasure that the; idea, of a really common, life can be estab- lished^ — otherwise it. merely remainsr to. mediate the antagonist, claims of selfr.interesb. Hence, therefore,, the b!0.Qks upon; the Eepubljp ver,y naturally recommence with' this, point. 318 Of the principal matter now of the dialogue, which concerns the comparison of pleasure and knowledge, it may be said that it again takes up and perfects the Thesetetus and Gorgias together, so that we have at the same time in the Philebus a justification of the juxta-position in which we place these two dialogues. For what is here said of false conception is exactly the same with what has been already set up in the Thesetetus, though in that dialogue it may have been lost to the many under its sceptical disguise ; and generally, the whole relation of perception to that con- ception which contains at once the assertion and the judgment in itself, supposes the Thesetetus and is supplementary to it. And the disquisition upon plea- sure, manifestly an excellent and finished physiological view, is in like manner partly a repetition of, and partly supplementary to, what is said in the Gorgias, and certainly penetrates far deeper into the nature of the subject. And the present dialogue, in proportion as it is more mature and judicious than that, is also more charitable. Plato here justifies as necessary the harsh treatment which the advocates of pleasure there receive, if, without thinking of the persons, the theory is to be exhibited in its true light — ^yet how slightly he touches upon the subject. Nay, even with regard to the art of speaking, there degraded so low, we here find an extenuating sentiment. Even tragedy and comedy are spoken of in a different feeling, although the ingenious manner in which he explains what we find upon that point, certainly refers to his repug- nance, at that time certainly of general notoriety, to this class of composition. Not that it is the case, however, as has lately been maintained, that the books 319 upon the Republic had at that time been actually written, and the sentiments we meet with in them are here to be defended. Thus much may be said by way of preface as re- gards the subject-matter. As to the form, it is indeed true that the Philebus, in its inward construction, nearly enough resembles the main dialogues of this indirect series. But in its outward dress, it may with justice be accused of a degree of negligence, and it will probably be an universal opinion, that in this respect it does not furnish any such pure enjoyment as the majority of the Platonic works up to this point. That peculiar dialogic character which we are accus- tomed to find in Plato, does not come out into proper relief, the dialogue does not form itself spontaneously, as the origination of the subject is put behind the scene, for which the dramatic position which Philebus thereby obtains is no compensation whatever. I should rather say, that Plato disdained making preparations for introducing a subject which at that time afford- ed matter of general discussion and dispute. In like manner the transitions are the result neither of the incidental occasions of the dialogue, nor of the opin- ions and objections of the interlocutor and his par- ticular disposition, but the whole lies ready in the head of Socrates, and comes out with all the person- ality and arbitrary character of a connected speech. In short we may clearly see, that here in the transition to the properly constructive works, the dialogic charac- ter begins to be only an external form, from which Plato cannot escape, partly from habit, partly because he will not dispense with Socrates. Perhaps it is be- cause he feels the inconvenience of this position that 320 he applies various artificial means of animating the dia- logue, which do not indeed produce any very particu- lar effect: the conversation sometimes becomes meaning- less, and somewhat pedantically twisted in order to in- troduce something more than the ordinary formulae of answers. So that one might say, that there is a certain unpleasant character spread over these conversations upon pleasure, that we observe that the author is sur- feited with the indirect method of proceeding hitherto used, and that nothing is kept up more dramatically than the manner in which we may perceive, especially towards the end of all his speeches, not perhaps with- out disadvantage to the subject, that Socrates is hasten- ing and ardently wishing to be rid of the young men. 321 APPENDIX. I. THEAGES. The spuriousness of the Theages has been already in recent times so often pointed out, and from .such a variety of sources, that a particular allegation of proof in support of that opinion is now no longer necessary. Fori such readers of Plato as can pride themselves upon any degree of critical perception or skill, will have ere this discovered the grounds of it themselves, and as regards those of a different description, such a judgment is in their eyes only verified by a sufficient frequent repetition of it, and such a repetition, in the present instance, they may find. The fable, if we may be allowed the expression,^ of this little dialogue, consists in Socrates' adoption of a pupil, and the person chosen is one of those who are mentioned in the Apology of Socrates as already dead before the final sentence was passed upon that philosopher. As far as we know, Theages is not other- wise known than from two notices of him in Plato himself, and has no opportunity of showing whether he received much or little benefit from having made the acquaintance of Socrates, late enough certainly^ after the Sicilian overthrow. In the dialogues of Plato, in- deed, the adoption of a pupil is never brought so forward or made so immediate, an object ; our author, however, has had in his mind, as a model to work upon, a passage in a parenthetic digression of Socrates 322 in the Theaetetus, though without understanding how to interweave the more profound meaning of it into his composition. For Plato's principal object in that passage, which is to show how Socrates exercised an influence upon his disciples, not so much by teaching as by developing truth out of their own minds, is left entirely untouched by our composer, who adheres only to the consequence which follows from this; that ac- cording to a method of proceeding, exactly similar, Socrates succeeds with some pupils and not with others, by virtue of a divine ordinance or priedetermination ; and in illustrating this point he has fallen into a strange confusion and most perversely distorted amal- gamation of this divine ordinance, and that personal pre- seiltiment which, with Socrates, becomes a heavenly voice; whence the passage in the Apology, where So- crates mentions this voice, is the second hinge upon which the whole of the little dialogue turns. It is very remarkable that in that passage in the Theaetetus Plato does not make Socrates say that that daemonic sign has ever prevented him admitting any one whom- soever to his society ; intimating as it were by this, that he owed