/{. JijJ^i^i.'X. 'a^ff/a/zf/^ Cornell university Ubrary PR 4099.B62F7 DATE DUE ARCS X-fg-^ =rft -WTr ^^5o^ '^^^^ ^ CAYLORD rniNTCO IN U.S.A. The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924013434430 FROM THE ASOLAN HILLS. * * Only Three Hundred copies printed. FROM ASOLAN HILLS I A POEM BY EUGENE BENSON "... our delicious Asolo.'"' ROBERT BROWNING. " Asob •vago e fiacevole ca- stello posto ne gli stremi giogbi deUe nostre Alpi sofira il Tri-vi- giano." BEMBO. LONDON ELKIN MATHEWS AT THE SIG^ OF THE BODLEY HEAD IN VIGO STREET 189I CHISWICK FRZSS : CHARLES WHITTINGHAM AND CO., TOOKS COURT, CHANCERY LANE. PREFACE. SOME fifteen years ago the Italian poet, Carducci, sauntering with a friend over the Asolan hills, turned to him and said : " Your old land is very beautiful and rich in memories ; I will write a poem about it." Again some two years later, at Castelfranco, he was stirred to say he would write an ode about Giorgione. The pro- mised poems remain, I believe, unwritten, and Carducd's friend ' is dead. But all that moved both on the Asolan heights, overlooking the whole Marca Trivigiana, is there still for the seeing eye, for the living mind, a part of nature, or of the story of the country ; and much, if not all of it, imposed itself upon me long before I knew of Carducci's promise, or of his friend's enthusiasm so pleasantly expressed in the little book he wrote now ten years ago entitled Aiolando:'^ — a title wherein he antici- pated that of Mr. Browning's last volume of verse. The wish to evoke the majesty of long buried life, the thought of it all, came to the Italian poet and his friend ; ' The lamented Signer G. Valeric Bianchetti. ^ Asolando : Note inutili di viaggio di Giuseppe Valerio Bianchetti, Venezia, 1881. both imaginative enough to respond to the charm of old dead loves, to feel the intense interest of old dead hates, the passion of long ended struggle. Doubtless they evoked the Ecelini, watched the weird Adelaide, followed Cunizza, touched Giorgione's brief life, understood Colonna's '* Dream," and knew Fra Gioconda's worth, there, on the Asolan hill, contemplating the very theatre of so many interesting lives, the very cities, or ruins, that yet keep some memory of them, in the enchanting land that lies between the Piave and the Brenta. The last glow of Provencal song was shed over it. It inspired some of the late Mr. Browning's early poetry, and at Asolo he wrote his final verse. I have tried to imagine the aspect of the old Venetian land, seeing it from Asolo as it must have appeared in the very dawn of its history. Beginning with the awakening of Spring, I have looked back to the remote time, when, probably, the famed " Amber Isles " ^ were to be seen from the Asolan hills. And from these same Asolan hills, I seemed to behold the whole drama of the story of the Marca Trivigiana, of the ancient Veneto, or Venetian mainland, in the very places it once filled with life. To express something of it all as it came to me there is both the purpose and the argument of the following pages. ^ Ittsulae Electrides. FROM THE ASOLAN HILLS. « // cantor nmio eHpianger degU augelli In sul difaano risentir le valli £'/ mormorar de' liquidi cristalU Giuper lucidifrescbi rive e snelli." Petrarca. PRELUDE. MOTHER of many voiced harmonies, O Mighty Earth ! Spring wakens in the skies, Old Winter, dulled, is in his cave at last, His glitt'ring shields are gone, his clangor 's past. And a wind hurries by, — bud, blossom, leaf Unfolding, — vanished is the wintry thief. The coming Music all new most sweet doth lightly sound, Asoto'"^ " And dumb things hear it 'neath the loosened ground. O swiftly comes the spring gaily to dress The bare earth in its flow'ry loveliness. Joyous she calls new life from the dark mould And hastes to show the flower's disk of gold. Soon the birds will begin their jocund strife. The wakened Land with pleasure will be rife. Upon the plain a fresher green doth merge Into blue distance, — blue to its dim verge ; Thro' balmy air pours the clear fleckless light, And sunny slopes in deeper green are dight. I B Softly as clouds at rest in noonday sky The hills afar all azured now lie. Their linked shapes are like dim dreamy isles, Afloat they seem beneath day's brightest smiles. The tepid breeze is soft, the day is clear. Bland is the sky. The Spring is surely here. Rust-hued the woods, silent they are and thin. But yet the Spring is here. Bright flowers begin To bloom, tho' yet the streams run chill and slow : But now the violet and primrose show On sunny banks. The air is delicate, And locked are harsher winds of winter's state : Earth shows a virgin breast in sign thereof. Delicious flatt'ring Spring ! First Mate of Love ! Sweet Spring ! For thee, tender the Day, and pure. Thou hast come with the Dawn, in light ; to lure, To enchant, hast come, altho' as yet unseen. I feel, I know, thou'rt here, tho' nothing green Doth deck the branch that still is black or grey ; Yet most delightful Spring is here to-day. I feel her presence in the sighing wind. Her very touch in the mild day I find. I knew her coming by the sighing sound That rose and fell in all the air around. For with sighs Spring comes : moans melodious In bliss breathes forth, and ever stirs in us A deep unrest, filling the earth anew. As winds are mild and skies are grey or blue ; Smoothly to-day the winds come to caress Something unseen that sleeps in loveliness. The sun is warm, the sky is all unveiled, Surely Young Spring from Paradise hath sailed : Earth was asleep, but wakened at the sigh The dear Spring sent thro' all the balmy sky. Her herald blew, the wind, joyously fleet. From far it blew new life to stir and greet. But with a sigh sank there when Spring came down. Spring lightly stepped over the earth all brown. And on her breast lay prone, in fresh found bliss ; So the Spring came no rapture here to miss. O many lovers hath the Earth. The four Seasons that come, the Four that evermore Depart. They take their turn Earth to embrace. And one oft presses the last from its place, But mighty still is she. Mother of all. The sky's Four Bright Ones yearly to recall. Each one in turn, the Seasons Four must come. And never is the earth to one quite dumb. 3 No longer now the violet seems to hide, Tho' dimly seen 'mid leaves on ev'ry side, Not yet gay daffodils begin to blow, But soon they'll come with all their yellow glow. Not yet its clustered stars of white and gold Narcissus shows ; but pure the snowdrop cold. Its petals white just tipped with yellow green. Bends down its head and rarely hides unseen, Tho' low it looks. In the bare woods profuse The purple periwinkle runs all loose. The marguerite, and dandelion, see, 'Mid the new grass enamelled seem to be. The wind-flower, lavish on the warmed ground, Is gay and frail : O leave it where 't is found. On naked banks of dells now flourishing, 'T will bear no touch, to winds afluttering. So bloomy flne, so tremulous and slight. The wood-side sprinkling o'er with virgin white. Hepaticas now out I would not miss ; Nor bluer gentian, for the Spring's first kiss Now up on high and sunny slopes of hills : It lures my step across the loosened rills. Thrilled by Spring's flne touch small things seem to know 'T is time to give delight with beauty's show. Wooingly blows the wav'ring, tepid wind ; 4 The tender new-born leaf it comes to find. The blossoming thorn 's afoam, the wild hedge row, No longer brown, is white, like purest snow. Daughters of Light, wild flowers delightful are, Profuse, or rarely grown, set like a star. Or deeply petalled ; soft ; laid fold on fold Like lip to lip, tenderly curved and rolled. The dearest one that comes ere woods are green Is the white violet, tho' scarcely seen ; A thing just lit it seems i' the woods warm nooks. Close to the ground, modest and still it looks ; Charming it is, and yet no odour flings To wooing sweet winds where it lovely springs, Flowering to delight. Soft now, the Eve, Seems pale and dim the quiet Land to leave, And the full Moon glides on in search of day. Deep darkness creeps where she sends not a ray, And the Night brightens all her skyey face As the Moon, swift, rides thro' the starry space. FROM THE ASOLAN HILLS. I. WOULDST see from Asolo a wondrous sight ? A spectacle Climb the Asolan hill e'er morning light of Nature. Widens the pure all-freshened joyous sky, And, soundless, the earth's heavy vapours lie — A thick mist far spread on the Plain below ; As Day dawns, and the sun's first warming glow Flashes along^ts high cloud-paven way, And all the Land is dim, or faintly grey ; Hid is the populous Plain, and in its place Is seen what seems to be the shining face Of seas — wide wastes of water now at rest. Or roughened, by the quick winds raised or prest ; Silvered, immense, spreading all flat and far. Glittering e'en to the horizon's bar. Where 'gainst the warm light, rise like bluest isles The linked hills lifted in lengthen'd flies. Thousands of years ago primitive man Saw no mirage of mist, illusive, span 6 The misty Plain, where now it shifting flies, But the Sea's self spread under these vast skies ; Valli and lidi, and lagoons, and pines Belting the tortuous channels ; the far lines Of gleaming water-ways fed by the tide, Where now the floating fog is scattered wide ; Where now it breaks, lifts, rolls away, wind-blown, Sun-smitten ; lo ! where 'tis all quickly flown. Yes, the sea's flood swept o'er the Plain below, Its full tides and swift currents, — the far flow Of living waters underneath the skies Of other days. But now, where yon bird flies O'er teeming fields, in depths of purest air. Old bells of village church make music there ; Light shimmers over the bright growing corn, And in the woods the tender leaf is born. On a hill at Asolo, over- looking the Venetian plain. Noiselessly falls the blossom of the spring 'Mid peace like noontide : for not yet to sing Comes the first bird that twitters in the brush. It is Day's deepest peace, — the very hush Of life, — a moment's pause, as when great waves Of the deep sea, glide in deep-throated caves — The rush of mighty waters, and their roar, Sinks, sighing, lost upon the cavern's floor. 7 Distant bells. Again I hear the bells recurrent beat Now calling life to worship's ancient seat. Where I lie on the slope, the perfumed air Is rich with flow'ring laurels ; pale and fair Is the bloom bright'ning their leaves' lustrous green ; Nor in the spring are sweeter blossoms seen. I hear^he hum of bees, a drowsy sound, A murmuring song above my chosen ground ; Again I hear, now far, now coming near. The bells' faint roar ; and, cloudlessly the clear. Opaline depth of the morn's spacious sky Gives fresh delight to an untroubled eye. From this Asolan height what outlook vast ! Cities, farms, homes, and there too, of the Past, Old towers, and walls ; and yet more famous hills Petrarch. Where Petrarch rests : e'en yet his clear fame fills The place. The world goes there : Pilgrims of love : Great Poets : many names are writ above The floor oft paced by him. Shelley. And Shelley came To yon peaked Euganean hill, his name The richer for his fluent fervid song Of the vast Lombard Plain. What memories throng And fill the Land. Its golden Autumn trees He saw far spread below like cloudless seas ; 8 Now 't is light-vested with the tender green Of spring, and pale with million blossoms' sheen. Where lies old Este, on yon hill's South base. Lived Byron — there he watched great Nature's face ; Byron. With Shelley there oft rode, or walked, or climbed The heights, and brooding o'er thoughts freely rhymed. Wedded his words to strong immortal verse. Poured out his rapture or his rarer curse. Drank deep of Nature's life, and, on her breast, 'Mid storied hills, oft calmed his heart's unrest. Afar I see the place of Shelley's song, More famous still for a most ancient wrong : There Ecelin's sad victims, helpless, wept. Maimed, wasted, starved, in loathsome prison kept ; Old Padua ! founded ere the walls of Rome, Begun by men whose early Trojan home Was lost ; old Padua, built by Trojan hands That battled long for Ilium's walls and lands. 'T is there ; near the clear Euganean heights ; And there, where the awak'ning eastern lights First dawn and fill the spacious morning sky, Treviso spreads, yet pleasant for an eye A joyous That ever looks, an ear that listens still "^"y- For Nature's freshest charm the soul to fill. 