^^^O'^T' ^f rFor ALBERT R. MANN LIBRARY AT CORNELL UNIVERSITY THE GIFT OF Isabel Zucker class '26 The original of tiiis book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924068941578 ^ -^ FLORAL POE^TRY fc- -^ Marcus Ward & Co. London & Belfast. 9" -w Floral Poetry AND THE LANGUAGE OF FLOWERS Wiih iolour^d Jlltt^tptjon^ "Gather a wreath from the garden bowers, And tell the wish of thy heart in flowers." Percival. 2.onlion: MARCUS WARD & CO., 67 & 68, CHANDOS STREET, STRAND And royal ULSTER WORKS, BELFAST 1877 fr ^ PRINTED BY MARCUS WARD AND CO. ROYAL ULSTER WORKS 36clfa0t ^ PREFACE. HE Floral Poetry, composing the greater part of this book, has been selected with a view to the diversified tastes of those who may peruse it, and consequently a variety of styles will be found in the pieces. It is hoped, however, that most readers will not only light here upon old friends, but also make the acquaintance, for the first time, of poems and fragments that will give pleasure whenever recalled. For the liberty to insert certain poems, the Editor's thanks are due to Theodore Martin, Esq. ; Samuel Ferguson, Esq., Q.C., LL.D. ; Miss Agnes Rous Howell, and others. Many of the selections are new, and are the property of the Publishers. The First Part contains " Poems on Flowers Generally," and in the Second Part will be found " Poems on Special Flowers," arranged in the alphabetical order of their names to facilitate reference. The two Indexes of the Language of Flowers have been made most full and complete, and the Months of flowering being introduced, it is hoped they will meet the wants of those using them. The Illustrations speak for themselves, and need here no recommendation. J. H. S. ^- -^ ^ -^ List of Authors. Allingham, W., 57. Anonymous, 24, 32, 50, 62, 76, 81, 98, 103, 107, .108, 116, 119, 121, 122, 128, 138, 183, 188, 193, 198, 200, 225, 229. Arnold, Edwin, 67. Barton, Bernard, 79, 127, 152, 155, 172, 232. Beaumont and Fletcher, 176. BiDLAKE, 168. Blessington, Countess of, 124. Bowles, C, 242. BowRiNG, 178. Browne, 16, 113. Browning, Elizabeth B., in, 194. Bryant, William C, 64, 112, 137, 234. Burns, 25, 89, 161, 179. Byron, 139. Campbell, 60. Carew, Thomas, 165. Casimir, 123. Chaucer, 88. Clare, John, 61, jpi, 161. Coleridge, Samuel T., 133. Cook, Eliza, 70, 73. Cornwall, Barry, 40, 153, 222. CowPER, 39, 59, 136. Dana, Richard H., 53. Daniel, 197. Drayton, 14. Elliott, 48, 49, 72, 212. Ferguson, Samuel, 115. Fletcher, Giles, 138. Gay, 150. GiFFORD, William, 236. Gillespie, Thomas, 186. Gillet, Thomas, no, 120, 143. Good, J. Mason, 96. Gould, H. F., 184. GovER, Rev. Canon, 193. G.- W., 216. Hemans, Mrs., 28, 33, 38, 44, 126, 14 154, 180, 192. Herrick, 45, 91, 148, 160. HiNCKS, Rev. T., 219. Hoffman, 9, 63, 201. Holmes, O. W., 146. Hood, 174. Howell, Agnes R., 144, 219. HowiTT, Mary, 18, 78. Hunter, Mrs., 163. HuRDis, James, 145. Jewsbury, Miss, 46. JONSON, Ben, 149. Keats, 20, 65, 151. Keble, 190, 220. Landon, L. E., 27, 68, 230. Longfellow, 10. Mant, Bishop, 102, 140. Martin, Theodore, 104, 189, 228. Milton, 18, 66. Montgomery, 87, 92, 132, 226, 227. Moore, 37, 54, 131, 177, 187, 215. i^ -^5 ^- List of Authors. ^ Morpeth, Lord, 130. Moultrie, 231. NicoLL, Robert, 30, 170. Patterson, Mary, 75. Patterson, Robert, 32. Percival, 12. Peters, William, 34. Prior, 56. Prior, E.mma, 235. Raleigh, 43, 232. Ranking, B. Montgomerie, 77. Robinson, Mary, 224. Scott, Sir Walter, 84, 113, 233, 241. Shakspere, 13, 117, 125, 238. Shelley,. 26, 202, 233. Sheridan, Mrs., 116. Smith, Charlotte, 223. Smith, Horace, 41. Southey, R., 118. Southey, Caroline, 164. Spenser, 31, 176. Sterling, John, 182, 185. Strickland, Agnes, 53, 132. Symmons, Caroline, 114. Taylor, Miss Jane, 129. Tighe, Mary, 134. TiNSLEY, 44. Townsend, C. H., 238. Twamley, L. a., 55, 156, 239. Waller, 175. White, 162. Wordsworth, 74, 86, 94, 97, 100, 166. ^ -^ ^ >15 FLORAL POETRY. PART I.-POEMS ON FLOWERS GENERALLY. THE LANGUAGE OF FLOWERS. EACH thee their language? sweet, I know no tongue, No mystic art those gentle things declare, I ne'er could trace the schoolman's trick among Created things, so delicate and rare : Their language ? prythee ; why, they are themselves But bright thoughts syllabled to shape and hue, The tongue that erst was spoken by the elves. When tenderness as yet within the world was new. And oh ! do not their soft and starry eyes. Now bent to earth, to heaven now meekly pleading, Their incense fainting as it seeks the skies, Yet still from earth with freshening hope receding — Say, do not these to every heart declare. With all the silent eloquence of truth. The language that they speak is Nature's prayer, To give her back those spotless days of youth ? Hoffman. i^- -^ ^— -^ ^° Floral Poetry. ON FLOWERS. SPAKE full well, in language quaint and olden, One who dwelleth by the castled Rhine, When he called the flowers, so blue and golden. Stars, that in earth's firmament do shine. Stars they are, wherein we read our history, As astrologers and seers of eld; Yet not so wrapped about with awful mystery. Like the burning stars, which they beheld. Wondrous truths, and manifold as wondrous, God hath written in those stars above ; But not less in the bright flowerets under us Stands the revelation of His love. Eright and glorious is that revelation AVritten all over this great world of ours ; Making evident our own creation. In these stars of earth — these golden flowers. jVnd the poet, faithful and far-seeing, Sees, alike in stars and flowers, a part Of the self-same universal being, Which is throbbing in his brain and heart. Gorgeous flowerets in the sunlight shining, Blossoms flaunting in the 6)6 of day, Tremulous leaves, with soft and silver lining, Buds that open only to decay ; Brilliant hopes, all woven in gorgeous tissues, Flaunting gaily in the golden light ; Large desires, with most uncertain issues ; Tender wishes, blossoming at night ! Floral Poetry. n These in flowers and men are more than seeming ; Workings are they of the self-same powers, Which the poet, in no idle dreaming, Seeth in himself and in the flowers. Everywhere about us are they glowing, Some like stars, to tell us Spring is born ; Others, their blue eyes with tears o'erflowing. Stand like Ruth amid the golden corn ; Not alone in Spring's armorial bearing, And in Summer's green emblazoned field, But in the arms of brave old Autumn's wearing. In the centre of his brazen shield : Not alone in meadows and green alleys. On the mountain-top, and by the brink Of sequestered pools in woodland valleys. Where the slaves of Nature stoop to drink ; Not alone in her vast dome of glory. Not on graves of bird and beast alone. But on old cathedrals, high and hoary, On the tombs of heroes, carved in stone ; In the cottage of the rudest peasant. In ancestral homes, whose crumbling towers, Speaking of the Past unto the Present, Tell us of the ancient games of Flowers ; In all places, then, and in all seasons. Flowers expand their light and soul-like wings. Teaching us, by most persuasive reasons. How akin they are to human things. And with child-like, credulous affection. We behold their tender buds expand ; Emblems of our own great resurrection, Emblems of the bright and better land. Longfellow. ^ pr ^ *^ 12 Floral Poetry. THE LANGUAGE OF FLOWERS. Y N Eastern lands they talk in flowers, K And tell in a garland their loves and cares ; Each blossom that blooms in their garden bowers, On its leaves a mystic language bears. The Rose is a sign of joy and love. Young blushing love in its earliest dawn ; And the mildness that suits the gentle dove, From the Myrtle's snowy flower is dra;vn. Innocence shines in the Lily's bell. Pure as the heart in its native heaven : Fame's bright star and glory's swell. By the glossy leaf of the Bay are given. The silent, soft, and humble heart In the Violet's hidden sweetness breathes ; And the tender soul that cannot part, A twine of evergreen fondly wreathes. The Cypress that daily shades the grave. Is sorrow that mourns her bitter lot ; And faith, that a thousand ills can brave. Speaks in thy blue leaves. Forget-me-not. Then gather a wreath from the garden bowers. And tell the wish of thy heart in flowers. Pirnval. ■^ -K^- ^ Floral Poetry. 13 HERE'S FLOWERS FOR YOU. Perdita. . . . Here's flowers for you : Hot Lavender, Mints, Savory, Marjoram : The Marigold, that goes to bed with the sun. And with him rises weeping; these are flowers Of middle summer, and, I think, they are given To men of middle age : you are very welcome. Camillo. I should leave grazing, were I of your flock, And only live by gazing. Perdita. Out, alas ! You'd be so lean, that blasts of January Would blow you through and through. — Now, my fairest friend, I would I had some flowers o' the Spring, that might Become your time of day ; and yours, and yours ; That wear upon your virgin branches yet Your maidenheads growing : — O, Proserpina, For the flowers now, that, frighted, thou lett'st fall From Dis's waggon 1 Daffodils, That come before the swallow dares, and take The winds of March with beauty ; Violets, dim, But sweeter than the lids of Juno's eyes. Or Cytherea's breath ; pale Primroses, That die unmarried, ere they can behold Bright Phoebus in his strength, a malady Most incident to maids ; bold Oxhps, and The Crown-imperial ; Lilies of all kinds. The Flower-de-luce being one ! Oh ! these I lack, To make you garlands of; and, my sweet friend. To strew him o'er and o'er. Shahfere, "A Winters Tale.". fr ^ 14 Floral Poetry. ARRANGEMENT OF A BOUQUET. HERE damask Roses, white and red, Out of my lap first take I, Which still shall run along the thread, My chiefest flower this make I. Amongst these Roses in a row, Next place I Pinks in plenty, These double Daisies then for show, And will not this be dainty ? The pretty Pansy then I'll tie Like stones some chain inchasing ; And next to them, their near ally. The purple Violet placing. The curious choice Clove July flower. Whose kinds hight the Carnation, For sweetness of most sovereign power. Shall help my wreath to fashion ; Whose sundry colours of one kind, First from one root derived. Them in their several suits I'll bind : My garland so contrived. A course of Cowslips then I'll stick And here and there (though sparely) The pleasant Primrose down I'll prick. Like pearls that will show rarely ; C? t^ ^ Floral Poetry. 15 Then with these Marigolds I'll make My garland somewhat swelling, These Honeysuckles then I'll take, Whose sweets shall help their smelling. The Lily and the flower-de-lis. For colour much contending ; For that I them do only prize, They are but poor in scenting. The Daffodil most dainty is To match with these in meetness ; The Columbine compared to this, All much alike for sweetness. These in their natures only are Fit to emboss the border, Therefore I'll take especial care To place them in their order : Sweet-Williams, Campions, Sops-in-wine, One by another neatly : Thus have I made this wreath of mine, And finishe'd it featly. Drayton. '^4r- ^ a^' 1 6 Floral Poetry. THE VOICE OF THE FLOWERS. BLOSSOMS that lowly bend, Shutting your leaves from evening's chilly dew ; While your rich odours heavily ascend, The flitting winds to woo. I walk at silent eve, When scarce a breath is in the garden bowers ; And many a vision and wild fancy weave 'Midst you, ye lovely flowers. Beneath the cool green boughs And perfumed bells of the just-blossomed Lime, That stoop and gently touch my feverish brow, Fresh in their Summer prime ; Or in the mossy dell, Where the pale Primrose trembles at a breath ; Or where the Lily, by the silent well. Beholds her form beneath ; Or where the rich Queen-Rose Sits, throned and blushing, 'midst her leaves and moss ; Or where the Wind-flower, pale and fragile, blows. Or Violets banks emboss. Here do I love to be — Mine eyes alone in passionate love to dwell Upon the loveliness and purity Of every bud and bell. Oh ! blessedness, to lie By the clear brook, where the Long-Bennet dips ! To press the Rosebud in its purity Unto the burning lips ! Floral Poetry. 17 To lay the weary head Upon the bank with Daisies all beset ; Or with bare feet, at early dawn, to tread, O'er mosses cool and wet ! And then, to sit at noon When bees are humming low, and birds are still, And drowsy is the faint uncertain tone Of the swift woodland rill. And dreams can then reveal That, worldless though ye be, ye have a tone, A language, and a power, that I may feel Thrilling my spirit lone. Ye speak of hope and love, Bright as your hues, and vague as your perfume ; Of changeful, fragile thoughts, that brightly move Men's hearts amid their gloom. Ye speak of human life : Its mystery — the beautiful and brief; Its sudden fading, 'midst the tempest strife. Even as a delicate leaf. And more than all, ye speak Of might and power, of mercy, of the One Eternal, who hath strewed you fair and meet To glisten in the sun : To gladden all the earth With bright and. beauteous emblems of His grace, That showers its gifts of uncomputed worth In every clime and place. Browne. ^ 4 ^ —'^ 1 8 Floral Poetry. FLOWERS. YE valleys low, where the mild whispers rise Of shades, and wanton winds, and gushing brooks, On whose fresh lap the Swart-star sparely looks ; Throw hither all your quaint enamelled eyes, That on the green turf suck the honeyed showers, And purple all the ground with vernal flowers. Bring the rathe* Primrose that forsaken dies. The tufted Crow-toe, and pale Jessamine, The white Pink, and the Pansy freaked with jet, The glowing Violet, The Musk Rose, and the well-attired Woodbine, With Cowslips wan that hang the pensive head, And every flower that sad embroidery wears ; Bid Amaranthus all his beauty shed, And DaffodiUies fill their cups with tears. To strew the laureate hearse where Lycid lies. Milton. USE OF FLOWERS. GOD might have bade the earth bring forth Enough for great and small, The Oak tree and the Cedar tree, Without a flower at all. He might have made enough, enough For every want of ours : For luxury, medicine, and toil. And yet have made no flowers. * Early. ^ ^ ^ Floral Poetry. 