this privilege to all, and could not allow himself to feel a decided presentiment ; hence there might easily be for a tirne among his hearers those who vr&ce incapable of drawing advantage from his philolsopiiy. But he makes the voice come in then, and not before, when an unworthy disciple would attach himself, be- cause, then Certainly the inward feeling must have a voice to decide, whether the unworthiness is to be re- garded as the effect of seduction from without, and the return of a genuine love for the true and good, or, conversely, the unworthiness arises from the victory 323 of the internal nature, and the return on the contrairy is ungenuine. That Plato in that, passage alludes to particular cases besides the Aristides whom be names, whether of the disciples of Socrates or his own, will be clear to every one, but even this particulair allusion does not seduce him into going beyond the character which in the Apology Socrates attributes to that dae- monic sign, I mean, that it was merely a warning sign. Our author on the contrary, while he enunciates this in almost literal conformity with what we find in the Apology, does, in the description itself, carelessly exceed this principle, for with him this sign appears as a power which comes regularly to the assistance of some persons and works influentially for them. This is indeed immediately attributable to his superficial and confused views of that passage in the Theaetetus, and more remotely, I doubt not, to the fact, that he foists upon the daemonic voice a particular and personal ex- istence, and changes the daemonic feeling into a little daemon, a conception agreeable to no genuine Platonic passage, and which must be recognised as quite un- suppoftable, from the manner especially in which So- crates in the Apology contradicts the accusation brought against him of infidelity, as was there, we hope, satis- factorily shown.. And as in other dialogues foisted upon Plato, it is found necessary for the most part to resort to little stories taken from antiquity or foreign parts, in order to disguise the poverty of the subject-matter, so in this, two stories are introduced about the power of this little daemon to foretell such results as must have depended entirely upon accidental circumstances; a power of which Plato never knew anything, and 324 which is not even justified by the expressions of Xeno- phon. Probably, the composer suffered himself to be misled by a passage in the Euthyphro, in which that person connects with the voice of Socrates his own individual impulse, by virtue of which he predicts, in the Ecclesia, some accidental event or other. The two stories moreover present, in themselves, a sufficiently strange appearance. For one of them, which concerns a well-known Platonic personage, is not brought to an end, and we are left uncertain as to whether the author is to suppose it generally known, or whether he found it elsewhere in the same form, or whether he did not know how to extricate himself out of his talk when he had begun it. In the other, the voice cautions against an undertaking, the nature of which is utterly unknown to Socrates ; not to mention that we have, it would seem, the wise man brought into company with very inferior people, and of a class which we do not find in Plato. In other respects also, the bad imitator appears only too jnanifestly from under the mask he has put on. How badly the proposition is stated, or fails to be stated, out of the Euthydemus, that the art of politics rules over the works of all other arts! How this Socrates accumulates in the most tedious manner, clumsily and at random aping the Socratic induc- tion, examples which are no examples as they illustrate nothing, and is still never satisfied, but begins yet once again in just as tedious a form, only to display a common knowledge of common things ! How Theages, only that an opportunity may be given for harping iipon a sentiment of Euripides, is obliged to delay be- thinking himself that he does not really want to be a 325 tyrant, although he had previously admitted an incli- nation towards it, as if the innocent boy were a second Alcibiades or a Callicles, to whom, however, he bears otherwise no resemblance at all. And how Socrates twists the proposition for him under his own hands, as if he had now ceased to wish to be a statesman, ' and only desired to be a good citizen, without having instructed him in the slightest degree as to how far the two characters are identical or distinct ! But to enumerate all that is ill done, would be, as far as the subject-matter is concerned — for in much of the lan- guage there is Platonic colouring enough — to copy off the whole dialosue, and we would rather conclude with its character for brevity, and imitate it in this re- spect. II. ERAST^. The spuriousness of this little dialogue is proved with equal force by every thing we meet with in it from beginning to end, by its most outward dress, as well as by its most inward matter, in so far as it contains enough of the latter description. To go no further, it is evinced by the namelessness of the per- sons, the abrupt manner of Socrates in his opening questions, and the way in which, being himself the narrator, he concludes with the announcement of the general assent which was awarded to him. Still more, undoubtedly, every reader will discover upon a nearer view a general and utter absence of Platonic urbanity 326 and irony,' to which,' however, the dialogue in its ex- ternal form throughout makes immediately the most decided pretensions. The opposition between polite lite- rature and gymnastics, never before laid down in such marked distinction, ia here represented to the life in the persons of two uneducated fellows, who can scarcely be conceived to be lovers of Athenian boys of noble family, the one a kind of athlete, the other professedly a master of poUte literature, though not a single polished word, nay, not even an harmonious sentence, though music is one of his accomplishments, is ever heard from him. If it is asked what is the proper subject-matter, we must look for it in the proposition that philosophy is not multiscience, for with this the dialogue begins, and concludes again with it, a distinction to which in- deed the Platonic Socrates may refer occasionally, or treat of it ironically, when he has to deal with sophists who boast of their multiscience, but which Plato, after having written a single work, could hardly make the subject of a regular dialogue, unless he wished to work out some other matter under this disguise, or incul- cate some further doctrine, and we look in vain for anything of this kind in the present instance. But even for Plato's first exercise, this dialogue, so awk- ward and unmeaning as it is, would be far too bad. For after Socrates has already allowed himself to ad- mit, that only moderation in everything, and not ex- cess, produces advantage, he does not at once draw the immediate consequence from this, that philosophy must therefore be a bad thing when it is multiscience, but passes first