'T would be delight often to walk therein, 9 C For pure quick streams rush living, foam, and win Their way to meet and flow, and gladden all The Land about, and turn a wheel, and fall, With joyous sound ; go brightly gleaming down To lower levels in the walled town. Treviso is a place of ancient date Rich with the story of man's changing state : E'en in her soil was imaged Isis found. Strange shapes from awful Egypt's sacred ground, And later Gods of the bright race that came Over the sea and gave the Land a name. 10 II. OMEN innum'rous of forgotten days ! Strange was the Land, spacious and fair always ! Dim and afar off is that time ye came, When first your boats fronted the billowy game And sped across the seas whitened with foam And sped to rest ye in a foreign home. Ah ! what a land ye found ! what waters saw ! Deep ancient forests and dark island's shore, — Volcanic isles that bore an older name, Pyramid-shapes, smould'ring, or all aflame. Long lost their name, and filled the crater's mouth, Nor islands now, but blue mounts to the south ; Far, vision-like, the mountains of a dream, Of Myth, of that ancestral race, I deem. That built the old port of the Amber Isles. The Amber They came in their black boats, they drove black piles, Isles. Leaving naught but the name of wealth once won, A city they once raised, a course once run. The Amber Isles ! the Amber. Isles ! now seen II Earth-bound, and with the season's newest sheen. The filling earth hath choked each wat'ry way. Where ran deep sea-tides, and where ev'ry bay Then bore the black boats of the early race The plough now turns a furrow, and the place, In Autumn, sounds to the Rail's rhythmic beat, And the brown earth is trod by peasant's feet. No more the galley's prow cuts the deep sea By yon hills' base ; nor do the waters, free, Beat in the port of the Amber Isles of old. Ages ago her merchants bought and sold, Ages ago Greek sailors often bore The amber of her Isles to a far shore. How cities fall ! how time doth pass ! men fail ! Old is the page that holds the ancient tale. Spina 's extinct, unseen ; sunk deep in dust Each witness of her life, her loves, her lust. Whether beyond yon mountain isles of blue And low on the wide Plain she rose to view. Or there, close by the Euganean hills, — Unknown the place her dust unnoted fills, Voiceless the spot where once she rose and fell : And yet one longs her tale to know and tell. The Work of Her wrought and beaten gift, its worth all told, Daedalus. Delphos long kept, a tripod of red gold. 12 Two statues famed she had, one tin, one brass. Made by a hand that none could then surpass ; Colossal both, signs of a fearful day ; Symbols of force that, with a wild dismay, Once filled the Land, shook all her sun-bright isles. Her earth upheaved, her sea drove back for miles. O swift the meteors fell, lurid and dire The sky shone with a Comet's dreadful fire ; Then quaked the hills, with molten lava gleamed, Burnt was the Land and all deserted seemed. That shape of tin, that form of brass, were made To tell what Spina and the world dismayed. The earlier Venice sank not in the sea. But deep into the earth eternally. The earth spread far beyond her gates of old, , , , Spread far where anciently her waters rolled. Wasted she was ; was squalid, poor and small When Strabo wrote ; but traceless, lost to all. When, later, Pliny sought to find the town. What Goth and Hun had spared, to time went down Unseen ; and all the world about her grave Was changed, left far from the glad sea's live wave. Flung by the thronging Po's resistless flood. The stones, and sand, poured with the river's mud, 13 From Alp and valley, and from gorge and glen, From the wide Lombard Plain, a waste place then, Filled the Isles' wat'ry ways, and turbid rolled, For leagues where the Lagoons spread far of old. And rolled for leagues into the living sea ; 'T was for the future of humanity. All traces of Far beyond Adria's wet and shining flats It gone. Blinding with light, alive with shining gnats The summer long, now, there is naught to save Of the old town that stood beside the wave ; No work of men to show its ancient place. Like mists that ev'ry blowing breeze may chase, Like a mirage, or like a phantom, lost ; 'T is gone, like slighter things ; like spray wind-tost In empty air ; no vestige left ; nor bone, Nor brass, nor clay, nor monumental stone. From Paphlagonian shore, a far home. From Ilium's plain, from Delphos and the foam Of native seas, men brought all they could keep From battle's ruin and the hungry deep. The earth now folds them all in solemn rest ; Oblivion fell where blessed and unblest Mingled their dust. Above them no sea moans. Our mighty Mother music sad intones For Life long ended, for the dead that lie — It is the wind sunk to a weary sigh. III. PURPLE and blue the gracious Land is spread To airy depths. The happy glance is led Away as o'er the sea. For like the sea The fair, far fields aripple seem to be All green beneath the sky's immensity, Seem waveless, flat 'neath its serenity. Swift as a ruffling wind o'er water's breast The colour comes, and goes, as shadows rest. Or fleet away to the horizon's bound, Where seems to lie the Poet's sacred ground. Where float the blue isles to enraptured sight. Where sleep the level clouds in mellow light. It may be where now far Ferrara lies. The earlier Unseen from here beneath more Southern skies, Venice. Beyond yon hills coned like volcanic isles. That earlier Venice rose to Fortune's smiles. For twice four hundred years men marked her days. Her name she gave to one of Po's throriged ways, 15 The Main- land ravaged by Attila. The ancient Lagoons, Mistress she was of Adria's bright sea Ages ere Venice rose for liberty ; Long ages ere Altinum's people set Foot on Torcello ; ere the Paduans, wet With Adria's spray from the Destroyer flew ; Ere Aquileia fell, her men withdrew, Nor stopped their flight till sheltered near the sea ; — They fled to build i' the Isles' security. Less cruel was the wave on Grado's sand Than wilder Huns in the far-flaming land. When all its strongest cities, burning, fell. Of famed Aquileia, tower and bell Still last, and older sign of her proud state In marble rare of vanished wall and gate. From the Asolan hills to the sea's sand Ravaged resistless Attila the land ; From the strong Tagliamento's widened bed To the quick Brenta's stream, the people fled. Where the Musone runs, and brightly gleam Clear Sile's noiseless waves smooth as a dream, The green and gracious hills to silence left, The walled towns were empty and bereft, — The rank weed grew in each deserted street, And famine stalked or death swept ev'ry seat. A footless solitude the land was then. So fierce the blast of War, that drove brave men i6 To seek a refuge on the scattered isles Where the Lagoons spread glist'ning miles and miles, Where tne blue Adriatic beat the sand And pine forests made dark the marish land ; — A wild place, cut by shining water-ways ; At night impassable ; its tides' deep maze Untracked ; or free but to the fisher's bark. Free when dawn spread through all the breaking dark, When timid dawn, tremulous, gleaming dim, Its pale light cast o'er the horizon's rim. The stricken Land's sad people fled aghast From moat and wall to find a refuge fast Where waves were wild and waters wild were lone About Torcello's isle then all unknown ; They grew, they spread in numbers and in fame Where Venice is. The glory of her name Eclipsed all mem'ry of lost Spina's prime, — The older splendour of the older time. O for a glimpse of Spina's proudest life. Unknown her gains in Peace, her loss in Strife, Yet it was often told, and held for true, Her men from the salt foam red amber drew. Red amber that e'en now in mummied hand, By Nilus and the Desert's waste of sand. In tombs Italic of her earliest day, 17 TheEridaBus of the Early World. Yet lies with dust and bones that fall away. From Spina's mart and from rich Spina's port Her Isle's red amber went to Priam's court ; From her great river old, and vast, and deep, So strong awake in rage, so smooth in sleep, The Po, — great river now but mightier then, — Called the Eridanus by Grecian men. They said 't was fathomless, but that unseen By mortal eye, deep-down, flowing between Fresh flow'ry banks, it ran like shining light A River of Through flelds Elysian ; that laurels bright Elysium. With blossoms pure and starred, sweet odours shed ; That happy souk, released from woe, there led, In leafy groves, a perfect life, and mild ; Calm as the Lotus they reposed ; they smiled ; Dear converse held ; and blissfully each soul That river saw, watching its current roll ; — An earthly river swollen, raging sped, Yet it became Elysian for the dead. A River of And Others told that frightful, though unseen Hell. By mortal eye, sunless, deep-down, between Steep banks, it flowed in a perpetual night ; All starless, dense, and black ; that a dim light Was shed from Hell's great place of fiery woe. In smoke and sooty fog all wrapped below. This Stygian flood of awful, sulph'rous gloom, i8 Rushed swiftly by the place of dreadful doom, And men said that while it, deep-down, unseen Sped there, on high, i' the vast sky was seen A river of great stars, of flowing light, A lustrous stream all dazzling in the night, That ever in mid space, silv'ry in air. That stream flowed full and luminously there, A heavenly high-way made for spirits sure Where things celestial moved, and angels pure Went to and fro ; and all this glitt'ring stream r the sky seemed most like some etherial dream. Whose course is traced in Heaven's solemn fleld ; That far Eridanus at night revealed. More soft than waters flow, yes, soft as light. When light, like dawn, flushes the face of night ; So flows Eridanus the enskied stream ; But Earth's Eridanus doth wilder seem ; And iiercer still, 't is said, with swirl and coil. Hell's under-flood cuts deep and eats the soil Upon its treach'rous banks that fall, and slide. Like Tiber's yellow earth, — which sinks each side Its brimming course, and fills the stream with clay. Or mud, runs turbid to the sea away. — The Furies, snaky-haired, with strong cold hands Are there. Medusa, threat'ning, pallid stands. Or walks distract, sleepless, and stern, and drear. 19 A River of Heaven. Medusa. For sleep comes never in that world of fear. O never yet upon that slimy bank Fell gentle sleep, her dear head never sank So low. Insomnia in that darkened world. With restless eyes and iron wings unfurled, Lies with a tireless snake of many folds Whose bite envenoms guilt, relentless holds The wretched dead stirred from Lethean trance, Adds to life's loss the sting of remembrance. So of Eridanus, Hell's Stream that rolled The Po. Unseen 'neath yonder Po, once, men were told. Nilus, nor sacred Ganges, nor the vast, The rolling Amazon, rushed never past With tale so strange as thine, terrific Po, Of old a river of a mightier flow. Both wide and far it reached its many. arms To sink in peace where the sea ever charms, In Adria's wave, by Spina's Amber Isles. Behold them now, earth- bountf for fruitful miles; Again their life recall, and see them still ; — Cones, azure pyramids, blue mount or hill. Volcanic flames, and dark'ning, blinding smoke, Th E 1 ^y ^^^' ^y night, from them o'er Spina broke. World. Above her vast Lagoon, her sea's fresh flood, Above her mighty river's banks of mud. 20 The world about another aspect bore. A richer world it was ; another shore It had ; a watery world, then dense with trees. All fragrant blew thro' column'd woods the breeze. Balsamic odours rose delicious there, And every woody smell made sweet the air ; The winnowing wind's aerial hands Unresting swept its sad mephitic lands. Dark Horror had its own black breeding place Beyond those Isles, in lake of obscure face. To drink or pass its waters strange was death. And odours strong and foul, pestif rous breath. From it arose. 