CORNELL UNIVERSITY LIBRARY FROM The 7-Day Shelf DATE DUE 5 PS 2»'2-^ _, „, Quegna The A 92* 022 A 85 A 48 Cornell University Library The original of tliis book is in tlie Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924022185148 Several pairs of brighter eyes followed my companion THE GUEST OF QUESNAY BY BOOTH TABKINGTON ILLUSTEATED NEW YORK CHARLES SCREBNER'S SONS 1915 COPYRIGHT, 1908, BY DOUBLEDAY, PAGE & COMPANY COPYRIGHT, 1907, 1908, BY THE EIDGWAY COMPANY TO OVID BUTLER JAMESON LIST OF ILLUSTRATIONS Several pairs of brighter eyes followed my companion Frontispiece FACINQ PAOB "I haven't had my life. It's gone!" . 166 "You and Miss Ward are old and dear friends, aren't you?" 198 "Embrasse moi, Larrabi! Embrasse moi!" she cried 240 THE GUEST OF QUESNAY CHAPTER I THERE are old Parisians who will tell you pompously that the boulevards, like the po- litical cafes, have ceased to exist, but this means only that the boulevards no longer gossip of Louis Napoleon, the Return of the Bourbons, or of General Boulanger, for these highways are always too busily stirring with present movements not to be forgetful of their yesterdays. In the shade of the buildings and awnings, the loungers, the look- ers-on in Paris, the audience of the boulevard, sit at little tables, sipping coffee from long glasses, drinking absinthe or bright-coloured sirops, and gazing over the heads of throngs afoot at others borne along through the simshine of the street in carriages, in cabs, in glittering automobiles, or high on the tops of omnibuses. From all the continents the multitudes come to join in that procession: Americans, tagged with race-cards and intending hilarious disturbances; puzzled Americans, worn with guide-book plodding; 4 THE GUEST OF QUESNAY Chinese princes in silk; queer Antillean dandies of swarthy origin and fortune; ruddy English, think- ing of nothing; pallid English, with upper teeth bared and eyes hungrily searching for sign-boards of tea-rooms; over-Europeanised Japanese, unpleas- antly immaculate; burnoosed sheiks from the desert, and red-fezzed Semitic peddlers; Italian nobles in English tweeds; Soudanese negroes swaggering in frock coats; slim Spaniards, squat Turks, travellers, idlers, exiles, fugitives, sportsmen — all the tribes and kinds of men are tributary here to the Parisian stream which, on a fair day in spring, already over- flows the banks with its own much-mingled waters. Soberly clad burgesses, bearded, amiable, and in no fatal hurry; well-kept men of the world swirling by in miraculous limousines; legless cripples flopping on hands and leather pads; thin-whiskered stu- dents in velveteen; walrus-moustacaed veterans in broadcloth; keen-faced old prelates; shabby young priests; cavalrymen in casque and cuirass; work- ingmen turned horse and harnessed to carts; side- walk jesters, itinerant vendors of questionable wares; shady loafers dressed to resemble gold- showering America; motor-cyclists in leather; hairy musicians, blue gendarmes, baggy red zouaves; purple- CHAPTER ONE 6 faced, glazed-hatted, scarlet-waistcoated, cigarette- smoking cabmen, calling one another "onions," "camels," and names even more terrible. Women prevalent over all the concourse; fair women, dark women, pretty women, gilded women, haughty women, indifferent women, friendly women, merry women. Fine women in fine clothes; rich women in fine clothes; poor women in fine clothes. Worldly old women, reclining befurred in electric landaulettes; wordy old women hoydenishly trimdling carts full of flowers. Wonderful automobile women quick- glimpsed, in midtiple veils of white and brown and sea-green. Women in rags and tags, and women draped, coifed, and befrilled in the delirium of maddened poet-milliners and the hasheesh dreams of ladies' tailors. About the procession, as it moves interminably along the boulevard, a blue haze of fine dust and burnt gasoline rises into the sunshine like the haze over the passages to an amphitheatre toward which a crowd is trampling; and through this the multi- tudes seem to go as actors passing to their cues. Your place at one of the little tables upon the side- walk is that of a wayside spectator: and as the performers go by, in some measure acting or look- 6 1 THE GUEST OF QUESNAY ing their parts already, as if in preparation, you guess the roles they play, and name them comedifins, tragedians, buffoons, saints, beauties, sots, knaves, gladiators, acrobats, dancers; for all of these are there, and you distinguish the principles from the unnumbered supernumeraries pressing forward to the entrances. So, if you sit at the little tables often enough — ^that is, if you become an amateur boidevardier — ^you begin to recognise the transient stars of the pageant, those to whom the boulevard allows a dubious and fugitive r61e of celebrity, and whom it greets with a slight flutter: the turning of heads, a murmur of comment, and the incredulous boulevard smile, which seems to say: "You see? Madame and monsieur passing there — evidently they think we still beUeve in them!" This flutter heralded and followed the passing of a white touring-car with the procession one afternoon, just before the Grand Prix, though it needed no boulevard celebrity to make the man who lolled in the tonneau conspicuous. Simply for thai, notoriety was superfluous; so were the remark- able size and power of his car; so was the elaborate touring-costume of flannels and pongee he wore; so was even the enamelled presence of the dancer who CHAPTER ONE 7 sat beside him. His face would have done it with- out accessories. My old friend, George Ward, and I had met for our aperitif at the Terrace Larue, by the Made- leine, when the white automobile came snaking its way craftily through the traffic. Turning in to pass a victoria on the wrong side, it was forced down to a snail's pace near the curb and not far from our table, where it paused, checked by a block- ade at the next corner. I heard Ward utter a half -suppressed guttural of what I took to be amaze- ment, and I did not wonder. The face of the man in the tonneau detached him to the spectator's gaze and singled him out of the concourse with an effect almost ludicrous in its incongruity. The hair was dark, lustrous and thick, the forehead broad and finely modelled, and certain other ruinous vestiges of youth and good looks remained; but whatever the featm-es might once have shown of honour, worth, or kindly sem- blance had disappeared beyond all tracing in a blurred distortion. The lids of one eye were dis- coloured and swoUen almost together; other traces of a recent battering were not lacking, nor was cosmetic evidence of a heroic struggle, on the part 8 THE GUEST OF QUESNAY of some valet of infinite pains, to efface them. The nose lost outline in the discolorations of the puffed cheeks; the chin, tufted with a small im- perial, trembled beneath a sagging, gray lip. And that this bruised and dissipated mask should suffer the final grotesque touch, it was decorated with the moustache of a coquettish marquis, the ends waxed and exquisitely elevated. The figure was fat, but loose and sprawling, seemingly without the will to hold itself together; in truth the man appeared to be almost in a semi- stupor, and, contrasted with this powdered Silenus, even the woman beside him gained something of human dignity. At least, she was thoroughly alive, bold, predatory, and in spite of the gross embon-point that threatened her, still savagely graceful. A purple veil, dotted with gold, floated about her hat, from which green-dyed ostrich plumes cascaded down across a cheek enamelled dead white. Her hair was plastered in blue-black waves, parted low on the forehead; her lips were splashed a startling carmine, the eyelids painted blue; and, from between lashes gummed into little spikes of blacking, she favoured her companion with a glance of carelessly simulated tenderness, — a look all too CHAPTER ONE 9 vividly suggesting the ghastly calculations of a cook wheedling a chicken nearer the kitchen door. But I felt no great pity for the victim. "Who is it?" I asked, staring at the man in the automobile and not turning toward Ward. "That is Mariana — 'la bella Mariana la Mursi- ana' " George answered; " — one of those women who come to Paris from the tropics to form them- selves on the legend of the one great famous and infamous Spanish dancer who died a long while ago. Mariana did very well for a time. I've heard that the revolutionary societies intend striking medals in her honour: she's done worse things to royalty than alt the anarchists in Europe! But her great days are over: she's getting old; that type goes to pieces quickly, once it begins to slump, and it won't be long before she'll be horribly fat, though she's still a graceful dancer. She danced at the Folic Rouge last week." "Thank you, George," I said gratefully. "I hope you'll point out the Louvre and the Eiffel Tower to me some day. I didn't mean Mariafia." "What did you mean?" What I had meant was so obvious that I turned to my friend in surprise. He was nervously tapping 10 THE GUEST OF QUESNAY his chin with the handle of his cane and staring at the white automobile with very grim interest. "I meant the man with her," I said. "Oh!" He laughed sourly. "That carrion?" "You seem to be an acquaintance." "Everybody on the boulevard knows who he is," said Ward curtly, paused, and laughed again with very little mirth. "So do you," he continued; "and as for my acquaintance with him — ^yes, I had once the distinction of being his rival in a small way, a way so small, in fact, that it ended in his becoming a connection of mine by marriage. He's Larrabee Harman." That was a name somewhat familiar to readers of American newspapers even before its bearer was fairly out of college. The publicity it then attained (partly due to young Harman's conspicuous wealth) attached to some youthful exploits not without a certain wild humour. But frolic degenerated into brawl and debauch: what had been scrapes for the boy became scandals for the man; and he gathered a more and more imsavoury reputation until its like was not to be found outside a pen- itentiary. The crux of his career in his own country was reached during a midnight quarrel in Chicago CHAPTER ONE 11 when he shot a negro gambler. After that, the negro having recovered and the matter being some- how arranged so that the prosecution was dropped, Harman's wife left him, and the papers recorded her appUcation for a divorce. She was George Ward's second cousin, the daughter of a Baltimore clergyman; a belle in a season and town of belles, and a dehghtful, headstrong creature, from all accounts. She had made a runaway match of it with Harman three years before, their affair having been earnestly opposed by all her relatives — espec- ially by poor George, who came over to Paris just after the wedding in a miserable frame of mind. The Chicago exploit was by no means the end of Harman's notoriety. Evading an effort (on the part of an aunt, I believe) to get him locked up safely in a "sanitarium," he began a trip round the world with an orgy which continued from San Francisco to Bangkok, where, in the company of some congenial fellow travellers, he interfered in a native ceremonial with the result that one of his companions was drowned. Proceeding, he was reported to be in serious trouble at Constantinople, the result of an inquisitiveness little appreciated by Orientals. The State Department, bestirring 12 THE GUEST OF QUESNAY itself, saved him from a very real peril, and he continued his journey. In Rome he was rescued with difficulty from a street mob that unreasonably refused to accept intoxication as an excuse for his riding down a child on his way to the hunt. Later, during the winter just past, we had been hearing from Monte Carlo of his disastrous plunges at that most imbecile of all games, roulette. Every event, no matter how trifling, in this man's pitiful career had been recorded in the Amer- ican newspapers with an elaboration which, for my part, I found infuriatingly tiresome. I have lived in Paris so long that I am afraid to go home: I have too little to show for my years of pottering with paint and canvas, and I have grown timid about all the changes that have crept in at home. I do not know the "new men," I do not know how they would use me, and fear they might make no place for me; and so I fit myself more closely into the little grooves I have worn for myself, and re- sign myself to stay. But I am no "expatriate." I know there is a feeling at home against us who remain over here to do our work, but in most in- stances it is a prejudice which springs from a mis- understanding. I think the quality of patriotism CHAPTER ONE 13 in those of us who "didn't go home in time" is almost pathetically deep and real, and, like many another oldish fellow in my position, I try to keep as close to things at home as I can. All of my old friends gradually ceased to write to me, but I still take three home newspapers, trying to fol- low the people I knew and the things that happen; and the ubiquity of so worthless a creature as Larrabee Harman in the colunms I dredged for real news had long been a point of irritation to this present exile. Not only that: he had usurped space in the Continental papers, and of late my favourite Parisian journal had served him to me with my morning coffee, only hinting his name, but offering him with that gracious satire character- istic of the Gallic journalist writing of anything American. And so this grotesque wreck of a man was well known to the boulevard — one of its sights. That was to be perceived by the flutter he caused, by the turning of heads in his direction, and the low laughter of the people at the little tables. Three or four in the rear ranks had risen to their feet to get a better look at him and his companion. Some one behind us chuckled aloud. "They say Mariana beats him." 14 THE GUEST OF QUESNAY "Evidently!" The dancer was aware of the flutter, and called Harman's attention to it with a touch upon his arm and a laugh and a nod of her violent plumage. At that he seemed to rouse himself somewhat: his head rolled heavily over upon his shoulder, the lids lifted a little from the red-shot eyes, show- ing a strange pride when his gaze fell upon the many staring faces. Then, as the procession moved again and the white automobile with it, the sottish mouth widened in a smile of dull and cynical contempt: the look of a half-poisoned Augustan borne down through the crowds from the Palatine after supping with Caligula. Ward pulled my sleeve. "Come," he said, "let us go over to the Lux- embourg gardens where the air is cleaner." CHAPTER n WARD is a portrait-painter, and in the matter of vogue there seem to be no pinnacles left for him to surmount. I think he has painted most of the very rich women of fashion who have come to Paris of late years, and he has become so prosperous, has such a pohte celebrity, and his opinions upon art are so con- clusively quoted, that the friendship of some of us who started with him has been dangerously strained. He Uves a well-ordered life; he has always led that kind of life. Even in his student days when I first knew him, I do not remember an occasion upon which the principal of a New England high- school would have criticised his conduct. And yet I never heard anyone call him a prig; and, so far as I know, no one was ever so stupid as to think him one. He was a quiet, good-looking, well- dressed boy, and he matured into a somewhat re- served, well-poised man, of impressive distinction in appearance and manner. He has always been 16 16 THE GUEST OF QUESNAY well tended and cared for by women; in his stu- dent days his mother lived with him; his sister. Miss Elizabeth, looks after him now. She came with him when he returned to Paris after his dis- appointment in the unfortunate Harman afiFair, and she took charge of all his business — as well as his social — ^arrangements (she has been accused of a theory that the two things may be happily com- bined), making him lease a house in an expensively modish quarter near the Avenue du Bois de Boulogne. Miss Elizabeth is an instinctively fash- ionable woman, practical withal, and to her mind success should be not only respectable but "smart." She does not speak of the "right bank" and the "left bank" of the Seine; she calls them the "right bank" and the "wrong bank." And yet, though she removed George (her word is "rescued") from many of his old associations with Montparnasse, she warmly encouraged my friendship with him — yea, in spite of my living so deep in the wrong bank that the first time he brought her to my studio, she declared she hadn't seen anything so like Bring-the-child-to-the-old-hag's-cellar-at-mid- night since her childhood. She is a handsome woman, large, and of a fine, high colour; her manner CHAPTER TWO 17 is gaily dictatorial, and she and I got along very well together. Probably she appreciated my going to some pains with the clothes I wore when I went to their house. My visits there were infrequent, not because I had any fear of wearing out a welcome, but on account of Miss Elizabeth's "day," when I could see nothing of George for the crowd of lionising women and time-wasters about him. Her "day" was a dread of mine; I could seldom remember which day it was, and when I did she had a way of shifting it so that I was fatally sure to run into it — to my misery, for, beginning with those pri- mordial indignities suffered in youth, when I was scrubbed with a handkerchief outside the parlour door as a preliminary to polite usages, my child- hood's, manhood's prayer has been: From all such days. Good Lord, deliver me! It was George's habit to come much oftener to see me. He always really liked the sort of so- ciety his sister had brought about him; but now and then there were intervals when it wore on him a little, I think. Sometimes he came for me in his automobile and we would make a mild ex- cursion to breakfast in the country; and that is 18 THE GUEST OF QUESNAY what happened one morning about three weeks after the day when we had sought pure air in the Luxembourg gardens. We drove out through the Bois and by Suresnes, striking into a roundabout road to Versailles be- yond St. Cloud. It was June, a dustless and balmy noon, the air thinly gilded by a faint haze, and I know few things pleasanter than that road on a fair day of the early summer and no sweeter way to course it than in an open car; though I must not be giving myself out for a "motorist"' — ^I have not even the right cap. I am usually nervous in big machines, too; but Ward has never caught the speed mania and holds a strange power over his chauffeur; so we rolled along peacefully, not madly, and smoked (like the car) in hasteless content. "After all," said George, with a placid wave of the hand, "I sometimes wish that the landscape had called me. You outdoor men have all the health and pleasure of living in the open, and as for the work — oh! you fellows think you work, but you don't know what it means." "No?" I said, and smiled as I always meanly do when George "talks art." He was silent for a few moments and then said irritably, CHAPTER TWO 19 "Well, at least you can't deny that the academic crowd can draw!" Never having denied it, though he had challenged me in the same way perhaps a thousand times, I refused to deny it now; whereupon he returned to his theme: "Landscape is about as simple as a stage fight; two up, two down, cross and repeat. Take that ahead of us. Could anything be simpler to paint?" He indicated the white road running before us between open fields to a curve, where it descended to pass beneath an old stone culvert. Beyond, stood a thick grove with a clear sky flickering among the branches. An old peasant woman was pushing a heavy cart round the curve, a scarlet handkerchief knotted about her head. "You think it's easy?" I asked. "Easy! Two hours ought to do it as well as it could be done — at least, the way you fellows do it!" He clenched his fingers as if upon the handle of a house-painter's brush. "Slap, dash — there's your road." He paddled the air with the imaginary brush as though painting the side of a bam. "Swish, swash — ^there go your fields and your stone bridge. Fit! Speck! And there's your 20 THE GUEST OF QUESNAY old woman, her red handkerchief, and what your dealer will probably call 'the human interest,' all complete. Squirt the edges of your foliage in with a blow-pipe. Throw a cup of tea over the whole, and there's your haze. Call it 'The Golden Road,' or 'The Bath of Sunlight,' or 'Quiet Noon.' Then you'll probably get a criticism beg'nning, 'Few in- deed have more intangibly detained upon canvas so poetic a quality of sentiment as this sterling landscapist, who in Number 136 has most ethereally expressed the profound silence of evening on an English moor. The solemn hush, the brooding quiet, the homeward ploughman ' " He was interrupted by an outrageous uproar, the grisly scream of a siren and the cannonade of a powerful exhaust, as a great white touring-car swung round us from behind at a speed that sick- ened me to see, and, snorting thunder, passed us "as if we had been standing still." It hurtled like a comet down the curve and we were instantly choking in its swirling tail of dust. "Seventy miles an hour!" gasped George, swab- bing at his eyes. "Those are the fellows that get into the pa — Oh, Lord! There they go!" Slanging out to pass us and then sweeping in CHAPTER TWO 21 upon the reverse curve to clear the narrow arch of the culvert were too much for the white car; and through the dust we saw it rock dangerously. In the middle of the road, ten feet from the cul- vert, the old woman struggled frantically to get her cart out of the way. The howl of the siren frightened her perhaps, for she lost her head and went to the wrong side. Then the shriek of the machine drowned the human scream as the automobile struck. The shock of contact was muffled. But the mass of machinery hoisted itself in the air as if it had a life of its own and had been stung into sudden madness. It was horrible to see, and so grotesque that a long-forgotten memory of my boyhood leaped instantaneously into my mind, a recollection of the evolutions performed by a Newfoundland dog that rooted under a board walk and found a hive of wild bees. The great machine left the road for the fields on the right, reared, fell, leaped against the stone side of the culvert, apparently trying to climb it, stood straight on end, whirled backward in a half-somersault, crashed over on its side, flashed with flame and explosion, and lay hidden under a cloud of dust and smoke. 22 THE GUEST OF QUESNAY Ward's driver slammed down his accelerator, sent us spinning round the curve, and the next moment, throwing on his brakes, halted sharply at the culvert. The fabric of the road was so torn and distorted one might have thought a steam dredge had begun work there, but the fragments of wreckage were oddly isolated and inconspicuous. The peasant's cart, tossed into a clump of weeds, rested on its side, the spokes of a rimless wheel slowly revolving on the hub uppermost. Some tools were strewn in a semi-circular trail in the dust; a pair of smashed goggles crunched beneath my foot as I sprang out of Ward's car, and a big brass lamp had fallen in the middle of the road, crumpled like waste paper. Beside it lay a gold rouge box. The old woman had somehow saved herself — or perhaps her saint had helped her — ^for she was sitting ia the grass by the roadside, wailing hysteri- cally and quite unhurt. The body of a man lay in a heap beneath the stone archway, and from his clothes I guessed that he had been the driver of the white car. I say "had been" because there were reasons for needing no second glance to com- prehend that the man was dead. Nevertheless, I CHAPTER TWO 23 knelt beside him and placed my hand upon his breast to see if his heart still beat. Afterward I concluded that I did this because I had seen it done upon the stage, or had read of it in stories; and even at the time I realised that it was a silly thing for me to be doing. Ward, meanwhile, proved more practical. He was dragging a woman out of the suffocating smoke and dust that shrouded the wreck, and after a moment I went to help him carry her into the fresh air, where George put his coat under her head. Her hat had been forced forward over her face and held there by the twisting of a system of veils she wore; and we had some diflBculty in unravelling this; but she was very much alive, as a series of muffled imprecations testified, leading us to con- clude that her sufferings were more profoundly of rage than of pain. Finally she pushed our hands angrily aside and completed the untanglement her- self, revealing the scratched and smeared face of Mariana, the dancer. "Cornichon! Chameau! Fond du bainl" she gasped, tears of anger starting from her eyes. She tried to rise before we could help her, but dropped back with a scream. 