iawvL^ i tK--?"'~ I i I :*?> H ^M i&s W //^ PERKINS LIBRARY Duke University Kare books H ARTEMUS WARD'S LECTURE. * I? Jfe>*/<*/" rft/t?/^ 7^$z^?^z //fa £***—, ;; DUPlICATt ARTEMUS WARD'S LECTURE. fAs delivered at the Egyptian Hall, London.J EDITED BY HIS EXECUTORS, T. W. ROBERTSON & E. P. HINGSTON. WITS NUMEROUS ILLUSTRATIONS FROM TSE PANORAMA. LONDON : JOHN CAMDEN HOTTEN, PICCADILLY. NEW YORK: G. W. CARLETON & CO., BROADWAY. 1869. (All right* reserved.) Entered according to Act of Congress, in the year 1869, by G. W, CARLETON & CO., In the Clerk's Office of the District Court of the United States for the Southern District of New York. R6& CONTENTS. PAGE. Portrait of Charles F. Browne. From bust by Geflowski ..... To face title. First Announcement of the Lecture .... 7 Introduction. By T. W. ROBERTSON 9 Artemus Ward as a Lecturer. Prefatory Note by E. P. HINGSTON .... 19 THE LECTURE. By Artemus "Ward ...... 57 Proscenium (with the curtain down) ..... 58 The Steamer "Ariel" . . . . . . . 74 Montgomery Street, San Francisco . . . .78 Virginia City, Nevada ....... 82 Plains between Virginia and Salt Lake . . . .86 Part of Salt Lake City. Viewed from a distance ...... 93 Salt Lake City. From the heights behind it . . . .95 212:% COXTENTS. The Salt Lake House . Maix Street, Salt Lake City The Coach to Salt Lake The Mormon Theatre . Main Street, Salt Lake City Upper Part of Main Street Brigham Young's Palace Heber C. Kimball's Harem Tabernacle and Bowery Foundations of the Temple Foundations of the Temple— continued The Temple as it is to be . Great Salt Lake Great Salt Lake — continued Curtain (interval for refreshments) The Endowment House Entrance to Echo Canyon The Indians on the Plains Our Encounter with the Indians . The Rocky Mountains . The Rocky Mountains Scenery The Plains of Colorado Crossing the Plains. An Emigrant Caravan PAGE. 104 107 110 116 121 125 128 133 140 143 145 149 152 155 158 161 164 167 171 175 177 181 183 CO.VTE.Yrs. vii PAGE. The Prairie ox Fire ....... 187 The Prairie on Fire — continual ..... 189 Brigham Young at Home ...... 192 The Proscenium (with the curtain down) .... 197 APPENDIX. The "TIMES'' Critique upon the Lecture . . . .201 Programme issued hy Artemus Ward At the Egyptian Hall, London . . . 203 Programme issued by Artemus Ward At Dodworth Hall, New York . . .209 "PHE Lecture on the Mormons was thus announced to the public of New York, when Artemus Ward first appeared at Dodworth Hall : — The Festivities at Dodworth Hall will be commenced by the pianist, a gentleman who used to board in the same street with Gottschalk. The man who kept the boarding- house remembers it distinctly. The overture will consist of a medley of airs, including the touching new ballads — "Dear Sister, is there any Pie in the house ?" " My gentle Father, have you any Fine Cut about you ?" " Mother, is the Battle o'er — and is it safe for me to come home from Canada?" And (by request of several families who haven't heard it) " Tramp, tramp, tramp, the Boys are Marching." While the enraptured ear drinks in the sweet music (we pay our pianist nine dollars a week, and " find him " ) the eye will be enchained by the magnificent green baize covering of the panorama. This green baize cost 40 cents a yard at Mr. Stewart's store. It was bought in deference to the present popularity of "The Wearing of the Green." We shall keep up to the times if we spend the last dollar our friends have got. INTRODUCTION. BY T. W. ROBERTSON. "C^EW tasks are more difficult or delicate than to write on the subject of the works or character of a departed friend. The pen falters as the familiar face looks out of the paper. The mind is diverted from the thought of death as the memory recalls some happy epigram. It seems so strange that the hand that traced the jokes should be cold, that the tongue that trolled out the good things should be silent — that the jokes and the good things should remain, and the man who made them should be gone for ever. The works of Charles Farrer Browne — who was known to the world as "Artemus "Ward" — have run through so many editions, have met with such universal popularity, and have been so widely criticised, that it is needless to mention them here. So many biographies have been, B io ARTEMUS WARD'S LECTURE. written of the gentleman who wrote in the character of the 'cute Yankee Showman, that it is unnecessary that I should touch upon his life, belongings, or adventures. Of "Artemus Ward" I know just as much as the rest of the world. I prefer, therefore, to speak of Charles Farrer Browne, as I knew him, and, in doing so, I can promise those friends who also knew him and esteemed him, that as I consider no " public" man so public, that some portion of his work, pleasures, occupations, and habits may not be considered private I shall only mention how kind and noble-minded was the man of whom I write, without dragging forward special and particular acts in proof of my words, as if the goodness of his mind and character needed the certificate of facts. I first saw Charles Browne at a literary club ; he had only been a few hours in London, and he seemed highly pleased and excited at finding himself in the old city to which his thoughts had so often wandered. Browne was an intensely sympa- thetic man. His brain and feelings were as a "lens," and he INTRODUCTION, BY T. W. ROBERTSON. n received impressions immediately. No man could see him without liking him at once. His manner was straightforward and genial, and had in it the dignity of a gentleman, tempered, as it were, by the fun of the humorist. When you heard him talk you wanted to make much of him, not because he was " Artemus "Ward," but because he was himself, for no one less resembled " Artemus Ward " than his author and creator, Charles Farrer Browne. But a few weeks ago it was remarked to me that authors were a disappointing race to know, and I agreed with the remark, and I remember a lady once said to me that the personal appearance of poets seldom ft came up " to their works. To this I replied that, after all, poets were but men, and that it was as unreasonable to expect that the late Sir Walter Scott could at all resemble a Gathering of the Clans as that the late Lord Macaulay should appear anything like the Com- mittal of the Seven Bishops to the Tower. I told the lady that she was unfair to eminent men if she hoped that cele- brated engineers would look like tubular bridges, or that Sir Edwin Landseer would remind her of a " Midsummer Night's i2 ARTEMUS WARD'S LECTURE. Dream." I mention this because, of all men in the world, my friend Charles Browne was the least like a showman of any man I ever encountered. I can remember the odd half- disappointed look of some of the visitors to the Egyptian Hall when "Artemus" stepped upon the platform. At first they thought that he was a gentleman who appeared to apologise for the absence of the showman. They had pic- tured to themselves a coarse old man with a damp eye and a puckered mouth, one eyebrow elevated an inch above the other to express shrewdness and knowledge of the world — a man clad in velveteen and braid, with a heavy watch-chain, large rings, and horny hands, the touter to a wax-work show, with a hoarse voice, and over familiar manner. The slim gentlemen in evening dress, polished manners, and gentle voice, with the tone of good breeding that hovered between deference and jocosity ; the owner of those thin — those much too thin — white hands could not be the man who spelt joke with a " g." Folks who came to laugh, began to fear that they should remain to be instructed, until the gentlemanly disappointer began INTRODUCTION, BY T. W.ROBERTSON. 13 to speak, then they recovered their real "Artemus," Betsey Jane, wax-figgers, and all. Will patriotic Americans forgive me if I say that Charles Browne loved England dearly ? He had been in London but a few days when he paid a visit to the Tower. He knew English history better than most Englishmen ; and the Tower of London was to him the history of England embalmed in stone and mortar. 'No man had more reverence in his nature ; and at the Tower he saw that what he had read was real. There were the beef-eaters ; there had been Queen Elizabeth and Sir "Walter Haleiga, and Lady Jane Grey, and Shakspere's murdered princes, and their brave, cruel uncle. There was the block and the axe, and the armour and the jewels. " St. George for merrie England ! " had been shouted in the Holy Land, and men of the same blood as himself had been led against the infidel by men of the same brain and muscle as George Washington. Robin Hood was a reality, and not a schoolboy's myth like Ali Baba and Valentine and Orson. There were two sets of feelings in Charles Browne at the i + ARTEMUS WARD'S LECTURE. Tower, He could appreciate the sublimity of history, but, as the " Show " part of the exhibition was described to him, the humorist, the wit, and the iconoclast from the other side of the Atlantic must have smiled at the " descrip- tions." The "Tower" was a "show," like his own — Artemus Ward's. A price was paid for admission, and the " Aggers " were "orated." Real jewellery is very like sham jewellery after all, and the " Artemus " vein in Charles Browne's mental constitution — the vein of humour, whose source was a strong contempt of all things false, mean, shabby, pretentious, and only external — of bunkum and Barnumisation — must have seen a gigantic speculation realising ship loads of dollars if the Tower could have been taken over to the States, and exhibited from town to town — the Star and Stripes flying over it — with a four-horse lecture to describe the barbarity of the ancient British Barons and the cuss of chivalry. Artemus "Ward's Lecture on the Mormons at the Egyptian Hall, Piccadilly, was a great success. His humour INTRODUCTION, BY T. W. ROBERTSON. 15 was so entirely fresh, new, and unconventional, it took his hearers by surprise, and charmed them. His failing health compelled him to abandon the lecture after about eight or ten weeks. Indeed, during that brief period he was once or twice compelled to dismiss his audience. I have myself seen him sink into a chair and nearly faint after the exertion of dressing. He exhibited the greatest anxiety to be at his post at the appointed time, and scrupulously exerted himself to the utmost to entertain his auditors. It was not because he was sick that the public was to be disappointed, or that their enjoyment was to be diminished. During the last few weeks of his lecture- giving, he steadily abstained from accepting any of the numerous invitations be received. Had he lived through the following London fashionable season, there is little doubt that the room at the Egyptian Hall would have been thronged nightly. Our aristocracy have a fine delicate sense of humour, and the success, artistic and pecuniary, of " Artemus Ward " would have rivalled that of the famous " Lord Dundreary." There were many stupid people who did not understand the " fun " of Artemus 1 6 ARTEMUS WARD'S LECTURE. Ward's books. In their vernacular " they didn't see it." There were many stupid people who did not understand the fun of Arternus Ward's lecture on the Mormons. They could not see it. Highly respectable people — the pride of their parish, when they heard of a lecture " upon the Mormons" — expected to see a solemn person, full of old saws and new statistics, who would denounce the sin of polygamy — and bray against polygamists with four-and- twenty boiling- water Baptist power of denunciation. These uncomfortable Christians do not like humour. They dread it as a certain personage is said to dread holy water, and for the same reason that thieves fear policemen — it finds them out. When these good idiots heard Arternus offer, if they did not like the lecture in Piccadilly, to give them free tickets for the same lecture in California, when he next visited that country> they turned to each other indignantly, and said " What use are tickets for California to us ? We are not going to California. No ! we are too good — too respectable to go so far from home. The man is a fool ! " One of these ornaments of the vestry complained to the door- INTRODUCTION BF T. W.ROBERTSON. 17 keepers, and denounced the lecture as an imposition — " and," said the wealthy parishioner, " as for the panorama, it's the worst painted thing I ever saw in all my life !" But the Entertainment, original, humorous, and racy though it was, was drawing to a close ! In the fight be- tween youth and death, death was to conquer. By medical advice Charles Browne went for a short time to Jersey — but the breezes of Jersey were powerless. He wrote to London to his nearest and dearest friends — the members of a literary club of which he was a member — to complain that his "loneliness weighed on him." He was brought back, but could not sustain the journey farther than South- ampton. There the members of the beforementioned club travelled from London to see him — two at a time — that he might be less lonely — and for the unwearying solicitude of his friend and agent, Mr. Hingston, and to the kindly sym- pathy of the United States Consul at Southampton, Charles Browne's best and nearest friends had cause to be grateful. I cannot close these lines without mention of "Artemus 1 8 ARTEMUS WARD S LECTURE. Ward's " last joke. He had read in the newspapers that a wealthy American had offered to present the Prince of Wales with a splendid yacht, American built. " It seems," said the invalid " a fashion now-a-days for everybody to present the Prince of Wales with something. I think I shall leave him — my Panorama ! " Charles Browne died beloved and regretted by all who knew him, and by many who had known him but a few weeks ; and when he drew his last breath there passed away the spirit of a true gentleman. T. W. ROBERTSON. London, August ii, 1868. ARTEMUS WARD AS A LECTURER. PREFATORY NOTE BY EDWARD P. HINGSTON. JN Cleveland, Ohio, the pleasant city beside the lakes', Artemus Ward first determined to become a public lecturer. He and I rambled through Cleveland together after his return from California. He called on some old friends at the Herald office, then went over to the Weddel House, and afterwards strolled across to the offices of the PlainrfecJer, where, in his position as sub-editor he had written many of his earlier essays. Artemus inquired for Mr. Gray, the editor, who chanced to be absent. Look- ing round at the vacant desks and ink-stained furniture, Artemus was silent for a minute or two, and then burst into one of those peculiar chuckling fits of laughter in wnich he would occasionally indulge ; not a loud laugh, but a zo ARTEMUS WARD'S LECTURE. shaking of the whole body with an impulse of merriment which set every muscle in motion. " Here " — said he — " here's where they called me a fool." The remembrance of their so calling him seemed to afford him intense amusement. From the office of the Cleveland Pluindealer we continued our tour of the town. Presently we found ourselves in front of Perry's statue, the monument erected to commemorate the naval engagement on Lake Erie, wherein the Americans came off victorious. Artemus looked up to the statue, laid his finger to the side of his nose, and in his quaint manner remarked, " I wonder whether they called him ' a fool ' too, when he went to fight ?" The remark, following close as it did upon his laughing fit in the newspaper office, caused me to inquire why he had been called " a fool," and who had called him so. " It was the opinion of my friends on the paper," he replied ; " I told them that I was going in for lecturing. PREFATORY NOTE BY E. P. HINGSTON. 