'Twas streaked with glistening oil, And bitumen-blotched ; with its strange water's coil Clear naptha flowed. All black asleep, it broke To ghastly foam but to the wind's wild stroke ; More awful still, upheaved its heavy flood. When hidden force stirred all the lake's black mud. The Black Lake. Jason, with all his Argonauts, once sped Past Spina's shore on conquest bent, but fled In wild alarm on coming near the lake Of death. For there the earth began to quake, Came stench from the abhorrent sulph'rous flood. And foulest air blew from thick marish mud, 21 Jason. Far spread above the Amber Isle's dark crest, And smoke, and flame menaced, and all oppressed. Back to his boat fled Jason and his crew As if from Phlegethon's hot wave they flew. O'er all the land was dense obscuring cloud. And noises strange were heard, a thund'ring loud O'er all the region of the horrid lake Then roused like some infernal force awake. The Fall of By fulgent Myth the dreadful place is known. There, daring all, bright Phaethon down was thrown. Fell head-long from his burnished car of gold. Fell where the Black Lake's flood then slowly rolled Unblest, all sullen spread, while nature moaned, And the rent Isle's volcano, awful, groaned. Him the Heliades wept for like rain — Three Sisters, and his own, — bereaved, in pain. Old is the Myth that tells us of their tears To Amber changed, themselves in those far years To poplars turned ; and still the tree's light leaf Incessant stirs as if to speak of grief. This Myth I'm sure is not an empty tale. It tells what woe befell yon Land ; how pale Men grew with fear. Plato. Plato himself once sought To say what meant the Myth with terror fraught. 22 Swift fantasy again would spread her wings, Again renew that world of perished things. Kept was the tale in Egypt's temples old, Solan. To Solan by a Priest at Sais told. Nile's fine papyrus, temple-treasured, bore The fearful Tale, how the sea's moving floor Upbroke, uprose, in a far earlier age ; In one night smote with awful, crushing rage. Then famed Atlantis sunk, Earth lost its smile, And, from the mainland wrenched, was made that Isle Named the Sicilian, sunned, and fair, and rich ; A Land shaped like its Mother, to bewitch. These were the changes wrought when Time was young. The changes wrought when Amber red was flung On Spina's white shore, on her sea's low coast. And the World of th' Eridanus did boast. Was it famed flood of old Heroditus' ? The place of which the learned still discuss, The Yet question if it be in the White North Where spreads the foaming Baltic, casting forth The yellow amber by Vistula's mouth ; Or if it be our river of the South, — The Po, where once sparkled the famous Isles, Where still methinks thej' stretch o'er many miles. 23 O must we vainly ask where ? and when lost ? What sea, what river's flood about them tost ? Still the far Northern Ocean wildly raves, And still from seething foam and falling waves Flings yellow amber on its sandy shore As in remotest time. But now, no more From Adria's wave of blue it comes ; now none ; Nor red, nor yellow as if from the sun Its wave brings forth. O when was amber born From Adria's sea ? By whom was it first drawn ? 'Twas when Italia was mild Saturn's Land, Called so before Eneas touched its strand, Ere Trojan towers fell, or Helen wept ; When Egypt's dead, like god's in sleep were kept. When still renewed, the Pharaoh's ancient race, In awe adored their living King's mild face. Never was Adria's wave with amber fraught Once Strabo said, and held the tale for naught. In earlier age by other eyes 't was seen. When the poor Adrian fisher went to glean The sea's rich gift, and from its salty spray Oft brought red amber to the light of day ; Ere gold was known 't was brought to common light 24 What yet remains of a long perished race. A Land, tho' old, Italia then seemed new, Mvthic The Great West then to which the Trojan flew ; Italy. To it the Asian and Egyptian came And then was won the Amber Isle's lost name. Its sons, in older time strange seas sailed o'er ; They wooed the wind and bent the measured oar Far coasts to reach beyond the roughened deep. Its oldest name the oldest Myth doth keep. Deserted. Its life was great and rich in farthest eld, The first in ancient time by Titans held. 'T was left abandoned to the countless dead. Its race Pelasgic frighted from it fled. For long years dreaded, desolate, 't was left ; A Land convulsed, burnt bare, of all bereft. The old Italic Land yet bloomed anew. And men sought out the Place their fathers knew ; Repeopled. They sought, from far, by fiercest famine urged Their Land of old Renown by fire purged. And found their destined home, Oracle-sped, Ere the oaks of Dodona's wood turned red ; The old, the rich, the fair Italian earth Drew back its old Race to their Land of birth. 25 E IV. Giorgione and Castel- fianco. TURN we to warmer life and to the place That yet lifts its red walls 'tnid shining space. There work and fame of rare Giorgione draw Pilgrims of Beauty. Deep religious awe Is felt in Castelfranco's walled town. There his Madonna gazes sweetly down Enthroned above the Monk and younger Knight ; Benignant, calm — asleep the child in light — She sheds dear peace upon the gazer there, Restful and perfect as bland summer's air. Whether the moonlight of mid August falls Like an enchantment on Castello'S walls. Delicate dawn, or the calm mellow eve Their own old. magic spell begin to weave. The place is fine to see. There grew his life. Sheltered and beautiful, in peace not strife. Close to the castle's gate, by its tower tall. His youth was spent ; by bridge and moat and wall, 26 By streams that run in green and glad'ning fields, By placid pools like shining silver shields. Midway between the mountains and the sea His spacious level land delighted me. There ling'ring, once, for all the year's best days, I fondly saw what won Giorgione's gaze : For Nature close to Castelfranco's gate, And Art with all its chastened pomp and state The Land about enriched for many years, — A Century of peace ! till quick'ning fears Of Cambray's League and Alvian's defeat Made all Venetian ways roads of retreat ; Darkened a brilliant life ; without defence When 'twas most proud with cultured opulence. Then sudden flash of steel and noise of fight. Oft roused the day and broke the peaceful night, Stirred a heroic note 'mid pastoral charms And grace idyllic, when the knight at arms Kept watch and ward by gate and bridge and stream ; Real life to Zorzo, but to us, a dream ! A Hundred Vears of Peace. When Tuzio's son, — a Master of the Lance — Matteo, lost his life in battle's chance, Giorgione painted him in armour bright. Of lustrous steel : he is that saintly knight Who proudly, firmly, splendid stands below 27 Giorgione's Knight. The mild Madonna 'gainst a golden glow, — A sky all peace divine, and yet so clear You'd say it is, not seems, all atmosphere. 'T is Zorzo's finest art ; it gives a thrill To see the hero's grace, the painter's skill. How swift his life ! how quickly sped away ! He knew sweet music's charm or sad or gay ; He knew deep love ; for it he dearly paid ; Yet glory crowned the man who died betrayed. How brief and fine his life ! how swiftly sped ! Enticing charms to Court his rich youth led. Here, or at Queen Cornaro's Royal Seat, Where still the swift streams run with sparkling feet. In Parco's level meadows green and gay The Lady of the Land came oft to stay ; And there, or here, sat for Castello's son. And there, or here, his happy work was done. He painted Knightly valour's face with force ; Gaston de Foix slain in his vict'ry's course ; Borgia. And it is said the Borgia sat for him. Bergamo keeps the portrait, nor yet dim With time, living the face appears. Intense the look after these many years. In the still eye a fascination burns, And coldest scorn, and cruelty that spurns All checks. 28 Behold the dreadful Borgia's mask ! His thin close lips set for a wicked task, Firm to work out his will's bad fearless way. The face has haunted me for many a day. His pallid skin, straight nose, and straight dark hair. His slight beard, tuft on lip ; his black cap's rare Jewel and golden tassel deck his face — The dread, incarnate, of his dreadful race. Yet O Giorgione ! thy sure hand did trace More than the Borgia's fatal, dang'rous grace : Deep shade of trees, deep skies, and towers, and Knights, Romantic Art And Shepherds, lovely women, all delights Of country life, felt with sweet music's charm ; The dalliance of lovers, arm in arm, In the green meadows, by the gleaming stream : — The painted scene enchanting like a dream. Not Keats, nor even Spenser, mild and sweet. More beauty saw, nor felt more ardent heat For all delights of form and sense, yet free From common things and all vulgarity. Before a treach'rous friend darkened thy day, Before Cecilia fled from thee away, Nothing there was to check thy passion's force. And full, tho' brief, thy life went in its course. Was it then thou didst write but write in vain 29 and Idyllic Life. Giorgione, Keats and Spenser. These light, these living words, untouched by pain ? " Hasten Cecilia : Come : Thy Giorgio waits " For thee." Words that no length of time abates ; They yet with love's impatience seem to burn ; With it alive, again they seem to spurn The empty hour that's sped. Alas! no more Cecilia came to bless thee as before. 30 V. OF older time is San Zenon's black tower. It frowns yet the' long past its evil hour. San Zenon Terrific once it was, or dark or fair Detth."'"''' ' The sky of changing day. Raised high in air, 'T was for the Land a threat. Man's monstrous wrath Worked vengeance there. Now narrow is the path Up its green slope. There Ecelin's last son With all his house was cruelly undone ; Wife, children, all before his eyes abused. Butchered ; himself, aghast, mangled and bruised, A swift horse dragged far in wild panic-flight Over the senseless fields ; — a fearful sight Of blood and woe. Fair was the Land as now. Spring sweetly came, and, richer still, the brow Of summer bore her greenest, leafy crown. And splendid Autumn flung his rich gifts down. The years speed fast and full, and in the flow Of Life who gives a thought to ancient woe ? 31 Beyond dark San Zenon's smooth grassy hill See high Romano's tower, more famous still. A Tyrant's fortress, Ecelin's safe lair, And it was more ; the home of daughters fair ; Cunizza of Palma, Sophia, and Cunizza famed : Romano. Mildest she was of all her race, and named By Dante as i' the Sphere of Paradise ; A pleasant spirit ; in her time a prize ; By Sin not darkened, nor the changing loves Of her young days, when, freely as the doves On am'rous flight, she gave all that she had To Venus. Long the life she lived. Tho' sad, Tho' evil was her age, some good it kept. Last of her race, how long she now hath slept ! - 32 o VI. PLENITUDE of life of other days ! Six hundred years o'er rich Trevisian ways Dante at Have gone since Tuscan Dante's saddened eyes ^."""^.^ ' 01 n Birthplace. Saw the green hills that near Bassano rise, His exile's step led even to yon place Where rare Cunizza, of the winning face, Born in the shelter of Romano's tower. Grew sweet and strong to meet its fatal hour. Her refulgent spirit i' the Shining Sphere Appeared to Dante's dazzled eyes. And dear To him the much loved Lady of past days. She in her time had won men's fondest gaze. Her speech was proudly sweet in Paradise. Her spirit light, i' the Poet's solemn eyes Found grace. No sign of shame was on her brow. She to him there said : " Be indulgent thou, " Be gracious thou to me," Ht knew her life. She many men had known, to five been wife, 33 F She speaks to With light disdain, smiling, she said : " My place Paradise " ^° ^'S^ '" Heaven, it may be, to the race " Of common folk most strange will seem. Vex not " My mind with aught of my past earthly lot, " Nor question why I hold my present state ; " Born was I for sweet human love, not hate ; •' By natal star compelled, by Venus led " From birth to death." So rare Cunizza said. The Poet of all Beauteous Rectitude, Who amongst men was forced to solitude, Was swerveless, tender, matchless, just of mind, Bold to brand sin, yet to Cunizza kind. Browning's "Palma." Sordello's Cunizza, She is that tranquil woman fond and fair Whom Browning " Palma " calls ; that spirit rare Who to her love unfolds, in beauty glows As to the sun a bud of Summer's rose. In Youth her lips gave back a Poet's kiss. Sordello led her to supremest bliss, — Sordello, the gay castle Court's best man ; For him the thrill of love in her began. The Lady with Sordello fled away. The tale of passion's force lasts to our day. It brightens still the dullest dusty page Of Guelf's and Ghib'lin's all unsparing rage. 34 And here that tale I'll tell. Nor is that all Of famed Cunizza's life I would recall. Bride of Verona's Lord, Count Boniface, Not long she stayed his wife. Sordello's grace Or art beguiled the lonely Lady's mind, Too much alone, by Castle wall confined. But two years married the young wife to list The poet's wooing voice not often missed His song. A wooing song Sordello sung. Long lost the song of his enchanting tongue. 