24 THE GUEST OF QUESNAY "Oh, the pain!" she cried. "That imbecile! If he has let me break my leg! A pretty dancer I should be! I hope he is killed." One of the singularities of motoring on the main- travelled roads near Paris is the prevalence of cars containing physicians and surgeons. Whether it be testimony to the opportunism, to the sporting proclivities, or to the prosperity of gentlemen of those professions, I do not know, but it is a fact that I have never heard of an accident (and in the season there is an accident every day) on one of these roads when a doctor in an automobile was not almost immediately a chance arrival, and for- tunately our case offered no exception to this rule. Another automobile had already come up and the occupants were hastily alighting. Ward shouted to the foremost to go for a doctor. "I am a doctor," the man answered, advancing and kneeling quickly by the dancer. "And you — you may be of help yonder." We turned toward the ruined car where Ward's driver was shouting for us. "What is it?" called Ward as we ran toward him. "Monsieur," he replied, "there is some one under the tonneau here!" CHAPTER TWO 25 The smoke had cleared a little, though a rivulet of burning gasoline ran from the wreck to a pool of flame it was feeding in the road. The front cushions and woodwork had caught fire and a couple of labourers, panting with the run across the fields, were vainly belabouring the flames with brushwood. From beneath the overturned tonneau projected the lower part of a man's leg, clad in a brown puttee and a russet shoe. Ward's driver had brought his tools; had jacked up the car as high as possible; but was still unable to release the imprisoned body. "I have seized that foot and pulled with all my strength," he said, "and I cannot make him move one centimetre. It is necessary that as many people as possible lay hold of the car on the side away from the fire and all lift together. Yes," he added, "and very soon!" Some carters had come from the road and one of them lay full length on the ground peering be- neath the wreck. "It is the head of monsieur," explained this one; "it is the head of monsieur which is fastened under there." "Eh, but you are wiser than Clemenceau!" said the chauffeur. "Get up, my ancient, and you there. 26 THE GUEST OF QUESNAY with the brushwood, let the fire go for a moment and help, when I say the word. And you, mon- sieur," he turned to Ward, "if you please, will you pull with me upon the ankle here at the right moment?" The carters, the labourers, the men from the other automobile, and I laid hold of the car together. "Now, then, messieurs, lift!" Stifled with the gasoline smoke, we obeyed. One or two hands were scorched and our eyes smarted blindingly, but we gave a mighty heave, and felt the car rising. tVell done!" cried the chauffeur. "Well done! But a little more! The smallest fraction — ^ha! It is finished, messieurs!" We staggered back, coughing and wiping our eyes. For a minute or two I could not see at all, and was busy with a handkerchief. Ward laid his hand on my shoulder. "Do you know who it is?" he asked. "Yes, of course," I answered. When I could see again, I found that I was look- ing almost straight down into the upturned face of Larrabee Harman, and I cannot better express what this man had come to be, and what the degrada- CHAPTER TWO 27 tion of his life had written upon him, than by say- ing that the dreadful thing I looked upon now was no more horrible a sight than the face I had seen, fresh from the valet and smiling in ugly pride at the starers, as he passed the terrace of Larue on the day before the Grand Prix. We helped to carry him to the doctor's car, and to lift the dancer into Ward's, and to get both of them out again at the hospital at Versailles, where they were taken. Then, with no need to ask each other if we should abandon our plan to breakfast in the country, we turned toward Paris, and rolled along almost to the barriers in silence. "Did it seem to you," said George finally, "that a man so frightfully injured could have any chance of getting well?" "No," I answered. "I thought he was dying as we carried him into the hospital." "So did I. The top of his head seemed all crushed in — ^Whew!" He broke ofiF, shivering, and wiped his brow. After a pause he added thoughtfully, "It will be a great thing for Louise." Louise was the name of his second cousin, the ^1 who had done battle with all her family and 28 THE GUEST OF QUESNAY then run away f rona them to be Larrabee Harman's wife. Remembering the stir that her application for divorce had made, I did not understand how Harman's death could benefit her, unless George had some reason to believe that he had made a will in her favour. However, the remark had been made more to himself than to me and I did not respond. The morning papers flared once more with the name of Larrabee Harman, and we read that there was "no hope of his surviving." Ironic phrase! There was not a soul on earth that day who could have hoped for his recovery, or who — for his sake — cared two straws whether he lived or died. And the dancer had been right; one of her legs was badly broken: she would never dance again. Evening papers reported that Harman was "lin- gering." He was lingering the next day. He was lingering the next week, and the end of a month saw him still 'lingering." Then I went down to Capri, where — ^for he had been after all the merest episode to me — ^I was pleased to forget all about him. CHAPTER m A GREAT many people keep their friends in mind by writing to them, but more do not; and Ward and I belong to the majority. After my departure from Paris I had but one missive from him, a short note, written at the request of his sister, asking me to be on the lookout for Italian earrings, to add to her collec- tion of old jewels. So, from time to time, I sent her what I could find about Capri or in Naples, and she responded with neat little letters of ac- knowledgment . Two years I stayed on Capri, eating the lotus which grows on that happy island, and painting very little — only enough, indeed, to be remembered at the Salon and not so much as knowing how kindly or unkindly they hung my pictures there. But even on Capri, people sometimes hear the call of Paris and wish to be in that unending move- ment: to hear the multitudinous rumble, to watch the procession from a cafe terrace and to dine at Foyot's. So there came at last a fine day when I, 29 30 THE GUEST OF QUESNEY knowing that the horse-chestnuts were in bloom along the Champs Elysees, threw my rope-soled shoes to a beggar, packed a rusty trunk, and was off for the banks of the Seine. My arrival — ^just the drive from the Gare de Lyon to my studio — was like the shock of surf on a bather's breast. The stir and life, the cheerful energy of the streets, put stir and life and cheerful energy into me. I felt the itch to work again, to be at it, at it in earnest — ^to lose no hour of daylight, and to paint better than I had painted! Paris having given me this impetus, I dared not tempt her further, nor allow the edge of my eager- ness time to blunt; therefore, at the end of a fort- night, I went over into Normandy and deposited that rusty trunk of mine in a corner of the summer pavilion in the courtyard of Madame Brossard's inn, Les Trois Pigeons, in a woodland neighbor- hood that is there. Here I had painted through a prolific summer of my youth, and I was glad to find — as I had hoped — ^nothing changed; for the place was dear to me. Madame Brossard (dark, thin, demure as of yore, a fine-looking woman with a fine manner and much the flavour of old Norman CHAPTER THREE SI portraits) gave me a pleasant welcome, remember- ing me readily but without surprise, while Amedee, the antique servitor, cackled over me and was as proud of my advent as if I had been a new egg and he had laid me. The simile is grotesque; but Amedee is the most henlike waiter in France. He is a white-haired, fat old fellow, always well- shaved; as neat as a billiard-ball. In the daytime, when he is partly porter, he wears a black tie, a gray waistcoat broadly striped with scarlet, and, from waist to feet, a white apron like a skirt, and so competently encircling that his trousers are of mere conventionality and no real necessity; but after six o'clock (becoming altogether a maltre d'h6tel) he is clad as any other formal gentleman. At all times he wears a fresh table-cloth over his arm, keeping an exaggerated pile of them ready at hand on a ledge in one of the little bowers of the courtyard, so that he may never be shamed by getting caught without one. His conception of life is that all worthy persons were created as receptacles for food and drink; and five minutes after my arrival he had me seated (in spite of some meek protests) in a wicker chair with a pitcher of the right Three Pigeons cider on the 32 THE GUEST OF QUESNAY table before me, while he subtly dictated what manner of dinner I should eat. For this interval Amedee's exuburance was sobered and his bandinage dismissed as being mere garniture, the questions now before us concerning grave and inward matters. His suggestions were deferential but insistent; his manner was that of a prime minister who goes through the form of convincing the sovereign. He greeted each of his own decisions with a very loud "Bienl" as if startled by the brilliancy of my selections, and, the menu being concluded, exploded a whole volley of "Biens" and set off violently to instruct old Gaston, the cook. That is Amedee's way; he always starts violently for anywhere he means to go. He is a little lame and his progress more or less sidelong, but if you call him, or new guests arrive at the inn, or he receives an order from Madame Brossard, he gives the effect of running by a sudden movement of the whole body like that of a man about to run, and moves off using the gestures of a man who is running; after which he proceeds to his destina- tion at an exquisite leisure. Remembering this old habit of his, it was with joy that I noted his head- long departure. Some ten feet of his progress ac- CHAPTER THREE 33 complished, lie halted (for no purpose but to scratch his head the more luxuriously); next, strayed from the path to contemplate a rose-bush, and, selecting a leaf with careful deliberation, placed it in his miouth and continued meditatively upon liis way to the kitchen. I chuckled within me; it was good to be back at Madame Brossard's. The courtyard was more a garden; bright with rows of flowers in formal little beds and blossom- ing up from big green tubs, from red jars, and also from two brightly painted wheel-barrows. A long arbour offered a shelter of vines for those who might choose to dine, breakfast, or lounge beneath, and, here and there among the shrubberies, you might come upon a latticed bower, thatched with straw. My own pavilion (half bedroom, half studio) was set in the midst of all and had a small porch of its own with a rjch curtain of climbing honeysuckle for a screen from the rest of the courtyard. The inn itself is gray with age, the roof sagging pleasantly here and there; and an old wooden gal- lery runs the length of each wing, the guest-cham- bers of the upper story opening upon it like the 84 THE GUEST OF QUESNAY deck-rooms of a steamer, with boxes of tulips and hyacinths along the gallery railings and window ledges for the gayest of border-lines. Beyond the great open archway, which gives entrance to the courtyard, lies the quiet country road; passing this, my eyes followed the wide sweep of poppy-sprinkled fields to a line of low green hills; and there was the edge of the forest sheltering those woodland interiors which I had long ago tried to paint, and where I should be at work to-morrow. In the course of time, and well within the bright twilight, Amedee spread the crisp white cloth and served me at a table on my pavilion porch. He feigned anxiety lest I should find certain dishes (those which he knew were most delectable) not to my taste, but was obviously so distended with fatuous pride over the whole meal that it became a temptation to denounce at least some trifling sauce or garnishment; nevertheless, so niuch men- dacity proved beyond me and I spared him and my own conscience. This puffed-uppedness of his was to be observed only in his expression of manner, for during the consumption of food it was his worthy custom to practise a ceremonious, nay, a reverential. CHAPTER THREE 35 hush, and he never offered (or approved) conver- sation until he had prepared the salad. That accomplished, however, and the water bubbling in the coffee machine, he readily favoured me with a discourse on the decline in glory of Les Trois Pigeons. "Monsieur, it is the automobiles; they have done it. Formerly, as when monsieur was here, the painters came from Paris. They would come in the spring and would stay until the autumn rains. What busy times and what drolleries! Ah, it was gay in those days! Monsieur remembers well. Ha, Ha! But now, I think, the automobiles have frightened away the painters; at least they do not come any more. And the automobiles themselves; they come sometimes for lunch, a few, but they love better the seashore, and we are just close enough to be too far away. Those automobiles, they love the big new hotels and the casinos with roulette. They eat hastily, gulp down a liqueur, and 'pouf! off they rush for TrouviUe, for Houlgate — ^for heaven knows where! And even the automo- biles do not come so frequenlty as they did. Our road used to be the best from Lisieux to Beuzeval, but now the maps recommend another. Th<^y pass 36 THE GUEST OF QUESNAY us by, and yet yonder — only a few kilometres — ^is the coast with its thousands. We are near the world but out of it, monsieur." He poured my coffee; dropped a lump of sugar from the tongs with a benevolent gesture — "One lump: always the same. Monsieur sees that I re- member well, ha.?"' — and the twilight having fallen, he lit two orange-shaded candles and my cigar with the same match. The night was so quiet that the candle-lights burned as steadily as flames in a globe, yet the air was spiced with a cool fra- grance, and through the honeysuckle leaves above me I saw, as I leaned back in my wicker chair, a glimmer of kindly stars. "Very comfortably out of the world, Amedee," I said. "It seems to me I have it all to myself." "Unhappily, yes!" he exclaimed; then excused himself, chuckling. "I should have said that we shoidd be happier if we had many like monsieur. But it is early in the season to despair. Then, too, our best suite is already engaged." "By whom?" "Two men of science who arrive next week. One is a great man. Madame Brossard is pleased that he is coming to Les Trots Pigeons, but I tell CHAPTER THREE 37 her it is only natural. He comes now for the first time because he hkes the quiet, but he will come again, like monsieur, because he has been here before. That is what I always say: 'Any one who has been here must come again.' The problem is only to get them to come the first time. Truly!" "Who is the great man, Amedee.''" "Ah! A distinguished professor of science. Truly." "What science?" "I do not know. But he is a member of the Institute. Monsieur must have heard of that great Professor Keredec?" "The name is known. Who is the other?" "A friend of his. I do not know. All the upper floor of the east wing they have taken — the Grande Suite — those two and their valet-de-chambre. That is truly the way in modem times — the philosophers are rich men." "Yes," I sighed. "Only the painters are poor nowadays." "Ha, ha, monsieur!" Amedee laughed cunningly. "It was always easy to see that monsieur only amuses himself with his painting." "Thank you, Amedee," I responded. "I have amused other people with it too, I fear." 38 THE GUEST OF QUESNAY "Oh, without doubt!" he agreed graciously, as he folded the cloth. I have always tried to believe that it was not so much my pictxires as the fact that I paid my bills the day they were presented which convinced everybody about Les Trois Pig- eons that I was an amateur. But I never became happily enough settled in this opinion to risk press- ing an investigation; and it was a relief that Amedee changed the subject. "Monsieur remembers the Ch3,teau de Quesnay — at the crest of the hill on the road north of Dives?" "I remember." "It is occupied this season by some rich Americans." "How do you know they are rich?" "Dieu de Dieul" The old fellow appealed to heaven. "But they are Americans!" "And therefore millionaires. Perfectly, Amedee." "Perfectly, monsieur. Perhaps monsieur knows them." "Yes, I know them." "Truly!" He aflfected dejection. "And poor Madame Brossard thought monsieur had returned to our old hotel because he liked it, and remembered CHAPTER THREE 39 our wine of Beaune and the good beds and old Gaston's cooking!" "Do not weep, Amedee," I said. "I have come to paint; not because I know the people who have taken Quesnay." And I added: "I may not see them at all." In truth I thought that very probable. Miss Elizabeth had mentioned in one of her notes that Ward had leased Quesnay, but I had not sought quarters at Les Trois Pigeons because it stood within walking distance of the chS.teau. In my industrious frame of mind that circumstance seemed almost a drawback. Miss Elizabeth, ever hos- pitable to those whom she noticed at all, would be doubly so in the country, as people always are; and I wanted all my time to myself — ^no very selfish wish since my time was not conceivably of value to any one else. I thought it wise to leave any encounter with the lady to chance, and as the by-paths of the country-side were many and intricate, I intended, without ungallantry, to render the chance remote. George himself had just sailed on a business trip to America, as I knew from her last missive; and until his return, I should put in all my time at painting and nothing else, though 40 THE GUEST OF QUESNAY I liked his sister, as I have said, and thought of her — often. Amedee doubted my sincerity, however, for he laughed incredulously. "Eh, well, monsieur enjoys saying it!" "Certainly. It is a pleasure to say. what one means." "But monsieur could not mean it. Monsieur "will call at thie chS,teau in the morning" — ^the com- placent varlet prophesied — "as early as it will be polite. I am sure of that. Monsieur is not at all an old man; no, not yet! Even if he were, aha! no one could possess the friendship of that won- derful Madame d'Armand and remain away from the chS,teau." "Madame d'Armand?" I said. "That is not the name. You mean Mademoiselle Ward." "No, no!" He shook his head and his fat cheeks bulged with a smile which I believe he intended to express a respectful roguishness. "Mademoiselle Ward" (he pronounced it "Ware") "is magnifi- cent; every one must fly to obey when she opens her mouth. If she did not like the ocean there below the ch&teau, the ocean would have to move! It needs only a glance to perceive that Made- CHAPTER THREE 41 moiselle Ward is a great lady — ^but Madame d'Ar- mand! Aha!" He rolled his round eyes to an effect of unspeakable admiration, and with a gesture indicated that he would have kissed his hand to the stars, had that been properly reverential to Madame d'Armand. "But monsieur knows very well for himself!" "Monsieur knows that you are very confusing — even for a mattre d'h6tel. We were speaking of the present chatelaine of Quesnay, Mademoiselle Ward. I have never heard of Madame d'Armand." "Monsieur is serious?" "Truly!" I answered, making bold to quote his shibboleth. "Then monsieur has truly much to live for. Truly!" he chuckled openly, convinced that he had obtained a marked advantage in a conflict of wits, shaking his big head from side to side with an exasperating air of knowingness. "Ah, truly! When that lady drives by, some day, in the car- riage from the chateau — eh? Then monsieur wil! see how much he has to live for. Truly, truly, truly!" He had cleared the table, and now, with a final explosion of the word which gave him such im- 42 THE GUEST OF QUESNAY moderate satisfaction, he lifted the tray and made one of his precipitate departures. "Amedee," I said, as he slackened down to his sidelong leisure. "Monsieur?" "Who is Madame d'Armand?" "A guest of Mademoiselle Ward at Quesnay. In fact, she is in charge of the ch&teau, since Made- moiselle Ward is, for the time, away." "Is she a Frenchwoman?" "It seems not. In fact, she is an American, though she dresses with so much of taste. Ah, Madame Brossard admits it, and Madame Brossard knows the art of dressing, for she spends a week of every winter in Rouen — and besides there is Trouville itself only some kilometres distant. Ma- dame Brossard says that Mademoiselle Ward dresses with richness and splendour and Madame d'Armand with economy, but beauty. Those were the words used by Madame Brossard. Truly." "Madame d'Armand's name is French," I ob- served. "Yes, that is true," said Amed6e thoughtfully. "No one can deny it; it is a French name." He rested the tray upon a stump near by and scratched CHAPTER THREE - 43 his head. "I do not understand how that can be," he continued slowly. "Jean Ferret, who is chief gardener at the chS,teau, is an acquaintance of mine. We sometimes have a cup of cider at Pere Baudry's, a kilometre down the road from here; and Jean Ferret has told me that she is an American. And yet, as you say, monsieur, the name is French. Perhaps she is French after all." "I believe," said I, 'that if I struggled a few days over this puzzle, I might come to the con- clusion that Madame d'Armand is an American lady who has married a Frenchman." The old man uttered an exclamation of triumph. "Ha! without doubt! Truly she must be an American lady who has married a Frenchman. Monsieur has already solved the puzzle. Truly, truly!" And he trulied himself across the darkness, to emerge in the light of the open door of the kitchen with the word still rumbling in his throat. Now for a time there came the clinking of dishes, sounds as of pans and kettles being scoured, the rolling gutturals of old Gaston, the cook, and the treble pipings of young "Glouglou," his grandchild and scullion. After a while the oblong of light from the kitchen door disappeared; the voices 44 THE GUEST OF QUESNAY departed; the stillness of the dark descended, and with it that unreasonable sense of pathos which night in the country brings to the heart of a wan- derer. Then, out of the lonely silence, there issued a strange, incongruous sound as an execrable voice essayed to produce the semblance of an air odiously familiar about the streets of Paris some three years past, and I became aware of a smell of some dread- ful thing burning. Beneath the arbour I perceived a glowing spark which seemed to bear a certain relation to an oval whitish patch suggesting the front of a shirt. It was Am6d6e, at ease, smoking his cigarette after the day's work and convinced that he was singing. "Pour qu'ffinisse Mon service Au Tonkin je suis parti Ah! quel beau pays, mesdames! C'est I'paradis des p'tites femmesl" I rose from the chair on my little porch, to go to bed; but I was reminded of something, and called to him. "Monsieur?" his voice came briskly. CHAPTER THREE 45 "How often do you