21 They laughed at me and called me ' a fool.' Don't you think they were right ? " Then we sauntered up Euclid Street, under the shade of its avenue of trees. As we went along, Artemus Ward recounted to me the story of his becoming a lecturer. Our conversation on that agreeable evening is fresh in my re- membrance. Memory still listens to the voice of my companion in the stroll, still sees the green trees of Euclid Street casting their shadows across our path, and still joins in the laugh with Artenms, who, having just returned from California, where he had taken 1600 dollars at one lecture, did not think that to be evidence of his having lost his senses. The substance of that which Artemus Ward then told me, was that while writing for the Cleveland Plainclealer he was accustomed, in the discharge of his duties as a reporter, to attend the performances of the various minstrel troupes and circuses which visited the neighbourhood. At one of these he would hear some story of his own, written a month or two previously, given by the " niiddlo-man " of zz ARTEMUS WARD'S LECTURE. the minstrels and received with hilarity by the audience. At another place he would be entertained by listening to jokes of his own invention, coarsely retailed by the clown of the ring and shouted at by the public as capital waggery on the part of the performer. His own good things from the lips of another "came back to him with alienated majesty" as Emerson expresses it. Then the thought would steal over him — why should that man gain a living with my witticisms, aod I not use them in the same way myself? why not be the utterer of my own coinage, the quoter of my own jests, the mouth-piece of my own merry conceits ? Certainly it was not a very exalted ambition, to aim at the glories of a circus-clown or the triumphs of a minstrel with a blackened face. But, in the United States a somewhat different view is taken of that which is fitting and seemly for a man to do, compared with the estimate we form in this country. In a land where the theory of caste is not admitted, the relative respectability of the various profession is not quite the same as it with us. There the profession does not disqualify if the man himself be right, nor the PREFATORY NOTE BY E. P. HINGSTON. 23 claim to the title of gentleman depend upon the avocation followed. I know of one or two clowns in the ring who are educated physicians, and not thought to be any the less gentleman because they propound conundrums and perpetrate jests instead of prescribing pills and potions. Artemus Ward was always very self-reliant ; when once he believed himself to be in the right it was almost im- posssible to persuade him to the contrary. But, at the same time he was cautious in the extreme, and would well consider his position before deciding that which was right or wrong for him to do. The idea of becoming a public man having taken possession of his mind, the next point to decide was in what form he should appear before the public. That of a humorous lecturer seemed to him to be the best. It was unoccupied ground. America had produced enter- tainers who by means of facial changes or eccentricities of costame had contrived to amuse their audiences, but there was no one who ventured to joke for an hour before a house full of people with no aid from scenery or dress. The 24 ARTEMUS WARD'S LECTURE. experiment was one which Arteinus resolved to try. Accordingly, he set himself to work to collect all his best quips and cranks, to invent what new drolleries he could, and to remember all the good things that he had heard or met with. These he noted down and strung together almost without relevancy or connection. The manuscript chanced to fall into the hands of the people at the office of the newspaper on which he was then employed, and the question was put to him of what use he was going to make of the strange jumble of jest which he had thus compiled. His answer was that he was about to turn lecturer, and that before them were the materials of his lecture. It was then that his friends laughed at him, and characterised him as "a fool." " They had some right to think so," said Arteinus to me as we rambled up Euclid Street. " I half thought that I was one myself. I don't look like a lecturer — do I ?" He was always fond, poor fellow, of joking on the subject of his personal appearance. His spare figure and tall stature, PREFATORY NOTE BY E. P. HINGSTON. 25 his prominent nose and his light- coloured hair were each made the subject of a joke at one time or another in the course of his lecturing career. If he laughed largely at the foibles of others, he was equally disposed to laugh at any shortcomings he could detect in himself. If anything at all in his outward form was to him a source of vanity, it was the delicate formation of his hands. "White, soft, long, slender, and really handsome, they were more like the hands of a high-born lady than those of a western editor. He attended to them with careful pride, and never alluded to them as a subject for his jokes, until, in his last illness they had become unnaturally fair, translucent, and attenuated. Then it was that a friend calling upon him at his apart- ments in Piccadilly, endeavoured to cheer him at a time of great mental depression, and pleasantly reminded him of a ride they had long ago projected through the south-western states of the Union. "We must do that ride yet, Artemus. Short stages at first, and longer ones as we go on." Poor Artemus lifted up his pale, slender hands, and letting the light shine through them, said jocosely, " Do you think these 26 ARTEMUS WARD'S LECTURE. would do to hold a rein with ? "Why, the horse would laugh at them." Having collected a sufficient number of quaint thoughts, whimsical fancies, bizarre notions, and ludicrous anecdotes, the difficulty which then, according to his own confession, occurred to Artemus "Ward was, what should be the title of his lecture. The subject was no difficulty at all, for the simple reason that there was not to be any. The idea of instructing or informing his audience never once entered into his plans. His intention was merely to amuse ; if possible keep the house in continuous laughter for an hour and-a- half, or rather an hour and twenty minutes, for that was the precise time, in his belief, which people could sit to listen and to laugh without becoming bored ; and, if possible, send his audience home well pleased with the lecturer and with themselves, without their having any clear idea of that which they had been listening to, and not one jot the wiser than when they came. No one better understood than Artemus the wants of a miscellaneous audience who paid PREFATORY NOTE BY E. P. HINGSTON. 27 their dollar or half-dollar each to be amused. No one could gauge better than he the capacity of the crowd to feed on pure fun, and no one could discriminate more clearly than he the fitness, temper, and mental appetite of the consti- tuents of his evening assemblies. The prosiness of an ordinary Mechanics' Institute lecture was to him simply abhorrent, the learned platitudes of a professed lecturer were to him, to use one of his own phrases, " worse than poison." To make people laugh was to be his primary endeavour. If in so making them laugh he could also cause them to see through a sham, be ashamed of some silly national pre- judice or suspicions of the value of some current piece of political bunkum, so much the better. He believed in laughter as thoroughly wholesome, he had the firmest con- viction that fun is healthy, and sportiveness the truest sign of sanity. Like Talleyrand, he was of opinion that, " Qui vit sansfolie ri est pas si sage qiCil croit." Artemus Ward's first lecture was entitled " The Babes in the Wood." I asked him why he chose that title, because 28 ARTEMUS WARD'S LECTURE. there was nothing whatever in the lecture relevant to the subject of the child-book legend. He replied, " It seemed to sound the best. I once thought of calling the lecture ' My Seven Grandmothers.' Don't you think that would have been good ?" It would at any rate have been just as pertinent. Incongruity as an element of fun was always an idea uppermost in the mind of the western humorist. I am not aware that the notes of any of his lectures, except those of his Mormon experience, have been preserved, and I have some doubts if any one of his lectures, except the Mormon one, was ever fairly written out. "The Babes in the Wood " as a lecture was a pure and unmitigated " sell." It was merely joke after joke, and drollery succeeding to drollery, without any connecting thread whatever. It was an exhibi- tion of fireworks; owing half its brilliancy and more than half its effect to the skill of the man who grouped the fire- works together and let them off. In the hands of any other pyrotechnist the squibs would have failed to light, the rockets would have refused to ascend, and the "nine- bangers " would have exploded but once or twice only, PREFATORY NOTE BY E. P. HINGSTON. 29 instead of nine times. The artist of the display being no more, and the fireworks themselves having gone out, it is perhaps not to he regretted that the cases of the squibs and the tubes of the rockets have not been carefully kept. Most of the good things introduced by Artemus "Ward in his first lecture were afterwards incorporated by him in subsequent writings, or used over again in his later entertainment. Many of them had reference to the events of the day, the circumstances of the American War and the politics of the Great Rebellion. These of course have lost their interest with the passing away of the times which gave them birth. The points of many of the jokes have corroded, and the barbed head of many an arrow of Artemus's wit has rusted into bluntness with the decay of the bow from which it was propelled. If I remember rightly, the " Babes in the "Wood " were never mentioned more than twice in the whole lecture. First, when the lecturer told his audience that the " Babes " were to constitute the subject of his discourse, and then 30 ARTEMUS WARD'S LECTURE. digressed immediately to matters quite foreign to the story. Then again at the conclusion of the hour and twenty minutes of drollery, when he finished up in this way : " I now come to my suhject — ' The Babes in the Wood.' " Here he would take out his watch, look at it with affected surprise, put on an appearance of being greatly perplexed, and amidst roars of laughter from the people, very gravely continue, " But I find that I have exceeded my time, and will therefore merely remark that so far as I know they were very good babes — they were as good as ordinary babes. I really have not time to go into their history. You will find it all in the story-books. They died in the woods, listening to the woodpecker tapping the hollow beech-tree. It was a sad fate for them, and I pity them. So, I hope, do you. Good night !" Artemus gave his first lecture at Norwich in Connecticut, and travelled over a considerable portion of the Eastern States before he ventured to give a sample of his droll oratory in the "Western Cities, wherein he had earned re- putation as a journalist. Gradually his popularity became PREFA TORY NOTE BY E. P. HINGSTON. 3 1 very great, and in place of letting himself out at so much per night to literary societies and athenaeums, he constituted himself his own showman, engaging that indispensable adjunct to all showmen in the United States, an agent to go ahead, engage halls, arrange for the sale of tickets, and engineer the success of the show. Newspapers had carried his name to every village of the Union, and his writings had been largely quoted in every journal. It required, there- fore, comparatively little advertising to announce his visit to any place in which he had to lecture. But it was neces- sary that he should have a bill or poster of some kind. The one he adopted was simple, quaint, striking, and well adapted to the purpose. It was merely one large sheet, with a black ground, and the letters cut out in the block, so as to print white. The reading was "Artemus "Ward will Speak a Piece." To the American mind this was intensely funny from its childish absurdity. It is customary in the States for children to speak or recite " a piece " at school at the annual examination, and the phrase is used just in the same sense as in England we say " a Christmas 32 ARTEMUS WARD'S LECTURE. piece." The professed subject of the lecture being that of a story familiar to children, harmonized well with the droll placard which announced its delivery. The place and time were notified on a slip pasted beneath. To emerge from the dull depths of lyceum committees and launch out as a show- man-lecturer on his own responsibility was something both novel and bold for Artemus to do. In the majority of in- stances he or his agent met with speculators who were ready to engage him for so many lectures, and secure to the lecturer a certain fixed sum. But in his later transactions Artemus would have nothing to do with them, much pre- ferring to undertake all the risk himself. The last speculator to whom he sold himself for a tour was, I believe, Mr. "Wilder, of New York City, who realized a large profit by investing in lecturing stock, and who was always ready to engage a circus, a wild-beast show, or a lecturing celebrity. As a rule, Artemus Ward succeeded in pleasing every one in his audience, especially those who understood the character of the man and the drift of his lecture ; but there PREFATORY NOTE BY E. P. HINGSTON. 33 were not wanting at any of his lectures a few obtuse -minded, slowly-perceptive, drowsy headed dullards, who had not the remotest idea what the entertainer was talking about, nor why those around him indulged in laughter. Artemus was quick to detect these little spots upon the sunny face of his auditory. He would pick them out, address himself at times to them especially, and enjoy the bewilderment of his Boeotian patrons. Sometimes a stolid inhabitant of central New York, evidently of Dutch extraction, would regard him with an open stare expressive of a desire to enjoy that which was said if the point of the joke could by any possi- bility be indicated to him. At other times a demure Pennsylvania Quaker would benignly survey the poor lecturer with a look of benevolent pity, and, on one occasion, when my friend was lecturing at Peoria, an elderly lady, accompanied by her two daughters, left the room in the midst of the lecture, exclaiming, as she passed me at the door, " It is too bad of people to laugh at a poor young man who doesn't know what he is saying and ought to be sent to a lunatic asylum I" 34 ARTEMUS WARD'S LECTURE. The newspaper reporters were invariably puzzled in attempting to give any correct idea of a lecture by Artemus Ward. No report could fairly convey an idea of the entertainment, and being fully aware of this, Artemus would instruct his agent to beg of the papers not to attempt giving any abstract of that which he said. The following is the way in which the reporter of the Golden Era, at San Francisco, California, endeavoured to inform the San Franciscan public of the character of " The Babes in the Wood " lecture. It is, as the reader will perceive, a burlesque on the way in which Artemus himself dealt with the topic he had chosen ; while it also notes one or two of the salient features of my friend's style of lecturing : — " HOW ARTEMUS WARD ' SPOKE A PIECE.' " "Artemus has arrived. Artemus has spoken. Artemus has triumphed. Great is Artemus ! " Great also is Plate's Hall. But Artemus is greater; for the hall proved too small for his audience, and too circumscribed for the immensity of his jokes. A man who has drank twenty bottles of wine may be called ' fall.' A pint bottle with a quart of water PREFATORY NOTE BY E. P. HINGSTON. 