(Cornell Umucratta ffitbraty FROM THE BENNO LOEWY LIBRARY COLLECTED BY BENNO LOEWY 1854-1919 BEQUEATHED TO CORNELL UNIVERSFTY Cornell Unwerslly Library PR 2701. G45 1868 DATE DUE "^^^^^ ^«fr-D^ oifei^CT^^ GAYLORD PHiNTED IN U S. A Cornell University Library The original of tliis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924013133065 THE PLAYS p PHILIP MASSINGER. THE PLAYS OF PHILIP MASSINGER. ,1'rom t]^t €zxt OF WILLIAM GIFFORD. WITH THE ADDITION OF THE TRAGEDY "BELIEVE AS YOU LIST.' EDITED BY LTCOL. FRANCIS CUNNINGHAM. LONDON : JOHN CAMREN HOTTEN, 74 & 75, CONTENTS. PAGE INTRODUCTORY NOTICE vii THE VIRGIN MARTYR i THE UNNATURAL COMBAT 3S THE DUKE OF MILAN 63 THE BONDMAN 99 THE RENEGADO I33 THE PARLIAMENT OF I-OVE i63 THE ROMAN ACTOR 194 THE GREAT DUKE OF FLORENCE 223 THE MAID OF HONOUR 253 THE PICTURE 2S4 THE EMPEROR OF THE EAST 320 THE FATAL DOWRY 353 , A NEW WAY TO PAY OLD DEBTS 388 THE CITY MADAM 423 THE GUARDIAN 457 A VERY WOMAN ; OR, THE PRINCE OF TARENT . . .492 THE BASHFUL LOVER S27 THE OLD LAW S6o . BELIEVE AS YOU LIST 595 INTRODUCTORY NOTICE. Philip Massinger, the author of the nineteen plays contained in this volume, and of ei^lteen others, which, it is to be feared, are irrecoverably lost, was born in the year /fS^ tweiit y years after SJiakSBfiaia-anil.-MadlMKe, ^<2i,jiSSLJsssaa>, e ight after ^■ Retche i^Jand within twD'oTBraumont and Ford. Contemporary with him also were tireene, Webster, Peek, Chapman, Middleton, Shirley, Kyd, Decker, Marston, Daniel, Fulke Greville, and others of hardly inferior mark, " all of whom spoke nearly the same language and had a set of moral feelings in common." Such was the imperial manner in which Shakspeare and his brother dramatists of the great race took posses- sion of the English stage, and filled " The spacious times of great Elizaljeth, With sounds that echo still." Never before or since has the earth witnessed such a simultaneous outburst of minds of kindred power. Napoleon and his marshals did not make their appearance in a thicker cluster. When one thinks of the Burghley men, and the Armada men, who were sinking one by one into their graves : of Bacon and Raleigh in the full flush of their genius : of the Hampdens, and Cromwells, and Jeremy Taylors, and Miltons, who about the same time were being rocked in their cradles : lastly of old Queen Bess herself: — when one considers also that the entire pr>pulation of England in those days vras probably not more than that of our present London, — it is impossible not to feel aa emotion of pride in belonging to the same " happy breed of men" from which they sprung, and in being born like them in " This blessed plot, this earth, this realm, this England." The same authorities which give 1584 for the year, fix Salisbury for the place, of Massinger's birth. The books of its churches have been searched in vain for any record of his baptism, but as one of the principal of them fell down in 1653, and there is a vacuum in its registers extending over the period in which the name might have appeared, it is probable that the infant son of Arthur Massinger received the name of Philip at the font of St, Edmund's. Hartley Coleridge indulges the pleasing fency that he must have had for sponsor the greatest Englishman who has ever borne that; name, the poet-soldier in whose " sweetly constituted mind no ugly thought or un* handsome meditation could find a harbour; who turned all that he touched into images of honour and virtue j" and who himself derived it firom the arch-enemy of his country and his religion. And the circumstance of the sponsorship is in itself not improbable, for was not Sidney's sister Pembroke's wife, and the poet's fether was a trusted and honoured "servant" of the Herbert femily. Arthur Massinger indeed must have been a man of birth, education, energy, and high principle, for recent research has brought to light a letter from Henry Earl of Pembroke to the great Earl of Burghley, dated 28th March, 1587, recommending him in the strongest manner for the reversion of the office of Examiner in the Court of the Marches towards South Wales; and ten years afterwards, when a matrimonial arrangement of some sort was. pending between these two powerful families, it was to Arthur Massinger that the delicate n^ociation was confided. — [.Yo/cj; and Queries, ist S. iii. 52.] INTRODUCTORY NOTICE. In the dedication to A New Way to Pay Old Debts the poet states that he " was born a devoted servant to the thrice noble fiimily " of Herbert, and the probability is that he vpas brought up as a page to the Countess of Pembroke at Wilton. His allu- sions to the position and minute duties of pages are perpetual. In that particular palace, if anywhere in England, he would learn to admire the combination of rank and power, and stately yet flowing courtesy, which in after life he was so fond of bestowing upon his favourite characters. So successful indeed is he in these delineations that, without the knowledge that such in all likelihood had been his upbringing, a biographer would be led to assume that it was so in order to account for the confident and consummate ease with which he treads the halls, and ascends the staircases, and enters the tents, and sits down at the banquets of his great dukes and emperors, and viceroys and pro- consuls. But beyond this general idea which irresistibly forces itself upon us, we know nothing whatever of his early life. Not a single fact, not even a barren date, has come down to us until Friday, the 14th of May, 1602, when "Philip Massinger, a Salisbury man, the son of a gentleman" (Sarisburiensis, generosi filii), was entered at St. Alban's Hall in the University of Oxford. He must then have been about eighteen years old. After this brief gleam of light, darkness again closes in — darkness that may be felt. Anthony a Wood says that the young student's expenses at the University were de- frayed by the Earl of Pembroke, and that " he gave his mind more to poetry and romances for about four years or more, than to logic and philosophy, which he ought to have done, as he was patronized to that end." Langbaine, on the contrary, asserts that during his residence he applied himself closely to his studies ; and that his whole sup- port was drawn from his father. Tom Davies, his next biographer, considers that it was very wrong of him to neglect his logic and his philosophy, and thereby provokes the grim merriment of Gifford, who hints that the worthy fellow (whom one forgives for " mouthing a sentence as curs mouth a bone," in consideration of his having intro- duced Boswell to Johnson), neither possessed himself nor knew the meaning of " these valuable acquisitions." Gifford himself adopts the view of Langbaine, both as regards the studies and the means of living, and, after calling Wood a tasteless drudge, adds that the young man " must have applied himself to study with uncommon energy, for his literary acquisitions at this early period appear to be multifarious and extensive." The representatives of the " tasteless drudge" school might here retort on the logical and caustic critic, and inquire the names of the works in which at this period his literary acquisitions are made manifest. It is agreed that Massinger left Oxford in 1 606 abruptly, and without taking a degree ; and, as it appears certain that his fether died about the same time, it is reasonable to con- nect these circumstances together, and thence to conclude that at the age of twenty he found himself cast penniless on the world. The old Earl of Pembroke had died in January, 1601, and had been succeeded by his eldest son, who, according to Wood, was " not only a great favourer of learned and ingenious men, but was himself endowed to admiration with a poetical geny" and " was the very picture and viva effig-ies of nobility." Clarendon, in more weighty language, describes him as " the niost univer- sally beloved and esteemed of any man of that age. ... of a pleasant facetious humour, and a disposition affable and magnificent." On every account, therefore, one would have supposed that a young man of such abilities would as a matter of course have been taken by the hand by a nobleman of such dispositions, who would have felt an additional pride in presenting him to the world as the son of his father's most cherished retainer. But the biographers, who agree in little else, are unanimous in saying that whatever may have been his claims to patronage, no patronage of any kind was afforded to him. To account for this singular neglect, Gifford is reduced to what I cannot but think the still more singular assumption, that Massinger had forfeited the Earl of Pembroke's fiivour by "having, during his residence at the University, ex- INTRODUCTORY NOTICE. changed the religion of his fether for one at this time the object of persecution, hatred, and terror," — in short, he had turned Roman Catholic. It requires a bold man to differ with Gifford on any point connected with Massinger, but is not a change of this sort the precise kind of circumstance the memory of which would have lingered longest among the cloisters of what Bunsen calls the Queen of Cities ? Wood was entered at Merton forty-one years after Massinger quitted St. Alban's Hall, and it is not necessary to assume that there were Dr. Rouths in those days in order to feel convinced that he had opportunities of conversing with contemporaries of the poet. A freshman of 1868, of an enquiring turn of mind, would be tolerably certain to learn as much as he cared to hear about any distinguished character who had left the University in 1827. Besides, the fact would have been of particular interest to old Anthony, as he was himself again and again accused of exhibiting in his writings a strong leaning to all who were Papists or papistically inclined. But granting the force of the arguments as to the conversion, was the Earl of Pembroke a man likely to have been influenced as Gifford supposes ? It is true that Clarendon says he was "a great lover of his country, and of the religion and justice which he believed could only support it ; and his friendships were only with men of these principles;" but it was Puritanism, not Roman Catholicism, that was run- ning in the Chancellor's head when he wrote these lines, and it must have been political rather than moral reasons that swayed the Earl in the choice of his friendships. Clarendon goes on to say that " he was clouded by great infirmities, which he had in too exorbitant proportion : he indulged to himself the pleasures of all kinds, almost in all excesses, and to women he was immoderately given up." For such an one to have teen as strait-laced as GiflFord's theory seems to require is to anticipate the pious fears of Goldsmith's soldier, in the exquisite dialogue in the Citizen of the World. Gifford seems to think that this estrangement was limited to William, the then head of the house of Herbert, and speaks of Massinger's anxiously avoiding all mention of him individually, as contrasted with his perpetually recurring to his hereditary obligations to the family generally. But as &r as I can discover, his mention of the femily at all Is limited to three occasions (viz., in the dedications to The Bondman, 1624, the Neio Way to Pay Old Debts, 1633, and in a copy of verses 1636), so that the terms "anxious avoidance" and "perpetual recurrence" are at least as strong as the circumstances will justify. In one of these dedications also he expressly states that so late as 1624 he " had not arrived at the happiness to be made known to" Earl Philip, who up to that time, therefore, had neglected him as much as Earl William. Before dropping the subject, it will not be out of place to mention that the elder of these brothers is generally considered to be the mysterious W. H., the " only begetter " of sundry world- renowned sonnets ; and that, only a year before the date above given, a certain folio •volume had been dedicated to the two earls jointly as " the most noble and incomparable pair of brethren," whose " dignity " the editors " could not but know to be greater than to descend to the reading of these trifles" — the said trifles including, amongst other small matters, Lear, Hamlet, Macbeth, and Othello. But to leave this long digression and return to Massinger. He left Oxford in 1606, and appears at once to have enlisted himself amongst " divers whose necessitous fortunes made literature their profession." He thus wrote of himself in the autumn of his days, when we know tolerably well how his time was employed ; but of their spring and summer we can hardly say more than thit they must have passed away in one long struggle for bare existence. The first distinct record of his independent doings is the performance at Court, in 1621, of his lost comedy of the Woman's Plot. But during this interval of fifteen years he must have produced 1. The Forced Lady, tragedy. 2. Noble Choice, comedy. j 3. The Wandering Lovers, comedy. 4. Philenzo and Hifpolita, tragi-comedy. j INTRODUCTORY NOTICE. J. Antonio and f^allia, comedy. 6. The Tyrant, tragedy. 7. Fast and fVelcome, comedy. 8. The fVoTnaii's Plot, comedy. It is sad to think that the manuscripts of all these plays were in existence in the middle of the last century, and that not a trace of them now remains. They fell into the hands of one John Warburton, F.R.S. and F.S.A ., Somerset Herald, a vulgar, illite- rate, sordid, and unprincipled ex-exciseman, whose passion it was to glean up every- thing either in print or manuscript which bore in any way on a subject which inte- rested him, making the collections over to the care of the domestic who discharged the double duties of cook and librarian, until he coold find a person with education enough to write something fit for publication regarding them. In this way he had collected no less than fifty-five genuine Unpublished English dramas of the golden period, unfortu- nately written upon paper suited for culinary purposes, every one of which, except three at the bottom of the pile, was appropriated leaf by leaf by this wretched kitchen wench for coverings for her pastry.* Besides these " martyrs of pies," as Pope would have called them, the four following. surviving plays must be put down to the same period : — 9. The Old Law, comedy. 10. The fir gin Martyr, tragedy.f 11. The Umiatural Combat, tragedy. 12. The Duke of Milan, tragedy. But when, after a careful calculation, it has been considered proved that fifteen pounds is the largest sum that even a writer of established reputation could reckon upon clearing by a single play, it is evident that Massinger must have had other sources of support for fifteen years than these twelve dramas could have afforded him. But it was the frequent fashion of those days, and a " noble practice" it was too, says Charles Lamb, for two or more writers to join in the composition of the same play, and Massinger's powers were such as peculiarly fitted him for the ready execution of this kind of mosaic. Langbaine has preserved some doggrel which describes his Pegasus as an easy hack that would "Amble o'er Some three-score miles of fancy in an hour ; ' and " he wrote with that equability of all the passions which made his English style the purest and most free from violent metaphors and harsh constructions of any of the dramatists who were his contemporaries." My present task has led me to peruse his works many times over, and again and again have his extraordinary fluency and &cility led me to compare his powers to those of the statesman who could speak a king's speech ofF-hand.J That he lent such assistance to Fletcher, for one, we know from * There must have been something particularly hateful about this Warburton "s cha- racter. Francis Grose, his brother herald, the "fine fat iodgel wight" of Bums, and the best-natured of men, quite exults in telling that " he died a beggar ;" another friend seems to derive gratification from relating that he had a great abhorrence to the idea of worms crawling over him, and ordered his corpse to be packed in a particular manner : this packing fermented and burst the coffin" during the funeral. But the feeling does not end even in the grave. His only son, we are told, happened to go into France in 1793, and was guillotined at Lyons. And here, in 1868, I plead guilty to feeling a certain sort of satisfaction in penning this note ! t Regarding this fine tragedy a brief note has been discovered in the Office Book of Sir George Buck, Master of tlie Revels, Oct. 6, 1620. ' ' For new reforming the Virgin Martyr for the Red Bull, tips." t Macaulay describes Pitt's oratory as "lofty, sonorous, and commanding." But Ik only knew him at second-hand ; while Cobbett, who must have heard him often, ad- INTRODUCTORY NOTICE. two altogether independent sources. Sir Aston Cockayne, a true friend, if not a true poet, has mentioned the 6ict on three separate occasions — the exact number which, according to GifFord, constitutes "perpetual recurrence." In the first, addressing his cousin Charles Cotton, and speaking of Beaumont, he says : — • " His own renown no such addition needs To have a feime sprang from another's deeds ; And my good friend, old Philip Massinger, With Fletcher writ in some that we see there." Again, in his address to Mr. Humphrey Mosley and Mr. Humphrey Robinson, he^ comes to the same point : ' ' For Beaumont of those many writ in few. And Massinger iti otiicrfew." Lastly, in some lines to which I shall again have to refer, he says of the pair Fletcher and Massinger :— " Plays they did write together — were great friends." To all thisquasi poetical testimony from his '^worthy friend" must now be added the following most prosaic and most melancholy evidence under his own hand. It was discovered by Malone among the archives at Dulwich College, and may be left to- tell its own sad and instructive story : — " To our most loving friend Mr. Phillipp Hinchlcw, Esquire, these : — " Mr. Hinchlow, — ^You understand our unfortunate extremity, and I do not think you so void of Christianity, but that you would throw so much money into the Thames as we request now of you ; rather than endanger so many innocent lives; you know there is ten pound more at least to be received of you for the play, we desire you to lend us five pound of that, which shall be allowed to you, without vwhich we cannot be bailed, nor I play any more till this be dispatched. It will lose you twenty pound ere the end of the next week, beside the hindrance of the next new play. Pray, sir, consider our cases with humanity, and now give us cause to acknowledge you our true friend in time of need. We have entreated Mr. Davison to deliver this note, as well to witness your love as our promises, and always acknowledgment to be ever " Your most thankful and loving friends, "Nat: Field. " The money shall be abated out of the money remains for the play of Mr. Fletcher and ours. " Rob : Daborne. " I have ever found you a trae loving friend to me, and in so small a suit, it being honest, I hope you will not fail us. " Philip Massinger." It was of course impossible to refuse a request at once so urgent, so reasonable, so modest, and so "honest," — i.e., honourable; but still it is satisfactory to be able to transcribe the following endorsement, which I copy literatim in order to show the spell- ing of the names, which no doubt to a certain extent preserves the pronunciation : — " Rec. by me Robert Davison of Mr. Hinshloe for the use of Mr. Dauboern, Mr. Feeld, Mr. Messenger the some of vi. " Robert Davison." This document is without date, but it must be before Januaiy 1616, when Henslow died, and therefore, which is worthy of note, during the lifetime of Francis Beaumont, who died on the 6th of March of the same year. The date of the tripartite letter is dresses him in one of his "Rural Rides," "Yes — you loud snoiting batvler." Is it possible for words to be more graphic ? INTRODUCTORY NOTICE. conjectured to be some time in either 1613 or 1614, and the research of Mr. Collier has discovered yet another document in the same quarry, which must also be given at length. " Noverint Universi, &c., 4° die Julii, 1615. "The condition of this obligation is such, that if the above bounden Robert Daborn and Philip Massinger, or either of them, should pay or cause to be paid unto the above- named Philip Henslowe, his executors, administrators, or assigns, the full and entire sum of three pounds of lawful money of England, at or upon the first day of August next ensuing the date of these presents, at the now dwelling-house of the said Philip Henslowe, situate on the Bankside, without fraud or ferther delay, then and from thenceforth this present obligation to be null and void and of no effect, or else to re- main and abide in full power, strength, and virtue. "Rob. Daborne, " Philip Massinger." When such uncommon pains are taken about so small a sura as three pounds, it is, I am afraid, evidence that the circumstances of the borrowers were such as to lead the .lender to apprehend some difficulty in recovering his advance. With the exception of the brief note of Sir George Buck regarding the Virgin Martyr, the first mention of Massinger's labours in the Office-book of the Master of the Revels, is on the 3rd of December, 1623, when 13. The BoTidmany tragi-comedy, was brought upon the boards. Philip Earl of Montgomery vras present at the first sperformance, on which occasion, as Massinger states it, his " lordship's liberal suffrage taught others to allow it for current." When in the following year the play was printed and dedicated to the Earl, it is to be hoped that the " liberal suffrage" assumed a more substantial shape than the forty shillings which was the customary payment for these compliments. Massinger's old comrade Field, as Mr. Collier tells us, when he printed his play fToman is a Weathercock, addressed it to " any woman that hath been no weathercock," boastingly asserting that he did so " because forty shillings I care not for." Matters at this time must have been better with him than when he penned that sad tripartite letter. On April 17, 1624, Massinger produced 14. The Renegado, Tragi-comedy; and on November 3 of the same year — 15. The Parliament of Love, Comedy. They were both acted at the Cockpit, and are entered in Sir Henry Herbert's Office- book. 16. The Spanish Viceroy, Comedy, which was one of the martyrs to Mr. Warburton's pies, is supposed to have been full I of allusions to Gondomar, the Spanish Ambassador, and stood no chance of being licensed by the Master of the Revels. The players therefore resolved to act it on their own responsibility, and for this piece of insolence or of independence were required to make a most humble apology to Sir Henry Herbert, and to sign a promise " not to act any play without your hand or substitute's hereafter, nor do anything that may preju- dice the authority of your office." I find this circumstance recorded in the Life of John Lowin, and as Mr. Collier makes no allusion to Massinger being the author of the play, and as the date of the apology, December 20th, treads so closely on the date of performance of the Parliament of Love, I am led to suspect that Gifford may have admitted The Spanish Viceroy into his listi on insufficient grounds. Malone, however, mentions that a play of Massinger's called The Spanish Viceroy; or, the Honour of tVome:i, viTis entered at Stationers' Hall for Humphrey Mosely in 1653. If, indeed, Massinger were the author of a play in ridicule of Gondomar and his countrymen, would it not settle the question of his having become a Papist ? INTRODUCTORY NOTICE. On October nth, 1626, the King's Company performed — 17. T]ie Roman Actor, Tragedy. j In dedicating this piece three years afterwards to Sir Philip Knyvett and Sir Thomas I Jeay, he says, with manly self-confidence, " if the gravity and height of the subject dis- I taste such as are only affected with jigs and ribaldry (as I presume it will), their con- 1 demnation of me and my poem can no way offend me; my reason teaching me such malicious and ignorant detractors deserve rather contempt than satisfection." He adds, " I ever held this the most perfect work of my Minerva." And surely {pace Gifford) the character of Paris is a noble conception, upheld to the end with a grand consistency.. In these respects it is only to be surpassed by that of Charalois in the Fatal Dowry — a» Hamlet whose mind has not been sicklied o'er by the pale cast of thought. Of his next play, 18. The Judge, I find only the fact that it was acted by the King's Company on June 6th, 1627. It has^ perished, and left no trace behind. It does not appear to be known whether it was a tragedy or a comedy. 19. The Great Duke oj Florence, Comedy, was acted at the Phoenix, Drury Lane, on July sth, 1627, under the name simply of i The Great Duke. ■ 20. The Honour of Women was acted May 6th, 1628, and is now lost. If this were indeed the same as No. 16, The Spanish Viceroy, the perilous stuff must have been purged out of it to adapt it for ] representation. 21. The Maid of Honour, Tragi-Comedy, was acted at the Phoenix, Drury Lane, but' the date of its first appearance is unknown. i 22. The Picture, Tragi-Comedy, was first acted June Sth, 1629. j 23. Minerva's Sacrifice, Tragedy, I perished by the hands of Mr. Warburton's kitchen wench. It was first acted Nov. 3rcl,. 1629, by the King's Company. 24. The Emperor of the East, Tragi-Comedy, was acted March nth, 1631, at Blackfriars, and was printed the following year. We now come to ■ 25. Believe as You List, Tragedy, which was always described as a comedy, and believed to have been one of the many victims of that insatiable iaj-ai/irwm of the drama, the oven of the pie-eating Somerset Herald ; and that one copy did so perish there can be very little doubt. CoUey Cibber, however, had mentioned his having seen a transcript of it, with the stage directions inserted in the margin; and in the year 1844, "concealed in a vast mass of rubbish," this very transcript turned up once more. The lucky discoverer, Mr. Beltz, vras fortu-- nately a liberal and enlightened man, and lost no time in making a present of it to the public, through the medium of the long-defunct Percy Society.* It was issued in 1848,. under the nominal editorship of Mr. Crofton Croker, but might just as well have had no editor at all. I have not myself seen the manuscript, nor am I aware of the place of its deposit. An attempt was made to correct a few of the grosser errors by a writer in the fourth volume of the " Shakspeare Society's Papers," under the signature of a " Member of both Societies." Of his capabilities for the task I will only give two * The publisher of the present edition has not asked anybody's permission to make this reprint, simply because, when finder, editor, and "Society" had all alike gone to their graves, he yias unable even to guess the quarter in which it would have been courteous to make the application INTRODUCTORY NOTICE. examples, taken for convenience, one from the Prologue, the other from the Epilogue. The latter, according to Mr. Crofton Croker, opens as follows : — " The end of Epilogues is to inquire The conjure of the play, or to desire Pardon for what's amiss." The word " conjure" in the second line is of course absurd, and the critic proposes to change it to fortune, which is not much better in meaning, and very unlike it in appearance. The true word, no doubt, is censwrt, which in those days, and much nearer our own time, wa.= used for judgment. Congreve somewhere invites a "favourabU censure." In the Prologue Massinger had begged pardon in case it should be found that "What's Roman here, Grecian or Asiatic, draw too near A late and sad example." The critic must needs have it that the "late and sad example" could only refer to the fate of Charles I. ; and as that king was not executed till eighteen years after the date of the play, he had to post-date the performance, which brought it to a period when acting vras prohibited ! He finds too the closest resemblance between the careers of Charles and Massinger's Antiochus, while beyond the salmons-in-both style of likeness there is literally no similarity whatever. On ray own first perusal of the play I saw that no one individual of antiquity could possibly be identified with the hero of Massinger, and the introduction of a Proconsul of Lusitania, and the talk about seeking aid from the Batavians led me to suspect that he drew from a much more modem source. I then remembered tiiat Mr. Collier in his "Annals of the Stage" (ii. 26) made mention of " Sir Henry Herbert on the nth January," 1630-1, refusing tolicensea flay by Massinger, the name of which he does not give, ' because it did contain dangerous matter, as the deposing of Sebastian, King of Portugal, by Philip II., and there being a peace sworn 'twixt the Kings of England and Spain.'" I then turned to the first book of reference at hand, and discovered, as I expected, that the story of Believe As You List was, down to the most minute points, identical with that of the hero of Portugal. The book from which Massinger must have derived it is, "The True History of the Late and Lamentable Adventures of Don Sebastian, King of Portugal, after his imprisonment in Spain until this present day," London, 1602.