to a question which is here perfectly idle, and which again he lets drop at once in a manner which to a reader of Plato must appear utterly strange; 327 and then again takes up the preceding one in a differ- ent manner quite from the b^inning, and this, in order to deduce from it less than he had already ob- tained, amounting only to the proposition, that the phi- losopher is a useless ^nd superfluous character as long as there are masters in the several arts; just as if he had before gone too far without intending it. This discussion is followed lastly, by yet a third, whose object is to show that there are kinds of knowledge in which it is disgraceful for a man, such as a philoso- pher must be, to hold only that second rank beyond which multiscience cannot rise. But how much that is in no way connected with the subject, and which is serviceable to no end whatever, is mixed up with this last part ! That about the identity of justice with the administration of it, appears to have a tendency to justify a remarkable use of language which occurs a few times in Plato's writings ; but the way in which the doctrine of the identity of the four cardinal virtues is here harped upon in the most trivial manner, is only to be explained from the fact that this doctrine was one of the commonest mountebank stages ; and moreover from the most superficial recollection, some- thing upon this subject might be patched up. On the other hand, several opportunities, which however un- sought for, necessarily present themselves lor saying or hinting something affirmative beyond that negative explanation, or at least for pointing out by a different method where such an explanation is to be found, are left without any use whatever being made of them. For one who had understood even in any degree this art of Plato, it would bave been in fact a not un- worthy problem, taking this notion of multiscience as 328 a ground-work, and following somehow the analogy of what is said in the Euthydemus upon the subject of the kingly art, to lead to the true view of philosophy, and even now an adroit imitator who should skilfully adjust the members of the dialogue as we now have iti and finish it further in this point of view, might make an attempt to accomplish this. Hence, it might even be supposed that the first idea and ground-plans of the dialogue, which do indeed betray some such purpose, may perhaps be mediately or immediately the work of a more skilful hand, or that some traditionary notices of Platonic conversations may be at the bottom of it. But to imagine the performance itself as it lies here before us to be Platonic, or still more decisively as the third part of the trilogy still owing, and con- sequently as the representation of the Philosopher in addition to that of the Statesman and Sophist — this is the strangest notion that can possibly be entertained. III. ALCIBIADES I. It is well known that old commentators upon Plato celebrate this dialogue as the best introduction to the wisdom of the philosopher, and recommend beginners to give the preference to it in commencing the study of Plato's writings. And it is certainly undeniable that in the first Alcibiades, a variety of matter is touched upon, and a number of questions started, upon which other writings of Plato afford more accurate conclu- 329 Bions, and that, notwithstanding, there is nothing in it too difficult or too profound and obscure even for the least prepared tyro. But we know that both in ancient and modern times many authors, themselves unable to invent anything original, have, not without success, ela- borated introductions to the wisdom of others, and thus this opinion of learned men might continue to stand in full possession of all its honour and dignity, with re- ference to the present dialogue, even though before the judgment-seat of a quick-sighted and accurate cri- ticism the work should be discovered not be one of Plato's. It is, indeed, but little profitable to be the first to communicate doubts of this kind, and to ex- plain the grounds of them ; for the faculty of critical perception is but sparingly distributed, and among those, perhaps, who are not deficient in this respect, an accurate knowledge of the author, without which, however, a judgment cannot be formed, is still more rare. And then come at once the great multitude of those who, incapable of investigations of this kind, pro- ceed in defence of what is traditional in such a manner as neither to instruct or satisfy us. And yet these are the men to whom, after those afore-mentioned, he who suggests such doubts as those of which we speak has to look. In the present instance, however, it is imperative upon us not to shrink from declaring our opinion upon the dialogue in question. And therefore, let us once for all undertake to say, that this little work, which, with those who are accustomed to admire in the gross, has been ever a subject of most especial commendation, appears to us but very insignificant and poor, and that to such a degree, that we cannot ascribe it to Plato, even though any number of those who T T 330 think they can swear to his spirit, profess most vividly to apprehend it in this dialogue. We will, however, only declare our opinion, without making any very great exertions to gain over others to coincide with it; and we intend now, only to establish generally the main points upon which it depends, and in the annotations, occasionally to point to the particular instances tending to confirm it. Every reader may then take it as he will, and others to whom it may seem worth the trouble, can turn the subject over and over, and bring the con- clusion more home to the apprehension and judgment of readers in general. First of all then, we venture to prophesy that one thing in particular, if we can trust to our own feelings in any respect, piust strike an attentive reader already acquainted with the spirit of Plato ; that the dialogue upon a first perusal of it, will leave upon his mind an impression of singular want of uniformity to which he is totally unaccustomed. Particular passages, very beautiful and genuinely Platonic, may be found spar- ingly dispersed, and floating in a mass of worthless matter, consisting partly of little broken dialogues busied about nothing, partly of long speeches. Of these, the first is so tedious that the god, when, as it seems, he resolved especially to defer the colloquial meeting of Socrates and Alcibiades until an opportunity had arrived for delivering these speeches, did neither of them any very great service. The second, with a display of strange statistical notices, celebrates Persian and Lacedaemonian virtues and riches; the virtues more in the manner of Xenophon than Plato; the riches and luxurious pomp, for the reason that no irony can be discovered in these laijdatory descriptionsj in a style 331 throughout unsocratic. Accordingly, the reader will also feel himself utterly unsatisfied, and regret that he has been compelled to wade through useless digressions raised upon the most trifling subjects, and that on the