35 in it would also be accounted full ; and so would an hotel be, every bed in it let three times over on the same night to three different occupants, but none of these would be so full as Piatt's Hall was on Friday night to hear Artemus Ward ' speak a piece.' "The piece selected was 'The Babes in the Wood,' which reminds us that Mr. Ward is a tall, slender-built, fair-com- plexioned, jovial -looking gentleman of about twenty-seven years of age. He has a pleasant manner, an agreeable style, and a clear, distinct, and powerful voice. " ' The Babes in the Wood ' is a ' comic oration,' with a most comprehensive grasp of subject. As spoken by its witty author, it elicited gusts of laughter and whirlwinds of applause. Mr. Ward is no prosy lyceum lecturer. His style is neither scientific, didactic, or philosophical. It is simply that of a man who is brimful of mirth, wit and satire, and who is compelled to let it flow forth. Maintaining a very grave countenance himself, he plays upon the muscles of other people's faces as though they were piano- strings and he the prince of pianists. "The story of 'The Babes in the Wood' is interesting in the extreme. We would say, en passant, however, that Artemus Ward is a perfect steam factory of puns and a museum of American humour. Humanity seems to him to be a vast mine, out of which he digs tons of fun ; and life a huge forest, in which he can cut down ' cords ' of comicality. Language with him is like the brass balls with which the juggler amuses us at the circus — ever being 36 ARTEMUS WARD'S LECTURE. tossed up, ever glittering, ever thrown about at pleasure. We intended to report his lecture at full, but we laughed till we split our lead pencil and our short-hand symbols were too infused with merriment to remain steady on the paper. However, let us pro- ceed to give an idea of ' The Babes in the Wood.' In the first place it is a comic oration ; that is, ic is spoken, is exuberant in fun, felicitous in fancy, teeming with jokes, and sparkling as bright waters on a sunny day. The ' Babes in the Wood ' is — that is, it isn't a lecture or an oratorical effort ; it is something sui generis ; something reserved for our day and generation, which it would never have done for our forefathers to have known, or they would have been too mirthful to have attended to the business of preparing the world for our coming ; and something which will provoke so much laughter in our time, that the echo of the laughs will rever- berate along the halls of futurity and seriously affect the nerves of future generations. " The 'Babes in the Wood' to describe it, is — Well, those who listened to it know best. At any rate they will acknowledge with us that it was a great success ; and that Artemus Ward has a fortune before him in California. " And now to tell the story of ' The Babes in the Wood ' — But we will not, for the hall was not half large enough to accommodate those who came ; consequently Mr. Ward will tell it over again at the Metropolitan Theatre next Tuesday evening. The subject will again be ' The Babes in the Wood.' " PREFA TORY NOTE BY E. P. HINGSTON 37 Having travelled over the Union with " The Babes in the "Wood " lecture, and left his audiences everywhere fully " in the wood " as regarded the subject announced in the title, Artemus "Ward became desirous of going over the same ground again. There were not wanting dreary and timid prophets who told him that having " sold " his audiences once, he would not succeed in gaining large houses a second time. But the faith of Artemus in the unsuspecting nature of the public was very large, so with fearless intrepidity he conceived the happy thought of inventing a new title, but keeping to the same old lecture, interspersing it here and there with a few fresh jokes, incidental to new topics of the times. Just at this period General McClellan was advanc- ing on Bichmond, and the celebrated fight at Bull's Bun had become matter of history. The forcible abolition of slavery had obtained a place among the debates of the day, Hinton Bowan Helper's book on " The Inevitable Crisis " had been sold at every bookstall, and the future of the negro had risen into the position of being the great point of dis- cussion throughout the land. Artemus required a very 38 ARTEMUS WARD'S LECTURE. slender thread to string his jokes upon, and what better one could be found than that which he chose ? He advertised the title of his next lecture as " Sixty Minutes in Africa." I need scarcely say that he had never been in Africa, and in all probability had never read a book on African travel. He knew nothing about it, and that was the very reason he should choose Africa for his subject. I believe that he carried out the joke so far as to have a map made of the African continent, and that on a few occasions, but not on all, he had it suspended in the lecture -room. It was in Philadelphia and at the Musical Fund Hall in Locust Street that I first heard him deliver what he jocularly phrased to me as "My African Revelation." The hall was very thronged, the audience must have exceeded two thousand in number, and the evening was unusually warm. Artemus came on the rostrum with a roll of paper in his hands, and used it to play with throughout the lecture, just as recently at the Egyptian Hall, while lecturing on the Mormons, he in- variably made use of a lady's riding- whip for the same purpose. He commenced his lecture thus, speaking very PREFATORY NOTE BY E. P. HINGSTON. 39 gravely and with long pauses between his sentences, allow- ing his audience to laugh if they pleased, but seeming to utterly disregard their laughter. " I have invited you to listen to a discourse upon Africa. Africa is my subject. It is a very large subject. It has the Atlantic Ocean on its left side, the Indian Ocean on its right, and more water than you could measure out at its smaller end. Africa produces blacks — ivory blacks — they get ivory. It also produces deserts^ and that is the reason it is so much deserted by travellers. Africa is famed for its roses. It has the red rose, the white rose, and the neg-rose. Apropos of negroes, let me tell you a little story." Then he at once diverged from the subject of Africa to retail to his audience his amusing story of the Conversion of a Negro, which he subsequently worked up into an article in the Savage Club Papers, and entitled " Converting the Nigger." Never once again in the course of the lecture did he refer to Africa, until the time having arrived for him to conclude, and the people being fairly worn out with laughter, he 4 o ARTEMUS WARD'S LECTURE. finished up by saying, " Africa, ladies and gentlemen, is my subject. You wish me to tell you something about Africa. Africa is on the map — it is on all the maps of Africa that I have ever seen. You may buy a good map for a dollar, and if you study it well, you will know more about Africa than I do. It is a comprehensive subject, too vast, I assure you, for me to enter upon to-night. You would not wish me to, I feel that — I feel it deeply, and I am very sensitive. If you go home and go to bed it will be better for you than to go with me to Africa." The joke about the " neg-rose " has since run the gauntlet of nearly all the minstrel bands throughout England and America. All the " bones," every " middle-man," and all " end-men " of the burnt-cork profession have used Artemus "Ward as a mine wherein to dig for the ore which provokes laughter. He has been the " cause of wit in others," and the bread-winner for many dozens of black-face songsters — " singists " as he used to term them. He was just as fond of visiting their entertainments as they were of appropriating PREFATORY NOTE BY E. P. HINGSTON. 41 his jokes ; and among his best friends in New York were the brothers Messrs. Neil and Dan Bryant, who have made a fortune by what has been facetiously termed — " the burnt- cork-opera." It was in his " Sixty Minutes in Africa " lecture that Artemus "Ward first introduced his celebrated satire on the negro, which he subsequently put into print. " The African," said he, " may be our brother. Several highly respectable gentlemen and some talented females tell me that he is, and for argument's sake I might be induced to grant it, though I don't believe it myself. But the African isn't our sister, and wife, and uncle. He isn't several of our brothers and first wife's relations. He isn't our grandfather and great grandfather, and our aunt in the country. Scarcely." It may easily be imagined how popular this joke became when it is remembered that it was first perpetrated at a time when the negro question was so much debated as to D 42 ARTEMUS WARD'S LECTURE. have become an absolute nuisance. Nothing else was talked of; nobody would talk of anything but the negro. The saying arose that all Americans had "nigger-on-the-brain." The topic had become nauseous, especially to the Democratic party ; and Artemus always had more friends among them than among the Republicans. If he had any politics at all he was certainly a Democrat. War had arisen, the South was closed, and the lecturing arena considerably lessened. Artemus "Ward determined to go to California. Before starting for that side of the American continent, he wished to appear in the city of New York. He engaged, through his friend Mr. De Walden, the large hall then known as Niblo's, in front of the Niblo's Garden Theatre, and now used, I believe, as the dining- room of the Metropolitan Hotel. At that period Pepper's Ghost chanced to be the great novelty of New York City, and Artemus Ward was casting about for a novel title to his old lecture. Whether he or Mr. De Walden selected that of "Artemus Ward's Struggle with a Ghost" I do PREFATORY NOTE BY E. P. HINGSTON. 43 not know ; but I think that it was Mr. De Walden's^ choice. The title was seasonable and the lecture successful. Then came the tour to California, whither I proceeded in advance to warn the miners on the Yuba, the travellers on the Rio Sacramento, and the citizens of the Chrysopolis of the Pacific that "A. Ward" would be there shortly. In California the lecture was advertised under its old name of " The Babes in the Wood." Piatt's Hall was selected for the scene of operation, and, so popular was the lecturer, that on the first night we took at the doors more than sixteen hundred dollars in gold. The crowd proved too great tu take ruoriey in the ordinary manner, and hats were used for people to throw their dollars in. One hat broke through at the crown. I doubt if we ever knew to a dollar how many- dollars it once contained. California was duly travelled over, and " The Babes in the Wood" listened to with laughter in its flourishing- cities, its mining-camps among the mountains, and its "new placers" beside gold-bedded rivers. While journeying 44 ARTEMUS WARD'S LECTURE. through that strangely-beautiful land, the serious question arose — "What was to be done next? After California — where ? Before leaving New York, it had been a favourite scheme of Artemus Ward not to return from California to the East by way of Panama, but to come home across the Plains, and to visit Salt Lake City by the way. The difficulty that now presented itself was, that winter was close upon us, and that it was no pleasant thing to cross the Sierra Nevada and scale the Rocky Mountains with the thermometer far below freezing point. Nor was poor Artemus even at that time a strong man. My advice was to return to Panama, visit the West India Islands, and come back to California in the spring, lecture again in San Francisco, and then go on to the land of the Mormons. Artemus doubted the feasibility of this plan, and the decision was ultimately arrived at to try the journey to Salt Lake. Unfortunately the winter turned out to be one of the severest. When we arrived at Salt Lake City, my poor friend was seized with typhoid PREFATORY NOTE BY E. P. HINGSTON. 45 fever, resulting from the fatigue we had undergone, the intense cold to which we had been subjected, and the excite- ment of being on a journey of 3,500 miles across the North American Continent, when the Pacific Railway had made little progress and the Indians were reported not to be very friendly. The story of the trip is told in Artemus "Ward's lecture. I have added to it, at the special request of the publisher, a few explanatory notes, the purport of which is to render the reader acquainted with the characteristics of the lecturer's delivery. For the benefit of those who never had an oppor- tunity of seeing Artemus "Ward nor of hearing him lecture, I may be pardoned for attempting to describe the man, himself. In stature he was tall, in figure, slender. At any time during our acquaintance his height must have been dis- proportionate to his weight. Like his brother Cyrus, who died a few years before him, Charles F. Browne, our 46 ARTEMUS WARD'S LECTURE. " Artemus Ward," had the premonitory signs of a short life strongly evident in his early manhood. There were the lank form, the long pale fingers, the very white pearly teeth, the thin, fine, soft hair, the undue brightness of the eyes, the excitable and even irritable disposition, the capricious appetite, and the alternately jubilant and de- spondent tone of mind which too frequently indicate that " the abhorred fury with the shears " is waiting too near at hand to " slit the thin-spun life/* His hair was very light- coloured, and not naturally curly. He used to joke in his lecture about what it cost him to keep it curled ; he wore a very large moustache without any beard or whiskers ; his nose was exceedingly prominent, having an outline not un- like that of the late Sir Charles Napier. His forehead was large, with, to use the language of the phrenologists, the organs of the perceptive faculties far more developed than those of the imaginative powers. He had the manner and bearing of a naturally-born gentleman. Great was the disappointment of many who, having read his humorous papers descriptive of his exhibition of snakes and wax- PREFATORY NOTE BY E. P. HIXGSTON. 