'T was love's own voice the rapt Cunizza heard ; For ever new its winged and burning word. Sordello, minstrel-guest, was left to charm Away the tedious hours — in that what harm ? — When — Ghib'lin-sway to break — the rash young Count In haste for far Ferrara quick did mount. With Este's Prince rode fast, a fierce assault On Este's foe to make ; — the hot time's fault That men to battle oft would madly go, By peace made restless, glad to strike a blow. Of Boniface there 's much to leave untold ; A Guelf, Verona oft he sought to hold ; Verona's Count there long his house stood fast ; He often ruled the town, oft was outcast 35 By the Montecchi's men whom Ecelin led, Ambitious to become Verona's head. When Boniface allied with Este's Lord Went forth to win Ferrara with his sword, Was lured to treat for peace within the place. For him deep Ecelin contrived disgrace — He drew his sister back, the Count's own wife ; So he outraged the Count, renewed the strife To hold, or lose, all fair Verona town. Rash Boniface entrapped, enraged, put down, Betrayed, one year a prisoner was kept Within Ferrara's gates ; Cunizza slept In peace, fled to her brother's own domain, At his hest by Sordello brought again. What youth's quick sense is locked in walls of ice ? Not long Sordello distant kept, precise, Nor vainly spoke, assiduous to the bride Who first had won, then kept him to her side. Man's fervid passion swiftly then, as now. Warm kisses gave and won for lip and brow ; Its sense was sudden, love imperative ; Believe it well to know what love can give, What kiss Sordello took, what kiss he gave, What bliss of love was his before the grave. How young ! how mad ! how blest these lovers were ! 36 Verona's lovers ! They for naught did care Save love's command. Exultingly they flew. But once life's goblet foams, but once, they knew, But once, deliciously, the lovers burn, — Eager for rapturous love all life they spurn. They sped Verona way, or far beyond Where Ecelin was strong, these lovers fond ; They flew to pass the Brenta's rush and flow, To San Zenon, or to green Romano, Or to Asolo's fortress built so high, So strong, its walls still stand close to the sky ! Ah who would not both follow with delight From bonds that hold by dull day or dead night. In sky-pure Italy, to that famed town Verona old ; or where the Alps flow down In graceful lines that fall in level rest, Beyond grim walls to the green hills' smooth crest. Where wide the smiling landscape lustrous lies ? What hath Italia greener for men's eyes ? • With both in old Verona to abide If but to see what time and ruin hide Were well indeed. Of wood was built the town, But red-brick church and palace new looked down Upon the slighter walls. There grandly stood Triumphant art of Rome o'er homes of wood, — 37 Stupendous structures of her former day, They told of Roman force long passed away. Enduring walls, proportioned all so well, And meant to last if meaner buildings fell. There stood the Amphitheatre unharmed. With much to show the town that Cxsar charmed — The marble city of his older name. Illustrious, of most poetic fame. Verona of Cunizza's time was grim, A tower'd town with narrow streets, and dim. Stayed she long with Sordello ? Who can say ? There is a tale that one unlucky day His love for Ecelin's sister soon made known. And spied, provoked rebuke, when he alone By night, once stole to her. The tale as told Were fatal to a poet's page — how bold Sordello was by Ecelin surprised — Cunizza too — most kindly was advised To go and sin iio more — forgiven go. No man was ever more confounded so ; Nor more with her was bold Sordello housed ; Both threatened by dark Ecelin aroused ; His wrath unchecked to one could fatal prove. To both most dang'rous dared they show their love. False is the tale that Ecelin sought and killed 38 Sordello. But his deep'ning ire fast filled With fear Cunizza's heart ; for Ecelin Terrific was e'en to his nearest kin. Yet was Cunizza dear and close to him, A smile of love to features worn and grim. Cunizza lived for other days. When old A will she made that her last thought doth hold. Shaken by grief, firm-minded, not undone, The aged She in her exile lived — a burnt-out sun — Princess of In ashen coldness sank ; or like a moon, omano. Resplendent once, but changing oft and soon, Through all its phases run, now dimmed or veiled With vapours dull ; — so rare Cunizza failed. Of her in age there's yet this dearest trace, — When old she saw child Dante's earnest face ; When old she touched young Dante's thoughtful brow ; She to the Hst'ning boy, intent, told how Great was dread Ecelin's power, how great his fall ; Or told, at her strong kinsman's house, of all That once her heart allured, her mind impressed ; Or she sat silent, half her thoughts but guessed ; In peace ; with sorrows worn, and solemnized ; Her loves far off and now but faintly prized. She lived withdrawn, from her own land remote, But sought no Convent's cell to sit, and dote 39 In penitential tears, mourning her sins, The thing most women do when age begins, Cunizza calmed, looked back without distress To all her wild quick years of storm and stress ; Retrospection, Looked back to her proud days ; her thrilling joys ; Passions imperious ; — all now like toys Of life, — the slight swift things of changing days, The slight swift things that go, for nothing stays. She 'scaped the wrath that wrought Romano's woe, To Florence from the Trevisan did go. At Florence. When her strong brothers fell, she fled, and ground Safer for her, a welcome too, she found At her famed kinsman Cavalcante's hand, — Father of Dante's poet friend, — that grand. Keen Guido, scorner of the crowd, who wrote The abstruse sonnet ; ihany a gentle note And verse of purest thought, tenderly sweet In praise of love and for his lady meet. Her fest Retreat. At Cavalcante's house Cunizza signed A testament to free her slaves. With mind Intact and clear, freedom she gave all men Bound to Romano's soil, save those who, — then Known dastards all, — at San Zenon, betrayed Her brother. She a curse invoked and said Fervently : May ten thousand devils all 40 The Germans seize who caused Alberic's fall. Nor this the last of firm Cunizza known. Beyond small Prato to this day is shown A castle strong which once the valley held, And there Cunizza once again beheld Her mother's home as 't was in days of yore ; And there of much despoiled, the Lady saw Her final years. With mind unfaltering. Invincible, determined she to bring Her claims to light ; she claimed the confiscated Lands of her house, — lands of her tragic-fated. All-grasping brothers, whom the Guelfs down-pulled. Destroyed, swept from existence and annulled. Enough, you'd say, on one sad woman's head. Enough of woe, so reft of close kindred, To break her heart, and break the firmest mind. E'en then by extreme age and grief confined, Cunizza to the last was resolute. For what was hers to give she was not mute. Her Will. Muzza, her castle i' the Trevisan She willed unto her cousin, whence began Deep woe of murder foul ; most sinister The name it gave to her retreat. In her Last days there horror rose. On Dante's page Is told how punished was a brother's rage; But not how close was fearful fratricide 41 G To sad Cunizza's life there terrified. Dark Tragedy, relentless still, pursued Cunizza to the tomb. She must have rued The day that brought her once to see again Most cureless wrong arise to give her pain, To throw o'er her its deep, oppressive shade E'en i' the place where, a child, her mother played. Smitten so oft by shock of sudden death. Found she oblivion ere her latest breath ? An Xnvoca- O woman heart at last of all bereft, tion to Whether for thee Lethean peace was left, Who knows ? Or if, in richest memory. Transfigured were the troublous times gone by ? Each day thy mind renewed, no crumpled page Of dead effaced things, living, in age. Was bright ; thy eye was clear ; thy soul was pure ; Corruptless, it was given to endure. O rarest nature, made like metal fine. Which bent, not broke, when fortune proved malign. Immortal woman and compassionate ! A Pieta ! thou knew'st the force of fate ; Mother of Sorrow didst bow o'er thy dead. How oft ! How oft was bowed thy dearest head ! Chastened thou wast ; by suif 'ring sanctified ; 42 Not crushed ; nor e'er abased thy woman's pride ; — A deathless thing, and queenly ; thy life's crown. For the transgressions of thy youth no frown Have I. Love won thee, or strong Passion urged; Or true Love triumphed, or deep suff'ring purged. Storms pass, far driven, are swept clean away. So are life's tumults ; they have their brief day ; They are not to endure ; like clouds they are. Black, horrid, or transfigured, that bar Eternal Heaven ; threat'ning the piled rack Drives on, or splendid mounts, traceless its track In skyey space ; it will not last ; it goes ; Where most of ill it wrought there comes repose. At Cerbaia, by its rushing stream Cunizza's many years seemed like a dream. From thence, in youth, her Tuscan mother came. Dark Adelaide of lust'rous, sinister fame. Adelaide. Horrific Vision and prophetic sight Gave to her fulgent eye a tragic light. Shadowed her face from which the smile had fled, Like one, who, ever to all joy is dead. She told her son's sad end, that he should die Her At San Zenon, dishonoured there would lie — Prophecy. At San Zenon, where now a peaceful bell Clangs oft, clangs last the dying day's farewell. 43 The solemn Mother of a doomed race. She with the pallid, AUiberti face, Made whiter by her watch of starry night, And whiter still by that terrific sight Seen twice in the deep, slumb'rous, silent night, Seen as one sees by light'ning's vivid light. She lay in sultry sleep stirring, oppressed ; She dazzled woke, but woke undone, unblessed ; She stirred, loosed from a Ravisher's embrace, To see the First Seducer's burning face — Satan himself, fulg'rous, in triumph raised. Satan. Twice came the Vision in the quiet night. Twice the still darkness was made flaming bright, Twice she bore Satan on her dazzling breast, Twice was by Horror ravished and oppressed. Last Adelaide, shuddering heard, appalled and dazed, In stifling, burning, atmosphere, amazed : '• Two sons thou shalt bring forth from my embrace '•Both Killing, Wasting, Scourges of their race." Terrific Lust and Murder's Sire, in air Aflame, left Adelaide like Medusa there. She, proudly mute, until her latest hour The secret kept of dread Infernal power. 