19 The ore within the mountain mine Requireth none to grow, Nor doth it need the Lotus flower To make the river flow. The clouds might give abundant rain, The mighty dews might fall. And the herb that keepeth life in man Might yet have drunk them all. Then wherefore, wherefore were they made All dyed with rainbow light : All fashioned with supremest grace, Upspringing day and night. Springing in valleys green and low. And on the mountain high. And in the silent wilderness, Where no man passes by ? Our outward life requires them not — Then wherefore had they birth ? To minister dehght to man. To beautify the earth ; To comfort man, to whisper hope Whene'er his faith is dim ; For Who so careth for the flowers. Will much more care for him ! Mary Ilmiitt. U^ 4 ^ ^ 20 Floral Poetry. WILD FLOWERS. Y STOOD tiptoe upon a little hill ; k The air was cooling, and so very still, That the sweet buds which, with a modest pride Pull droopingly, in slanting curve aside, Their scanty-leaved, and finely tapering stems. Had not yet lost their starry diadems. Caught from the early sobbings of the morn. The clouds were pure and white as flocks new shorn. And fresh from the clear brook ; sweetly they slept On the blue fields of heaven, and then there crept A little noiseless noise among the leaves. Born of the very sigh that silence heaves ; For not the faintest motion could be seen Of all the shades that slanted o'er the green. There was wide wandering for the greediest eye, To peer about upon variety ; Far round the horizon's crystal air to skim. And trace the dwindled edgings of its brim ; To picture out the Cjuaint and curious bending Of a fresh woodland alley never-ending : Or by the bowery clefts, and leafy shelves, Guess where the jaunty streams refresh themselves. I gazed awhile, and felt as light and free As though the fanning wings of Mercury Had play'd upon my heels : I was light-hearted. And many pleasures to my vision started ; So I straightway began to pluck a posy Of luxuries bright, milky, soft, and rosy. A bush of May-flowers with the bees about them ; Ah, sure no tasteful nook could be without them ! And let a lush Laburnum oversweep them. And let long grass grow round the roots, to keep them r.-j t^- ^ ^ Floral Poetry. Moist, cool, and green ; and shade the Violets, That they may bind the moss in leafy nets. A Filbert hedge with Wildbrier overtwined, And clumps of Woodbine taking the soft wind Upon their Summer thrones ; there, too, should be The frequent chequer of a youngling tree. That with a score of light green brethren shoots From the quaint mossiness of aged roots : Round which is heard a spring-head of clear waters, Babbling so wildly of its lovely daughters. The spreading Bluebells : it may haply mourn That such fair clusters should be rudely torn From their fresh beds, and scatter'd thoughtlessly By infant hands, left on the path to die. Open afresh your round of starry folds. Ye ardent Marigolds ! Dry up the moisture from your golden lids. For great Apollo bids That in these days your praises should be sung On many harps, which he has lately strung; And when again your dewiness he kisses. Tell him, I have you in my world of bUsses : So, haply when I rove in some far vale, His mighty voice may come upon the gale. Here are Sweet Peas, on tiptoe for a flight: With wings of gentle flush o'er delicate white. And taper fingers catching at all things. To bind them all about with tiny rings. What next ? a turf of evening Primroses, O'er which the mind may hover till it dozes ; O'er which it well might take a pleasant sleep, But that 'tis ever startled by the leap Of buds into ripe flowers. Keats. ^- 2 2 Floral Poetry. SONGS OF THE FLOWERS. SNOWDROP. HURSLING of the new-born year, Sporting with the tempest's might, Like the snowflake I appear, Robed in winter's vestal white. CROCUS. Forth from my bulbous dwelling I leapt at the summons of Spring, What herald of emperor's telling So gorgeous a tabard could bring? .SWEET VIOLET. Born on a sloping bank, 'neath an old hawthorn tree, I shrank from the passing gaze, like a maiden, timidly, Till the wooing winds of March came whispering such a tale, That I op'd my balmy stores to enrich their healthful gale. PRIMROSE. Near to a prattling stream. Or under the hedgerow trees, I bask in the sun's glad beam, And hst to the passing breeze. \Vhen the village school is o'er. And the happy children free, Gladly they seek to explore Haunts that are perfumed by nie. -^ ^ ^ Floral Poetry. 23 HEATH. When the wild bee comes with a murmuring song, Pilfering sweets as he roams along, I uprear my purple bell : Listening the freeborn eagle's cry, Marking the heath-cock's glancing eye. On the mountain side I dwell. The echoes yet the notes prolong, When one, who oft o'er hill and dell Had sought the spots where flowerets dwell, And knew their names and functions well. And could of all their changes tell, Thus answered to their song : " Loveliest children of earth. Of more than each rainbow hue. Of beauty coeval with birth. And fragrance found only in you ! " O ! that like you I could live. Free from all malice and strife, That each thought and each pulse I could give To the beautiful Giver of Life. " Until earth shall wax old and decay. You shall ever triumphantly shine. And on leaf and on petal display The work of an Artist Divine." Robert Patterson. fe. ji ^- >^: 24 Flo7'al Poetry. A WILD FLOWER. DOWN the shadowed lane she goes, And her arms are laden With the Woodbine and Wild Rose — Happy httle maiden ! Sweetly, sweetly doth she sing As the lark above her : Surely every living thing That has seen must love her. As she strayed and as she sung, Happy little maiden ! Shadowy lanes and dells among. With wild flowers laden, Chanced a bonny youth that way, For the lanes were shady : She dropped one wee flower, they say, Did this little lady. Dropped a flower, so they say; Dropped, and never missed it ; And the youth, alack-a-day ! Picked it up and kissed it. Now in sweet lane wanderings. With love flowers laden, With her love she strays and sings, Happy little maiden ! Anon. m<- ^ —m Floral Poetry. 25 EMBLEMS OF FLOWERS. A DOWN winding Nith I did wander To mark the sweet flowers as they spring ! Adown winding Nith I did wander, Of Phillis to muse and to sing. The Daisy amused my fond fancy, So artless, so simple, so wild ; Thou emblem, said I, o' my Phillis, For she is simplicity's child. The Rosebud's the blush o' my charmer, Her sweet balmy lip when 'tis prest : How fair and how pure is the Lily, But fairer and purer her breast. Yon knot of gay flowers in the arbour. They ne'er wi' my Phillis can vie : Her breath is the breath of the Woodbine, Its dew-drop o' diamond her eye. Her voice is the song of the morning. That wakes through the green-spreading grove. When Phoebus peeps over the mountains, On music, and pleasure, and love. But beauty how frail and how fleeting. The bloom of a fine summer's day ! While worth in the mind o' my Phillis Will flourish without a decay. Burns. k^- Pr ^ 26 Floral Poetry. WILD FLOWERS. Y DREAMED that, as I wandered by the way, ^ Bare ^Vinter suddenly was changed to Spring, And gentle odours led my steps astray, Mixed with a sound of waters murmuring Along a shelving bank of turf, which lay Under a copse, and hardly dared to fling Its green arms round the bosom of the stream. But kissed it and then fled, as thou might'st in a dream. There grew pied Wind-flowers and Violets, Daisies, those pearled Arcturi of the earth, The constellated flower that never sets ; Faint Oxlips ; tender Bluebells, at whose birth The sod scarce heaved ; and that tall flower that wets Its mother's face with heaven-collected tears. When the low wind, its playmate's voice, it hears. And in the warm hedge grew lush Eglantine, Green Cowbind and the moonlight-coloured May, And Cherry blossoms, and white cups, whose wine \Vns the bright dew yet drained not by the day ; And ^Vild Roses, and Ivy serpentine, With its dark buds and leaves, wandering astray, And flowers azure, black, and streaked with gold, Fairer than any wakened eyes behold. And nearer to the river's trembling edge, There grew broad Flag-flowers, purple prankt with white, And starry River-buds among the sedge. And floating Water Lilies, broad and bright, ;^ 4 ^ ^ ^ Floral Poetry. 27 Which lit the oak that overhung the hedge With moonlight beams of their own watery light ; And bulrushes and reeds of such deep green As soothed the dazzled eye with sober sheen. Methought that of these visionary flowers I made a nosegay, bound in such a way That the same hues which in their natural bowers Were mingled or opposed, the like array Kept these imprisoned children of the hours Within my hand, — and then, elate and gay, I hastened to the spot whence I had come, That I might there present it ! — Oh ! to whom ? Shelley. DECISION OF THE FLOWER. AND with scarlet Poppies, around like a bower. The maiden found her mystic flower. " Now, gentle flower, I pray thee, tell If my lover loves me, and loves me well : So may the fall of the morning dew Keep the sun from fading thy tender blue. Now I number the leaves for my lot — He loves not — he loves me — he loves me not — He loves me — yes, thou last leaf, yes — I'll pluck thee not for the last sweet guess ! He loves me ! " — " Yes," a dear voice sighed. And her lover stands by Margaret's side. L. E. Landon. ^ ^ 1:3 28 Floral Poetry. "GO TO THE FOREST SHADE." ^ 10 to the forest shade — Seek thou the well-known glade, Where, heavy with sweet dew, the Violets lie, Gleaming through moss-tufts deep, Like dark eyes filled with sleep. And bathed in hues of summer's midnight sky. Bring me their buds, to shed Around my dying bed A breath of May, and of the wood's repose ; For I in sooth depart With a reluctant heart, That fain would linger where the bright sun glows. Fain would I stay with thee — Alas ! this may not be ; Yet bring me still the gifts of happier hours ! Go where the fountain's breast Catches, in glassy rest. The dim green light that pours through Laurel bowers. I know how softly bright. Steeped in that tender light, The Water-lilies tremble there e'en now ; Go to the pure stream's edge, And from its whispering sedge Bring me those flowers to cool my fevered brow ! Then, as in Hope's young days, Track thou the antique maze Of the rich garden to its grassy mound ; There is a lone White Rose, Shedding, in sudden snows. Its faint leaves o'er the emerald turf around. S> ^- Floral Poetry. 29 -^ Well know'st thou that fair tree — A murmur of the bee Dwells ever in the honied lime above ; Bring me one pearly flower Of all its clustering shower — For on that spot we first revealed our love. Gather one Woodbine bough, Then, from the lattice low Of the bowered cottage which I bade thee mark. When by the hamlet last, Through dim wood-lanes we passed. While dews were glancing to the glow-worm's spark. Haste ! to my pillow bear Those fragrant things and fair, Thy hand no more may bind them up at eve — Yet shall their odour soft One bright dream round me waft Of life, youth, summer — all that I must leave ! And, oh ! if thou would'st ask Wherefore thy steps I task. The grove, the stream, the hamlet vale to trace, 'Tis that some thought of me. When I am gone, may be The spirit bound to each familiar place. I bid mine image dwell (Oh ! break not thou the spell) In the deep wood and by the fountain side ; Thou must not, my beloved ! Rove where we two have roved, Forgetting her that in her spring-time died ! Mrs. Honans. 3° Flo7'al Poetry. WILD FLOWERS. BEAUTIFUL children of the woods and fields ! That bloom by mountain streamlets 'mid the heather, Or into clusters 'neath the hazels gather — Or where by hoary rocks you make your bields, And sweetly flourish on through Summer weather — I love ye all ! Beautifiil flowers ! to me ye fresher seem From the Almighty Hand that fashioned all, Than those that flourish by a garden-wall ; And I can image you, as in a dream, Fair, modest maidens, nursed in hamlets small — I love ye all ! Beautiful gems ! that on the brow of earth Are fixed as in a queenly diadem : Though lowly ye, and most without a name. Young hearts rejoice to see your buds come forth. As light erewhile into the world came — I love ye all ! Beautiful things ye are, where'er ye grow ! The wild Red Rose — the Speedwell's peeping eyes — Our own Bluebell — the Daisy, that doth rise Wherever sunbeams fall or winds do blow ; And thousands more, of blessed forms and dyes — I love ye all ! :^ ^ . 4 ^ — ^ Floral Poetry. 31 Beautiful nurslings of the early dew, Fanned in your loveliness by every breeze, And shaded o'er by green and arching trees : I often wished that I were one of you, Dwelling afar upon the grassy leas — I love ye all ! Beautiful children of the glen and dell — The dingle deep — the moorland stretching wide, And of the mossy fountain's sedgy side ! Ye o'er my heart have thrown a lovesome spell ; And though the worldling, scorning, may deride — I love ye all ! Robert Nicoll. SONNET. SWEET is the Rose, but growes upon a brere ; Sweet is the Juniper, but sharpe his bough ; Sweet is the Eglantine, but pricketh nere ; Sweet is the Firbloom, but his branches rough ; Sweet is the Cypress, but his rind is tough ; Sweet is the Nut, but bitter is his pill ; Sweet is the Broome-flowere, but yet sowre enough ; And sweet is Moly, but his roote is ill. So every sweet with sowre is tempred still, That maketh it be coveted the more : For easie things that may be got at will, .Most sorts of men doe set but little store. Why then should I account of little pain. That endless pleasure shall unto me gaine ? Spenser. ^ ■ ^ 32 Floral Poetry. CHILDREN OF THE SUN'S FIRST GLANCING. CHILDREN of the sun's first glancing, Flowers that deck the bounteous earth Joy and mirth are round ye dancing, Nature smiled upon your birth ; Light hath veined your petals tender. And with hues of matchless splendour Flora paints each dewy bell ; But lament, ye sweet spring blossoms, Soul hath never thrilled your bosoms, All in cheerless night ye dwell. Nightingale and lark are singing Many a lay of love to you ; In your chaliced blossoms swinging. Tiny sylphs their sylphids woo ; Deep within the painted bower Of a soft and perfumed flower, Venus once did fall asleep ; But no pulse of passion darted Through your breast, by her imparted — Children of the morning, weep. When my mother's harsh rejection Bids me cease my love to speak — Pledges of a true affection. When your gentle aid I seek — Then by every voiceless token Hope, and faith unchanged, are spoken. And by you my bosom grieves ; Love himself among you stealeth. And his awful form concealeth. Shut within your folding leaves. Frotii Schiller, ^ ^' ^ Floral Poetry. 