* And thus, -what the critic calls " those mysterious words, a late and sad example," were at once .rendered plain, and at the same time a point in Massinger's history cleared up. Sir Henry Herbert must have made a good thing of his office as Master of the Kevels. In this matter ol Believe As You List, he seems to have acted on the principle of the attorney in Joe Miller, who made the double charge, " To calling at your house, 6s. 8d. ; to not finding you at home, 6s. 8d." After noting the refusal, he has recorded in his book, "I had my fee notwithstanding, which belongs to me tor reading it over, and ought to be brought always with a book." In some respects he is quite Pepys-like in his communicativeness. On the 17th July, 1626, Mr. Hera- mings pays him £3 " for a courtesie done him about their Blackfriar's house ;" and on the nth April, 1627, the same Mr. Hemmings gives him £5, "to forbid the playing of Shakspeare's plays to the Red Bull Company." Two years later, some women actors came over from France, and made their appearance here, which is thus spoken of by Prynne, in his Histriomastix. " Some French women, or monsters, rather, in Michaelmas term, 1629, attempted to act a French play at the playhouse in Blackfriars, * Of this pamphlet I know no more than the title, which I have taken from Mr. Haz- Btt's laborious work, "Tlie Bibliography of Old English Literature." INTRODUCTORY NOTICE. an impudent, shameful, unwomanish, graceless, if not more than whorish, attempt." For this attempt Sir Henry Herbert says he received £2, which was a high fee. considering that the poor people were "hissed, hooted, and pippin-pelted from the stage." He had another fee "for allowinge of the Frenche at the Red Bull for a day, 22nd Nov., 1629;" and again, "for allowing of a French Companie at the Fortune, to play one afternoone, this 14th day of August, 1629, £1," to which he adds the following characteristic note, — " I should have had another piece, but in respect of their ill-fortune I was content to bestow a piece back !" Well may Gifford call him "a mean and rapacious overseer." These notes are so necessary to a right understanding of the state of the Stage in Massinger's time, that I make no apology for inserting them, except to my old friend Mr. Collier, from whose work they arc stolen bodily. To the refijsal to license the Believe As You List, on the nth January, 1631, the poet appears to me to allude in the prologue to the Emperor of the East, which was spoken on the nth March following, when he says — " He cannot 'scape their censures who delight To misapply whatever he shall write ;" and from the desponding tone of the second prologue to the same play, which was composed for an occasion considerably later than the delivery of the first, and subse- quent to the acting of Believe As Ymi List, I cannot help thinking that both these plays were " damned " on their first appearance. In no other way can I account for the opening words of the Prologue to the Guardian, which was spoken October 31st, " After twice putting forth to sea, his fame Shipwrecked in either, and his once known name In two years silence buried." 26. The Unjbrtunate Piety, a Tragedy, was first acted by the King's Company, June 13th, 1631. It is lost. 27. The Fatal Dowry, Tragedy, and 28. A New Way to Pay Old Debts, Comedy. 29. The City Madam, Comedy. 30. The Guardian, Comedy, will be spoken of in another place. 31. Oleander, Tragedy, was acted May 7th, 1634, by the King's Company, and drew Queen Henrietta Maria to Blackfriars. "A remarkable circumstance," says Gifford, "at that time when our sovereigns were not accustomed to visit the public theatres. It is to be hoped that it was the poet's benefit day. The circumstance is recorded by the Master of the Revels." 32. A Verif Woman, Tragi-Comedy, will be spoken of in another place. 33. Tiie Orator. This play, which is lost, was first acted June loth, 1635, by the King's Company. 34. The Bashful Lover, Tragi-Comedy, wiU be spoken of in another place. 35. The King and the Subject, was first acted June 5th, 1638, by the King's Company, and is novf lost. Of this play a remarkable anecdote is related by the Master of the Revels, who would appear to have had doubts about the propriety of licensing it, and referred the manuscript to King Charles for his own decision. The following is the entry in Sir Henry Herbert's book: — "At Greenwich, this 4th of June, 1638, Mr. W. Murray gave me power from the King to allow of The King and the Subject, and told me that he would warrant it.-* INTRODUCTORY NOTICE. " Monies ! we'll raise supplies what way we please And force you to subscribe to blanks, in which We'll mulct you as we shall think fit. The Csesais In Rome were wise, acknowledging no laws But what their swords did ratify ; the wives And daughters of the senators bowing to Their will, as deities, "* &c. "This is a piece taken out of Philip Massenger's play called Tlie King and the Sulject, and entered here for ever to be remembered by my son, and those that cast their eyes on it, in honour of King Charles, my master, who, reading over the play at Newmarket, set his mark upon the place with his own hand, and in these words — This is too insolent and to be chmiged. Note, that the poet makes it the speech of a king, Don Pedro of Spain." Had the judgment of King Charles been as sound as his taste was excellent, the history of England might have been different from what we find it. He would at any rate have made a very different Master of the Kevels from Sir Henry Herbert, as witness the following entry in the tatter's book, under date January 1634; — "The King is pleased to take Jaithj death, slight, for asseverations and no oaths, to which I do humbly submit as my master's judgment ; but under &vour con- ceive them to be oaths, and enter them here to declare my opinion and submission." And this is the man who screwed money from the poor painted women from France, and from the English players and poets who were poorer still. 36. Alexius, or the Chaste Lover, and 37. The Fair Anchoress of Pausilippo, acted respectively on Sept. 2Sth, 1639, and Jan. 26th, 1640, both by the King's company, are the two last plays of Massinger which appear in the book of the Master of the Revels, and, although Gifford was not aware of the circumstance, both were post- humous. It is impossible now to discover whether they were really his latestcompositions, or merely two unacted plays of earlier date found among his papers after his death. If the former, it is hardly possible to overrate the value of what we have lost ; for Massinger's mind was not one of those barren soils which forfeited any of its fertility by thirty years of cropping. His six last plays have all the vigour of his six first, but the judgment which guides his powers is riper and more serene. Strange to say, his humour kept growing brighter to the last. The New Way to Pay Old Debts and The City Madam are among the dozen finest comedies in the English language, and the slave-dealing scene in^ Very Woman stands altogether by itself for the elastic play of a merry invention. Of the personal history of Massinger during these last busy years nothing is known b^ond what may be gleaned from hints dropped in his dedications, and these, alas, are but too uniformly manly confessions of poverty, and tnanly thanks for wants re- lieved. The Earl of Pembroke and Montgomery seems to have made up in these latter years for his own and his brother's early neglect ; and his son-in-law the gallant Earl of Carnarvon likewise befriended him. Without the aid of Sir Francis Foljambe and Sir Thomas Bland, he tells us, " he had hardly subsisted;" and he "stood much engaged to the noble Society of the Inner Temple for their so frequent bounties." He also derived " extraordinary content " from the " remembrance " of Lord Mohun's love, which was conveyed to him by his lordship's nephew and his own zealous friend Sir Aston Cockayne. This life of toil and care was suddenly brought to an end about the middle of March 1639 — not 1640 as stated by Gifford and all previous biographers. He went to bed * It was probably this passage which led Malone to suppose that this play was iden- tical with The Tyrant, one of the "Martyrs of pies." Sir H. Herbert mentions that the title was "changed," but whether to ov from The King and the Subject dsxs not appear. INTRODUCTORY NOTICE. in good health, says Langbaine, and was found dead in the morning in his own house on the Bankside. He was buried in the church of St. Saviour's, Southwark, and the " monthly accounts" give this record of the circumstance :* — " 1638. March i8th. Philip Massinger, stranger. In the church ... 2 li." More than twelve years earlier the following entry is found in the same gloomy record : — " 1625. August 29. John Fletcher, a poet, in the church." The charges for Fletcher's grave are entered as 20s., and 2s. for gr : and cl : (the grave digger and the clerk). The charges for Massinger were probably greater, as being a " stranger," or non-parishioner. Sir Aston Cockayne, who evidently was greatly attached to him, wrote the following " Epitaph on Mr. John Fletcher and Mr. Philip Massinger :" — " In the same grave Fletcher was buried, here I-ies the stage poet Philip Massinger : Playes they did write together, were great friends ; And now one grave includes them at their ends : So whom on earth nothing did part, beneath Here, in their fames, they lie in spight of death." I am very reluctant to differ from so eminent an authority as my friend Mr. Dyce, who thinks the "same grave" means nothing more than the "same place of inter- ment," but it will be observed that the idea is repeated in the fourth line, in a yet more definite shape, and the whole epitaph, to my thinking, bears unmistakeable marks of being designed by its writer for cutting on the stone which covered their common grave. I also please myself by imagining that the arrangement was made in accordance with an expressed wish of Massinger himself. The old Priory Church of St. Saviour's was, next to St. Paul's and the Abbey, the noblest church in London, and not being hemmed in as now by warehouses and breweries and railway stations, nor shorn of its fair proportions by fatal decay and more fetal repairs, must have dominated like a cathedral over the brothels and bear gardens ■that surrounded it. Massinger could not have crossed the ancient bridge or taken boat to the Temple or Queenhithe without having it ever in his view, and considering ■the circumstances of his life, what is more natural to suppose than that he should often desire to be resting in peace by the side of his illustrious friend and fellow labourer? But it is vain to speculate on a point which can never be decided. In Gilford's time ■every stone and every fragment of a stone was examined in the hope of finding some 'indication of the particular spot where these great poets were interred ; and had there been anything in the shape of an inscription regarding either, it must have been dis- covered or have finally perished in the general levelling and destruction of 1832. The monument of that dry old stick Gowerwas then removed to its present site and " painted and'repaired" by the pious care of his namesake, the Duke of Sutherland, but the dust ■of the authors of The Faithful Shepherdess and The Fatal Dowry most probably has found its last resting-place under the kitchen floor of some house in Doddington Grove, Kennington, S.W., which is built, we are told, on the " three feet surface of earth" .removed from St. Saviour's, Southwark. Having thus followed Massinger to his grave, and beyond it, I have only to record the subsequent fate of his works. The last play acted during his life, and the two Tvhich were produced immediately after his death, have perished, as have also fifteen * This extract was first correctly printed by the 1841 editor of Campbell's " Speci- mens, " who also showed that "stranger" meant nothing more than non-parishioner. But he failed to point out that March 1638 meant March 1639 — not March, 1639-40. This was left to Mr. Collier in his ' ' Memoirs of Actors, "p. xiii. INTRODUCTORY NOTICE. others. A much-damaged transcript of The Parliament of Love was discovered by Malone, who made it over to Gifford, when he first announced his intention of becoming the poet's editor. In sending it to him Malone said, " the piece is in such a mutilated state, wanting the whole of the first act and part of the second (to say nothing of its other defects from damp and time), that it is feared it can be of little use. ' Gifford worked diligently and reverently, and in six weeks sent Malone a transcript which " quite astonished " the veteran commentator. The circumstances under which Believe as You List was recovered have been already detailed. Popular as Massinger must have been during the latter part of his life, he was utterly forgotten during the rule of the Puritans, and scarcely remembered for many years after the Restoration. During this period, indeed, the dramatists of the preceding generation seem to have been valued in proportion as indecency predominated in their writings, and Beaumont and Fletcher were greatly more popular than Shakspeare. But the public taste in every way was perverted, and if others had been as honest as Samuel Pepys we should have had many such records as — "To Deptford by water, reading Othello, Moor of fenice, which I ever heretofore esteemed a mighty good play, but having so lately read The Adventures of Five Houres, it seems a mean thing." Betterton indeed detected the fine opening which The Bondman and The Roman Actor afforded to his grand powers of declamation, but it is probable that the exhibition was attended with more pleasure to the player than to the public. At length Nicholas Rowe, sixty-four years after Massinger's death, determined upon collecting and publishing his works, but after mature deliberation considered it more judicious to plunder the dead man rather than attempt to revive him. Nothing can show more decisively the oblivion into which Massinger had fidlen than that Rowe should think it possible to escape detection in his wholesale looting. For a time, too, he was thoroughly successfiil. His " Gay Lothario" took such a hold in the English mind that he still dwells in the English tongue, and nearly eighty years later, when Johnson pronounced this shameless plagiarism to be " one of the most pleasing tragedies on the stage, where it still keeps its turns of appearing, and probably will long keep them, for there is scarcely any work of any poet at once so interesting by the feble, and so delightful by the language," he was evidei;]tly not aware that every- thing in the play really deserving admiration, except the mere harmonious versifica- tion, was the work of another man. And yet Johnson was himself a Shakspearian commentator! Of the baseness and shabbiness of Rowe's conduct in the affair it is impossible to speak with patience, and one feels quite grateful to the Earl of Oxford for leading him that famous dance about the Spanish language. Time too has already put the matter square. The once feshionable Fair Penitent is read by no one, and will probably never be reprinted, while The Fatal Doiwry is perused year after year by in- creasing numbers with increasing admiration. " Massinger thus robbed and abandoned by Rowe, was afler a considerable time taken up by Coxeter," whose gatherings formed the basis of the first collected edition of ryji. This was re-issued in 1761, with new title-pages and introductory matter by Tom Davies and George Colman, and is considered as the second collected edition. The third was brought out in 1779 by a Mr. John Monck Mason, who mentions in his preface that he had never heard of Massinger till two years before he edited him. It is not William Gifford's fault if everybody who now hears of Massinger does not hear also of John Monck Mason. The gentleman's only crime was his being inferior as an editor to the man who came after him ; and to that man, as he appears in the Massinger volumes, very few " editors " would not be inferior. Gifford's knowledge of books was very great, although in the particular line of old English literature he may have been excelled by others who have taken up the same work; but in knowledge of mankind, in knowledge of the language and ways of thinking of all the different professions and ranks of life in England, none of them have approached him. He had wi tnessed, while quite a child, his INTRODUCTORY NOTICE. father sinking into the grave overwhelmed with drink and with debt — itself a terrible training. He had held the plough ; he had been not only a " ship-boy on the high and giddy mast," but also in the cabin, where for a whole twelvemonth every menial office fell to his lot. He had been apprenticed to a sordid shoemaker, who debarred him from pen, ink, and paper, till he was reduced " to beat out pieces of leather as smooth as possible, and work his problems upon them with a blunted awl." He had been the object of " A subscription for purchasing the remaining time of William Giftbrd, and for enabling him to improve himself in writing and English grammar." He had at last received the full benefits of an Oxford education, and had been invited per- manently to reside on terms of affection and esteem with one of the greatest noblemen of England. Few men have ever passed through such a varied career, and a careful student of his notes on Massinger will find that there is hardly a portion of that career which has not been made to throw light on the text of his author. Besides this, he was gifted with an enthusiasm which led him to regard Massinger first, and Ben Jonson afterwards, with the fierce aliection which a tigress bears to her cubs. He considered that Coxeter and Monck Mason had not done their duty by Massinger, and there is hardly a page in his four thick volumes in which one or other of these gentlemen was not sneered at, or snarled at, or loaded with gross abuse. Charles Lamb, in some of those charming notes which he appended to his " Specimens of the English Dramatic Poets," had, as I venture to think unjustly, underrated the powers of Massinger, as compared with some of the less known of his contemporaries, and this no doubt was the cause of that unhappy passage in the Quarterly Review, for the writing of which Gifford is said to have sorrowed with the same depth of feeling which actuated Sir William Napier when he wrote his noble letter to the mother of Sir James Outram. The result of these qualities and qualifications was the production of what is said to be the very best edition that has ever appeared of an old English writer. I am told, on competent authority, that the same pains are not by any means visible in his reproduction of Ford and Ben Jonson, while he shows himself, if possible, still more acrimonious and abusive; and his shafts being too often covertly Eumed at higher game than those small deer Mason and Coxeter, whom nobody cares to be angry about, the notes are less amusing, and appear to have a great deal more of arrogance and self- assertion. Of all the critics who have written upon Massinger, Hallam probably was the ablest, and he is certainly the one who has assigned him the highest position. As a tragic writer he appears to him second only to Shakspeare ; and, in the higher comedy, he can hardly think him inferior to Jonson. His genius, he says, was not eminently pathetic, nor energetic enough to display the utmost intensity of devotion, but it "** abounded in sweetness and dignity," was " apt to delineate the lovehness of virtue, and to delight in its recompense after trial." " His most striking excellence is his conception of character," and in this he inclines to place him above Fletcher, and, if he may venture to say it, above Jonson also. " He is free from the hard outline of the one, and the negligent looseness of the other." He thinks him deficient in variety, and somewhat given to repetition. He shows great mastery in the delineation of vil- lains, but "his own disposition led him more willingly to pictures of moral beauty. A peculiar refinement, a mixture of gentleness and benignity with noble daring belong to some of his favourite characters ; to Pisander in The Bondman, to Antonio in A Fery froman, to Charalois in The Fatal Dowry. It may be readily supposed that his female characters are not wanting in these graces. He seems to have more variety in his women than in the other sex, and that they are less mannered than the heroines of Fletcher. A slight degree of error or passion in Sophia, Eudocia, Marcelia, without weakening our sympathy, serves both to prevent the monotony of .perpetual rectitude, so often insipid in fiction, and to bring forward the development of the story." " Next to the grace and dignity of sentiment in Massinger " Hallam praises the same qualities in h=s style. " Every modern critic has been struck by the peculiar beauty of his language. In his harmonious swell of numbers, in his pure and genuine idiom, which a text by good fortune and the diligence of its last editor, far less corrupt than that of Fletcher, enables us to enjoy, we find an unceasing charm. The poetical talents of Massinger were very considerable, his taste superior to that of his contemporaries; the colouring of his imagery is rarely overcharged ; a certain redun- dancy as some may account it, gives fulness, or what the painters would call impasto, to his style, and if it might not always conduce to effect on the stage, is on the whole suitable to the character of his composition." To say that a writer is in tragedy second only to Shakspeare, and in the higher comedy not inferior to Jonson, while in conception of character he excels both Ben and Fletcher, is in effect to assign him the highest place among the illustrious brethren of the unapproachable Swan of Avon. Charles Lamb has pronounced a very different verdict, and regarding their merits from his own special and peculiar point of view, no one will be inclined to dispute the opinions he has expressed. His love and reverence for these old writers was so extreme that he dealt with them as a connoisseur of another description deals with his cabinet of costly liqueurs. He treated them like the most precious cordials, pouring them into the smallest glasses, and only allowing them to trickle drop by drop over his palate. In this way, and in this way alone, in my humble opinion, could he have arrived at the conclusion that Massinger was vastly inferior in the higher branches of poetic art, not to Ford and Webster only, but to Decker, Marston, Middleton, Heywood, Tourneur, Rowley, and others. But Mas- singer, above any writer with whom I am acquairtted, requires to be judged of in the full draught. Not only should no scene or no act be read separately, but for the thorough relish of him too great a pause should not be made between play and play. Hallam, I have no doubt, penned his criticism fresh from a continuous perusal of this nature, and I can easily understand, therefore, how two judges, each in his way so admirably qualified as himself and Lamb, should have arrived at such very opposite conclusions. Am I wrong in thinking that the general opinion of the public sides with the historian of the Middle Ages rather than with the author of the Essays of Elia ? Massinger, indeed, never has occupied, and never will occupy, the same space in the public eye, or the same place in the public heart, which has long been filled by Rare Old Ben. He was certainly not his equal in general literary abilities; and in that most popular of all accomplishments, the art of paying exquisite compliments, - whether in polished and honeyed stanzas, or in vigorous though rugged couplets, Jonson is altogether without an equal. Massinger could never have written the marvellous " Drink to me only with thine eyes," the " Epitaph on the Countess of Pembroke," the lines on " Lord Bacon's Birthday," or those "To the memory of my beloved Master William Shakspeare." It only remains now to speak of Massinger's art in the con- struction and conduct of his plots, and on this point a writer may be quoted whose authority on such a question admits of no dispute. "Although Massinger's plays," says Sir Walter Scott, "are altogether irregular, yet he well understood the advantage of a strong and defined interest; and in unravelling the intricacy of his intrigues, he often displays the management of a master. Art, therefore, not perhaps in its technical, but in its most valuable sense, was Massinger's as well as Jonson's, and in point of composition, many passages of his plays are not unworthy of Shakespeare. Were we to distinguish Massinger's peculiar excellence, we should name that first of dramatic attributes, a full conception of character, a strength in bringing out, and consistency in adhering to it. He does not indeed always introduce his personages to the audience in their own proper character ; it dawns forth gradually in the progress of the piece, as in the hypocritical Luke or the heroic MaruUo. But upon looking back we are always surprised and delighted to trace from the very beginning intimations of what the per- sonage is to prove as the play advances." INTRODUCTORY NOTICE. The following notes on the various printed Plays would have been inserted in the. Narrative, but for the fear of making it even more confused than it already is. [The Virgin-Martyr.] Of this Tragedy, which appears to have been very popular, there are four editions in quarto, 1622, 1631, 1 651, and 1661; the last of which is infinitely the worst. It is not possible to ascertain when it was first produced, but it was certainly amongst the author's earliest efforts. In the composition of it, he was assisted by Decker, a poet of no mean reputation, and the writer of several plays much esteemed by his contemporaries. — W. G, Charles Lamb extracts the scene between Angelo and Dorothea (p. 9), and says, " This scene has beauties of so very high an order that, with all my respect for Massinger, I do not think he had poetical enthusiasm capable of furnishing them. His associate Decker, who wrote Old Fortunatus, had poetry enough for any- thing. The very impurities which obtrude themselves among the sweet pieties of this play (like Satan among the Sons of Heaven) have a strength of contrast, a raciness,. and a glow in them, which are above Massinger. They set off the religion of the rest, somehow as Caliban serves to show Miranda." This play was frequently patched and altered. In Sir George Buck's Office-book is the following entry, "1620, Oct. 6. — For new reforming The Firgin-Martyr for the- Red Bull, 40s.;" and in Sir Henry Herbert's book, "1624, July 7. — Received for the adding of a new scene to The Virgin-Marlyr, 10s." [The Unnatural Combat.] Of this tragedy there is but one edition, which was. printed for John Waterson, in 1639. It does not occur in Sir Henry Herbert's Office- book ; so that it is probably of a very early date; and indeed Massinger himself calls it. an " old tragedy." Like the Virgin-Martyr, it has neither Prologue nor Epilogue, for which the author accounts in his Dedication by observing that the play was composed at a time " when such by-ornaments were not advanced above the fabric of the whole work." It is said in the title-page to have been "presented by the King's Majesty's Servants, at the Globe." — W. G. [The Duke of Milan.] Of this tragedy there are two editions in quarto; the^ first, which is very correct, and now very rare, bears date 1623; the other, of little value, 1638. It does not appear in the Office-book of the licenser; from which we may be pretty certain that it was among the author's earliest performances. It is said, in the title-page, to " have been often acted by His Majesty's servants at the Black. Friars." — W. G. [The Bondman.] Th& Bojidman was allowed by the Master of the Revels,, and' performed at the Cockpit in Drury Lane, on the 3rd December, 1623. It was printed in the following year, and again in 1638. This last edition is full of errors. Mr. W. C. Hazlitt mentions tiuo editions of 1638. [The Renegado.] This tragi-comedy, for so Massinger terms it, appears, from the Office-book of the Master of the Revels, to have been first produced on the stage April 17th, 1624 : it was not given to the public till several years after; the entry in the Stationers' Register, bearing date March 6th, 1629-30. It is said in the title-page to have been " often acted by the Queen's Majesty's servants at the private playhouse in Drury Lane." — W. G. [The Parliament of Love.] A comedy of this name was entered on the books- of the Stationers' Company, June 29th, 1660 ; and a manuscript play so called, and said to be written by W. Rowley, was in the number of those destroyed by Mr. Warburton's. INTRODUCTORY NOTICE. servant. I suspect this to be the drama before us. It is, beyond all possibility of doubt, the genuine work of Massinger, and was licensed for the stage by Sir H. Herbert on the 3rd June, 1624. I have elsewhere mentioned my obligations to Mr. Malonefor the use of the manuscript. The play was acted at the Cockpit in Drury Lane. — W. G. It was first printed by Gifford in 1805. [The Roman Actor.] This tragedy was licensed by Sir H. Herbert, Oct. nth, 1626, and given to the press in 1629. This play was successful in the representation, ana appears to have been well received by the critics of those times, since it is preceded by commendatory copies of verses from Ford, Harvey, May, Taylor, and others. Taylor, an admirable actor, who played the part of Paris, calls it "the best of many good;" and Massinger himself declares that he " ever held it as the most perfect birth of his Minerva." Too much stress must not be laid upon this expression ; it is proper in adverting to it, to consider how few dramatic pieces Massinger had produced when it was used. This tragedy was revived by Betterton, who took for himself the part of Paris, in which he was highly celebrated. The old title-page says that it had been " divers times acted with good allowance, at the private playhouse in the Black Friars, by the King's Majesty's servants." — W. G. [The Great Duke of Florence.] The " Great Duke" was licensed by Sir H. Herbert for the " Queen's Servants," July 5th, 1627. This, Mr. Malone conjectures with every appearance of probability, to be the " Comical History" before us. This play was not committed to the presstill 1636, when it was preceded by two commen- datory copies of verses by G. Donne and J. Ford. Though highly, and indeed deservedly popular, it was not reprinted. It was acted " by her Majesty's servants at the Phoenix in Drury Lane," where, the title adds, it was " often presented."