44 O strangely pale she seemed ; her smould'ring glance Profound and slow, had oft foreseen mischance. Subtle of thought she was, in magic versed. Herself, her family, ambition-cursed. She shaped and led her husband's restless mind, And dreamed the whole Trevisian Land to bind ; Told when on prey to swoop, and when to hide. When War to make, and when, in Peace, abide. The key of Italy she thought to keep If not its crown, and pondered oft, and deep. To ope or shut the Kaiser's gate, to hold. Or give the way, won by her house of old. Measureless thoughts were hers, and questions dark A watcher She sent into the deep of night ; did mark °^ *^* Portentous signs ; 't was thought she could evoke The dead ! Unmoved had listened while they spoke ! Star-led, she knew each far celestial sign ; She watched her planet's rise, saw it decline. Severe, supreme, unbending, walked in pride ; So read dark fate that Hope forever died From out her heart. With Woe and Fear aghast. She saw Romano's house should fail at last. Accursed sink in pain and blood ; unwept ; And leave a blackened name — forever kept. 45 Mother and 'T is Strange that the drear Adelaide's dark race Daughter. Should bear Cunizza's loving, woman-grace, Strange that Cunizza — Adelaide, should be Contrasted so in personality ; Both living types of woman's brain and sex : One love controlled, naught of the world she recks ; The other thought, and dared, all life to spurn That yields not to her worldly will's proud turn. 46 VII. FROM Brenta's font to far Rialto's isle The fruitful Land spreads mile by fruitful mile ; From Brenta's stream to wide Piave's bed, Gaunt Alberic, or Ecelin, was head Of all who filled the Land, or gave a name To castle-keep, or place of greater fame. With growing might, or craft, they strove to hold, Annul, or kill, the Four, — great Lords of old. Each in his own domain, — their City's pride Or woe — who dark Romano's force defied ; Ecelin of San Piero and Camino ; Boniface, Romano. With Este ; all of high illustrious race. None felt secure till Ecelin lay dead ; Not one but watched the Two with rising dread ; Alberic's guile, fierce Ecelin's great greed. As oft he stirred the Land his pride to feed. Tho' black as cub of lust and pitchy night, A fiend in act, abhorrent to men's sight Men followed where he led : bold wit and will 47 A Monk's Dream of Ecelin. Were his : quick to conceive and work all ill ; The agent, it was thought, of God's own wrath : 'T was so believed. With blood he drenched his path. 'T was said, and so the legend runs, a Monk, In vision, or in dreamy sleep, deep sunk. Saw the Lord Christ, and th' Angel dark of woe, To whom Christ cried " The wicked thrive below ; " Who shall avenge me of these dreadful men?" (Lombard, Trevisian, most were evil then.) The angel dark of aspect sad and weird Said, turning : " There, behold, by all souls feared " Dark Ecelin, born for his country's woe ; " On his swart face a strangely lurid glow ; " To him be given the avenging sword '• To drive to prison, stake, or flame, or cord, " Thousands who, helpless, fall beneath his sway." God punished so, 't was thought in that far day. Vicar of Wrath, the Ghib'lin's strongest hope, Against him rose the Lombard League. The Pope Proclaimed a Holy War. Men rose that day Like Red Cross Knights to break a cursed sway. Fierce Ecelin, dauntless, to rich Brescia flew, Surprised the town and many victims slew. He aimed to strike Milan, enter her gate. But in swift De La Tor he met his fate. Great Captains of the League his might withstood. 48 His way was blocked : at length at bay he stood. His last hour. By Adda's bridge he fought, there met defeat — His last — made desperate, crippled in his feet. " Cassano ! " sudden cried he. Like a knell To him the name was, uttered ere he fell. Nor did he speak again, worn out, down-cast ; All care repulsed ; all bloody there and ghast ; For days refused to eat ; and from his wound Tore off the bands to bleed afresh unbound, Nor ever raised his eyes, but, dumb to fate. He silent lay and scorned his victor's hate. So trapped, hemmed in, so baulked on ev'ry side At Soncino, like a wild beast, he died. Then rose the Land with joy : in jubilee The bells of ev'ry Church from Mount to Sea Were rung aloud. The sounding melody ^^ . r Shook the Tree air ; with joy stirred Italy. Italy. White Milan's iron tongues beat wildly glad, And Venice, many voiced, as if mad. From her high towers sent in revelry Her festive notes aflying merrily. Metal on metal clashed, and loud around. Arose and fell the clanging, joyful sound. The Earth itself from Wrong seemed free at last 49 H When wolfish Ecelin lay still and ghast. The bells were rung all day, and when night came The Land about was weird with leaping flame. The bells resounding, fires blazing bright Sped Ecelin's soul on its hidden flight. Yet wouldst thou know ferocious Ecelin When free from hate, he favour once did win ? It was a day when Friedrich was at rest, — An idle day for chace, or sport, or jest. He knew to please a knight and what was best Ecelin and ^'^ ^'^t ^^^ song, and work. The Soldan's guest, the Emperor. He learned the Arab's choicest skill and craft ; Sicilian song ; and bore the southern graft The Hauenstauflen stock have proudly worn. In him the Troubadour's light grace was born. He with his knights and Ecelin once stood. Unbent from thought, and in a happy mood : " Let us," he said, " compare our dearest blades." His own was curious with lights and shades. Most strangely wrought, a thing of greatest price. Said Ecelin " 'T is rare, of brave device ; " But Sire, I have a plainer blade to draw, " Yet good." Out-flashed his sword all eyes before. Six hundred glitt'ring blades i' the instant there Were drawn. It was a sight to see most rare. 50 As one man the six hundred armed knights Drew each his blade, well proved in famous fights. " 'Hold ! the best sword is yours," the Emp'ror said, And with a smile he bent his gracious head. 5' VIII. A T others' cost had Ecelin his jest. Ecelin -^ * The beggars of the town he once addressed and the With kindly speech ; he bade them all be gay ; ^SS^'s. p^^ ^ji^ j^^ ^^,j^ upon a certain day Must come within his castle's spacious court For food and clothes and honest festal sport. The day announced, from far and near quick came A host, all beggars, blind, or halt, or lame ; Of ev'ry age and shape ; in rags ; half clad ; Upon their backs, it seemed, was all they had. As at Jerusalem, by David's Gate, A row of Lepers stand, or squat and wait. And hoarsely cry, and shake their empty plates. So some appeared among their sounder mates. A lot more strange and bad was never seen ; Blear-eyed and bruised, or swollen, fat or lean ; They shuffled, hobbled ; all that motley crowd ; They pushed and squeezed ; they coughed and sneezed aloud Through Ecelin's open gate. 52 And some were meek, And all seemed poor and came some good to seek. Others were there most vile and gross, like hogs. For once these beggars came, fearless of dogs. Tables were spread with all that they could bear. With wine to pour, and meat to take and tear. Each pauper sat him down his drink to swill, Ravenous gorge, and take of all his fill. While Ecelin looked on from high above : He saw them feed, and felt the gentle love A hawk may feel ere he swoops swiftly down. The feast then done, new clothes were brought, a gown. Or coat for each, and something more to hide All nakedness. The order came to slide The bolts, and quick was closed the palace gate. Loudly they all mourned their most piteous state. To doff their old rags forced by threats or blows ; Of all despoiled, they stood in naked rows. But Ecelin's men to each one gave a suit. The cast off rags they searched from cap to boot. To Ecelin came coin, enough, and more The Feast to pay plus — all the wretches wore. Some wept or howled to see their rags laid by, With woe they rocked to see their rags heaped high. 53 The gate was opened ; penniless they went ; Each beggar clad in clothes without a rent. The honest gave loud thanks, with wine were glad, But all the false ones cried ; were dumb ; or mad ; Miser, and Jew, and Thief, and Sneak for once Knew Satan's squeeze, and felt he was no dunce. 54 IX. WOULDST see the Tyrant's hill ? — it surges there, Romano Not very high in the crystalline air. Asolo™'" Its great tower overlooks a gladsome scene, Its grassy knoll seems fresh and ever green. Afar from it you see the Brenta glide. And brown Bassano by the river-side. The hills sweep joyously and far away, And ev'ry slope lies warm to the bright day. Soft is the pure and everlasting air. The Musone Delicious to the sense ; sunny and fair '" May. The broad land smiles, its fields and hills kept green By fresh and frequent streams that flow unseen. And none of sweeter sound or clearer wave Than thine, Musone, the warm foot doth lave. Many a time to music of thy flow. Many a time while list'ning to thy slow Soft current slipping o'er its pebbly bed A light and whisp'ring sound my step hath led To follow thee. 55 Banks greener, or a stream More limpid, song hath never praised.* The gleam Of thy clear face shines ever to the sun, Or swift or slow thy yearly race to run ; With murm'ring music beneath the May Moon, Not over loud with rain, drowsy thy tune, Silv'ry thy note, all gaily sparkling there 'Mid hills upraised to the delicate air. Such pleasant lisping sound, like playful talk, I've heard from thee in my meand'ring walk ; And then, a richer note, — the nightingale's — I've heard, at even-time, in dusky dales, Led by thy banks unto a leafy glade Far from the step of boy or shepherd maid ; Passionate melody, and all the rush Of new-born joy, rapture amid the hush Of earth and sky bare to the Moon of May The Rising Melting, suffusing all the twilight grey. Moon. Entrancing poured the lustrous flood. Full well Its charm I felt. O heavenly it fell Upon the sense like the sea's warmest wave And silent bliss to all my being gave. In far off paths, beneath the rising Moon, My ling'ring step was late, but all too soon Up the steep, shadowed, long Asolan hill 56 Sombre with tufted trees. Asleep or still Was life. Yet the red flame of a lone shrine, — Where jessamine and clematis entwine, — Burned bright, the peasant's faithful star from birth To death set in the darkness of the earth. The elder-bushes flowering, creamy-white, Motionless were like pale flakes of moonlight, Th' acacia's blossom sweetened the soft air ; Splendid the May Moon's herald star burned there A night of Above the hill, rising in the clear sky, '^^y- Lustrous and mild ; and not a cloud passed by. No not a cloud to darken in its flight, The vast, serene, and wide-embracing night. Floods from the infinite, the unseen life. Touched soul and sense. Stilled was the old sad strife Of seen, — unseen ; all being seemed deep fused, — Nature's and man's ; illumined and suffused The Full With the moon-flood of limitless pure light ; Moon. The May moon inundating the whole night. The full May moon above the dark hill-side. The rose red moon of May rising to glide O'er sleeping earth ; the Queen of starry space, A world entrancing with her lustrous face ; The soul of Love she seemed to shed on us. In stillness deep, supreme, mysterious. 57 I B^ X. I Y the Musone in far other daj's Strange was the chance, and hard, that did amaze, And stir the Land when from Romano's lair Cecilia. Ecelin's wife, Cecilia, trusting there Came forth. The Land's Great Lady, of fair name, Of rich estate, proud and secure, she came From out her castle all alone, tho' won San Pier. By craft from young San Pier, who — but begun His suit, — saw his bold rival quickly take The heiress, famed for her great riches' sake. Festive she rode by the green river-side. And far she left her home and gaily hied On Padua-way. By San Andrea, — to rest She stopped awhile; beguiled and even prest By young San Pier, who, suddenly appeared. His court he paid to make himself endeared — Bold court he paid to Ecelin's young wife, Nor recked that he should stir the Land to strife, As he, by force, bent to his purposed will 58 Romano's Lady. Desperate and ill The act, lustful the love, and deep the hate That brought deep woe to the bride's trusting state, When, the next day, with scorn, to Ecelin Back she was sent stained by compulsed sin. Romano's Lord refused his injured bride, And hard and grim, rejected her ; abide Her sight he would not. She a better fate . Found with the years — she found a better mate. But all the Land was roused by rival's rage. And blood of all the best burned war to wage. For San Pier men arose to take the field, For Ecelin men fought, nor one would yield While strong Bassano's Lord kept vengeful way Or with rich Padua bold San Pier was gay. And still by the Musone's grassy rim Is told the tale of Long Ago ; and dim Doth seem the life lived there : yet 't was so strong. It hath its place in story and in song. The stream flows on, its wave is seldom still, (Altho' in drouth it shrinks, nor bed doth fill), But, ever as it goes, its banks keep green ; Amid its hills right joyously 't is seen. Thou art a spirit, O Musone mine ; watch thy waters run and intertwine. 59 INTERLUDE. AS out of mist the island bells resound Unseen, both faint and sweet from hidden ground, As out of mist, the sun, a paler light Casts down, and only seems a phantom bright In air, a shining, looming, failing sphere. Both weird and dim in morning's atmosphere ; — Delight it gives to hear the softened notes. To see the sun, as in a dream one floats : So faint, unseen, the life of distant years. So from the Past an ancient day appears. 