33 THE FLOWER-DIAL. '/TXWAS a lovely thought to mark the hours, A As they floated in light away, By the opening and the folding flowers. That laugh to the Summer's day. Thus had each moment its own rich hue, And its graceful cup and bell, In whose coloured vase might sleep the dew, Like a pearl in an ocean shell. To such sweet signs might the time have flowed In a golden current on. Ere from the garden, man's first abode, The glorious guests were gone. So might the days have been brightly told — Those days of song and dreams — When shepherds gathered their flocks of old, By the blue Arcadian streams. So in those isles of delight, that rest Far off" in a breezeless main. Which many a bark, with a weary quest. Has sought, but still in vain. Yet is not life, in its real flight, Marked thus — even thus — on earth, By the closing of one hope's delight. And another's gentle birth ? Oh ! let us live, so that flower by flower, Shutting in turn, may leave A lingerer still for the sunset hour, A cliarm for the shaded eve. Mrs. Hejnans. ^. . ^ ^ ^ 34 Floral Poetry. THE WREATH. TO A FRIEND ON HER BIRTHDAY. Y ET Others sing the rich, the great, *-* The victor's palm, the monarch's state, A purer joy be mine — To greet the excellent of earth, To call down blessings on thy worth. And, for the hour that gave thee birth, Life's choicest flowers entwine. And lo ! where smiling from above (Meet helpmate in the work of love) O'er opening hill and lawn, With flowerets of a thousand dyes. With all that's sweet of earth and skies, Soft breathes the vernal dawn. Come ! from her stores we'll cull the best Thy bosom to adorn ; Each leaf in livelier verdure drest, Each blossom balmier than the rest. Each rose without a thorn ; Fleet tints, that with the rainbow died. Brief flowers, that withered in their pride, Shall, blushing into light, awake And kindlier bloom, for thy dear sake. And first — though oft, alas ! condemned Like merit, to the shade — The Primrose meek, with dews begemmed, Shall sparkle in the braid ; -^ ^ ^ Floral Poetry. 35 And there, as sisters, side by side (Genius with modesty alhed). The Pink's bright red, the Violet's blue, In blended rays, shall greet our view. Each lovelier for the other's hue. How soft yon Jasmine's sunlit glow. How chaste yon Lily's robe of snow. With Myrtle green inwove. Types, dearest, of thyself and me — Of thy mild grace and purity. And ray unchanging love, Of grace and purity, like thine, And love, undying love, like mine. In fancifully plumed array, As ever cloud at set of day, All azure, vermil, silver-grey, And showering thick perfume. See how the Lilac's clustered spray Has kindled into bloom. Radiant as Joy, o'er troubles past. And whispering, " Spring is come at last ! " Blest Flowers ! There breathes not one unfraught With lessons sweet and new ; The Rose, in Taste's own garden wrought ; The Pansy, nurse of tender thought ; The Wallflower, tried and true ; The purple Heath, so lone and fair ; (O how unlike the world's vain glare !) 36 Floral Poetry. /-'^ The Daisy, so contently^gay, Opening her eyelids with the day ; The Gorse-bloom, never sad or sere, But golden bright, As gems of night, And fresh and fragrant all the year ; Each leaf, each bud of classic lore. Oak, Hyacinth, and Floramore ; The Cowslip, graceful in her woe ; The Hawthorn's smile, the Poppy's glow. This ripe with balm for present sorrow, And that with raptures for to-morrow. The flowers are culled ; and each lithe stem \Vith Woodbine band we braid — With Woodbine, type of Life's best gem, Of truth that will not fade. The wreath is wove ; do Thou, blest Power, That brood'st o'er leaflet, fruit, and flower. Embalm it with Thy love ; Oh ! make it such as angels wear. Pure, bright, as decked earth's first-born pair, Whilst free in Eden's grove, From herb and plant they brushed the dew. And neither sin nor sorrow knew. i\ illiavi Peters. i^- --tFt] ^ ■ ' ^ Floral Poetry. 37 LOVE'S WREATH. ^QJHEN Love was a child, and went idling round '' " 'Mong flowers, the whole summer's day. One morn in the valley a bower he found. So sweet, it allured him to stay. O'erhead from the trees hung a garland fair, A fountain ran darkly beneath ; 'Twas Pleasure that hung up the flow'rets there ; Love knew it and jumped at the wreath. But Love didn't know — and at his weak years, What urchin was likely to know? — That sorrow had made of her own salt tears. The fountain which murmured below. He caught at the wreath — but with too much haste, As boys when impatient will do — It fell in those waters of briny taste. And the flowers were all wet through. Yet this is the wreath he wears night and day; And, though it all sunny appears With Pleasure's own lustre, each leaf, they say. Still tastes of the fountain of tears. Moore. i^ ^ ^9 38 Floral Poetry. BRING FLOWERS. BRING flowers, young ilowers, for the festal board, To wreathe the cup ere the wine is poured ; Bring flowers ! they are springing in wood and vale. Their breath floats out on the southern gale, And the touch of the sunbeam hath waked the Rose, To deck the hall where the bright wind flows. Bring flowers to strew in the conqueror's path — He hath shaken thrones with his stormy .wrath ! He comes with the spoils of nations back, The vines he crushed in his chariot's track, The turf looks red where he won the day — Bring flowers to die in the conqueror's way ! Bring flowers to the captive's lonely cell, They have tales of the joyous woods to tell ; Of the free blue streams, and the glowing sky, And the bright world shut from his languid eye ; They will bear him a thought of the sunny hours, And a dream of his youth — bring him flowers, wild flowers ! Bring flowers, fresh flowers, for the bride to wear ! They were worn to blush in her shining hair ; She is leaving the home of her childhood's mirth, She hath bid farewell to her father's hearth ; Her place is now by another's side — Bring flowers for the locks of the fair young bride. fe-< -feb ^ ^ Floral Poetry. 39 Bring flowers, pale flowers, o'er the bier to shed, A crown for the brow of the early dead ! For this through its leaves hath the Wild Rose burst, For this in the woods was the Violet nursed ! Though they smile in vain for what once was ours, They are Love's last gift — bring ye flowers, pale flowers ! Bring flowers to the shrine where we kneel in prayer, They are Nature's offering, their place is there I They speak of hope to the fainting heart. With a voice of promise they come and part. They sleep in dust in the wintry hours. They break forth in glory — bring flowers, bright flowers ! Mrs. Hemans. FRAGMENT. SOME clothe the soil that feeds them, far diffused And lowly creeping, modest and yet fair. Like Virtue, thriving most where little seen ; Some, more aspiring, catch the neighbour shrub With clasping tendrils, and invest his branch, Else unadorned, with many a gay festoon And fragrant chaplet, recompensing well The strength they borrow with the grace they lend. Co'Ltiper. \I&S^ i^ ^ ^ — 40 Floral Poetry. DAWN, GENTLE FLOWER. YAAWN, gentle flower, *-^ From the morning ecarth ! We will gaze and wonder At thy wondrous birth ! Bloom, gentle flower ! Lover of the night. Sought by wind and shower, Fondled by the night ! Fade, gentle flower ! All thy white leaves close ; Having shone thy beauty. Time 'tis for repose. Die, gentle flower. In the silent sun ! So — all pangs are over. All thy tasks are done ! Day hath no more glory, Though he soars so high ; Thine is all man's story — Live — and Iotc — and die ! Barrv Coi'nwall. ^ ^ ^ ^ Floral Poetry. 41 HYMN TO THE FLOWERS. DAY-STARS ! that ope your eyes with man, to twinkle From rainbow galaxies of earth's creation, And dew-drops on her holy altars sprinkle As a libation. Ye matin worshippers ! who, bending lowly Before the uprisen sun, God's lidless eye ! Throw from your chalices a sweet and holy Incense on high. Ye bright Mosaics ! that with storied beauty The floor of Nature's temple tesselate With numerous emblems of instructive duty Your forms create. 'Neath cloistered boughs, each floral bell that swingeth. And tolls its perfume on the passing air. Makes Sabbath in the fields, ■ and ever ringeth A call to prayer. Not to the domes where crumbling arch and column Attest the feebleness of mortal hand. But to that fane, most catholic and solemn. Which God hath planned. To that cathedral, boundless as our wonder, Whose quenchless lamps the sun and moon supply ; Its choir the winds and waves — its organ thunder — Its dome the sky. ^- % 42 Floral Poetry. There, as in solitude and shade I wander, Through the green aisles, or stretched upon the sod. Awed by the silence, reverently ponder The ways of God. Your voiceless lips, O flowers ! are living preachers, Each cup a pulpit, and each leaf a book, Supplying to my fancy numerous teachers From loneliest nook. Floral apostles ! that in dewy splendour, " Weep without woe, and blush without a crime," O may I deeply learn, and ne'er surrender Your lore sublime ! " Thou wert not, Solomon, in all thy glory. Arrayed," the lilies cry, " in robes like ours ; How vain your grandeur ! ah, how transitory Are human flowers ! " In the sweet-scented pictures, heavenly Artist ! With which thou paintest Nature's widespread hall, What a delightful lesson thou impartest Of love to all ! Not useless are ye, flowers, though made for pleasure, Blooming o'er field and wave by day and night. From every source your sanction bids me treasure Harmless delight. Ephemeral sages ! what instructors hoary For such a world of thought could furnish scope ? Each fading calyx a memento mori, Yet fount of hope. ^r ^ Floral Poetry. 43 Posthumous glories ! angel-like collection ! Upraised from seed or bulb interred in earth, Ye are to me a type of resurrection, A second birth. Were I, O God, in churchless lands remaining, Far from all voice of teachers or divines, My soul would find, in flowers of thy ordaining, Priests, sermons, shrines ! Horace Smith. THE SHEPHERD TO THE FLOWERS. SWEET Violets, Love's paradise, that spread Your gracious odours, which you, couchdd, bear Within your paly faces. Upon the gentle wing of some calm-breathing wind, That plays amidst the plain ! If, by the favour of propitious stars, you gain Such grace as in my lady's bosom place to find. Be proud to touch those places : And when her warmth your moisture forth doth wear. Whereby her dainty parts are sweetly fed, You, honours of the flowery meads, I pray, You pretty daughters of the earth and sun. With mild and seemly breathing straight display My bitter sighs, that have my heart undone ! Sir Walter Raleigh. fc ^ ^ ^ 44 Floral Poetry. BLESSED BE GOD FOR FLOWERS. BLESSED be God for flowers ; For the bright, gentle, holy thoughts that breathe From out their odorous beauty, like a wreath Of sunshine on life's hours. Ay, prize them well, my child — The bright young blooming things that never die — Pointing our hopes to happier worlds that lie Far o'er this earthly wild ; Prize them, that when forgot By all, their old familiar tints shall bring Sweet thoughts of her, whose dirge the deep winds sing. And whose love earth holds not ; Prize them, that through all hours Thou hold'st sweet commune with their beauty here ; And, rich in this, through many a future year, Bless thou our God for flowers ! I^Irs. Tinsley. THE BROKEN FLOWER. OH ! wear it on thy heart, my love, Still, still a little while ; Sweetness is lingering in its leaves, Though faded be their smile. Yet for the sake of what hath been. Oh ! cast it not away ; 'Twas born to grace a summer scene, A long, bright, golden day. My love, A long, bright, golden day ! Floral Poetry. 45 A little while around thee, love, Its fragrance yet shall cling, Telling that on thy heart hath lain A fair though faded thing. But not even that warm heart hath power To win it back from fate : — Oh ! I am like thy broken flower, Cherished too late, too late, My love. Cherished, alas ! too late. Mrs. Hemaiis. TO BLOSSOMS. FAIR pledges of a fruitful tree. Why do ye fall so fast ? Your date is not so past, But you may stay here yet awhile, To blush and gently smile. And go at last. What ! were ye born to be An hour or half's delight. And so to bid good-night ? 'Twas pity Nature brought ye forth Merely to show your worth. And lose you quite. But ye are lovely leaves, where we May read how soon things have Their end, though ne'er so brave ; And after they have shown their pride. Like you, awhile, they glide Into the grave. Herrick. «v 46 Floral Poetry. -^ FADED FLOWERS. Y?CADED flowers, ^ Sweet faded flowers, Beauty and death Have ruled your hours, Ye woke in bloom but a morn ago, And now are your blossoms in dust laid low. But yesterday, With the breeze ye strove — In the play of life. In the pride of love ; To and fro swung each radiant head. That now is drooping, and pale, and dead ! Delicate flower. With the pearl-white bells, No more shall dew-drop Sleep in thy cells ! No more, rich Rose, on thy heaving breast, The honey-bee fold his wings to rest ! Fair myrtle tree. Thy blossoms lie low. But green above them The branches grow ; Like a buried love, or a vanished joy, Linked unto memories none destroy. Floral Poetry. 47 Faded flowers, Sweet faded flowers ! — Fair frail records Of Eden's bowers ; In a world where sorrow and wrong bear sway, \ Why should ye linger ? — Away 1 away ! What were the emblems Pride to stain, Might ye your glorious Crowns retain ? And what for the young heart, bowed with grief, Were the Rose ne'er seen with a withered leaf ! Ye bloom to tell us What once hath, been ; What yet shall in heaven Again be seen ; Ye die, that man in his strength may learn How vain the hopes in his heart that burn. Many in form, And bright in hue ! I know your fate — But the earth to strew — And my soul flies on to immortal bowers, Where the heart and the Rose are not faded flowers. Miss Jewsbiiiy. ^ ™.,„„==.™=_=___=__=.=-.™-__._ Ji -^ 48 Floral Poetry. TRANSPLANTED FLOWERS. YE living gems of cold and fragrant fire ! Die ye for ever, when ye die, ye flowers ? Take ye, when in your beauty ye expire, An everlasting farewell of your bowers ? No more to listen for the wooing air. And song-brought morn, the cloud-tinged woodlands o'er! No more to June's soft lip your breasts to bare. And drink fond evening's dewy breath no more ! Soon fades the sweetest, first the fairest dies. For frail and fair are sisters ; but the heart. Filled with deep love, Death's power to kill denies, And sobs e'en o'er the dead, "We cannot part!" Have I not seen thee, Wild Rose, in my dreams ? Like a pure spirit — beauteous as the skies. When the clear blue is brightest, and the streams Dance down the hills, reflecting the rich dyes Of morning clouds, and cistus woodbine-twined — Didst thou not wake me from a dream of death ? Yea, and thy voice was sweeter than the ■^^■ind When it inhales the love-sick Violet's breath, Bending it down with kisses, where the bee Hums over golden gorse, and sunny broom. Soul of the Rose ! what said'st thou then to me ? " We meet," thou said'st, " though severed by the tomb : Lo, brother, this is heav'n ! and thus the just shall bloom.'' E. Elliott. %- Floral Poetry. 