con- trary, most important matter is superficially passed over, or, so to speak, the cup is broken before it is tasted. If then, after this first impression has been overcome, he thinks to inquire more closely into the real mean- ing of the dialogue, if such there be, he will feel at a loss where to turn, and will certainly allow first of all, that the work contains extremely little upon the subject which the second title of it professes, I mean that it is to treat of the nature of man. Viewed from without, the whole bears in its construction a kind of false resemblance to certain dialogues contained in our second part. For these, so to speak, have first of all an external thema, expressly enunciated, and yet forming to a certain degree only the shell of the whole, and then another concealed one, connected with the former, and containing more profound results. And thus, in the present case, it might be considered as the external thema, that Socrates is to prove to Alcibiades that he must acquire from him other kinds of know- ledge previously to devoting himself to the conduct of public aiFairs, and, on the other hand, all that So- crates brings into the argument with a view to estab- lishing this proof, might be taken to be the proper core of the dialogue. But even the first point is not brought out pure and distinct ; for in the first place, Socrates does not show that he alone has the power of teaching Alcibiades what he stands in need of, and in the next, again, he goes beyond this thema, and by way of conclusion, is induced to make some remarks 332 upon education in general. And still less does the matter intermediately introduced constitute of itself a complete and regular core. For that Alcibiades has neither discovered nor learnt what is just, that what is just and useful is the same, and then again that Peri- cles, though an excellent statesman, and here more than ever in any other Platonic dialogue, extolled without a trace of ifony, has, notwithstanding, imparted his sa- gacity to no one, all these points have no connection whatever with one another, and each stands where it is, only in its loose external relation to Alcibiades' im- perfect state of mind. Finally, we must not imagine for a moment, that in these speeches some philosophical secrets or other are intended to be contained. On the contrary, though many genuine Platonic doctrines are very closely connected with what is here said, not even the slightest trace of them is to be met with. Thus, Alcibiades might have extricated himself out of a very inconvenient dilemma by the slightest mention of the doctrine of recollection; again, other matter is connected with the distinction between knowledge and conception; but in both instances these references are left totally untouched, and we are only reminded in the most ex- ternal manner by one passage of the Laches, of the Gorgias by another, and of the Protagoras again by a third. It must, however, be allowed that the majority of readers have not looked for the secret treasure and proper end of the dialogue in these speeches, but rather in the little that is here said at the end, upon the necessity of self-knowledge. Now, this does certainly come forward at first with many pretensions to pro- fundity, but presently turns to the most superficial 333 matter, and we are obliged to put up with a few per- fectly vulgar sentiments, which we find elsewhere ex- pressed with much more elegance. Accordingly, if we are to name something as the proper subject-matter of the dialogue, scarcely anything else remains but the insight into the nature of the god-head, which is re- commended as a means for the knowledge of man, but our dialogue is incapable of discussing this subject except in the most meager style ; so that the morsel seems in fact not worth the whole apparatus, indepen- dent of the fact, that the particular members of this apparatus are not in any way connected with it. Neither in the composition, generally, does any trace appear of such an inward relation of every detail to one single point as we find elsewhere in Plato. It is equally in vain to look here for the strict dogmatic connection which we find in the Sophist and Philebus, or even for that apparent passiveness of Socrates in the conduct of the dialogue, under which every thing seems so much the more to grow purely out of the subject itself. On the contrary, Socrates intrudes in mere caprice, and drags out one thing after another, generally, though he makes many words, breaking off the subject shorter than is his custom, and only applying, in f^ct, every point to shame his interlocutor, so that the whole ac- quires an eristic character, which no other Platonic dialogue bears with it in a similar manner. And when we reflect that the interlocutor so rudely treated is not a sophist, who is to be exposed' in his worthlessness, nor even a boy who must be content to be the object of a little bantering for the profit and advantage of others, nay, not only a noble Athenian, but that Alcibiades, who is universally celebrated by Plato as the richly 334 . endowed minion of his instructor, we might be inclined to maintain that the treatment of the relation between these two, and the keeping, or rather the want of keep- ing, in their characters is still more unplatonic than any- thing else in the present dialogue. For instance, this SocrateSj with the mute character which he boasts of having so long played with his minion, and this careful watching which could be neither agreeable to him nor worthy of him, now introducing himself with a long speech, the like of which he hates as he says elsewhere, and with an arrogance which he hates still more, pro- fessing himself the only teacher capable of instructing in the art of politics — this character is indeed manifestly the direct opposite of the Platonic Socrates. In the representation of his relation to Alcibiades, moreover, all appearance of the love of the boy is avoided as pedantically as possible, and due merit assigned to the fact, that Socrates has not even once addressed Alcibi- ades until the time of his youthful bloom was as good as entirely passed. But how are we to reconcile this with the manner in which the same relation is treated of in the Protagoras and Symposium ? In the Prota- goras Pericles is still alive, and yet Socrates and Alci- biades appear as old acquaintances, who must already have conversed much with one another; and what Alci- biades tells us in the Symposium, must also be taken from the time of his bloom; for he can hardly intend to say that he wished to force himself as a minion upon Socrates when his bloom was passed. And then how completely Alcibiades himself ap- pears without any resemblance to him whom we find elsewhere represented ! At first, one might suppose him here cut out after the pattern of Callicles or Ctesippus, 335 but he soon changes and shows himself prodigiously shamefaced and shy, so that he cannot ever be put into harness, although Socrates is constantly bringing him up anew, and frequently without necessity and