60 XI. THERE is a placid stream that gently flows. Smoothly it glides along, silent it goes. And slow, save when at flood with rain or snow. It swells and foams and seems in rage to go. -pji^ Muso- The Musolente — yet the name doth tell lente. How the stream quiet thro' the quiet dell, Thro' wood and field all calmly, gently flows, Nor breaks its bank as slow its water goes. There — on a day when hoary Rome was great. With all her Legions strong her widened state To keep — by the slow river's bank once spread A hamlet whence a Vet'ran came. He, dead, A legacy there left to deck the place Each year where low he lay in death's embrace. His tomb to deck with rose and violet. To offer food as well, nor him forget In any way, tho' all unseen, and sped. Gone is the stone of him whose honour'd head Once rested there ; his name — not there to see — 6i Vettonius was called. Viewless to thee His dust : his place unknown — his language — dead. And other lives and days above his head Have swiftly-swept. And green the river's bank, And green the hills whereon the Vet'ran sank. He thought to keep his tomb forever fresh With flowers, with roses, with violet's mesh. In vain his wish prolonged amid his hills To sleep adorned in spite of all life's ills. The flowers come, and go, renewed and fair, The dead dispersed — Oh to what unknown air ? But rose and violet they come again. They bloom for us — but for the dead in vain. Dear dead ! Do ye arise where ye have slept Unseen, and all forgot, in darkness kept, Earth-won ? Oh dreamless dust in voiceless rest Of funeral urn, of tomb, of grave, as best It seemed to rev'rent hands, and pious hearts To mark the spot where life from death departs. What hope ? Shall we arise where we have slept Unseen, and all forgot ? Our bones unkept, Our ashes all dispersed ! Yet Faith doth say That we shall rise for an eternal day. Faithless ! — There 's naught to tell we have more place Than smile or frown that fleets o'er nature's face. 62 XII. GRIMLY the Rocca ^ old lifts its strange form The Rocca. High over Asolo. How oft to storm. To time, to war alike a signal prey, Yet strong to last for many a coming day. A mystery. Its walls of age unknown. An awful fortress. Without e'en a stone To tell its date, or what race built up there. It hath nine sides and but one gate. 'T is bare, And now 't is empty. There is naught to tell Who laid its stones in even strength so well, — At Rome's command ? or by more ancient word Bid rise, long ere the Latin's speech was heard ? But stay your step where well it crowns the hill. Strange signs you'll see upon its stones ; for still E'en now mysterious marks you there may find By time made faint, or by the biting wind. Be they the marks of languages long sped ? Etruscan, or Euganean, long dead ? ' Ancient fortress of stone. 63 Uncertain still is Learning's latest word. What men first held, or whose the speech first heard Within the Rocca's high imperious wall ; Kept is the Rocca's secret from us all. Under the Saracenic arch yourself May see the Carrarese's wheel. The Guelf Effaced the Ghib'lin's white heraldic sign. Grim Ecelin's white ostrich, — crest malign Of strong Bassano's Lord, whose victims wept. Wasted in anguish lone, in darkness kept. See, even yet, below the tower's base. The horror deep of all that sunless place. The Venetian Climb there at break of day, or when the sun Plain fiom yVJjJj ^f trailing cloud sets all in one the Rocca. y- ■ . i i j.j i rar-burnmg glory, — a great splendid show; When placid Eve comes ere the after-glow, Or with the after-glow to light your feet. There *s beauty at all hours your eyes to greet. Whether the Plain lies dark beneath the sky. Sun-smitten brightens, or with clouds that fly Changes ; and like a face hath smile, or frown ; Whether all grey or azure at sun-down. Or mid-i.oon, melting into the far deep — The soundless distance, soundless and asleep At night, by darkness hid, its life unseen ; 'T is like a Presence felt, restful between 64 The Alps and the far, the pale Apennines ; Not homeless to its furthermost confines, Nor sad, like that place spacious as the sea That spreads for miles and miles without a tree. For many a league of green and golden grass Stretches where Rome's worn pilgrims ever pass ; — But garden-like, laid in far stretching lines And rich with work that all our life refines. Campagna, by Rome's monumental race Once filled with life, is now a mournful place : There ruins vast out-watch the Century's dust. And sad lie all the wrecks of human trust. Not so, where, vaster, the Trevisian plain Won jocund name of Love's own bright domain. The Land of Joyous Love, 't was often called. Smiling and rich, it was but rarely pall'd By woe funereal. For, ever life Prevailed, though long was fratricidal strife. And ever Death anew struck all the Land From these hills to the Adriatic's sand ; — From Brenta's stream to swift Piave's known As the Trevisian March. Nor yet is flown Its fair and open life, blissful and mild. Tho' city fought with city, men were wild With wrath, yet brief was war, like tempest brief; 65 K A joyous land. La Marca Gioiosa e Amorosa. It swept the Land, laid life low like a leaf; As quick life richly rose to smile again, As quick restored was Love's own festive reign. Its maidens famed of old for loving-art. And famous e'en for wit as well as heart. For beauty, and all women's winning ways, — For blithesome hearts renowned from ancient days ; La Danza When the Trevisian Dance was widely known, Tnvigiana. ^^^j ^jj ^^^^ jocund city's trumpets blown From Love's thronged Castle, and its maidens all Close fluttered to defend its leaguered wall. Old is the book that tells the well known tale How missiles flew from ladies red or pale. How Padua's youth there stood in jealous rage To see St. Mark's best men win vict'ry's gage. In lists of joy there rival's flag tore down And made Treviso and her guests to frown ; What war up-sprung, and how rich Padua paid. And left the field to Venice undismayed. 66 XIII. WHEN in Alcamo's sun-bright isle arose Gaia of Italian song, 't was then, where Sile flows, Treviso. Camino's daughter won a poet's fame. Her life was joyous, Gaia was her name. Treviso's Lady, rose she there to crown Goito's son fresh in his young renown ? A poet he ; if Legend 's counted true. Also a Prince ; his home where Mincius blue Feeds her two lilied lakes, and Mantua lies, A lilied town fair set between twin skies. Their names, be sure, a brilliant day recall. And force and beauty, both, from Death's dark pall Deliver ; lift from all their time's disgrace Something that once made bright each living face. Of later days and fame there 's much to reap The Land o'erlooking, while at rest where steep Asolan hills, green from bare crest to plain Let see how Piave i' the snow or rain Speeds on its whitened way, a raging flood. _ _. Its force the Fra Gioconda's art withstood, cornla 67 And his the plan that stayed War's rush and flow, His wall's defence withstood the German's blow; Treviso, St. Mark's mainland city held, When Brescia and Verona — world-beheld — Vicenza, Padua yielded fearing all ; — To League of King, Pope, Emperor did fall. Well proved the worth of gay Treviso's walls, His Work. '^'he first raised up against strange cannon balls ; Their strength and art due to Verona's son When famed Gioconda was for Venice won. Called by the Pope to fill Bramante's place. With When old, he saw fine Raphael's youthful face. Raphael. Empowered to tell the Painter all he knew. For this, and more the Pope that Friar drew From Venice- Travelled, famous was the monk. His life was studious, and never sunk In cloistered sloth. A Bridge across the Seine He built, and Palaces raised not in, vain. He was a scholar ; books to him were dear ; The dark things in Vitruvius he made clear : Thousands of stones transcribed, and freely gave The Medici his work ; and then to save Aldus great toil in Latin, and in Greek, 68 His page revised ; — more of renown to seek. At Rome. A man most marvellous. He was the head Of Rome's great architects. At eighty led To give his best for Sanzio's smile, 't is said. With him Pope Julius often gladly talked And watched, as high the arches where they walked Upsprung. His name gives lustre to the time, It is a name to grace my later rhyme. 69 XIV. COLONNA in light cloisters cool and old Oft mused. At last his life's rare dream he told. Fra Colonna. In him not learning's new-born gifts alone, But Beauty's charms, and Love, his being own ; And his the Book long hid— nor yet to all Revealed ; — the Artist's Bible I would call. His book. In him the Lover, Artist, Poet, drunk Deeply of Life ; as Pagan wrote, tho' Monk. For nothing ever kept from dream of bliss His dreaming mind. For him the Lover's kiss ; For him rare Folia's charm. And he Love's law Obeyed, and all Antiquity he saw. He studied much, oft stayed his patient feet Where long great Arc had her most splendid seat. Statue, rare Stone, Column, Slab, Plinth and Base, Frieze, Trophy, Chariot, Font, each famous grace Of Form ; veined marble, rose flushed, black or green ; The majesty of Domes, Arches, or keen. Vast Pyramid ; Baths ; Theatres ; all this. You find within his book of Love's deep bliss : 70 The Book of Art it is where we are led The Artist's and the Lover's way : now read But by the few : no book of death but life ; 'T is of Poliphilus and his love-strife. All-fecund nature, source of Pagan Art, Bears no trace of the Christian's chosen part r the Monk's curious pages that yet hold A lost Religion there, tho' strangely told ; — A Book of the Renaissance, a rare book, For Lovers, not for the profane to look Within. Its language dark hath not the worth Of common speech ; as now, 't was strange at birth. Nor ever had the limpid sense or terse Style of the Tuscan ; writ in prose not verse. Colonna nothing from fine Petrarch drew, Boccaccio's work was what he kept in view. Colonna's book is like Burne Jones's theme. Remote from common life as some rich dream. 'T was writ for all who choose life's better part ; Of Beauty much. Love much, and more of Art It has to tell. Aldus himself his best Care gave to print its page, adorned and dressed 71 Its rare adorn- ments. The English Version lost. By the Bellini, by Mantegna graced. Or if not their hands all the drawings traced, Some one of equal skill the drawings made, — Barbara's, or Carpaccio's hand, 't is said ; First for Colonna's Dream of Lover's true, H.ypnerotBmach'ia' s pictures drew. 'T was put in English for rich Shakespeare's Age, To lovers of sweet Sidney's life its page Was dedicate ; yet was the Englished book Long ago in Philistia lost ; none took The care to save a copy ; many spurned A work they thought fit to be quickly burned. Philistia's mind was coarse, heavy her hand. When Sidney, Essex., Shakespeare, all the band Of England's brightest sweetest minds had fled. The fond Monk's book of Art was no more read. 'T was called the Strife of Young Love in a Dream. Hope not to see the Englished Page: nor deem 'T would give you aught of good, if Beauty, Art, And Love, are not for you life's precious part. Colonna's work and place. Unloved was nature and free Pagan life. Rejected during the Dark Ages' strife. 'T was long ere men the Truth would trust anew. 