49 FLOWERS FOR THE HEART. FLOWERS ! winter flowers !— the child is dead, The mother cannot speak; Oh, softly couch his little head, Or Mary's heart will break ! Amid those curls of flaxen hair This pale pink riband twine. And on the little bosom there Place this wan lock of mine. How like a form in cold white stone. The coffined infant lies ! Look, mother, on thy little one, And tears will fill thine eyes. She cannot weep, more faint she grows. More deadly pale and still ; Flowers ! oh, a flower ! a "Winter Rose, That tiny hand to fill. Go, search the fields ! the lichen wet Bends o'er th' unfailing well; Beneath the furrow lingers yet The scarlet Pimpernel. Peeps not a Snowdrop in the bower. Where never froze the spring? A Daisy ? ah ! bring childhood's flower ! The half-blown Daisy bring ! Yes, lay the Daisy's little head Beside the little cheek ; Oh, haste ! the last of five is dead ! The childless cannot speak ! E. Elliott. fc ^ 50 Floj'al Poetry. THE DYING GIRL AND FLOWERS. Y3EAR them not from grassy dells, ^-^ Where wild bees have honey-cells ; Not from where sweet water-sounds Thrill the greenwood to its bounds ; Not to waste their scented breath On the silent room of Death ! Kindred to the breeze they are, And the glow-worm's emerald star ; And the bird, whose song is free, And the many-whispering tree : Oh ! too deep a love, and fain, They would win to earth again. Spread them not before the eyes Closing fast on summer skies ! Woo thou not the spirit back From its lone and viewless track, With the bright things which have birth Wide o'er all the coloured earth ! With the Violet's breath would rise Thoughts too sad for her who dies ; From the Lily's pearl-cup shed. Dreams too sweet would haunt her bed ; Dreams of youth — of spring-time eves — Music — beauty — all she leaves ! i^ ■■ 4 Floral Poetry. 51 Hush ! 'tis thou that dreaming art, Ca,lmer is her gentle heart. Yes ! o'er fountain, vale, and grove, Leaf and flower, hath gushed her love ; But that passion, deep and true, Knows not of a last adieu. Types of lovelier forms than. these. In their fragile mould she sees ; Shadows' of yet richer things. Born beside immortal springs, Into fuller glory wrought. Kindled by surpassing thought. Therefore in the Lily's leaf She can read no word of grief; O'er the Woodbine she can dwell. Murmuring not — Farewell ! farewell ! And her dim, yet speaking eye. Greets the Violet solemnly. Therefore, once, and yet again, Strew them o'er her bed of pain ; From her chamber take the gloom. With a light and flush of bloom : So should one depart, who goes Where no death can touch the Rose. Anonvmous. ^- 52 Floral Poetry. FLOWERS: SENT THE WRITER DURING ILLNESS. Y LOVED you ever, gentle flowers, ^ And made you playmates of my youth ; The while your spirit stole In secret to my soul, To shed a softness through my ripening powers, And lead the thoughtful mind to deepest truth. And now, when weariness and pain Had cast you almost from my breast, With each a smiling face, In all your simple grace. You come once more to take me back again From pain to ease, from weariness to rest. Kind visitants ! through my sick-room You seem to breathe an air of health. And with you looks of joy To wake again the boy, And to the pallid cheek restore its bloom, And o'er the desert mind pour boundless wealth. And whence ye came, by brimming stream, 'Neath rustling leaves, with birds within. Again I. musing tread — Forgot my restless bed. And long sick hours — Too short the blessed dream ! I woke to pain ! — to hear the city's din ! ■1^ Floral Poetry. S3 But time nor pain shall ever steal Or youth or beauty from my mind ; And blessings on ye, flowers, Though few with me your hours, The youth and beauty and the heart to feel, In her who sent you, ye will leave behind ! Richard H. Dana. SPRING FLOWERS. WELCOME, little Buttercups; Oh, the pretty flowers ! Coming ere the spring-time. To tell of sunny hours. While the trees are leafless. While the fields are bare, Golden, glossy Buttercups Spring up here and there. Welcome, little Buttercups, Welcome, Daisies white, Ye are in my spirit, Visioned a delight. Coming ere the spring-time, Of sunny hours to tell. Speaking to our hearts of Him Who doeth all things well. nes StiicklamL dSr>- ^' T5 54 Floral Poetry. DREAMS AND FLOWERS WILL FADE. k^- Y KNOW where the winged visions dwell ^ That around the night-bed play ; I know each herb and tioweret's bell, AVhere they hide their wings by day. Then hasten \ye, maid, To twine our braid, To-morrow the dreams and flowers • will fade. The image of love, that nightly flies To visit the bashful maid. Steals from the Jasmine-flower, that sighs Its soul, like her, in the shade. The dream of a future, happier hour That alights on misery's brow. Springs out of the silvery Almond-flower, That blooms on a leafless bough. Then hasten we, maid. To twine our braid, To-morrow the dreams and flowers will fade. The visions, that oft to worldly eyes The ghtter of mines unfold. Inhabit the mountain-herb, that dyes The tooth of the fawn like gold. The phantom shapes — oh, touch not them — That appal the murderer's sight. Lurk in the fleshly mandrake's stem. That shrieks, when torn at night ! Then hasten we, maid. To twine our braid. To-morrow the dreams and flowers will fade. -^ Floral Poetry. 55 The dream of the injured, patient mind, That smiles at the wrongs of men. Is found in the bruised and wounded rind Of the Cinnamon, sweetest then ! Then hasten we, maid. To twine our braid, To-morrow the dreams and flowers will fade. Moore. THE LOVE OF FLOWERS. FLOWERS ! flowers ! bright, merry-faced flowers ; I bless ye in joyous or saddened hours : I love ye dearly. Ye look so cheerly. In Summer, Autumn, Winter or Sfjring, A flower is to me the loveliest thing That hath its birth On this chequered earth : — Oh ! who will not chorus the lay I sing ! Flowers! flowers! who loveth them not? Who hath his childhood's sports forgot? When Daisies white, And King-cups bright, And Snowdrops, Cowslips, and Daffodils, Lured us to meadows and woods and rills ; And we wandered on. Till a wreath was won Of the heather-bells crowning the far-off" hills. L. A. Tramlev. fe^ ■m ^ ^ 56 Floral Poetry. THE GARLAND. /TXHE pride of every grove I chose, ^ The Violet sweet, the Lily fair. The dappled Pink and blushing Rose, To deck my charming Chloe's hair. At morn the nymph vouchsafed to place Upon her brow the various wreath ; The flowers less blooming than her face, The scent less fragrant than her breath. The flowers she wore along the day, And every nymph and shepherd said. That in her hair they looked more gay Than glowing in their native bed. Undressed at evening, when she found Their odours lost, their colours past ; She changed her look, and on the ground Her garland and her eyes she cast. That eye dropped sense distinct and clear. As any Muse's tongue could speak, When from its lid a pearly tear Ran trickling down her beauteous cheek. Dissembling what I knew too well, My love, my life, said I, explain This change of humour : pr'ythee tell : That falling tear — what does it mean ? fe ^ ^ Floral Poetry. 57 She sighed : she smiled : and to the flowers Pointing, the lovely moralist said — See, friend, in some few fleeting hours, See yonder, what a change is made. Ah me ! the blooming pride of May, And that of beauty, are but one : At morn both flourish bright and gay ; Both fade at evening, pale and gone. At dawn poor Stella danced and sung, The amorous youth around her bowed \ At night her fatal knell was rung ; I saw, and kissed her in her shroud. Such as she is, who died to-day. Such I, alas ! may be to-morrow ; Go, Damon, bid the Muse display The justice of thy Chloe's sorrow. Prior, SAINT VALENTINE AND SPRING FLOWERS. SAINT VALENTINE kindles the Crocus, Saint Valentine wakens the birds ; I would that his power could wake us In tender and musical words ! So, fairest and sweetest, your pardon (If no better welcome) I pray ! — There's spring-time in grove and in garden ; Perchance it may breathe in my lay. 58 Floral Poetry. I think and I dream (did you know it?) Of somebody's eyes, her soft hair, The neck bending whitely below it, The dress that she chances to wear. Each tone of her voice I remember. Each turn of her head, of her arm ; Methinks, had she faults out of number, Being hers, they were certain to charm. So friendly her face that I tremble, On friendship so sweet having ruth ; But why should I longer dissemble ? Or will you not guess at the truth? And that is, dear maiden, I love you ! The sweetest, the brightest, the best ! Happy the roof-tree above you, The floor where your footstep is prest ! May some new deliciousness meet you On every new day of the Spring ; Each flower, in its turn, bloom to greet you, Lark, mavis, and nightingale sing. May kind vernal powers in your bosom Their tenderest influence shed ! May I, when the Rose is in blossom, Enweave you a crown, white and red. fr ^ Floral Poetry. 59 THE WINTER NOSEGAY. WHAT Nature, alas ! has denied To the delicate growth of our isle, Art has in a measure supplied, And Winter is decked with a smile. See, Mary, what beauties I bring From the shelter of that sunny shed, Where the flowers have the charms of the Spring, Though abroad they are frozen and dead. 'Tis a bower of Arcadian sweets, Where Flora is still in her prime, A fortress to which she retreats From the cruel assaults of the clime. While earth wears a mantle of snow, These pinks are as fresh and as gay As the fairest and sweetest that blow On the beautiful bosom of May. See how they have safely survived The powers of a sky so severe ; Such Mary's true love, that has lived Through many a turbulent year. The charms of the late-blowing Rose Seem graced with a livelier hue, And the winter of sorrow best shows The truth of a friend such as you. Cowpcr. fc : ^ ^ ^ 60 Floral Poetry. FIELD FLOWERS OF SUMMER. YE field flowers ! the gardens eclipse you, 'tis true, Yet, wildlings of nature, I dote upon you, For ye waft me to summers of old, \Vhen the earth teemed around me with fairy delight, And when Daisies and Buttercups gladdened my sight. Like treasures of silver and gold. I love thee for lulling me back into dreams Of the blue Highland mountains and echoing streams, And of birchen glades breathing their balm, ^^'hile the deer was seen glancing in sunshine remote. And the deep mellow crush of the wood-pigeon's note ^lade music that sweetened the calm. Not a pastoral song has a pleasanter tune Than ye speak to my heart, little wildlings of June : Of old ruinous castles ye tell, Where I thought it delightful your beauties to find, When the magic of nature first breathed on my mind. And your blossoms were part of the spell. E\cn now what affections the Violet awakes ! ^\'hat loved little islands, twice seen in their lakes. Can the wild AVater-lily restore ! What landscapes I read in the Primrose's looks, And what pictures of pebbled and minnowy brooks. In the Vetches that tangled their shore ! is. ^ i 4-I' w ^ Floral Poetry. 6i Earth's cultureless buds, to my heart ye were dear, Ere the fever of passion, or ague of fear, Had scathed my existence's bloom ; Once I welcome you more, in life's passionless stage, With the visions of youth to revisit my age. And I wish you to grow on my tomb. Campbell. SPRING FLOWERS. r> OWING adorers of the gale, *^ Ye Cowslips delicately pale. Upraise your loaded stems, Unfold your cups in splendour ; speak ! Who decked you with that ruddy streak, And gilt your golden gems ? Violets, sweet tenants of the shade. In purple's richest pride arrayed. Your errand here fulfil ! Go, bid the artist's simple stain Your lustre imitate, in vain, And match your Maker's skill. Daisies, ye flowers of lowly birth,' Embroid'rers of the carpet earth. That stud the velvet sod; Open to Spring's refreshing air. In sweetest smiling bloom declare Your Maker and my God. John Clare. fr 4 ^— ^ 62 Floral Poetrv. LINES SUGGESTED BY SOME LATE AUTUMN FLOWERS. THESE few pale Autumn flowers, How beautiful they are ! Than all that went before, Than all the Summer store. How lovelier far ! And why ? they are the last ! The last ! the last ! the last ! Oh ! by that little word How many thoughts are stirred. That whisper of the past. Pale flowers ! pale perishing flowers ! Ye're types of precious things ; Types of those better moments That flit, like Life's enjoyments, On rapid, rapid wings. Last hours with parting dear ones (That time the fastest spends) ; Last tears in silence shed ; Last words half uttered ; Last looks of dying friends. Who but would fain compress A life into a day — The last day spent with one, Who, ere to-morrow's sun. Must leave us, and for aye ! fe^ -^ ^ ^ Floral Poetry. 63 precious, precious moments ! Pale flowers ! ye're types of those : The saddest, sweetest, dearest ; Because, like those, the nearest To an eternal close. Pale flowers ! pale perishing flowers ! I woo your gentle breath : 1 leave the Summer Rose For younger, blither brows ; Tell me of change and death. Anon. WITHERING! WITHERING! lOjITHERING— withering— all are withering ! "H AH of hope's flowers that youth hath nursed; Flowers of love too early blossoming ; Buds of ambition, too frail to burst. Faintly — faintly — -oh, how faintly I I feel life's pulses ebb and flow ; Yet sorrow, I know thou dealest daintily. With one who should not wish to live moe. Nay I why, young heart, thus timidly shrinking? Why doth thy upward wing thus tire? Why are thy pinions so droopingly sinking, When they should only waft thee higher? Upward — upward — let them be waving, Lifting the soul toward her place of birth ; There are guerdons there, more worthy thy having, Far more than any these lures of the earth. Hoffman. 