see your friend, Jean Ferret, the gardener of Quesnay?" "Frequently, monsieur. To-morrow morning I could easily carry a message if " "That is precisely what I do not wish. And you may as well not mention me at all when you meet him." "It is understood. Perfectly." "If it is well imderstood, there will be a beau- tiful present for a good maitre d'hdtel some day." "Thank you, monsieur." "Good night, Amedee." "Good night, monsieur." Falling to sleep has always been an intricate matter with me: I liken it to a nightly adventure in an enchanted palace. Weary-limbed and with burning eyelids, after long waiting in the outer court of wakefulness, I enter a dim, cool ante- chamber where the heavy garment of the body is left behind and where, perhaps, some acquaintance or friend greets me with a familiar speech or a bit of nonsense — or an imseen orchestra may play music that I know. Prom here I go iato a spacious apartment where the air and hght are of a fine 46 THE GUEST OF QUESNAY clarity, for it is the hall of revelations, and in it the secrets of secrets are told, mysteries are resolved, perplexities cleared up, and sometimes I learn what to do about a picture that has bothered me. This is where I would linger, for beyond it I walk among crowding fantasies, delusions, terrors and shame, to a curtain of darkness where they take my memory from me, and I know nothing of my own ad- ventures until I am pushed out of a secret door into the morning sunlight. Amedee was the ac- quaintance who met me in the antechamber to-night. He remarked that Madame d'Armand was the most beautiful woman in the world, and vanished. And in the hall of revelations I thought that I foimd a statue of her — ^but it was veiled. I wished to remove the veil, but a passing stranger stopped and told me laughingly that the veil was all that would ever be revealed of her to me — of her, or any other woman! CHAPTER IV 1WAS up with the birds in the morning; had my breakfast with them — a very drowsy-eyed Amedee assisting — and made off for the forest to get the sunrise through the branches, a pack on my back and three sandwiches for lunch in my pocket. I returned only with the failing light of evening, cheerfully tired and ready for a fine dinner and an early bed, both of which the good inn sup- plied. It was my daily programme; a healthy life "far from the world," as Amedee said, and I was sorry when the serpent entered and disturbed it, though he was my own. He is a pet of mine; has been with me since my childhood. He leaves me when I live alone, for he loves company, but returns whenever my kind are about me. There are many names for snakes of his breed, but, to deal char- itably with myself, I call mine Interest-In-Other- People's-Affairs. One evening I returned to find a big van from Dives, the nearest railway station, drawn up in the courtyard at the foot of the stairs leading to the 47 48 THE GUEST OF QUESNAY gallery, and all of the people of the inn, from Ma- dame Brossard (who directed) to Glouglou (who madly attempted the heaviest pieces), busily in- stalling trunks, bags, and packing-cases in the suite engaged for the "great man of science" on the second floor of the east wing of the building. Neither the great man nor his companion was to be seen, however, both having retired to their rooms im- mediately upon their arrival — so Amedee informed me, as he wiped his brow after staggering up the steps under a load of books wrapped in sacking. I made my evening ablutions removing a Joseph's coat of dust and paint; and came forth from my pavilion, hoping that Professor Keredec and his friend would not mind eating in the same garden with a man in a corduroy jacket and knickerbockers; but the gentlemen continued invisible to the public eye, and mine was the only table set for dinner in the garden. Up-stairs the curtains were care- fully drawn across all the windows of the east wing; little leaks of orange, here and there, betraying the lights within. Glouglou, bearing a tray of covered dishes, was just entering the salon of the "Grande Suite," and the door closed quickly after him. "It is to be supposed that Professor Keredec and CHAPTER FOUR 49 his friend are fatigued with their journey from Paris?" I began, a Httle later. "Monsieur, they did not seem fatigued," said Amedee. "But they dine in their own rooms to-night." "Every night, monsieur. It is the order of Pro- fessor Keredec. And with their own valet-de- chambre to serve them. Eh.''" He poured my coffee solemnly. "That is mysterious, to say the least, isn't it?" "To say the very least," I agreed. "Monsieur the professor is a man of secrets, it appears," continued Amedee. "When he wrote to Madame Brossard engaging his rooms, he in- structed her to be careful that none of us should mention even his name; and to-day when he came, he spoke of his anxiety on that point." "But you did mention it." "To whom, monsieur?" asked the old fellow blankly. "To me." "But I told him I had not," said Amedee placidly. "It is the same thing." "I wonder," I began, struck by a sudden thought, "if it will prove quite the same thing in my own 50 THE GUEST OF QUESNAY case. I suppose you have not mentioned the cir- cumstance of my being here to your friend, Jean Ferret of Quesnay?" He looked at me reproachfully. "Has monsieur been troubled by the people of the chS.teau?" " 'Troubled' by them?" "Have they come to seek out monsieur and disturb him? Have they done anything whatever to show that they have heard monsieur is here?" "No, certainly they haven't," I was obUged to retract at once. "I beg your pardon, Amdd^e." "Ah, monsieur!" He made a deprecatory bow (which plunged me still deeper in shame), struck a match, and oflPered a light for my cigar with a forgiving hand. "All the same," he pursued, "it seems very mysterious — this Keredec affair!" "To comprehend a great man, Am6dee," I said, "is the next thing to sharing his greatness." He blinked slightly, pondered a moment upon this sententious drivel, then very properly ignored it, reverting to his puzzle. "But is it not incomprehensible that people should eat indoors this fine weather?" I admitted that it was. I knew very well how hot and stuffy the salon of Madame Brossard's CHAPTER FOUR 51 "Grande Suite" must be, while the garden was fragrant in the warm, dry night, and the outdoor air like a gentle tonic. Nevertheless, Professor Keredec and his friend preferred the salon. When a man is leading a very quiet and isolated life, it is inconceivable what trifles will occupy and concentrate his attention. The smaller the com- munity the more blowzy with gossip you are siu-e to find it; and I have little doubt that when Friday learned enough English, one of the first things Crusoe did was to tell him some scandal about the goat. Thus, though I treated the "Keredec affair" with a seeming airiness to Amedee, I cunningly drew the faithful rascal out, and fed my curiosity upon his own (which, as time went on and the mystery deepened, seemed likely to burst him), untU, vir- tually, I was receiving, every evening at dinner, a detailed report of the day's doings of Professor Keredec and his companion. The reports were voluminous, the details few. The two gentlemen, as Amedee would relate, spent their forfenoons over books and writing in their rooms. Professor Keredec's voice could often be heard in every part of the inn; at times holding 52 THE GUEST OF QUESNAY forth with such protracted vehemence that only one explanation would suffice: the learned man was delivering a lecttire to his companion. "Say then!" exclaimed Amedee — "what king of madness is that? To make orations for only one auditor !" He brushed away my suggestion that the auditor might be a stenographer to whom the professor was dictating chapters for a new book. The rela- tion between the two men, he contended, was more like that between teacher and pupil. "But a pupil with gray hair!" he finished, raising his fat hands to heaven. "For that other monsieur has hair as gray as mine." "That other monsieur" was farther described as a thin man, handsome, but with a "singular air," nor could my colleague more satisfactorily define this air, though he made a racking struggle to do so. "In what does the peculiarity of his maimer lie?" I asked. "But it is not so much that his manner is pe- culiar, monsieur; it is an air about him that is singular. Truly !" "But how is it singular?" "Monsieur, it is very, very singular." CHAPTER FOUR 53 "You do not understand," I insisted. "What kind of singularity has the air of 'that other mon- sieur'?" "It has," replied Amedee, with a powerful effort, "a very singular singularity." This was as near as he could come, and, fear- ful of injuring him, I abandoned that phase of our subject. The valet-de-chambre whom my fellow-lodgers had brought with them from Paris contributed nothing to the inn's knowledge of his masters, I learned. This struck me not only as odd, but unique, for French servants tell one another every- thing, and more — ^very much more. "But this is a silent man," said Amedee impressively. "Oh! very silent! He shakes his head wisely, yet he will not open his mouth. However, that may be be- cause" — and now the ejqjlanation came — "because he was engaged only last week and knows nothing. Also, he is but temporary; he returns to Paris soon and Glouglou is to serve them." I ascertained that although "that other mon- sieur" had gray hair, he was by no means a person of great age; indeed, Glouglou, who had seen him oftener than any other of the staff, maintained 54 THE GUEST OF QUESNAY that he was quite young. AmMee's own oppor- tunities for observation had been limited. Every afternoon the two gentlemen went for a walk; but they always came down from the gallery so quickly, he declared, and, leaving the inn by a rear entrance, plunged so hastily into the nearest by-path leading to the forest, that he caught little more than glimpses of them. They retmned after an hour or so, entering the inn with the same ap- pearance of haste to be out of sight, the professor always talldng, "with the manner of an orator, but in Enghsh." Nevertheless, Amedee remarked, it was certain that Professor Keredec's friend was neither an American nor an Enghshman. "Why is it certain?" I asked. "Monsieur, he drinks nothing but water, he does not smoke, and Glouglou says he speaks very pure French." "Glouglou is an authority who resolves the dijE- culty. 'That other monsieur' is a Frenchman." "But, monsieur, he is smooth-shaven." "Perhaps he has been a maitre d'h6tel." "Eh! I wish one that I know could hope to dress as well when he retires ! Besides, Glouglou says that other monsieur eats his soup silently." CHAPTER FOUR 55 "I can find no flaw in the deduction," I said, rising to go to bed. "We must leave it there for to-night." The next evening Amedee allowed me to per- ceive that he was concealing something under his arm as he stoked the coffee-machine, and upon my asking what it was, he glanced round the court- yard with histrionic slyness, placed the object on the table beside my cap, and stepped back to watch the impression, his manner that of one who de- claims: "At last the missing papers are before you!" "What is that?" I said. "It is a book." "I am persuaded by your candour, Am6dee, as well as by the general appearance of this article," I returned as I picked it up, "that you are speaking the truth. But why do you bring it to me?" "Monsieur," he replied, in the tones of an old conspirator, "this afternoon the professor and that other monsieur went as usual to walk in the forest." He bent over me, pretending to be busy with the coffee-machine, and lowering his voice to a hoarse whisper. "When they returned, this book fell from the pocket of that other moniseur's coat as he 56 THE GUEST OF QUESNAY ascended the stair, and he did not notice. Later I shall return it by Glouglou, but I thought it wise that monsieur should see it for himself." The book was Wentworth's Algebra — elementary principles. Painful recollections of my boyhood and the binomial theorem rose in my mind as I let the leaves turn under my fingers. "What do you make of it?" I asked. His tone became even more confidential. "Part of it, monsieur, is in English; that is plain. I have foxmd an English word in it that I know — ^the word 'O.' But much of the printing is also in Arabic." "Arabic!" I exclaimed. "Yes, monsieur, look there." He laid a fat fore- finger on "(a + hy = a^ + 2ab + b^" "That is Arabic. Old Gaston has been to Algeria, and he says that he knows Arabic as well as he does French. He looked at the book and told me it was Arabic. Truly! Truly!" "Did he translate any of it for you?" "No, monsieur; his eyes pained him this after- noon. He says he will read it to-morrow." "But you must return the book to-night." ^ "That is true. Eh! It leaves the mystery deeper CHAPTER FOUR 57 than ever, unless monsieur can find some clue ia those parts of the book that are English." I shed no hght upon him. The book had been Greek to me in my tender years; it was a pleasure now to leave a fellow-being under the impression that it was Arabic. But the volume took its little revenge upon me, for it increased my curiosity about Professor Keredec and "that other monsieur." Why were two grown men — one an eminent psychologist and the other a gray-haired youth with a singular air — carrying about on their walks a text-book for the instruction of boys of thirteen or fourteen? The next day that curiosity of mine was piqued in earnest. It rained and I did not leave the inn, but sat under the great archway and took notes in colour of the shining road, bright drenched fields, and dripping sky. My back was toward the court- yard, that is, "three-quarters" to it, and about noon I became distracted from my work by a strong self -consciousness which came upon me without any visible or audible cause. Obeying an impvdse, I swung round on my camp-stool and looked up directly at the gallery window of the salon of the "Grande Suite." 58 THE GUEST OF QUESNAY A man with a great white beard was standing at the window, half hidden by the curtain, watching me intently. He perceived that I saw him and dropped the cur- tain immediately, a speck of colour in his buttonhole catching my eye as it fell. The spy was Professor Keredec. But why should he study me so slyly and yet so obviously? I had no intention of intruding upon him. Nor was I a psychological "specimen," though I began to suspect that "that other monsieur" was. CHAPTER V I HAD been painting in various parts of the forest, studying the early morning along the eastern fringe and moving deeper in as the day advanced. For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade — a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but rud- dier toward sunset. A path closely bordered by underbrush wound its way to the glade, crossed it, then wandered away into shady dingles again; and with my easel pitched in the mouth of this path, I sat at work, one late afternoon, wonderful for its still loveliness. The path debouched abruptly on the glade and was so narrow that when I leaned back my elbows were in the bushes, and it needed care to keep my palette from being smirched by the leaves; though there was more room for my canvas and easel, as I had placed them at arm's length before me, fairly in the open, 59 60 THE GUEST OF QUESNAY I had the ambition to paint a picture here — ^to do the whole thing in the woods from day to day, instead of taking notes for the studio — and was at work upon a very fooHsh experiment: I had thought to render the Hght — ^broken by the branches and foliage — with broken brush-work, a short stroke of the kind that stung an elder painter to swear that its practitioners painted in shaking fear of the concierge appearing for the studio rent. The attempt was alluring, but when I rose from my camp-stool and stepped back into the path to get more distance for my canvas, I saw what a mess I was making of it. At the same time, my hand, falling into the capacious pocket of my jacket, encountered a package, my lunch, which I had forgotten to eat, whereupon, becoming suddenly aware that I was very hungry, I began to eat Ame- dee's good sandwiches without moving from where I stood. Absorbed, gazing with abysmal disgust at my can- vas, I was eating absent-mindedly — and with all the restraint and dignity of a Georgia darky attacking a watermelon — when a pleasant voice spoke from just behind me. "Pardon, monsieur; permit me to pass, if you please." CHAPTER FIVE 61 That was all it said, very quietly and in French, but a gunshot might have startled me less. I turned ia confusion to behold a dark-eyed lady, charmingly dressed in lilac and white, waiting for me to make way so that she could pass. Nay, let me leave no detail of my mortification unrecorded: I have just said that I "turned in con- fusion"; the truth is that I jumped like a kangaroo, but with infinitely less grace. And in my nervous haste to clear her way, meaning only to push the camp-stool out of the path with my foot, I put too much valour into the push, and with horror saw the camp-stool rise in the air and drop to the ground again nearly a third of the distance across the glade. Upon that I squeezed myself back into the bushes, my ears singing and my cheeks burning. There are women who will meet or pass a strange man in the woods or fields with as finished an air of being unaware of him (particularly if he be a rather shabby painter no longer young) as if the encounter took place on a city sidewalk; but this woman was not of that priggish kind. Her straightforward glance recognised my existence as a fellow-being; and she further acknowledged it by a faint smile, which was of courtesy only, however, and admitted no ref- 62 THE GUEST OF QUESNAY erence to the fact that at the first sound of her voice I had leaped into the air, kicked a camp-stool twenty feet, and now stood blushing, so shamefully stuflFed "with sandwich that I dared not speak. "Thank you," she said as she went by; and made me a little bow so graceful that it almost consoled me for my caperings. I stood looking after her as she crossed the clear- ing and entered the cool winding of the path on the other side. I stared and wished — wished that I could have painted her into my picture, with the thin, ruddy sunshine flecking her dress; wished that I had not cut such an idiotic figure. I stared until her filmy summer hat, which was the last bit of her to disap- pear, had vanished. Then, discovering that I still held the horrid remains of a sausage-sandwich in my hand, I threw it into the underbrush with unnecessary force, and, recovering my camp-stool, sat down to work again. I did not immediately begin. The passing of a pretty woman anywhere never comes to be quite of no moment to a man, and the passing of a pretty woman in the greenwood is an episode — even to a middle-aged landscape painter. CHAPTER FIVE 63 "An episode?" quoth I. I should be ashamed to with- hold the truth out of my fear to be taken for a senti- mentalist: this woman who had passed was of great and instant charm; it was as if I had heard a serenade there in the woods — and at thought of the jig I had danced to it my face burned again. With a sigh of no meaning, I got my eyes down to my canvas and began to peck at it perfimctorily, when a snapping of twigs imderfoot and a swishing of branches in the thicket warned me of a second intruder, not approaching by the path, but forcing a way toward it through the underbrush, and very briskly too, judging by the sounds. He burst out into the glade a few paces from me, a tall man in white flannels, hberally decorated with brambles and clinging shreds of imderbrush. A streamer of vine had caught about his shoulders; there were leaves on his bare head, and this, together with the youthful sprightliness of his light figxire and the naive activity of his approach, gave me a very faunlike first impression of him. At sight of me he stopped short. "Have you seen a lady in a white and lilac dress and with roses in her hat.?" he demanded, omitting all preface and speaking with a quick eagerness 64 THE GUEST OF QUESNAY which caused me no wonder — ^for I had seen the lady. What did surprise me, however, was the instan- taneous certainty with which I recognised the speaker from Am^dde's description; certainty founded on the very item which had so dangerously strained the old fellow's powers. My sudden gentleman was strikingly good-looking, his complexion so clear and boyishly healthy, that, except for his gray hair, he might have passed for twenty-two or twenty-three, and even as it was I guessed his years short of thirty; but there are plenty of handsome young fellows with prematurely gray hair, and, as Amedee said, though out of the world we were near it. It was the new-comer's "singular air" which established his identity. Amedee 's vague- ness had irked me, but the thing itseK — the "singular air" — was not at all vague. Instantly perceptible, it was an investiture; marked, definite — and intan- gible. My interrogator was "that other monsieur." In response to his question I asked him another: "Were the roses real or artificial?" "I don't know," he answered, with what I took to be a whimsical assumption of gravity. "It wouldn't matter, would it? Have you seen her?" CHAPTER FIVE 65 He stooped to brush the brambles from his trou- sers, sending me a sidelong glance from his blue eyes, which were brightly confident and inquiring, like a boy's. At the same time it struck me that whatever the natiu-e of the singularity investing him it par- took of nothing repellent, but, on the contrary, measurably enhanced his attractiveness; making him "different" and lending him a distinction which, without it, he might have lacked. And yet, patent as this singularity must have been to the dullest, it was something quite apart from any eccentricity of manner, though, heaven knows, I was soon to think him odd enough. "Isn't your description," I said gravely, thinking to suit my humour to his own, "somewhat too general.'' Over yonder a few miles hes Houlgate. TrouvUle itself is not so far, and this is the season. A great many white hats trimmed with roses might come for a stroll in these woods. If you would com- plete the items — " and I waved my hand as if invit- ing him to continue. "I have seen her only once before," he responded promptly, with a seriousness apparently quite genu- ine. "That was from my window at an inn, three days ago. She drove by in an open carriage without 66 THE GUEST OF QUESNAY looking up, but I could see that she was very hand- some. No — " he broke off abruptly, but as quickly resumed — "handsome isn't just what I mean. Lovely, I should say. That is more like her and a better thing to be, shouldn't you think so.?" "Probably — ^yes — I think so," I stammered, in considerable amazement. "She went by quickly," he said, as if he were talk- ing in the most natural and ordinary way in the world, "but I noticed that while she was in the shade of the inn her hair appeared to be dark, though when the carriage got into the sunlight again it looked fair." I had noticed the same thing when the lady who had passed emerged from the shadows of the path into the sunshine of the glade, but I did not speak of it now; partly because he gave me no opportu- nity, partly because I was almost too astonished to speak at all, for I was no longer under the delusion that he had any humourous or whimsical intention. "A little while ago," he went on, "I was up in the branches of a tree over yonder, and I caught a glimpse of a lady in a Ught dress and a white hat and I thought it might be the same. She wore a dress like that and a white hat with roses when she CHAPTER FIVE 67 drove by the inn. I am very anxious to see her again." "You seem to be!" "And haven't you seen her? Hasn't she passed this way?" He urged the question with the same strange eagerness which had marked his manner from the first, a manner which confounded me by its absurd resemblance to that of a boy who had not mixed with other boys and had never been teased. And yet his expression was intelligent and alert; nor was there anything abnormal or "queer" in his good- humoured gaze. "I think that I may have seen her," I began slowly; "but if you do not know her I should not advise " I was interrupted by a shout and the sound of a large body plunging in the thicket. At this the face of "that other monsieur" flushed slightly; he smiled, but seemed troubled. "That is a friend of mine," he said. "I am afraid he will want me to go back with him." And he raised an answering shout. Professor Keredec floundered out through the last row of saplings and bushes, his be£ird embelhshed 68 THE GUEST OF QUESNAY with a broken twig, his big face red and perspiring. He was a fine, a mighty man, ponderous of shoulder, monumental of height, stupendous of girth; there was cloth enough in the hot-looking black frock- coat he wore for the canopy of a small pavilion. Half a dozen books were under his arm, and in his hand he carried a hat which evidently belonged to "that other monsieur," for his own was on his head. One glance of scrutiny and recognition he shot at me from his silver-rimmed spectacles; and seized the young man by the arm. "Ha, my friend!" he exclaimed in a bass voice of astounding power and depth, "that is one way to study botany: to jump out of the middle of a high tree and to nm like a crazy man!" He spoke with a strong accent and a thunderous rolling of the "r." "What was I to think?" he demanded. "What has arrived to you?" "I saw a lady I wished to follow," the other answered promptly. "A lady! What lady?" "The lady who passed the inn three days ago. I spoke of her then, you remember." "Tonnerre de Dieul" Keredec slapped his thigh with the sudden violence of a man who remembers CHAPTER FIVE 69 that he has forgotten something, and as a final addi- tion to my amazement, his voice rang more of remorse than of reproach. "Have I never told you that to follow strange ladies is one of the things you cannot do?" "That other monsieur" shook his head. "No, you have never told me that. I do not understand it," he said, adding irrelevantly, "I believe this gentle- man knows her. He says he thinks he has seen her." "If you please, we must not trouble this gentleman about it," said the professor hastily. "Put on your hat, in the name of a thousand saints, and let us go !" "But I wish to ask him her name," urged the other, with something curiously like the obstinacy of a child. "I wish " "No, no!" Keredec took him by the arm. "We must go. We shall be late for our dinner." "But why.?" persisted the yotmg man. "Not now!" The professor removed his broad felt hat and hurriedly wiped his vast and steaming brow — a magnificent structure, corniced, at this moment, with anxiety. "It is better if we do not discuss it now." "But I might not meet him again." 