— -W. G. [The Maid of Honour.] This tragi-comedy does not appear, under the present ' title, in the Office-book of Sir H. Herbert ; but a play called The Honour of Women. was entered there May 6th, 1628, which Mr. Malone conjectures to be the piece before us. He speaks, however, with some hesitation on the subject, as a play of Massingei's, called the Spanish Ficeroy ; or, the Honour qf Women, was entered at Stationers' Hall for Humphrey Moseley in 1653. Mr. Malone says that the Maid of Honour was printed in 1631. All the copies which I have seen (for there is but one edition) are dated 1632, which was probably the earliest period of its appearance. This play was always a favourite, and, indeed, with strict justice; for it has a thousand claims to admiration and applause. It was frequently acted, the old title-page tells us, " at the Phoenix in Drury Lane, with good allowance, by the Queen's Majesties Servants." — W. G. [The Picture.] This tragi-comedy, or as the old 410 calls it, this " true Hun- garian History," was licensed by Sir H. Herbert, June 8th, 1629. The play was much approved at its first appearance, when it was acted, as the phrase is, by the whole strength of the house. Massinger himself speaks of it with complacency; and, indeed, its claims to admiration are of no common kind. It was printed in 1630, but seems not to have reached a second edition. It is said, in the title-page, to have been "often presented at the Globe and Black Friar's playhouses by the King's Majesty's servants." An unsuccessful attempt was made to revive this play by the Rev. Henry Bate : Magnis excidit ausis. We tolerate no magic now but Shakspeare's, and, without it, the Picture can have but little interest. — W.G. Charles Lamb quotes the first scene of Act I., and adds, " The good sense, rational fondness, and chastised feeling of this dialogue, make it more valuable than many of INTRODUCTORY NOTICE. those scenes in which this writer has attempted a deeper passion and more tragical interest. Massinger had not the higher requisites of his art in anything like the degree in which they were possessed by Ford, Webster, Tourneur, Heywood and others. He never shakes or disturbs the mind with grief. He is read with composure and placid delight. He wrote with that equability of all the passions, which made his English style the purest and most free from violent metaphors and harsh constructions of any of the dramatists who were his contemporaries;" [The Emperor of the East.] This tragi-comedy was licensed for the stage, March nth, 1631, and printed in the following year. Notwithstanding the excellence of this play it met with some opposition at its first appearance; its distinguished merits, however, procured it a representation at Court, and it finally seems to have grown into very general favour. It was frequently acted, as the title-page tells us, " at the Black Friars and Globe Play-houses, by the King's Majesty's Servants." — W.G. [The Fatal Dowry.] This most excellent tragedy does not appear to have been licensed by Sir H. Herbert, nor is it accompanied by any prologue or epilogue ; circum- stances from which Mr. Malone concludes that it was produced previous to 1620. However this may be, it was not printed till 1633, before which time the title-page says it " had been often acted at the private house in Blackfriars, by his Majesty^s Servants." Massinger was assisted in the writing of it by Nathaniel Field. From this play Rowe borrowed, or, according to Cicero's distinction, stole, the plan of the Fair Penitent^ a performance by which he is now chiefly known. — W.G. Richard Cumberland in an elaborate and masterly criticism has established the im- measurable superiority of the old dramatist over his copyist. I have ventured to insert the songs in their proper places, and in one of them to print a single line as a couplet,, of which no one will dispute the propriety. The songs were retained by Gifford in ignominious banishment, but at p. 377 the dramatic action was injured by their absence. [A New Way to Pay Old Debts.] This comedy does not appear in Sir Henry Herbert's book ; it must, however, have been produced on the stage before 1633, in which year it had been printed for Henry Scyle. It was extremely well received on its first appearance, and, as the quarto informs us, " often acted at the Phoenix, in Drurie Lane." It has been revived at different periods with considerable success, and still holds a distinguished place on the stage. — W.G. Hallam says very truly that Sir Giles Overreach is an " original, masterly, and inimi- table conception," and sufficient of itself to establish the rank of Massinger in this great province of dramatic art. [The City Madam.] This comedy, of which it is not easy to spealc in appropriate- terms of praise, was licensed by Sir Henry Herbert, May 25th, 1632, and acted by the King's Company. It was received, as the quarto says, with great applause ; but was kept in the players' hand till 1659, when it was given to the press by Andrew Penny- cuicke, one of the actors. I have seen one copy with the date 1658 on the title. It was probably thrown off in 1658-59. — W. G, [The Guardian.] This "Comical History" was licensed by the Master of the Revels, October 31st, 1633, but not printed till 1655, when it was put to the press, together with the Bashful Lover, and the Fery JVuman, by Humphrey Moseley, the general publisher of that age. This popular drama was produced " at the private house in Black-fryers." From a memorandum in the Office-book of Sir Henry Herbert, we learn that shortly after its appearance it was acted before the king. " The INTRODUCTORY NOTICE. Guardian, a play of Mr. Massinger's, was performed at Court on Sunday, the I2th of January, 1633, by the king's players and well likte." — W. G. [A Very Woman.] This " tragi-comedy," as it is called, was licensed for the stage, June 6th, 1634. From the prologue it appears to be a revision of a former play which had been well received, and which the autlior modestly insinuates that he was induced to review by the command of his patron. If this patron was, as it has been supposed, the Earl of Pembroke, we are indebted to him for one of tbe most delightful composi- .tions in the English language. The present play was most favourably received j and ■often acted, the old title-page says, " at the private house in Black Friars, by his late Majesty's Servants, with great applause." Its popularity seems to have tempted the author's good friend. Sir Aston Cockaine, to venture on an imitation of it, which he ■feas executed, not very happily, in his comedy of The Obstinate Lady. It was printed with The Bashful Lover and The Guardian in 1655. — W. G. [The Bashful Lover.] This tragi-comedy was licensed by the Master of the Revels, May 9th, 1636. It is the latest of Massinger's pieces which are come down to us, though he continued to write for the stage to the period of his death, which happened about four years after the date of the present play. It was extremely well ■received at its first appearance; it continued to be a favourite, and was "often acted," the old copy says, " by his late Majesty's servants with great applause." It was per- formed at Blackfriars. This play, together with The Guardian and A Verij Woman, was printed in 8vo by H. Moseley, 1655. I know of no prior edition. — W. G. [The Old Law.] Of this comedy, which is said to have been written by Massinger, Middleton, and Rowley, in conjunction, there is but one edition, the quarto ot 1656, which appears to be a hasty transcript from the prompter's book, made, as I have observed, when the necessities of the actors, now grievously oppressed by the republicans, compelled them for a temporary resource to take advantage of a popular name, and bring forward such pieces as they yet possessed in manuscript. Of Middleton and Rowley I have spoken elsewhere, and need only repeat my persuasion that the share of Massinger in this strange composition is not the most considerable of the three. This drama was very popular. The title of the quarto is " The excellent comedy called The Old Law, or A New Way to Please You. Acted before the King and Queen at Salisbury House, and at several other places, with great applause." — W. G Charles Lamb says of it, " There is an exquisiteness of moral sensibility, making one to gush out tears of delight, and a poetical strangeness in all the improbable circum- stances of this wild play, which are unlike anything in the dramas which Massinger wrote alone. The pathos is of a subtler edge. Middleton and Rowley, who assisted in Ais play, had both of them finer geniuses than their associate," The Virgin-Martyr. DRAMATIS PERSONS. King (5/"Pontus. Xing o/E,pxe. King of Macedon. Sapritius, Governor o/'Cjesarea. Theophilus, a zealous persecutor of the Christians Sempronius, captain o^'Sapritiiis' guards. Antoninus, son to Sapritius. Macrinus, friend to Antoninus. Harpax, an evil spirit, foltowi?igT^\toxi^\biS in the shape of a secretary, SCENE,- ACT I. SCENE I.— The Governors Palace. Enter Theophilus and Harpax. Theoph. Come to Caesarea to-night ! ' Harp. Most true, sir. Theoph. The emperor in person I Harp. Do I live ? Theoph. 'Tis wondrous strange ! The marches of great princes, Like to the motions of prodigious meteors. Are step by step observ'd ; and loud-tongued Fame The harbinger to prepare their entertainment : And, were it possible so great an army. Though cover'd with the night, could be so near. The governor cannot be so unfriended Among the many that attend his person, But, by some Secret means, he should have notice Of Csesar's purpose ; — in this, then, excuse me. If I appear incredulous. Harp. At your pleasure. 'Theoph. Yet, when I call to mind you never fail'd me In things more difficult, but have discover'd Deeds that were done thousand leagues distant from me, "When neither woods, nor caves, nor secret vaults, No, nor the Power they serve, could keep these Christians Angelo, a good spirit, ierving Dorothea , the kaliit of a page. Hircius,. a whoremaster, ") servants of Spungius, a drunkard, j Dorothea. Geta ' f ^^'^""■^^ ^Theophilus. Priest ofyupiter. British slave. Artemia, daughter to Dioclesian. ChiSte'ta, } '^""S^i'" '" Theophilus. Dorothea, the Virgin-Martyr. Oncers and Executioners. -Cossarea. Or from my reach or punishment, but t) magic Still laid them open ; I begin again To be as conlident as heretofore, It is not possible thy powerful art Should meet a check, or fail. • Enter the Priest of Jupiter, tearing t Image, and falliriiied by Calista ai, Christeta. Harp. Look on the Vestals, The holy pledges that the gods have giv< you, Your chaste, fair daughters. Wer't not upbraid A service to a master not unthankful, I could say these, in spite of your preventio: Seduced by an imagined faith, not reason (Which is the strength of nature,) qui forsaking The Gentile gods, had yielded up themselv To this new-found religion. This I cross 'i Discover'd their intents, taught you to usi With gentle words and mild persuasions. The power and the authority of a father. Set off with cruel threats ; and so reclaim' them : And, whereas they with torment shou have died, (Hell's furies to me, had they undergor it !) [Asid They are now votaries in great Jupiter temple, And, by his priest instructed, grown fnmilii B THE VIRGIN-MARTYR. "H With all the mysteries, nay-, the most ab- struse ones, Belonging to his deity. Theopk. 'Twas a benefit. For which I ever owe you. — Hail, Jove's flamen ! Have these my daughters reconciled them- selves. Abandoning for everlhe Christian way. To* your opinion ? Priest. And are constant in it. They teach their teachers with their depth of judgment. And are with arguments able to convert The enemies to our gods, and answer all They can object against us. Theoph. My dear daughters ! Cal. We dare dispute against this new- sprung sect, In private or in pubUc. Harp. My best lady, Persever in it. Chris. And what we maintain. We will seal with our bloods. Harp. Brave resolution ! I e'en grow fat to see my labours prosper. Theoph, lyoungagain. Toyomrdevotions. Harp. Do — My prayers be present with you. \Exeunt Priest, Cal. and Chris. Theoph. O my Harpax ! Thou engine of my wishes, thou that steel'st My bloody resolutions, thou that arm'st My eyes 'gainst womanish tears and soft compassion. Instructing me, without a sigh, to look on Babes torn by violence from their mothers' breasts To feed the fire, and with them make one flame ; Old men, as beasts, in beasts' skins torn by dogs ; Virgins and matrons tire the executioners ; Yet I, unsatisfied, think their torments easy — Harp. And in that, just, not cruel. Theoph. Were all sceptres That grace the hands of kings, made into one. And offer'd me, all crowns laid at my feet, I would contemn them all, — thus spit at them ; So I to all posterities might be call'd The strongest champion of the Pagan gods, And rooter out of Christians. Harp. Oh, mine own. Mine own dear lord I to further this great work, I ever live thy slave. Enter Sapritius and Rempronius. Theoph. No more — Tlie governor. Sap. Keep the ports close, and let the guards be doubled ; Disarm the Christians ; call it death in any To wear a sword, or in his house to have one. Semp. I shall be careful, sir. Sap. 'Twill well become you. Such as refuse to offer sacrifice To any of our gods, put to the torture. Grub up this growing mischief by the roots ; And know, when we are merciful to them. We to ourselves are cruel. Semp. You pour oil On fire that bums already at the height : I know the emperor's edict, and my charge. And they shall find no favour. Theoph. My good lord. This care is timely for the entertainment Of our great master, who this night in person Comes here to thank you. Sap. Wlio ! the emperor? Harp. To clear your doubts, he doth re- turn in triumph. Kings lackeying by his triumphant chariot ; And in this glorious victory, my lord. You have an ample sh are : for know, your son. The ne'er-enough commended Antoninus, So well hath flesh'd his maiden sword, and dyed His snowy plumes so deep in enemies' blood, That, besides pubUc grace beyond his hopes. There are rewards propounded. Sap. I would know No mean in thine, could this be true. Harp. My head Answer the forfeit. Sap. Of his victory There was some rumour : but it was assured. The army pass'd a full day's journey higher. Into the country. Harp. It was so determined ; But, for the further honour of your son. And to observe the government of the city, And with what rigour, or remiss indulgence. The Christians are pursued, he makes his stay here : \Trumpets. For proof, his trumpets speak his near arrival. Sap. Haste, good Sempronius, draw up our guards. And with all ceremonious pomp receive Theconquering army. Letourgarrisonspeak Their welcome in loud shouts, th'e city sliew Her state and wealth. Semp. I'm gone. Sap. O, I am ravish 'd With this great honour ! cherish, good Theo- philus, This knowing scholar. Send [for] your fair davghtere ; I will present them to the emperor, THE VIRGIN-MARTYR. 3-. And in their sweet conversion, as a mirror. Express your zeal and duty. Theoph. Fetcli them, good Harpax.- \Exit Harpax, Enter ^-n\^VQxC\\&, at thehsadof the guard, soldiers leading three kings bound; An- toninus and Macrinus tearing the Em- peror's eagles; Dioclesian with a gilt laurel on his head, leading in Artemia ; Sapritius kisses the Emperor's hand, then embraces his Son ; Harpax brings in Calista and Christeta. Loud shouts. Diocle. So : at aU parts I find Cassarea Completely govem'd : the licentious soldier Confined in modest limits, and the people Taught to obey, and not compell'd with rigour ; The ancient Roman discipline revived, "Which raised Rome to her greatness, and proclaim'd her The glorious mistress of the conquer'd world ; But, above all, the sen-ice of the gods. So zealously observed, that, good Sapritius, In words to thank you for your care and duty. Were much unworthy Dioclesian's honoiur. Or his magnificence to his loyal servants. — But I shall find a time with noble titles To recompense your merits. Sap. Mightiest Cassar, Whose power upon this globe of earth is equal To Jove's in heaven ; whose victorious ^ triumphs On proud rebellious kings that stir against it. Are perfect figures of his immortal trophies Won in the Giants' war ; whose conquering sword, Guidedby his strong arm, as deadly kills As did His thunder ! all that I have done. Or, if my strength were centupled, could do. Comes short of what my loyalty must chal- lenge. But, if in anything I have deserved Great Csesar's smile, 'tis in my humble care Still to preserve the honour of those gods. That make him what he is : my zeal to them I ever have express'd in my fell hate Against theChristian sect that, with one blow, (Ascribing all things to an unknown Power,) Would strike down all their temples, and allows them Nor sacrifice nor altars. Diocle. Thou, in this, Walk'st hand in hand with me : my mil and power Shall not alone confirm, but honour all That are in this most forward. Sap. Sacred Caesar, If your imperial majesty stand pleased To shower your favours upon such as are The boldest champions of our religion ; Look on this reverend man, {joints to Theo- philus.l to whom the power Of searching out, and punishing such delin- quents, Was by your choice committed ; and, for proof. He hath deserved the grace imposed upon. him. And with a fair and even hand proceeded, Partial to none, not to himself, or those: Of equal nearness to himself ; behold This pair of virgins. Diocle. What are these ? Sap. His daughters. Artem. Now by your sacred fortune, they are fair ones. Exceeding fair ones : would 'twere in. my power To make them mine ! Theoph. They are the gods', great lady, They were most happy in your service else t On these, when they fell from their father's faith, I used a judge's power, entreaties failing (They being seduced) to win them to adore ■The holy Powers we worship ; I put on The scarlet robe of bold authority. And, as they had been strangers to my blood, . Presented them in the most horrid form. All kinds of tortures ; part of which they- suffer'd With Roman constancy. Artem. And could you endure, Being a father, to behold theii' limbs Extended on the rack ? Theoph. I did ; but must Confess there was a strange contention in me; Between the impartial office of a judge. And pity of a father ; to help justice Religion stept in, under which odds Compassion fell : — ^yet still I was a father. For e'en then, when the flinty hangman's, whips Were worn with stripes spent on their tender limbs, I kneel'd, and wept, and begg'd them, though they would Be cruel to themselves, they would take pity On mygrey hairs : now note a sudden change. Which I with joy remember ; those, whom . torture. Nor fear of death could terrify, were o'ercome: By seeing of my suffermgs ; and so won, Returning to thefaith that they were bom in, > I gave tjjem to the gods. And be assured, . I that used justice with a rigorous hand. Upon such beauteous virgins, and mine o^vn, , THE VIRGIN-MARTYR. Will use no favour, where the cause com- mands me, To any other ; but, as rocks, be deaf To all entreaties. Diode. Thou deserv'st thy place ; Still hold it, and with honour. Things thus order'd Touching the gods, 'tis lawful to descend To human cares, and exercise that power Heaven has conferr'd upon me ; — which that you. Rebels and' traitors to the power of Rome, Should not with all extremities undergo, What can you urge to qualify your crimes. Or mitigate my anger ! K. of Eplrc. We are now Slaves to thy power, that yesterday were kings. And had command o'er others ; we confess Our grandsires paid yours tribute, yet left us. As their forefathers had, desire of freedom. And, if you Romans hold it glorious honoiu-. Not only to defend what is your own. But to enlarge your empire, (though our fortune Denies that happiness,) who can accuse The famish'd mouth, if it attempt to feed ? Or such, whose fetters eat into their free- doms. If they desire to shake them off? K. ofPontus. We stand The last examples, to prove how uncertain All human happiness is ; and are prepared To endure the worst. K. of Macedon. That spoke, which now is highest In Foistune's wheel, must, when she turns it next. Decline as low as we are. This consider'd. Taught the Egyptian Hercules, Sesostris, That had his chariot drawn by captive kings. To free them from that slavery ; — but to hope Such mercy from a Roman, were mere madness : We are familiar with what cruelty Rome, since her infant greatness, ever used Such as she triumph'd over ; age nor sex Exempted from her tyranny ; scepter'd princes Kept in her common dungeons, and their children. In scorn train'd up in base mechanic arts. For pubhc bondmen. In the catalogue Of those unfortunate men, we expect to have Our names remember d. Diode. In all growing empires. Even cruelty is useful ; some must suffer. And be set up examples to strike terror In others, though far off : but, when a state Is raised to her perfection, and her bases Too firm to shrink, or yield, we may use mercy. And do't with safety : but to whom ? not cowards. Or such whose baseness shames the con- queror. And robs him of his victory, as weak Perseus Did great jEmilius. Know, therefore, kings Of Epire, Pontus, and of Macedon, That I with courtesy can use my prisoners. As well as make them mine by force, pro- vided That they are noble enemies : such I found you. Before I made you mine ; and, since you were so, You have not lost the corn-ages of princes, Although the fortune. Had you borne your- selves Dejectedly, and base, no slavery Had been too easy for you : but such is The power of noble valotu:, that we love it Even in our enemies, and taken with it. Desire to make them friends, as I will you. K. ofEfire. Mock us not, Caesar. Diode. By the gods, I do not. Unloose their bonds : — I now as friends embrace you. Give them their crowns again. K. ofPontus. We are twice o'ercome ; By courage, and by courtesy. K. of Macedon. But this latter. Shall teach us to live ever faithful vassals- To Dioclesian, and the power of Rome. K. of Epire. All kingdoms fall before her ! K. of Pontus. And all kings Contend to honour Caesar ! Diode. I believe Your tongues are the true trumpets of your hearts. And in it I most happy. Queen of fate. Imperious Fortune ! mix some light disaster With my so many joys, to season them. And give them sweeter relish ; I'm girt round With true felicity ; faithful subjects here. Here bold commanders, here with new-made friends : But, what's the crown of all, in thee, Artemia, My only child, .whose love to me and duty. Strive to exceed each other 1 Artem. I make payment But of a debt, which I stand bound to tender As a daughter and a subject. Diodes Which requires yet A retribution from me, Artemia, Tied by a father's care, how to bestow A jewel, of all things to me most precious : Nor will I therefore longer keep thee from THE VIRGIN-MARTYR. The chief joys of creation, marriage rites ; Which that thou may'st with greater plea- sures taste of, Thou shall not like with mine eyes, but thine own. Among these kings, forgetting they were captives ; Or those, remembering not they are my sub- jects. Make choice of any : By Jove's dreadful thunder, My will shall rank with thine. Artcm. It is a bounty The daughters of great princes seldom meet with ; For they, to make up breaches in the state. Or for some other public ends, are forced To match where they affect not. May my life Deserve this favour ! Diode. Speak ; I long to know The man thou wilt make happy. Artem. If that titles. Or the adored name of Queen could take me, Here would I fix mine eyes, and look no further ; But these are baits to take a mean-bom lady. Not her, that boldly may call Caesar father : In that I can bring honour unto any, But from no king that lives receive addition : To raise desert and virtue by my fortxme. Though in a low estate, were greater glory. Than to mix greatness with a prince that owes No worth but that name only. Diode. I commend thee ; 'Tis like myself. Ariem. If, then, of men beneath me, My choice is to be njade, where shall I seek, But among those that best deserve from you ? That have served you most faithfully ; that in dangers Have stood next to you ; that have interposed Their breasts as shields of proof, to dull the swords Aim'd at your bosom ; that have spent tjieir blood To crown your brows with laurel ? Macr. Cytherea, Great Queen of Love, be now propitious to me ! Harp, [to Sap.] Now mark what I foretold. Anion. Her eye's on me. Fair Venus' son, draw forth a leaden dart. And, that she may hate me, transfix her with it ; Or, if thou needs wilt use a golden one, Shoot it in the behalf of any other : Thou know'st I am thy votary elsewhere. {Aside. Artem. [advances to Anton.) Sir. Theoph. How he blushes ! Sap. Welcome, fool, thy fortune. Stand like a block when such an angel courts thee ! , Artem. I am no object to divert your eye From the beholding. Anton. Rather a bright sun, Too glorious for him to gaze upon. That took not first flight from the eagle's aerie. As I look on the temples, or the gods. And with that reverence, lady, I behold you, And shall do ever. Artem. And it will become you, While thus westand at distance ; but, if love, Love bom out of the assurance of your vir- tues. Teach me to stoop so low — Anton. O, rather take A higher flight. Artem. AA'hy, fear you to be raised ? Say I put off the dreadful awe that waits On majesty, or vrith you share my beams. Nay, make you to outshine me ; change the name Of Subject into Lord, rob you of service That's due from you to me, and in me make it Duty to honour you, would you refuse me ? Anton. Refuse you, madam ! such a worm as I am. Refuse what kings upon their knees would sue for ! Call it, great lady, by another name ; An humble modesty, that would not match A molehill with Olympus. Artem. He that's famous For honourable actions in the war, As you are, Antoninus, a proved soldier. Is fellow to a king. Anton. If you love valour, As 'tis a kingly virtue, seek it out, And cherish it in a king; there it shines brightest. And yields the bravest lustre. Look on Epire, A prince, in whom it is incorporate ; And let it not disgrace him that he was O'ercome by Csesar ; it was victory, To stand so long against him : had you seen him. How in one bloody scene he did discharge The parts ol a commander and a soldier, Wise in direction, bold in execution ; You would have said, Great Csesar's self ex- cepted. The world yields not his equal. Artem. Yet I have heard. THE VIRGIN-MARTYR. Encountering him alone in the head of his troop, You took him prisoner. I K. ofP.fire. 'Tis a truth, great princess ; I'll not detract from valour. Anton. 'Twas mere fortune ; Courage had no hand in it. Tkeoph. Did ever man ■ Strive so against his own good ? , Sap. Spiritless villain ! How I am tortured ! By the immortal gods, I now could kill him. Diode. Hold, Sapritius, hold, "On our displeasure hold ! Harp. Why, this would malce A father mad ; 'tis not to be endured ; Your honour's tainted in't. Sap. By heaven, it is : I shall think of it. Harp. 