64 Floral Poetry. THE DEATH OF THE FLOWERS, THE melancholy days are come, the saddest of the year, Of wailing winds, and naked woods, and meadows brown and sere ; Heaped in the hollows of the grove, the withered leaves lie dead ; They rustle to the eddying gust, and to the rabbit's tread. The robin and the wren are flown, and from the shrub the jay, And from the wood-top calls the crow, through all the gloomy day. Where are the flowers, the fair young flowers, that lately sprung and stood In brighter light and softer airs, a beauteous sisterhood ? Alas ! they all are in their graves — the gentle race . of flowers Are lying in their lowly beds, with the fair and good of ours. The rain is falling where they lie ; but the cold November rain Calls not from out the gloomy earth, the lovely ones again. The Wind-flower and the Violet, they perished long ago ; And the Wild-rose and the Orchis died amid the Summer glow ; But on the hill the Golden-rod, and the Aster in the wood. And the yellow Sunflower by the brook, in Autumn beauty stood. Till fell the frost from the clear cold heaven, as falls the plague on men, And the brightness of their smile was gone from upland glade and glen. And now, when comes the calm mid-day, as still such days will come, To call the squirrel and the bee from out their wintry home ; Where the sound of dropping nuts is heard, though all the leaves are still, And twinkle in the smoky light the waters of the rill. The south-wind searches for the flowers whose fragrance late he bore. And sighs to find them in the wood, and by the stream, no more. And then I think of one, who in her youthful beauty died ; The fair meek blossom that grew up and faded by my side ; In the cold moist earth we laid her, when the forest cast the leaf. And we wept that one so lovely should have a life so brief; Yet not unmeet it was, that one like that young friend of ours, So gentle and so beautiful, should perish with the flowers. Bryant. ^' -•^ PART II.-POEMS ON SPECIAL FLOWERS. ADONIS' COUCH. N a silken couch of rosy pride, ,- In midst of all, there lay a sleeping youth Of fondest beauty; fonder in fair sooth Than sighs could fathom, or contentment reach ; And coverlids gold-tinted like the peach, Or ripe October's faded Marigolds, Fell sleek about him in a thousand folds — Not hiding up an Apollonian curve Of neck and shoulder, nor the tending swerve Of knee from knee, nor ankles pointing light; But rather giving them to the filled sight Officiously. Sideway his face reposed On one white arm, and tenderly unclosed. By tend'rest pressure, a faint damask mouth, To slumb'ry pout; just as the morning south Disparts a dew-lipped rose. Above his head Four Lily stalks did their wide honours wed To make a coronet ; and round him grew All tendrils green, of every bloom and hue, C^ ■^ 66 Floral Poetry. Together intertwined and trammelled fresh : The Vine of glossy sprout ; the Ivy mesh, Shading its Ethiop berries ; and Woodbine, Of velvet leaves and bugle blooms divine ; Convolvulus in streaked vases flush ; The Creeper, mellowing for an autumn blush ; And Virgin's-bower, trailing airily, With others of the sisterhood. Hard by, Stood serene Cupids watching silently. One, kneeling to a lyre, touched the strings. Muffling to death the pathos with his wings ; And, ever and anon, uprose to look At the youth's slumber ; while another took A Willow bough, distilling odorous dew, And shook it on his hair ; another flew In through the woven roof, and fluttering wise. Rained Violets upon his sleeping eyes. THE AMARANTH. GROWNS inwove with .Amaranth and gold. Immortal Amaranth, a flower which once In Paradise, fast by the Tree of Life, Began to bloom ; but soon, for man's offence, To Heaven removed, where first it grew, there grows And flowers aloft, shading the Fount of Life, And where the River of Bliss, through midst of Heaven. Rolls o'er Elysian flowers her amber stream ; With these, that never fade, the spirits ulect Bind their resplendent locks. Milhui. V5U ^' Floral Poetry. 67 ALMOND-BLOSSOM. BLOSSOM of the Almond-trees, April's gift to April bees, Birthday ornament of Spring, Flora's fairest daughterling ; Coming when no flow'rets dare. Trust the cruel outer air ; When the royal King-cup bold Dares not don his coat of gold. And the sturdy Blackthorn spray Keeps his silver for the May; Coming when no flow'rels would, Save thy lowly sisterhood ; Early Violets, blue and white, Dying for their love of light. Almond-blossoms, sent to teach us That the Spring-days soon will reach us. Lest, with longing over-tried, We die as the Violets died. Blossom, crowding all the tree With thy crimson 'broidery. Long before a leaf of green On the bravest bough is seen ; Ah ! when winter winds are swinging All thy red-bells into ringing. With a bee in every bell, Almond-blossom, we greet thee well. Edwin Arnold. fe- -^ 68 Floral Poetry. THE ALMOND-TREE. YrlLEETING and falling, * Where is the bloom Of yon fair Almond-tree ? It is sunk in the tomb. Its tomb wheresoever The wind may have borne The leaves and the blossoms Its roughness has torn. Some there are floating On yon fountain's breast, Some line the moss Of the nightingale's nest. Some are just strewn O'er the green grass below, And there they lie stainless As Winter's first snow. Yesterday, on the boughs They hung scented and fair ; To-day they are scattered The breeze best knows where. To-morrow those leaves Will be scentless and dead, For the kind to lament, And the careless to tread. fc- ^ ^ ^ Floral Poetry. 69 And is it not thus With each hope of the heart ? With all its best feelings, Thus will they depart. They'll go forth to the world On the wings of the air, Rejoicing and hoping; But what will be there? False lights to deceive, False friends to delude, Till the heart in its sorrow's Left only to brood. Over feelings crushed, chilled, Sweet hopes ever flown ; Like that tree when its green leaves And blossoms are gone. L. E. Landoti. ^ -___„ ^ pr- 70 Floral Poetry. "BUTTERCUPS AND DAISIES; NEVER see a young hand hold The starry bunch of white and gold, But something warm and fresh will start About the region of my heart. "Si^Jt My smile expires into a sigh ; I feel a struggling in the t'ye, 'Twixt humid drop and sparkling ray, Till rolling tears ha\-e won their way ; For soul and brain ^^■ill travel back Through Memory's chequered mazes, To days when I but trod Life's track For "Buttercups and Daisies.'' Tell me, ye men of wisdom rare. Of sober speech and silver hair ; \Vho carry counsel, wise and sage, \\'ith all the gravity of age : Oh ! say, do ye not like to hear The accents ringing in your ear, When sportive urchins laugh and shout. Tossing those precious flowers about, Springing with bold and gleesome bound. Proclaiming joy that crazes; And chorussing the magic sound Of "Buttercups and Daisies"? fc- ^ ^- ^ Floral Poetry. 71 Are there, I ask, beneath the sky Blossoms that knit so strong a tie With childhood's love? Can any please Or light the infant eye like these? No, no ; there's not a bud on earth Of richest tint, or warmest birth, Can ever fling such zeal and zest. Into the tiny hand and breast. Who does not recollect the hours When burning words and praises Were lavished on those shining flowers, "Buttercups and Daisies"? There seems a bright and fairy spell About their very names to dwell ; And though old Time has marked my brow With care and thought, I love them now. Smile, if ye will, but some heart-strings Are closest linked to simplest things ; And these wild flowers will hold mine fast. Till love, and life, and all be past ; And then the only wish I have Is, that the one who raises The turf-sod o'er me plant my grave With "Buttercups and Daisies.'' Eliza Cook. ^ -~— — ^ ^ ^ If 72 Floral Poetry. I TO THE BRAMBLE FLOWER. jnf^HY fruit full well the schoolboy knows, ^ Wild Bramble of the brake ! So, put thou forth thy small white Rose ; I love it for his sake. Though Woodbines flaunt and Roses glow O'er all the fragrant bowers, Thou need'st not be ashamed to show Thy satin-threaded flowers ; For dull the eye, the heart is dull That cannot feel how fair, Amid all beauty, beautiful Thy tender blossoms are ! How delicate thy gauzy frill ! How rich thy branchy stem ! How soft thy voice when woods are still, And thou sing'st hymns to them ! While silent showers are falling slow, And, 'mid the general hush, A sweet air lifts the little bough, Lone whispering through the bush ! The Primrose to the grave is gone ; The Hawthorn flower is dead ; The Violet by the mossed grey stone Hath laid her weary head ; ■k , ^ Hit ^' ^ Floral Poetry. y. But thou, Wild Bramble ! back dost bring, In all their beauteous power. The fresh green days of life's fair spring, And boyhood's blossomy hour. Scorned Bramble of the brake ! once more Thou bidd'st me be a boy. To gad with thee the woodlands o'er. In freedom and in joy. E. Elliott. BLUE-BELLS IN THE SHADE. THE choicest buds in Flora's train, let other fingers twine; Let others snatch the damask Rose, or wreathe the Eglantine ; I'd leave the sunshine and parterre, and seek the woodland glade. To stretch me on the fragrant bed of Blue-bells in the shade. Let others cull the Daffodil, the Lily soft and fair ; And deem the Tulip's gaudy cup most beautiful and rare ; But give to me, oh, give to me, the coronal that's made Of ruby Orchis mingled with the Blue-bells from the shade ! The Sunflower and the Peony, the Poppy bright and gay. Have no alluring charms for me ; I'd fling them all away : Exotic bloom may fill the vase, or grace the high-born maid ; But sweeter far to me, than all, are Blue -bells in the shade. Eliza Cook. U- ^- 74 -^ Floral Poetry. TO THE SMALL CELANDINE. ANSIES, Lilies, King-cups, Daisies, Let them live upon their praises ; Long as there's a sun that sets, Primroses will have their glory ; Long as there are Violets, They will have a place in story ; There's a flower that shall be mine, 'Tis the little Celandine. Ere a leaf is on the bush, In the time before the thrush Has a thought about her nest, Thou wilt come with half a call, Spreading out thy glossy breast Like a careless prodigal ; Telling tales about the sun, When we've little warmth, or none. Comfort have thou of thy merit. Kindly unassuming spirit ! Careless of thy neighbourhood. Thou dost show thy pleasant face On the moor, and in the wood. In the lane — there's not a place, Howsoever mean it be, But 'tis good enough for thee. Ill befall the yellow flowers. Children of the flaring hours ! Buttercups that will be seen, Whether we will see or no ; U^- -^ ^ ^ Floral Poetry. 75 Others, too, of lofty mien, They have done as worldlings do, Taken praise that should be thine. Little, humble Celandine ! Prophet of delight and mirth, 111 requited upon earth; Herald of a mighty band, Of a joyous train ensuing, Serving at my heart's command. Tasks that are no tasks renewing ; I will sing, as doth behove. Hymns in praise of what I love ! Wordsworth. TO THE CROCUS. LOWLY, sprightly little flower ! f Herald of a brighter bloom, Bursting in a sunny hour From thy winter 'tomb. Hues you bring, bright, gay, and tender, As if never to decay ; Fleeting in their varied splendour — Soon, alas ! it fades away. Thus the hopes I long had cherished. Thus the friends I long had known, One by one, like you have perished. Blighted I must fade alone. Mary Patterson. pr -^ 76 Floral Poetry. THE CLOSED CONVOLVULUS. AN hour ago, and sunny beams ■ Were glancing o'er each airy bell ; And thou wert drinking in those gleams, Like beauty listening love's farewell. And now \yith folded drooping leaves. Thou seemest for that light to mourn, Like unto one who fondly grieves The hours that stay some friend's return. We cannot trace the hidden power Which folds thine azure petals up, ^Vhen evening shadows dimly lower, And dewdrops gem each flow'ret's cup. iMethinks I should not wish to be Like thee, a votary of the sun — To bask beneath his beams, yet flee ^Vhene'er his brilliant race is run. Oh ! dearer far the silent night. And lovelier far the star-lit sky. Than gaudy day with sunbeams bright, And loud with nature's minstrelsy. The night-bird's song is not for thee, The beautiful, the silver moon. The holy calm o'er flowers and tree, The stfllness — nature's dearest boon. <;> ^ -^ pr- ^ Floral Poetjy. 77 Thou art a reveller of day, A fair, rejoicing child of light; Glad while the sunbeams o'er thee play, But drooping in the quiet night. Like unto those who freely spend Their kindness in our happier hours ; But should affliction want a friend, They prove the sun's adoring flowers. Anon. THE COWSLIP'S STORY. /Y^HE Cowslip sweet was a milkmaid once, ^ A milking maiden fair to see, But the lover she worshipped was naught but a dunce, And she grew yellow with jealousy. For he followed a lass with bold black e'en, And she was left to pine and cry, And her poor heart bled ; till in gown of sheen, She laid herself down on a bank to die. They buried her there, and out of her grave There grew a plant with soft green leaves. And a pale fair bud, that pity would crave, Sprinkled with heart-drops, ever it grieves. Now, maidens all, be wary and wise. Choose not a love who will leave you to pine ; But whoso courts you in truthful guise. Test him, and take him for Valentine. B. Montgomerk Ranking. ^ ^ %' -^ 78 Floral Poetry. COWSLIPS. /\H ! fragrant dwellers of the lea, ^^ ^^'hen first the wild wood rings With each sound of vernal minstrelsy, AVhen fresh the green grass springs ! A\'hat can the blessed Spring restore, More gladd'ning than your charms ? Bringing the memory once more Of lovely fields and farms ! Of thickets, breezes, birds, and flowers ; Of life's unfolding prime ; Of thoughts as cloudless as the hours ; Of souls without a crime. Oh ! blessed, blessed do ye seem, For even now, I turned, A\'ith soul athirst for wood and stream. From streets that glared and burned. From the hot town, where mortal care His crowded fold doth pen ; AVhere stagnates the polluted air In many a sultry den. And are ye here ? and are ye here ? Drinking the dew-like wine, 'Midst living gales and waters clear. And heaven's unstinted shine. c.-J ^ ^ ■ ^ Floral Poetry. 79 I care not that your little life Will quickly have run through, And the sward with summer children rife Keep not a trace of you. For again, again, on dewy plain, I trust to see you rise. When Spring renews the wild wood strain, And bluer gleam the skies. Again, again, when many springs Upon my grave shall shine. Here shall you speak of vanished things, To living hearts of mine. Mary Howitt. TO A CROCUS, GROWING UP AND BLOSSOMING BENEATH A WALL-FLOWER. WELCOME, wild harbinger of Spring ! To this small nook of earth; Feeling and fancy fondly cling Round thoughts which owe their birth To thee, and to the humble spot Where chance has fixed thy lowly lot. To thee — for thy rich golden bloom, Like heaven's fair bow on high, Portends, amid surrounding gloom. That brighter hours draw nigh, When blossoms of more varied dyes Shall ope their tints to warmer skies. 