70 THE GUEST OF QUESNAY Professor Keredec turned toward me with a half- desperate, half-apologetic laugh which was like the rumbling of heavy wagons over a block pavement; and in his flustered face I thought I read a signal of genuine distress. "I do not know the lady," I said with some sharp- ness. "I have never seen her until this afternoon." Upon this "that other monsieur" astonished me in good earnest. Searching my eyes eagerly with his clear, inquisitive gaze, he took a step toward me and said: "You are sure you are telling the truth?" The professor uttered an exclamation of horror, sprang forward, and clutched his friend's arm again. " Malh&ureuxl" he cried, and then to me: "Sir, you will give him pardon if you can.? He has no mean- ing to be rude." "Rude?" The young man's voice showed both astonishment and pain. "Was that rude? I didn't know. I didn't mean to be rude, God knows ! Ah," he said sadly, "I do nothing but make mistakes. I hope you will forgive me." He lifted his hand as if in appeal, and let it drop to his side; and in the action, as well as in the tone of his voice and his attitude of contrition, there was CHAPTER FIVE 71 something that reached me suddenly, with the touch of pathos. "Never mind," I said. "I am only sorry that it was the truth." "Thank you," he said, and turned humbly to Keredec. "Ha, that is better!" shouted the great man, apparently relieved of a vast weight. "We shall go home now and eat a good dinner. But first — " his silver-rimmed spectacles twinkled upon me, and he bent his Brobdingnagian back in a bow which against my will reminded me of the curtseys performed by Orloff's dancing bears — "first let me speak some words for myself. My dear sir" — ^he addressed him- self to me with grave formality — "do not suppose I have no realization that other excuses should be made to you. Believe me, they shall be. It is now that I see it is fortunate for us that you are our fellow-innsman at Les Trois Pigeons." I was unable to resist the opportunity, and, affect- ing considerable surprise, interrupted him with the apparently guileless query: "Why, how did you know that?" Professor Keredec's laughter rumbled again, grow- ing deeper and louder till it reverberated in the woods 72 THE GUEST OF QUESNAY and a hundred hale old trees laughed back at him. "Ho, ho, ho!" he shouted. "But you shall not take me for a window-curtam spy! That is a fine reputation I give myself with you! Ho, ho!" Then, followed submissively by "that other mon- sieur," he strode into the path and went thundering forth through the forest. CHAPTER VI NO doubt the most absurd thing I could have done after the departure of Professor Ke- redec and his singular friend would have been to settle myself before my canvas again with the intention of painting — and that is what I did. At least, I resumed my camp-stool and went through some of the motions habitually connected with the act of painting. I remember that the first time in my juvenile reading I came upon the phrase, "seated in a brown study," I pictured my hero in a brown chair, beside a brown table, in a room hung with brown paper. Later, being enlightened, I was ambitious to display the figure myself, but the uses of ordinary corre- spondence allowed the occasion for it to remain imoffered. Let me not only seize upon the present opportunity but gild it, for the adventure of the afternoon left me ia a study which was, at its mildest, a profound purple. The confession has been made of my curiosity con- cerning my fellow-lodgers at Les Trais Pigeons; 73 74 THE GUEST OF QUESNAY however, it had been comparatively a torpid growth; my meeting with them served to enlarge it so sud- denly and to such proportions that I wonder it did not strangle me. In fine, I sat there brush-paddling my failure Kke an automaton, and saying over and over aloud, "What is wrong with him? What is wrong with him?" This was the sillier inasmuch as the word "wrong" (bearing any significance of a darkened mind) had not the slightest application to "that other mon- sieur." There had been neither darkness nor dullness; his eyes, his expression, his manner, betrayed no hint of wildness; rather they bespoke a quick and amiable intelligence — ^the more amazing that he had shown himself ignorant of things a child of ten would know. Amed6e and his fellows of Les Trois Pigeons had judged wrongly of his nationahty; his face was of the lean, right, American structure; but they had hit the relation between the two men: Keredec was the master and "that other monsieur" the scholar — a pupU studying boys' textbooks and receiving instruction in matters and manners that children are taught. And yet I could not believe him to be a simple case of arrested development. For the matter of that, I did not like to think of him as a "case" CHAPTER SIX 75 at all. There had been something about his bright youthf ulness — ^perhaps it was his quick contrition for his rudeness, perhaps it was a certain wistful quality he had, perhaps it was his very "singularity" — which appealed as directly to my liking as it did urgently to my sympathy. I came out of my vari-coloured study with a start, caused by the discovery that I had absent-mindedly squeezed upon my palette the entire contents of an expensive tube of cobalt violet, for which I had no present use; and sighing (for, of necessity, I am an economical man), I postponed both of my problems till another day, determined to efface the one with a palette knife and a rag soaked in turpentine, and to defer the other until I should know more of my fellow-lodgers at Madame Brossard's. The turpentine rag at least proved effective; I scoured away the last tokens of my failure with it, wishing that life were like the canvas and that men had knowledge of the right celestial turpentine. After that I cleaned my brushes, packed and shoul- dered my kit, and, with a final imprecation upon all sausage-sandwiches, took up my way once more to Les Trois Pigeons. Presently I came upon an intersecting path where. 76 THE GUEST OF QUESNAY on my previous excursions, I had always borne to the right; but this evening, thinking to discover a shorter cut, I went straight ahead. Striding along at a good gait and chanting sonorously, "On Linden when the sun was low," I left the rougher boscages of the forest behind me and emerged, just at sunset, upon an orderly fringe of woodland where the ground was neat and unencumbered, and the trimmed trees stood at polite distances, bowing slightly to one another with small, well-bred rustlings. The light was somewhere between gold and pink when I came into this lady's boudoir of a grove. "Isar flowing rapidly" ceased its tumult abruptly, and Linden saw no sterner sight that evening: my voice and my feet stopped simultaneously — ^for I stood upon Quesnay groimd. Before me stretched a short broad avenue of turf, leading to the chateau gates. These stood open, a gravelled driveway climbing thence by easy stages between kempt shrubberies to the crest of the hill, where the gray roof and red chimney-pots of the cha.teau were glimpsed among the tree-tops. The slope was terraced with strips of flower-gardens and intervals of sward; and against the green of a rising lawn I marked the figure of a woman, pausing to CHAPTER SIX 77 bend over some flowering bush. TKe figure was too slender to be mistaken for that of the present chate- laine of Quesnay: in Miss Elizabeth's regal ampli- tude there was never any hint of fragility. The lady upon the slope, then, I concluded, must be Madame d'Armand, the inspiration of Amed^e's "Monsieur has much to Uve for!" Once more this day I indorsed that worthy man's opinion, for, though I was too far distant to see clearly, I knew that roses trimmed Madame d'Ar- mahd's white hat, and that she had passed me, no long time since, in the forest. I took off my cap. "I have the honour to salute you," I said aloud. "I make my apologies for misbehaving with sand- wiches and camp-stools in your presence, Madame d'Armand." Something in my own pronunciation of her name struck me as reminiscent: save for the prefix, it had sounded like "Harman," as a Frenchman might pro- nounce it. Foreign names involve the French in terrible diffi- culties. Hughes, an English friend of mine, has lived in France some five-and-thirty years without recon- ciling himself to being known as "Monsieur Ig." 78 THE GUEST OF QUESNAY "Armand" might easily be Jean Ferret's translation of "Harman." Had he and Amedee in their admira- tion conferred the prefix because they considered it aplausible accompaniment to the lady's gentle bear- ing? It was not impossible; it was, I concluded, very probable. I had come far out of my way, so I retraced my steps to the intersection of the paths, and thence made for the inn by my accustomed route. The light failed under the roofing of foliage long before I was free of the woods, and I emerged upon the road to Les Trois Pigeons when twilight had turned to dusk. Not far along the road from where I came into it, stood an old, brown, deep-thatched cottage — a branch of brushwood over the door prettily beckon- ing travellers to the knowledge that cider was here for the thirsty; and as I drew near I perceived that one availed himself of the invitation. A group stood about the open door, the lamp-light from within disclosing the head of the house filling a cup for the wayfarer; while honest Mere Baudry and two gene- rations of younger Baudrys clustered to miss no word of the interchange of courtesies between P^re Baudry and his chance patron. CHAPTER SIX 79 It afforded me some surprise to observe that the latter was a most mundane and elaborate wayfarer, indeed; a small young man very lightly made, like a jockey, and point-device in khaki, puttees, pongee cap, white-and-green stock, a knapsack on his back, and a bamboo stick under his arm; altogether equip- ped to such a high point of pedestrianism that a cynical person might have been reminded of loud calls for wine at some hostelry in the land of opera bouffe. He was speaking fluently, though with a detestable accent, in a rough-and-ready, pick-up dialect of Parisian slang, evidently under the pleas- ant delusion that he employed the French language, while Pfere Baudry contributed his share of the con- versation in a slow patois. As both men spoke at the same time and neither understood two consecutive words the other said, it struck me that the dialogue might prove unproductive of any highly important results this side of Michaelmas; therefore, discover- ing that the very pedestrian gentleman was making some sort of inquiry concerning Les Trois Pigeons, I came to a halt and proffered aid. "Are you looking for Madame Brossard's?" I asked in English. The traveller uttered an exclamation and faced 80 THE GUEST OF QUESNAY about with a jump, birdlike for quickness. He did not reply to my question with the same promptness; however, his dehberation denoted scrutiny, not sloth. He stood peering at me sharply until I repeated it. Even then he protracted his examination of me, a favour I was unable to return with any interest, owing to the circumstance of his back being toward the light. Nevertheless, I got a clear enough impression of his alert, well-poised little figure, and of a hatchety little face, and a pair of shrewd little eyes, which (I thought) held a fine little conceit of his whole httle person. It was a type of fellow-countryman not altogether unknown about certain "American Bars" of Paris, and usually connected (more or less directly) with what is known to the people of France as "le Sport." "Say," he responded in a voice of unpleasant nasaUty, finally deciding upon speech, "you're 'Num- meric'n, ain't you?" "Yes," I returned. "I thought I heard you inquiring for " "Well, m' friend, you can sting me!" he inter- rupted with condescending jocularity. "My style French does f'r them camels up in Paris all right. Me at Nice, Monte Carlo, Chantilly — ^bow to the CHAPTER SIX 81 p'fess'r; he's right! But down Bere I don'^t seem to be gvd enough f'r these sheep-dogs; anyway they bark different. I'm lukkin' fer a hotel called Les Trois Pigeons." "I am going there," I said; "I will show you the way." "Whur is 't?" he asked, not moving. I pointed to the lights of the inn, flickering across the fields. "Yonder — beyond the second turn of the road," I said, and, as he showed no signs of accom- panying me, I added, "I am rather late." "Oh, I ain't goin' there t'night. It's too dark t' see anything now," he remarked, to my astonish- ment. "Dives and the choo-choo back t' little ole Trouville f'r mine! I on'y wanted to take a luh at this pigeon-house joint." "Do you mind my inquiring," I said, "what you expected to see at Les Trois Pigeons?" "Why!" he exclaimed, as if astonished at the question, "I'm a tourist. Makin' a pedestrun trip t' all the reg'ler sights." And, inspired to eloquence, he added, as an afterthought: "As it were." "A tourist.''" I echoed, with perfect incredulity. "That's whut I am, m' friend," he returned firmly. "You don't have to have a red dope-book in one 82 THE GUEST OF QUESNAY hand and a thoid-class choo-choo ticket in the other to be a tourist, do you?" "But if you will pardon me," I said, "where did you get the notion that Les Trois Pigeons is one of the regular sights?" "Ain't it in all the books?" "I don't think that it is mentioned in any of the guide-books." "Not I didn't say it was, m' friend," he retorted with contemptuous pity. "I mean them history- books. It's in all o' them!" "This is strange news," said I. "I should be very much interested to read them!" "Lookahere," he said, taking a step nearer me; "in oinest now, on your woid: Didn' more'n half them Jeanne d'Arc tamales Uve at that hotel wunst?" "Nobody of historical importance — or any other kind of importance, so far as I know — ever lived there," I informed him. "The older portions of the inn once belonged to an ancient farm-house, that is all." "On the level," he demanded, "didn't that William the Conker nor none o' them ancient gilt-edges live there?" "No." "Stung again!" He broke into n sudden loud CHAPTER SIX 83 cackle of laughter. "Why! the feller tole me 'at this here Pigeon place was all three rings when it come t' history. Yessir! Tall, thin feller he was, in a three-button cutaway, English make, and kind of red-complected, with a sandy mMS-tache," pursued the pedestrian, apparently fearing his narrative might lack colour. "I met him right com in' out o' the Casino at Trouville, yes'day aft'noon; c'udn' a' b'en more'n four o'clock — ^hol' on though, yes 'twas, 'twas nearer five, about twunty minutes t' five, say • — an' this feller tells me — " He cackled with laugh- ter as palpably disingenuous as the corroborative details he thought necessary to muster; then he became serious, as if marvelling at his own won- drous verdancy. "M' friend, that feller soitn'y found me easy. But he can't say I ain't game; he passes me the limes, but I'm jest man enough to drink his health fer it in this sweet, sound ole-fashioned cider 'at ain't got a headache in a barrel of it. He played me gud, and here's to him!" Despite the heartiness of the sentiment, my honest tourist's enthusiasm seemed largely histrionic, and his quaflBng of the beaker too reminiscent of drain- the-wine-cup-free in the second row of the chorus, for he absently allowed it to dangle from his hand 84 THE GUEST OF QUESNAY before raising it to his Kps. However, not all of its contents was spilled, and he swallowed a mouthful of the sweet, sound, old-fashioned cider — ^but by mistake, I Was led to suppose, from the expression of displeasure which became so deeply marked upon his countenance as to be noticeable, even in the feeble lamplight. I tarried no longer, but bidding this good youth and the generations of Baudry good-night, hastened on to my belated dinner. "Amedde," I said, when my cigar was hghted and the usual hour of consultation had arrived; "isn't that old lock on the chest where Madame Brossard keeps her silver getting rather rusty?" "Monsieur, we have no thieves here, y^^e are out of the world." "Yes, but Trouville is not so far away." "Truly." "Many strange people go to Trouville: grand- dukes, millionaires, opera singers, princes, jockeys, gamblers " "Truly, truly!" "And tourists," I finished. "That is well known," assented Amed6e, nodding. "It follows," I continued with tlie impressiveness CHAPTER SIX 85 of all logicians, "that many strange people may come from Trouville. In their excxu-sions to the sxirromid- ing points of interest " "Eh, monsieur, but that is true!" he interrupted, laying his right forefinger across the bridge of his nose, which was his gesture when he remembered any- thing suddenly. "There was a strange monsieur from Trouville here this very day." "What kind of person was he?" "A foreigner, but I could not tell from what country." "What time of day was he here?" I asked, with growing interest. "Toward the middle of the afternoon. I was alone, except for Glouglou, when he came. He wished to see the whole house and I showed him what I could, except of course monsieur's pavilion, and the Grande Suite. Monsieur the Professor and that other mon- sieur had gone to the forest, but I did not feel at liberty to exhibit their rooms without Madame Bros- sard's permission, and she was spending the day at Dives. Besides," added the good man, languidly snapping a napkin at a moth near one of the candles, "the doors were locked." "This person was a tourist?" I asked, after a 86 THE GUEST OF QUESNAY pause during which Amedee seemed peacefully im- aware of the rather concentrated gaze I had fixed upon him. "Of a kind. In speaking he employed many peculiar expressions, more like a thief of a Parisian cabman than of the pohte world." "The devil he did!" said I. "Did he tell you why he wished to see the whole house? Did he contem- plate taking rooms here?" "No, monsieur, it appears that his interest was historical. At first I should not have taken him for a man of learning, yet he gave me a great piece of information; a thing quite new to me, though I have lived here so many years. We are distinguished in history, it seems, and at one time both William the Conqueror and that brave Jeanne d'Arc " I interrupted sharply, dropping my cigar and leaning across the table: "How was this person dressed?" "Monsieur, he was very much the pedestrian." And so, for that evening, we had something to talk about besides "that other monsieur"; indeed, we found our subject so absorbing that I forgot to ask Amed6e whether it was he or Jean Ferret who had prefixed the "de" to "Armand." CHAPTER VII THE cat that fell from the top of the Wash- ington monument, and scampered off un- hurt was killed by a dog at the next corner. Thus a certain painter-man, winged with canvases and easel, might have been seen to depart hiurriedly from a poppy-sprinkled field, an infuriated Norman stallion in close attendance, and to fly safely over a stone wall of good height, only to turn his ankle upon an unconsidered pebble, some ten paces farther on; the nose of the stallion projected over the wall, snorting joy thereat. The ankle was one which had turned aforetime; it was an old weakness: moreover, it was mine. I was the painter-man. I could count on little less than a week of idle- ness within the confines of Les Trois Pigeons; and reclining among cushions in a wicker long-chair looking out from my pavilion upon the drowsy garden on a hot noontide, I did not much care. It was cooler indoors, comfortable enough; the open door framed the courtyard where pigeons were 87 88 THE GUEST OF QUESNAY strutting on the gravel walks between flower-beds. Beyond, and thrown deeper into the perspective by the outer frame of the great archway, road and fields and forest fringes were revealed, lying trem- ulously in the hot sunshine. The foreground gained a human (though not lively) interest from the ample figure of our maitre d'hotel reposing in a rustic chair which had enjoyed the shade of an arbour about an hour earlier, when first occupied, but now stood in the broiling sun. At times Amedee's upper eyelids lifted as much as the sixteenth of an inch, and he made a hazy gesture as if to wave the sun away, or, when the table-cloth upon his left arm slid slowly earthward, he adjusted it with a petulant jerk, without material interruption to his siesta. Meanwhile Glouglou, rolling and smoking cigarettes in the shade of a clump of lilac, watched with button eyes the noddings of his superior, and, at the cost of some convulsive writhings, constrained himself to silent laughter. A heavy step crunched the gravel and I heard my name pronounced in a deep inquiring rumble — the voice of Professor Keredec, no less. Nor was I greatly surprised, since our meeting in the forest had led me to expect some advances on his CHAPTER SEVEN 89 part toward friendliness, or, at least, in the direc- tion of a better acquaintance. However, I withheld my reply for a moment to make sure I had heard aright. The name was repeated. "Here I am," I called, "in the pavilion, if you wish to see me." "Aha! I hear you become an invalid, my dear sir." With that the professor's great bulk loomed in the doorway against the glare outside. "I have come to condole with you, if you allow it." "To smoke with me, too, I hope," I said, not a little pleased. "That I will do," he returned, and