47 work, and who having also formed their ideas of him from the absurd pictures which had been attached to some editions of his works, found on meeting with him that there was no trace of the showman in his deportment, and little to call up to their mind the smart Yankee who had married " Betsy Jane." There was nothing to indicate that he had rot lived a long time in Europe and acquired the polish which men gain by coming in contact with the society of European capitals. In his conversation there was no marked peculiarity of accent to identify him as an American, nor any of the braggadocio which some of his countrymen unadvisedly assume. His voice was soft, gentle, and clear. He could make himself audible in the largest lecture-rooms without effort. His style of lecturing was peculiar ; so thoroughly siii generis, that I know of no one with whom to compare him, nor can any description very well convey an idea of that which it was like. However much he caused his audience to laugh, no smile appeared upon his own face. It was grave even to solemnity, while he was giving utterance to the most delicious absurdities. His assumption of in- 48 ARTEMUS WARD'S LECTURE. difference to that which he was saying, his happy manner of letting his best jokes fall from his lips as if unconscious of their being jokes at all, his thorough self-possession on the platform, and keen appreciation of that which suited his audience, and that which did not, rendered him well qualified for the task which he had undertaken — that of amusing the public with a humorous lecture. He understood and comprehended to a hair's breadth the grand secret of how not to bore. He had weighed, measured, and calculated to a nicety the number of laughs an audience could indulge in on one evening, without feeling that they were laughing just a little too much. Above all, he was no common man, and did not cause his audience to feel that they were laughing at that which they should feel ashamed of being amused with. He was intellectually up to the level of nine-tenths of those who listened to him, and in listening, they felt that it was no fool who wore the cap and bells so excellently. It was amusing to notice how with different people his jokes produced a different effect. The Honourable Robert Lowe attended one evening at the Mormon Lecture, and PREFATORY NOTE BY E. P. HINGSTOJV. 49 laughed as hilariously as any one in the room. The next evening Mr. John Bright happened to be present. With the exception of one or two occasional smiles, he listened with grave attention. In placing the lecture before the public in print it is impossible by having recourse to any system of punctuation to indicate the pauses, jerky emphases, and odd inflexions of voice which characterized the delivery. The reporter of the Standard newspaper describing his first lecture in London aptly said, "Artemus dropped his jokes faster than the meteors of last night succeeded each other in the sky. And there was this resemblance between the flashes of his humour and the flights of the meteors, that in each case one looked for jokes or meteors, but they always came just in the place that one least expected to find them. Half the enjoyment of the evening lay, to some of those present, in, listening to the hearty cachinnation of the people who only found out the jokes some two or three minutes after they were made, and who then laughed apparently at some grave 50 ARTEMUS WARD'S LECTURE. statements of fact. Reduced to paper the snowman's jokes are certainly not brilliant ; almost their whole effect lies in their seemingly impromptu character They are carefully led up to, of course, but they are uttered as if they are mere afterthoughts of which the speaker is hardly sure." Herein the writer in the Standard hits the most marked peculiarity of Artemus Ward's style of lecturing. His affectation of not knowing what he was uttering ; his seem- ing fits of abstraction, and his grave melancholy aspect constituted the very cream of the entertainment. Occasionally he would amuse himself in an apparently meditative mood, by twirling his little riding-whip, or by gazing earnestly but with affected admiration at his panorama. At the Egyptian Hall his health entirely failed him, and he would occasionally have to use a seat during the course of the lecture. In the notes which follow I have tried, I know how inefficiently, to convey here and there an idea of how Artemus rendered his lecture amusing by gesture or action. I have also, at the request of the Publisher, made a few ex- planatory comments on the subject of our Mormon trip. In PREFATORY NOTE BY E. P. HINGSTON. 51 so doing I hope that I have not thrust myself too promi- nently forward nor been too officious in my explanations. My aim has been to add to the interest of the lecture with those who never heard it delivered, and to revive in the memory of those who did some of its notable peculiarities. The illustrations are from photographs of the panorama painted in America for Artemus, as the pictorial portion cf his entertainment. In the lecture is the fun of the journey. For the hard facts the reader in quest of information is referred to a book published previously to the lecturer's appearance at the Egyptian Hall, the title of which is, " Artemus "Ward : His Travels Among the Mormons." Much against the grain as it was for Artemus to be statistical, he has therein detailed some of the experiences of his Mormon trip, with due regard to the exactitude and accuracy of statement expected by information- seeking readers in a book of travels. He was not precisely the sort of traveller to write a paper for the evening meetings of the Royal 52 ARTEMCS WARD'S LEC1URE. Geographical Society, nor was he sufficiently interested in philosophical theories to speculate on the developments of Mormonism as illustrative of the history of religious belief. We were looking out of the window of the Salt Lake House one morning, when Brigham Young happened to pass down the opposite side of Main Street. It was cold weather, and the prophet was clothed in a thick cloak of some green-coloured material. I remarked to Artemus that Brigham had, seemingly, compounded Mormonism from portions of a dozen different creeds, and that in selecting green for the colour of his apparel he was imitating Mahomet. " Has it not struck you/' I observed, " that Swedenborgianism and Mahometanism are oddly blended in the Mormon faith ? " " Petticoatism and plunder/' was Artemus's reply ; and that comprehended his whole philosophy of Mormonism. As he remarked elsewhere : " Brigham Young is a man of great natural ability. If you ask me, How pious is he ? I treat it as a conundrum, and give it up." PREFATORY NOTE BY E. P. HINGSTON. 53 To lecture in London, and at the Egyptian Hall, had long been a favourite idea of Artemus Ward. Some humorist has said that " All good Americans when they die go to Paris." So do most, whether good or bad, while they are living. Still more strongly developed is the trans-atlantic desire to go to Rome. In the far west of the Mis- souri, in the remoter west of Colorado, and away in far north-western Oregon, I have heard many a tradesman express his intention to make dollars enough to enable him to visit Rome. In a land where all is so new, where they have had no past, where an old wall would be a sensation, and a tombstone of anybody's great grandfather the marvel of the whole region, the charms of the old world have an irresistible fascination. To visit the home of the Caesars they have read of in their school books, and to look at architecture which they have seen pictorially, but have nothing like it in existence around them, is very naturally the strong wish of people who are nationally 54 ARTEMUS WARD'S LECTURE. nomadic, and who have all more or less a smattering of education. Artemus Ward never expressed to me any very great wish to travel on the European continent, but to see London was to accomplish something which he had dreamed of from his boyhood. There runs from Marysville in California to Oroville in the same State a short and singular little railway, which, when we were there, was in a most unfinished condition. To Oroville we were going. "We were too early for the train at the Marysville station, and sat down on a pile of timber to chat over future prospects. ""What sort of a man was Albert Smith ? " asked Artemus, " And do you think that the Mormons would be as good a subject for the Londoners as Mont Blanc was?" I answered his questions. He reflected for a few moments, and then said, " Well, old fellow, I'll tell you what I should like to do. PREFATORY NOTE BY E. P. HINGSTON. 55 I should like to go to London and give my lecture in the same place. Can it be done ? " It was done. Not in the same room, but under the same roof and on the same floor ; in that gloomy-looking Hall in Piccadilly, which was destined to be the ante-chamber to the tomb of both lecturers. Throughout this brief sketch I have written familiarly of the late Mr. Charles F. Browne as " Artemus Ward," or simply as " Artemus." I have done so advisedly, mainly because, during the whole course of our acquaintance, I do not remember addressing him as " Mr. Browne," or by his real Christian name. To me he was always " Artemus " — Artemus the kind, the gentle, the suave, the generous. One who was ever a friend in the fullest meaning of the word, and the best of companions in the amplest acceptance of the phrase. His merry laugh and pleasant conversation are as audible to me as if they were heard but yesterday ; his words of kindness linger on the ear of memory, and his 5 6 ARTEMUS WARD'S LECTURE. tones of genial mirth live in echoes which I shall listen to for evermore. Two years will soon have passed away since last he spoke, and — " Silence now, enamoured of his voice E. P. HINGSTON. London, October, 1868. THE LECTURE. A RTEMUS WARD'S first lecture in London was de- livered at the Egyptian Hall, Piccadilly, on Tuesday, November 13, 1866. The room used was that which had been recently occupied by Mr. Arthur Sketchley. It is the lesser of the two rooms at the top of the staircase. Not the one in which Mr. Albert Smith formerly made his appearances. The attendance was very large, but the audience for the most part consisted of invited friends and the members of the press. The paying public having to wait for another opportunity, though they struggled in large numbers to obtain admission. Copies of Artemus Ward's very original programmes are given in the Appendix, together with the notice of the lecture which appeared in the Times two days after its delivery. The notice was written by Mr. John Oxenford. As at THE PROSCENIUM \\ I 1 II THE CURTAIN DOWN. Artemus Ward's First Lecture in the Egyptian Hull, Loudon, (in Tuesday, November 13, 1866. JLJUi^^ This was the appearand of the stage during the prologue of the lecture, he/ore any portion of Hie panorama was exhibited. The lights in the room being then turned up, the wondrous gravity of t lie lecturer's face was fully risible at the time that he teas uttering his best jokes. The picture was surrounded with a large gilt frame. THE LECTURE. By Artemus Ward. VOU are entirely welcome ladies and gentlemen to my little picture-shop. 1 I couldn't give you a very clear idea of the Mormons — and Utah — and the Plains — and the Rocky Mountains — without opening a picture- shop and therefore I open one. 1 "My little pic hire- shop." — I have already stated that the room used was the lesser of the two on the first-floor of the Egyptian Hall. The panorama was to the left on entering, and Artemus Ward stood at the south-east corner facing the door. He had beside him a music-stand, on which for the first few days he availed himself of the assistance afforded by a sheet of foolscap on which all his " cues " were written out in a large hand. The proscenium was covered with dark 60 ARTEMUS WARD'S LECTURE. I don't expect to do great things here — but I have thought that if I could make money enough to buy me a passage to New Zealand 2 I should feel that I had not lived in vain. I don't want to live in vain. I'd rather live in Margate — or here. But cloth, and the picture bounded by a great gilt frame. On the rostrum behind the lecturer was a little door giving admission to the space behind the picture where the piano was placed. Through this door Artemus would disappear occasionally in the course of the evening, either to instruct his pianist to play a few more bars of music, to tell his assistants to roll the picture more quickly or more slowly, or to give some instruc- tions to the man who worked " the moon." The little lecture-room was thronged nightly during the very few weeks of its being open. 2 " To New Zealand." — Artemus Ward seriously contem- plated a visit to Australia, after having made the tour of England. He was very much interested in all Australian affairs, had a strong desire to see the lands of the South, and looked forward to the long sea-voyage as one of the means by which he should regain his lost health. ARTEMUS WARD'S LECTURE. 61 I wish when the Egyptians built this hall they had given it a little more ventilation. 3 If you should be dissatisfied with anything here to-night — I will admit you all free in New Zea- land if yOU will come to me there for the orders. Any respectable cannibal will tell you where I live. This shows that I have a forgiving spirit. I really don't care for money. I only travel round to see the world and to exhibit my clothes. These clothes I have on were a great success in America. 4 s " More ventilation ." — The heat and closeness of the densely-packed room was a cause of common complaint among the audience. 4 " These clothes, etc." — This was one of poor Artemus's jokes which owed more of its success to its oddity than to its veracity. While lecturing at the Egyptian Hall he wore a fashionably-cut dress coat in the evening. It was what he bz ARTEMUS WARD'S LECTURE. How often do large fortunes ruin young- men ! I should like to be ruined, but I can get on very well as I am. I am not an Artist. I don't paint myself though perhaps if I were a middle-aged single lady i should yet I have a passion for pictures. 1 have had a great many pictures — photographs — taken of myself. Some of them are very pretty — rather sweet to look at for a short time — and as I said before I like them. I've always loved pictures. had never done during his lecture-career in the States, and he used privately to complain how uncomfortable he felt in it. He assumed the most deplorable look when pointing out his costume to his audience. His voice dropped into a moody reflective tone, and then suddenly passed into a much higher key when he commenced to allude to " large fortunes." He seemed to have shaken off the embarrassment of his fashionable clothes, and to be glad to pass on to another subject. In the punctuation of the succeeding paragraph of the lecture, I have endeavoured to convey an idea of the long pause he made between some of his sentences. ARTEMUS WARD'S LECTURE. 