80 Floral Poetry. Yet not the Lily, nor the Rose, Though fairer far they be, Can more delightful thoughts disclose Than I derive from thee : The eye their beauty may prefer ; The hfeart is thy interpreter ! Methinks in thy fair flower is seen, By those whose fancies roam. An emblem of that leaf of green The faithful dove brought home, AMicn o'er the world of waters dark ^\'ere driven the inmates of the ark. That leaf betokened freedom nigh To mournful captives there ; Thy flower foretells a sunnier sky. And chides the dark despair By \Vinter's chilling influence flung O'er spirits sunk, and nerves unstrung. And sweetly has kind Nature's hand Assigned thy dwelling-place Beneath a flower whose blooms expand. With fond congenial grace, On many a desolated pile, Eright'ning decay with Beauty's smile. Thine is the flower of Hope, whose hue Is bright with coming joy ; The Wall-flower's that of faith, too true For ruin to destroy ; And where, oh ! where should Hope upspring, But under Faith's protecting wing. Bernard Barton. cfe--- ^ ^ Floral Poetry. A CYPRESS LEAF: FOR THE GRAVE OF A DEAR ONE. THE feelings I have felt have died away, The love that was my lamp death's dews have quenched ; The faith which, through life's ills, ne'er knew decay, Hath in the chill showers of the grave been drenched ; The hopes that buoyed my spirit 'mid the spray Of life's wild ocean, one by one are wrenched — Cruelly wrenched away, — and I am now A solitary leaf on a rent bough ! The link that knit me to mankind is snapped — Briefly it bound me to a callous world ; The fortress of my comfort hath been sapped — Where are Joy's banners, lightsomely unfurled. That graced the battlements? In vapour wrapped, In the dense smoke of stifled breath upcurled, They drop in tatters — forming now a pall For the sad mummy-heart that drips with gall. I have not now of broken troth to wail, I have not now to speak of friendship broken ; Of Death and Death's wild triumphs is my tale — Of friendship faithful, and of love's last token, A ring ! — whose holy motto ne'er shall fail To rouse such sorrow as may ne'er be spoken : That pictured Dove and Branch — those words, "La Faix /" (O direful mockery!) wear my heart away!* * A melancholy anecdote is attached to these lines ; the motto, " La Paix," was engraved on the bequeathed gift of a beloved friend, who, in the bloom of youth, fell a victim to a sudden and violent death in India. 82 Floral Poeliy. " Peace V — Peace! alas, there is no peace for me. It rests with thee, belov'd one, in the grave ! Yet, when I search the cells of Memory, Where silently the subterranean wave < )f buried hope glides on, a thought of thee — Like sunshine on the hermit's darkened cave — Steals gently o'er my spirit, whispering sweet Of realms beyond the tomb, where we shall meet ! ( )ar love — how did it spring ? In sooth it grew, Even as some rare exotic in a clime Unfriendly to its growth : yet rich in hue. Voluptuous in fragrance, as if Time Had been to it all sunlight and soft dew, — As if upon its freshness the cold rime f)f death should never fall! How came it, then? Even as the manna fell 'midst famished men. To be snatched up in transport ! And we fed Upon affection's banquet, that ne'er palled Upon the spirit's palate ! Friendship shed A light around our bosoms, which recalled The memory of that bard whose soul was wed — ^Vlth love surpassing woman's love, ungalled By selfish doubts — to him, the monarch's son, Brave Jonathan ! Like theirs, our souls were one. Oh ! long we loved in silence ! Neither spake Of that which worked the thoughtful mine within ; Thou didst not guess that, sleeping or awake, My thoughts were full of thee till thought grew sin : ►^ ^ Floral Poetry. 83 For it is sin of earthly things to make Our idols; and I never hoped to win Thy coveted affection ; but for me, Thy heart was also yearning silently! I was the first to speak — and words there were, Wild words that painted fond affection's course ; — Oh ! what indeed will erring tongues not dare, When conquering Feeling prompts ! Like winds that force From wind-harps mystic sounds, the lips declare Thoughts that are often followed by remorse ; For passion hath a potency that breaks Each puny bulwark callous Reason makes ! But ours was Friendship's purest worship — pure, Altho' that worship bowed at earthly shrines ; Alas ! that hearts on altars insecure Should sacrifice their all of bliss ! There twines O'er mankind's sweetest hopes corruption sure, To blast their beauty e'en whilst most it shines ! — 'Tis but to teach us there are worlds above. Where Hope fruition finds in endless Love ! Anon. k^- % cp57 fi'^ 84 Floral Poetry. THE CYPRESS WREATH. r\ LADY, twine no wreath for me, " Or twine it of the Cypress tree ! Too lively grow the Lilies light, The varnished Holly's all too bright. The May-flower and the Eglantine May shade a brow less sad than mine ; But, Lady, weave no wreath for me, Or weave it of the Cypress tree ! Let dimpled Mirth his temples twine ^^'ith tendrils of the laughing Vine ; The manly Oak, the pensive Yew, To patriot and to sage be due ; The Myrtle bough bids lovers live. But that Matilda will not give ; Then, Lady, twine no wreath for mc, Or twine it of the Cypress tree I Let merry England proudly rear Her blended Roses, bought so dear ; Let Albin bind her bonnet blue With Heath and Harebell dipped in dew ; On favoured Erin's crest be seen The flower she loves of emerald green — But, Lady, twine no wreath for me. Or twine it of the Cypress tree. fe^ ^ Floral Poeti^y. 85 fe.- Strike the wild harp, while maids prepare The Ivy meet for minstrel's hair ; And, while his crown of Laurel-leaves, With bloody hand the victor weaves. Let the loud trump his triumph tell ; But, when you hear the passing-bell, Then, Lady, twine a wreath for me. And twine it of the Cypress tree. Yes ! twine for me the Cypress bough ; But, O Matilda, twine not now ! Stay till a few brief months are past, And I have looked and loved my last ! When villagers my shroud bestrew With Tansies, Rosemary, and Rue, — Then, Lady, weave a wreath for me. And weave it of the Cypress tree. Sir Walter Scott. ^ —^ 86 Floral Poetry. DAFFODILS. ^\'ANDERED lonely as a cloud That floats on high o'er vales and hills, When all at once I saw a crowd, exg^jSjtj ii'd^* A host, of golden Daffodils ; ^g)^\. Beside the lake, beneath the trees, Fluttering and dancing m the breeze. Continuous as the stars that shine And twinkle in the milky way, They stretched in never-ending line Along the margin of a bay : Ten thousand saw I at a glance. Tossing their heads in sprightly dance. The waves beside them danced; but they Outdid the sparkling waves in glee : A poet could not but be gay. In such a jocund company : I gazed — and gazed — but little thought What weafth the show to me had brought : For oft when on my couch I lie. In vacant or in pensive mood. They flash upon that inward eye Which is the bliss of solitude ; And then my heart with pleasure fills. And dances with the Daffodils. Words^vorth. fe^' -% ^- ^ F/oral Poetry 87 THE DAISY J'YXHERE is a flower, a little flower, ^ With silver crest and golden eye, That welcomes every changing hour. And weathers every sky. The prouder beauties of the field In gay but quick succession shine ; Race after race their honours yield. They flourish and decline. But this small flower to nature dear, While moon and stars their courses run. Wreathes the whole circle of the year, Companion of the sun. It smiles upon the lap of May, To sultry August spreads its charms. Lights pale October on its way. And twines December's arms. The purple Heath, and golden Broom, On moory mountains catch the gale ; O'er lawns the Lily sheds perfuine. The Violet in the vale ; But this bold floweret climbs the hill. Hides in the forest, haunts the glen. Stays on the margin of the rill, Peeps round the fox's den. fr ^ ^ Floral Poetry. -^ Within the garden's cultured round It shares the sweet Carnation's bed ; And blooms in consecrated ground In honour of the dead. The lambkin crops its crimson gem ; The wild-bee murmurs on its breast ; The blue-fly bends its pensile stem, Light o'er the skylark's nest. 'Tis Flora's page ; — in every place, In every season fresh and fair, It opens with perennial grace. And blossoms everywhere. On waste and woodland, rock and plain. Its humble buds unheeded rise ; The Rose has but a summer reign, The Daisy never dies. Alont^omery, THE DAISY /YXHESE flow'rds white and red, A Such that men callen Daisies in our town ; To them have I so great affection, As I said erst, when comen is the May, That in my bed there daweth me no day, That I n'am up and walking in the mead To see this flow'r against the sunn ^- ^ ^ Floral Poetry. m LESSONS FROM THE GORSE. MOUNTAIN Gorses, ever-golden, Cankered not the whole year long ! Do ye teach us to be strong, Howsoever pricked and holden, Like your thorny blooms, and so. Trodden on by rain and snow, Up the hill-side of this life, as bleak as where ye grow? Mountain blossoms, shining blossoms. Do ye teach us to be glad. When no Summer can be had, Blooming in our inward bosoms ? Ye, whom God preserveth still, Set as lights upon a hill. Tokens to the wintry earth that Beauty liveth still ! Mountain Gorses, do ye teach us From that academic chair, Canopied with azure air. That the wisest word man reaches Is the humblest he can speak? Ye, who live on mountain peak. Yet live low along the ground, beside the grasses meek ! Mountain Gorses, since Linneeus Knelt beside you on the sod. For your beauty thanking God, — For your teaching — ye should see us Bowing in prostration new ! Whence arisen, — if one or two Drops be on our cheeks — O, world, they are not tears but dew. Elhabdh B. Biffianing. 112 Floral Poetry. TO THE FRINGED GENTIAN. jnntHOU blossom, bright with Autumn dew, * And coloured with the heaven's own blue, That openest when the quiet light Succeeds the keen and frosty night. Thou comest not when Violets lean O'er wandering brooks and springs unseen, Or Columbines, in purple dressed, Nod o'er the ground-bird's hidden nest. Thou waitest late, and com'st alone. When woods are bare and birds are flown. And frosts and shortening days portend The aged year is near its end. Then doth thy sweet and quiet eye. Look through its fringes to the sky, Blue — blue — as if that sky let fall A flower from its cerulean wall. I would that thus, when I shall see The hour of death draw near to me, Hope, blossoming within the heart. May look to heaven as I depart. William Cullcn Bryant. Pr ^ Floral Poetry. 113 THE HAWTHORN TREE— THE GLORY OF MAY. MONG the many buds proclaiming May, (Decking the fields in holy-day's array, Striving who shall surpass in bravery,) iS' Mark the fair blooming of the Hawthorn tree ; Who, finely clothfed in a robe of white. Feeds full the wanton eye with May's delight. Yet, for the bravery that she is in. Doth neither handle card nor wheel to spin. Nor changeth robes but twice, is never seen In other colours than in white or green. Learn then content, young shepherd, from this tree. Whose greatest wealth is Nature's livery ; And richest ingots never toil to find, Nor care for poverty, but of the mind. Browne. THE HAREBELL. i^ " Y?tOR me," — she stopped, and, looking round, ^ Plucked a blue Harebell from the ground, — " For me, whose memory scarce conveys An image of more splendid days. This little flower that loves the lea, May well my simple emblem be ; It drinks heaven's dew, blithe as the Rose That in the king's own garden grows ; And when I place it in my hair, Allan, a bard is bound to swear He ne'er saw coronet so fair." Sir Walter Scott. ^ 114 Floral Poetry. THE HAREBELL. Y N Spring's green lap there blooms a flower, Whose cup imbibes each vernal shower ; That sips fresh nature's balmy dew, Clad in her sweetest, purest blue ; Yet shuns the ruddy eye of morning, The shaggy wood's brown shades adorning. Simple flow'ret ! child of May ! Though hid from the broad gaze of day. Doomed in the shade thy sweets to shed, I'nnoticed droops thy languid head ; Still Nature's darling thou'lt remain. She feeds thee with her softest rain ; Fills each sweet bad with honeyed tears. With genial gales thy bosom cheers. Ah, then unfold thy simple charms, In yon deep thicket's circling arms. Far from the fierce and sultry glare, No heedless hand shall harm thee there ; Still, then, avoid the gaudy scene, The flaunting sun, th' embroidered green, And bloom and fade, with chaste reserve, unseen. CiU'oline Syminons. ■^ e>r Floral Poetry. 115 THE HAZEL. \n/HENE'ER I see soft hazel eyes " ■ And nut-brown curls, I think of those bright days I spent Among the Limerick girls ; When up through Cratla woods I went, Nutting with thee ; And we plucked the glossy clustering fruit From many a bending tree. Beneath the hazel boughs we sat, Thou, love, and I, And the gathered nuts lay in thy lap. Beneath thy downcast eye : But little we thought of the store we'd won, I, love, or thou ; For our hearts were full, and we dare not own The love that's spoken now. Oh, there's wars for willing hsarts in Spain, And high Germanie ! And I'll come back, ere long, again, With knightly fame and fee ; And I'll come back, if I ever come back. Faithful to thee. That sat with thy white lap full of nuts Beneath the Hazel tree. Samuel Ferntscn. ^ ^ %t> Pr- >■■• ii6 Floral Poetry. HE ART'S-EASE. Y N gardens oft a beauteous flower there grows, A By vulgar eyes unnoticed and unseen ; In sweet serenity it humbly blows, And rears its purple head to deck the green. This flower, as nature's poet sweetly sings, ^Vas once milk-white, and Heart's-ease was its name. Till wanton Cupid poised its roseate wings, A vestal's sacred bosom to inflame. \Vith treacherous aim the god his arrow drew. Which she with icy coldness did repel, Rebounding thence with feathery speed it flew, Till on this lonely flower, at last, it fell. Heart's-ease no more the wandering shepherd found ; No' more the nymphs its snowy form possess ; Its white now changed to purple by Love's wound, Heart's-ease no more, — 'tis Love in Idleness. Mi'S. Sheridan. H E ART'S-EASE. Y USED to love thee, simple flower, ^ To love thee dearly when a boy ; For thou didst seem in childhood's hour The smiling type of childhood's joy. But now thou only work'st my grief, By waking thoughts of pleasures fled. C:ive me — give me the withered leaf, That falls on Autumn's bosom dead. ct^- -^ ^- -^ Floral Poetry. 