'Tis not to be forgotten. Ariem. Nay, kneel not, sir, I am no rayisher. Nor so far gone in fond affection to you. But that I can retire, my honour safe : — ; "Yet say, hereafter, that thou hast neglected ■ What, but seen in possession of another, , ~Will make thee mad with envy. Anion. In her looks Revenge is written. Mac. As you love yoiu: life, .Study to appease her. Anton. Gracious madam, hear me. Artem. And be again refused ? Anton. The tender of My Mfe, my service, or, since you vouch- safe it. My love, my heart, my all : and pardon me? Pardon, dread princess, that I made some scruple 'To leave a valley of security, "To mount up to the hill of majesty, On which, the nearer Jove, the nearer light- ning. What knew I, but your grace made trial of me ; Purst 1 presume to embrace, where but to touch With an unmanner'd hand, was death? the fox. When he saw first the forest's king, the lion. Was almost dead with fear ; the second view Only a little daunted him ; the third. He durst salute him boldly : pray you, ap- ply this ; And you shall find a little time will teach me To look with more familiar eyes upon you. Than duty yet allows me. Sap. Well excused. Artem. You may redeem all yet. Diocle. And, that he may 'Have means and opportunity to do so, Artemia, I leave you my substitute In fair Csesarea. Sap. And here, as yourself, We will obey and serve her. Diocle. Antoninus, So you prove hers, I wish no other heir ; Think on't : — ^be careful of your charge,Theo- philus ; Sapritius, be you my daughter's guardian. Your company I wish, confederate princes. In our Dalmatian wars ; which finished With victory I hope, and Maximinus, Our brother and copartner in the empirCj At my request won to confirm as much. The kingdoms I took from you we'll restore, And make you greater than you were before. {Exeunt all but Pii±OTi\a\i& awi^Macrinus. Anton. Oh, I am lost for ever ! lost, Macrinus ! The anchor of the wretched, hope, forsakes me, And with one blast of Fortune all my light Of happiness is put out. Mac. You are like to those That are ill only, 'cause they are too well ; That, surfeiting in the excess of blessings. Call their abundance want. What could you wish, Thatisnotfall'nuponyou? honour, greatness. Respect, wealth, favour, the whole world for a dower ; And with a princess, whose excelling form Exceeds her fortune. Anton. Yet poison still is poison. Though drunk in gold ; and all these flat- tering glories To me, ready to starve, a painted banquet, And no essential food. When I am scorch'd With fire, can flames in anyother quench me 1 What is her love to me, greatness, or empire, That am slave to another, who alone Can give me ease or freedom ? Mac. Sir, you point at Yoflr dotage on the scornful Dorothea : Is she, though fair, the same day to be named With best Artemia ? In all their courses, Wise men propose their ends : with sweet Artemia, There comes along pleasure, security, Usher'd by all that in this life is precious : With Dorothea(though her birth be noble, The daughter to a senator of Rome, By him left rich, yet with a private wealth, And far inferior to yours) arrives The emperor's frown, which, like a mortal plague. THE VIRGIN-MARTYR. Speaks death is near; the princess' heavy scorn, Under which you will shrink ; your father'c fury, Which to resist, even piety forbids : — And but remember that she stands suspected A favourer of the Christian sect ; she brings Not danger, but assured destruction with her. This truly weigh'd, one smile of great Artemia Is to be cherish'd, and preferr'd before All joys in Dorothea : therefore leave her. Anton. In what thou think'st thou art most wise, thou art Grossly abused, Macrinus, and most foolish. For any man to match above his rank, Is but to sell his hberty. With Artemia I still must live a servant ; but enjoying Divinest Dorothea, I shall rule. Rule as becomes a husband : for the danger, Or call it, if you will, assured destruction, I shght it thus. — If, then, thou art my friend. As I dare swear thou art, and wilt not take A governor's place upon thee, be my helper. Mac. You know I dare, and will do any- thing ; Put me unto the test. Anton. Go then, Macrinus, To Dorothea ; tell her I have worn. In all the battles I have fought, her figure. Her figure in ray heart, which, Uke a deity. Hath still protected me. Thou canst speak well ; And of thy choicest language spare a little, To mal my sake, hold awhile thy dreadful thunder. And give me patience to demand a reason For this accursed act. Dor. 'Twas bravely done. Tlieoph. Peace, damn'd enchantress, peace ! — I should look on you "With eyes made red with fury, and my hand. That shakes with rage, should much outstrip my tongue, And seal my vengeance on your hearts ;— but nature. To you that have fallen once, bids me again To be a father. Oh ! how durst you tempt The anger of great Jove ? Dor. Alack, poor Jove ! He is no swaggerer ; how smug he stands ! He'll take a kick, or aiiything. Sap. Stop her mouth. Dor. It is the patient'st godhng ! do not fear him ; He would not hurt the thief that stole away Two of hisgoldenlocks ; indeed he could not : And still 'tis the same quiet thing. Theoph. Blasphemer ! Ingenious cruelty shall punish this : Thou art past hope : but for you yet, dear daughters. Again bewitch'd, the dew of mild forgiveness May gently fall, provided you deserve it. With true contrition : be yourselves again ; Sue to the offended deity. Christ. Not to be The mistress of the earth. Cal. I will not offer A grain of incense to it, much less kneel. Nor look on it but with contempt and scorn. To have a thousand years conferr'd upon me Of worldly blessings. We profess ourselves To be, like Dorothea, Christians ; And owe her for that happiness. Theoph. My ears Receive, in hearing this, all deadly charms, Powerful to make man wretched. Artem. Are these they You bragg'd could convert others ! Sap. That want strength To stand, themselves 1 Harp. Your honour is engaged, The credit of your cause depends upon it ; Something you must do suddenly. Theoph. And I will. Harp. They merit death ; but, falling by your hand, 'Twill be recorded for a just revenge, And holy fury in you. Theoph. Do not blow The furnace of a wrath thrice hot already ; .Stna is in my breast, wildfire bums here. Which only blood must quench. Incensed Power ! Which from my infancy I have adored. Look down with favourable beams upon The sacrifice, though not allow'd thy priest, Which I will offer to thee ; and be pleased, My fiery zeal inciting me to act. To call that justice others may style murder. Come, you accurs'd, thus by the hair I drag I you THE VIRGIN-MARTYR, 19 Before this holy altar ; thus look on you, Less pitiful than tigers to their prey : And thus, with mine own hand, I take that life Which I gave to you. [Kills them. Dor. O, most cruel butcher ! Theoph. My anger ends not here : hell's dreadful porter, Receive into thy ever-open gates, Their damned souls, and let the Ftiries' whips On them alone be wasted ; and , when death Closes these eyes, 'twill be Elysium to me To hear their shrielcs and howlings. Make me, -Pluto, Thy instniment to furnish thee with souls Of that accursed sect ; nor let me fall, Till my fell vengeance hath consumed them all. {Exit with Harpax. Artem. 'Tis a brave zeal. Enter Angelo, smiling. Dor. Oh, call him back again, Call back your hangman ! here's one pri- soner left To be the subject of his knife. Artem. Not so ; We are not so near reconciled unto thee ; Thou shalt not perish such an easy way. Be she your charge, Sapritius, now ; and Suft'er none to come near her, till we have Found out some torments worthy of her, Ang. Courage, mistress ; These martyrs but prepare your glorious fate; You shall exceed them, and not imitate. {Exeunt. SCENE III. — ARoom in Dorothea's House. Enter Spungius and Hircius, ragged, at opposite doors.. Hir. Spungius ! Spun. My fine rogue, how is it? how goes this tattered world? Hir. Hast any money ? Spun. Money ! no. The tavern ivy chngs about my money, and kills it. Hast thou any money ? Hir. No. My money is a mad bull ; and finding any gap opened, away it nms. Spun. 1 see then a tavern and a bawdy- house have faces much alike ■; the one hath red grates next the door, the other hath peeping-holes within doors : the tavern hath evermore a bush, the bawdyhouse sometimes neither hedge nor bush. From a tavern a man comes reeling ; from a bawdyhouse not able to stand. In the tavern you are cozen'd with paltry wine ; in a bawdyhouse by a painted whore : money may have wine, and a whore will have money ; but to neither can you cry. Drawer, you rogue ! or, Keep door, rotten bawd ! without a silver whistle ; — We are justly plagued, therefore, for running from our mistress. Hir. Thou didst ; I did not : Yet I had run too, but that one gave me turpentine pills, and that staid my running. Spun. Well ! the thread of my life is drawn through the needle of necessity, whose eye, looking upon my lousy breeches, cries out it cannot mend them ; which so pricks the linings of my body, (and those are heart, lights, lungs, guts, and midriff,) that I beg on my knees, to have Atropos, the tailor to the Destinies, to take her shears, and cut my thread in two ; or to heat the iron goose of mortality, and so press me to death. Hir. Sure thy father was some botcher, and thy hungry tongue bit off these shreds of complaints, to patch up the elbows of thy nitty eloquence. Spun. And what was thy father? Hir. A low"-minded cobler, a cobler whose zeal set many a woman upright ; the remembrance of whose awl (I now having nothing) thrusts such scurvy stitches into my soul, that the heel of my happiness is gone awry. Spun. Pity that e'er thou trod'st thy shoe awry. Hir. Long I cannot last ; for all sowterly wax of comfort melting away, and misery taldng the length of my foot, it boots not me to sue for life, when all my hopes are seam-rent, and go wet-shod. Spun. This shows thou art a cobler's son, by going through stitch : O Hircius, would thou and Iweresohappytobecoblers! Hir. So would I ; for both of us being weary of our lives, should then be sure of shoemaker's ends. Spun. I see the begirming of my end, for I am almost starved. Hir. So am not I ; but I am more than famished. Spun. All the members In my body are in a rebellion one against another. Hir. So are mine, and nothing but a cook, being a constable, can appease them, presenting to my nose, instead of his painted staff, a spit full of roast meat. Spun. But in this rebellion, what uproars do they make 1 my belly cries to my mouth, Why dost not gape and feed me ? Hir. And my mouth sets out a throat to my hand, Why dost thou not lift up meat, and cram my chops with it ? Spun. Then my hand hath a fling at mine C2 THE VIRGIN-MARTYR. eyes, because they look not out, and shark for victuals. Hir. Which mine eyes seeing, full of tears, cry aloud, and curse my feet, for not ambling up and down to feed colon ; sithence if good meat be in any place, 'tis known my feet can smell. Sfun. But then my feet, like lazy rogues, lie still, and had rather do nothing, than run to and fro to purchase anything. Hir. Why, among so many millions of people, should thou and I only be miserable tatterdemallions, ragamuffins, and lousy desperates ? Spun. Thou art a mere I-am-an-o, I-am- an-as : consider the whole world, and 'tis as we are. Hir. Lousy, beggarly ! thou whoreson assafoetida ! Spun. Worse ; all tottering, all out of frame, thou fooliamini ! Hir. As how, arsenic? come, make the world smart. Spun. Old honour goes on crutches, beggary rides caroched ; honest men make feasts, knaves sit at tables, cowards are lapp'd in velvet, soldiers (as we) in rags ; beauty turns whore ; whore, bawd ; and both die of the pox : why then, when all the world stumbles, should thou and I walk upright ? Hir. Stop, look ! who's yonder? Enter Angelo. Sptm. Fellow Angelo ! how does my little man ? well ? Ang. Yes ; And would you did so too ! Where are your clothes ? Hir. Clothes ! You see every woman almost go in her loose gown, and why should not we have our clothes loose ? Spun. Would they were loose ! Ang. Why, where are they? Spun. Where many a velvet cloak, I warrant, at this hour, keeps them company ; they are pawned to a broker. Ang. Why pawn'd? where 's all the gold I left with you ? Hir. The gold ! we put that into a scrivener's hands, and he hath cozen 'd us. Spun. And therefore, I prithee, Angelo, if thou hast another purse, let it be confiscate, and brought to devastation. Ang. Are you made all of lies? I know which way Your guilt-wing'd pieces flew. I will no more Be mock'd by you : be sorry for your riots. Tame your wild ilesh by labour; eat the bread Got with hard hands ; let sprrow be your whip. To draw drops of repentance from your heart : When I read this amendment in your eyes, You shall not want ; till then, my pity dies. [Exit. Spun. Is it not a shame, that this scurvy puerilis should give us lessons ? Hir. I have dwelt, thou know'st, a long time in the suburbs of conscience, and they are ever bawdy ; but now my heart shall talce a house within the walls of honesty. Enter Harpax behind. Spun. O you drawers of wine, draw me no more to the bar of beggary ; the sound of Score a pottle of sack, is worse than the noise of a scolding oysterwench, or two cats incorporating. Harp. This must not be — ^I do not like when conscience Thaws : keep her frozen still. \Comei forward.l How now, my masters ! Dejected? drooping? drown'd in tears? clothes torn? Lean, and ill colour'd? sighing? where's the whirlwind Which raises all these mischiefe? I have seen you Drawn better on't. O ! but a spirit told me You both would come to this, when in you thrust Yourselves into the service of that lady. Who shortly now must die. Where's now her praying ? What good got you by wearing out your feet. To run on scurvy errands to the poor. And to bear money to a sort of rogues. And lousy prisoners ? Hir. Pox on them ! I never prospered since I did it. Spun. Had I been a pagan still, I should not have spit white for want of drink ; but come to any vintner now, and bid him trust me, because I turned Christian, and he cries, Poh! Harp. You're rightly served ; before that peevish lady Had to do with you, women, wine, and money Flow'd in abundance with you, did it not ? Hir. O, those days ! those days ! Harp. Beat not your breasts, tear not yoiu" hair in madness ; Those days shall come again, be ruled by me; And better, mark me, better. THE VIRGIN-MARTYR. Spun, I have seen you, sir, as I take it, an attendant on the lord Theophilus. Harp. Yes, yes ; in shew his servant : but ■ — hark, hither ! — Take heed nobody listens. Spun. Not a mouse stirs. Harp. I am a prince disguised. Hlr. Disguised! how? drunk? Harp. Yes, my fine boy ! I'll drink too, and be drunk ; I am a prince, and any man by me, Let him but keep my rules, shall soon grow rich, Exceeding rich, most infinitely rich : He that shall serve me, is not starved from pleasures As other poor knaves are ; no, take their fill. ' Spun. But that, sir, we're so ragged Harp. You'll say, you'd serve me? Hir. Before any master imder the zodiac. Harp. For clothes no matter ; I've a mind to both. And one thing I like in you ; now that you see The bonfire of your lady's state burnt out, You give it over, do you not ? Hir. Let her be hang'd ! Spun. And pox'd ! Harp. Why, now you're mine ; Come, let my bosom touch you. Spun. We have bugs, sir. Harp. There's money, fetch your clothes home ; there's for you. Hir. Avoid, vermin ! give over our mis- tress ! a man cannot prosper worse, if he serve the devil. Harp. How! the devil? I'll tell you what now of the devil, He's no such horrid creature ; cloven-footed. Black, saucer-eyed, his nostrils breathing fire, As these lying Christians make him. Both. No! Harp. He's more loving To man, than man to man is. Hir. Is he so? Would we two might come acquainted with him ! Harp. You shall : he's a wondrous good fellow, loves a cup of wine, a whore, any- thing ; if you have money, it's ten to one but I'll bring him to some tavern to you or other. Spun. I'll bespeak the best room in the house for him. Harp. Some people he cannot endure. Hir. We'll give him no such cause. Harp. He hates a civil lawyer, as a soldier does peace. Spun, How a commoner? Harp. I .oves him from the teeth outward. Spun. Pray, my lord and prince, let me encounter you with one foolish question : does the devil eat any mace in his broth ! Harp. Exceeding much, when his burning fever talces him ; and then he has the knuckles of a baihff boiled to his breakfast. Hir. Then, my lord, he loves a catchpole, does he not ? Harp. As a beanvard doth a dog. A catchpole ! he hath sworn, if ever he dies, to make a serjeant his heir, and a yeoman his overseer. Spun. How if he come to any great man's gate, will the porter let him come in, sir? Harp. Oh ! he loves porters of great men's gates, because they areeverso near the wicket. Hir. Do not they whom he makes much on, for all his streaking their cheeks, lead hellish lives under him? Harp. No, no, no, no ; he will be damn'd before he hurts any man : do but you {when you are thoroughly acquainted with him) ask for anytliing, see if it does not come. Spun. Anything I Harp. Call for a delicate rare whore, she is brought you. Hir. Oh ! my elbow itches. Will the devil keep the door? Harp. Be drunk as a beggar, he helps you home. Spun. O my fine devil ! some watchman, I warrant ; I wonder who is his constable. Harp. Will you swear, roar, swagger? he claps you Hir. How? on the chaps? Harp. No, on the shoulder ; and cries, O, my brave boys ! Will any of you Idll a man ? Spun. Yes, yes ; I, I. Harp. What is his word ? Hang! hang! 'tis nothing. — Or stab a woman? Hir. Yes, yes ; I, I. Harp. Here is the worst word he gives you : A pox on't, go on ! Hir. O inveigling rascal ! — I am ravish'd. Harp. Go, get your clothes ; turn up your glass of youth. And let the sands run merrily : nor do I care From what a lavish hand your money flies, So you give none away to beggars Hir. Hang them ! Harp. And to the scrubbing poor. Hir, I'll see them hang'd first. Harp. One service you must do me. Both. Anything. Harp. ^Your mistress, Dorothea, ere she suffers, Is to be put to tortures : have you hearts Tp tear her into shrieks, to fetch her soul Up in the pangs of death, yet not to die? THE VIRGIN-MARTYR. Hir. Suppose this she, and that I had no hands, here's my teeth. Stun. Suppose this she, and that I had no teeth, here's my nails. Hir. But will not you be there, sir ? Harp. No, not for hills of diamonds ; the grand master. Who schools her in the Christian discipline. Abhors my company : should I be there. You'd think all hell broke loose, we should so quarrel. Ply you this business ; he, her flesh who spares. Is lost, and in my love never more shares. \_Exit. Spun. Here's a master, you rogue ! Hir. Sure he cannot choose but have a horrible number of servants. \Bxcunt. ACT IV. SCENE I.— The Governor's Palace. Antoninus on a couch, asleep, with Doctors about him ; Sapritius and. Macrinus. Sap. O you, that are half gods, lengthen that hfe Their duties lend us; turn o'er all the volumes Of your mysterious .zEsculapian science, T' increase the number of this young man's days: And, for each minute of his time prolong'd, Your fee shall be a piece of Roman gold With Caesar's stamp, such as he sends his captains ■ When in the wars they earn well : do but save him. And, as he's half myself, be you all mine. I Doct. What art can do, we promise ; physic's hand As apt is to destroy as to preserve. If heaven make not the med'cine : all this while. Our skill hath combat held with his disease ; But 'tis so arm'd, and a deep melancholy, To be such in part with death, we are in fear The grave must mock our labours. Mac. I have been His keeper in this sickness, with such eyes As I have seen my mother watch o'er me ; And, from that observation, sure I find It is a midwife must deliver him. Sap. Is he with child ? a midwife ! Mac. Yes, with child ; And will, I fear, lose life, if by a woman He is not brought to bed. Stand by his pillow Somelittlewhile, and, in his broken slumbers, Him shall you hear ciry out on Dorothea ; And, when his arms fly open to catch her, Closing together, he falls fast asleep. Pleased with embracings of her airy form. Physicians but torment him, his disease Laughs at their gibberish language ; let him hear The voice of Dorothea, nay, but the name. He starts up with high colour in his face ; She, or none, cures him ; and how that can be. The princess' strict command barring that happiness. To me impossible seems. Sap. To me it shall not ; I'll be no subject to the greatest Caesar Was ever crown'd with laurel, rather than cease To be a father. \Exit. Mac. Silence, sir, he wakes. Anton. Thou kill'st me, Dorothfea; oh, Dorothea ! Mac. She's here : — enjoy her. Anton. Where ? Why do you mock me ? Age on my head hath stuck no white hairs yet. Yet I'm an old man, a fond doting fool Upon a woman. I, to buy her beauty, (In truth I am bewitch'd,) offer my life. And she, for my acquaintance, hazards hers : Yet for our equal stifferings, none holds out A hand of pity. I Doct. Let him have some music. Anion, Hell on your fidhng ! [Starting from his couch. I Doct. Take again your bed, sir ; Sleep is a sovereign physic. Anton. Take an ass's head, sir : Confusion on your fooleries, your charms ! — Thou stinking clyster-pipe, where's the god of rest, Thy pills and base apothecary drugs Threaten'd to bring unto me? Out, you impostors ! Quacksalving, cheating mountebanks ! your skill Is to make sound men sick, and sick men kill. Mac. Oh, be yourself, dear friend. Anton. Myself, Macrinus ! How can I be mjreelf, when I am mangled Into a thousand pieces? here moves my head. But Where's my heart ? wherever — that lies dead. Re-enter Sapritius, dragging in Dorothea ty the hair, Angelo following. Sap. Follow me, thou damn'd sorceress ! Call up thy spirits. And, if they can, now let them from my hand Untwine these witching hairs. Anton. I am that spirit : Or, if I be not, were yoir not my father. One made of iron should hew that hand in pieces. THE VIRGIN-MARTYR. 23 That so defaces this sweet monument Of my love's beauty. Sap., Art thou sick ? Anton. To death. Sap. Wouldst thou recover? Anton. Would I live in bliss ! Sap. And do thine eyes shoot daggers at that man That brings thee health ? Anton. It is not in the world. Sap. It's here, Anton. Totreasure, by enchantment lock'd In caves as deep as hell, am I as near. Sap. Break that enchanted cave : enter, and rifle The spoils thy lust hunts after ; I descend To a base office, and become thy pander, In bringing thee this proud thing : make her thy whore, Thy health lies here ; if she deny to give it, Force it : imagine thou assault'st a town's Wealc wall ; to't, 'tis thine own, but beat this down. Come, and, unseen, be witness to this bat- tery. How the coy strumpet yields. I Doct. Shall the boy stay, sir ? Sap. No matter for the boy : — pages are used To these odd bawdy shufflings; and, indeed, are Those little young snakes in a Fury's head, Will sting worse than the great ones. Let the pimp stay. [Exeunt Sap. Mac. and Doct. Dor. O, guard me, angels ! What tragedy must begin now ? Anton. When a tiger Leaps into a timorous herd, with ravenous jaws, Being hunger-starv'd, what tragedy then begins ? Dor. Death ; I am happy so ; you, hitherto, Have still had goodness sphered within your eyes, Let not that orb be broken. Ang. Fear not, mistress ; If he dare offer violence, we two Are strong enough for such a sickly mjin. Dor. What is your horrid purpose, sir? your eye Bears danger in it. Anton. I must Dor. What? Sap. [within.] Speak it out. Anton. Climb that sweet virgin tree. Sap. [within.'] Plague o' your trees ! Anion. And pluck that fruit which none, I think, e'er tasted. Sap. [within.] A soldier, and stand fumb- Hug so ! Dor. Oh, kill me, And heaven will take it as a sacrifice' But, if you play the ravisher, there is A hell to swallow you. Sap. [within] Let her swallow thee ! Anton. Rise : — ^for the Roman empire^ Dorothea, I would not wotmd thine honour. Pleasures- forced, Are unripe apples ; sour, not worth tli& plucking : Yet, let me tell you, 'tis my father's will, That I should seize upon you, as my prey ; Which I abhor, as much as the blackest sin. The villainy of man did ever act. [Sapritius breaks in with Macrinus* Dor. Die bappy for this language ! Sap. Die a slave, A blockish idiot ! Mac. Dear sir, vex him not. Sap. Yes, and vex thee too ; both, I thinks are geldings : Cold, phlegmatic bastard, thou'rt no brat of mine ; One spark of me, when I had heat like thine„ By this had made a bonfire : a tempting whore. For whom thou'rt mad, thrust e'en into thine arms, And stand'st thou puling ! Had a tailor seen her At this advantage, he, with his cross capers,. Had ruffled her by this : but thou shalt curs& Tliy dalliance, and here, before her eyes. Tear thy own flesh in pieces, when a slave In hot lust bathes himself, and gluts those- pleasures Thy niceness durst not touch. Call out a slave ; You, captain of our guard, fetchaslavehither. Anton. What will you do, dear sir? Sap. Teach her a trade, which many a. one would learn In less than half an hour, — toplay the whore^ Bnter Soldiers with a Slave. Mac. A slave is come ; what now ? Sap. Thou hast bones and flesh Enough to ply thy labour : from what country Wert thou ta'en a prisoner, here to be our slave ? Slave. From Britain. Sap. In the west ocean ? Slave. Yes. Sap. An island ? Slave. Yes. Sap. I'm fitted: of all nations Our Roman swords e'er conquer'd, none comes near The Briton for true whoring. Sirrah fellow, What wouldst thou do to gain thy Uberty ? Slave. Do ! liberty ! fight naked with 'a lion, Venture to pluck a standard from the heart Of an arm'd legion. Liberty ! I'd thus Bestride a rampire, and defiance spit r the face of death, then, when the batter- ing-ram Was fetching his career backward, to pash Me with his horns in pieces. To shake my chains off, And that I could not do't but by thy death, Stood'st thou on this dry shore, I on a rock Ten pyramids high, down would I leap to kill thee, Oi: die myself : what is for man to do, I'll venture on, to be no more a slave. Sap. Thou shalt, then, be no slave, for I will set thee Upon a piece of work is fit for man ; Brave for a Briton : — drag that thing aside. And ravish her. Slave. And ravish her ! is this your manly service ? A devil scorns to do it ; 'tis for a beast, A villain, not a man : I am, as yet. But half a slave ; but, when that work is past, A damned whole one, a black ugly slave. The slave of all base slaves : — do't thyself, Roman, 'Tis dmdgery fit for thee. Sap. He's bewitched too : Bind him, and with a bastinado give him, Upon his naked belly, two hundred blows. Stave. Thou art more slave than I. \He is carried in. Dor. That power supernal, on whom waits my soul. Is captain o'er my chastity. Anion. Good sir, give o'er : The more you wrong her, yourself's vex'd the more. Sap. Plagues light on her and thee ! — thus down I throw Thy harlot, thus by the hair nail her to earth. Call in ten slaves, let every one discover What lust desires, and surfeit here his fill. Call in ten slaves. Enter Slaves. Mac. They are come, sir, at your call. Sap. Oh, oh ! (palls dmun. Enter Theophilus. Theoph. Where is the governor? Anton. There's my wretched father. Theoph. My lord Sapritius — he's not dead ! — my lord ! That witch there — Anton. 'Tis no Roman gods can strike These fearful terrors. O, thou happy maid. Forgive this wicked purpose of my father. Dor. I do. Theoph. Gone, gone; he's pepper'd. It is thou Hast done this act infernal. Dor. Heaven pardon you ! And if my wrongs from thence pull ven- geance down, (I can no miracles work,) yet, from my soul, Pray to those Powers I serve, he may recover. Theoph. He stirs — help, raise him up, — my lord ! Sap. Where am I ? Theoph. One cheek is blasted. Sap. Blasted ! Where's the lamia That tears my entrails? I'm bewitch 'd; seize on her. Dor. I'm here ; do what you please. Theoph. Spurn her to the bar. Dor. Come, boy, being there, more near to heaven we are. Sap. Kick harder ; go out, witch ! {Exeunt. Anton. O bloody hangmen ! Thine own gods give thee breath ! Each of thy tortures is my several death. {Exit. SCENE 11.—^ Public Square. Enter Harpax, Hircius, and Spungius. Harp. Do you like my service now ? say, am not I ' A master worth attendance ? Spun. Attendance ! I had rather lick clean the soles of your dirty boots, than wear the richest suit of any infected lord, whose rotten life hangs between the two poles. Hir. A lord's suit ! I would not give up the cloak of your service, to meet the splay- foot estate of any left-eyed knight above the antipodes ; because they are unlucky to meet. Harp. This day I'll try your loves to me ; 'tis only But well to use the agility of j'our arms. Spun. Or legs, I'm lusty at them. Hir. Oranyothermemberthathas no legs. Spun. Thou'lt run into some hole. Hir. If I meet one that's more than my match, and that I cannot stand in their hands, I must and will creep on my knees. Harp. Hear me, my little team of villains, hear me ; THE VIRGIN-MARTYR. 