with- out justice, and leading him off again dissatisfied with his answers. In short, however we may consider it, our present dialogue is in this respect either a contra- diction of all other Platonic dialogues, or else Plato's own dialogues are so with reference Xo the rest. And whoever does not feel this, we cannot indeed afford him any advice, but only congratulate him that his notions of Plato can be so cheaply satisfied. We would, how- ever, yet further draw the attention of others to one or two points from which perhaps in the sequel — for we are not in any way -inclined ourselves even to start the subject here, — more accurate conclusions might re- sult as to the particular mode in which the present dialogue originated, and has come down to us. For what is most Platonic in it may be indeed in part imitation, sometimes more close and sometimes more remote, of other passages, and as regards the subject- matter may be drawn from reminiscences of other works ; in fact, it is of such a 'description, that though we can- not believe Plato to have literally written it thus, it may be perhaps based wpon hints taken from his own instructions ; as for example, the discussion upon the relation of justice to profit, which was a very avail- able example in illustration of his doctrine of the com- munity of ideas. Moreover, some particular passages are in fact of such a nature, that we might not be very loath to suppose that they came from Plato's pen exactly as they stand here. And if we consider fur- ther the way in which the greatest part is here not 336 worked out, but only laid down as a thema, the ab- ruptness or awkwardness of the transitions from one part to another, especially when a piece of worthless and empty dialectics ends or a new one begins, and how the superior matter which is torn asunder and deformed by these foreign additions might stand in far more accurate connection, we might almost be tempted to think that an immediate disciple of Plato somehow or other got hold of a sketch of a dialogue of his master which had probably come down from earlier times, and which the latter did not finish but reject, and distributed into other dialogues, as the Gorgias and Meno, and some still later, what he intended to teach in it. But this dialogue, at least if Plato had really finished it himself, would scarcely have been called Alcibiades. This appellation was certainly but little appropriate to such a colloquy with Socrates. For his boiling vivacity would not have borne to have attributed to it the character of a passive interlocutor, though of the best kind, like Thesetetus for instance, and Plato could scarcely have thought of engaging him in violent polemics against Socrates, as he does Calli- cles ; so that it may certainly be fairly maintained that instead of two Alcibiades', which up to the present day have been attributed to Plato, he did not even write one. 337 IV. MENEXENUS. No reader of Plato, it is presumed, will feel any surprise at finding this little work not brought forward in the series of his properly phit&sophioal writings, to which, inasmuch as no philosophical subject is treated of in any part of it, the Menexenus has as little claim to belong as the Apology of Socrates. The occasion of the latter, however, is clear and manifest; but what can have induced Plato to venture at a late period into the province, to him entirely strange, of regular state speeches, may reasonably be expected to be not very possible for us now to decide ; at least, nothing appears in the work itself which could give a deter- minate direction to the conjectures of ingenuity. That the speech is placed in some relation to the funeral oration of Pericles, wl;iich Thucydides has preserved to us, is certainly manifest, but when Socrates refers both to one authoress, and that authoress Aspasia, this is a jest, out of which it will not be easy for any one to extract any serious meaning ; nor, when he says that the later oration contains much that was omitted in the earlier, is this a much more available indica- tion, inasmuch as the aim of the two speeches is so completely different in each, that we do not see why the second should have in any way contained what we find in the first, and we might feel more sa;tisfied with this opinion, if it was pronounced by a later author who had laid it down as a law at starting, that such a speech must begin from the beginning with a pane- gyric upon all the exploits of the Athenian people. u u 338 Another thing which may easily strike any one is, that Plato probably intended in this speech to set up a counterpart to one of Lysias, and in fact, when we compare the funeral oration of this rhetorician on the same occasion with that which we are considering, it is not possible to overlook a great similarity in point of arrangement, and an equally great diversity in point of character and execution. What is loosely connected together in Lysias is here combined into. a whole, by means of distinctly enunciated ideas, the connection of which is impressed upon the hearer by means of words, whose sound is an echo of their sense, brought into strong and prominent relief; the tender element in the sorrow is compensated by manly advice, and the whole speech is at the same time pervaded by a more exalted aim. But had this contrast been the actual object in view, must we not suppose that Plato, who so well un- derstands how to give a hint, would have found some means of intimating the same in the dialogue which comprehends the speech ? If then this explanation also leaves us where we were, might we not venture to say, that Plato intended by such a speech as this to give a practical answer to the objection occasionally brought up against him, that his dislike to the art of speaking was the result of his own incapacity to prepare speeches, which Socrates in his dialogue is so often obliged jestingly to acknow- ledge ? and that he chose in particular this opportunity for doing so, because in the Corinthian war one of his own friends had met his death ? Nay, that from his partiality to this exhibition, he has himself practised the severely censured and hypocritical department of the corrupting art, inasmuch as in the historical nar- 339 rative here given, none hut the fair side is ever presented^ and all faults in the state are \»ithdrawn into the dim- mest obscurity, while in particular, the later relations with the national enemy of the Hellenes, the Persian king, are embellished and represented in a manner which may scarcely be justified upon historical grounds. And therefore it is, we might suppose, that Socrates treats it as such an easy matter to flatter the people before the people, and hence too, that the speech is ascribed to Aspasia, who must have been pretty well versed in the art of seductive embellishment. And in like manner another person might say, that as Plato in the Philebus relaxes his overstrained polemics against the art of speaking, so likewise he did the same at an earlier period in the present dialogue in act and deed. For that the Menexenus