117 For that ne'er tells of what has been, But warns me what I soon shall be ; It looks not back on pleasure's scene, But points unto futurity. I love thee not, thou simple flower, For thou art gay, and I am lone ; Thy beauty died with childhood's hour — The Heart's-ease from my path is gone. Anon, HEART'S-EASE. I SAW, Flying between the cold moon and the earth, Cupid all armed ; a certain aim he took At a fair vessel throned in the west. And loosed his love -shaft smartly from his bow, As it should pierce a hundred thousand hearts. But I might see young Cupid's fiery shaft Quenched in the chaste beams of the watery moon, And the imperial vot'ress passed on. In maiden meditation, fancy-free. Yet marked I where the bolt of Cupid fell : It fell upon a little western flower. Before milk-white, now purple with Love's wound, And maidens call it Love in Idleness. The juice of it, on sleeping eyelids laid. Will make a man or woman madly dote Upon the next live creature that it sees. ^ ^ ^ — . — '4^ ^ ■ ^ 1 18 Floral Poetry. THE HOLLY TREE. READER! hast thou ever stood to see The Holly tree? The eye that contemplates it well perceives Its glossy leaves, Ordered by an Intelligence so wise As might confound the atheist's sophistries. Below a circling fence its leaves are seen, A\'rinkled and keen ; \'o grazing cattle through their prickly round Can reach to wound ; But, as they grow where nothing is to fear, Smooth and unarmed the pointless leaves appear. I love to view these things with curious eyes. And moralise ; And in this wisdom of the Holly tree Can emblems see, AVherewith, perchance, to make a pleasant rhyme ; One which may profit in the after-time. Thus, though abroad, perchance, I might appear Harsh and austere ; To those who on my leisure would intrude, Reserved and rude ; Gentle at home amid my friends I'd be, Like the high leaves upon the Holly tree. And should my youth, as youtli is apt, I know, Some harshness show, ;\11 vain asperities I, day by day. Would wear away. Till the smooth temper of my age should be Like the high leaves upon the Holly tree. ^- ^ ^ Floral Poetry. 119 And as, when all the summer trees are seen So bright and green, The Holly leaves their fadeless hues display. Less bright than they; But when the bare and wintry woods we see, What then so cheerful as the Holly tree? So, serious should my youth appear among The thoughtless throng ; So would I seem, among the young and gay, More grave than they; That in my age as cheerful I might be As the green winter of the Holly tree. R. Southey. THE HELIOTROPE. THERE is a flower, whose modest eye Is turned with looks of light and love, Who breathes her softest, sweetest sigh, Whene'er the sun is bright above. Let clouds obscure, or darkness veil, Her fond idolatry is fled ; Her sighs no more their sweets exhale, The loving eye is cold and dead. Can'st thou not trace a moral here, False flatterer of the prosperous hour? Let but an adverse cloud appear, And thou art faithless as the flower. Anon. fe. ^ <^^ Floral Poetry. TO THE HEPATICA. (^\\'EET gem of J''lora's earliest bower ! '^ Uprear thy blushing head ; Though wintry skies upon thee lower. And snows around are spread ; Still let thy lovely petals glow, Arrayed in all their charms, And to distrustful mortals show. Life buds in death's cold arms. Sweet gem ! thy blush is like the glow By convalescence dealt, That paints the cheek, and gilds tlie brow, Where sickness long had dwelt ; Or like the radiant quickening smile. By kind affection given. That soothes the heart, despair and guile Had sunk and almost ri\en. Invite thy sisters of the plain. Each vernal fragrant sweet ; Till with gay tribes of e\ery stain, The garden smiles replete : And let thy lovely petals glow, Still clad in all their charms ; And to distrustful mortals show- Life buds in death's cold arms. ■^ air' Thomas Gillcl. ^ -^ Floral Poetry. 121 HOLLY. A CHRISTMAS CAROL. jnptHE Rose it is the love of June, ^ The Violet that of Spring, But all those faithless fading flowers. That take the south-wind's wing, As craven blooms I hold in scorn, The Holly's the wreath for a Christmas morn ! Its berries are red as a ma:iden's lip, Its leaves are of changeless green. And anything changeless now, I wis. Is somewhat rare to be seen ! — The Holly which fall and frost has borne, The Holl/s the wreath for a Christmas morn ! Its edges are set in keen array ; They are fairy weapons, bared; And, in an unlucky world like ours, 'Tis well to be prepared. Like helm on crest of warrior borne. The Holly's the wreath for a Christmas morn ! The Holly it is no green-house plant. But grows in the common air ; In the peasant's lattice, the castle hall, Its green leaves alike are there. Its lesson should in mind be borne — The Holly's the wreath for a Christmas morn ! Anon. ^- ^ Floral Poetry. HOLLY AND IVY PART I. HOLLY and Ivy made a great party, \\'ho should have the mastery In lands where they go. Then spake the Holly, " I am fierce and jolly, I will have the mastery In lands where we go." Then spake Ivy, " I am loud and proud. And I will have the mastery In lands where we go." Then spake Holly, and bent him down on his knee, " I pray thee, gentle Ivy, Essay me no villany In lands where we go." PART II. — THE REPLY. Nay, Ivy, nay, it shall not be, I wis, Let Holly have the mastery as the manner is. Holly standeth in the hall fair to behold. Ivy standeth without the door; she is full sore a-cold. Nay, Ivy, nay, &c. Holly and his merry men, they dance now and they sing ; Ivy and her maidens, they weep, and their hands wring. Nay, Ivy, nay, &c. Holly he hath berries as red as any rose. The foresters, the hunters, keep them from the does. Na)', Ivy, nay, &c. ^ Floral Poetry. ■^ 123 Ivy she hath berries as black as any sloe, There come the owls and eat them as they go. Nay, Ivy, nay, &c. Holly he hath birds a full fair flock, The nightingale, the popinjay, the gentle laverock. Nay, Ivy, nay, &c. Good Ivy, say to us, what birds hast thou, None but the owlet that cries How ! How ! Nay, Ivy, nay, &c. Ancient Carols. THE HYACINTH. GHILD of the Spring, thou charming flower. No longer in confinement lie, Arise to light, thy form discover. Rival the azure of the sky. The rains are gone, the storms are o'er ; Winter retires to make thee way ; Come then, thou sweetly blooming flower, Come, lovely stranger, come away. The sun is dressed in beaming smiles, To give thy beauties to the day : Young Zephyrs wait with gentlest gales, To fan thy bosom as they play. Casimir ^ ->4 ^ — 124 Floral Poetry. M- THE HONEYSUCKLE. (^EE the Honeysuckle twine ^-' Round this casement ; — 'tis a shrine Where the heart doth incense give, And the pure aifections hve In the mother's gentle breast By her smiling infant pressed. Blessed shrine ! dear, blissful home ! Source whence happiness doth come ! Round by the cheerful hearth we meet All things beauteous — all things sweet — Every solace of man's life. Mother — daughter — sister — wife. England, isle of free and brave, Circled by the Atlantic wave ! Though we seek the fairest land That the south wind ever fanned. Yet we cannot hope to see Homes so holy as in thee. As the tortoise turns its head Towards its native ocean-bed. Howsoever far it be From its own beloved sea. Thus, dear Albion, evermore Do we turn to seek thy shore ! Countess of BUssinglon. ^ ^ Floral Poetry. 125 HOLLY SONG. B' :LOW, blow, thou winter wind. Thou art not so unkind As man's ingratitude ; Thy tooth is not so keen, Because thou art not seen, Although thy breath be rude. Heigh-ho ! sing heigh-ho ! unto the green Holly ; Most friendship is feigning, most loving mere folly ; Then, heigh-ho ! the Holly ! This life is most jolly. Freeze, freeze, thou bitter sky, Thou dost not bite so nigh As benefits forgot : Though thou the waters warp, Thy sting is not so sharp As friend remembered not. Heigh-ho ! sing heigh-ho ! unto the green Holly ; Most friendship is feigning, most loving mere folly ; Then heigh-ho ! the Holly ! This life is most jolly. Shakspere. ^ ^ ^- 126 Floral Poetry. •■n THE IVY SONG. H ! how could fancy crown with thee In ancient days the God of ^A'ine, And bid thee at the banquet be Companion of the Vine ! Thy home, wild plant, is where each sound Of revelry hath long been o'er, ^Vl^L■rc song's full notes once pealed around, But now are known no more. The Roman on his battle-plains, Where kings before his eagles bent. Entwined thee with exulting strains Around the victor's tent ! Yet there, though fresh in glossy green, Triumphantly thy boughs might wave, Better thou lov'st the silent scene Around the victor's grave. Oh ! many a temple, once sublime, Beneath a blue Italian sky. Hath nought of beauty left by time. Save thy wild tapestry ! And, reared 'midst crags and clouds, 'tis thine To wave where banners waved of yore. O'er towers that crest the noble Rhine, Along the rocky shore. i^- High from the fields of air look down Those eyries of a vanished race, Homes of the mighty, whose renown Hath passed, and left no trace. •-(lb Floral Poetry. 127 But there thou art ! thy foliage bright, Unchanged the mountain storm can brave ; Thou, that wilt climb the loftiest height, Or deck the humblest grave ! 'Tis still the same ! where'er we tread The wrecks of human power we see — The marvels of all ages fled, Left to decay and thee ! And still let man his fabrics rear, August in beauty, grace, and strength ; Days pass — thou Ivy never sere ! — And all is thine at length ! lilrs. Ihnians, THE IVY. HAST thou seen, in Winter's stormiest day, The trunk of a blighted Oak, Not dead, but sinking in slow decay Beneath Time's resistless stroke. Round which a luxuriant Ivy had grown, And wreathed it with verdure no longer its own ? Perchance thou hast seen this sight, and then, As I at thy years might do. Passed carelessly by, nor turned again That scathfed wreck to view ; But now I can draw from that mouldering tree Thoughts which are soothing and dear to me. Oh ! smile not, nor think it a worthless thing, If it be with instruction fraught ; That which will closest and longest cling. Is alone worth a serious thought. Should aught be unlovely, which thus can shed Grace on the dying, and lea\es on the dead? Barton. ^r Floral Poetry. /■ I V Y mm VY, chief of trees, it is / ?/// coronaheris. The most worthy is she in town ; He who says other, says amiss ; Worthy is she to bear the crown ; Veni (oronaberis. Ivy is soft, and meek of speech, Against all woe she bringeth bliss ; Happy is he that may her reach ; ]''eni coi'Ofiabej'is. Ivy is green, of colour bright. Of all trees the chief she is ; And that I prove will now be right ; Veni coronaheris. Ivy, she beareth berries black ; God grant to all of us His bliss I For then we shall nothing lack ; Veni foronaberis. Aiu'iait Carol. U^- ^\ ^ 'W' Floral Poetry. 129 TO THE JESSAMINE. WEET Jessamine ! long may thy elegant flower Breathe fragrance and solace for me ; And long thy green sprigs overshadow the bower Devoted to friendship and thee. The eye that was dazzled where Lilies and Roses Their brilliant assemblage displayed, With grateful delight on thy verdure reposes, A tranquil and delicate shade. But ah ! what dejection that foliage expresses, Which pensively droops on her breast ! The dew of the evening has laden her tresses. And stands like a tear on her crest. I'll watch by thy side through the gloom of the night, Impatient till morning appears : No charm can awaken this. heart to delight. My Jessamine, while thou art in tears. But soon will the shadows of night be withdrawn. Which ever in mercy are given ; And. thou shalt be cheered by the light of the morn, And fanned by the breezes of heaven. And still may thy tranquil and delicate shade Yield fragrance and solace to me ; For though all the flowers in my garden should fade, My heart will repose upon thee. Miss Jane Taylor. ^- ti^ Floral Poetry. TO A JASMINE-TREE. GROWING IN THE COURT OF HAWORTH CASTLE. \K ^ slight and slender Jasmine-tree, AUA That bloomest on my Border tower, Thou art more dearly loved by me. Than all the wealth of fairy bower. I ask not, while I near thee dwell, Arabia's spice or Syria's rose ; Thy bright festoons more freshly smell, Thy virgin white more freshly glows. My mild and winsome Jasmine-tree, That climbest up the dark-grey wall, Thy tiny flow'rets seem in glee. Like silver spray-drops down to fall : -Say, did they from their leaves thus peep, ■\\'hen mailed moss-troopers rode the hill, When helmed wardens paced the keep. And bugles blew for Belted Will ? My free and feathery Jasmine-tree, Within the fragrance of thy breath. Yon dungeon grated to its key. And the chained captive pined for death. On Border fray, on feudal crime, I dream not while I gaze on thee ; The chieftains of that stern old time Could ne'er have loved a Jasmine-tree. Lord Morpdh. ^ ^ Floral Poetry. 131 THE JASMINE. 'jnniVVAS midnight — through the lattice wreathed * With Woodbine, many a perfume breathed From plants that wake when others sleep ; From timid Jasmine buds that keep Their odour to themselves all day ; But when the sunlight dies away, Let the delicious secret out To every breeze that roams about. Moort mr ■^ Flo7'al Poetiy. THE L A U R U S T I N U S. MR tree of Winter ! fresh and flowering, When all around is dead and dry : Whose ruby buds, though storms are louring. Spread their white blossoms to the sky ; ^ vt'S.i" Green are thy leaves, more purely green j_^o Through every changmg period seen; And when the gaudy months are past, Thy loveliest season is the last. Be thou an emblem — thus unfolding The history of that maiden's mind. Whose eye, these humble lines beholding, In them her future lot may find : Through life's mutations may she be A modest evergreen like thee ; Though blessed in youth, in age more blessed, Still be her latest days the best. Moilt^^iV/u-ry. SWEET LAVENDER 0^ SWEET Lavender ! I love thy flower Of meek and modest blue. Which meets the morn and evening hour, The storm, the sunshine, and the shower, And changeth not its hue. In cottage-maid's parterre thou'rt seen In simple touching grace : And in the garden of the queen, Midst costly plants and blossoms sheen. Thou also hast a place. # Floral Poetry. 133 The Rose with bright and peerless bloom, Attracted many eyes : But while her glories and perfume, Expire before brief Summer's doom, Thy fragrance never dies. Thou art not like the fickle train Our adverse fates estrange : Who in the day of grief and pain Are found deceitful, light, and vain, For thou dost never change. But thou are emblem of the friend, Who, whatsoe'er our lot, The balm of faithful love will bend. And, true and constant, to the end, May die, but alters not. Agnes Strickland. THE LILY. THE stream with languid murmur creeps In Lumin's flow'ry vale ; Beneath the dew the Lily weeps, Slow waving to the gale. " Cease, restless gale !" it seems to say, " Nor wake me with thy sighing ! The honours of my vernal day On rapid wings are flying. " To-morrow shall the traveller come Who late beheld me blooming; His searching eye shall vainly roam The dreary vale of Lumin.'' Samuel Taylur ColcriJi^c, ^ ^ 134 Floral Poetry. THE LILY Y_Y OW withered, perished, seems the form ^ * Of yon obscm-e unsightly root ! Yet from the bhght of wintry storm It hides secure the precious fruit. The careless eye can find no grace, No beauty in the scaly folds, Nor see within the dark embrace What latent loveliness it holds. Yet in that bulb, those sapless scales, The Lily wraps her silver vest, Till vernal suns and vernal gales Shall kiss once more her fragrant breast. Yes, hide beneath the mould'ring heap. The undelighting slighted thing; There in the cold earth buried deep. In silence let it wait the Spring. Oh ! many a stormy night shall close In gloom upon the barren earth, While still in undisturbed repose. Uninjured lies the future birth. ^ ^ — ^ Floral Poetry. 