25 I cannot te^ch you fencing with tliese cudgels, Yet you must use them ; lay them on but soundly ; That's all. Hir. Nay, if we come to mauling once, pah ! Spun. But what walnut-tree is it we must beat? Harp. Your mistress. Hir. How ! my mistress ? I begin to have a Christian heart made of sweet butter. I melt ; I cannot strike a woman. Spun. Nor I, unless she scratch ; bum my mistress ! Harp. You're coxcombs, silly animals. Hir. What's that ? Harp. Drones, asses, blinded moles, that dare not thrust Your arms out to catch fortune ; say, you fall off. It must be done. You are converted rascals. And, that once spread abroad, why every slave Will kick you, call you motley Christians, And half-faced Christians. Spun. The guts of my conscience begin to be of whitleather. Hir. I doubt me, I shall have no sweet butter in me. Harp. Deny this, and each pagan whom you meet. Shall forked fingers thrust into your eyes Hir. If We be cuckolds. Harp. Do this, and every god the Gentiles bow to. Shall add a fathom to your line of years. Spun. Ahundred fathom, I desire no more. Hir. I desire but one inch longer. Harp. The senators will, as you pass along. Clap you upon your shoulders with this hand. And with this give you gold : when you are dead, Happy that man shall be, can get a nail. The paring, — nay, the dirt under the nail. Of any of you both, to say, this dirt Belonged to Spungius or Hircius. Spun. They shall not want dirt under my nails, I will keep them long of purpose, for now my fingers itch to be at her. Hir. The first thing I do, I'll talce her over the lips. Spun. And I the hips, — ^we may strike anywhere ? Harp. Yes, anywhere. Hir. Then I know where I'll hit her. Harp. Prosper, and be mine own ; stand by, I must not To see this done, great business calls me hence : He's made can make her curse his violence. \Bxii. Spun. Fear it not, sir ; her ribs shall be basted. Hir. I'll come upon her with rounce, robble-hobble, and thwick-thwack-thirlery bouncing. Enter Dorothea, led. prisoner; Sapritius, Theophilus, AJigelo, and a Hangman, wko sets up a pillar ; Sapritius and Theo- philus sit; Angelo stands by Dorothea. A guard attending. Sap. According to our Roman customs, bind That Christian to a pillar. Theoph. Infernal Furies, Could they into my hand thrust all their whips To tear thy flesh, thy soul, 'tis not a torture Fit to the vengeance I should heap on thee, Forwrongsdone me ; me ! forflagitious facts. By thee done to our gods ; yet, so it stand. To great Cassarea's governor's high pleasure. Bow but thy knee to Jupiter, and offer Any slight sacrifice ; or do but swear By Caesar's fortune, and be free. Sap. Thou shalt. Dor. Not for all Caesar's fortune, were it chain'd To more worlds than are kingdoms in the world. And all those worlds drawn after him. I defy Your hangmen ; you now shew me whitlier to fly. Sap. Are her tormentors ready ? Ang. Shrink not, dear mistress. Spun a7td Hir. My lord, we are ready for the business. Dor. .You two ! whom I like foster'd children fed. And lengthen'd out your starved life with bread. You be my hangmen ! whom, when up the ladder Death haled you to be strangled, I fetch'd down. Clothed you, and warm'd you, you two my tormentors ! Botk. Yes, we. Dor. Divine Powers pardon you ! Sap. Strike. \Tliey strike at her! Angelo kneeling holds her fast. Theoph. Beat out her brains. Dor. Receive me, you bright angels ! Sap. Faster, slaves. Spun. Faster ! I am out of breath, I am 26 THE VIRGIN-MARTYR. ,sure ; if I were to beat a buck, I can strike no harder. Hir. O mine arms ! I cannot lift them to my head. Dor. Joy above joys ! are my tormentors weary In torturing me, and, in my sufferings, I fainting in no limb ! tyrants, strike home, And feast your fury full. Theoph. These dogs are curs, \Comes from, his seat. Which snarl, yet bite not. See, my lord, her face Has more bewitching beauty than before : Proud whore, it smiles ! cannot an eye start out. With these ? Hir. No, sir ; nor the bridge of her nose fall ; 'tis full of iron work. Sap. Let's view the cudgels, are they not counterfeit ? Ang. There fix thine eye still ; — thy glo- rious crown must come Not from soft pleasure, but by martyrdom. There fix thine eye still ; — when we next do meet, Not thorns, but roses, shall bear up thy feet : There fix thine eye still. [Exit. Dor. Ever, ever, ever ! Enter Harpax, sneaking. Theoph. We're mock'd ; these bats have power to fell down giants, Yet her skin is no.t scarr'd. Sap. What rogues are these? Theoph. Cannot these force a shriek ? [Beafs Spungius. Spun. Oh ! a woman has one of my ribs, and now five more are broken. Theoph. Cannot this make her roar ? [Beats Hircius ; he roars. Sap. Who hired these slaves? what are they? Spun. We serve that noble gentleman, there ; he enticed us to this dry beating ; oh ! for one half pot. Harp. My servants ! two base rogues, and sometime servants To her, and for that cause forbear to hurt her. Sap. Unbind her ; hang up these. Theoph. Hang the two hounds on the next tree. Hir. Hang us ! master Harpax, what a devil, shall we be thus used ? Harp. What bandogs but you two would worry a woman ? Your mistress ? I but clapt you, you flew on. Say I should get your lives, each rascal beggar Would, when he met you, cry out, Hell- hounds ! traitors ! Spit at you, fling dirt at you ; and no woman Ever endure your sight : 'tis your best course Now, had you secret knives, to stab your- selves ; — But, since you have not, go and be hang'd. Hir. I thank you. Harp. 'Tis your best course. Theoph. Why stay they trifling here ? To the gallows dra^ them by the heels ; — away! Spun. By the heels ! no, sir, we have legs to do us that service. Hir. Ay, ay, if no woman can endure my sight, away with me. Harp. Dispatch them. Spun. The devil dispatch thee ! [Exeunt Guard with Spungius ««(f Hircius. Sap. Death this day rides in triumph, Theophilus. See this witch made away too. Theoph. My soul thirsts for it ; Come, I myself the hangman's part couldplay. Dor. O haste me to my coronation day ! SCENE l\l.~The Place of Execution. A scaffold. Hock, ifc. Enter Antoninus, supported dy Macrinus, and Servants. Anton. Is this the place, where virtue is to suffer. And heavenly beauty, leaving this base earth, To make a glad return from whence it came ? Is it, Macrinus ? Mac. By this preparation. You well may rest assuFed that Dorothea This hour is to die here. Anton. Then with her dies The abstractor all sweetness that's in woman! Set me down, friend, that, ere the iron hand Of death close up mine eyes, they may at once Take my last leave both of this light and her: For, she being gone, the glorious sun himself To me's Cimmerian darkness. Mac. Strange affection ! Cupid once more hath changed his shafts with Death, And kills instead of giving life. Anton'. Nay, weep not ; Though tears of friendship be a sovereign balm. On me they're cast away. It is decreed That I must die with her ; our clue of life Was spun together. Mac. Yet, sir, 'tis my wonder. That you, who, hearing only what she suffers. Partake of all her tortures, yet will be, To add to our calamity, an eyewitness THE VIRGIN-MARTYR. 27 Of her last tragic scene, which must pierce deeper, And make the wound more desperate. Anton. Oh, Macrinus ! 'Twould linger out my torments else, not kill me, Which is the end I aim at : being to die too, What instrument more glorious can I wish for, Than what is made sharp by my constant love And true affection? It may be, the duty And loyal service, with which I pursued her, And seal'd it with my death, will be re- member 'd Among her blessed actions ; and what honour Can I desire beyond it? Enter a Guard bringing in Dorothea, a Headsman before her : followed by Th-to- philus, Sapritius, and Harpax. See, she comes ; How sweet her innocence appears ! moreUke To heaven itself, than any sacrifice That can be offer'd to it. By my hopes Of joys hereafter, the sight makes me doubtful In my belief; nor can I think our gods Are good, or to be served, that take delight In offerings of this kind : that, to maintain Their power, deface the masterpiece of nature, Wliich they themselves come short of. She ascends, And every step raises her nearer heaven. What godsoe'er thou art, that must enjoy her, Receive in her a boundless happiness ! Sap. You are to blame To let him come abroad, Mac. It was his will ; And we were left to serve him, not command him. Anton. Good sir, be not offended ; nor deny My last of pleasures in this happy object, That I shall e'er be blest with. Theopk. Now, proud contemner Of us, and of our gods, tremble to think, It is not in the Power thou serv'st to save thee. Not all the riches of the sea, increased By violent shipwrecks, nor the unsearch'd mines, (Mammon's unknown exchequer,) shall re- deem thee : And, therefore, having first with horror weigh 'd What 'tis to die, and to die young ; to part with All pleasures and delights ; lastly, to go Where all antipathies to comfort dwell, Furies behind, about thee, and before thee ; And, to add to affliction, the remembrance Of the Elysian joys thoumight'sthave tasted, Hadst thou not tum'd apostata to those gods That so reward their servants ; let despair Prevent the hangman's sword, and on this scaffold Make thy first entrance into hell. Anton. She smiles, Unmoved, by Mars ! as if she were assured Death, looking on her constancy, would forget The use of his inevitable hand'. Theoph. Derided too ! dispatch, I say. Dor. Thou fool ! That gloriest in having power to ravish A trifle from me I am weary of, What is this hfe to me? not worth a thought ; Or, if it be esteem'd, 'tis that I lose it To win a better : even thy malice serves To me but as a ladder to mount up To such a height of happiness, where I shall Look down with scorn on thee, and on the world ; Where, circled vrith true pleasures, placed above The reach of death or time, 'twill be my glory To think at what an easy price I bought it. There's a perpetual spring, perpetual youth: No joint-benumbing cold, or scorching heat» Famine, nor age, have any being there. Forget, for shame, your Tempe ; bury in Oblivion your feign'd Hesperian orchards : — The golden fruit, kept by the watchful dragon, Which did require a Hercules to get it, Compared vrith what grows in all plenty there. Deserves not to be named. The Power I serve, Laughs at your happy Araby, or the Elysian shades ; for he hath made his bowers- Better in deed, than you can fancy yours. Anton. O, take me thither with you ! Dor. Trace my steps. And be assured you shall. Sap. With my own hands I'll rather stop tbiat little breath is left thee^ And rob thy killing fever. Theoph. By no means ; Let him go with her : do, seduced young man, And wait upon thy saint in death ; do, do ; And, when you come to that imagined place That place of all delights — pray you, ob- serve me, And meet those cursed things I once called Daughters, Wliom I have sent as harbingers before you; If there be any tiuth in your religion. .28 THE VIRGIN-MARTYR. In thankfulness to me, that with care hasten Your journey thither, pray you send me some Small pittance of that curious fruit you boast of. Anton. Grant that I may go with her, and I will. Sap. Wilt thou in thy last minute damn thyself? Theoph. The gates to hell are open. Dor. Know, thou tyrant, Thou agent for the devil, thy great master, Though thou art most unworthy to taste of it, I can, and will. Enter Angelo, in the Angel's habit. Harp. Oh ! mountains fall upon me. Or hide me in the bottom of the deep, Where light may never find me ! Theoph. What's the matter? Sap. This is prodigious, and confirms her witchcraft. Theoph. Harpax, my Harpax, spealc ! Harp. I dare not stay : Should I but hear her once more, I were lost. Some whirlwind snatch me from this cursed place. To which compared, {and with what now I suffer, ) Hell's torments are sweet slumbers ! {Exit. Sap. Follow him. Theoph. He is distracted, and I must not lose him. Thy charms upon my servant, cursed witch. Give thee a short reprieve. Let her not die. Till my return. [Exeunt Sap. and Theoph. Anton. She minds him not : what object Is her eye fix'd on ? Mac. I see nothing. Anton. Mark her. Dor. Thou glorious minister of the Power I serve ! assistants to the gffvcrnor. Lanour, J Montreville, a pretended friend to Malefort senior. Belgarde, a poor captain. Three Sea Captains, of the navy of MuletoTt junior. A Steward. An Usher. A Page. Theocrine, daughter to Malefort senior. Two Waiting^women. Two Courtezans. A Bawd. Servants and Soldiers. SCENE,— Marseilles. ACT I. SCENE \.—A Hallin the Court of Justice. £nter Montreville, Theocrine, Usher, Page, and Waiting-women. Montr. Now to be modest, madam, when you are A suitor for your father, would appear Coarser than boldness ; you awhile must part with Soft silence, and the blushings of a virgin : Though I must grant, did not this cause command it, They are rich jewels you have ever worn To all men's admiration. In this age. If, by our own forced importunity, Or others purchased intercession, or Corrupting bribes, we can malce our ap- proaches To justice, guarded from us by stern power. We bless the means and industry. Ush. Here's music In this bag shall wake her, though she had drunk opium. Or eaten mandrakes. Let commanders talk Of cannons to make breaches, give but fire To this petard, it shall blow open, madam. The iron doors of a judge, and make you entrance ; When they (let them do what they can) with all Their miiies, their culverins, and basiliscos, :Shall cool their feet without ; this being the picklock That never fails. Montr. 'Tis true, gold can do much. But beauty more. Were I the governor. Though the admiral, your father, stood con- victed Of what he's only doubted, half a dozen Of sweet close kisses from these cherry lips, With some short active conference in private, Should sign his general pardon. Theoc. These light words, sir. Do ill become the weight of my sad fortune ; And I much wonder, you, that do profess Yourself to be my father's bosom friend, Can raise mirth from his misery. Montr, 'you mistake me ; I share in his calamity, and only Deliver my thoughts freely, what I should do For such a rare petitioner : and if You'll follow the directions I prescribe. With my best judgment I'll mark out the way For his enlargement. Theoc. With all real joy I shall put what you counsel into act. Provided it be honest. Montr. Honesty In a fair she client (trust to my experience) Seldom or never prospers ; the world's wicked. We are men, not saints, sweet lady ; you must practise The manners of the time, if you intend To have favour from it : do not deceive yourself. By building too much on the false foundations Of chastity and virtue. Bid your waiters Stand further off, and I'U come nearer to you. 1 Worn. Some wicked counsel, on my life. 2 Worn. Ne'er doubt it, If it proceed from him. 36 THE UNNATURAL COMBAT. Page. I wonder that My lord so much affects him. Ush. Thou'rt a child, And dost not understand on what strong basis This friendship's raised between this Montre- ville And our lord, Monsieur Malefort ; but I'll teach thee : From thy years they have been joint pur- chasers In fire and waterworks, and truck'd together. Page. In fire and water works ! Ush. Commodities, boy. Which you may know hereafter. Page. And deal in them. When the trade has given you over, as ap- pears by The increase of your high forehead. Ush. Here's a crack ! I think they suck this knowledge in their milk. Page, I had an ignorant nurse else. I have tied, sir. My lady's garter, and can guess Ush. Peace, infant ; Tales out of school ! take heed, yon will be breech 'd else. 1 Worn. My lady's colour changes. 2 Worn. She falls off too. Theoc. You are anaughty man, indeed, you are; And I will sooner perish with my father, Than at this price redeem him. Montr. Take your own way. Your modest, legal way : 'tis not your veil. Nor mourning habit, nor these creatures taught To howl, and cry, when you begin to whimper ; Nor following my lord's coach in the dirt. Nor that which you rely upon, a bribe. Will do it, when there's something he likes better. These courses in an old crone of threescore, That had seven years together tired the court With tedious petitions, and clamours. For the recovery of a straggling husband. To pay, forsooth, the duties of one to her ; — But for a lady of your tempting beauties. Your youth, and ravishing features, to hope only In such a suit as this is, to gain favour, Without exchange of courtesy — you con- ceive me — Enter BeaMfort Junior, and Belgarde. Were madness at the height. Here's brave young Beaufort, The meteor of Marseilles, one that holds The governor his father's will and power In more awe than his own ! Come, come, advance. Present your bag, cramm'd with crowns of the sun ; Do you think he cares for money? he loves pleasure. Bum your petition, bum it ; he doats on you. Upon my knowledge : to his cabinet, do. And he will point you out a certain course, Be the cause right or wrong, to have your father Released with much facility. \Exit. Theoc. Do you hear ? Take a pander with you. Bea-uf. jun. I tell thee there is neither Employment yet, nor money. Belg. I have commanded. And spent my ovra means in my country's service. In hope to raise a fortune. Beauf.jun. Many have hoped so ; But hopes prove seldom certainties with soldiers. Belg. If no prefemient, let me but re- ceive My pay that is behind, to set me up A tavern, or a vaulting-house ; while men love Or drunkenness, or lechery, they'll ne'er fail me : Shall I have that ? Bea-uf. jun. As our prizes are brought in ; Till then you must be patient. Belg. In the mean time. How shall I do for clothes ? Beau/, jun. As most captains do : Philosopher-like, carry all you have about you. Belg. But how shall I do, to satisfy colon, monsieur? There Ues the doubt. Beauf. jun. That's easily decided ; My father's table's free for any man That hath borne arms. Belg. And there's good store of meat ? Beauf. jun. Never fear that, Belg. I'll seek no other ordinary then. But be his daily guest without invitement r And if my stomach hold, I'll feed so heartily. As he shall pay me suddenly, to be quit of me. Beauf. jun. 'Tis she. Belg. And further Beauf.jun. Away, you are troublesome ; Designs of more weight Bel^. Ha ! fair Tlieocrine. Nay, if a velvet petticoat move in the front. THE UNNATURAL COMBAT. 37 Buff jerkins must to the rear ; I know my manners : This is, indeed, great business, mine a gew- gaw. I may dance attendance, this must be dis- patch'd, And suddenly, or all will go to wreck ; Charge her home in the flank, my lord : nay, I am gone, sir. [Exit. Beauf. jun. [raising Theoc. from her knees.] Nay, pray you, madam, rise, or I'll kneel with you. Page. I would bring you on your knees, were I a woman. Beauf. jun. What is it can deserve so poor a name, As a suit to me ? This more than mortal form Wasfashion'd to command, and not entreat : Your will but known is served. Theoc. Great sir, my father. My brave, deserving father ; — but that sor- row Forbids the use of speech^^ Beauf. jun. I understand you. Without the aids of those interpreters That fall from your fair eyes : I know you labour The liberty of your father ; at the least. An equal hearing to acquit himself : And, 'tis not to endear my service to you. Though I must add, and pray you with pa- tience hear it, 'Tis hard to be effected, in respect The state's incensed against him : all pre- suming. The world of outrages his impious son, Tium'd worse than pirate in his cruelties, Express'd to this poor country, could not be With such ease put in execution, if Your father, of late our great admiral. Held not or correspondence, or connived At his proceedings. Theoc. And must he then suffer. His cause unheard ? Beauf. jun. As yet it is resolved so, In their determination. But suppose Alphonso, SCENE, — for thefirst and second acts ^ in Milan; during part of the third, in ihe Imperial Camp near Pa\ia ; the rest of the play, in Milan, and its neighbourhood. Three Gentlemen. Fiddlers. An Officer. Two Doctors. Two Couriers. Marcelia, the dutchess, wife to Sforza. Isabella, another to Sforza. Mariana, wife to Francisco, and sister to Sforza. Eugenia, sister to Francisco. A Gentlewoman. Guards, Servants, Attendants. ACTI. SCENE I. — Milan. An outer Room in the Castle. Enter Graccho, Julio, and Giovanni, with Flaggons. Grac. Take every man his flaggon : give the oath To all you meet ; I am this day the state- drunkard, I am sure against my will ; and if you find A man at ten that's sober, he's a traitor, And, in my name, arrest him. JtiL Very good, sir : But, say he be a sexton? Grac. If the bells Ring out of tune, as if the street were burn- ing. And he cry, ' Tis rare music ! bid him sleep : 'Tis a sign he has ta'en his hquor ; and if you meet An officer preaching of sobriety. Unless he read it in Geneva print, Lay him by the heels. Jul. But think you 'tis a fault To be found sober? Grac. It is capital treason : Or, if you mitigate it, let such pay Forty crowns to the poor : but give a pension To all the magistrates you find singing catches, Or their wives dancing ; for the courtiers reeling, And the duke himself, I dare not say dis- temper'd, But kind, and in his tottering chair carousing. They do the country service. If you meet One that eats bread, a child of ignorance, And bred up in the darkness of no drinking, Against his will you may initiate him In the true posture ; though he die in the taking His drench, it skills not : what's apri vate man, For the public honour ! We've nought else to think on. And so, dear friends, copartners in my travails, Drink hard ; and let the health run through the city. Until it reel again, and with me cry, Long live the dutchess I Enter Tiberio and Stephano. Ju I. Here are two lords ; — what thinkyou? Shall we give the oath to them? Grac. Fie ! no : I know them, You need not swear them ; your lord, by his patent, Stands bound to take his rouse. Long Hve the dutchess ! \Exeuni Grac. Jul. and Gio. Steph. The cause of this? but yesterday the court Wore the sad livery of distrust and fear ; No smile, not in a buffoon to be seen, Or common jester : the Great Duke himSelf -66 THE DUKE OF MILAN. Had sorrow in his face ! which, waited on By his mother, sister, and his fairest dutchess, -Dispersed a silent mourning tlirough all Milan ; As if some great blow had been given the state. Or were at least expected. Tib. Stephano, 1 know as you are noble, you are honest, J\nd capable of secrets of more weight Than now I shall deliver. If that Sforza, "The present duke, (though his whole life hath been But one continued pilgrimage through dangers, .Affrights, and horrors, which his fortune, guided "By his strong judgment, still hath overcome, ) Appears now shaken, it deserves no wonder : All that his youth hath labour'd for, the harvest Sown by his industry ready to be reap'd too, Being now at stake ; and all his hopes con- firm'd. Or lost for ever. Stepk. I know no such hazard : His guards are strong and sure, his coffers fuU; "Yhe people well affected ; and so wisely Slis provident care hath wrought, that though war rages 'In most parts of our western world, there is ^o enemy near us. Tib, Dangers, that we see To threaten ruin, are with ease prevented ; Siul those strike deadly, that come unex- pected : |The lightning is far off, yet, soon as seen, "We may behold the terrible effects jThat it produceth. But I'll help yourknow- ,) ledge, ; -And m^e his cause of fear familiar to you. ij The wars so long continued between The emperor Charles, and Francis the French king. Have interess'd, in cither's cause, the most Of the Italian princes ; among which, Sforza, I -As one of greatest power, was sought by both; Sut with assurance, having one his friend, ■The other lived his enemy. Stepk. Tis true : jftnd 'twas a doubtful choice. Tib. But he, well knowing, .And hating too, it seems, the Spanish pride, l/Cnt his assistance to the king of France : Which hath so far incensed the emperor, '- That all his hopes and honours are embark'd "Witli his gi«at patron's fortune. Sieph. Which stands fair, For aught I yet can hear. Tib. But should it change, The duke's undone. They have drawn to the field Two royal armies, full of fiery youth ; Of equal spirit to .dare, and power to do : So near intrench 'd, that 'tis beyond all hope Of human counsel they can e'er be severed, Until it be determined by the sword, Who hath the better cause : for the success, Concludes the victor innocent, and the van- quish 'd Most miserably guilty. How uncertain The fortune of the war is, children know ; And, it being in suspense, on whose fair tent Wing'd Victory will make her glorious stand. You cannot blame the duke, though he appear Perplex'd and troubled. Stepk. But why, then, In such a time, when every knee should bend For the success and safety of his person. Are these loud triumphs? inmy weak opinion. They are unseasonable. Tib. I judge so too ; But only in the cause to be excused. It is the dutchess' birthday, once a year Solemnized with all pomp and ceremony ; In which the duke is not his own, but hers : Nay, every day, indeed, he is her creature, For never man so doated ; — ^but to tell The tenth part of his fondness to a stranger. Would argue me of iiction. Stefh. She's, indeed, A lady of most exquisite form. Tib. She knows it. And how to prize it. Stepk. I ne'er heard her tainted In any point of honour. Tib. On my life. She's constant to his bed, and well deserves His largest favours. But, when beauty is Stamp'd on great women, great in birth and fortune. And blown by flatterers greater than it is 'Tis seldom unaccompanied with pride ; Nor is she that way free : presuming on The duke's aft'ection, and her own desert^ She bears herself with such a maiesty. Looking with scorn on all as things beneath her. That Sforza's mother, that would lose no part Of what was once her own, nor his fair sister, A Indy too acquainted with her worth, W ill brook it well ; and howsoe'er their hate Is smother'd lor a time, 'tis more than fear'd It will at length break out. THE DUKE OF MILAN. Cy Stepk. He in whose power it is. Turn all to the best ! Tib. Come, let us to the court ; We there shall see all bravery and cost, That art can boast of. Stepk, I'll bear you company. \Exe2uit. SCENE II. — Another Room in the same. Enter Francisco, Isabella, and Mariana. Mari. I will not go ; I scorn to be a spot In her proud train. Isab. Shall I, that am his mother, Be so indulgent, as to wait on her That owes me duty? Fran. Tis done to the duke, And not to her : and, my sweet wife, re- member, And, madam, if you please, receive my counsel, As Sforza is your son, you may command him ; And, as a sister, you may challenge from him A brother's love and favour : but, this granted, Consider he's the prince, and you his sub- jects, And not to question or contend with her Whom he is pleased to honour. Private men Prefer their wives ; and shall he, being a prince. And blest with one that is the paradise Of sweetness and of beauty, to whose charge The stock of women's goodness is given up, Not use her hke herself? Isab. You are ever forward To sing her praises. Marl. Others are as fair ; I am sure, as noble. Fran. I detract from none, Ingivingherwhat's due. Wereshedeform'd, Yet being the dutchess, I stand bound to serve her ; But, as she is, to admire her. Never wife Met with a purer heat her husband's fervour ; A happy pair, one in the other blest ! She confident in herself he's wholly hers, And cannot seek for change ; and he secure. That 'tis not in the power of man to tempt her. And therefore to contest with her, that is The stronger and the better part of him, Is more than folly : you know him of a nature Not to be played with; and, should you forget To obey him as your prince, he'll not re- member The duty that he owes you. Isab. Tis but truth : Come, clear our brows, and let us to the banquet ; But not to serve his idol. Mari, I shall do What may become the sister of a prince ; But will not stoop beneath it. Fran. Yet, be wise ; Soar not too high, to fall ; but stoop to rise. \Excitnt. SCENE III. — A State Room hi the same. Enter three Gentlemen, setting forth a banquet. 1 Gent. Quick, quick, for love's sake ! let the court put on Her choicest outside : cost and bravery Be only thought of. 2 Gent. All that may be had To please the eye, the ear, taste, touch, or smell, Are carefully provided. 3 Gent. There's a masque : Have you heard what's the invention ? I Gent. No matter : It is intended for the dutchess' honour ; And if it give her glorious attributes, As the most fair, most virtuous, and the rest, 'Twill please the duke [Loud 7nusic\. They come. 3 Gent. All is in order. Flourish. Enter Tiberio, Stephano, Fran- cisco, Sforza, Marcelia, Isabella, Mariana, and Attendants. Sfor. You are the mistress of the feast — sit here, O my soul's comfort ! and when Sforza bows Thus low to do you honour, let none think The meanest service they can pay my love, But as a fair addition to those titles They stand possest of. Let me glory in My happiness, and mighty kings look pale With envy, while I triumph in mine own. O mother, look on her ! sister, admire her ! And, since this present age yields not a woman Worthy to be her second, borrow of Times past, and let imagination help. Of those canonized ladies Sparta boasts of, And, in her greatness, Rome \Vas proud to owe, To fashion one ; yet still you must confess. The phcenix of perfection ne'er was seen, But in my fair Marcelia. Fran. She 's, indeed, The wonder oi' all times. Tib. Your excellence, F2 68 THE DUKE OF MILAN. Though I confess, you give her but her own, Forces her modesty to the defence Of a sweet bhish. Sfor. It need not, my Marceha ; When most I strive to praise thee, I appear A poor detractor : for thou art, indeed, So absolute in body and in mind. That, but to speak the least part to the height. Would ask an angel's tongue, and yet then end In silent admiration ! Isab. You still court her. As if she were a mistress, not your wife. Sfor. A mistress, mother ! she is more to me, And every day deserves more to be sued to. Such as are cloy'd with those they have embraced. May think their wooing done : no nijht to me But is a bridal one, where Hymen lights His torches fresh and new ; and those de- lights. Which are not to be clothed in airy sounds, Enjoy'd, beget desires as full of heat, And jovial fervour, as when first I tasted Her virgin fruit. — Blest night ! and be it number'd Amongst those happy ones, in which a blessing Was, by the full consent of all the stars, Conferr'd upon mankind. Marc. My worthiest lord ! The only object I behold with pleasure, — My pride, my glory, in a word, my all ! Bear witness, heaven, that I esteem myself In nothing worthy of the meanest praise You can bestow, unless it be in this. That in my heart I love and honour you. And, but that it would smell of arrogance, To speak my strong desire and zeal to serve you, I then could say, these eyes yet never saw The rising sun, but that my vows and prayers Were sent to heaven for the prosperity And safety of my lord : nor have I ever Had other study, but how to appear Worthy your favour ; and that my embraces Might yield a fruitful harvest of content For all your noble travail, in the purchase Of her that's still your servant : By these lips, Which, pardon me, that I presume to kiss Sfor. O swear, for ever swear ! Marc. I ne'er will seek Delight but in your pleasure : and desire. When you are sated with all earthly glories, And age and honours make you fit fot heaven, That one grave may receive us. Sfor. 