63 I could draw on wood at a very tender age. When a mere child I once drew a small cart- load of raw turnips over a wooden bridge. The people of the village noticed me. I drew their attention. They said I had a future before me. Up to that time I had an idea it was behind me. Time passed on. It always does by the way. You may possibly have noticed that Time passes On. It is a kind of way Time has. I became a man. I haven't distinguished myself at all as an artist — but I have always been more or less mixed up with Art. I have an uncle who takes photographs — and I have a servant Who takes anything he can get his hands on. When I was in Rome Rome in New York State I mean a distinguished sculpist wanted to sculp me. But I said "No." I saw through 64 ARTEMUS WARD'S LECTURE. the designing man. My model once in his hands —he would have flooded the market with my busts and I couldn't stand it to see everybody going round with a bust of me. Everybody would want one of course — and wherever I should go I should meet the educated classes with my bust, taking it home to their families. This would be more than my modesty could stand and I should have to return to America where my creditors are. I like Art. I admire dramatic Art — although I failed as an actor. It was in my schoolboy days that I failed as an actor. 5 The play was the " Ruins of Pom- 5 "Failed as an actor.'" — Artemus made many attempts as an amateur actor, but never to his own satisfaction. He was very fond of the society of actors and actresses. Their weaknesses amused him as much as their talents excited his admiration. One of his favourite sayings was that the world was made up of " men, women, and.-the people on the stage." ARTEMUS WARD'S LECTURE. 65 peii." 1 played the Ruins. It was not a very successful performance — but it was better than the "Burning Mountain." He was not P"OOd. He was a bad Vesuvius. The remembrance often makes me ask — "Where are the boys of my youth?" 1 assure you this is not a conundrum. Some are amongst you here some in America some are in gaol. — Hence arises a most touching question — " Where are the girls of my youth ? " Some are married some would like to be. Oh my Maria ! Alas ! she married another. They frequently do. I hope she is happy — because I am. 6 Some people are not happy. I have noticed that. 8 " Because I am I " — Spoken with a sigh. It was a joke which always told. Artemus never failed to use it in his "Babes in the Wood" lecture, and the "Sixty Minutes in Africa," as well as in the Mormon story. 66 ARTEMUS WARD 'S LECTURE. A gentleman friend of mine came to me one day with tears in his eyes. I said " Why these weeps?" He said he had a mortgage on his farm — and wanted to borrow £200. I lent him the money — and he went away. Some time after he returned with more tears. He said he must leave me for ever. I ventured to remind him of the £2 00 he borrowed. He was much cut up. I thought I would not be hard upon him — so told him I would throw off one hundred pounds. He brightened — shook my hand — and said — "Old friend — I won't allow you to outdo me in libe- rality I'll throw off the other hundred." As a manager I was always rather more suc- cessful than as an actor. Some years ago I engaged a celebrated Living American Skeleton for a tour through Australia. ARTEMUS WARD'S LECTURE. 67 He was the thinnest man I ever saw. He was a splendid skeleton. He didn't weigh anything scarcely and I said to myself — the people of Australia will flock to see this tremendous curi- osity. It is a long voyage — as you know — from New York to Melbourne — and to my utter sur- prise the skeleton had no sooner got out to sea than he commenced eating in the most horrible manner. He had never been on the ocean before — and he said it agreed with him. 1 thought so ! 1 never saw a man eat so much in my life. Beef — mutton — pork he swallowed them all like a shark and between meals he was often discovered behind barrels eating hard-boiled eggs. The result was that when we reached Melbourne this infamous skeleton weighed 64 pounds more than I did ! I thought I was ruined but I wasn't. I took him on to California another very long 68 ARTEMUS WARD'S LECTURE. sea voyage and when I got him to San Fran- cisco I exhibited him as a Fat Man. 7 This story hasn't anything to do with my Entertainment, I know but one of the principal features of my Entertainment is that it Contains SO many things that don't have anything to do with it. My Orchestra is small but I am sure it is very good — so far as it goes. I give my pianist ten pounds a night — and his washing. 8 7 " As a Fat Man" — The reader need scarcely be informed that this narrative is about as real as "A. Ward's Snaiks," and about as much matter-of-fact as his journey through the States with a wax-work show. 8 "Afy Pianist, Gfc." That a good pianist could be hired for a small sum in England was a matter of amusement to Artemus. More especially when he found a gentleman who was obliging enough to play anything he desired, such as break-downs and airs which had the most absurd relation to the scene they were used to illustrate. In the United States his pianist was desirous of playing music of a superior order, much against the consent of the lecturer. ARTEMUS WARD'S LECTURE. 69 I like Music. 1 can't sing. As a singist I am not a success. I am saddest when I sing. So are those who hear me. They are sadder even than I am. The other night some silver-voiced young men came under my window and sang — " Come where my love lies dreaming." 1 didn't go. I didn't think it would be correct. I found music very soothing when I lay ill with fever in Utah and I was very ill 1 was fearfully wasted. My face was hewn down to nothing — and my nose was so sharp I didn't dare stick it into other people's business — for fear it would stay there — and I should never get it again. And on those dismal days a Mormon lady she was married — tho' not so much so as her husband — he had fifteen other wives she used to sing a ballad commencing " Sweet bird — do not fly away!" and I told her I wouldn't. 7° ARTEMUS WARDS LECTURE. She played the accordion divinely — accordionly I praised her. I met a man in Oregon who hadn't any teeth — not a tooth in his head yet that man could play on the bass drum better than any man I ever met. He kept a hotel. They have queer hotels in Oregon. I remember one where they gave me a bag of oats for a pillow 1 had night mares of course. In the morning the landlord said — How do you feel — old hoss — hay ? 1 told him I felt my oats. ARTEMUS WARD'S LECTURE. 71 9 pERMIT me now to quietly state that altho' I am here with my cap and bells I am also here with some serious descriptions of the Mormons — their manners — their customs -and while the pictures I shall present to your notice are by no means works of art — they are painted from pho- 9 "Permit me now." Though the serious part of the lecture was here entered upon, it was not delivered in a graver tone than that in which he had spoken the farcicalities of the prologue. Most of the prefatory matter was given with an air of earnest thought ; the arms sometimes folded, and the chin resting on one hand. On the occasion of his first exhibiting the panorama at New York he used a fishing-rod to point out the picture with ; subsequently he availed himself of an old umbrella. In the Egyptian Hall he used his little riding- whip. 72 ARTEMUS WARD'S LECTURE. tographs actually taken on the spot 10 and I am sure I need not inform any person present who was ever in the territory of Utah that they are as faithful as they could possibly be. 11 I went to Great Salt Lake City by way of California. 12 10 "Photographs." They were photographed by Savage and Ottinger, of Salt Lake City, the photographers to Brigham Young. 11 Curiam. The picture was concealed from view during the first part of the lecture by a crimson curtain. This was drawn together or opened many times in the course of the lecture, and at odd points of the picture. I am not aware that Artemus himself could have explained why he caused the cur- tain to be drawn at one place and not at another. Probably he thought it to be one of his good jokes that it should shut in the picture just when there was no reason for its being used. 12 " By way of California." That is, he went by steamer from New York to Aspinwall, thence across the Isthmus of Panama by railway, and then from Panama to California by another steamboat. A journey which then occupied about three weeks. THE STEAMER "ARIEL." ^^WWWWWWWWWWffW One of the United States Mail line of Steamers from New York to Aspinwall. Being a supplemental boat only, its arrangements were none of the best. ARTEMUS WARD'S LECTURE. 75 I went to California on the steamer "Ariel." —This is the steamer "Ariel." Oblige me by calmly gazing on the steamer "Ariel" and when you go to California be sure and go on some other steamer because the "Ariel" isn't a rery good one. When I reached the "Ariel" — at pier No. 4 — New York — I found the passengers in a state of great confusion about their things — which were being thrown around by the ship's porters in a manner at once damaging and idiotic. So great was the excitement — my fragile form was smashed this way — and jammed that way — till 76 ARTEMUS WARD'S LECTURE. finally I was shoved into a stateroom which was Occupied by two middle-aged females — who said "Base man — leave us — O, leave us!" I left them Oh— I left them! We reach Accapulco on the coast of Mexico in due time. Nothing of special interest occurred at Accapulco only some of the Mexican ladies are very beautiful. They all have brilliant black hair hair "black as starless night" if I may quote from the "Family Herald." It don't curl. A Mexican lady's hair never curls it is straight as an Indian's. Some people's hair won't curl under any circumstances. My hair won't curl under two shillings. 13 1S " Under Two Shillings." Artemus always wore his hair straight until after his severe illness in Salt Lake City. So much of it dropped off during his recovery that he became dissatisfied with the long meagre appearance his countenance presented when he surveyed it in the looking-glass. After his lecture at the Salt Lake City Theatre he did not lecture again MONTGOMERY STREET, SAN FRANCISCO. j^^ww3^w ^w^i^#ww%#«f The main street of the chief city of California. It is built over what was a few years ago a portion of the Bay of San Francisco. In digging up a part of the street, some time since, the excavators came upon the hull of an old vessel full of cliests of tea. The Chinaman in the foreground was pointed out hy the lecturer preparatory to liis re- marks on the Chinese theatre. 78 ARTEMUS WARD'S LECTURE. 79 The great thoroughfare of the imperial city of the Pacific Coast. The Chinese form a large element in the popu- lation of San Francisco — and I went to the Chinese Theatre. until we had crossed the Rocky Mountains and arrived at Denver City, the capital of Colorado. On the afternoon he was to lecture there I met him coming out of an ironmonger's store with a small parcel in his hand. " I want you, old fellow," he said, " I have been all round the City for them, and I've got them at last." " Got what ? " I asked. " A pair of curling-tongs. I am going to have my hair curled to lecture in to-night. I mean to cross the plains in curls. Come home with me and try to curl it for me. I don't want to go to any idiot of a barber to be laughed at." I played the part of friseur. Subsequently he became his own " curlist," as he phrased it. From that day forth Artemus was a curly-haired man. F 80 ARTEMUS WARD'S LECTURE. A Chinese play often lasts two months. Commencing at the hero's birth, it is cheerfully conducted from week to week till he is either killed or married. The night I was there a Chinese comic vocalist sang a Chinese comic song. It took him six weeks to finish it — but as my time was limited I went away at the expiration of 215 verses. There were 11,000 verses to this song — the chorus being "Tural lural dural, ri fol day" which was repeated twice at the end of each verse making — as you will at once see — the appal- ling number of 22,000 "tural lural dural, ri fol days" and the man still lives. VIRGINIA CITY, NEVADA. ^^^^^^^^^^^^^^pP^^^^^^^^pj When Artemus Ward paid his visit heir, there was a population of about 15,000, with three daily newspapers. Five years previously it had no existence. It was the largest place between the Sierra Nevada Mountains and Salt Lake City. (i$>b$.) 82 ARTEMUS WARD'S LECTURE. 83 Virginia City — in the bright new State of Nevada. 14 A wonderful little city — right in the heart of the famous Washoe silver regions the mines of which annually produce over twenty-five millions of solid silver. This silver is melted into solid bricks — of about the size of ordinary 14 "Virginia City" The view of Virginia City given in the panorama conveyed a very poor idea of the marvellous capital of the silver region of Nevada. Artemus caused the curtain to close up between his view of San Francisco and that of Virginia City, as a simple means of conveying an idea of the distance travelled between. To arrive at the city of silver we had to travel from San Francisco to Sacramento by steamboat, thence from Sacramento to Folsom by railroad, then by coach to Placerville. At Placerville we commenced the ascent of the Sierra Nevada, gaining the summit of Johnson's Pass about 84 ARTEMUS WARD'S LECTURE. house-bricks — and carted off to San Francisco with mules. The roads often swarm with these silver wagons. One hundred and seventy-five miles to the east of this place are the Reese River Silver Mines — which are supposed to be the richest in the world. four o'clock in the morning; thence we descended; skirted the shores of Lake Tahoe, and arrived at Carson City, where Artemus lectured. From Carson, the next trip was across an arid plain, to the great silver region. Empire City, the first place we struck, was composed of about fifty wooden houses and three or four quartz mills. Leaving it behind us, we passed through the Devil's Gate — a grand ravine, with pre- cipitous mountains on each side ; then we came to Silver City, Gold Hill, and Virginia. The road was all up-hill. Virginia City itself is built on a ledge cut out of the side of Mount Davidson, which rises some 9,000 feet above the sea level — the city being about half way up its side. To Artemus Ward the wild character of the scenery, the strange manners of the red-shirted citizens, and the odd developments of life met with in that uncouth mountain-town were all replete with PLAINS BETWEEN VIRGINIA & SALT LAKE. £[Pj a &, a^^KA Aa ~a ^^QQQkAA/QQQQi /$ Herbage on the plains of Nevada consists almost exclusively of the Sage-brush ( Artemisia tridentataj, the most dreary-looking of shrubs. The leaves are of a leaden colour, and the stems are gnarled and wiry. ARTEMUS WARD'S LECTURE. 