'T was long ere Pagan art was kept in view. The Dance of Life, its forms of loveliness 72 They dared not praise, nor seek its blessedness Petrarch, Boccaccio and Colonna came, The Antique, Nature, Beauty, grew in fame. A darker time has come for us again ; For most of us the Renaissance is vain. More happy thou Colonna, though a monk, Tho' in a cloister half thy life was sunk ; More happy thou with thy rich dream of sense, Thy visions of antique magnificence — The very love-strife of thy ardent youth. To thee was shown the splendour full of Truth, E'en Beauty, face to face, and even breast To breast, Nature and Art together prest. Without a sense of form thy work was done : Tho' writ to praise all art it lacked the one, — The writer's sense of style, hisi sense to tell With less occult phrase all that him befel. Thou like a Gautier cloistered seem'st to me, Or e'en fine Spenser's peer thou seem'st to be ; Not that thy page hath aught; of rhythmic flow ; For naught of sweet or stately verse but slow Prose is the form to give us thy rich mind : Its Dream was life and nature art-refined. Swinburne's ophidian grace of changing phrase Swinburne. Were best for all Colonna saw to praise 73 L Couched on the glad grass, by a limpid pool. Or bright stream, where the summer leaf is cool, In Cytherea's all-enchanting Isle, Where Beauty lives, and Youth, in Nature's smile. Thy Art Giorgione, or great Titian's glow. Or Rubens' freshness could that wonder show. Ancient the charm that lured the cloistered sage, Colonna studied bright Ovid's rich page. Crasso, Verona's judge, famed, rich, and wise, Was first to show Colonna's book, — a prize. For him 't was printed at a great expense ; And not to leave it all without defence. To the Duke of Urbino the strange book Was dedicate, — that famed Duke who forsook Sadly his home, his people, when like flame, Borgia, with poison, steel, and treach'ry, came. His courtly life gives charm to history's page. For learning, culture, all that can engage A spirit rare and bright he was well known ; His name in Fra Colonna's book is shown. Colonna's Wouldst know where Fra Colonna sank to rest tomb. jjj jjjg jipg years by old religion blest? In Venice he was born and Venice kept His bones tho' now the place where last he slept 7+ Is but a bricked-up wall. Traceless his stone Sepulchral ; now his very dust is flown. You still may see the monumental place Where rich memorials his Church doth grace, — That Gothic Church of the illustrious dead, Beyond Saint Mark's, close to the water's bed ; From it you see Saint Michael's tower rise Glowing to morning as to evening skies. There Fra Colonna's Church of John and Paul Lifts grandly high its worn red Gothic wall. Rich it hath been like fine Heraldic page, Most rich with all the signs of storied age ; For Tombs, and Trophies, and emblazoned Shields, And stained glass brighter than greenest fields. Incarnadine like running ruddy blood. Blue like blue skies, or the sea's darker flood. And marble old, and smooth, lustrous and veined. And pictures of Great Masters, dust profaned. By dirt and damp all dimmed, made sadly dark. Still hold their solemn place, compel remark. In rev'rence stay your step, and there in awe And admiration make you pace the floor. 'T is well to think of Fra Colonna's name, So much it adds to rich Trevisian fame. Polia and Poliphilus both were seen 75 In yon delightful city, where, between The walls flow clear two bright and living streams,- Where limpid Site rushes by and gleams. Where Sile and Cagnano haste to meet, And freshen as they flow Treviso's street. 76 w XV. HEN light-leaved May all Nature doth invest, Famed Cities When all the Land is in fresh beauty drest, asoIo"'" Look you to where, beyond the wave-like hills Bassano keeps her seat, and Brenta chills The bather's foot on summer's burning day ; Look you to where Vicenza hides alway, So thick the leaves that screen so far afield ; Look you where tower and dome but seldom yield Distinctly to the farthest glance, so dim Far Padua seems on the horizon's rim ; Or dimmer still, and farther, Venice lies Revealed but beneath the clearest skies, — Yet then the sun you'll see smite her great tower, — 'T is Saint Mark's shaft in light 'till sun-set hour. Let run your glance to where Treviso seems — 'T is there, — that open city of clear streams ; And look from rosy east to golden west. Enchanting beauty, splendour freshly drest A hundred towns, a hundred glowing towers. Are bright to the swift daylight's shining hours. 77 The marvels of the marvellous green plain, The shifting clouds, the changing skies of rain And light, the Land's old art, will give the eye Enough. The Delta doth not richer lie — With far-brought riches from old Nilus' bed With Egypt's wealth brought from its fountain head, — Than the Venetian Plain appears to me, By water freshly fed unceasingly. The Alps o'erwatch it all. They send their rain, Their storms, and driving blasts swiftly unchain ; And sea-winds work their will ; aerial forces Play, rage, lull, wake the Land in wildest courses ; Sirocco-clouds blot out the Plain's fair face. In gloomy pall the mountains hide apace, — Swift as at a magician's touch the mask Palls off, clouds ily, and all the Land doth bask. But closer, dearer charms within deep dells Asolo's grassy hills unfold. Her spells Are woven with light leaves ; with flowers ; with grass ; With soft winds that caress and fan and pass, While birds sing, and some happy shepherd girl The Asolan Her sweeter song doth sing, — blown hair in curl, Maid. All soft and sunned and warm like amber old. Like crisped glist'ning threads of dusty gold. Slowly she comes from Asolo's hill, or dale. Demure and modest in her thin white veil, 78 Called oft by the Duomo's deep toned bells. Like a white dove she settles down, she tells Her beads, or glides to touch the font's cool rim. Behold her girlish grace and figure slim ! Her tranquil glance ! It is the type I've seen Against a solemn, shining disk, between The tryptich's folding doors of Byzant gold. Prayerful, and searching, earnest, mystic, old ; Unworn 's the race ; unchanged ; — its type it keeps. Here in the peasant's house young beauty sleeps And here awakes, looks calmly, sweetly out. Unread, untouched by all we rave about. Come ye to Asolo's smooth flowing hills. Come see what richly grows beside her rills, — The flowers that bloom, colours that flush and fly : Each season's gift ; in Nature's lap to lie ; Swift change lets little last, from primrose gold Bright'ning deep glades, to each new bud unrolled Of blossoming trees (white like the wave's white foam) That, wind-blown, grow round each Asolan home. Its brightest time was when famed Cyprus' Queen Queen Cor- Brought from her Grecian Isle her gracious mien "^'° ^"'^ To charm the Land, — the wave-washed city's gift All these green dales, green fields, and hills up-lift. 79 Here is her castle's tower, and below, Her greater park was far afield ; there glow On ruined walls the frescoes old, and yet Her chapel lasts in Parco's meadows wet. Here were her Cyprian hounds, horses, and hawks ; And here beneath the beech-embowered walks, O'er-arched by Summer leaves, in Summer shade. With the Cornaro and her favourite maid, Young Bembo passed, nor dreamed he yonder hill Hid from his life so much of good and ill ; He dreamed not of Lucrecia's love or name The Cardinal's purple, nor his later fame. Come ye to dream of all that courtly day, See castle ruins that once held each way. The crumbling dark walls of a fiercer time, On each historic hill named in old rhyme ? These walls crown not each grassy summit's brow As when strong mail-clad men, in strait ways (now Made broad for.our life and the peasant's load) Went to and fro, and the knight, splendid, rode ; Page, man at arms, or gallant squire on horse. Saw most of what we see in each day's course, What smiles in light, and flows in rhythmic lines — These billowy woods, how each green hill declines, 80 How all the mountains fall in mighty waves — Earth waves hard beaten by each wind that raves O'er these green hills from yonder bluer bar Where throbs where sinks yon burning Planet far. 8i M B' XVI. |Y the steep road-side's leafy chapel shrine The peasants kneel devout at day's decline. Placid in the stillness there doth seem to iloat The plaintive sound of twilight bells remote. The cloud's film rosy in the evening skies Pales to a fainter tint as daylight dies. The dark'ning mountains take a bluer shade. Intensely blue, in majesty displayed. Night deepens in the hollows of the hills. More lightly broods above the Plain and fills And hides the quiet Land in darkness drest : Nature in silence seems in solemn rest. Asolan nights. 'T is summer's plenitude ! Clear nights of May Starred with magnificence undreamt by day ; The Planets seem to throb and deeply glow, And sprinkled stars drift over Asolo. They swarm in the dark airy Dome of Night. Soundless to us the realms of dazzling light. And looked they so above far lives of yore ? Not less remote nor less they filled with awe ; 82 All mute to quest'ning glance, and all aglow ; Like greater worlds than ours, to come and go ; They seem to throb with light, now beaming down Some life to crown with bliss, or on it frown. 'T is fine to see the skies of Asolo, To see the stars and the great Planets glow. Or Heaven bare to the upspringing sun. Resplendent his triumphant course to run ; To see far streaming vapours, pomp of cloud In lucid space immeasurable, proud Day's bright hours go in light, or deep'ning shade. And still Night come when Day's last glow doth fade. O skies of Asolo ! Oft have I seen Skies and The storm rise sudden darkening her green storms. Hills, dark'ning all the vast far-stretching Plain, — A sea of rippling leaves and growing grain ; Have seen it come when Grappa's brow is white. Have seen it deepen, spread and take wild flight By roaring winds far driven, fiercely sped. Twisting and tearing, lashing over head Convulsed clouds unto their course kept true, Swift messengers of wrath startling to view.. And I have seen the raging Tempest black With wilder wind urged on its blasting track 5 83 And I have seen the clouds piled grandly high. In serene air enchanting to the eye ; — Frail towers and toppling baseless battlements ; Castles 'mid space, or brief proud armaments ; In level lines of rest, shining or grey ; Oft spread like angel's wings to brighten day ; Then earth itself shows us its fairest face ; Asolo's quiet ways the foot may pace Where birds — the air's quick lovers — with sharp cry, Or silent all, in wild alarm dart by, Startled when, in the leafy hidden lanes, A sudden step the lonely place profanes. By-leaves o'er-arched her many shady ways Are cool and dark in summer's clearest days. A silver runlet keeps both moist and fresh Asolari lanes. The Stony bed beneath the leaf's loose mesh. In June, the greenest time, deep is the shade Under the beechen leaf, all deeper made By roof of twisted twig, and branch, and vine ; Stripped of the season's dress so rich and fine The summer long, and in late Autumn shed,. Grim, rugged, gnarled, and lopped, and seeming dead ; All grey, or black with lichen, green with moss ; In winter trunk and branches show their loss. E'en then an arabesque of strange design They seem with each twig's twisted leafless line. 84 In summer the quick lizard furtive runs Rustling the leaves ; watchful the touch it shuns. The rare snake, unsuspected, sudden stops Your step when from the branch noiseless he drops, Fixes your glance with glitter of his keen Eye, like an evil star, a moment seen. Its cold light, steel-like, shines in a dark place, — 'T is there — ^"t is gone — silent — without a trace. 85 XVII. NOR will I fail to tell of music sweet. Of the old bell that rings above the street, The Tower's bell ! how oft it richly floats Adown, how sadly ebb away its notes. Nor less the Duomo's bell ! its clear tone rolls More lightly out to waken simple souls. Sweet ancient bells how dear their magic sound ! They stir in waves the quiet air around, And the unresting hours in music flow. The speeding hours of charming Asolo. A sadder sound they have when daylight dies. Then for the dead — tho' more than one there lies Now all forgot — dear memory wakes ; for some A prayer evokes, — a thought of peace for dumb And lost and buried love. Twice have I felt For Asolo's dead drear grief. While Sorrow knelt. Warm tears welled up for youth and force cut down. Once for a life of unfulfilled renown ; Once for a life that like a flower grew, And from its native hills its beauty drew. 86 What verse were best its loss, and simplest days To tell, and all a peasant maid's dear ways ? To hold her vanished self, and hold from Night A grace, a charm that often gave delight ? 