'Tis believed. Believed, my blest one. Mari. How she winds herself Into his soul ! Sfor. Sit all. — Let others feed On those gross cates, while Sforza banquets with Immortal viands ta'en in at his eyes. I could live ever thus. — Command the eunuch, To sing the ditty that I last composed. Enter a Courier. In praise of my Marceha. From whence ?: Cour. From Pavia, my dread lord. Sfor. Speak, is all lost? Cour. [Delivers a letter.'] The letter will inform you. \Exit. Fran. How his hand shakes. As he receives it ! Mari. This is some allay To his hot passion. Sfor. Though it bring death, I'll read it :. May it please your excellence to under- stand, that the very hour I wrote this, F heard a bold defiance delivered by a herald from the emperor, which was cheerfully re- ceived by the king of France. The baitailes being ready to join, and the vanguard com- mitted to my cliarge, enforces m.e to end" abruptly. Your Highness s humble servant. Gaspeko. Ready to join! — By this, then, I am nothing,. Or my estate secure. [Aside. Marc. My lord. Sfor. To doubt. Is worse than to have lost ; and to despair. Is but to antedate those miseries That must fall on us ; all my hopes depending. Upon this battle's fortune. In my soul, Methinks, there should be that imperious power. By supernatural, not usual means, T' inform me what I am. The cause con- sider'd. Why should I fear? The French are bold. and strong. Their numbers full, and in their councils wise; But then, the haughty Spaniard is all fire, Hot in his executions ; fortunate In his attempts ; married to victory : — Ay, there it is that shakes me. [Aslie. Fran. Excellent lady, This day was dedicated to your honour ; THE DUKE OF MILAN. 69 One gale of your sweet breath will easily Disperse these clouds ; and, but yourself, there's none That dare speak to him. Marc. 1 will run the hazard. — My lord ! Sfor. Ha ! — pardon me, Marcelia, I am troubled ; And stand uncertain, whether I am master Of aught that's worth the owning. Marc. I am yours, sir ; .And I have heard you swear, I being safe, There was no loss could move you. This day, sir, Is by your gift made mine. Can you revoke A grant made to Marcelia? your MarceUa ? — For whose love, nay, whose honoiu", gentle sir, All deep designs, and state-affairs deferr'd, Be, as you purposed, merry. Sfor. Out of my sight ! [ Throws away the letter. And all thoughts that may strangle mirth forsake me. Fall what can fall, I dare the worst of fate Though the foundation of the earth should shrink, The glorious eye of heaven lose his splen- dour. Supported thus, I'll stand upon the ruins, And seek for new life here. Why ai^e you sad? No other sports ! by heaven, he's not my friend. That wears one furrow in his face. I was told There was a masque. Fran. They wait your highness' pleasure. And when you please to have it. Sfor. Bid them enter : Come, make me happy once again. I am rapt — Tis not to-day, to-morrow, or the next, But all my days, and years, shall be em- ploy 'd To do thee honour. Marc, And my life to serve you. [A horn without. Sfor. Another post ! Go hang him, hang him, I say ; I will not interrupt my present pleasures, Although his message should import my head : Hang him, I say. Marc. Nay, good sir, I am pleased To grant a little intermission to you ; Who knows but he brings news we wish to hear, To heighten our delights. Sfor. As wise as fair ! Enter another Courier. From Gaspero ? Cour. That was, my lord. Sfor. How ! dead ? Cour. [Delivers a letter.'] With the de- livery of this, and prayers, To guard yoiu: excellency from certain dan- gers. He ceased to be a man. [Exit, Sfor. All that my fears Could fashion to me, or my enemies wish, Is fallen upon me. — Silence that harsh music ; 'Tis now unseasonable : a tolling bell, As a sad harbinger to tell me, that This pamper'd lump of flesh must feast the worms, Is fitter for me ; — I am sick. Marc. My lord ! Sfor. Sick to the death, Marcelia. Remove These signs of mirth ; they were ominous, and but usher' d Sorrow and ruin. Marc. Bless us, heaven ! Isab. My son. Marc. What sudden change is this ? Sfor. All leave the room ; I'll bear alone the burden of my grief. And must admit no partner. I am yet Your prince, where's your obedience? — Stay, Marcelia ; I cannot be so greedy of a sorrow, In which you must not share. [Exeunt Tiberio, Stephano, Francisco, Isabella, Mariana, (Z«(/ Attendants. Alarc. And cheerfully I will sustain my part. Why look you pale ? Where is that wonted constancy and cou- rage. That dared the worst of fortune ? where is Sforza, To whom all dangers that fright common men, Appear'd but panic terrors? why do }-ou eye me With such fix'd looks ? Love, comisel, duty, service. May flow from me, not danger. Sfor. O, Marcelia ! It is for thee I fear ; for thee, thy Sforza Shakes like a coward : for myself, unmoved, I could have heard my troops were cut in pieces, My general slain, and he, on whommyhopas Of rule, of state, of life, had their depen- dence. The king of France, my greatest friend, made prisoner To so proud enemies. 7° THE DUKE OF MILAN Marc. Then you have just cause To shew you are a man. S/or. All this were nothing, Though I add to it, that I am assured, For giving aid to this unfortunate king, The emperor, incens'd, lays his command On his victorious army, flesh'd with spoil. And bold of conquest, to march up against me. And seize on my estates : suppose that done 'too, The city ta'en, the kennels running blood, The ransack'd temples falling on their saints : My mother, in my sight, toss'd on their pikes. And sister ravish 'd ; and myself bound fast In chains, to grace their triumph ; or what else An enemy's insolence could load me with, I would be Sforza still. But, when I think That my Marcelia, to whom all these Are but as atoms to the greatest hill, Must suffer in my cause, and for me suffer ! All earthly torments, nay, even those the damn'd Howl for in hell, are gentle strokes, com- pared To what I feel, Marcelia. Marc. Good sir, have patience : I can as well partake your adverse fortune. As I thus long have had an ample share In your prosperity. 'Tis not in the power Of fate to alter me ; for while I am, In spite of it, I'm yours. Sfir. But should that will To be so [be] forced, Marcelia ; and I live To see those eyes I prize above my own, Dart favours, though compell'd, upon an- other ; Or those sweet hps, yielding immortal nectar. Be gently touch'd by any but myself ; Think, think, Marcelia, what a cursed thing I were, beyond expression 1 Marc. Do not feed Those jealous thoughts ; the only blessing that Heaven hath bestow'd on us, more than on beasts, Is, that 'tis in our pleasure when to die. Besides, were I now in another's power. There are so many ways to let out life, I would not live, for one short minute, his ; I was bom only yours, and I will die so. Sfor. Angels reward the goodness of this woman ! Enter Francisco. All I can pay is nothing. — Why, uncall'd for? Fran. It is of weight, sir, that makes me thus press Upon your privacies. Your constant friend. The marquis of Pescara; tired with haste. Hath business that concerns your life and fortunes. And with speed, to impart. Sfor. Wait on him hither. [Exit Francisco. And, dearest, to thy closet. Let thy prayers Assist my councils. Marc. To spare imprecations Against myself, without you I am nothing. [E.\it. Sfor. The marquis of Pescara ! a great soldier ; And, though he serv'd upon the adverse IDarty, Ever my constant friend. Re-enter Francisco with Pescara. Fra7i. Yonder he walks. Full of sad thoughts. Pesc. Blame him not, good Francisco, He hath much cause to grieve ; would I might end so. And not add this, — to fear ! Sfor. My dear Pescara ; A miracle in these times ! a firiend, and happy. Cleaves to a faUing fortune ! Pcsc. If it were As well in my weak power, in act, to raise it. As 'tis to bear a part of sorrow with you. You then should have just cause to say, Pescara Look'd not upon your state, but on your virtues. When he made suit to be writ in the list Of those you favour'd. But my haste for- bids All comphment ; thus, then, sir, to the pur- pose : The cause that, unattended, brought me hither. Was not to tell you of your loss, or danger ; For fame hath many wings to bring ill tidings. And I presume you've heard it ; but to give you Such friendly counsel, as, perhaps, may make Your sad disaster less. Sfor, You are all goodness ; And I give up myself to be disposed of, As in your wisdom you think fit. Pcsc. Thus, then, sir ; To hope you can hold out against the em- peror. Were flattery in yourself, to your undoing : THE DUKE OF MILAN. 7K Therefore, the safest course that you can take, Is, to give up yourself to his discretion, Before you be compell'd ; for, rest assured, A voluntary yielding may find grace. And will admit defence, at least, excuse : But, should you linger doubtful, till his powers Have seized your person and estates perforce, You must expect extremes. Sfor. I understand you ; And I will put your counsel into act. And speedily. I only will take order For some domestical affairs, that do Concern me nearly, and with the next sun Ride with you : in the mean time, my best friend. Pray take your rest. Pesc. Indeed, I have travell'd hard ; And will embrace your counsel. \E.xit. Sfor. With all care. Attend my noble friend. Stay you, Francisco. You see how things stand with me ? Fran. To my grief : And if the loss of my poor life could be A sacrifice to restore them as they were, I willingly would lay it down. Sfor. I think so ; For I have ever found you true and thank- ful. Which makes me love the building I have raised In your advancement ; and repent no grace I have conferr'd upon you. And, believe me, Though now I should repeat my favom^ to you. The titles I have given you, and the means Suitable to your honours ; that I thought you Worthy my sister and my family. And in my dukedom made you next myself; It is not to upbraid you ; but to tell you I find you are worthy of them, in your love And service to me. Fran. Sir, I am your creature ; And any shape, that you would have me wear, I gladly will put on. Sfor. Thus, then, Francisco : I now am to deliver to your trust A weighty secret ; of so strange a nature. And 'twill, I know, appear so monstrous to you. That you will tremble in the execution. As much as I am tortured to command it : For 'tis a deed so horrid, that, but to hear it. Would strike into a ruffian flesh'd in mur- ders. Or an obdurate hangman, soft compassion ; And yet, Francisco, of all men the dearest. And from me most deserving, such my state- And strange condition is, that thou alone Must know the fatal service, and perform it_ Fran. These preparations, sir, to work cui stranger. Or to one unacquainted with yourbountiesu Might appear useful ; but to me they are Needless impertinencies : for I dare do Whate'er you dare command. Sfor. But you must swear it ; And put into the oath all joys or torments That fright the wicked, or confirm the good;: Not to conceal it only, that is nothing. But, whensoe'er my will shall speak, Strike now ! To fall upon't hke thunder. Fran. Minister The oath in any way or form you please-,. I stand resolved to take it. Sfor. Thou must do, then. What no malevolent star will dare to looK: on. It is so wicked : for which men will curse thee For being the instrument ; and the blesfi: angels Forsake me at my need, for being the at»- thor : For 'tis a deed of night, of night, FranciscoE In which the memory of all good actions We can pretend to, shall be buried quick - Or, if we be remember'd, it shall be To fright posterity by our example, That have outgone all precedents of villains; That were before us ; and such as succeed^ Though taught in hell's black school, shal£ ne'er come near us. — Art thou not shaken yet ? Fran. I grant you move me : But to a man confirm'd Sfor. I'll try your temper : What think you of my wife ? Fran. As a thing sacred ; To whose fair name and memory I pay- gladly These signs of duty. Sfor. Is she not the abstract Of all that's rare, or to be wish'd in woman ?" Fran. It were a kind of blasphemy to« dispute it : But to the purpose, sir. Sfor. Add too, her goodness. Her tenderness of me, her care to please me-. Her unsuspected chastity, ne'er equal! d ; Her innocence, her honour : — O, I am lost In the ocean of her virtues and her graces,. When I think-of them ! Fran. Now I find the end Of al! your conjurations ; there's some service- 72 THE DUKE OF MILAN. To be done for this sweet lady. If she have enemies, That she would have removed Sfar. Alas ! Francisco, Her greatest enemy is her greatest lover ; Yet, in that hatred, her idolater. One smile of hers would make a savage tame; One accent of that tongue would calm the seas, Though all the winds at once strove there ' for empire. Yet I, for whom she thinks all this too little, Should I miscarry in this present journey. From whence it is all number to a cipher, I ne'er return with honour, by thy hand Must have her murder'd. Fran. Murder'd ! — She that loves so. And so deserves to be beloved again ! And I, who sometimes you were pleased to favour, Pick'd out the instrument ! Sfor. Do not fly off: What is decreed can never be recall'd ; 'Tis more than love to her, that marks her out A wish'd companion to me in both fortunes : And strong assurance of thy zealous failh. That gives up to thy trust a secret, that Racks should not have forced from me. O, Francisco ! There is no heaven without her ; nor a hell. Where she resides. I ask from her but justice. And what I would have paid to her, had sickness. Or any other accident, divorced Her purer soul from her unspotted body. The slavish Indian princes, when they die. Are cheerfully attended to the fire. By the wife and slave that, living, they loved best, To do them service in another world : Nor will I be less honour'd, that love more. And therefore trifle not, but, in thy looks. Express a ready purpose to perform What I command ; or, by Marcelia's soul. This is thy latest minute. Fran. 'Tis not fear Of death, but love to you, makes me em- brace it ; But for mine own security, when 'tis done. What warrant have I ? If you please to sign one, I shall, thoughwith unwillingness and horror. Perform your dreadful charge. Sfor. I will, Francisco : But still remember, that a prince's secrets Are balm conceal'd ; but poison, if dis- cover'd. I may come back ; then this is but a trial To purchase thee, if it were possible, A nearer place in my affection : — ^but I know thee honest. Fran. 'Tis a character I will not part with. Sfor. I may hve to reward it. \Exeunt. ACT II. SCENE I.— The same. An open space before the Castle. Enter Tiberio and Stephano. Steph. How! left the court ? Tib. Without guard or retinue Fitting a prince. Steph. No enemy near, to force him To leave his own strengths, yet deliver up Himself, as 'twere, in bonds, to the discretion Of him that hates him ! 'tis beyond example. You never heard the motives that induced him To this strange course ? Tib. No, those are cabinet councils. And not to be communicated, but To such as are his own, and siure. Alas ! We fill up empty places, and in public Are taught to give our suffrages to that Which was before determined ; and are safe so. Signior Francisco (upon whom alone His absolute power is, with all strength, con- ferr'd, During his absence) can with ease resolve you : To me they are riddles. Steph. Well, he shall not be My CEdipus ; I'll rather dwell in darkness. But, my good lord Tiberio, this Francisco Is, on the sudden, sti"angely raised. Tib. O sir. He took the thriving course ; he had a sister, A fair one too, with whom, as it is rumour'd. The duke was too famiUar ; but she, cast off, (What promises soever past between them,) Upon the sight of this, forsook the court. And since was never seen. To smother this. As honours never fail to purchase silence, Francisco first was graced, and, step by step. Is raised up to this height. Steph. But how is His absence bom ? Tib. Sadly, it seems, by the dutchess \ For since he left the court. For the most part she hath kept her private chamber. No visitants admitted. In the church. She hath been seen to pay her pure devotions. THE DUKE OF MILAN, 73 Season'd with tears ; and sure her sorrow's true, Or deeply counterfeited ; pomp, and state, And bravery cast off : and she, that lately Rivall'd Poppsea in her varied shapes, Or the Egyptian queen, now, widow-like, In sable colours, as her husband's dangers Strangled in her the use of any pleasure, Mourns for his absence. Sfeph. It becomes her virtue, And does confirm what was reported of her. Tib. You take it right : but, on the other side. The darling of his mother, Mariana, As there were an antipathy between Her and the dutchess' passions ; and as She'd no dependence on her brother's for- tune, She ne'er appear'd so full of mirth. Steph. 'Tis strange. Enter Graccho with Fiddlers. But see ! her favourite, and accompanied, To your report. Orac. You shall scrape, and I will sing A scurvy ditty to a scurvy tune, Repine who dares. I Fid. But if we should offend. The dutchess having silenced us ; and these lords Stand by to hear us. — Grac. They in name are lords But I am one in power : and, for the dutchess, But yesterday we were merry for her pleasure, We now '11 be for my lady's. Tib. Signior Graccho. Grac, A poor man, sir, a servant to the princess ; But you, great lords and counsellors of state, Whom I stand bound to reverence. . Tib. Come ; we know You are a man in grace. Grac. Fie ! no : I grant, I bear my fortunes patiently ; serve the princess. And have access at all times to her closet, isuch is my impudence ! when your grave lordships Are masters of the modesty to attend Three hours, nay sometimes four ; and then bid wait Upon her the next morning. Steph. He derides us. Tib. Pray you, what news is stirring? you know all. Grac. Who, I ? alas ! I've no intelligence At home nor abroad ; I only sometimes guess The change of the times : I should ask of your lordships, Who are to keep their honours, who to lose them ; Who the dutchess smiled on last, or on whom frown 'd, You only can resolve me ; we poor waiters Deal, as you see, in mirth, and foolish tiddles : It is our element ; and — could you tell me What point of state 'tis that I am commanded To muster up this music, on mine honesty. You should much befriend me. Steph. Sirrah, you grow saucy. Ttb. And would be laid by the heels. Grac. Not by your lordships, Without a special warrant ; look to your own stakes ; Were I committed, here come those would bail me : Perhaps, we might change places too. ^M^^r Isabella, ezwc? Mariana ; Graccho whispers the latter. Tib. Tlie princess ! We must be patient, Steph. There is no contending. Tib. See, the informing rogue ! Steph. That we should stoop To such a mushroom ! Mari. Thou dost mistake ; they durst not Use the least word of scorn, although pro- voked. To anything of mine. — Go, get you home. And to your servants, friends, and flatterers, number How many descents you're noble : — look to your wives too ; The smooth-chinned courtiers are abroad. Tib. No way to be a freeman ! \Exeunt Tiberio a7id Stephano. Grac. Your Excellence hath the best gift to dispatch These arras pictures of nobility, I ever read of. Mari. I can speak sometimes. Grac. And cover so your bitter pills with sweetness Of princely language to forbid reply, They are greedily swallow'd. Isab. But the purpose, daughter. That brings us hither? Is it to bestow A visit on this woman, that, because She only would be thought truly to grieve The absence and the dangers of my son, Proclaims a general sadness ? Mari. If to vex her May be interpreted to do her honour. She shall have many of them. I'll make use Of my short reign : my lord now governs all ; And she shall know that her idolater. My brother, being not by now to protect her, I am her equal. Grac. Of a Uttle thing. It is so full of gall ! A devil of this size. Should they run for a wager to be spiteful, Gets not a horse-head of her. [Aside. Mari. On her birthday, We were forced to be merry, and now she's musty. We must be sad, on pain of her displeasure : We will, we will ! this is her private chamber. Where, like an hypocrite, not a true turtle. She seems to mourn her absent mate ; her servants Attending her like mutes : but I'll speak to her. And in a high key too. — Play anything That's light and loud enough but to torment her. And we will have rare sport. \Music and a song. Marcelia appears at a window above, in black. Isab. She frowns as if Her looks could fright us. Mari. May it please your greatness. We heard that your late physic hath not work'd ; And that breeds melancholy, as your doctor tells us : To purge which, we, that are born your highness' vassals. And are to play the fool to do you service, Present you mth a fit of mirth. What think you Of a liew antic ? Iscb. 'Twould shew rare in ladies. Mcri. Being intended for so sweet a creature, Were she but pleased to grace it. Isab. Fie ! she will, Be it ne'er so mean ; she's made of courtesy. Mari. The mistress of all hearts. One smile, I pray you, On your poor servants, or a fiddler's fee ; Coming from those fair hands, though but a ducat. We will enshrine it as a holy relic. Isab. 'Tis wormwood, and it works. Marc. If I lay by My fears and griefs, in which you should be sharers, If doting age could let you but remember, ■You have a son ; or frontless impudence. You are a sister ; and, in making answer To what was most unfit for you to speak, Or me to hear, borrow of my just anger Isab., A set speech, on my hfe. I Mari. Penn'd by her chaplain. Marc. Yes, it can speak, without instruc- tion speak. And tell your want of manners, that you are rude, Aud saucily rude, too. Grac. Now the game begins. Marc. You durst not, else, on any hire or hope, Remembering what I am, and whose I am. Put on the desperate boldness, to disturb The least of my retirements. Mari. Note her, now. Marc. For both shall understand, though the one presume Upon the privilege due to a mother. The duke stands now on his own legs, and needs No nurse to lead him. Isab. How, a nurse ! Marc. A dry one. And useless too ; — but I am merciful. And dotage signs your pardon. Isab. I defy thee ; Thee, and thy pardons, proud one ! Marc. For you, puppet Mari. What of me, pine-tree ? Marc. Little you are, I grant. And have as little worth, but much less wit ; You durst not else, the duke being wholly mine. His power and honour mine, and the alle- giance, You owe him as a subject, due to me Mari. To you ? Marc. To me : and therefore, as a vassal. From this hour learn to serve me, or you'll feel I must make use of my authority. And, as a princess, punish it. Isab. A princess ! Mari. I had rather be a slave unto a Moor, Than know thee for my equal. Isab. Scornful thing ! Proud of a white face. Mari. Let her but remember The issue in her leg. Isab. The charge she puts The state to, for perfumes. Mari. And howsoe'er She seems, when she's made up, as she's herself. She stinks above the ground. O that I could reach you ! The little one you scorn so, with her nails Would tear your painted face, and scratch those eyes out. Do but come down. THE DUKE OF MILAN. 7^ Marc. Were there no other way, But leaping on thy neck, to break my own, Rather than be outbraved thus. [She retires. Grac. Forty ducats Upon the little hen ; she's of the kind, And will not leave the pit. \_Aside. Mart. That it were lawful To meet her with a poniard and a pistol ! But these weak hands shall shew my spleen — Re-enter Marcelia below. Marc. Where are you, You modicum, you dwarf I Marl. Here, giantess, here. Enter Francisco, Tiberio, Stephano, and Guards. Fran. A tumult in the court ! Mart. Let her come on. Fran. What wind hath raised tijis tem- pest? Sever them, I command you. What's the cause ? Speak, Mariana, Mari. I am out of breath ; But we shall meet, we shall. — And do you hear, sir ! Or right me on this monster, (she's three feet Too-high for a woman,) or ne'er look to have A quiet hour with me. Isab. If my son were her^, And'would endure this, mayamother's curse Pursue and overtake him ! Fran. O forbear : In me he's present, both in power and will ; And, madam, I much grieve that, in his ab- sence, There should arise the least distaste to move you; It being his principal, nay, only charge, To have you in his absence, served and honour' d, As when himself perform'd the willing office. Marl. This is fine, i' faith. Grac. I would I were well off ! Fra?i, And therefore, I beseech you, madam, frown not, Till most unwittingly he hath deserved it, On your poor servant ; to your excellence I ever was and will be such ; and lay The duke's authority, trusted to me, With willingness at your feet. Marl. O base ! /sab. We are like To have an equal judge ! Fran. But, should I find That you are touch'd in any point of honour, Or that the least neglect is fall'n upon you, I then stand up a prince. I Fid. Without reward, Pray you dismiss us. Grac. Would I were five leagues hence ! Fran. I will be partial To none, not to myself ; Be you but pleased to shew me my offence, Or if you hold me in your good opinion, Name those that have offended you, /sab. I am one, And I will justify it. Mari. Thou art a base fellow, To take her part. Fran. Remember, she's the dutchess. Marc. But used with more contempt, than if I were A peasant's daughter ; baited, and hooted at,. Like to a common strumpet ; with loud noises Forced from my prayers ; and my private chamber, Which with all willingness, I would make my prison During the absence of ray lord, denied me : But if he e'er return — — Fran. Were you an actor In this lewd comedy? Mari. Ay, marry was I ; And will be one again. /sab. I'll join with her, Though you repine at it. , Fran. Think not, then, I speak, For I stand bound to honour, and to serve you ; But that the duke, that lives in this great lady, For the contempt of him in her, commands you To be close prisoners. /sab. Mari. Prisoners ! Fran. Bear thera hence ; This is your charge, my lord Tiberio, And, Stephano, this is yours. Marq, I am not cruel, But pleased they may have liberty. /sab. Pleased, with a mischief ! Mari. I'll rather live in any loathsome dungeon, Than in a paradise at her entreaty : And, for you, upstart Sieph. There is no contending. Tib. What shall become of these ? Fran. See them well whipp'd, As you will answer it. Tib. Now, signior Graccho, Wliat think you of your greatness ? Grac, I preach patience, And must endure my fortune. I Fid. I was never yet At such a hunt's-up, nor was so rewarded. \Exeunt all but Francisco and Marcelia. Fran. Let them first know themselves, and how you are To- be served and honour 'd ; which, when they confess, You may again receive them to your favour : And then it will shew nobly. Marc. With my thanks The duke shall pay you his, if he retiun To bless us with his presence. Fran. There is nothing That can be added to your fair acceptance ; That is the prize, indeed ; all else are blanks, And of no value. As, in virtuous actions, The undertaker finds a full reward, Although conferr'd upon unthankful men ; :So, any service done to so much sweetness. However dangerous, and subject to An ill construction, in your favour finds A wish'd, and glorious end. Marc. From you, I take this As loyal duty ; but, in any other, Jt would appear gross flattery. Fran. Flattery, madam ! You are so rare and excellent in all things. And raised so high upon a rock of goodness. As that vice cannot reach you ; who but looks on This temple, built by nature to perfection, But ^must bow to 'it ; and out of that zeal. Not only learn to adore it, but to love it ? Marc. Whither will this fellow? \Aside. Fran. Pardon, therefore, madam. If an excess in me of humble duty. Teach me to hope, and though it be not in The power of man to merit such a blessing. My piety, for it is more than love, May find reward. Marc. You have it in my thanks ; And, on my hand, I am pleased that you shall take A full possession of it : but, take heed That you fix here, and feed no hope beyond it; If you do, it will prove fatal. Fran. Be it death. And death with torments tyrants ne'er found out. Yet I must say, I love you. Marc. As a subject ; And 'twill become you. Fran. Farewell, circumstance ! And since you are not pleased to understand me. But by a plain and usual form of speech ; All superstitious reverence laid by, I love you as a man, and, as a man, I would enjoy you. Why do you start, and fly me? I am no monster, and you but a woman, A woman made to yield, and by example Told it is lawful : favours of this nature Are, in our age, no miracles in the greatest ; And, therefore, lady Marc. Keep off !— O you Powers ! Libidinous beast ! and, add to that, un- thankful ! A crime, which creatures wanting reason fly from. Are all the princely bounties, favours, honours, ■Which, with some prejudice to his own wisdom, Thy lord and raiser hath conferr'd upon thee. In three days' absence buried ? Hath he made thee, A thing obscure, almost without a name, The envy of great fortunes ? Have I graced thee. Beyond thy rank, and entertain'd thee, as A friend, and not a servant ? and is this, This impudent attempt to taint mine honour, The fair return of both our ventured favours ! Fran. Hear my excuse. Marc. The devil may plead mercy. And, with as much assurance, as thou yield one. Bums lust so hot in thee ? or is thy pride Grown up to such a height, that, but a princess. No woman can content thee ; and, add to it. His wife and princess, to whom thou art tied In all the bonds of duty? — Read my life, And find one act of mine so loosely carried. That could invite a most self-loving fool. Set off with all that fortune could throw on him. To the least hope to find way to my favour; And what's the worst mine enemies could wish me, I'll be thy strumpet. Fran. 