came in slowly, walking with perceptible lameness. "The sympathy I offer is genuine: it is not only from the heart, it is from the laiissimus dorsi," he continued, seating himself with a cavernous groan. "I am your confrere in illness, my dear sir. I have choosed this fine weather for rheumatism of the back." "I hope it is not painful." "Ha, it is so-so," he rumbled, removing his spec- tacles and wiping his eyes, dazzled by the sun. "There is more of me than of most men — more to suffer. Nature was generous to the httle germs 90 THE GUEST OF QUESNAY when she made this big Keredec; she offered them room for their campaigns of war." "You'll take a cigarette?" "I thank you; if you do not mmd, I smoke my pipe." He took from his pocket a worn leather case, which he opened, disclosing a small, browned clay bowl of the kind workmen use; and, fitting it with a red stem, he filled it with a dark and sinister tobacco from a pouch. "Always my pipe for me," he said, and applied a match, inhaling the smoke as other men inhale the light smoke of cigarettes. "Ha, it is good! It is wicked for the insides, but it is good for the soul." And clouds wreathed his great beard like a storm on Mont Blanc as he con- cluded, with gusto, "It is my first pipe since yesterday." "That is being a good smoker," I ventured sen- tentiously; "to whet indulgence with abstinence." "My dear sir," he protested, "I am a man with- out even enough virtue to be an epicure. "When I am alone I am a chimney with no hebdomadary repose; I smoke forever. It is on account of my young friend I am temperate now." "He has never smoked, your young friend?" I CHAPTER SEVEN 91 asked, glancing at my visitor rather curiously, I fear. "Mr. Saflfren has no vices." Professor Keredec replaced his silver-rimmed spectacles and turned them upon me with serene benevolence. "He is in good condition, all pure, hke Uttle children — and so if I smoke near him he chokes and has water at the eyes, though he does not complain. Just now I take a vacation: it is his hour for study, but I think he looks more out of the front window than at his book. He looks very much from the window" — ^there was a muttering of subterranean thunder somewhere, which I was able to locate in the professor's torso, and took to be his expression of a chuckle — "yes, very much, since the passing of that charming lady some days ago." "You say your young friend's name is Saflfren?" "Oliver Saflfren." The benevolent gaze continued to rest upon me, but a shadow like a faint anxiety darkened the Homeric brow, and an odd notion entered my mind (without any good reason) that Professor Keredec was wondering what I thought of the name. I uttered some commonplace syllable of no moment, and there ensued a pause during which the seeming shadow upon my visitor's fore- 92 THE GUEST OF QUESNAY head became a reality, deepening to a look of per- plexity and trouble. Finally he said abruptly: "It is about him that I have come to talk to you." "I shall be very glad," I murmured, but he brushed the callow formality aside with a gesture of i^emonstrance. "Ha, my dear sir," he cried; "but you are a man of feeling! We are both old enough to deal with more than just these little words of the mouth! It was the way you have received my poor young gentleman's excuses when he was so rude, which make me wish to talk with you on such a subject; it is why I would not have you believe Mr. Sajffren and me two very suspected individuals who hide here like two bad criminals!" "No, no," I protested hastily. "The name of Professor Keredec " "The name of no man," he thundered, interrupt- ing, "can protect his reputation when he is caught peeping from a curtain! Ha, my dear sir! I know what you think. You think, 'He is a nioe fine man, that old professor, oh, very nice — only he hides behind the curtains sometimes! Very fine man, oh, yes; only he is a spy.' Eh? Ha, ha! That is what you have been thinking, my dear sir!" CHAPTER SEVEN 93 "Not at all," I laughed; "I thought you might fear that I was a spy." "Eh?" He became sharply serious upon the in- stant. "What made you think that?" "I supposed you might be conducting some experi- ments, or perhaps writing a book which you wished to keep from the public for a time, and that possibly you might imagine that I was a reporter." "So! And that is all," he returned, with evident relief. "No, my dear sir, I was the spy; it is the truth; and I was spying upon you. I confess my shame. I wish very much to know what you were like, what kind of a man you are. And so," he concluded with an opening of the hands, palms upward, as if to show that nothing remained for concealment, "and so I have watched you." "Why?" I asked. "The explanation is so simple: it was necessary." "Because of — of Mr. Saffren?" I said slowly, and with some trepidation. "Precisely." The professor exhaled a cloud of smoke. "Because I am sensitive for him, and because in a certain way I am — how should it be said? — perhaps it is near the truth to say, I am his guardian." 94 THE GUEST OF QUESNAY "I see." "Forgive me," he rejoined quickly, "but I am afraid you do not see. I am not his guardian by the law." "I had not supposed that you were," I said. "Why not?" "Because, though he puzzled me and I do not understand his case — ^his case, so to speak, I have not for a moment thought him insane." "Ha, my dear sir, you are right!" exclaimed Keredec, beaming on me, much pleased. "You are a thousand times right; he is as sane as yourself or myseK or as anybody in the whole wide world! Ha! he is now much more sane, for his mind is not yet confused and becobwebbed with the useless things you and I put into ours. It is open and clear like the little children's mind. And it is a good mind! It is only a little learning, a little experience, that he lacks. A few months more — ha, at the greatest, a year from now — and he will not be different any longer; he will be like the rest of us. Only" — the professor leaned forward and his big fist came down on the arni of his chair — "he shall be better than the rest of us! But if strange people were to see him now," he continued. CHAPTER SEVEN 95 leaning back and dropping his voice to a more confidential tone, "it would not do. This poor world is full of fools; there are so many who judge quickly. If they should see him now, they might think he is not just right in his brain; and then, as it could happen so easily, those same people might meet him again after a whUe. 'Ha,' they would say, 'there was a time when that young man was insane. I knew him!' And so he might go through his life with those clouds over him. Those clouds are black clouds, they can make more harm than our old sins, and I wish to save my friend from them. So I have brought him here to this quiet place where nobody comes, and we can keep from meeting any foolish people. But, my dear sir" — he leaned forward again, and spoke emphatically — "it would be barbarous for men of intelligence to live in the same house and go always hiding from one another! Let us dine together this evening, if you will, and not only this evening but every evening you are willing to share with us and do not wish to be alone. It will be good for us. We are three men Uke hermits, far out of the world, but — a thousand saints! — let us be civilised to one another!" 96 THE GUEST OF QUESNAY "With all my heart," I said. "Ha! I wish you to know my young man," Keredec went on. "You will like him — ^no man of feeling could keep himself from liking him — ^and he is your fellow-countryman. I hope you will be his friend. He should make friends, for he needs them." "I think he has a host of them," said I, "in Pro- fessor Keredec." My visitor looked at me quizzically for a moment, shook his head and sighed. "That is only one small man in a big body, that Professor Keredec. And yet," he went on sadly, "it is aU the friends that poor boy has in this world. You will dine with us to-night?" Acquiescing cheerfully, I added: "You will join me at the table on my veranda, won't you? I can hobble that far but not much farther." Before answering he cast a sidelong glance at the arrangement of things outside the door. The screen of honeysuckle ran partly across the front of the little porch, about half of which it concealed from the garden and consequently from the road beyond the archway. I saw that he took note of this before he pointed to that corner 'of the veranda most closely screened by the vines and said: CHAPTER SEVEN 97 "May the table be placed yonder?" "Certainly; I often have it there, even when I am alone." "Ha, that is good," he exclaimed. "It is not human for a Frenchman to eat in the house in good weather." "It is a pity," I said, "that I should have been such a bugbear." This remark was thoroughly disingenuous, for, although I did not doubt that anything he told me was perfectly true, nor that he had made as complete a revelation as he thought consistent with his duty toward the young man in his charge, I did not believe that his former precautions were altogether due to my presence at the inn. And I was certain that while he might fear for his friend some chance repute of insanity, he had greater terrors than that. As to their nature I had no clew; nor was it my affair to be guessing; but whatever they were, the days of security at Les Trais Pigeons had somewhat eased Professor Kere- dec's mind in regard to them. At least, his anxiety was sufficiently assuaged to risk dining out of doors with only my screen of honeysuckle between his charge and curious eyes. So much was evident. 98 THE GUEST OF QUESNAY "The reproach is deserved," he returned, after a pause. "It is to be wished that all our bugbears might offer as pleasant a revelation, if we had the courage, or the slyness" — ^he laughed — "to investi- gate them." I made a reply of similar gallantry and he got to his feet, rubbing his back as he rose. "Ha, I am old! old! Rheumatism in warm weather: that is ugly. Now I must go to my boy and see what he can make of his Gibbon. The poor fellow! I think he finds the decay of Rome worse than rheumatism in summer!" He replaced his pipe in its case, and promising heartily that it should not be the last he would smoke in my company and domain, was making slowly for the door when he paused at a sound from the road. We heard the rapid hoof -beats of a mettled horse. He crossed our vision and the open archway: a high-stepping hackney going well, driven by a lady in a light trap which was half full of wild flowers. It was a quick picture, like a flash of the cinemato- graph, but the pose of the lady as a driver was seen to be of a commanding grace, and though she was not in white but in Ught blue, and her plain CHAPTER SEVEN 99 sailor hat was certainly not trimmed with roses, I had not the least difficulty in recognising her. At the same instant there was a hurried clatter of foot- steps upon the stairway leading from the gallery; the startled pigeons fluttered up from the garden- path, betaking themselves to flight, and "that other monsieur" came leaping across the courtyard, through the archway and into the road. "Glouglou! Look quickly!" he called loudly, in French, as he came; "Who is that lady?" Glouglou would have replied, but the words were taken out of his mouth. Amedee awoke with a frantic start and launched himself at the archway, carroming from its nearest corner and hurtling on- ward at a speed which for once did not diminish in proportion to his progress. "That lady, monsieur.''" he gasped, checking him- self at the young man's side and gazing after the trap, "that is Madame d'Armand." "Madame d'Armand," Saffren repeated the name slowly. "Her name is Madame d'Armand." "Yes, monsieur," said Amedee complacently; "it is an American lady who has married a French nobleman." CHAPTER Vm LIKE most painters, I have supposed the tools of my craft harder to manipulate than those of others. The use of words, particularly, seemed readier, handier for the con- trivance of effects than pigments. I thought the language of words less elusive than that of colour, leaving smaller margin for unintended effects; and, believing in complacent good faith that words con- veyed exact meanings exactly, it was my innocent conception that almost anything might be so de- scribed in words that all who read must inevitably perceive that thing precisely. K this were true, there would be httle work for the lawyers, who produce such tortured pages in the struggle to be definite, who swing riches from one family to an- other, save men from violent death or send them to it, and earn fortunes for themselves through the dangerous inadequacies of words. I have learned how great was my mistake, and now I am wishing I coxdd shift paper for canvas, that I might paint the young man who came to interest me so deeply. 100 CHAPTER EIGHT 101 I wish I might present him here in colour instead of trusting to this unstable business of words, so wily and undependable, with their shimmering values, that you cannot turn your back upon them for two minutes but they will be shouting a hun- dred things which they were not meant to tell. To make the best of necessity: what I have written of him — my first impressions — ^must be taken as the picture, although it be but a gossamer sketch in the air, instead of definite work with well-ground pigments to show forth a portrait, to make you see flesh and blood. It must take the place of some- thing contrived with my own tools to reveal what the following days revealed him to me, and what it was about him (evasive of description) which made me so soon, as Keredec wished, his friend. Life among our kin and kind is made pleasanter by our daily platitudes. "Who is more tedious than the man incessantly struggling to avoid the banal? Nature rules that such a one will produce nothing better than epigram and paradox, saying old, old things in a new way, or merely shifting object for subject — and his wife's face, when he shines for a circle, is worth a glance. With no further apology, I declare that I am a person who has felt few posi- 102 THE GUEST OF QUESNAY tive likes or dislikes for people in this life, and I did deeply like my fellow-lodgers at Les Trois Pigeons. Liking for both men increased vsdth ac- quaintance, and for the younger I came to feel, in addition, a kind of championship, doubtless in some measure due to what Keredec had told me of him, but more to that half-humourous sense of protectiveness that we always have for those yoimg people whose untempered and innocent outlook makes us feel, as we say, "a thousand years old." The afternoon following our first dinner together, the two, in returning from their walk, came into the pavilion with cheerful greetings, instead of going to their rooms as usual, and Keredec, de- claring that the open air had "dispersed" his rheu- matism, asked if he might overhaul some of my Uttle canvases and boards. I explained that they consisted mainly of "notes" for future use, but con- sented willingly; whereupon he arranged a number of them as for exhibition and delivered himself impromptu of the most vehemently instructive lec- ture on art I had ever heard. Beginning with the family, the tribe, and the totem-pole, he was able to demonstrate a theory that art was not only useful to society but its primary necessity; a curious CHAPTER EIGHT 103 thought, probably more attributable to the fact that he was a Frenchman than to that of his being a scientist. "And here," he said in the course of his demon- stration, pointing to a sketch which I had made one morning just after sunrise — "here you can see real sunshine. One certain day there came those few certain moment' at the sunrise when the light was like this. Those few moment', where are they.'* They have disappeared, gone for eternally. They went" — ^he snapped his fingers — "like that. Yet here they are — ^ha! — ^forever!" "But it doesn't look like sunshine," said Oliver SafPren hesitatingly, stating a disconcerting but in- controvertible truth; "it only seems to look like it because — isn't it because it's so much brighter than the rest of the picture? I doubt if paint can look like simshine." He turned from the sketch, caught Keredec's gathering \ frown, and his face flushed painfully. "Ah!" he cried, "I shouldn't have said it?" I interposed to reassure him, exclaiming that it were a godsend indeed, did all our critics merely speak the plain truth as they see it for themselves. The professor would not have it so, and cut me off. 104 THE GUEST OF QUESNAY "No, no, no, my dear sir!" he shouted. "You speak with kindness, but you put some wrong ideas in his head!" Saffren's look of trouble deepened. "I don't under- stand," he murmured. " I thought you said always to speak the truth just as I see it." "I have telled you," Keredec declared vehemently, "nothing of the kind!" "But only yesterday " "Never!" "I understood " "Then you understood only one-half! I say, 'Speak the truth as you see it, when you speak.' I did not tell you to speak! How much time have you give' to study sunshine and paint? What do you know about them?" "Nothing," answered the other humbly. A profound rumbling was heard, and the frown disappeared from Professor Keredec's brow like the vanishing of the shadow of a little cloud from the dome of some great benevolent and scientific insti- tute. He dropped a weighty hand on his young friend's shoulder, and, in high good-humour, thun- dered: "Then you are a critic! Knowing nothing of sim- CHAPTER EIGHT 105 shine except that it warms you, and never having touched paint, you are going to tell about them to a man who spends his life studying them ! You look up in the night and the truth you see is that the moon and stars are crossing the ocean. You will tell that to the astronomer? Ha! The truth is what the masters see. When you know what they see, you may speak." At dinner the night before, it had struck me that Saffren was a rather silent yoxmg man by habit, and now I thought I began to understand the reason. I hinted as much, saying, "That would make a quiet world of it." "All the better, my dear sir!" The professor turned beamingly upon me and continued, dropping into a Whistlerian mannerism that he had sometimes: "You must not blame that great wind of a Keredec for preaching at other people to listen. It gives the poor man more room for himself to talk!" I found his talk worth hearing. I would show you, if I could, our pleasant evenings of lingering, after coffee, behind the tremulous screen of honeysuckle, with the night very dark and quiet beyond the warm nimbus of our candle-light, the faces of my two companions clear-obscure in a mellow 106 THE GUEST OF QUESNAY shadow like the middle tones of a Rembrandt, and the professor, good man, talking wonderfully of everything under the stars and over them, — while Ohver Saffren and I sat under the spell of the big, kind voice, the young man Ustening with the same eagerness which marked him when he spoke. It was an eagerness to understand, not to interrupt. These were our evenings. In the afternoons the two went for their walk as usual, though now they did not plunge out of sight of the main road with the noticeable haste which Amedee had described. As time pressed, I perceived the caution of Keredec visibly slackening. Whatever he had feared, the obscurity and continued quiet of Les Trois Pigeons reassured him; he felt more and more secure in this sheltered retreat, "far out of the world," and obvi- ously thought no danger imminent. So the days went by, uneventful for my new friends, — days of warm idleness for me. Let them go imnarrated; we pass to the event. My ankle had taken its wonted time to recover. I was on my feet again and into the woods — ^not traversing, on the way, a certain poppy-sprinkled field whence a fine Norman stallion snorted ridicule CHAPTER EIGHT 107 over a wall. But the fortune of Keredec was to sink as I rose. His summer rheumatism returned, came to grips with him, laid him low. We hobbled together for a day or so, then I threw away my stick and he exchanged his for an improvised crutch. By the time I was fit to run, he was able to do little better than to creep — might well have taken to his bed. But as he insisted that his pupil should not forego the daily long walks and the health of the forest, it came to pass that Saflfren often made me the objective of his rambles. At dinner he usually asked in what portion of the forest I should be paint- ing late the next afternoon, and I got in the habit of expecting him to join me toward sunset. We located each other through a code of yodeling that we arranged; his part of these vocal gymnastics being very pleasant to hear, for he had a flexible, rich voice. I shudder to recall how largely my own performances partook of the grotesque. But in the forest where were no musical persons (I supposed) to take hurt from whatever noise I made, I would let go with all the lungs I had; he followed the horrid sounds to their origin, and we would return to the inn together. On these homeward walks I found him a good 108 THE GUEST OF QUESNAY companion, and that is something not to be under- valued by a selfish man who lives for himself and his own little ways and his own little thoughts, and for very little else, — which is the kind of man (as I have already confessed) that I was — deserving the pity of all happily or unhappily married persons. Responsive in kind to either a talkative mood or a silent one, always gentle in manner, and always unobtrusively melancholy, Saffren never took the ini- tiative, though now and then he asked a question about some rather simple matter which might be puzzling him. Whatever the answer, he usually received it in silence, apparently turning the thing over and over and inside out in his mind. He was almost tremulously sensitive, yet not vain, for he was neither afraid nor ashamed to expose his igno- rance, his amazing lack of experience. He had a greater trouble, one that I had not fathomed. Some- times there came over his face a look of importunate wistfulness and distressed perplexity, and he seemed on the point of breaking out with something that he wished to tell me — or to ask me, for it might have been a question — but he always kept it back. Keredec's training seldom lost its hold upon him. I had gone back to my glade again, and to the CHAPTER EIGHT 109 thin sunshine, which came a little earlier, now that we were deep in July; and one afternoon I sat in the mouth of the path, just where I had played the bounding harlequin for the benefit of the lovely vis- itor at Quesnay. It was warm in the woods and quiet, warm with the heat of July, still with a July stillness. The leaves had no motion; if there were birds or insects within hearing they must have been asleep; the quivering flight of a butterfly in that languid air seemed, by contrast, quite a commotion; a humming-bird would have made a riot. I heard the light snapping of a twig and a swish of branches from the direction in which I faced; evidently some one was approaching the glade, though concealed from me for the moment by the winding of the path. Taking it for Saffren, as a matter of course (for we had arranged to meet at that time and place), I raised my voice in what I intended for a merry yodel of greeting. I yodeled loud, I yodeled long. Knowing my own deficiencies in this art, I had adopted the cunning sinner's policy toward sin and made a joke of it: thus, since my best performance was not unsugges- tive of calamity in the poultry yard, I made it worse. And then and there, when my mouth was at its widest no THE GUEST OF QUESNAY in the production of these shocking uUa-hootings, the person approaching came round a turn in the path, and within full sight of me. To my ultimate, utmost horror, it was Madame d'Armand. I grew so furiously red that it burned me. I had not the courage to rxm, though I could have prayed that she might take me for what I seemed — ^plainly a limatic, whooping the lonely peace of the woods into pandemonium — and turn back. But she kept straight on, must inevitably reach the glade and cross it, and I calculated wretchedly that at the rate she was walking, unhurried but not lagging, it would be about thirty seconds before she passed me. Then suddenly, while I waited in sizzling shame, a clear voice rang out from a distance in an answering yodel to mine, and I thanked heaven for its mercies; at least she would see that my antics had some reason. She stopped short, in a half-step, as if a little startled, one arm raised to push away a thin green branch that crossed the path at shoulder-height; and her attitude was so charming as she paused, detained to listen by this other voice with its musical youthfulness, that for a second I thought crossly of all the young men in the world. There was a final call, clear and loud as a bugle, CHAPTER EIGHT 111 and she turned to the direction whence it came, so that her back was toward me. Then OUver Saffren came rmming Hghtly round the turn of the path, near her and facing her. He stopped as short as she had. Her hand dropped from the slender branch, and pressed against her side. He lifted his hat and spoke to her, and I thought she made some quick reply in a low voice, though I could not be sure. She held that startled attitude a moment longer, then turned and crossed the glade so hurriedly that it was almost as if she ran away from him. I had moved aside with my easel and camp-stool, but she passed close to me as she entered the path again on my side of the glade. She did not seem to see me, her dark eyes stared widely straight ahead, her Ups were parted, and she looked white and frightened. She disappeared very quickly in the windings of the path. CHAPTER IX HE came on more slowly, his eyes following her as she vanished, then turning to me with a rather pitiful apprehension — a look like that I remember to have seen (some hun- dreds of years ago) on the face of a freshman, glancing up from his book to find his doorway ominously filling with sophomores. I stepped out to meet him, indignant upon several counts, most of all upon his own. I knew there was no offence in his heart, not the remotest rude intent, but the fact was before me that he had frightened a woman, had given this very lovely guest of my friends good cause to hold him a boor, if she did not, indeed, think him (as she probably thought me) an outright lunatic ! I said : "You spoke to that lady!" And my voice sounded unexpectedly harsh and sharp to my own ears, for I had meant to speak quietly. "I know — I know. It — ^it was wrong," he stam- mered. "I knew I shouldn't — and I couldn't help it.'