87 The great American Desert in winter-time the desert which is so frightfully gloomy always. No trees no houses no people — save the miserable beings who live in wretched huts and have charge of the horses and mules of the Overland Mail Company. interest. We stayed there about a week. During the time of our stay he explored every part of the place, met many old friends from the Eastern States, and formed many new ac- quaintances, with some of whom acquaintance ripened into warm friendship. Among the latter was Mr. Samuel L. Clemens, now well known as " Mark Twain." He was then sub-editing one of the three papers published daily in Virginia — The Territorial Enterprise. Artemus detected in the writings of Mark Twain the indications of great humorous power, and strongly advised the writer to seek a better field 88 ARTEMUS WARD'S LECTURE. This picture is a great work of art. It is an oil painting — done in petroleum. It is by the Old Masters. It was the last thing they did before dying. They did this and then they expired. for his talents. Since then he has become a well-known New York lecturer and author. With Mark Twain, Artemus made a descent into the Gould and Curry Silver Mine at Virginia, the largest mine of the kind, I believe, in the world. The account of the descent formed a long and very amusing article in the next morning's Enterptise. To wander about the town and note its strange developments occupied Artemus incessantly. I was sitting writing letters at the hotel when he came in hurriedly, and requested me to go out with him. " Come and see some joking much better than mine," said he. He led me to where one of Wells, Fargo, & Co.'s express waggons was being rapidly filled with silver bricks. Ingots of the precious metal, each almost as large as an ordi- nary brick, were being thrown from one man to another to load the waggon, just as bricks or cheeses are transferred from hand to had by carters in England. " Good old jokes those, Hingston. Good, solid ' Babes in the Wood,' " observed Artemus. Yet that evening he lectured in "Maguire's Opera House," Virginia City, to an audience composed chiefly of ARTEMUS WARD'S LECTURE. 8g The most celebrated artists of London are so 'delighted with this picture that they come to the Hall every day to gaze at it. I wish you were nearer to it — so you could see it better. I wish I could take it to your residences and let you see miners, and the receipts were not far short of eight hundred dollars. A droll building it was to be called an " Opera House," and to bear that designation in a place so outlandish. Perched up on the side of a mountain — from the windows of the dressing rooms — a view could be had of fifty miles of the American desert. It was an " Opera House ;" yet in the plain beneath it there were Indians who still led the life of savages, and carried dried human scalps attached to their girdles. It was an " Opera House ;" yet, for many hundred miles around it, Nature wore the roughest, sternest, and most barren of aspects — no tree, no grass, no shrub, but the colourless and dreary sage-brush. Every piece of timber, every, brick, and every stone in that " Opera House " had been brought from California, over those snow-capped Sierras, which, but a few years before had been regarded as beyond the last outposts of civilisation. Every singer who had sung, and every actor who had performed at that "Opera House" had been whirled down the sides of the Nevada moun- tains, clinging to the coach-top, and mentally vowing never go ARTEMUS WARE'S LECTURE. it by daylight. Some of the greatest artists in London come here every morning before daylight with lanterns to look at. They say they never saw anything like it before and they hope they never shall again. again to trust the safety of his neck on any such professional excursion. The drama has been very plucky "out West." Thalia, Melpomene, and Euterpe become young ladies of great animal spirits, and fearless daring, when they feel the fresh breezes of the Pacific blowing in their faces. At Virginia City we purchased black felt shirts half an inch thick, and grey blankets of ample size to keep us warm for the journey we were about to undertake. We invested also in revolvers to defend ourselves against the Indians ; a dozen cold roast fowls to eat on the way ; a demijohn of Bourbon whisky, and a bagful of unground coffee. This last was about as useful as any of our purchases. Thus provided, we started across the desert on our way to Reese River, and thence to Salt Lake City. Our coach was a fearfully lumber- ing old vehicle of great strength, constructed for jolting over rocky ledges, plunging into marshy swamps, and for rolling through miles of sand. The horses were small and wiry, accustomed to the country, and able to exist on anything ARTEMUS WARD'S LECTURE. 91 When I first showed this picture in New- York, the audience were so enthusiastic in their admiration of this picture that they called for the Artist and when he appeared they threw brickbats at him. which it is possible for a horse to eat. There were four of us in the coach. The "Pioneer Company's" man who drove us was full of whisky and good-humour when he mounted the box, and singing in chorus, " Jordan 's a hard road to travel on," we bowled down the slope of Mount Davidson towards the deserts of Nevada, en route for New Pass Station. u * " Threw brickbats at him" This portion of the panorama was very badly painted. When the idea of having a panorama was first entertained by Artemus he wished to have one of great artistic merit. Finding considerable difficulty in procuring one, and also discovering that the expense of a real work of art would be beyond his means, he resolved on having a very bad one, or one so bad in parts that its very badness would give him scope for jest. In the small towns of the Western States it passed very well for a first-class pic- ture, but what it was really worth in an artistic point of view its owner was very well aware. 92 ARTEMUS WARD'S LECTURE. A bird's-eye-view of Great Salt Lake City the strange city in the Desert about which so much has been heard the city of the people who call themselves Saints. 15 I know there is much interest taken in these remarkable people — ladies and gentlemen and 16 " Salt Lake City" Our stay in the Mormon capital ex- tended over six weeks. So cheerless was the place in mid- winter, that we should not have stayed half that time had not Artemus Ward succumbed to an attack of typhoid fever almost as soon as we arrived. The incessant travel by night and day, the depressing effect produced by intense cold, travelling through leagues of snow and fording half-frozen rivers at midnight, the excitement of passing through Indian country, and some slight nervous apprehension of how he PART OF SALT LAKE CITY, VIEWED FROM A DISTANCE. The City is laid out in squares; each house standing on an acre and a quarter of ground, with a canal of clear water flowing in front. (This picture joins on the one which follows it. I 93 SALT LAKE CITY. FROM THE HEIGHTS BEHIND 11. jgf^Jywjw The building in the foreground is the Mormon arsenal. To the right, in the mid-distance, is the River Jordan, flowing from Lake Utah to the Salt Lake. The valley through which the Jordan flows is one of the most fertile on the North American continent. 95 ARTEMUS WARD'S LECTURE. 97 I have thought it better to make the purely de- scriptive part of my Entertainment entirely serious. 1 will not — then — for the next ten minutes — confine myself to my subject. Some seventeen years ago a small band of Mormons — headed by Brigham Young — com- menced in the present thrifty metropolis of Utah. The population of the territory of Utah is over 100,000 — chiefly Mormons and they are in- creasing at the rate of from five to ten thousand would be received among the Mormons, considering that he had ridiculed them in a paper published some time before, all conspired to produce the illness which resulted. Fever of the typhoid form is not uncommon in Utah. Probably the rarefaction of the air on a plateau 4,000 feet above the sea level has something to do with its frequency. Artemus's fears relative to the cordiality of his reception proved to be groundless, for during the period of his being ill he was carefully tended. Brigham Young commissioned Mr. Sten- 98 ARTEMUS WARD'S LECTURE. annually. The converts to Mormonism now are almost exclusively confined to English and Germans. Wales and Cornwall have con- tributed largely to the population of Utah during the last few years. The population of Great Salt Lake City is 20,000. The streets are eight house, postmaster to the city and Elder of the Mormon Church, to visit him frequently and supply him with whatever he required. One of the two wives of Mr. Townsend, land- lord of the Salt Lake House, the hotel where we stopped was equally as kind. Whatever the feelings of the Mormons were towards poor Artemus, they at least treated him with sympa- thetic hospitality. Even Mr. Porter Rockwell, who is known as one of the "Avenging Angels," or "Danite Band," and who is reported to have made away with some seventeen or eighteen enemies of the " Saints," came and sat by the bed- side of the sufferer, detailing to him some of the little "diffi- culties" he had experienced in effectually silencing the un- believers of times past. ARTEMUS WARD'S LECTURE. 99 rods wide* — and are neither flagged nor paved. A stream of pure mountain spring water courses through each street — and is conducted into the Gardens of the Mormons. The houses are mostly of adobe — or sun-dried brick — and present a neat and comfortable appearance. They are usually a story and a half high. Now and then you see a fine modern house in Salt Lake City but no house that is dirty, shabby, and dilapidated — because there are no absolutely poor people in Utah. Every Mormon has a nice garden and every Mormon has a tidy dooryard. Neatness is a great characteristic of the Mormons. The Mormons profess to believe that they are the chosen people of God they call them- selves Latter-day Saints and they call us people of the outer world Gentiles. They say * Equal to 64 feet wide. ioo ARTE 'M US WARD'S LECTURE. that Mr. Brigham Young is a prophet — the legi- timate successor of Joseph Smith — who founded the Mormon religion. They also say they are authorised — by special revelation from Heaven — to marry as many wives as they can comfortably support. This wife- system they call plurality the world calls it polygamy. That at its best it is an accursed thing — I need not of course inform you but you will bear in mind that I am here as a rather cheerful reporter of what I saw in Utah and I fancy it isn't at all necessary for me to grow virtuously indignant over something we all know is hideously wrong. You will be surprised to hear — I was amazed to see — that among the Mormon women there are some few persons of education — of positive culti- ARTEMUS WARD'S LECTURE. 101 vation. As a class the Mormons are not an educated people but they are by no means the community of Ignoramuses so many writers have told us they were. The valley in which they live is splendidly favoured. They raise immense crops. They have mills of all kinds. They have coal — lead — and silver mines. All they eat — all they drink — all they wear they can produce themselves — and still have a great abundance to sell to the gold regions of Idaho on the one hand — and the silver regions of Nevada on the other. The President of this remarkable community the head of the Mormon Church is Brigham Young. He is called President Young — and Brother Brigham. He is about 54 years old — altho' he doesn't look to be over 45. He has sandy hair and whiskers is of medium height and is a little inclined to corpulency. loz ARTEMUS WARD'S LECTURE. He was born in the State of Vermont. His power is more absolute than that of any living sovereign yet he uses it with such consummate dis- cretion that his people are almost madly devoted to him — and that they would cheerfully die for him if they thought the sacrifice were demanded — I cannot doubt. He is a man of enormous wealth. One- tenth of everything sold in the territory of Utah goes to the Church and Air. Brigham Young is the Church. It is supposed that he speculates with these funds at all events — he is one of the wealthiest men now living worth several millions — without doubt. He is a bold — bad man but that he is also a man of extraordi- nary administrative ability no one can doubt who has watched his astounding career for the past ten years. It is only fair for me to add that he treated me with marked kindness during my sojourn in Utah. THE SALT LAKE HOUSE. ^y^ The hotel in Salt Lake City at which Art emus Ward stopped during liis six weeks' stay, and where he was seized with illness. In the distance are the Wahsatch Mountains. 104 ARTEMUS WARD'S LECTURE. 105 The West Side of Main Street — Salt Lake City — including a view of the Salt Lake Hotel. It is a temperance hotel. 16 I prefer temperance hotels — altho' they sell worse liquor than 16 " Temperance Hotel." At the date of our visit, there was only one place in Salt Lake City where strong drink was allowed to be sold. Brigham Young himself owned the property, and vended the liquor by wholesale, not permitting any of it to be drunk on the premises. It was a coarse, inferior kind of whisky, known in Salt Lake as "Valley Tan." Throughout the city there was no drinking-bar nor billiard room, so far as I am aware. But a drink on the sly could always be had at one of the hard-goods stores, in the back office behind the pile of metal saucepans ; or at one of the io6 ARTEMUS WARD'S LECTURE. any other kind of hotels. But the Salt Lake Hotel sells none nor is there a bar in all Salt Lake City but I found when I was thirsty — and I generally am — that I could get some very good brandy of one of the Elders — on the sly — and I never on any account allow my business to interfere with my drinking. dry-goods stores, in the little parlour in the rear of the bales of calico. At the present time I believe that there are two or three open bars in Salt Lake, Brigham Young having recog- nised the right of the "Saints" to "liquor up" occasionally. But whatever other failings they may have, intemperance cannot be laid to their charge. Among the Mormons there are no paupers, no gamblers, and no drunkards. MAIN STREET, SALT LAKE CITY This picture is a continuation of the preceding one. The room in which Artemus resided was that in the white part of the house, under the Verandah. The hotel zvas kept by Mr. James Townsend, a Mormon. THE COACH TO SALT LAKE. In the panorama, the Coach is made a much more sightly object than it really was. Instead of looking like a respectable omnibus, it was a huge jolting affair of cumbrous proportions, with sad arrange- ments fur internal comfort. ARTEMUS WARD'S LECTURE. There is the Overland Mail Coach. 17 That is, the den on wheels in which we have been 17 " Overland Mail Coach" From Virginia City to Salt Lake we travelled in the coaches of the " Pioneer Stage Company." In leaving Salt Lake for Denver we changed to those of the " Overland Stage Company," of which the renowned Ben Holliday is proprietor, a gentleman whose name on the Plains is better known than that of any other man in America. ii2 ARTEMUS WARD'S LECTURE. crammed for the past ten days — and ten nights. Those of you who have been in Newgate 18 - — and staid there any length of time as visitors can realize how I felt. 18 " Been in Newgate." The manner in which Artemus uttered this joke was peculiarly characteristic of his style of lecturing. The commencement of the sentence was spoken as if unpremeditated ; then, when he had got as far as the word " Newgate," he paused, as if wishing to call back that which he had said. The applause was unfailingly uproarious. Travelling through the States^ he used to say, " Those of you who have been in the Penitentiary." On the morning after his lecture at Pittsburg in Pennsylvania, he was waited on by a tall, gaunt, dark-haired man, of sour aspect and sombre demeanour, who carried in his hand a hickory walking- cane, which he grasped very menacingly, as addressing Artemus he said, " I guess you are the gentleman who lect'red last night ? " Mr. Ward replied in the affirmative. " Then I've ARTEMUS WARD'S LECTURE. 