'Tis acknowledged, madam. That your whole course of hfe hath been a pattern For chaste and virtuous women. In your beauty. Which I first saw, and loved, as a fair crystal, I read your heavenly mind, clear and un- tainted ; And while the duke did prize you to your value. Could it have been in man to pay that duty, I well might envy him, but durst not hope THE DUKE OF MILAN. To stop you in your full career of goodness: But now I find that he's fall'n from his for- tune, And, howsoever he would appear doting, Grown cold in his affection ; I presume. From his most barbarous neglect of you, To offer my true service. Nor stand I bound, To look back on the courtesies of him. That, of all living men, is most unthankful. Marc. Unheard-of impudence ! Fran. You'll say I am modest. When I have told the story. Can he tax me. That have received some worldly trifles from him, For being ungrateful ; when he, that first tasted. And hath so long enjoy'd, your sweet em- braces. In which all blessings that otu: frail condition Is capable of, are wholly comprehended. As cloy'd with happiness, contemns the giver Of his felicity ; and, as he reach'd not The masterpiece of mischief which he aims at. Unless he pay those favours he stands bound to. With fell and deadly hate !— You think he loves you With unexampled fervour; nay, dotes on you. As there were something in you more than woman : When, on my knowledge, he long since hath wish'd You were among the dead ; — and I, you scorn so. Perhaps, am your preserver. Marc. Bless me, good angels. Or I am blasted ! Lies so false and wicked. And fashion'd to so damnable a purpose. Cannot be spoken by a human tongue. My husband hate me ! give thyself the lie, False and accurs'd ! Thy soul, if thou hast any, Can witness, never lady stood so bound To the imfeign'd aflection of her lord, As I do to my Sforza. If thou wouldst work Upon my weak creduhty, tell me, rather, That the earth moves; the sun and stars stand still ; The ocean keeps nor floods nor ebbs ; or that There's peace between the lion and the lamb ; Or that the ravenous eagle and the dove Keep in one aerie, and bring up their young ; Or anything that is averse to nature : And I will sooner credit it, than that My lord can think of me, but as a jewel. He loves more than himself, and all the world. Fran. O innocence abused ! simplicity cozen'd ! It were a sin, for which we have no name, To keep you longer in this wilful error. Read his affection here ; — [Givesherafaper.'] — and then observe How dear he holds you ! 'Tis his character. Which cunning yet could never counterfeit. Marc. 'Tis his hand, I'm resolv'd of it. I'll try What the inscription is. Fran. Pray you, do so. Marc, [reads.] You know my pleasure, and the hour of Marcelia' s death, which fail not to execute, as you -will answer the con- trary, not with your head alone, but with the ruin of your whole family. And this, written with mine own hand, and signed with my privy signet, shall be your sv^cienf warrant. LODOVICO Sfoeza^ I do obey it ! every word's a poniard, And reaches to my heart. {Swoons. Fran. What have I done? Madam ! for heaven's sake, madam ! — O my fate! I '11 bend her body ; this is yet some pleasure :■ I'll kiss her into a new life. Dear lady ! — She stirs. For the duke's sake, for Sforza's- sake Marc. Sforza's 1 stand oflf ; though dead,, I will be his. And even my ashes shall abhor the touch Of any other. — O unkind, and cruel 1 Learn, women, learn to trust in one another r There is no faith in man : Sforza is false. False to Marcelia ! Fran. But I am true. And live to make you happy. All the pomp^ State, and observance you had, being his, Compared to what you shall enjoy, when mine. Shall be no more remember'd. Lose his memory. And look with cheerful beams on your new creature ; And know, what he hath plotted for your good. Fate cannot alter. If the emperor Take not his life, at his return he dies. .And by my liand : my wife, that is his heir, Shall quickly follow : — then we reign alone ! 78 THK DUKE OF MILAN. For with this arm I'll swim through seas of blood, Or make a bridge, aroh'd with the bones of men. But I will grasp my aims in you, my dearest, Dearest, and best of women ! Marc. Thou art a villain ! All attributes of arch-villains made into one, ■Cannot express thee. I prefer the hate Of Sforza, though it mark me for the grave. Before thy base affection. I am yet Pure and unspotted in my true love to him ; Nor shall it be corrupted, though he's tainted ; Nor will I part with innocence, because He is found guilty. For thyself, thou art A thing, that, equal with the devil himself, I do detest and scorn. Fi-an. Thou, then, art nothing : Thy life is in my power, disdainful woman ! Think on't, and tremble. Marc, No, though thou wert now To play thy hangman's part. — Thou well ma/st be My executioner, and art only fit For such employment ; but ne'er hope to have The least grace from me. I will never see thee. But as the shame of men ; so, with my curses Of horror to thy conscience in this life. And pains in hell hereafter, I spit at thee ; And, making haste to make my peace with heaven, Expect thee as my hangman. \Exlt. Fran. I am lost In the discovery of this fatal secret. ■Cursd hope, that flatter'd me, that wrongs could make her A stranger to her goodness ! all my plots 'Turn back upon myself ; but I am in. And must go on ; and, since I have put off From the shore of innocence, guilt be now my pilot ! Revenge first wrought me ; murder's his twin brother : One deadly sin, then, help to cure another ! [Exit. ACT III. SCENE \.—Tke Imperial Camp, before Pavia. Enter Medina, Hernando, and Alphonso. Med. The spoil, the spoil ! 'tis that the soldier fights for. Our victory, as yet, affords us nothing But wounds and empty honour. We have p,Tss'd The hazard of a dreadful day, and forced A passage with our swords through all the dangers That, page-like, wait on the success of war ; And now expect reward. Hern. Hell put in The enemy's mind to be desperate, and hold out I Yieldings and compositions will undo us ; And what is that way given, for the most part. Comes to the emperor's coffers to defray The charge of the great action, as 'tis ru- mour'd : When, usually, some thing in grace, that ne'er heard The cannon's roaring tongue, but at a tri- umph. Puts in, and for his intercession shares All that we fought for ; the poor soldier left To starve, or fill up hospitals. Alph. But, when We enter towns by force, and car\-e our- selves. Pleasure with pillage, and the richest wines Open our shrunlt-up veins, and pour into them New blood and fervour Med. I long to be at it ; To see these chuffs, that every day may spend A soldier's entertainment for a year. Yet make a third meal of a bunch of raisins ; These sponges, that suck up a kingdom's fat. Battening like scarabs in the dung of peace. To be squeezed out by the rough hand of war; And all that their whole lives have heap'd together. By cozenage, perjury, or sordid thrift, With one gripe to be ravish 'd. Hern. 1 would be tousing Their fair madonas, that in little dogs. Monkeys, and paraquittos, consume thou- sands ; Yet, for the advancement of a noble action. Repine to part with a poor piece of eight : War's plagues upon them ! I have seen them stop Their scornful noses first, then seem to swoon. At sight of a buff jerkin, if it were not Perfumed, and hid with gold : yet these nice wantons, Spurr'd on by lust, cover'd in some disguise. To meet some rough court-stallion, and be leap'd. Durst enter into any common brothel, THE DUKE OF MILAN, 79 Though all varieties of stink contend there ; Yet praise the entertainment. ^hd. I may live To see the tatter'd'st rascals of my troop Drag them out of their closets, with a ven- geance ! "When neither threat'ning, flattering, kneel- ing, howling. Can ransome one poor jewel, or redeem Themselves, from their blunt wooing. Hem. My main hope is, To begin the sport at Milan : there's enough, And of all kinds of pleasure we can wish for, To satisfy the most covetous. Alpk. Every day We look for a remove. Med. For Lodowick Sforza, The duke of Milan, I, on mine own know- ledge, Can say thus much : he is too much a soldier, Too confident of his own worth, too rich too, And understands too well the emperor hates him, To hope for composition. Alpk. On my hfe, We need not fear his coming in. Hem. On mine, I do not wish it : I had rather that, To shew his valour, he'd put us to the trouble To fetch him in by the ears. Med. The emperor ! Flourish. Enter Charles, Pescara, and Attendafits. •Chart. You mal-ie me wonder : — nay, it is no counsel, You may partake it, gentlemen : who'd have thought. That he, that scom'd our proffer'd amity W^hen he was sued to, should, ere he be summon'd, {Whether persuaded to it by base fear, Or flatter 'd by false hope, which, 'tis uncer- tain,) First kneel for mercy? ]}iled. When your majesty Shall please to instruct us who it is, we may Admire it with you. Chart. Who, but the duke of Milan, The right hand of the French ! of all that stand In our displeasure, whom necessity Compels to seek our favour, I would have sworn Sforza had been the last. Hem. And should be writ so, In the list of those you pardon. Would his city Had rather held us out a siege, like Troy, Than, by a feign'd submission, he should cheat you Of a just revenge ; or us, of those fair glories We have sweat blood to purchase ! Med. With your honour You cannot hear him. Alpli. The sack alone of Milan Will pay the army. Cfiarl. I am not so weak, To be wrought on, as you fear ! nor ignorant That money is the sinew of the war ; And on what terms soever he seek peace, Tis in our power to grant it, or deny it : Yet, for our glory, and to shew him that We've brought him on his knees, it is re- solved To hear him as a suppliant. Bring him in ; But let him see the effects of our just anger. In the guard that you make for him. \Exit Pescara. Hem. I am now Familiar with the issue ; all plagues on it ! He will appear in some dejected habit, His countenance suitable, and, for his order, A rope about his neck : then kneel and tell Old stories, what a worthy thing it is To have the power, and not to use it ; then add to that A tale of king Tigranes, and great Pompey, Who said, forsooth, and wisely ! 'twas more honour To make a king than kill one ; which , applied To the emperor, and himself, a pardon's granted To him an enemy ; and we, his servants, Condemn'd to beggary. \Aside to Med. Med. Yonder he comes ; But not as you expected. Re-enter Pescara with Sforza, strongly guarded. Atpti. He looks as if He would outface his dangers. Herji. I am cozen'd : A suitor, in the devil's name ! Med. Hear him spealc. Sfor. I come not, emperor, to invade thy mercy, By fawning on thy fortune ; nor bring with me Excuses, or denials. I profess. And with a good man's confidence, even this instant That I am in thy power, I was thine enemy ; Thy deadly and vow'd enemy : one that wish'd Confusion to thy person and estates ; And with my utmost powers, and deepest counsels, Had they been truly follow'd, further'd it. Nor will I now, although my neck were under The hangman's axe, with one poor syllable Confess, but that I honour'd the French king, More than thyself, and all men. Med. By Saint Jacques, This is no flattery. Hern. There is fire and spirit in't ; But not long-lived, I hope, Sfor. Now give me leave. My hate against thyself, and love to him Freely acknowledged, to give up the reasons That make me so affected : In my wants I ever found him faithful ; had supplies Of men and monies from him ; and my hopes. Quite sunk, were, by his grace, buoy'd up again ; He was, indeed, to me, as my good angel To guard me from all dangers. I dare speak. Nay, must and will, his praise now, in as high And loud a key, as when he was thy equal. — The benefits he sow'd in me, met not Unthankful groimd, but yielded him h|s own With fair increase, and I stilt glory in it. And, though my fortunes, poor, compared to his. And Milan, weigh 'd with France, appear as nothing. Are in thy Sfury burnt, let it be roention'd. They served but as small tapers to attend The solemn fiame at this great funeral ; And with them I will gladly waste myself. Rather than undergo the imputation Of being base, or unthankful. Alph. Nobly spoken ! Hem. I do begin, I know not why, to hate him Less than I did. Sfor. If that, then, to be grateful For courtesies received, or not to leave A friend in his necessities, be a crime Amongst you Spaniards, which other nations That, like you, aim'd at empire, loved, and cherish'd Where'er they found it, Sforza brings his head To pay the forfeit. Nor come I as a slave, Pinion'd and fetter'd, in a squalid weed. Falling before thy feet, kneeling and howling, For a forestalld remission : that were poor. And would but shame thy victory ; for con- quest Over base foes, is a captivity. And not a triumph. I ne'er feared to die. More than I wish'd to live. When I had reach'd My ends in being a duke, I wore these robes, This crown upon my head, and to my side This sword was girt; and witness truth, that, now 'Tis in another's power, when I shall part With them and life together, I'm the same : My veins then did not swell with pride; nor now Shrink they for fear. Know, sir, that Sforza stands Prepared for either fortune. Hern. As I live, I do begin strangely to love this fellow ; And could part with three quarters of my share in The promised spoil, to save him. Sfor. But, if example Of myJideUty to the French, whose honours, Titles, and glories, are now mix'd with yours. As brooks, devour'd by rivers, lose their names. Has power to invite you to make him a friend. That hath given evident proof he knows to love, And to be thankful : this my crown, now yours. You may restore me, and in me instruct These brave commanders, should your for- tune change, Which now I wish not, what they may expect From noble enemies, for being faithful. The charges of the war I will defray, And, what you may, not without hazard, force, Bring freely to you : I'll prevent the cries Of murder'd infants, and of ravish'd maids. Which in a city sack'd, call on heaven's justice. And stop the course of glorious victories ; And, when I know the captains and the soldiers. That have in the late battle done best service. And are to be rewarded, I myself. According to their quality and merits, Will see them largely recompensed. — I have said, And now expect my sentence. Alph. By this light, 'Tis a brave gentleman. Med. How like a block The emperor sits ! Hern. He hath deliver'd reasons. Especially in his purpose to enrich Such as fought bravely, (I myself am one, I care not who knows it,) as I wonder that He can be so stupid. Now he begins to stir : Mercy, an't be thy will ! Cliarl. Thou hast so far Outgone my expectation, noble Sforza, THE DUKE OF MILAN. 8r For such I hold thee ; — and true constancy, Raised oh a brave foundation, bears such palm And privilege with it, that where we be- hold it, Though in an enemy, it does command us To love and honour it. By my future hopes, I am glad for thy sake, that in seeking favour, Thou did'st not borrow of vice her indirect, Crooked, and abject means ; and for mine own, That, since my purposes must now be changed Touching thy life and fortunes, the world cannot Tax me of levity in my settled counsels ; I being neither wrought by tempting bribes. Nor servile flattery ; but forced into it By a fair war of virtue. Hern. This sounds well. Chart. All former passages of hate be buried : For thus with open arms I meet thy love, And as a friend embrace it ; and so far I am from robbing thee of the least honour, That with my hands, to make it sit the faster, I set thy crown once more upon thy head ; And do not only style thee, Dulce of Milan, But vow to keep thee so. Yet, not to take From others to give only to myself, I will not hinder your magnificence To my commanders, neither will I urge it ; But in that, as in all things else, I leave you To be your own disposer. [Flourish. Exit with Attendants. Sfor. May I live To seal my loyalty, though with loss of life, In some brave service worthy Cassar's favour. And I shall die most happy ! Gentlemen, Receive me to your loves ; and, if henceforth There can arise a difference between us, It shall be in a noble emulation Who hath the fairest sword, or dare go farthest, To fight for Charles the emperor. Hern. We embrace you, As one well read in all the points of honour : And there we are your scholars. Sfor. True ; but such As far outstrip the master. We'll contend In love hereafter : in the meantime, pray you, Let me discharge my debt, and, as an earnest Of what's to come, divide this cabinet : In the small body of it there are jewels Will yield a hundred thousand pistolets, Which honour me to receive. Med. You bind us to you. Sfor. And when great Charles commands me to his presence, If you will please to excuse my abrupt de- parture, Designs that most concern me, next this mercy, Calling me home, I shall hereafter meet you, And gratify the favour. Hern. In this, and all things, We are your servants. Sfor. A name I ever owe you. [Exeunt Medina, Hernando, and Alphonso. Pesc. So, sir ; this tempest is well over- blown, And all things fall out to our wishes : but, In my opinion, this quick return. Before you've made a party in the court Among the great ones, (for these needy captains Have little power in peace,) may beget danger. At least suspicion. Sfor. Where true honour lives. Doubt hath no being : I desire no pawn Beyond an emperor's word, for iny assurance. Resides, Pescara, to thyself, of all men, I will confess my weakness : — though my state And crown's restored me, though I am in grace, And that a little stay might be a step To greater honours, I must hence. Alas ! I live not here ; my wife, my wife, Pescara, Being absent, I am dead. Prithee, excuse. And do not chide, for friendship's sake, my fondness. But ride along with me ; I'll give you reasons, And strong ones, to plead for me. Pesc. Use your own pleasure ; I'll bear you company, Sfor. Farewell, grief ! I am stored with Two blessings most desired in human life, A constant friend, an unsuspected wife. [Exeunt, SCENE II.— Milan. A Room in the Castle. Enter an Officer with Graccho. Offic. . What I did, I had warrant for ; you have tasted My office gently, and for those soft strokes, Flea-bitings to the jerks I could have lent you, There does belong a feeing. Grac. Must I pay For being tormented, and dishonour 'd? Offic. Fie ! no, Your honour's not impair'din't. Wliat's the letting out Of a little corrupt blood, and the next wav too? THE DUKE OF MILAN. There is no surgeon like me, to take oif A courtier's itch that's rampant at great ladies, Or turns knave for preferment, or grows proud Of his rich cloaks and suits, though got by brokage, And so forgets his betters. Grac. Very good, sir : But am I the first man of quality That e'er came under your fingers ? Ofic. Not by a thousand ; And they have said I have a lucky hand too : Both men and vfomen of all sorts have bow'd Under this sceptre. I have had a fellow That could endite, forsooth, and make fine metres To tinkle in the ears of ignorant madams. That, for defaming of great men, was sent me Threadbare and lousy, and in three days after. Discharged by another that set him on. I have seen him Cap i pl6 gallant, and his stripes wash'd off With oil of angels. Grac. 'Twas a sovereign cure. Offic. There was a sectary too, that would not be Conformable to the orders of the church. Nor yield to any argument of reason. But still rail at authority, brought to me, When I had worm'd his tongue, and truss'd his haunches, Grew a fine pulpit man, and was beneficed : Had he not cause to thank me ? Grac. There was physic Was to the purpose. O^ic. Now, for women, sir. For your more consolation, I could tell you Twenty fine stories, but I'll end in one. And 'tis the last that's memorable. Grac. Prithee, do ; For I grow weary of thee. O^c. There was lately A fine she-waiter in the court, that doted Extremely of a gentleman, that had His main dependence on a signior's favour I will not name, but could not compass him On any terms. This wanton, at dead mid- night, Was found at the exercise behind the arras. With the 'foresaid signior : he got clear off, But she was seized on, and, to save his honour, Endured the lash ; and, though I made her often Curvet and caper, she would never tell Who play'd at pushpin with her. Grac. But what foUow'd? Prithee be brief. Qfic. Why this, sir : She deliver'd. Had store of crowns assign'd her by her patron, Who forced the gentleman, to save her credit. To marry her, and say he was the party Found in Lob's pound : so she, that, before, gladly Would have been his whore, reigns o'er him as his wife ; Nor dares he grumble at it. Speak but truth, then, Is not my office lucky ? Grac. Go, there's for thee ; But what will be my fortune ? Ofic. If you thrive not After that soft correction, come again. Grac. I thank you, knave. OMc. And then, knave, I will fit you. [Krii. Grac. Whipt like a rogue ! no lighter punishment serve To balance with a Uttle mirth ! 'Tis well ; My credit sunk for ever, I am now Fit company only for pages and for footboys. That have perused the porter's lodge. Enter Julio and Giovanni. Giov. See, Julio, Yonder the proud slave is. How he looks now, After his castigation ! Jul. As he came From a close fight at sea under the hatches. With a she-Dunkirk, that was shot before Between wind and water ; and he hath sprung a leak too, Or I am cozen'd. Giov. Let's be merry with him. Grac. How they stare at me I am I tum'd to an owl? — The wonder, gentlemen? Jul. I read, this morning, Strange stories of the passive fortitude Of men in former ages, which I thought Impossible, and not to be believed : But now I look on you, my wonder ceases. Grac. The reason, sir ? Jul. Why, sir, you have been whipt, Whipt, signior Graccho ; and the whip, I take it. Is to a gentleman, the greatest trial That may be of his patience. Grac. Sir, I'll call you To a strict account for this. Giov. I'll not deal with you, Unless I have a beadle for my second : And then I'll answer you. r THE DUKE OF MILAN. 83i Jul. Farewell, poor Graccho. [i?xeu?i£ Julio and Giovanni, Grac, Better and better still. If ever wrongs Could teach a wretch to find the way to vengeance, Enter Francisco and a Servant. Hell now inspire me ! How, the lord pro- tector ! My judge ; I thank him ! Whither thus in private ? I will not see him. [Stands aside. Fran. If I am sought for, Say I am indisposed, and will not hear Or suits, or suitors. Serv. But, sir, if the princess Enquire, what shall I answer ? Fran. Say, I am rid Abroad to take the air ; but by no means Let her know I'm in court. Serv. So I shall tell her. {Exit. Fran. Within there, ladies ! Enter a Gentlewoman, Genilew. My good lord, your pleasure ? Fran. Prithee, let me beg thy favour for access To the dutchess. Genilew. In good sooth, my lord, I dare not J She's very private. Fran. Come, there's gold to buy thee A new gown, and a rich one. Genilew. I once swore If e'er I lost my maidenhead, it should be With a great lord, as you are ; and, I know not how, I feel a yielding inclination in me, If you have appetite. Fran.. Pox on thy maidenhead ! Where is thy lady? Genilew, If you venture on her, She's walking in the gallery ; perhaps, You will find her less tractable. Fran. Bring me to her. G&ntlew. I fear you'll have cold entertain- ment, when You are at your journey's end ; and 'twere discretion To take a snatch by the way. Frati. Prithee, leave fooling : My page waits in the lobby ; give him sweet- meats ; He is train'd up for his master's ease, And he will cool thee. [Exettnt Fran. a7id Gentlew. Grac. A brave discovery beyond my hope, A plot even oft'er'd to my hand to work on ! If I am dull now, may I live and die The scorn of Vi^orms and slaves ! — Let me- considcr : My lady and her mother first committed, In the favour of the dutchess ; and I whipt ! : That; with an iron pen, is writ in brass On my tough heart, now grown a harder- metal. — And all his bribed approaches to the dutchess . Tobeconceal'd ! good, good. This to my lady Deliver'd, as I'll order it, runs her mad. — But this may prove but courtship ! let it be, I care not, so it feed her jealousy. \_Exit^. SCENE III. — Another Room in the same^ Enter Marcelia and Francisco. Marc. Believe thy tears or oaths ! can it be hoped. After a practice so abhorr'd and horrid. Repentance e'er can find thee? Fran. Dearest lady, Great in your fortune, greater in your good-- ness, Make a superlative of excellence. In being greatest in your saving mercy. I do confess, humbly confess my fault. To be beyond all pity ; my attempt So barbarously rude, that it would turn A saint-like patience into savage fury. But you, that are all innocence and virtue,. No spleen or anger in you of a woman, But when a holy zeal to piety fires you. May, if you please, impute the fault to love*,. Or call it beastly lust, for 'tis no better : A sin, a monstrous sin ! yet with it many That did prove good men after, have been^. tempted ; And, though I'm crooked now, 'tis in your - power To make me straight again. Marc. Is't possible This can be cunning ! [Aside~. Fran. But, if no submission, Nor prayers can appease you, that you may know 'Tis not the XQds of death that makes me sue.- thus. But a loath'd detestation of my madness, Which makes me wish to live to have your pardon ; I will not wait the sentence of the duke, Since his return is doubtful, but I myself Will do a fearful justice on myself. No witness by but you, there being no morei- When I offended. Yet, before I do it, i For I perceive in you no signs of mercy, I will disclose a secret, which dying with me». May prove your ruin. G2 84 THE DUKE OF MILAN. Marc. Speak it ; it will take from The burthen of thy conscience, Fran. Thus, then, madam ; The warrant by my lord sign'd for your death. Was but,j;onditional ; but you must swear By your unspotted truth, not to reveal it. Or I end here abruptly. Marc. By my hopes Of joys hereafter. On. Fran. Nor was it hate That forced him to it, but excess of love. And, if Ineerreturn, (sosaid great Sforza,) No living 7nan deserving to enjoy My best Marcelia, with the first news That ram dead, {for no man-after me Must e'er enjoy her, ) fail not to kill her But till cet tain proof Assure thee I am lost, (these were his words,) Observe and honour her, as if the soul Of woman* s goodness only dwelt in hers. This trust, I have abused, and basely wrong'd ; And, if the excelling pity of your mind Cannot forgive it, as I dare not hope it. Rather than look on my offended lord, I stand resolved to punish it. {Draws his sword. Marc. Hold ! 'tis forgiven, And by me freely pardon'd. In thy fair life Hereafter, study to deserve this bounty. Which thy true penitence, such I believe it. Against myresolution hath forced from me. — But that my lord, my Sforza, should esteem My life fit only as a page, to wait on The various course of his uncertain fortunes ; Or cherish in himself that sensual hope. In death to know me as a wife, afflicts me ; Nor does his envy less deserve mine anger. Which though, such is my love, I would not nourish. Will slack the ardour that I had to see him Return in safety. Fran. But if your entertainment Should give the least ground to his jealousy. To raise up an opinion I am false, You then destroy yoiu: mercy. Therefore, madam, (Though I shall ever look on you as on My life's preserver, and the miracle Of human pity,) would you but vouchsafe. In company, to do me those fair graces. And favours, which your innocence and honour May safely warrant, it would to the duke, J being to your best self alone known guilty. Make me appear most innocent. Marc. Have your wishes ; And something I may do to try his temper, At least, to make him know a constant wife Is not so slaved to her husband's doting humours, But that she may deserve to live a widow. Her fate appointing it. Fran. It is enough ; Nay, all I could desire, and will make way To my revenge, which shall disperse itself On him, on her, and all. \_Aside and exit. — Shout and flourish. Marc. What shout is that ? Enter Tiberio and Stephano. Tib. All happiness to the dutchess, that may flow From the duke's new and wish'd return ! Marc. He's welcome. Steph. How coldly she receives it ! Tib. Observe the encounter. Flourish. Enter Sforza, Pescara, Isabella, Mariana, Graccho, and Attendants. Mari. What you have told me, Graccho, is believed. And I'll find time to stir in't. Grac. As you see cause ; I will tiot do ill offices. Sfor. I have stood Silent thus long, Marcelia, expecting When, with more than a greedy haste, thou wouldst Have flown into my arms, and on my lips Have printed a deep welcome. My desires To glass myself in these fair eyes, have borne me With more than human speed : nor durst I stay In any temple, or to any saint To pay my vows and thanks for my rettmi. Till I had seen thee. Marc. Sir, I am most happy To look upon you safe, and would express My love and duty in a modest fashion, Such as might suit with the behaviour Of one that knows herself a wife, and how To temper her desires, not like a wanton Fired with hot appetite ; nor can it wroijg me To love discreetly. Sfor. How 1 why, can there be A mean in your affections to Sforza? Or any act, though ne'er so loose, that may Invite or heighten appetite, appear Immodest or uncomely? Do not move me ; My passions to you are in extremes. And know no bounds : — come ; kiss me. Marc. I obey you. Sfor. By all the joys of love, she does salute me As if I were her grandfather ! 'What witch. THE DUKE OF MILAN. 