* "You expect me to believe that?" 112 CHAPTER NINE 113 "It's the truth; I couldn't!" I laughed sceptically; and he flinched, but repeated that what he had said was only the truth. "I don't understand; it was all beyond me," he added huskily. "What was it you said to her?" "I spoke her name — 'Madame d'Armand.' " "You said more than that!" "I asked her if she would let me see her again." "What else?" "Nothing," he answered humbly. "And then she — ^then for a moment it seemed — ^for a moment she didn't seem to be able to speak " "I should think not!" I shouted, and burst out at him with satirical laughter. He stood patiently enduring it, his lowered eyes following the aimless movements of his hands, which were twisting and untwisting his flexible straw hat; and it might have struck me as nearer akin to tragedy rather than to a thing for laughter: this spectacle of a grown man so Uke a schoolboy before the master, shamefaced over a stammered confession. "But she did say something to you, didn't she?" I asked finally, with the gentleness of a cross- examining lawyer. "Yes — after that moment." 114 THE GUEST OF QUESNAY "Well, what was it?" "She said, 'Not now!' That was all." "I suppose that was all she had breath for! It was just the inconsequent and meaningless thing a frightened woman would say !" "Meaningless?" he repeated, and looked up won- deringly. "Did you take it for an appointment?" I roared, quite out of patience, and losing my temper com- pletely. "No, no, no! She said only that, and then " "Then she turned and ran away from you!" "Yes," he said, swallowing painfully. "That pleased you," I stormed, "to frighten a woman in the woods — ^to make her feel that she can't walk here in safety! You enjoy doing things like that?" He looked at me with disconcerting steadiness for a moment, and, without offering any other response, turned aside, resting his arm against the trunk of a tree and gazing into the quiet forest. I set about packing my traps, grumbling various sarcasms, the last mutterings of a departed storm, for already I realised that I had taken out my own mortification upon him, and I was stricken with CHAPTER NINE 115 remorse. And yet, so contrarily are we made, I con- tinued to be imkind while in my heart I was asking pardon of him. I tried to make my reproaches gen- tler, to lend my voice a hint of friendly humour, but in spite of me the one sounded grufifer and the other sourer with everything I said. This was the worse because of the continued silence of the victim: he did not once answer, nor by the slightest movement alter his attitude until I had finished — and more than finished. "There — and that's all!" I said desperately, when the things were strapped and I had slimg them to my shoulder. "Let's be off, in heaven's name!" At that he turned quickly toward me; it did not lessen my remorse to see that he had grown very pale. "I wouldn't have frightened her for the world," he said, and his voice and his whole body shook with a strange violence. "I wouldn't have frightened her to please the angels in heaven!" A blunderer whose incantation had brought the spirit up to face me, I stared at him helplessly, nor could I find words to answer or control the passion that my imbecile scolding had evoked. Whatever the barriers Keredec's training had built for his pro- tection, they were down now. 116 THE GUEST OF QUESNAY "You think I told a lie!" he cried. "You think I lied when I said I couldn't help speaking to her!" , "No, no," I said earnestly. "I didn't mean " "Words!" he swept the feeble protest away, drowned in a whirling vehemence. "And what does it matter? You can't understand. When you want to know what to do, you look back into your life and it tells you; and I look back — ah!" He cried out, uttering a half-choked, incoherent syllable. "I look back and it's all — blind! All these things you can do and can't do — all these infinite little things! You know, and Keredec knows, and Glouglou knows, and every mortal soul on earth knows — ^but I don't know! Your life has taught you, and you know, but I don't know. I haven't had my life. It's gone! All I have is words that Keredec has said to me, and it's like a man with no eyes, out in the sunshine hunting for the light. Do you think words can teach you to resist such impulses as I had when I spoke to Madame d'Armand? Can life itself teach you to resist them? Perhaps you never had them?" "I don't know," I answered honestly. "I would burn my hand from my arm and my arm from my body," he went on, with the same wild intensity, "rather than trouble her or frighten her. CHAPTER NINE 117 but I couldn't help speaking to her any more than I can help wanting to see her again — ^the feeling that I must — whatever you say or do, whatever Keredec says or does, whatever the whole world may say or do. And I will ! It isn't a thing to choose to do, or not to do. I can't help it any more than I can help being alive!" He paused, wiping from his brow a heavy dew not of the heat, but like that on the forehead of a man in crucial pain. I made nervous haste to seize the opportxmity, and said gently, almost timidly: "But if it should distress the lady?" "Yes — then I could keep away. But I must know that." "I think you might know it by her running away — and by her look," I said mildly. "Didn't you?" "No!" And his eyes flashed an added emphasis. "Well, well," I said, "let's be on our way, or the professor will be wondering if he is to dine alone." Without looking to see if he followed, I struck into the path toward home. He did follow, obedi- ently enough, not uttering another word so long as we were in the woods, though I could hear him breathing sharply as he strode behind me, and knew that he was struggling to regain control of himself. 118 THE GUEST OF QUESNAY I set the pace, making it as fast as I could, and neither of us spoke again until we had come out of the forest and were upon the main road near the Baudry cottage. Then he said in a steadier voice: "Why should it distress her?" "Well, you see," I began, not slackening the pace "there are formalities " "Ah, I know," he interrupted, with an impatient laugh. "Keredec once took me to a marionette show — all the little people strung on wires; they couldn't move any other way. And so you mustn't talk to a woman until somebody whose name has been spoken to you speaks yours to her! Do you call that a rule of nature?" "My dear boy," I laughed in some desperation, "we must conform to it, ordinarily, no matter whose rule it is." "Do you think Madame d'Armand cares for Uttle forms like that?" he asked challengingly. "She does," I assured him with perfect confidence. "And, for the himdredth time, you must have seen how you troubled her." "No," he returned, with the same curious obsti- nacy, "I don't believe it. There was something, but it wasn't trouble. We looked straight at each other; CHAPTER NINE 119 I saw her eyes plainly, and it was — " he paused and sighed, a sudden, brilliant smile upon his lips — "it was very — ^it was very strange!" There was something so glad and different in his look that — like any other dried-up old blimderer in my place — ^I felt an instant tendency to laugh. It was that heathenish possession, the old insanity of the risibles, which makes a man think it a humourous thing that his friend should be discovered in love. But before I spoke, before I quite smiled outright, I was given the grace to see myself in the likeness of a leering stranger trespassing in some cherished inclosure: a garden where the gentlest guests must always be intruders, and only the owner should come. The best of us profane it readily, leaving the coarse prints of our heels upon its paths, mauling and man- handling the fairy blossoms with what pudgy fingers ! Comes the poet, ruthlessly leaping the wall and trumpeting indecently his view-halloo of the chase, and, after him, the joker, snickering and hopeful of a kill among the rose-beds; for this has been their hunting-ground since the world began. These two have made us miserably ashamed of the divine infini- tive, so that we are afraid to utter the very words "to love," lest some urchin overhear and pursue us 120 THE GUEST OF QUESNAY with a sticky forefinger and stickier taunts. It is little to my credit that I checked the sUly impulse to giggle at the eternal marvel, and went as gently as I could where I should not have gone at all. "But if you were wrong," I said, "if it did distress her, and if it happened that she has already had too much that was distressing in her life " "You know something about her!" he exclaimed. "You know " "I do not," I interrupted in turn. "I have only a vague guess; I may be altogether mistaken." "What is it that you guess?" he demanded abruptly. "Who made her suffer.'*" "I think it was her husband," I said, with a lack of discretion for which I was instantly sorry, fearing with reason that I had added a final blunder to the long list of the afternoon. "That is," I added, "if my guess is right." He stopped short in the road, detaining me by the arm, the question coming like a whip-cradt: sharp, loud, violent. "Is he aHve?" "I don't know," I answered, begianiiig to move forward; "and this is foolish talk — especially on my part!" CHAPTER NINE 121 "But I want to know," he persisted, again detain- ing me. "And I don't know!" I returned emphatically. "Probably I am entirely mistaken in thinking that I know anything of her whatever. I ought not to have spoken, unless I knew what I was talking about, and I'd rather not say any more until I do know." "Very well," he said quickly. "Will you teU me then.?" "Yes — ^if you will let it go at that." "Thank you," he said, and with an impulse which was but too plainly one of gratitude, offered me his hand. I took it, and my soul was disquieted within me, for it was no purpose of mine to set in- quiries on foot in regard to the affairs of "Madame d'Armand." It was early dusk, that hour, a little silvered but still clear, when the edges of things are beginning to grow indefinite, and usually our sleepy countryside knew no tranquiller time of day; but to-night, as we approached the inn, there were strange shapes in the roadway and other tokens that events were stirring there. 122 THE GUEST OF QUESNAY From the courtyard came the sounds of laughter and chattering voices. Before the entrance stood a couple of open touring-cars; the chauffeurs engaged in cooling the rear tires with buckets of water brought by a personage ordinarily known as Glouglou, whose look and manner, as he performed this office for the leathern dignitaries, so awed me that I wondered I had ever dared address him with any presumption of intimacy. The cars were great and opulent, of impressive wheel-base, and fore-and-aft they were laden intricately with baggage: concave trunks fit- ting behind the tonneaus, thin trunks fastened upon the footboards, green, circular trunks adjusted to the spare tires, all deeply coated with dust. Here were fineries from Paris, doubtless on their way to flutter over the gay sands of Trouville, and now wandering but temporarily from the road; for such splendours were never designed to dazzle us of Madame Bros- sard's. We were crossing before the machines when one of the drivers saw fit to crank his engine (if that is the knowing phrase) and the thing shook out the usual vibrating uproar. It had a devastating effect upon my companion. He uttered a wild exclamation and sprang sideways into me, almost upsetting us both. CHAPTER NINE 123 "What on earth is the matter?" I asked. "Did you think the car was starting?" He turned toward me a face upon which was im- printed the sheer, blank terror of a child. It passed in an instant however, and he laughed. "I really didn't know. Everything has been so quiet always, out here in the country — and that horrible racket coming so suddenly " Laughing with him, I took his arm and we turned to enter the archway. As we did so we almost ran into a tall man who was coming out, evidently intend- ing to speak to one of the drivers. The stranger stepped back with a word of apology, and I took note of him for a fellow-countryman, and a worldly buck of fashion indeed, almost as cap-a-pie the automobilist as my mysterious spiller of cider had been the pedestrian. But this was no game-chicken; on the contrary (so far as a glance in the dusk of the archway revealed him), much the picture for framing in a club window of a Sunday morning; a seasoned, hard-surfaced, knowing creature for whom many a head waiter must have swept previous claimants from desired tables. He looked forty years so can- nily that I guessed him to be about fifty. We were passing him when he uttered an ejacula- 124 THE GUEST OF QUESNAY tion of surprise and stepped forward again, holding out his hand to my companion, and exclaiming: "Where did y(m come from? I'd hardly have known you." OUver seemed unconscious of the proffered hand; he stiffened visibly and said: "I think there must be some mistake." "So there is," said the other promptly. "I have been misled by a resemblance. I beg your pardon." He lifted his cap slightly, going on, and we entered the courtyard to find a cheerful party of nine or ten men and women seated about a couple of tables. Like the person we had just encountered, they all exhibited a picturesque elaboration of the costume permitted by their mode of travel; making effective groupings in their ample draperies of buff and green and white, with glimpses of a flushed and pretty face or two among the loosened veilings. Upon the tables were pots of tea, plates of sandwiches, Madame Brossard's three best silver dishes heaped with fruit, and some bottles of dry champagne from the cellars of Rheims. The partakers were making very merry, having with them (as is inevitable in all such parties, it seems) a fat young man inclined to humour, who was now upon his feet for the proposal of some CHAPTER NINE 125 prankish toast. He interrupted himself long enough to glance ovlf way as we crossed the garden; and it struck me that several pairs of brighter eyes followed my young companion with interest. He was well worth it, perhaps all the more because he was so genuinely unconscious of it; and he ran up the gaUery steps and disappeared into his own rooms without sending even a glance from the comer of his eye in return. I went almost as quickly to my pavihon, and, without lighting my lamp, set about my prepara- tions for dinner. The party outside, breaking up presently, could be heard moving toward the archway with increased noise and laughter, inspired by some exquisite antic on the part of the fat young man, when a girl's voice (a very attractive voice) called, "Oh, Cressie, aren't you coming?" and a man's replied, from near my veranda: "Only stopping to light a cigar." A flutter of skirts and a patter of feet betokened that the girl came running back to joiu the smoker. "Cressie," I heard her say in an eager, lowered tone, "who was he?" "Who was who?" "That devastating creature in white flannels!" 126 THE GUEST OF QUESNAY The man chuckled. "Matinee sort of devastator — what? Monte Cristo hair, noble profile " ^, *'You'd better tell me," she interrupted earnestly — "if you don't want me to ask the waiter." "But I don't know him." "I saw you speak to him." "I thought it was a man I met three years ago out in San Francisco, but I was mistaken. There was a slight resemblance. This fellow might have been a rather decent younger brother of the man I knew. He was the- " My strong impression was that if the speaker had not been interrupted at this point he would have said something very unfavourable to the character of the man he had met in San Francisco; but there came a series of blasts from the automobile horns and loud calls from others of the party, who were evidently waiting for these two. "Coming!" shouted the man. "Wait!" said his companion hurriedly. "Who was the other man, the older one with the painting things and such a coat?" "Never saw him before in my life." I caught a last word from the girl as the p>air moved away. CHAPTER NINE 127 "I'll come back here with a band to-morrow night, and serenade the beautiful one. "Perhaps he'd drop me his card out of the win- dow!" The horns sounded again; there was a final chorus of laughter, suddenly ceasing to be heard as the cars swept away, and Les Trois Pigeons was left to its accustomed quiet. "Monsieur is served," said Amedee, looking in at my door, five minutes later. "You have passed a great hour just now, Amedee." "It was like the old days, truly!" "They are off for Trouville, I suppose." "No, monsieur, they are on their way to visit the chS,teau, and stopped here only because the rim from Paris had made the tires too hot." "To visit Quesnay, you mean?" "Truly. But monsieur need give himself no uneasi- ness; I did not mention to any one that monsieur is here. His name was not spoken. Mademoiselle Ward returned to the chateau to-day," he added. "She has been in England." "Quesnay will be gay," I said, coming out to the table. Oliver Saffren was helping the professor down 128 THE GUEST OF QUESNAY the steps, and Keredec, bent with suffering, but indomitable, gave me a hearty greeting, and began a ruthless dissection of Plato with the soup. Oliver, usually very quiet, as I have said, seemed a little restless under the discourse to-night. However, he did not interrupt, sitting patiently until bedtime, though obviously not listening. When he bade me good night he gave me a look so clearly in reference to a secret understanding between us that, meaning to keep only the letter of my promise to him, I felt about as comfortable as if I had meanly tricked a child. CHAPTER X 1HAD finished dressing, next morning, and was strapping my things together for the day's campaign, when I heard a shuflBing step upon the porch, and the door opened gently, without any previous ceremony of knocking. To my angle of vision what at first appeared to have opened it was a tray of coffee, rolls, eggs, and a packet of sand- wiches, but, after hesitating somewhat, this appari- tion advanced farther into the room, disclosing a pair of supporting hands, followed in due time by the whole person of a nervously smiling and visibly apprehensive Amedee. He closed the door behind him by the simple action of backing against it, took the cloth from his arm, and with a single gesture spread it neatly upon a small table, then, turning to me, laid the forefinger of his right hand warningly upon his Hps and bowed me a deferential invitation to occupy the chair beside the table. "Well," I said, glaring at him, "what ails you?" "I thought monsieur might prefer his breakfast indoors, this morning," he returned in a low voice "Why should I?" 129 130 THE GUEST OF QUESNAY The miserable old man said something I did not understand — an incoherent syllable or two — sud- denly covered his mo\ith with both hands, and turned away. I heard a catch in his throat; suffocated sounds issued from his bosom; however, it was nothing more than a momentary seizure, and, recover- ing command of himself by a powerful effort, he faced me with hypocritical servility. "Why do you laugh?" I asked indignantly. "But I did not laugh," he replied in a husky whisper. "Not at all." "You did," I asserted, raising my voice. "It almost killed you!" "Monsieur," he begged hoarsely, "hush!" "What is the matter?" I demanded loudly. "What do you mean by these abominable croakings? Speak out!" "Monsieur — " he gesticulated in a panic, toward the courtyard. "Mademoiselle Ward is out there." "What!" But I did not shout the word. "There is always a little window in the rear wall" he breathed in my ear as I dropped into the chair by the table. "She would not see you if " I interrupted with all the French rough-and-ready expressions of dislike at my command, daring to CHAPTER TEN 131 hope that they might give him some shadowy, far- away idea rf what I thought of both himself and his suggestions, and, notwithstanding the difficulty of expressing strong feeling in whispers, it seemed to me that, in a measure, I succeeded. "I am not in the habit of crawling out of ventilators," I added, subduing a tendency to vehemence. "And probably Mademoiselle Ward has only come to talk with Madame Brossard." "I fear some of those people may have told her you were here," he ventured insinuatingly. "What people?" I asked, drinking my coffee calmly, yet, it must be confessed, without quite the deliberation I could have wished. "Those who stopped yesterday evening on the way to the chateau. They might have recog- nised " "Impossible. I knew none of them." "But Mademoiselle Ward knows that you are here. Without doubt." "Why do you say so?" "Because she has inquired for you." "So!" I rose at once and went toward the door. "Why didn't you tell me at once?" "But surely," he remonstrated, ignoring my 132 THE GUEST OF QUESNAY question, "monsieur will make some change of attire?" "Change of attire?" I echoed. "Eh, the poor old coat all hvmched at the shoul- ders and spotted with paint!" "Why shouldn't it be?" I hissed, thoroughly irri- tated. "Do you take me for a racing mar- quis?" "But monsieur has a coat much more as a coat ought to be. And Jean Ferret says " "Ha, now we're getting at it!" said I. "What does Jean Ferret say?" "Perhaps it would be better if I did not re- peat " "Out with it! What does Jean Ferret say?" "Well, then. Mademoiselle Ward's maid from Paris has told Jean Ferret that monsieur and Mademoiselle Ward have corresponded for years, and that — and that " "Go on," I bade him ominously. "That monsieur has sent Mademoiselle Ward many expensive jewels, and " "Aha!" said I, at which he paused