113 The American Overland Mail Route com- mences at Sacramento — California and ends at Atchison — Kansas. The distance is two thousand two hundred miles but you go part got to have satisfaction from you. I took my wife and her sister to hear you lecter, and you insulted them." " Excuse me," said Artemus. " I went home immediately the lecture was over, and had no conversation with any lady in the hall that evening." The visitor grew more angry, " Hold thar, Mr. Lect'rer. You told my wife and her sister that they'd been in the Penitentiary. I must have satisfaction for the insult, and I'm come to get it." Artemus was hesitating how to reply, when the hotel clerk suddenly appeared upon the scene, saying, " I've a good memory for voices. You are Mr. Josiah Mertin, I believe ?" " I am," was the reply. "And I am the late clerk of the Girard House, Philadelphia. There's a little board-bill of yours owing there for ninety-two dollars and a half. You skedaddled without paying. Will you oblige me by waiting till I send for an officer ? " I believe that Mr. Josiah Mertin did not even wait for " satisfaction." ii4 ARTEMUS WARD'S LECTURE. of the way by rail. The Pacific Railway 19 is now completed from Sacramento — California — to Fulsom — California which only leaves two thousand two hundred and eleven miles to go by coach. This breaks the monotony it came very near breaking my back. 19 " The Pacific Railway" The journey was made in the winter of 1863-4. By the time these notes appear in print, the Pacific Railway will be almost complete from the banks of the Missouri to those of the Sacramento, and travellers will soon be able to make the transit of over three thousand miles from New York City to the capital of California, without leaving the railway car, except to cross a ferry, or to change from one station to another. THE MORMON THEATRE. ■JLlJLMJLMJUL A brief description of this building will be found in the notes appended to the lecture. Art emus Ward lectured here on " The Babes in the Wood." It was built by Brigham Young, and is his property. ri6 ARTEMUS WARD'S LECTURE. 117 The Mormon Theatre. This edifice is the exclusive property of Brigham Young. It will comfortably hold 3,000 persons — and I beg you will believe me when I inform you that its interior is quite as brilliant as that of any theatre in London. 20 80 " Brilliant as that of any theatre in London" Herein Artemus slightly exaggerated. The colouring of the theatre was white and gold, but it was inefficiently lighted with oil lamps. When Brigham Young himself showed us round the theatre, he pointed out, as an instance of his own ingenuity, that the central chandelier was formed out of the wheel of one of his old coaches. The house is now, I believe, lighted with gas. Altogether it is a very wondrous edifice, consider- ing where it is built and who were the builders. At the time of its erection there was no other theatre on the northern n8 ARTEMUS WARD'S LECTURE. The actors are all Mormon amateurs, who charge nothing for their services. You must know that very little money is taken at the doors of this theatre. The Mormons mostly pay in grain — and all sorts of articles. The night I gave my little lecture there — among my receipts were corn — flour — pork — part of the American plateau, no building for a similar pur- pose anywhere for five hundred miles, north, east, south, or west. Many a theatre in the provincial towns of England is not half so substantially built, nor one tithe-part so well ap- pointed. The dressing rooms, wardrobe, tailors' workshop, carpenters' shop, paint room, and library, leave scarcely any- thing to be desired in their completeness. Brigham Young's son-in-law, Mr. Hiram Clawson, the manager, and Mr. John Cane, the stage manager, if they came to London, might render good service at one or two of our metropolitan play- houses. ARTEMUS WARD'S LECTURE. n 9 cheese — chickens on foot and in the shell. One family went in on a live pig and a man attempted to pass a "yaller dog" at the Box Office — but my agent repulsed him. One offered me a doll for admission another infants' clothing. 1 refused to take that.— — As a general rule I do refuse. In the middle of the parquet — in a rocking chair — with his hat on — sits Brigham Young. When the play drags — he either goes out or falls into a tranquil sleep. A portion of the dress-circle is set apart for the wives of Brigham Young. From ten to twenty of them are usually present. His children fill the entire gallery — and more too. 120 ARTEMUS WARD'S LECTURE. The East Side of Main Street — Salt Lake City — with a view of the Council Building. The legislature of Utah meets there. It is like all legislative bodies. They meet this winter to repeal the laws which they met and made last winter and they will meet next winter to repeal the laws which they met and made this winter. I dislike to speak about it but it was in Utah that I made the great speech of my life. I wish you could have heard it. I have a fine education. You may have noticed it. I speak six different languages London — Chatham — and Dover Margate — Brighton — MAIN STREET, SALT LAKE CITY The building to the extreme right is the House of Legislature, where the representatives of the territory of Utah liold their meetings. The second' house on the right is the Post Office. Main Street is 132 feet in breadth. ARTEMUS WARD'S LECTURE. 123 and Hastings. My parents sold a cow — and sent me to college when I was quite young. During the vacation I used to teach a school of whales — and there's where I learned to spout. 1 don't expect applause for a little thing like that. I wish you could have heard that speech — however. If Cicero he's dead now he has gone from us but if. Old Ciss 21 could have heard that effort it would have given him the rinderpest. I'll tell you how it was. There are stationed in Utah two regiments of U. S. troops the 21st from California — and the 37th from Nevada. The 20-onesters asked me to present a stand of colours 21 " Old Ciss." Here again no description can adequately inform the reader of the drollery which characterized the lecturer. His reference to Cicero was made in the most lugubrious manner, as if he really deplored his death and valued him as a schoolfellow loved and lost. iH ARTEMUS WARD'S LECTURE. to the 37-sters and I did it in a speech so abounding in eloquence of a bold and brilliant character and also some sweet talk real pretty shop-keeping talk that I worked the enthusiasm of those soldiers up to such a pitch that they came very near shooting me on the spot. 22 22 " United States Troops ." Our stay in Utah was rendered especially pleasant by the attentions of the regiment of California Cavalry, then stationed at Fort Douglas in the Wahsatch Mountains, three miles beyond and overlooking the city. General Edward O'Connor, the United States Military Governor of Utah, was especially attentive to the wants of poor Artemus during his severe illness ; and had it not been for the kind attentions of Dr. Williams, the surgeon to the regiment, I doubt if the invalid would have recovered. General O'Connor had then been two years stationed in Utah, but during the whole of that time had refused to have any personal communication with Brigham Young. The Mormon prophet would sit in his private box, and the United States general occupy a seat in the dress-circle of the theatre. They would look at each other frequently through their opera-glasses, but that constituted their whole intimacy. UPPER PART OF MAIN STREET. yyQyyyyyl^yyyy^^^ASy^y^ ^ m This picture is a continuation of the preceding otic. On the left is a portion of the enclosure wherein the new temple is being built. On the right part of the grounds belonging to the second in command in the Mormon Church — Mr. Hcbcr C. Kimball. BRIGHAM YOUNG'S PALACE. To the extreme left is the Lion House. (There is a lion over one of the windows. J It is the harem of the prophet. Every "wife" who inhabits it has a room similarly furnished. They meet in common on the verandah. Brigham Young himself lives with his favourite in the large mid die house . The building with the tower to it on the right is the school-house, for the education of the prophet's children only. 128 ARTEMUS WARD'S LECTURE. 129 Brigham Young's Harem. These are the houses of Brigham Young. The first on the right is the Lion House — so called because a crouching stone lion adorns the central front window. The adjoining small building is Brigham Young's office — and where he receives his visitors. The large house in the centre of the picture — which displays a huge bee-hive — is called the Bee House the bee-hive is supposed to be symbolical of the industry of the Mormons. Mrs. Brigham Young the first — now quite an old lady — lives here with her children. None of the other wives of the prophet live here. In the rear 1 3 o ARTEMUS WARD'S LECTURE. are the school houses where Brigham Young's children are educated. Brigham Young has two hundred wives. JuSt think Of that! Oblige me by thinking of that. That is — he has eighty actual wives, and he is spiritually married to one hundred and twenty more. These spiritual marriages as the Mormons call them are contracted with aged widows — who think it a great honour to be sealed the Mormons call it being sealed to the Prophet. So we may say he has two hundred wives. He loves not wisely — but two hundred well. He is dreadfully married. He's the most married man I ever saw in my life. I saw his mother-in-law while I was there. I can't exactly tell you how many there is of her — but it's a good deal. It strikes me that ARTEMUS WARD'S LECTURE. 131 one mother-in-law is about enough to have in a family unless you're very fond of excitement. A few days before my arrival in Utah — Brigham was married again — to a young and really pretty girl 23 but he says he shall stop now. He told me confidentially that he shouldn't get married any more. He says that all he wants now is to live in peace for the remainder of his days — and have his dying pillow soothed by the loving hands of his family. Well — that's all right that's all right — I suppose but if all his family soothe his dying pillow — he'll have to go out-doors to die. By the way — Shakespeare endorses polygamy. He speaks of the Merry Wives of Windsor. How many wives did Mr. Windsor have ? But we will let this pass. 83 "A really pretty Girl." The daughter of the architect of his new theatre. 1 32 ARTEMUS WARD'S LECTURE. Some of these Mormons have terrific families. I lectured one night by invitation in the Mormon village of Provost but during the day I rashly gave a leading Mormon an order admitting him- self and family. It was before I knew that he was much married and they filled the room to overflowing. It was a great success b ut I didn't get any money. Heber C. Kimball's Harem. Mr. C. Kimball is the first vice-president of the Mormon church — and would — consequently — succeed to the full presidency on Brigham Young's death. Brother Kimball is a gay and festive cuss of some seventy summers or some'ers there MR. HEBER C. KIMBALL'S HAREM. h j^^iy^yyiw ^^S^£££^QQQ£SS^^S&OC^iWi The seraglio of Mr. Kimball is large. Unlike Brigham Young, he does not keep his wives under one roof, but has many buildings in his garden, where he assorts them according to their temper and their adaptability to dwelling together in peace. ARTEMUS WARD'S LECTURE, i 35 about. He has one thousand head of cattle and a hundred head of wives. 24 He says they are awful eaters. Mr. Kimball had a son a lovely young- man who was married to ten interesting wives. But one day while he was absent from home these ten wives went out walking with a handsome young man — which so enraged Mr. Kimball's son — which made Mr. Kimball's son so jealous — that he shot himself with a horse pistuel. 24 " A hundred head of Wives?' It is an authenticated fact that, in an address to his congregation in the tabernacle, Heber C. Kimball once alluded to his wives by the endearing epithet of "my heifers;" and on another occasion politely spoke of them as " his cows." The phraseology may pos- sibly be a slight indication of the refinement of manners prevalent in Salt Lake City. H 136 ARTEMUS WARD'S LECTURE. The doctor who attended him a very scientific man informed me that the bullet entered the inner parallelogram of his dia- phragmatic thorax, superinducing membranous hemorrhage in the outer cuticle of his basilicon- thamaturgist. It killed him. I should have thought it would. (Soft music. J 25 I hope his sad end will be a warning to all young wives who go out walking with hand- some young men. Mr. Kimball's son is now 25 " Soft Musky Here Artemus Ward's pianist (following instructions) sometimes played the dead march from " SauW At other times, the Welsh air of " Poor Mary Anne ;" or any- thing else replete with sadness which might chance to strike his fancy. The effect was irresistibly comic. ARTEMUS WARD'S LECTURE. 137 no more. He sleeps beneath the cypress — the myrtle — and the willow. This music is a dirge by the eminent pianist for Mr. Kimball's son. He died by request. I regret to say that efforts were made to make a Mormon of me while I was in Utah. It was leap-year when I was there — and seventeen young widows the wives of a de- ceased Mormon offered me their hearts and hands. I called on them one day — and taking their soft white hands in mine which made eighteen hands altogether 1 found them in tears. And I said — "Why is this thus? What is the reason of this thusness? " 1 38 ARTEMUS WARD' 'S LECTURE. They hove a sigh seventeen sighs of different pii ,e; They said — " Oh — soon thou wilt be gonested away !" I told them that when I got ready to leave a place I wentested. They said — " Doth not like us ? " I said— -I doth 1 doth!" I also said — " I hope your intentions are honourable — as I am a lone child my parents being far — far away. They then said — " Wilt not marry us ?" I said — " Oh — no it cannot was." : * Again they asked me to marry them — and again I declined. When they cried — TABERNACLE AND BOWERY. The Tabernacle is the building to the left ; to the' fight of it, and within the same enclosure, is the Bowery : a large shed with boughs of trees laid over it, the sides being open. In it religious services are held during the summer months. i \o ARTEMUS WARD'S LECTURE. 141 " Oh — cruel man ! This is too much oh ! too much !" I told them that it was on account of the muchness that I declined. 26 This is the Mormon Temple. It is built of adobe — and will hold five thou- sand persons quite comfortably. A full brass and 26 " That I declined?' I remember one evening party in Salt Lake City to which Artemus Ward and myself went. There were thirty-nine ladies and only seven gentlemen. 