135 And ignorance, with sceptic eye, Hope's patient smile shall wondering view; Or mock her fond credulity. As her soft tears the spot bedew. Sweet smile of hope, delicious tear, The sun, the shower indeed shall come ; The promised verdant shoot appear. And Nature bid her blossoms bloom. And thou, O virgin queen of Spring, Shalt from thy dark and lowly bed, Bursting thy green sheath's silken string, Unveil thy charms, and perfume shed ; Unfold thy robes of purest white. Unsullied from their darksome grave, And thy soft petals' flowery light. In the mild breeze unfettered wave. So faith shall seek the lowly dust. Where humble sorrow loves to lie. And bid her thus her hopes intrust. And watch with patient, cheerful eye ; And bear the long, cold, wintry night. And bear her own degraded doom. And wait till heaven's reviving light. Eternal spring ! shall burst the gloom. Mary Tlgh,: fr- 136 Floral Poetry. THE LILY AND THE ROSE. jnnLHE nymph must lose her female friend, ^ If more admired than she — But where will fierce contention end, If flowers can disagree ? Within the garden's peaceful scene Appeared two lovely foes, Aspiring to the rank of queen — The Lily and the Rose. The Rose soon reddened into rage, And, swelling with disdain, Appealed to many a poet's page To prove her right to reign. The Lily's height bespoke command, A fair imperial flower ; She seemed designed for Flora's hand. The sceptre of her power. This civil bickering and debate The goddess chanced to hear. And flew to save, ere yet too late. The pride of the parterre. " Yours is,'' she said, " the noblest hue, And yours the statelier mien ; And, till a third surpasses you. Let each be deemed a queen." ^ t,' ^ Floral Poetry. J37 Thus soothed and reconciled, each seeks The fairest British fair; The seat of empire is her cheeks ; They reign united there. CirnipLT. THE LILY AND CHILD. Y NNOCENT child and snow-white flower ! ^ Well are ye paired in your opening hour, Thus should the pure and the lovely meet. Stainless with stainless, and sweet with sweet. White, as those leaves just blown apart. Are the pliant folds of thy own young heart ; Guilty passion and cankering care Never have left their traces there. Artless one ! though thou gazest now O'er the white blossoms with earnest brow, Soon will it tire thy childish eye. Fair as it is, thou wilt throw it by. Throw it aside in thy weary hour, Throw to the ground the fair white flower ; Yet, as thy tender years depart. Keep that white and innocent heart. Bryant, 138 Flo7'al Poetry. THE LILY /yXHERE is a pale and modest flower ^ In garb of green arrayed, That decks the rustic maiden's bower And blossoms in the glade : Though other flowers around me bloom In gaudy splendour drest, Filling the air with rich perfume, I love the Lily best. I see the Tulip's gorgeous hue And Sunflower's crown of gold : I see the Rose and Woodbine too Their scented leaves unfold : Though they adorn the gay parterre, I love them not as well As the drooping Lily, frail and fair, That grows in shady dell. THE LILY AND THE ROSE. -"f Anon. THE snowy Lily pressed with heavy rain, Which fills her cup with showers up to the brink, The weary stalk no longer can sustain The head, but low beneath the burden sink. Or should the virgin Rose her leaves display, And ope her bosom to the blaze of day, Down drops her double ruff, and all her charms decay. ;^ ^ ^ Floi'al Poetry. 139 Languid and dying seems the purple flower, Fainting through heat, low hangs her drooping head; But if revived by a soft falling shower. Again her lively beauties she doth spread, And with new pride her silken leaves display ; And while the sun doth now more gently play. Lays out her swelling bosom to the smiling day. Giles Fletcher. I SEND THE LILIES GIVEN TO ME. Y SEND the Lilies given to me, A Though, long before thy hand they touch, I know that they must withered be ; But yet reject them not as such : For I have cherished them as dear. Because they yet may meet thine eye. And guide thy soul to mine even here, When thou behold'st them drooping nigh. And know'st them gathered by the Rhine, And offered from my heart to thine ! The river nobly foams and flows, The charm of this enchanted ground. And all its thousand turns disclose Some fresher beauty varying round ; The haughtiest breast its wish might bound, Through life to dwell delighted here ; Nor could on earth a spot be found To nature and to me so dear. Could thy dear eyes, in following mine. Still sweeten more these banks of Rhine ? Byron. ^ ^ ^ Floral Poetry. 140 THE LILY OF THE VALLEY. FAIR flower, that, lapt in lowly glade, Dost hide beneath the greenwood shade, Than whom the vernal gale None fairer wakes, on bank or spray, Our England's Lily of the May, Our Lily of the Vale ! Art thou that " Lily of the field," Which, when the Saviour sought to shield The heart from blank despair. He showed to our mistrustful kind. An emblem of the thoughtful mind. Of God's paternal care? Not this, I trow ; for brighter shine To the warm skies of Palestine Those children of the East ; There, when mild Autumn's early rain Descends on parched Esdrela's plain And Tabor's oak-girt crest. More frequent than the host of night, Those earth-born stars, as sages write, Their brilliant discs unfold ; Fit symbol of imperial state. Their sceptre-seeming forms elate, And crowns of burnished gold. But not the less, sweet spring-tide's flower, Dost thou display the Maker's power, His skill and handiwork ; ^- ^ ^ ^ Floral Poetry. 141 Our western valleys' humbler child, Where, in green nook of woodland wild. Thy modest blossoms lurk. What though nor care nor art be thine. The loom to ply, the thread to twine, Yet, born to bloom and fade, Thee to a lovelier robe arrays. Than, e'en in Israel's brightest days, Her wealthiest kings arrayed. Of thy twin-leaves the embowered screen, Which wraps thee in thy shroud of green, Thy Eden-breathing smell ; Thy arched and purple-vested stem. Whence pendent many a pearly gem, Displays a milk-white bell ; Instinct with life thy fibrous root, Which sends from earth the ascending shoot. As rising from the dead, And fills thy veins with verdant juice, Charged thy fair blossoms to produce. And berries scarlet red; The triple cell, the twofold seed, A ceaseless treasure-house decreed, Whence aye thy race may grow, As from creation they have grown. While Spring shall weave her flowery crown. Or vernal breezes blow. 142 Floral Poetry. Who forms thee thus, with unseen hand? Who at creation gave command, And willed thee thus to be ; And keeps thee still in being, through Age after age revolving ? Who But the great God is He ? Omnipotent, to work His will ; Wise, who contrives each part to fill The post to each assigned; Still provident, with sleepless care. To keep ; to make thee sweet and fair, For man's enjoyment — kind ! " There is no God," the senseless say : — " O God ! why cast'st thou us away ?" Of feeble faith and frail, The mourner breathes his anxious thought ; By thee a better lesson taught, Sweet Lily of the Vale ! Yes, He who made and fosters thee, In reason's eye perforce must be Of majesty divine ; Nor deems she that His guardian care Will He in man's support forbear, Who thus provides for thine. Bishop Maul. ^- Floral Poetry. 743 TO THE WHITE WATER-LILY. H_Y YMPH of the slowj deep, silvery stream, In queen-like splendour drest, How sweetly to the orient beam Thou op'st thy spotless breast. Pure through the golden hours of day Thy beauty courts the light ; But, cautious, wrapt in close array. Thou shield'st it from the night. But when returned, the god of day The fields of ether warms. Sweet flower ! thou spring'st to hail his ray, Beaming in all thy charms. Nymph of the stream, how bright, how fair. Thy pearly petals shine ! Not robes that eastern monarchs wear Display such charms as thine. Then bloom, sweet flower! and long preside Majestic o'er the stream ; The rustic's joy, the florist's pride, The poet's darling theme. Thomas Gillel. 144 Floral Poetry. LILIES OF THE VALLEY. \^0U dream not, as the soft wind stirs * Those little fairy bells, How to my heart sad pleasure comes. Each cup a story tells. They bring before my eyes a form As fragile and as sweet ; I seem again to hear the fall Of her light tripping feet. Once more, as in the olden days. Her small hand clasped in mine, I wander through cool mossy paths Beneath the fragrant pine ; Around that fair young head I bind Wreaths of the fragrant flowers ; And silently we watch the stars. And pass away glad hours. The morning dawn, the sultry noon, The hours of calm midnight, Still found us ever side by side. Still found my flower bright. Trembling, I gaze in those deep eyes. So full of earnest love ; No taint of earth, as years passed on. Could stain my snowy do\c. fe, ^ ^ ^ ^ Floral Poetry. 145 Whence came the spell, which ever seemed To hold each passer-by ? Was it a look of heaven they read, On lip, and brow, and eye ? Oh, let me kneel beside this cross, Beneath the Hawthorn tree ; And say, with heart of gratitude, " My child, 'tis well with thee ! " Asnes R. Howell. THE LILY OF THE VALLEY. TO the curious eye A little monitor presents her page Of choice instruction, with her snowy bells, The Lily of the Vale. She nor affects The pubhc walk, nor gaze of mid-day sun : She to no state or dignity aspires. But silent and alone puts on her suit, And sheds a lasting perfume, but for which We had not known there was a thing so sweet Hid in the gloomy shade. So, when the blast Her sister tribes confounds, and to the earth Stoops their high heads that vainly were exposed. She feels it not, but flourishes anew. Still sheltered and secure. And as the storm. That makes the high Elm couch, and rends the Oak, The humble Lily spares, — a thousand blows That shake the lofty monarch on his throne, We lesser folks feel not. Keen are the pains Advancement often brings. To be secure. Be humble ; to be happy, be content. James Hztrdis. fe- 146 Floral Poetry. THE STAR AND THE WATER-LILY. J'YXHE Sun stepped down from his golden throne, ^ And lay in the silent sea, And the Lily had folded her satin leaves, For a sleepy thing was she : What is the Lily dreaming of? Why crisp the waters blue ? Sue, see, she is lifting her varnished lid ! Her white leaves are glistening through ! The Rose is cooling his burning cheek In the lap of the breathless tide ; The Lily hath sisters fresh and fair, That would lie by the Rose's side : He would love her better than all the rest ; And he would be fond and true ; But the Lily unfolded her weary lids, And looked at the sky so blue. " Remember, remember, thou silly one. How fast will thy Summer glide, And wilt thou wither a virgin pale, (Jr flourish a blooming bride ? " " Oh, the Rose is old, and thorny and cold. And he li\ es on earth," said she ; " But the Star is fair, and he lives in the air, And he shall my bridegroom be." " But what if the stormy cloud should come, And ruffle the silver sea? ^- ^ Floral Poetry. 147 Would he turn his eye from the distant sky, To smile on a thing like thee ? Oh no, fair Lily, he will not send One ray froai his far-off throne ;■. The winds shall blow and the waves shall flow. And thou wilt be left alone. " There is not a leaf on the mountain-top, Nor a drop of evening dew, Nor a golden sand on the sparkling shore. Nor a pearl in the waters blue. That he has not cheered by his fickle smile, And warmed with his faithless beam — And will he be true to a pallid flower, That floats on the quiet stream ?" Alas for the I^ily ! she would not heed. But turned to the skies afar, And bared her breast to the trembling ray That shot from the rising star. The cloud came over the darkened sky. And over the waters wide ; She looked in vain through the beating rain. And sank in the stormy tide. 0. W. flohncs. U^- r-'i ^ iiS Floral Poefrv. -M^ MYRTLE OFFERING. Jtjumn to UmuB. ODDESS ! I do love a girl Ruby-lipt, and toothed with pearl ? If so be I may but prove r Lucky in this Maid I love ; I will promise there shall be Myrtles offered up to Thee. THE MYRTLE BOUGH. STILL green, along our sunny shore The flowering Myrtle waves, As when its fragrant boughs of yore Were offered on the graves — The graves, wherein our mighty men Had rest, unviolated then. ILrriJ.-. 'kt. Still green it waves ! as when the hearth Was sacred through the land ; And fearless was the banquet's mirth, And free the minstrel's hand ; And guests, with shining M\rtle crowned, Sent the wreathed lyre and wine-cup round. Still green ! as when on holy ground The tyrant's blood was poured : Forget ye not what garlands bound The young deliverer's sword ! Though earth may shroud Harmodius now, We still have sword and Myrtle bough ! M)-^. H,'fJ!(UL\ ^- Floral Poetry. ^ 149 TO THE NARCISSUS. RISE, and speak thy sorrows, Echo, rise ; Here, by this fountain, where thy love did pine. Whose memory lives fresh to vulgar fame, Shrined in this yellow flower, that bears his name ECHO. His name revives and lifts me up from earth ; — See, see, the mourning fount, whose springs weep yet Th' untimely fate of that too beauteous boy. That trophy of self-love, and spoil of nature. Who (now transformed into this drooping flower) Hangs the repentant head back from the stream ; As if it wished — would I had never looked In such a flattering mirror ! Oh, Narcissus ! Thou that was once (and yet art) my Narcissus. Had Echo but been private with thy thoughts, She would have drojjt away herself in tears. Till she had all turned waste, that in her (As in a true glass) thou might'st have gazed, And seen thy beauties by more kind reflection. But self-love never yet could look on truth. But with bleared beams ; slick flattery and she Are twin-born sisters, and do mix their eyes. As if you sever one, the other dies. Why did the gods give thee a heavenly form. And earthly thoughts to make thee proud of it ? Why do I ask? 'Tis now the known disease That Beauty hath, to bear too deep a sense Of her own self-conceivfed excellence. '^■ ^