abruptly, and stood staring at me. The idea of explaining Miss Elizabeth's collection to him, of getting any- CHAPTER TEN 133 thing whatever through that complacent head of his, was so hopeless that I did not even consider it. There was only one thing to do, and perhaps I should have done it — I do not know, for he saw the menace coiling in my eye, and hurriedly re- treated. "Monsieur!" he gasped, backing away from me, and as his hand, fumbling behind him, found the latch of the door, he opened it, and scrambled out by a sort of spiral movement round the casing. When I followed, a moment later — with my traps on my shoulder and the packet of sandwiches in my pocket — he was out of sight. Miss Elizabeth sat beneath the arbour at the other end of the courtyard, and beside her stood the trim and glossy bay saddle-horse that she had ridden from Quesnay, his head outstretched above his mistress to paddle at the vine leaves with a trem- ulous upper lip. She checked his desire with a slight movement of her hand upon the bridle-rein; and he arched his neck prettily, pawing the gravel with a neat forefoot. Miss EUzabeth is one of the few large women I have known to whom a riding- habit is entirely becoming, and this group of two — a handsome woman and her handsome horse — ^has 134 THE GUEST OF QUESNAY had a charm for all men ever since horses wera tamed and women began to be beautiful. I thought of my work, of the canvases I meant to cover, but I felt the charm — and I felt it stirringly. It was a fine, fresh morning, and the sun just risen. An expression in the lady's attitude, and air which I instinctively construed as histrionic, seemed intended to convey that she had been kept waiting, yet had waited without reproach; and although she must have heard me coming, she did not look toward me until I was quite near and spoke her name. At that she sprang up quickly enough, and stretched out her hand to me. "Run to earth!" she cried, advancing a step to meet me. "A pretty poor trophy of the chase," said I, "but proud that you are its killer." To my surprise and mystification, her cheeks and brow flushed rosily; she was obviously conscious of it, and laughed. "Don't be embarrassed," she said. "I!" "Yes, you, poor man! I suppose I couldn't have more thoroughly compromised you. Madame Bros- sard will never believe in your respectability again." CHAPTER TEN 135 "Oh, yes, she will," said I. "What? A lodger who has ladies calling upon him at five o'clock in the morning? But your bun- dle's on your shoulder," she rattled on, laughing, "though there's many coidd be bolder, and perhaps you'll let me walk a bit of the way with you, if you're for the road." "Perhaps I will," said I. She caught up her riding-skirt, fastening it by a clasp at her side, and we passed out through the archway and went slowly along the road bordering the forest, her horse following obediently at half-rein's length. "When did you hear that I was at Madame Brossard's?" I asked. "Ten minutes after I returned to Quesnay, late yesterday afternoon." "Who told you?" "Louise." I repeated the name questioningly. "You mean Mrs. Larrabee Harman?" "Louise Harman," she corrected. "Didn't you know she was staying at Quesnay?" "I guessed it, though Amedee got the name confused." "Yes, she's been kind enough to look after the 136 THE GUEST OF QUESNAY place for us while we were away. George won't be back for another ten days, and I've been over- seeing an exhibition for him in London. After- ward I did a round of visits — tiresome enough, but among people it's well to keep in touch with on George's account." "I see," I said, with a grimness which probably escaped her. "But how did Mrs. Harman know that I was at Les Trois Pigeons?" "She met you once in the forest " "Twice," I interrupted. "She mentioned only once. Of com-se she'd often heard both George and me speak of you." "But how did she know it was I and where I was staying?" "Oh, that?" Her smile changed to a laugh. "Yoiu: maitre d'hotel told Ferret, a gardener at Quesnay, that you were at the inn." "He did!" "Oh, but you mustn't be angry with him; he made it quite all right." "How did he do that?" I asked, trying to speak calmly, though there was that in my mind which might have blanched the parchment cheek of a grand inquisitor. CHAPTER TEN 137 "He told Ferret that you were very anxious not to have it known " "You call that making it all right?" "For himself, I mean. He asked Ferret not to mention who it was that told him." "The rascal!" I cried. "The treacherous, brazen " "Unfortunate man," said Miss Elizabeth, "don't you see how clear you're making it that you really meant to hide from us?" There seemed to be something in that, and my tirade broke up in confusion. "Oh, no," I said lamely, "I hoped — ^I hoped " "Be careful!" "No; I hoped to work down here," I blurted. "And I thought if I saw too much of you — ^I might not." She looked at me with widening eyes. "And I can take my choice," she cried, "of all the different things you may mean by that! It's either the most outrageous speech I ever heard — or the most flat- tering." "But I meant simply " "No." She lifted her hand and stopped me. "I'd rather believe that I have at least the choice 138 THE GUEST OF QUESNAY — and let it go at that." And as I began to laugh, she turned to me with a gravity apparently so genuine that for the moment I was fatuous enough to believe that she had said it seriously. Ensued a pause of some duration, which, for my part, I found distm-bing. She broke it with a change of subject. "You think Louise very lovely to look at, don't you.?" "Exquisite," I answered. "Every one does." "I suppose she told you — " and now I felt myself growing red — "that I behaved like a drunken acro- bat when she came upon me in the path." "No. Did you?" cried Miss EHzabeth, with a ready creduUty which I thought by no means pretty; indeed, she seemed amused and, to my surprise (for she is not an unkind woman), rattier heartlessly pleased. "Louise only said she knew it must be you, and that she wished she could have had a better look at what you were painting." "Heaven bless her!" I exclaimed. "Her reticence was angelic." "Yes, she has reticence," said my companion, with enough of the same quality to make me look CHAPTER TEN 139 at her quickly. A thin Hne had been drawn across her forehead. "You mean she's still reticent with George?" I ventured. "Yes," she answered sadly. "Poor George al- ways hopes, of course, in the silent way of his kind when they suffer from such unfortimate pas- sions — and he waits." "I suppose that former husband of hers re- covered?" "I believe he's still alive somewhere. Locked up, I hope!" she finished crisply. "She retained his name," I observed. "Harman? Yes, she retained it," said my com- panion rather shortly. "At all events, she's rid of him, isn't she?" "Oh, she's rid of him!" Her tone implied an enigmatic reservation of some kind. "It's hard," I reflected aloud, "hard to under- stand her making that mistake, young as she was. Even in the glimpses of her I've had, it was easy to see something of what she's Uke: a fine, rare, high type " "But you didn't know him, did you?" Miss Elizabeth asked with some dryness. 140 THE GUEST OF QUESNAY "No," I answered. *T saw him twice; once at the time of his accident — that was only a night- mare, his face covered with — " I shivered. "But I had caught a glimpse of him on the boulevard, and of all the dreadful " "Oh, but he wasn't always dreadful," she inter- posed quickly, "He was a fascinating sort of person, quite charming and good-looking, when she ran away with him, though he was horribly dissipated even then. He always had been that. Of course she thought she'd be able to straighten him out — ^poor girl! She tried, for three years — ^three years it hurts one to think of! You see it must have been something very like a 'grand passion' to hold her through a pain three years long." "Or tremendous pride," said I. "Women make an odd world of it for the rest of us. There was good old George, as true and straight a man as ever lived " "And she took the other! Yes." George's sister laughed sorrowfully. "But George and she have both survived the mis- take," I went on with confidence. "Her tragedy must have taught her some important differ- ences. Haven't you a notion she'll be tremen- CHAPTER TEN 141 dously glad to see him when he comes back from America?" "Ah, I do hope so!" she cried. "You see, I'm fearing that he hopes so too — to the degree of comiting on it." "You don't count on it yourself.''" She shook her head. "With any other woman I should." "Why not with Mrs. Harman?" "Cousin Louise has her ways," said Miss Eliza- beth slowly, and, whether she could not further explain her doubts, or whether she would not, that was all I got out of her on the subject at the time. I asked one or two more questions, but my companion merely shook her head again, alluding vaguely to her cousin's "ways." Then she bright- ened suddenly, and inquired when I would have my things sent up to the chS,teau from the inn. At the risk of a misunderstanding which I felt I could ill afford, I resisted her kind hospitaUty, and the outcome of it was that there should be a kind of armistice, to begin with my dining at the chMeau that evening. Thereupon she mounted to the saddle, a bit of gymnastics for which she de- 142 THE GUEST OF QUESNAY clined my assistance, and looked down upon me from a great height. "Did anybody ever tell you," was her surprising inquiry, "that you are the queerest man of these times?" "No," I answered. "Don't you think you're a queerer woman?" "Footlel" she cried scornfully. "Be oflf to your woods and your woodscaping!" The bay horse departed at a smart gait, not, I was glad to see, a parkish trot — ^Miss Elizabeth wisely set Umits to her sacrifices to Mode — ^and she was far down the road before I had passed the outer fringe of trees. My work was accomplished after a fashion more or less desultory that day; I had many absent moments, was restless, and walked more than I painted. OUver Saffren did not join me in the late afternoon; nor did the echo of distant yodelling bespeak any eflfort on his part to find me. So I gave him up, and returned to the inn earlier than usual. While dressing I sent word to Professor Keredec that I should not be able to join him at dinner Vhat evening; and it is to be recorded that Glouglou CHAPTER TEN 143 carried the message for me. Amed^e did not appear, from which it may be inferred that our mmtre d^hotel was subject to lucid intervals. Certainly his present shyness indicated an intelligeace of no low order. T CHAPTER XI HE dining-room at Quesnay is a pretty j work of the second of those three Louises who made so much furniture. It was never a proper setting for a rusty, out-of-doors painter-man, nor has such a fellow ever found him- self complacently at ease there since the day its first banquet was spread for a score or so of fine- feathered epigram jinglers, fiddling Versailles gossip out of a rouge-and-lace Quesnay marquise newly sent into half -earnest banishment for too much king- hunting. For my part, however, I should have preferred a chance at making a place for myself among the wigs and brocades to the Crusoe's Isle of my chair at Miss Elizabeth's table. I learned at an early age to look my vanities in the face; I outfaced them and they quailed, but persisted, surviving for my discomfort to this day. Here is the confession: It was not untU my arrival at the ch&teau that I reaHsed what temerity it in- volved to dine there in evening clothes purchased, some four or five or six years previously, in the 144 CHAPTER ELEVEN 145 economical neighbourhood of the Boulevard St. Michel. Yet the things fitted me well enough; were clean and not shiny, having been worn no more than a dozen times, I think; though they might have been better pressed. Looking over the men of the Quesnay party — or perhaps I should signify a reversal of that and say a glance of theirs at me — revealed the importance of a particular length of coat-tail, of a certain rich effect obtained by widely separating the lower points of the waistcoat, of the display of some imagina- tion in the buttons upon the same garment, of a doubled-back arrangement of cuffs, and of a specific design and dimension of tie. Marked uniformity in these matters denoted their necessity; and clothes differing from the essential so vitally as did mine must have seemed immodest, little better than no clothes at all. I doubt if I could have argued in extenuation my lack of advantages for study, such an excuse being itself the damning circumstance. Of course eccentricity is permitted, but (as in the Arts) only to the established. And I recall a pain- ful change of colour which befell the countenance of a shining young man I met at Ward's house in Paris: he had used his handkerchief and was ab- 146 THE GUEST OP QUESNAY sently putting it in his pocket when he providen-. tially noticed what he was doing and restored it to his sleeve. Miss Elizabeth had the courage to take me imder her wing, placing me upon her left at dinner; but sprightlier calls than mine demanded and occupied her attention. At my other side sat a magnificently upholstered lady, who offered a fine shoulder and the rear wall of a collar of pearls for my observa- tion throughout the evening, as she leaned forward talking eagerly with a male personage across the table. This was a prince, ending in "ski": he permitted himself the slight vagary of wearing a gold bracelet, and perhaps this flavoiu- of romance drew the lady. Had my good fortune ever granted a second meeting, I should not have known her. Fragments reaching me in my seclusion indicated that the various conversations up and down the long table were animated; and at times some topic proved of such high interest as to engage the com- ment of the whole company. This was the case when the age of one of the English king's grand- children came in question, but a subject which called for even longer (if less spirited) discourse concerned the shameful lack of standard on the CHAPTER ELEVEN 147 part of citizens of the United States, or, as it was put, with no little exasperation, "What is the trouble with America?" Hereupon brightly gleamed the fat young man whom I had marked for a wit at Les Trois Pigeons; he pictured with inimitable mimicry a western senator lately in France. This outcast, it appeared, had worn a slouch hat at a garden party and had otherwise betrayed his coun- try to the ridicule of the inteUigent. "But really," said the fat young man, turning plaintiff in con- clusion, "imagine what such things make the English and the French think of us!" And it finally went by consent that the trouble with America was the vulgarity of our tourists. "A dreadful lot!" Miss Elizabeth cheerfully summed up for them all. "The miseries I undergo with that class of 'prominent Amurricans' who bring letters to my brother! I remember one awful creature who said, when I came into the room, 'Well, ma'am, I guess you're the lady of the house, aren't you?' " Miss Ehzabeth sparkled through the chorus of laughter, but I remembered the "awful creature," a genial and wise old man of affairs, whose daughter's portrait George painted. Miss Elizabeth had missed 148 THE GUEST OF QUESNAY his point: the canvasser's phrase had been intended with humour, and even had it lacked that, it was not without a pretty quaintness. So I thought, being "left to my own reflections," which may have partaken of my own special kind of snobbery; at least I regretted the Elizabeth of the morning garden and the early walk along the fringe of the woods. For she at my side to-night was another lady. The banquet was drawing to a close when she leaned toward me and spoke in an undertone. As this was the first sign, in so protracted a period, that I might ever again establish relations with the world of men, it came upon me like a Friday's footprint, and in the moment of shock I did not catch what she said. "Anne Elliott, yonder, is asking you a question," she repeated, nodding at a very pretty girl down and across the table from me. Miss Anne Elliott's attractive voice had previously enabled me to recog- nise her as the young woman who had threatened to serenade Les Trots Pigeons. "I beg your pardon," I said, addressing her, and at the sound my obscurity was illuminated, about half of the company turning to look at me with CHAPTER ELEVEN 149 wide-eyed surprise. (I spoke in an ordinary tone, it may need to be explained, and there is nothing remarkable about my voice). "I hear you're at Les Trais Pigeons," said Miss Elliott. "Yes?" "Would you mind telling us something of the mysterious Narcissus?" "If you'll be more definite," I returned, in the tone of a question. "There couldn't be more than one like that," said Miss Elliott, "at least, not in one neighbour- hood, could there? I mean a recklessly charming vision with a white tie and white hair and white flannels." "Oh," said I, "he's not mysterious." "But he is," she returned; "I insist on his being mysterious! Rarely, grandly, strangely mysterious! You will let me think so?" This young lady had a whimsical manner of emphasising words unexpect- edly, with a breathless intensity that approached violence, a habit dangerously contagious among nervous persons, so that I answered slowly, out of a fear that I might echo it. "It would need a great deal of imagination. 160 THE GUEST OF QUESNAY He's a young American, very attractive, very simple " "But he's mad !" she interrupted. "Oh, no!" I said hastily. "But he w/ A person told me so in a garden this very afternoon," she went on eagerly; "a person with a rake and ever so many moles on his chin. This person told me all about him. His name is Oliver Saffren, and he's in the charge of a very large doctor and quite, quite mad!" "Jean Ferret, the gardener," I said deUberately, and with venom, "is fast acquiring notoriety in these parts as an idiot of purest ray, and he had his information from another whose continuance unhanged is every hour more miraculous." "How ruthless of you," cried Miss Elliott, with exaggerated reproach, "when I have had such a thrilling happiness all day in believing that riot- ously beautiful creature mad! You are wholly positive he isn't?" Our dialogue was now all that delayed a general departure from the table. This, combined with the naive siuTprise I have mentioned, served to make us temporarily the centre of attention, and, among the faces turned toward me, my glance fell unexpect- CHAPTER ELEVEN 151 edly upon one I had not seen since entering the din- ing-room. Mrs. Harman had been placed at some distance from me and on the same side of the table, but now she leaned far back in her chair to look at me, so that I saw her behind the shoulders of the people between us. She was watching me with an expression unmistakably of repressed anxiety and excitement, and as our eyes met, hers shone with a certain agitation, as of some odd consciousness shared with me. It was so strangely, suddenly a re- minder of the look of secret understanding given me with good night, twenty-four hours earher, by the man whose sanity was Miss Elliott's topic, that, puzzled and almost disconcerted for the moment, I did not at once reply to the lively young lady's question. "You're hesitating!" she cried, clasping her hands. "I beHeve there's a darling little chance of it, after all! And if it weren't so, why would he need to be watched over, day and night, by an enormous doctor?" "This is romance!" I retorted. "The doctor is Professor Keredec, illustriously known in this coun- try, but not as a physician, and they are follow- ing some form of scientific research together, I believe. But, assuming to speak as Mr. Saffren's 152 THE GUEST OF QUESNAY friend," I added, rising with the others upon Miss Ward's example, "I'm sure if he could come to know of your interest, he would much rather play Hamlet for you than let you find him disappointing." "If he could come to know of my interest!" she echoed, glancing down at herself with mock demureness. "Don't you think he could come to know something more of me than that?" The windows had been thrown open, allow- ing passage to a veranda. >Miss Elizabeth led the way outdoors with the prince, the rest of us fol- lowing at hazard, and in the mild confusion of this withdrawal I caught a final glimpse of Mrs. Harman, which revealed that she was stiU looking at me with the same tensity; but with the move- ment of intervening groups I lost her. Miss Elliott pointedly waited for me until I came round the table, attached me definitely by taking my arm, accompanying her action with a dazzling smile. "Oh, do you think you can manage it?" she whis- pered rapturously, to which I replied — as vaguely as I could — ^that the demands of scientific research upon the time of its followers were apt to be exorbitant. Tables and coflfee were waiting on the broad ter- race below, with a big moon rising in the sky. I CHAPTER ELEVEN 153 descended the steps in charge of this pretty cavalier, allowed her to seat me at the most remote of the tables, and accepted without unwillingness other gallantries of hers in the matter of coffee and cigar- ettes. "And now," she said, "now that I've done so much for your dearest hopes and comfort, look up at the milky moon, and tell me all!" "If you can bear it?" She leaned an elbow on the marble railing that protected the terrace, and, shielding her eyes from the moonlight with her hand, affected to gaze at me dramatically. "Have no distrust," she bade me. "Who and what is the glorious stranger?" Resisting an impulse to chime in with her humoiu*, I gave her so dry and commonplace an account of my young friend at the inn that I presently found myselt abandoned to solitude again. "I don't know where to go," she complained as she rose. "These other people are most painful to a girl of my intelligence, but I cannot linger by your side; untruth long ago lost its interest for me, and I prefer to believe Mr. Jean Ferret — ^if that is the gentleman's name. I'd join Miss Ward and Cressie Ingle yonder, but Cressie i^ouM be indignant! I shall soothe my hurt with sweetest airs. Adieu." 