is in fact nothing but an attempt to improve, by giving them a better direction, all these speeches in which the people were ordinarily only flattered ; and that the appearance of this flattery is all that is preserved in the present case, and that there is manifest throughout, an endeavour to bring into right vivid consciousness the true idea of the Athenian people and state, in order by this means to give a more exalted turn to the national mind. And a third, again, might make an attempt to connect the present dialogue with the Symposium, in a sense dif- ferent from that in which the former connected it with the Philebus. For appealing to the great difficulty which exists of explaining the whole, if we take it in a serious point of view, and to the way in which even what Plato must have been most in earnest with, I mean the recommendations to virtue, is itself pushed beyond the line of all that is serious, by repetition and 340 bantering, he might attempt to represent it as in the main a playful imitation of the rhetorical styles. And who can tell how tnuch a skilful critic, having once given a hint of this view, furnished with great reading in the orators, and the commentaries upon them, might not bring forward in support of the same ; something cettainly more profound and various than what Diony- sius says, who only reminds us of Gorgias, Licyranus, and Polus, -and once, in passing, of Agathon. But as far as we are concerned every reader may find in the speech as must jest or earnest as he will, and conjecture according to his own notions what Plato meant by it; much, however, will be gained at once, if we could but persuade our readers not to attribute to the dialogue which contains the speech, a similar 'value with the speech itself, nor pay it the same regard, for then, at all events, the difficulty vanishes, which arises from the circumstance that none of the diflferent views will meet with any confirmation in the dialogue. We are indeed fully aware that by many persons even the introduction has been discovered to be beautiful, and has been much admired by them. But with how much that is unplatonic has this been the case when it has once come forward under the name of Plato. Certainly, at least, even supposing Plato to have written this in- troduction, it is not particularly worthy of him. To go no further, for the omission already censured, that it does not assist us in the slightest degree to a trace with regard to the particular meaning of the whole, this dialogic setting deserves some blame, and moreover no discriminating reader, we presume, will receive much pleasure from the awkward deference of Menexenus, who will only take in hand public affairs when Socrates 341 permits it, nor from the- pointless way in which Socrates expresses his opinion, that he must certainly be a great orator by reason of Aspasia's instructions, nor from the coarse jest, that he nearly got a beating on account of his slowness at learning, and that he would even dance naked for love of Menexenus. It is certainly- a very pardonable suspicion, that this setting is probably the work of another author, who gladly set himself to construct a dialogue out of the speech, and thought it impossible that a Platonic creation should come into the world without Socrates. Such a person may then have easily given in Aspgsia an awkward imitation of Dio- tima, and thus have fallen unsuspectitigly into an anar-' chronism with which none of the others of Plato are at all comparable : I mean, that Socrates delivers a speech referring completely and entirely to something that did not ensue until long after his death, and that he professes to have this speech from Aspasia, who must have been already dead long before him. And thus^ it would be in vain to look for any serious mean- ing in the promise given by Socrates to produce yet more such state speeches from the mouth of his mis- tress. V. THE LARGER HIPPIAS, The object of this dialogue is certainly purely phi- losophical. For the explanation of the idea of the beautiful in its full extent, as it embraces material things as well as immaterial, would certainly be worth the trouble, and quite as important as regards the philo- sophy of Plato, as the object of many of the smaller 342 dialogues to which we have assigned a place in the larger series. But the reader, if he looks to the mode in which this subject is treated, will certainly not be surprised to find the Hippias Major only in this place in the Appendix. For it is throughout sceptical to a degree which characterises none of the others ; a mul- titude of difiFerent explanations of the beautiful are taken up and all of them refuted. And even, when the upshot is taken of all to which the reader is con- ducted or referred in this process of refutation, we find it to consist only in a couple of perfectly fami- liar positions, which teach that the origin of the bad is not in power but in impotence ! and that the beau- tiful and good should not be separated ; and this last, indeed, is the only point upon which Socrates expresses himself with clearness and precision. In consequence of this absence of scientific tone, we cannot number the dialogue among those properly called philosophical. Thus, it does not stand in any visible connection of progressive development with any other whatever. In the persual of it, certainly, every reader is immediately reminded of the Philebus, and it is only on account of this connection, and not with a view of indicating, even in the most remote degree, a period at which the Hippias might have been written, that we assign it its present position. For in the Philebus, Plato expresses himself with the greatest precision as well upon the subject of the connection of the beautiful with the good, as upon that of the nature of the beautiful itself, and considers it not only in its moral bearing, but also according to the first elements of that which we call beautiful in material things. But no one will there find even the most distant reference to the in- 343 vestigations here pursued, nor again in any part of the Hippias is any proximate preparation discoverable to what is discussed in the Fhilebus. In short, it must be at once manifest to every one, that a scientific treatment of the subject, the beautiful that is, in speaking of the. present dialogue is almost entirely out of the question, so completely is all such kept out of sight ; and quite as certain is it, that the impression which every reader must receive from the whole is, that a polemical purpose is the predominant in it. And under this purpose the dialogue has in view two remarkable explanations of the beautiful. In one of them, that the beautiful is the fittings we easily recognise the spirit of the Hedonic schools, in so far, that is, as according to them the good is only some- thing capriciously established, consequently agreeable and fitting. Only it may excite our surprise, that in discussing this point Socrates adheres so exclusively to a kind of almost verbal dialectics, without following his usual practice