87 CANDIDA : AN ELEGY. YOUNG Candida is gone ! her dear life spent ! She was a child when first with her I went Down grassy slopes to the clear river's brink. There where the leaf is cool and cattle drink. My Candida ! For eighteen years all told She lived a glowing thing, and now is cold. Was quick and light of foot, in beauty grew. Went singing like a bird ere grief she knew. Grief came, and Sorrow stayed with her ; her song Was stopped — ^"t is now a year. She was not strong. And when her mother died, a change took place In her slim form, a change in her dear face. She lost her smile. O Candida did fade ! Slow, week by week, a flower, drooped the maid. She strangely still became. At night a voice Was calling her, she said, nor left her choice 88 But e'en to go to where her mother slept, Reluctant, go, to where the dead are kept. My Candida ! gone like a light put out, A flame quick spent : and now alas ! about Her place, where she a living thing oft ran. The joy is fled that with her life began. A peasant child, a peasant girl she grew From birth to death, no other splendour knew Than the year's changing skies, the pomp of cloud Aflame, the racing rays of Dawn, and proud Day splendid with all light, star-lit the Dome Of Heaven, the Moon ride high above her home ; All the fair dress of dewy grassy fields When flowers begin to bloom, and when like shields Of silver, ev'ry little pool bright shines With light, and tender leaves are on the vines. At Shrine, her step she stopped when day was done ; To Church, she often went ere rise of sun ; To Festa too, when the slow peasants all Thronged, singing, crossed and on their knees did fall. Quick Candida theire husked the corn, raked hay. And ev'ry work, tho' bard,, to her was play. 89 N She ran, she (lew to bring her sheep all back. She cried aloud at brindle cow or black. And oft she smiled, and wondered silently When first I drew her face most patiently : Her features fine I traced with loving care. And the hue of her very cheek, — less fair Than rich and warm ; — her wide and wond'ring eyes, Like stars, now closed and dark beneath these skies. Bright Candida is gone and nevermore Shall 1 see Candida skip gay before My step ; — ^but her, oft will I see again, As low she lay like a hurt bird, in pain. I saw her last, prone on her bed. So meek She looked ! for Death was near his prey to seek. Poor frightened child ! Her great eyes greater seemed. Her flutt'ring spirit moaned, and wildly gleamed And fluttered there her struggling life within Her form, O then so slight and sadly thin. Farewell my little peasant maid at rest ! Whether once more upon thy mother's breast, 90 Or cold beside her, in the still graveyard. Farewell ! Thy life was brief, thy death was hard. Dumb, thy dwarfed, crooked sister, always ill. Is left to live. Thy grandmother thee still Survives ; and all within thy home out-last Thy little life, that, like a flame, sped fast. All is not lost when all 's unseen and fled. A life once dear, a form, a face, tho' dead To sense, hath yet its presence fair and sweet. Epitaph. Its place, where spirit doth with spirit meet. Thee Candida still do I see apart. Enshrined, endeared, still living in my heart. Safe from the waste and drift of passing years. — Safe kept is all that touched us once to tears. 91 A XVIII. GRAVER loss was Asolo's when died That valiant son who to his dear hill-side Returned to breathe his last ; once won to go Bianchetti. Where louder rumour lives, and feel the glow Of quicker life, where greater prizes are, And try his force led by ambition's star. His rapid mind, with reading ripely stored. His spirit bold, his eager will o'erawed By few, or none, urged him to dare and strive ; To reach the first seemed born. — He was alive. Bianchetti ! gladly grasped I thy warm hand ; I heard thee speak ; foremost I saw thee stand ; Knew thee impetuous, frank, and bold, and true, — A son of modern Italy ; and knew Thee peer of young Italia's best, a light From Asolo, now lost in death's deep night. Not on sepulchral urn thy name doth last Alone ; in living minds and hearts kept fast. For what thou wast, now, with a glowing thought, In memory of thee, I, rev'rent, sought 92 Fresh foreign bay to deck thy tomb, proud son Of Asolo, Soldier of Thought, undone Mid march. Valerio, this for Farewell, This for Remembrance. Oh, when sounds the bell For the lone dead, tho' low, and cold, and still, Thou'rt not forgot there, 'neath Saint Anna's hill. I call thee e'en in death not all unblest. The air that blew about thy youth is best — O'er thy last sleep and dust blows pure and sweet ; Thy grave is not beyond thy loved one's fe«t. Nor chill of death reached thee beyond their hand ; Not 'neath far alien skies of foreign land Low sank thy head. As on a mother's breast Asolan earth folds thee in its hushed rest. 93 A XIX. POET of ripe England's busy race Was charmed with Asolo, his chosen place. Browning at ^'^ ^'^ ^^^^ <^^y) here, all unknown he came Asolo. And wrote his rich verse for immortal fame. Pippa and Ottima, yules and his bride. All these are Browning's gifts ; they still abide, With more that stirred his spirit's living force When fresh and young he was in life's swift course. His steps I've followed, and his visions known E'en here where he out-watched the stars alone ; Here where he paced or paused beneath the moon, And tried his spirit's growing strength, and soon. And oft, trod past the little city's gate To climb these hills the sun's uprising state To see ; or dawn ; or star by star put out, And glad'ning hast'ning Day the darkness flout ; Or late behold the crescent sudden sink ; The twilight's mysteries, and cool eve shrink. Night come. The stir of trembling leaves, bird's song, 94 The runlet that once wet his foot, — these long Have I known, led by his strong early verse, By the fine verbal magic of his terse And sounding passion's speech ; warmed by his fire ; Oft went to see Day, wrapt in gold, expire. Or watch that Sorceress, the changing Moon, The gliding queen of Night, or late or soon Weave her quick spells 'mid clouds sped by the wind. And Nature made all for her Poet's mind. I met him once walking at Asolo When billowy clouds dazzling as driven snow Glorious arose, grandly 'gainst the blue sky. I stopped with him to see up-lifted high In air all that piled pomp ; which seemed in rest, But struck by winds unseen, fast changed, wind-pressed. " Like clouds in bad old pictures often seen *• They are " he said. " How fine above the green In space so deeply blue." His cordial speech Prolonged, he looked to where, distinctly each Rough stone of the strange Rocca — once so feared^ Naked, abrupt, enduring, grim appeared. " There, when I first came Asolo to see, " A hawk's nest was atop the wall ; a tree ; " And shrubs ; and clinging ivy green. At last " The hawk was shot, and all the shrubs down-cast ; 95 " All 's gone " he saidy " See, not a plant is left ; " The walls are scraped and bare, of verdure reft." Yet was I richer made by the quick note Of that wild bird wheeling there, seen to float Or fly J and by a Poet watched not lost ; Kept by a mind that nothing 'scaped or forced, — So living was it. The hawk seemed to suit The lonely Ruin's wall, blank, strange and mute. Often shall I see that wild bird up there — A moving spot, a fleck in the pure air — Intent i' the sky, watchful to swoop for prey — Ecelin's soul come back to our own day ! Again sent back ! incorporate ! unlit A place to have where smiling peace doth sit. Where serene hours swiftly come and go. Joyous or solemnly at Asolo. Here to strong Browning once, " Good bye " I said- " Good bye " to him who now is with the dead — A farewell to the man who passed away. But to the Poet no farewell 's to say. He yet remains ; his place he seems to fill — A Presence is on this Asolan Hill. Asolo, 1889. 96 A NOTE. concerniSg the amber isles of the early world. THE outlook south from the Asolan hills to all that region of strange interest — the region of the Black Lake, alluded to by Aristotle — in the neighbourhood of the Po, — the Eridanus of the ancient geographers, — with its myth of Phaethon, significant of the fiery devastation of ancient Italy — ^has much to engage the imagination. Although it is a long look back to the primordial World of tradition, and the indications of it few, they are expressive of porten- tous events, and impress the mind with a sense of time, of force, of change. The cataclysm of the old Satumian Land ; the wrenching off of that portion of the Italic peninsula since called the island of Sicily, and the disappearance in one night of Atlantis, are enough to indicate the character and extent of the frightfiil forces, — whether burnt by fire, rent by earthquake, washed away, or submerged by deluge — ^that destroyed the most ancient Italy of which we have either myth or tradition ; drove its inhabitants from the soil, and kept the Land a solitude until it was re-occupied by Pelasgic Greeks who, on the Adriatic coast, founded Spina, which flourished some eight hundred years, though all trace of it was lost at the end of the first century of our Era. 97 o Fugitives after the fall of Troyi finding the rocky glades and glens of Thrace, which they first sought, inadequate to support them, consulted the Oracle, and were told to find a home on the Adriatic coast. They set sail for it as to a country not unknown to their ancestors, and were driven ashore close to one of the mouths of the Po, at that time, it is supposed, much nearer than it is now to the Euganean hills. The argument of the Abbe Fortis induces me to think that the famous Insulae Electrides were at the mouth of that river, and probably were the very Euganean hills, now rising abruptly out of the Venetian Plain, midway between the present course of the Po south (the limit of the ancient Veneto) and the pre-alpine slopes north of the Venetian mainland. The palude of Commacchio " which did not even exist at the beginning of our epoch," covers, it is conjectured, the site of the lost city which furnished Italian amber, though it is still an open and much discussed question, whether, to meet the enormous con- sumption of Amber in ancient Italy, the chief supply came from the far-away Baltic, brought by Etruscan traffickers, or was furnished by the Amber Isles. The greatest producer of Amber then, as now, may have been the Baltic, but there is some reason to believe that the red Amber of the old Italic tombs is Amber of Italy, which was one of the chief sources of the legendary wealth of the capital of the Amber Isles, then mistress of the Adriatic. The islands of its lagoons, which extended from the Po to the Tagliamento, were inhabited by a primitive race even prior to the coming of the Trojan fugitives. The discoveries at Torcello afford evidence that the Adriatic lagoons were peopled ages prior to the flight of the inhabitants of the mainland cities of Heraclea and Altinium, thirteen hundred years ago; so picturesquely described by Mr. Ruskin ; — "fugitives flying from the sword of Atilla to the mud islands of the lagoons, 98 while the far horizon was lurid with the flames of their burning homes." The islands of the lagoons had their primitive inhabitants, as far back as the age of stone, who lived by fishing and hunting. The pre-historic remains, utensils and instruments, found by Sig. Cav. Battglini, at Torcello, are similar to the objects found amongst the debris of the lake dwellers of Switzerland. Not to the time of that primitive race but to its first civilizers, whether the great and richly endowed original Italic race of Mazoldi's interesting argument, or to the first adventurous sailors and builders and merchants from Greece and the Black sea-coast, it is that we must look for the occurrences that have given so great a name to the Eridanus ' of Greek tale and Latin Myth. Although Heroditus professed himself unable to speak with cer- tainty of it, and some Geographers have concluded that " it can be no other than the Rhodanus which flows into the Vistula near Dantzic," we are inclined to adopt the conclusion of certain ancient and modern authors who affirm it to be the river Po, whose mighty waters at that remote time flowed close to the Volcanic Isles of the Early World. Note to p. 28. Bergamo keeps the portrait. Though now some- what discredited as a portrait of Borgia, yet its claims are not left without support. It has features like the accepted profile of his face. ^ Tbat fabulous and ubiquitous ri'ver of the ancients, considered by the later Roman lAiriters to be the same as the Padus (Po) ixias sup- posed to descend to the infernal regions from the circumstance tbat not far from its source it passed for tnvo miles underground. — Bryce, Notes on the jEneid. 99 CHISWICK PRESS :— C. WHITTINGHAH AND CO., TOOKS COURT. CHANCERY LANE.