154 THE GUEST OF QUESNAY With that she made me a solemn courtesy and departed, a pretty Httle figure, not Uttle in attract- iveness, the strong moonlight, tinged with blue, shimmering over her blond hair and splashing brightly among the ripples of her silks and laces. She swept across the terrace languidly, ofifering an effect of comedy not xuifairylike, and, ascending the steps of the veranda, disappeared into the orange candle-light of a salon. A moment later some chords were soimded firmly upon a piano in that room, and a bitter song swam out to me over the laughter and talk of the people at the other tables. It was to be observed that Miss Anne Elliott sang very well, though I thought she over- emphasised one line of the stanza: "This world is a world of lies!" Perhaps she had poisoned another little arrow for me, too. Impelled by the fine night, the groups upon the terrace were tending toward a wider dispersal, drifting over the sloping lawns by threes and couples, and I was able to identify two figures threading the paths of the garden, together, some distance below. Judging by the pace they kept, I should have concluded that Miss Ward and Mr. Cresson Ingle sought the healthful effects of CHAPTER ELEVEN 155 exercise. However, I could see no good reason for wishing their conversation less obviously ab- sorbing, though Miss Elliott's insinuation that Mr. Ingle might deplore intrusion upon the interview had struck me as too definite to be altogether pleasing. Still, such matters could not discontent me with my solitude. Eastward, over the moon- lit roof of the forest, I could see the quiet ocean, its unending lines of foam moving slowly to the long beaches, too far away to be heard. The re- proachful voice of the singer came no more from the house, but the piano ran on into "La Vie de Bohfeme," and out of that into something else, I did not know what, but it seemed to be music; at least it was musical enough to bring before me some memory of the faces of pretty girls I had danced with long ago in my dancing days, so that, what with the music, and the distant sea, and the soft air, so sparklingly full of moonshine, and the httle dancing memories, I was floated oflf into a reverie that was like a prelude for the person who broke it. She came so quietly that I did not hear her until she was almost beside me and spoke to me. It was the second time that had happened. CHAPTER XII MRS, HARMAN," I said, as she took the chair vacated by the elfin young lady, "you see I can manage it ! But perhaps I control myself better when there's no camp-stool to inspire me. You remember my woodland didoes —I fear?" She smiled in a pleasant, comprehending way, but neither directly replied nor made any return speech whatever; instead, she let her forearms rest on the broad railing of the marble balustrade, and, leaning forward, gazed out over the shining and mysterious slopes below. Somehow it seemed to me that her not answering, and her quiet action, as well as the thoughtful attitude in which it cul- minated, would have been thought "very like her" by any one who knew her well. "Cousin Louise has her ways," Miss Elizabeth had told me; this was probably one of them, and I found it singularly attractive. For that matter, from the day of my first sight of her in the woods I had needed no prophet to tell me I should like Mrs. Harman's ways. 15S CHAPTER TWELVE 157 "After the quiet you have had here, all this must seem," I said, looking down upon the strollers, "a usurpation." "Oh, theyl" She disposed of Quesnay's guests with a sUght movement of her left hand. "You're an old friend of my cousins — of both of them; but even without that, I know you understand. Elizabeth does it all for her brother, of course." "But she likes it," I said. "And Mr. Ward likes it, too," she added slowly. "You'll see, when he comes home." Night's effect upon me being always to make me ventm-esome, I took a chance, and ventured per- haps too far. "I hope we'll see many happy things when he comes home." "It's her doing things of this sort," she said, giving no sign of having heard my remark, "that has helped so much to make him the success that he is." "It's what has been death to his art!" I ex- claimed, too quickly — ^and would have been glad to recall the speech. She met it with a murmur of low laughter that soimded pitying. "Wasn't it always a dubious rela- tion — ^between him and art?" And without await- 158 THE GUEST OF QUESNAY ing an answer, she went on, "So it's all the better that he can have his success!" To this I had nothing whatever to say. So far as I remembered, I had never before heard a woman put so much comprehension of a large subject into so few words, but in my capacity as George's friend, hopeful for his happiness, it made me a Httle uneasy. During the ensuing pause this feeling, at first uppermost, gave way to another not at all in se- quence, but irresponsible and intuitive, that she had something in particular to say to me, had joined me for that purpose, and was awaiting the oppor- tunity. As I have made open confession, my curiosity never needed the spur; and there is no denying that this impression set it off on the gallop; but evidently the moment had not come for her to speak. She seemed content to gaze out over the valley in silence. "Mr. Cresson Ingle," I hazarded; "is he an old, new friend of your cousins.'* I think he was not above the horizon when I went to Capri, two years ago?" "He wants Elizabeth," she returned, adding quietly, "as you've seen." And when I had verified this assumption with a monosyllable, she continued. CHAPTER TWELVE 159 "He's an 'available,' but I should hate to have it happen. He's hard." "He doesn't seem very hard toward her," I murmured, looking down into the garden where Mr. Ingle just then happened to be adjusting a scarf about his hostess's shoulders. "He's led a detestable life," said Mrs. Harman, "among detestable people!" She spoke with sudden, remarkable vigour, and as if she knew. The full-throated emphasis she put upon "detestable" gave the word the sting of a flagellation; it rang with a rightful indignation that brought vividly to my mind the thought of those three years in Mrs. Harman's life which Elizabeth said "hurt one to think of." For this was the lady who had rejected good George Ward to run away with a man much deeper in all that was detestable than Mr. Cresson Ingle could ever be! "He seems to me much of a type with these others," I said. "Oh, they keep their surfaces about the same." "It made me wish I had a little more surface to-night," I laughed. "I'd have fitted better. Miss Ward is different at different times. When we 160 THE GUEST OF QUESNAY are alone together she always has the air of ex- cusing, or at least explaining, these people to me, but this evening I've had the disquieting thought that perhaps she also explained me to them." "Oh, no!" said Mrs. Harman, turning to me quickly. "Didn't you see? She was making up to Mr. Ingle for this morning. It came out that she'd ridden over at daylight to see you; Anne Elliott discovered it in some way and told him." This presented an aspect of things so overwhelm- ingly novel that out of a confusion of ideas I was able to fasten on only one with which to continue the conversation, and I said irrelevantly that Miss Elliott was a remarkable young woman. At this my companion, who had renewed her observation of the valley, gave me a full, clear look of earnest scrutiny, which set me on the alert, for I thought that now what she desired to say was coming. But I was disappointed, for she spoke lightly, with a ripple of amusement. "I suppose she finished her investigations? You told her all you could?" "Almost." "I suppose you wouldn't trust me with the reserva- tion?" she asked, smiling. CHAPTER TWELVE 161 "I would trust you with anything," I answered seriously. "You didn't gratify that child?" she said, half laughing. Then, to my surprise, her tone changed suddenly, and she began again in a hurried low voice: "You didn't tell her — " and stopped there, breathless and troubled, letting me see that I had been right after all : this was what she wanted to talk about. "I didn't tell her that young Saffren is mad, no; if that is what you mean." "I'm glad you didn't," she said slowly, sinking back in her chair so that her face was in the shadow of the awning which sheltered the little table between us. "In the first place, I wouldn't have told her even if it were true," I returned, "and in the second, it isn't true — though you have some reason to think it is," I added. "I?" she said. "Why?" "His speaking to you as he did; a thing on the face of it inexcusable " "Why did he call me 'Madame d'Armand'?" she interposed. I explained something of the mental processes of Amedee, and she listened till I had finished; then bade me continue. 16« THE GUEST OF QUESNAY "That's all," I said blankly, but, with a second thought, caught her meaning. "Oh, about young Saffren, you mean?" "Yes." "I know him pretty well," I said, "without really knowing anything about him; but what is stranger, I believe he doesn't really know a great deal about himself. Of course I have a theory about him, though it's vague. My idea is that probably through some great illness he lost — not his faculty of memory, but his memories, or, at least, most of them. In regard to what he does remember, Professor Keredec has anxiously impressed upon him some very poig- nant necessity for reticence. What the necessity may be, or the nature of the professor's anxieties, I do not know, but I think Keredec's reasons must be good ones. That's all, except that there's some- thing about the young man that draws one to him: I couldn't tell you how much I like him, nor how sorry I am that he offended you." "He didn't offend me," she murmured^almost whispered. "He didn't mean to," I said warmly. "You understood that?" "Yes, I understood." CHAPTER TWELVE 163 "I am glad. I'd been waiting the chance to try to explain — to ask you to pardon him " "But there wasn't any need." "You mean because you understood " "No," she interrupted gently, "not only that. I mean because he has done it himself." "Asked your pardon?" I said, in complete surprise. "Yes." "He's written you?" I cried. "No. I saw him to-day," she answered. "This afternoon when I went for my walk, he was waiting where the the paths intersect " Some hasty ejaculation, I do not know what, came from me, but she lifted her hand. "Wait," she said quietly. "As soon as he saw me he came straight toward me " "Oh, but this won't do at all," I broke out. "It's too bad " "Wait." She leaned forward slightly, lifting her hand again. "He called me 'Madame d'Ar- mand,' and said he must know if he had offended me." "You told him " "I told him 'No!' " And it seemed to me that 164 THE GUEST OF QUESNAY her voice, which up to this point had been low but very steady, shook upon the monosyllable. "He walked with me a little way — ^perhaps it was longer " "Trust me that it sha'n't happen again!" I exclaimed. "I'll see that Keredec knows of this at once. He wiU " "No, no," she interrupted quickly, "that is just what I want you not to do. Will you promise me?" "I'll promise anything you ask me. But didn't he frighten you? Didn't he talk wildly? Didn't he " "He didn't frighten me — ^not as you mean. He was very quiet and — " She broke off unexpectedly, with a little pitying cry, and turned to me, lifting both hands appealingly — "And oh, doesn't he make one sorry for him!" That was just it. She had gone straight to the heart of his mystery: his strangeness was the strange pathos that invested him; the "singularity" of "that other monsieur" was solved for me at last. When she had spoken she rose, advanced a step, and stood looking out over the valley again, her CHAPTER TWELVE 165 skirts pressing the balustrade. One of the moments in my life when I have wished to be a figure painter came then, as she raised her arms, the sleeves, of some filmy texture, falHng back from them with the gesture, and clasped her hands lightly behind her neck, the graceful angle of her chin uplifted to the full rain of moonshine. Little Miss Elliott, in the glamour of these same blue showerings, had borrowed gauzy weavings of the fay and the sprite, but Mrs. Harman — tall, straight, delicate to fragility, yet not to thinness — ^was transfigurejd with a deeper meaning, wearing the sadder, richer colours of the tragedy that her cruel young romance had put upon her. She might have posed as she stood against the marble railing — and especially in that gestiu-e of lifting her arms — ^for a bearer of the gift at some foredestined luckless ceremony of votive offerings. So it seemed, at least, to the eyes of a moon-dazed old painter-man. She stood in profile to me; there were some jas- mine flowers at her br-east; I could see them rise and fall with more than deep breathing; and I wondered what the man who had talked of her so wildly, only yesterday, would feel if he could know that aheady the thought of him had moved her. 166 THE GUEST OF QUESNAY "I haven't had my life. It's gone!" It was almost as if I heard his voice, close at hand, with all the passion of regret and protest that rang in the words when they broke from him in the forest. And by some miraculous conjecture, within the moment I seemed not only to hear his voice but actually to see him, a figure dressed in white, far below us and small with the distance, standing out in the moonlight in the middle of the tree- bordered avenue leading to the chS.teau gates. I rose and leaned over the railing. There was no doubt about the reality of the figure in white, though it was too far away to be identified with certainty; and as I rubbed my eyes for clearer sight, it turned and disappeared into the shadows of the orderly grove where I had stood, one day, to watch Louise Harman ascend the slopes of Quesnay. But I told myself, sensibly, that more than one man on the coast of Normandy might be wearing white flannels that evening, and, turning to my companion, found that she had moved some steps away from me and was gazing east- ward to the sea. I concluded that she had not seen the figure. "I have a request to make of you," she said, as s o "s CHAPTER TWELVE 167 I turned. "Will you do it for me — setting it down just as a whim, if you like, and letting it go at that?" "Yes, I will," I answered promptly. "I'll do any- thing you ask." She stepped closer, looked at me intently for a second, bit her Up in indecision, then said, all in a breath: "Don't tell Mr. Saffren my name!" "But I hadn't meant to," I protested. "Don't speak of me to him at all," she said, with the same hurried eagerness. "Will you let me have my way?" "Could there be any question of that?" I replied, and to my astonishment found that we had some- how impulsively taken each other's hands, as upon a serious bargain struck between us. CHAPTER xrn THE round moon was white and at its smallest, high overhead, when I stepped out of the phaeton in which Miss Elizabeth sent me back to Madame Brossard's; midnight was twanging from a rusty old clock indoors as I crossed the fragrant courtyard to my pavilion; but a lamp still burned in the salon of the "Grande Suite," a light to my mind more suggestive of the patient watcher than of the scholar at his tome. When my own lamp was extinguished, I set my door ajar, moved my bed out from the wall to catch whatever breeze might stir, "composed myself for the night," as it used to be written, and lay looking out upon the quiet garden where a thin white haze was rising. If, in taking this coign of vantage, I had any subtler purpose than to seek a draught against the warmth of the night, it did not fail of its reward, for just as I had begun to drowse, the gallery steps creaked as if beneath some immoderate weight, and the noble form of Keredec emerged upon my field of 168 CHAPTER THIRTEEN 169 vision. From the absence of the sound of footsteps I supposed him to be either barefooted or in his stockings. His visible costume consisted of a sleep- ing jacket tucked into a pair of trousers, while his tousled hair and beard and generally tossed and rumpled look were those of a man who had been lying down temporarily. I heard him sigh — like one sighing for sleep — as he went noiselessly across the garden and out through the archway to the road. At that I sat straight up in bed to stare — and well I might, for here was a miracle! He had lifted his arms above his head to stretch himself comfortably, and he walked upright and at ease, whereas when I had last seen him, the night before, he had been able to do httle more than crawl, bent far over and leaning painfully upon his friend. Never man beheld a more astonishing recovery from a bad case of rheumatism! After a long look down the road, he retraced his steps; and the moonUght, striking across his great forehead as he came, revealed the furrows ploughed there by an anxiety of which I guessed the cause. The creaking of the wooden stairs and gallery and the whine of an old door announced that he had returned to his vigil. 170 THE GUEST OF QUESNAY I had, perhaps, a quarter of an hour to consider this performance, when it was repeated; now, how- ever, he only glanced out into the road, retreating hastily, and I saw that he was smiling, while the speed he maintained in returning to his quarters was remarkable for one so newly convalescent. The next moment Saffren came through the arch- way, ascended the steps in turn — ^but slowly and carefully, as if fearful of waking his guardian — and I heard his door closing, very gently. Long before his arrival, however, I had been certain of his identity with the figure I had seen gazing up at the terraces of Quesnay from the borders of the grove. Other questions remained to bother me: Why had Keredec not prevented this night-roving, and why, since he did permit it, should he conceal his knowledge of it rom Oliver? And what, oh, what wondrous specific had the mighty man found for his disease.'' Morning failed to clarify these mysteries; it brought, however, something rare and rich and strange. I allude to the manner of Amedee's ap- proach. The aged gossip-demoniac had to recognise the fact that he could not keep out of my way for ever; there was nothing for it but to put as good a face as possible upon a bad business, and get it CHAPTER THIRTEEN 171 over — and the face he selected was a marvel; not less, and in no hasty sense of the word. It appeared at my door to announce that break- fast waited outside. Primarily it displayed an expression of serenity, masterly in its assumption that not the least, remot- est, dreamiest shadow of danger could possibly be conceived, by the most immoderately pessimistic and sinister imagination, as even vaguely threatening. And for the rest, you have seen a happy young mother teaching first steps to the first-bom — ^that was Amedee. Radiantly tender, aggressively solici- tous, diffusing inefifable sweetness on the air, wreathed in seraphic smiles, beaming caressingly, and aglow with a sacred joy that I should be looking so well, he greeted me in a voice of honey and bowed me to my repast with an unconcealed fondness at once maternal and reverential. I did not attempt to speak. I came out silently, uncannily fascinated, my eyes fixed upon him, while he moved gently backward, cooing pleasant words about the coffee, but just perceptibly keeping him- self out of arm's reach until I had taken my seat. When I had done that, he leaned over the table and began to set useless things nearer my plate with 172 THE GUEST OF QUESNAY frankly affectionate care. It chanced that in "making a long arm" to reach something I did want, my hand (of which the fingers happened to be closed) passed rather impatiently beneath his nose. The madonna expression changed instantly to one of horror, he uttered a startled croak, and took a surprisingly long skip backward, landing in the screen of honeysuckle vines, which, he seemed to imagine, were some new form of hostiUty attacking him treacherously from the rear. They sagged, but did not break from their fastenings, and his behaviour, as he lay thus en- tangled, would have contrasted unfavourably in dignity with the actions of a panicstricken hen in a hammock. "And so conscience does make cowards of us all," I said, with no hope of being understood. Recovering some measure of mental equilibrium at the same time that he managed to find his feet, he burst into shrill laughter, to which he tried in vain to impart a ring of debonair carelessness. "Eh, I stumble!" he cried with hollow merriment. "I fall about and faint with fatigue! Pah! But it is nothing; truly!" "Fatigue!" I turned a bitter sneer upon him. "Fatigue! And you just out of bed!" CHAPTER THIRTEEN 173 His fat hands went up palm outward; his heroic laughter was checked as with a sob; an expression of tragic incredulity shone from his eyes. Patently he doubted the evidence of his own ears; could not believe that such black ingratitude existed' in the world. "Absalom, O my son Absalom!" was his imuttered cry. His hands fell to his sides; his chin sank wretchedly into its own folds; his shirt-bosom heaved and crinkled; arrows of unspeakable injustice had entered the defenceless breast. "Just out of bed!" he repeated, with a pathos that would have brought the judge of any court in France down from the bench to kiss him — "And I had risen long, long before the dawn, in the cold and darkness of the night, to prepare the sandwiches of monsieur!" It was too much for me, or rather, he was. I stalked oflf to the woods in a state of helpless indig- nation; mentally swearing that his day of punish- ment at my hands was only deferred, not abandoned, yet secretly fearing that this very oath might live for no purpose but to convict me of perjury. His talents were lost in the country; he should have sought his fortune in the metropolis. And his manner, as he summoned me that evening to 174 THE GUEST OF QUESNAY dinner, and indeed throughout the courses, partook of the subtle condescension and careless assurance of one who has but faintly enjoyed some too easy triumph. I found this so irksome that I might have been goaded into an outbreak of impotent fury, had my attention not been distracted by the curious turn of the professor's malady, which had renewed its pain- ful assault upon him. He came hobbling to table, leaning upon Saffren's shoulder, and made no refer- ence to his singular improvement of the night before — ^nor did I. His rheumatism was his own; he might do what he pleased with it! There was no reason why he should confide the cause of its vagaries to me. Table-talk ran its normal course; a great Pole's philosophy receiviiig flagellation at the hands of our incorrigible optimist. ("If he could mider- stand," exclaimed Keredec, "that the individual must be immortal before it is bom, ha! then this babbler might have writted some intelligence!") On the surface everything was as usual with our trio, with nothing to show any turbulence of under- currents, unless it was a certain alertness in Oliver's manner, a restrained excitement, and the question- CHAPTER THIRTEEN 175 ing restlessness of his eyes as they sought mine from time to time. Whatever he wished to ask me, he was given no opportimity, for the professor carried him off to work when ,om- coffee was finished. As they departed, the young man glanced back at me over his shoulder, with that same earnest look of interrogation, but it went unanswered by any token or gesture: for though I guessed that he wished to know if Mrs. Harman had spoken of him to me, it seemed part of my bargain with her to give him no sign that I understood. A note lay beside my plate next morning, addressed in a writing strange to me, one of dashing and vigorous character. "In the pursuit of thrillingly scientific research," it read, "what with the tumult which possessed me, I forgot to mention the bond that links us; I, too, am a painter, though as yet unhonoured and unhung. It must be only because I lack a gentle hand to guide me. If I might sit beside you as you paint! The hours pass on leaden wings at Quesnay — I could shriek! Do not refuse me a few words of instruction, either in the wildwood, whither I could support your shrinking steps, or. 176 THE GUEST OF QUESNAY from time to time, as you work in your studio, which (I glean from the instructive Mr. Ferret) is at Ias Trois Pigeons. At any hour, at any moment, I will speed to you. I am, sir, "Yours, if you will but breathe a 'y^s,' "Anne Elliott." To this I returned a reply, as much in her own key as I could write it, putting my refusal on the groimd that I was not at present painting in the studio. I added that I hoped her suit might prosper, regretting that I could not be of greater assistance to that end, and concluded with the suggestion that Madame Brossard might entertain an oflfer for lessons in cooking. The result of my attempt to echo her vivacity was discomfiting, and I was allowed to perceive that epistolary jocularity was not thought to be my line. It was Miss Elizabeth who gave me this instruction three days later, on the way to Quesnay for "second breakfast." Exercising fairly shame- faced diplomacy, I had avoided dining at the chS,teau again, but, by arrangement, she had driven over for me this morning in the phaeton. "Why are you writing silly notes to that child?" CHAPTER THIRTEEN 177 she demanded, as soon as we were away from the iim. "Was it silly?" "You should know. Do you think that style of humour suitable for a young girl?" This bewildered me a little. "But there wasn't anything offensive " "No?" Miss Elizabeth hfted her eyebrows to a height of bland inquiry. "She mightn't think it rather — well, rough? Your suggesting that she should take cooking lessons?" "But she suggested she might take 'painting lessons," was my feeble protest. "I only meant to show her I understood that she wanted to get to the inn." "And why should she care to 'get to the inn'?" "She seemed interested in a young man who is staying there. 'Interested' is the mildest word for