of exposing somewhat severely the notion which is the basis of the theory. With regard to the other explanation, that the beautiful is the pleasant as apprehended by sight and hearing, pointing as it certainly does to the same principles as Plato lays down in the Philebus, it would be very interesting to know who it was that brought forward this explanation in Plato's time, or whether it was invented by himself in order to indicate that property of the beautiful which he mentions in the Philebus as the essential element in it. But, though this explanation is certainly given as lying very close at hand, notwithstanding that we cannot now point out the author of it, it is impossible to believe that the substance of these explanations which 344 Plato puts into the mouth of Hippias about gold, and the pretty girl, was derived from any other authors. And thus it is impossible for any one to avoid asking himself, how it happens that Plato exhibits the not undistinguished sophist as guilty of such an unheard degree of stupidity, as not to be even in a condition to understand a question as to how a word is to be explained? The personal ridicule indisputably" appears here under a far coarser form than anywhere else, not excepting even the Euthydemus, where the persons are probably in no instance strictly historical, and it would, exaggerated as it is, have certainly destroyed its own effect. This manner, or rather absence of anything deserv- ing the name, scarcely reconcileable as it is with the propriety and polish of Plato, may perhaps excite a suspicion in the minds of many as to the genuineness of the dialogue, because we might certainly meet with it very naturally in a less experienced imitator, who felt that it was necessary for him to give himself an easy task if he was to succeed in any degree in the irony and dialectics of his prototype. And the suspicion once excited, much certainly will be found apparently con- firming it. Thus, at the very beginning Socrates in- dulges in a piece t>{ sophistical dialectics, which might induce us to believe,, that not anything, being what it is, can be useless, a piece of art which would not be unworthy of any of the persons in the Euthydemus. Were this a pairody of anything of the kind resembling it, one should think that Plato would rather have put it into the mouth of the sophist than of Socrates. On the contrary, Hippias meantime exhibits in his beha^ viour a plain common sense which he is not quite aWe 345 subsequently to keep up, and with a moderation which is not very carefully returned on the side of Socrates. Then, in the arrangement of the whole, it certainly strikes us as something strange, that in the first half of the dialogiie all explanations t>f the beautiful come from Hippias, and in the latter all from Socrates, who there contradicts himself, and that for the most part in an unnatural and precipitate manner, without being in any way compelled as it were to do so by the course of the dialogue, but, in fact, going out of his way for the purpose. Lastly, the play with the man in the back-ground, to whom Socrates is always obliged to render an account, is brought out into almost too coarse relief to have come from the hand of Plato — for the man threatens to beat him, like Aspasia, in the Menex- enus, and Socrates afterwards puts himself by name in the place of the man, without, however, its being made clear that he meant only himself from the first, and in such a manner that no particular eiFect whatever is pro- duced by his doing so, and the resort to this expedient again is iiltogether contrary to good taste. But it might, notwithstanding, be rather precipitate to entertain the notion of making these grounds very importantly valid, and we could not justify the placing of this dialogue in the same class with those which we have strictly and unconditionally rejected- There is an abundance of plea- santry dispersed over the whole, and when we have inade due allowances and considered further that this was the principal object in vie?w, and that in the second part a variety of contemporaneous matter is criticised under the name of Hippias as well as of Socrates, we shall be readily disposed to pardon the exaggerations as well as the extravagancies of the humour which X3C 346 prevails in the dialogue. We may, moreover, easily see how much of the polemics generally is grounded upon self-defence. The earthenware, kitchen-furniture, and the golden mill, are purposely introduced in defiance of those who were pleased to ridicule examples taken from trifling things; and that superintending listener is to be regarded as exemplifying in the highest degree the practice which sometimes occurs when Socrates asks bis interlocutor how he must answer a third person making this or that objection. And who then can say how many other personal allusions may be here concealed in con- sequence of which much that remains is even more beautiful than it appears to us. Even the senseless answers of Hippias may be parodies of others like them, or of the superficial manner in which the good and the beautiful were by many made to consist in this or that particular thing without penetrating into the real essence of them. But why Hippias in parti- cular is the person to give his name to these, is a point upon which no one will look for information. Only, it is not very probable that Plato should have chosen him twice, and each time for the unfortunate hero of a private colloquy with Socrates, especially as the two dialogues have no internal relation whatever to one another. If then one of them is to be considered Pla- tonic, and the other not, the victory will be with the larger of the two. For many traces exist that the author, in the composition of the smaller dialogue had the larger before him. Particular expressions of ridicule directed against the man, which the larger dispatches in a few words, are spun out in the former with dis- proportionate prolixity, and the banquet of speeches to which in the larger dialogue the Sophist invites So- crates, is exactly concluded in the smaller. 