8S With cureed spells, hath quench'd the amorous heat That lived upon these hps? Tell me, Marcelia, And truly tell me, is't a fault of mine That hath begot this coldness? or neglect Of others, in my absence ? Marc. Neither, sir ; I stand indebted to your substitute. Noble and good Francisco, for his care And fair observance of me : there was nothing With which you, being present, could supply me. That I dare say I wanted. Sfor. How! Marc. The pleasures That sacred Hymen warrants us, excepted, Of which, in troth, you are too great a doter : And there is more of beast in it than man. Let us love temperately ; things violent last not. And too much dotage rather argues folly Than true affection. Grac. Observe but this, And how she praised my lord's care and observance ; And then judge, madam, if my intelligence Have any ground of truth. Mari. No more ; I mark it. Stefh. How the duke stands ! Tib. As he were rooted there. And had no motion. Pesc. My lord, from whence Grows this amazement ? Sfor. It is more, dear my friend ; For I am doubtful whether I've a being, But certain that my life's a burden to me. Take me back, good Pescara, shew me to Caesar In all his rage and fury ; I disclaim His mercy : to live now, which is his gift. Is worse than death, and with all studied torments. Marcelia is unkind, nay, worse, grown cold In her affection ; my excess of fervour. Which yet was never equall'd, grown dis- tasteful. — But have thy wishes, woman ; thou shalt know That I can be myself, and thus shake off The fetters of fond dotage. From my sight, Without reply ; for I am apt to do Something I may repent. — [Exit Marc. — Oh ! who would place His happiness in most accursed woman. In whom obsequiousness engenders pride ; And harshness deadly hatred ! From this hour I'll labour to forget there are such creatiu-es ; True friends be now my mistresses. Clear your brows, • And, though my heart-strings crack for't I will be To all a free example of deUght. We will have sports of all kinds, and pro- pound Rewards to such as can produce us new ; Unsatisfied, though we surfeit in their store ; And never think of curs'd Marceha more. \E.xevnt. ACT IV. SCENE I. — The same. A Room in the Castle. Enter Francisco and Graccho. Fran. And is it possible thou shouldst forget A wrong of such a nature, and then study My safety and content ? Grac. Sir, but allow me Only to have read the elements of courtship. Not the abstruse and hidden arts to thrive there ; And you may please to grant me so much knowledge. That injuries from one in grace, like you. Are noble favours. Is it not grown common. In every sect, for those that want, to suffer From such as have to give ? Your captain cast. If poor, though not thought daring, but ap- proved so, To raise a coward into name, that's rich, Suffers disgraces publicly ; but receives Rewards for them in private. Fran. Well observed. Put on ; we'll be familiar, and discourse A little of this argument. That day. In which it was first rumour'd, then con- firm 'd. Great Sforza thought me worthy of his favour, I found myself to be another thing ; Not what I was before. I passed then For a pretty fellow, and of pretty parts too, And was perhaps received so ; but, once raised. The liberal courtiers made me master of Those virtues which I ne'er knew in myself: If I pretended to a jest, 'twas made one By their interpretation ; if I offer'd To reason of philosophy, though absurdly. They had helps to save me, and \\ithout a blush =S6 THE DUKE OF MILAN. Would swear that I, by nature, had more knowledge, Than others could acquire by any labour : Nay, all I did, indeed, which in another Was not remarkable, in me shew'd rarely. Grac. But then they tasted of your bounty. Fran. True : They gave me those good parts I was not bom to. And, by my intercession, they got that Which, had I cross'd them, they durst not have hoped for. Grac. All this is oracle : and shall I, then, 'JFor a foolish whipping, leave to honour him. That holds the wheel of fortune ? no ; that savours "Too much of the ancient freedom. Since great men Heceive disgraces and give thanks, poor knaves - Must have nor spleen, nor anger. Though I love My hmbs as well as any man, if you had now - A humour to kick me lame into an office, Where I might sit in state and undo others, -Stood I not bound to kiss the foot that did it? "Though it seem strange, there have been such things seen In the memory of man. Fran. But to the purpose, -And then, that service done, make thine own fortunes. My wife, thou say'st, is jealous I am too Familiar with the dutchess. Grac. And incensed iFor her commitment in her brother's ab- sence ; -And by her mother's anger is spurr'd on 'To make discovery of it. This her purpose Was trusted to my charge, which I declined As much as in me lay ; but, finding her Determinately bent to undertake it, Though breaking my faith to her may de- stroy My credit with your lordship, I yet thought , "Tliough at my peril, I stood boimd to re- veal it. Fran. I thank thy care, and will deserve this secret. In making thee acquainted with a greater. And of more moment. Come into my bosom. And take it from me : Canst thou think, dull Graocho, My power and honours were oonferr'd upon And, add to them, this form, to have my pleasures ^ Confined and limited ? I delight in change. And sweet variety ; that's my heaven on earth, For which I love hfe only. I confess. My vrife pleased me a day, the dutchess, two, (And yet I must not say I have enjoy'd her,) But now I care for neither ; therefore, Graccho, So far I am from stopping Mariana In making her complaint, that I desire thee To urge her to it. Grac. That may prove your ruin ; The duke already being, as 'tis reported. Doubtful she hath play'd false. Fran. There thou art cozen'd ; His dotage, like an ague, keeps his course. And now 'tis strongly on him. But I lose time. And therefore know, whether thou wilt or no. Thou art to be my instrument ; and, in spite Of the old saw, that says. It is not safe On any terms to trust a man that's wrong'd, I dare thee to be false. Grac. This is a language. My lord, I understand not. Fran. You thought, sirrah. To put a trick on me for the relation Of what I loiew before, and, ha'ring won Some weighty secret from me, in revenge To play the traitor. Know, thou wretched thing, 1 By my command thou wert whipt ; and j every day I'll have thee freshly tortured, if thou miss : In the least charge that I impose upon thee. Though what I speak, for the most part, is I true : \ Nay, grant thou hadst a thousand witnesses To be deposed they heard it, 'tis in me With one word, such is Sforza's confidence Of my fideUty not to be shaken. To malte all void, and ruin my accusers. Therefore look to't ; bring my wife hotly on To accuse me to the duke — I have an end in't, Or think what 'tis makes man most mise- rable, And that shall fall upon thee. Thou wert a fool To hope, by being acquainted with my courses, To curb and awe me ; or that I should live Thy slave, as thou didst saucily divine : For prying in my counsels, still live mine. [Exit. THE DUKE OF MILAN. 87 Grac. I am caught on both sides. This 'tis for a puisne In policy's Protean school, to try conclusions With one that hath commenced, and gone out doctor. If I discover what but now he bragg'd of, I shall not be beheved : if I fall off From him, his threats and actions go to- gether, And there's no hope of safety. Till I get A plummet that may sound his deepest counsels, I must obey and serve him : Want of skill Now makes me play the rogue against my will. [Exit. SCENE II. — Another Boom in the same. Enter Marcelia, Tiberio, Stephano, and Gentlewoman. Marc. Command me from his sight, and with such scorn As he would rate his slave ! Tib. 'Twas in his fury. Steph. And he repents it, madam. Marc. Was I bom To observe his humours ! or, because he dotes, Must I run mad ? Tib. If that your Excellence Would please but to receive a feeling know- ledge Of what he suffers, and how deep the least Unkindness wounds from you, you would excuse His hasty language. Steph. He hath paid the forfeit Of his offence, I'm sure, with such a sorrow, As, if it had been greater, would deserve A full remission. Marc. Why, perhaps, he hath it ; And I stand more afflicted for his absence, Than he can be for mine : — so, pray you, tell him. But, till I have digested some sad thoughts, And reconciled passions that are at war Within myself, I purpose to be private : And have you care, unless it be Francisco', That no "man be admitted. \Exit Gentlewoman. Tib. How ! Francisco ? Steph. He, that at every stage keeps hvery mistresses ; The stallion of the state ! Tib. They are things above us, And so no way concern us. Steph. If I were The duke, (I freely must confess my weak- ness,) Enter Francisco. I should wear yellow breeches. Here he comes. Tib. Nay, spare your labour, lady, we know our duty, And quit the room. Steph. Is this her privacy ! Though with the hazard of a check, perhaps, This may go to the duke. [Exeunt Tiberio and Stephano. Marc, Your face is full Of fears and doubts : the reason ? Fran. O, best madam, They are not counterfeit. I, your poor convert, That only wish to live in sad repentance, To mourn my desperate attempt of you, That have no ends nor aims, but that yoiu: goodness Might be a witness of my penitence, Which seen, would teach you how to love your mercy, Am robb'd of that last hope. The duke, the duke, I more than fear, hath found that I am guilty. Marc. By my unspotted honour, not from me ; Nor have I with him changed one syllable, Since his return, but what you heard. Fran. Yet malice Is eagle eyed, and would see that which is not ; And jealousy's too apt to build upon Unsure foundations. Marc. Jealousy ! Fran. [Aside.] It takes. Marc. Who dares but only think I can be tainted? But for him, though almost on certain proof. To give it hearing, not belief, deserves My hate for ever. Fran. Whether grounded on Your noble, yet chaste favours shewn unto me ; Or her imprisonment, for her contempt ^| To you, by my command, my frantic wife Hath put it in his head. I Marc. Have I then lived So long, now to be doubted ? Are my favours The themes of her discourse? or what I do, That never trod in a suspected path, Subject to base construction ? Be un- daunted ; For now, as of a creature that is mine, I rise up your protectress : all the grace I hitherto have done you, was bestow'd With a shut hand ; it shall be now more free, Open, and liberal. But let it not. 88 THE DUKE OE MILAN. Though counterfeited to the life, teach you To nourish saucy hopes. Fran. May I be blasted, When I prove such a monster ! Marc. I will stand then Between you and all danger. He shall know. Suspicion overturns what confidence builds ; And he that dares but doubt when there's no ground, Is neither to himself nor others sound. [Exit. Fran. So, let it work ! Her goodness, that denied My service, branded with the name of lust. Shall now destroy itself ; and she shall find. When he's a suitor, that brings cunning arm'd With power, to be his advocates, the denial Is a disease as killing as the plague. And chastity a clue that leads to death. Hold but thy nature, duke, and be but rash And violent enough, and then at leisure Repent ; I care not. And le: my plots produce thislong'd-for birth. In my revenge I have my heaven on earth. [E.xii. SCENE III. — Another Room in the same. Fnter Sfoiza., Pescara, and three Gentlemen. Pesc. You promised to be merry. 1 Gent. There are pleasures. And of all kinds, to entertain the timei 2 Gent. Your excellence vouchsafing to make choice Of that which best affects you, Sfor. Hold your prating. Learn manners too ; you are rude, 3 Gent. I have my answer, 1 Before I ask the question. [Aside. I Pesc. I must borrow , The privilege of a friend, and will ; or else j I am like these, a servant, or, what's worse, A parasite to the sorrow Siorza worships In spite of reason. i Sfor. Pray you, use your freedom ; ! And so far, if you please, allow me mine, ■ To hear you only ; not to be compell'd To take your moral potions. I am a man. And, though philosophy, your mistress, rage for't. Now I have cause to grieve I must be sad ; And I dare shew it. Pesc. Would it were bestow'd Upon a worthier subject ! Sfor. Take heed, friend. You rub a sore, whose pain will make me mad ; And I shall then forget myself and you. Lance it no further. Pesc. Have you stood the shock Of thousand enemies, and outfaced the anger Of a great emperor, that vow'd your ruin. Though by a desperate, a glorious way, ^ That had no precedent? are you return d with honour, Loved by your subjects? does your fortune court you. Or rather sav, your courage does command it? Have you given proof, to this hour of your life, Prosperity, that searches the best temper. Could never puff you up, nor adverse fate Deject your valour? Shall, I say, these virtues. So many and so various trials of Your constant mind, be buried in the frown (To please you, I will say so) of a fair woman ? — Yet I have seen her equals. Sfor. Good Pescara, This language in another were profane ; In you it is unmannerly. — Her equal ! I tell you as a friend, and tell you plainly, (To all men else my sword should make reply,) Her goodness does disdain comparison. And, but herself, admits no parallel. But you will say she's cross ; 'tis fit she should be. When I am foolish ; for she's wise, Pescara, And knows how far she may dispose her bounties. Her honour safe ; or, if she were averse, 'Twas a prevention of a greater sin Ready to fall upon me ; for she's not igno- rant. But truly understands how much I love her. And that her rare parts do deserve all honour. Her excellence increasing with her years too, I might have fallen into idolatry, And, from the admiration of her worth. Been taught to think there is no Power above her ; And yet I do believe, had angels sexes. The most would be such women, and as- sume No other shape, when they were to appear In their full glory. Pesc. Well, sir, I'll not cross you, Nor labour to diminish your esteem. Hereafter, of her. Since your happiness. As you will have it, has alone dependence Upon her favour, from my soul I wish you A fair atonement. Sfor. Time, and my submission. THE DUKE OF MILAN. Enter Tiberio and Stephano. May work her to it. — O ! you are well re- turn 'd ; Say, am I blest? hath she vouchsafed to hear you ? Is there hope left that she may be appeased ? Let her propound, and gladly I'll subscribe To her conditions. Tib. She, sir, yet is froward, And desires respite, and some privacy. Steph, She was harsh at first ; but, ere we parted, seem'd not Implacable. Sfor. There's comfort yet : I'll ply her Each hour with new ambassadors of more honours, Titles, and eminence : my second self, Francisco, shall solicit her. Steph. That a wise man, And what is more, a prince that may com- mand. Should sue thus poorly, and treat with his wife. As she were a victorious enemy, At whose proud feet, himself, his state, and country. Basely begg'd mercy ! Sfor. What is that you mutter? I'll have thy thoughts. Steph. You shall. You are too fond, And feed a pride that's swollen too big already, And surfeits with observance. Sfor. O my patience I My vassal speak thus ? Steph. Let my head answer it. If I offend. She, that you think a saint, I tear, may play the devil. Pesc. Well said, old fellow. \_Asldc. Steph. And he that hath so long engross'd your favours. Though to be named with reverence, lord Francisco, Who, as you purpose, shall solicit for you, I think's too near her. [Sforza lays his hand on his sword, Pesc. Hold, sir ! this is madness. Steph. It may be they confer of joining lordships ; I'm sure he's private with her. Sfor. Let me go, I scorn to touch him ; he deserves my pity, And not my anger. Dotard ! and to be one Is thy protection, else thou durst not think That love to my Marcel'ia hath left room In my full heart for any jealous thought : — That idle passion dwell with thick-skinn'd tradesmen, The undeserving lord, or the unable ! Lock up thy own wife, fool, that must take physic From her young doctor, physic upon her back, Because thou hast the palsy in that part That makes her active. I could smile to think What wretched things they are that dare be jealous • Were I match'd to another Messaline, While I found merit in myself to please her„ I should believe her chaste, and would not seek To find out my own torment ; but, alas ! Enjoying one that, but to me, 's a Dian, I am too secure. Tib. This is a confidence Beyond example. Enter Graccho, Isabella, and Mariana. Grac. There he is — now speak, Or be for ever silent. Sfor. If you come To bring me comfort, say that you have made My peace with my Marcelia. Isab. I had rather Wait on you to your funeral. Sfor. You are my mother ; Or, by her life, you were dead else. Mart. Would you were, To your dishonour ! and, since dotage makes you Wilfully blind, borrow of me my eyes, Or some part of my spirit. Are you all flesh ? A lump of patience only? no fire in you? But do your pleasure : — here your mother was Committed by your sen'^ant, (for I scorn To call him husband, ) and myself, your sister. If that you dare remember such a name, Mew'd up, to make the way open and free For the adultress, I am unwiUing To say, a part of Sfoi'za. Sfor. Take her head off ! She hath blasphemed, and by our law must die. Isab. Blasphemed ! for calling of a whore, a whore ? Sfor. O hell, what do I suffer ! Mari. Or is it treason For me, that am a subject, to endeavour To save the honour of the duke, and that He should not be a wittol on record? For by posterity 'twill be believed, As certainly as now it can be proved, Francisco, the great minion, that sways all, To meet the chaste embraces of the dutchess, Hath leap'd into her bed. 90 THE DUKE OF MILAN. Sfor, Some proof, vile creature ! Or thou hast spoke thy last. Mari. The pubhc fame, Their hourly private meetings ; and, e'en now. When, under a pretence of grief or anger. You are denied the joys due to a husband, And made a stranger to her, at all times The door stands open to him. To a Dutch- man This were enough, but to a right Italian A hundred thousand witnesses. Isab, Would you have us To be her bawds ? Sfor. O the malice And envy of base women, that, with horror, Knowing their own defects and inward guilt. Dare lie, and swear, and damn, for what's most false, To cast aspersions upon one untainted ! Ye are in your natures devils, and your ends, Knowing your reputation sunk for ever, And not to be recover'd, to have all Wear your black livery. Wretches ! you have raised A monumental tl"ophy to her pureness. In this your studied purpose to deprave her : And ail the shot made by your foul detrac- tion. Falling upon her sure-arm'd innocence, Returns upon yourselves ; and, if my love Could suffer an addition, I'm so far From giving credit to you, this would teach me More to admire and serve her. You are not worthy To fall as sacrifices to appease her ; And therefore live till your own emy burst you. Isab. All is in vain ; he is not to be moved. Mari. She has bewitch'd him. Pesc. 'Tis so past belief, To me it shews a fable. Enter Francisco, speaking to a Servant within. Fran. On thy life, Provide my horses, and without the port With care attend me. Serv. \witkin.'] I shall, my lord. Grac. He's come. What gimcrack have we next? Fran. Great sir. Sfor. Francisco, Though all the joys in women are fled from me, In thee I do embrace the full delight That I can hope from man. Fran. I would impart. Please you to lend your ear, a weighty secret, I am in labour to deliver to you. Sfor. All leave the room. , {Exeunt Isab. Mari. and Graccho. Excuse me, good Pescara, Eife long I will wait on you. Pesc. You speak, sir. The language I should tise. [Exit. Sfor. Be within call. Perhaps we may have use of you. Tib. We shall, sir. [Exeunt Tib. and Steph. Sfor. Say on, my comfort. Fran. Comfort ! no, your torment. For so my fate appoints me. I could curse The hour that gave me being. Sfor. What new monsters Of misery stand ready to devour me ? Let them at once dispatch me. Fran. Draw your sword then, And, as you wish your own peace, quickly kill me ; Consider not, but do it. Sfor. Art thou mad? Fran. Or, if to take my life be too much mercy. As death, iadeed, concludes all human sor- rows. Cut off my nose and ears ; pull out an eye, The other only left to lend me light To see my own deformities. "Why was I bom Without some mulct imposed on me by nature ? Would from my youth a loathsome leprosy Had run upon this face, or that my breath Had been infectious, and so made me shunn'd [ Of all societies ! Curs'd be he that taught me Discourse or manners, or lent any grace That makes the owner pleasing in the eye Of wanton women ! since those parts, which others Value as blessings, are to me afflictions, Such my condition is. Sfor. I am on the rack : Dissolve this doubtful riddle. Fran. ' That I alone, Of all mankind, that stand most bound to love you. And study your content, should be ap- pointed. Not by my will, but forced by cruel fate. To be your greatest enemy ! — not to hold you In this amazement longer, in a word, Your dutchess loves me. Sfor. Loves thee 1 THE DUKE OF MILAN. 91 Fran. Is mad for me, Pursues me hourly. Sfor. Oh ! Pratt. And from hence grew Her late neglect of you. Sfor. O women ! women ! Fran. I labour'd to divert her by per- suasion, Then urged your much love to her, and the danger ; Denied her, and vrith scorn. Sfor. 'Twas hke thyself. Fran. But when I saw her smile, then heard her say, Yoiu: love and extreme dotage, as a cloak, Should cover our embraces, and your power Fright others from suspicion ; and all fa- voturs That should preserve her in her innocence. By lust inverted to be used as bawds ; I could not but in duty (though I know That the relation kills in you all hope Of peace hereafter, and in me 'twill shew Both base and poor to rise up her accuser) Freely discover it. Sfor. Eternal plagues Pursue and overtake her ! for her sake, To all posterity may he prove a cuckold. And, like to me, a thing so miserable As words may not express him, that gives trust . To all-deceiving women ! Or, since it is The will of heaven, to preserve mankind. That we must know and couple with these serpents. No wise man ever, taught by my example. Hereafter use his wife with more respect Than he would do his horse that does him service ; Base woman being in her creation made A slave to man. But, like a village nurse, Stand I now cursing and considering, when The tamest fool would do ! — Within there ! Stephano, Tiberio, and the rest ! 1 will be sudden. And she shall know and ieel, love in ex- tremes Abused, knows no degree in hato. Enter Tiberio and Stephano. Tib. My lord. Sfor. Go to the chamber of that wicked woman — Steph. What wicked woman, sir? Sfor. The devil, my wife. Force a rude entry, and, if she refuse To follow you, drag her hither by the hair. And know no pity ; any gentle usage To her will call on cruelty from me. To such as shew it. — Stand you staring? Go, And put my will in act. Steph. There's no disputing, Tib. But 'tis a tempest, on the sudden raised. Who durst have dream 'd of? \Exeunt Tiberio and Stephano. Sfor. Nay, since she dares damnation, I'll be a fury to her. Fran. Yet, great sir. Exceed not in your fury ; she's yet guilty Only in her intent. - Sfor. Intent, Francisco! It does include all fact ; and I might sooner Be won to pardon treason to my crown. Or one that kill'd my father. Fran. You are wise. And know what's best to do : — ^yet, if you please. To prove her temper to the height, say only That I am dead, and then observe how far She'll be transported. I'll remove a little. But be within your call. — Now to the up- shot! Howe'er, I'll shift for one. \Aside and exit. Re-enter Tiberio, Stephano, and Guard with Marcelia. Marc. Where is this monster. This walking tree of jealousy, this dreamer. This homed beast that would be ? Oh ! are ' you here, sir? | Is it by your commandment or allowance, j I am thus basely used? Which of my virtues, ! My labours, services, and cares to please 1 you. For, to a man suspicious and unthankful, | Without ablush I maybe mine o^wi tnunpet, j Invites this barbarous course? dare you look ! on me i Without a seal of shame ? [ Sfor. Impudence, How ugly thou appear 'st now ! Thy intent To be a whore, leaves thee not blood enough To make an honest blush : what had the act done ? Marc. Retum'd thee the dishonour thou deserv'st ; Though willingly I had given up myself To every common letcher. Sfor. Your chief minion. Your chosen favourite, yourwoo'd Francisco, Has dearly paid for't ; for, wretch ! know, he's dead. And by my hand. Marc. The bloodier villain thou ! But 'tis not to be wonder'd at, thv love 92 THE DUKE OF MILAN. Does know no other object : — thou hast kill'd then, A man I do profess I loved ; a man For whom a thousand queens might well be rivals. But he, I speak it to thy teeth, that dares be A jealous fool, dares be a murderer. And knows no end in mischief. Sfor. I begin now In this my justice. [Stall her. Mari. Oh ! I have fool'd myself Into my grave, and only grieve for that Which, when you know you've slain an innocent. You needs must suffer. Sfor. An innocent ! Let one Call in Francisco ; — for he lives, vile creature, [Exit Stephano. To justify thy falsehood, and how often. With whorish flatteries, thou hast tempted him ; I being only fit to live a stale, A bawd and property to your wantonness. Re-enter Stephano. Steph. SigniorFrancisco,sir, but even now Took horse without the ports. Marc. We are both abused. And both by him undone. Stay, death, a little. Till I have clear'd me to my lord, and then I willingly obey thee. — O, my Sforza ! Francisco was not tempted, but the tempter ; And, as he thought to win me, shew'd the warrant That you sign'd for my death. Sfor. Then I believe thee ; Believe Ihee innocent too. Marc. But, being contemn 'd, Upon his knees with tears he did beseech me, Not to reveal it ; I, soft-hearted fool, Judging his penitence true, was won unto it : Indeed, the unkindness to be sentenced by you. Before that I was guilty in a thought, Made me put on a seeming anger towards you. And now — behold the issue ! As I do. May heaven forgive you ! [Dies. Tib. Her sweet soul has left Her beauteous prison. Steph. Look to the duke ; he stands As if he wanted motion. Tib. Grief hath stopp'd The organ of his speech. Steph. Take up this body. And call for liis physicians. Sfor. O, my heart-strings ! [Exeunt. ACT V. SCENE I. — The Milanese. A Room «» Eugenia's House. EnterFraLncisco, and'E.MgerAa. in malcattire. Fran. Why, could'st thou think, Eugenia, that rewards, Graces, or favours, though strew'd thick upon me. Could ever bribe me to forget mine honour? Or that I tamely would sit down, before I had dried these eyes still wet with showers of tears. By the fire of my revenge? look up, my dearest ! For that proud fair, that, thief-like, stepp'd between Thy promis'd hopes, and robb'd thee of a fortune Almost in thy possession, hath found. With horrid proof, his love, she thought her glory. And an assurance of all happiness. But hastened her sad ruin. Eug. Do not flatter A grief that is beneath it ; for, however The credulous duke to me proved false and cniel. It is impossible he could be wrought To look on her, but with the eyes of dotage, And so to serve her. Fran. Such, indeed, I grant. The stream of his aflection was, and ran A constant course, till I, with cunning malice — And yet I \vrong my act, for it was justice. Made it turn backwards ; and hate, in ex- tremes, (Love banish 'd from his heart,) to fiU the room : In a word, know the fair Marcelia's dead. Eug. Dead ! Fran. And by Sforza's hand. Does it not move you? How coldly you receive it ! I expected The mere relation of so great a blessmg, Borneproudly on the wings of sweet revenge. Would have call'd on a sacrifice of thanks. And joy not to be bounded or conccal'd. You entertain it with a look, as if You wish'd it were undone. Eitg. Indeed I do : For, if my sorrows could receive addition. Her sad fate would increase, not lessen them. She never injured me, but entertain'd A fortune humbly offer'd to her hand. Which a wise lady gladly would have kneel 'd for. THE DUKE OF MILAN. 93 Unless you would impute it as a crime, She was more fair than I, and had discretion Not to deliver up her virgin fort, Though strait besieged with flatteries, vows, and tears, Until the church had made it safe and lawful. And had I beenthemistress of her judgment And constant temper, skilful in the know- ledge Of man's malicious falsehood, I had never, Upon his hell-deep oaths to marry me, Given up my fair name, and my maiden honour, To his foul lust ; nor lived now, being branded In the forehead for his whore, the scorn and shame Of all good women. Fran. Have you then no gall, Anger, or spleen, familiar to your sex ? Or is it possible, that you could see Another to possess what was your due, And not grow pale with envy ? Bug. Yes, of him That did deceive me. There's no passion, that A maid so injured ever could partake of. But I have dearly sufFer'd. These three years, In my desire and labour of revenge. Trusted to you, I have endured the throes Of teeming women ; and will hazard all Fate can inflict on me, but I will reach Thy heart, false Sforza ! You have trifled with me. And not proceeded with that fiery zeal, I look'd for from a brother of your spirit. Sorrow forsake me, and all signs of grief Farewell for ever ! Vengeance, arm'd with fury, Possess me wholly now ! Fraft. The reason, sister. Of this strange metamorphosis ? Eug. Ask thy fears : Thy base, unmanly fears, thy poor delays, Thy dull forgetfulness equal with death ; My wrong, else, and the scandal which can never Be wash'd off from our house, but in his blood. Would have stirr'd up a coward to a deed In which, though he had fallen, the brave intent Had crown 'd itself with a fair monument Of noble resolution. In this shape I hope'to get access ; and, then, with shame. Hearing my sudden execution, judge What honour thou hast lost, in being transcended By a weak woman. Fran, Still mine own, and dearer ! And yet in this you but pour oil on fire, And offer your assistance where it needs not, And, that you may perceive I lay not fallow, But had your wrongs stamp'd deeply on my heart By the iron pen of vengeance, I attempted. By whoring her, to cuckold him : that failing, I did begin his tragedy in her death, To which it served as prologue, and will mal