347 VI. CLITOPHON. In the old catalogues of the writings of Plato, the Clitophon stands, not among those condemned as spurious, but in the middle of the genuine list, and has been in like manner adopted into all the editions up to that of Stephanus, who, like other later editors, has followed Serranus. And thus it finds a place here, with the same right as all the other dialogues of that collection. The defence of its legitimacy, however, is a task which we could not pledge ourselves to undertake with success. The very commencement, where Socrates ad- dresses Clitophon, who is moreover represented as the only person present, in the third person, and laments his depreciation in such a manner that Clitophon can say to him that he is manifestly sensitive — ^this, to go no further, is completely unplatonic. Then it can- not in any way be conceived that Plato should allow his Socrates to be put down in such a manner. But even if we would assume that the dialogue is only a fragment, and that the refutation would have followed immediately, still it is far from easy to see for what purpose Plato should have introduced generally such an attack upon Socrates — an attack which, in all his writings, is fully repelled, both immediately and by the ironical matter contained in them. If then we are once agreed that this little piece is not from the hand of Plato, there is yet room for great variety of opinion as to its tendency and object. ?There is, indeed, no question that in the works of 348 several of the lesser Socraticians the wisdom of Socrates especially presented itself in its negative character only, as a confutation of the errors and exposure of the in- sufficiencies of other methods. Now, if this method is itself intended to be here censured as insufficient, the piece might be regarded as complete. This Socrates is then to be represented as actually reduced to silence, and this method might thws be intended to convey a justification against the objection made against Plato from various sides, of far exceeding the real Socrates. And perhaps it was under this supposition that the ancients assigned the Clitophon its place before the Republic, to stand, as it were, in the place of an ex- culpatory introduction, because this dialogue appeared to them to be the first place in which much that extended far beyond Socrates was particularly and manifestly taught^' But then, in the first place, the insufficiency ought to have been represented more fun- damentally on the side of doctrine and knowledge, than cm that only of admonition and excitement, for which wisdom can only furnish a mean. And then again, it would be strange that the dissatisfied • person applies directly to a sophist like Thrasymachus. It is cer- tainly, therefore, more probable that the dialogue comes down from one of the best oratorical schools, and is directed against Socrates and the Socraticians in general, Plato not excepted. And we must be much confirmed in this view when we see how the whole is actually a running parody and caricature of the Platonic manner, especially of all that appears against the sophists as teachers of the art of politics, and which must have so naturally found an application to the teachers of the art of speaking, who were Plato's contemporaries. We 349 are most vividly reminded of what occurs to this pur- pose in the Protagoras, the Gorgjas, the Euthydemus, and even the first Alcibiades ; and the elegant negli- gence of certain Platonic periods is here imitated with a richness which cannot well fail to make a lively im- pression. If, on the other hand, this dialogue is to be ascribed to the Platonic school, and to be looked upon as conceived in Plato's spirit, then we need cer- tainly consider what we have here to be only an intro- duction, and must suppose that Clitophon's triumph was to be converted to a serious defeat, and that a satisfactory and brilliant justification of Socrates was yet to follow. But still this can hardly have been the original design, as, in the first place, the return of the Conclusion to the commencement is too decided, and, in the second, Socrates would certainly have begun his attack at an earlier period in the dialogue. 350 PART III. REPUBLIC. When we compare the compass of this work with even the largest of those which have preceded it in our arrangement, and consider thqt it is a second repetition of a continuous dialogue advancing without interrup- tion, and, moreover, one that began first, in the evening, we must have been already very vividly convinced by what is said in the Symposium, that he whom Socrates once gets into conversation must hold out the whole night, and even to the morning dawn, though others may have all made off or surrendered themselves to sleep, and that he is as little wearied by repeating his own or other persons arguments, as of investigating and developing truth from the first in common with others. In this character he here appears, inasmuch as he repeats again the whole dialogue on the day im- mediately succeeding this, and such also was the case the day before, when- it was first held. _ For of the large party, the individuals composing which are at first mentioned by name, partly as accompanying So- crates and Polemarchus, and partly as already present in the dwelling of the latter, the majority disperses one knows not how; at least, they do not say that they prefer the spectacle which is in reserve, of the newly introduced holiday torch-dance, to the continuous and self-evolving argument of Socrates concerning justice and the republic. Only the two sons of Ariston, who, after 361 Polemarchus and Thrasytiiachus had first disputed with Socrates about the idea of justice, testified by stout objections an especial call to the task, stoutly continue to stand to the argument in alternation with Socrates, without its appearing however to be of any particular importance whether Glaucon or Adimantus sustain the conversation. Now if the author appears by this dress to convey a wish that his readers should in like manner conceive and enjoy the work as one undivided whole in itself, as the arguments themselves are to be supposed de- livered without interruption, and again related without a j»ause, the division, on the other hand, into ten books is an obstacle to the accomplishment of that wish. This division, although Aristotle does not notice it, is cer- tainly of great antiquity, and since from the time of the commentators upon the Stagyrite until now the work is always quoted according to it, this division must be always kept, but it is not so easy to make it probable that it comes from Plato himself. I, at least, cannot pre- vail upon myself to suppose that if Plato had found it necessary to divide his work, he would have been likely to project a dismemberment of it so perfectly mechanical, and bearing no relation whatever to the subject-matter — one which every reader who would search into the in- ternal connection of the whole must entirely set aside, if he would avoid falling into confusion. For it is only with the end of the first book that the first part also of the work concludes, and in like manner, the conclusion of the whole commences with the beginning of the last book, but beyond this, only the end of the fourth book and of the Seventh coincide with an im- portant division in reference to the subject-matter. All 352 the remaining books break off in the middle of a dis- cussion in such a manner that not even any phrases in them could be turned to denote conclusion or commencement. Since then, the books pretty much resemble one another in extent, it may "XeBBpAo/i. In the third book of the Memctab. of Socrates, chap. i. P. 224. In the Craiylus. Just at the beginning. — Aristotle also. De Soph. El. cap. xx. Ed. Bip. iii. p. 599, with which com- pare Rhet. II. cap. xxiv. Ed. 'Bip>Vol. iv. p. 292. Another passage. De Soph. El. cap. xxxiv. Ed. Bip. Vol. iii. p. "639. Tennemann, if I mistake not, has already expressed the 428 NOTES. supposition that when Plato mentions these 6\j^inade'i