1 42 ARTEMUS WARDS LECTURE. string band often assists the choir of this church and the choir — I may add — is a remarkably good one. Brigham Young seldom preaches now. The younger elders unless on some special occa- sion -conduct the services. I only heard Mr. Young once. He is not an educated man but speaks with considerable force and clearness. The day I was there there was nothing coarse in his remarks. The foundations of the Temple. These are the foundations of the magnificent Temple the Mormons are building. It is to be FOUNDATIONS OF THE NEW TEMPLE. |Mj^ \/CiiiiC^^ From this picture and that which succeeds may be formed some idea of hoic far the building of the New Temple had progressed at the time of the lecturer's visit. The stones were being shaped into form by masons who contributed their labour gratuitously. FOUNDATIONS OF THE TEMPLE. CONTINUED. n n i The block is forty rods square, and contains ten acres. The position is 4,300 feet above the level of the sea in latitude 40° 45' 44" N., and longitude 112 6' 8" W. of Greenwich. M5 ARTEMUS WARD'S LECTURE. 147 built of hewn stone — and will cover several acres of ground. They say it shall eclipse in splendour all other temples in the world. They also say it shall be paved with solid gold. * It is perhaps worthy of remark that the archi- tect of this contemplated gorgeous affair repu- diated Mormonism — and is now living in London. * "Solid Gold." "Where will the gold be obtained from?" is a question which the visitor might reasonably be expected to ask. Unquestionably the mountains of Utah contain the precious metal, though it has not been the policy of Brigham Young and the chiefs of the Mormon Church to disclose their knowledge of the localities in which it is to be found. There is a current report in Salt Lake City th it nuggets of gold have been picked up within a radius of a few score of miles from the site of the new temple. But the Mormons, instructed by their Church, profess ignorance on the subject. The discovery of large gold mines, and permission to work them, would attract to the valley of Salt Lake a class of visitors not wished for by Brigham Young and his disciples. Next to the construction of the Pacific Railway, nothing would be more conducive to the downfall of Mormonism than Utah becoming known as an extensive gold-field. 148 ARTEMUS WARD'S LECTURE. The Temple as it is to be. This pretty little picture is from the architect's design and cannot therefore — I suppose — be called a fancy sketch. 27 Should the Mormons continue unmolested — I think they will complete this rather remarkable edifice. 27 " A Fancy Ske/ch." Artemus had the windows of the temple in his panorama cut out and filled in with transparent coloured paper, so that, when lighted from behind, it had the effect of one of the little plaster churches with a piece of lighted candle inside, which the Italian image-boys display at times for sale in the streets. Nothing in the course of the evening pleased Artemus more than to notice the satisfaction with which this meretricious piece of absurdity was received by the audience. THE TEMPLE AS IT IS TO BE. The view is copied from the original drawing by Mr. Truman O. Angell, the architect. There is very little chance under present circum- stances that the Temple will be completed. The formation of the Pacific Railway will, in all probability, cause the Mormons to seek a hoihe elsewhere. '49 PART OF THE GREAT SALT LAKE. fc^^KT^''^ w^pif^r^nv^ MjiAijjA^y Vmvy y y : ■ y 7 /•■ ,^5v|> ^QQQQ // is situated in the north-eastern corner of Utah Territory to the north-west of the valley of Salt Lake and about eighteen miles front tin- city. Its length is nearly seventy miles ; its breadth from thirty to thirty-five miles. (N.B. — This is the moon in the management oj which Artemus Ward's " moonist" was apt to experience difficulty. ) ARTEMUS WARD'S LECTURE. 153 Great Salt Lake. The great salt dead sea of the desert. I know of no greater curiosity than this inland sea of thick brine. It is eighty miles wide — and one hundred and thirty miles long. Solid masses of salt are daily washed ashore in immense heaps — and the Mormon in want of salt has only to go to the shore of this lake and fill his cart. Only — the salt for table use has to be subjected to a boiling process. 28 28 " The Great Salt Lake." A very general mistake prevails among those not better informed that the Mormon capital is built upon the borders of the Salt Lake. There are eighteen miles of distance between them. Not from any part of the i54 ARTEMUS WARD'S LECTURE. These are facts — susceptible of the clearest possible proof. They tell one story about this lake — however — that I have my doubts about. They say a Mormon farmer drove forty head of cattle in there once — and they came out first-rate pickled beef. City proper can a view of the Lake be obtained. To get a glimpse of it without journeying towards it, the traveller must ascend to one of the rocky ledges in the range of mountains which back the city. So saline is the water of the lake, that three pailsful of it are said to yield on evaporation one pail- ful of salt. I never saw the experiment tried. THE GREAT SALT LAKE. PRECEDING VIEW CONTINUED. This Dead Sea of the Western world is supplied with fresh water from three rivers— the Bear River, the Weber, and the Jordan. The water, according to Captain Burton's statement, contains six times and a half mure solid matter than the average solid constituents of sea ;vatcr . 1 55 At this part of the entertainment the lights in the room were turned up, and the audience allowed a very brief " interval for refreshments.''' Arlcmus Ward had to recover from the fatigue of attending to tlu- moon. '58 ARTEMUS WARD'S LECTURE. 159 I sincerely hope you will excuse my absence 1 am a man short — and have to work the moon myself. 29 I shall be most happy to pay a good salary to any respectable boy of good parentage and edu- cation who is a good moonist. 20 " The Moon myself y Here Artemus would leave the rostrum for a few moments, and pretend to be engaged behind. The picture was painted for a night-scene, and the effect intended to be produced was that of the moon rising over the lake and rippling on the waters. It was produced in the usual dioramic way, by making the track of the moon transparent and throwing the moon on from the bull's eye of a lantern. When Artemus went behind, the moon would become nervous and nickering, dancing up and down in the most inartistic and undecided manner. The result was that, coupled with the lecturer's oddly expressed apology, the "moon" became one of the best laughed-at parts of the entertainment. i6o ARTEMUS WARD'S LECTURE. The Endowment House. 30 In this building the Mormon is initiated into the mysteries of the faith. Strange stories are told of the proceedings which are held in this building but I have no possible means of knowing how true they may be. 30 " The Endowment Housed To the young ladies of Utah this edifice possesses extreme interest. The Mormon cere- mony of marriage is said to be of the most extraordinary character ; various symbolical scenes being enacted, and the bride and bridegroom invested with sacred garments which they are never to part with. In all Salt Lake I could not find a person who would describe to me the ceremonies of the Endowment House, nor could Artemus or myself obtain admission within its mystic walls. THE ENDOWMENT HOUSE. \/ii£ilfiA/[fi^ That which takes place within this building travellers may guess at but are not permitted to know. Jt is where the Mormon marriages are celebrated. On the mountain above a figure out of all proportion to the scenery is supposed to represent Artcmus Ward attacked by a bear in front and a pack of wolves in the rear, 161 ENTRANCE TO ECHO CANYON. SwjSpw^ < SB yiA^^ 7w<& High bluffs of yelloto colouf and conglomerate formation, full of small fossils. The buildings at the base constitute Webefs Station, where the coach stops for the mules to be changed, and the passengers to obtain refreshments. 164 ARTEMUS WARD'S LECTURE. 165 Echo Canyon. Salt Lake City is fifty-five miles behind us — and this is Echo Canyon — in reaching which we are supposed to have crossed the summit of the Wahsatch Mountains. These ochre-coloured bluffs formed of conglomerate sandstone — and full of fossils signal the entrance to J:he Canyon. At its base lies Weber Station. Echo Canyon is about twenty-five miles long. It is really the sublimest thing between the Mis- souri and the Sierra Nevada. The red wall to the left develops further up the Canyon into pyramids — buttresses — and castles honey combed and fretted in nature's own massive magnificence of architecture. i66 ARTEMUS WARD'S LECTURE. In 1856 — Echo Canyon was the place selected by Brigham Young- for the Mormon General Wells to fortify and make impregnable against the advance of the American army — led by General Albert Sidney Johnson. It was to have been the Thermopylae of Mormondom but it wasn't. General Wells was to have done Leonidas but he didn't. A more cheerful view of the Desert. The wild snow storms have left us — and we have thrown our wolf- skin overcoats aside. Cer- tain tribes of far-western Indians bury their dis- tinguished dead by placing them high in air and covering them with valuable furs that is a very fair representation of these mid-air tombs. Those THE INDIANS ON THE PLAINS. On the right of the picture is the scaffold erected for an Indian grave. The corpse is placed on the tup of it, out of the way of the wolves, though not so protected but what the vultures and other birds of carrion soon render it a mere skeleton. 167- ART EMUS WARD'S LECTURE. 169 animals are horses 1 know they are — because my artist says so. I had the picture two years before I discovered the fact. The artist came to me about six months ago — and said " It is useless' to disguise it from you any longer they are horses." 31 It was while crossing this desert that I was surrounded by a band of Ute Indians. They were splendidly mounted they were dressed in beaver-skins and they were armed with rifles — knives — and pistols. What could I do ? What could a poor old orphan do? I'm a brave man. The day before the Battle of Bull's Run I stood in the highway while the bullets • those dreadful messengers of death were passing all around me thickly in waggons on 31 " They are Horses." Here again Artemus called in the aid of pleasant banter as the most fitting apology for the atrocious badness of the painting. 1 7 o ARTEMUS WARD'S LECTURE. their way to the battle field. 32 But there were too many of these Injuns there were forty of them — and only one of me and so I said — " Great Chief — I surrender." His name was Wocky-bocky. He dismounted — and approached me. I saw his tomahawk glisten in the morning sunlight. Fire was in his eye. Wocky-bocky came very close to me and seized me by the hair of my head. He mingled his swarthy fingers with my golden 32 " Their way to the battle-field." This was the great joke of Artemus Ward's first lecture, " The Babes in the Wood." He never omitted it in any of his lectures, nor did it lose its power to create laughter by repetition. The audiences at the Egyptian Hall, London, laughed as immoderately at it as did those of Irving Hall, New York, or of the Tremont Temple in Boston. OUR ENCOUNTER WITH THE INDIANS. Utah Territory contains Indians of two races — the Shoslioncs and the Utes. The Utes are very friendly with the Mormons, who treat them with uniform kindness. It is commonly believed that a secret treaty of alliance exists between Brigham Young and the chiefs of the Indian tribes. (The left hand portion of the illustration belongs to the preceding picture.) 17' ARTEMUS WARD'S LECTURE. 173 tresses and he rubbed his dreadful Thomas- hawk across my lily-white face. He said — • " Torsha arrah darrah mishky bookshean !" I told him he was right. Wocky-bocky again rubbed his tomahawk across my face, and said — "Wink-ho — loo-boo !" Says I — "Mr. Wocky- bocky ' ' — says I " Wocky — I have thought so for years — and so's all our family." He told me I must go the tent of the Strong- Heart — and eat raw dog. 33 It don't agree with me. I prefer simple food. I prefer pork -pie — because then I know what I'm eating. 33 " Raw dog." While sojourning for a day in a camp of Sioux Indians we were informed that the warriors of the tribe were accustomed to eat raw dog to give them courage previous to going to battle. Artemus was greatly amused with the information. When, in after years, he became weak and languid, and was called upon to go to lecture, it was a favourite joke with him to inquire, " Kingston, have you got any raw dog?" 1 1 74 ARTEMUS WARD'S LECTURE. But as raw dog was all they proposed to give to me — I had to eat it or starve. So at the expira- tion of two days I seized a tin plate and went to the chief's daughter — and I said to her in a silvery voice in a kind of German-silvery voice 1 said — "Sweet child of the forest, the pale-face wants his dog." There was nothing but his paws ! I had paused too long! Which reminds me that time passes. A way which time has. I was told in my youth to seize opportunity. I once tried to seize one. He was rich. He had diamonds on. As I seized him — he knocked me down. Since then I have learned that he who seizes opportunity sees the penitentiary. The Rocky Mountains. THE ROCKY MOUNTAINS. The view may recall to those who have seen it Mr. Bierstadt's celebrated picture. Unfortunately for us, when zee crossed, every inch of the ground was covered with snow-, 175 THE ROCKY MOUNTAINS SCENERY This picture is a continuation of the preceding view. In the course of the journey, Artemus Wafd passed a day among an encampment of Sioux, whose numbers must have exceeded three thousand. ARTEMUS WARD'S LECTURE. 179 I take it for granted you have heard of these popular mountains. In America they are regarded as a great success, and we all love dearly to talk about them. It is a kind of weak- ness with us. I never knew but one American who hadn't something — sometime — to say about the Rocky Mountains and he was a deaf and dumb man, who couldn't say anything about nothing. But these mountains — whose summits are snow-covered and icy all the year round — are too grand to make fun of. I crossed them in the winter of '64 — in a rough sleigh drawn by four mules. This sparkling waterfall is the Laughing- Water alluded to by Mr. Longfellow in his Indian poem — " Higher - Water." The water is higher up there. (Music.J ARTEMUS WARD'S LECTURE. The plains of Colorado. These are the drear} 7 plains over which we rode for so many weary days. An affecting - inci- dent occurred on these plains some time since, which I am sure you will pardon me for intro- ducing- here. On a beautiful June morning — some sixteen years ago (Music, very loud till the scene is off.J % # * * * * * * # * * * # * # * * # * % THE PLAINS OF COLORADO. This view and the one which follows it convey a faint idea of the barrenness and desolation of a portion of the journey. CROSSING THE PLAINS. AN EMIGRANT CARAVAN. Ijjlgiii^^ Nearly all the inhabitants of Salt Lake City have had to travel thither in emigrant trains, undergoing countless hardships on the way. The skeletons of animals and the remains of broken-down vehicles serve to mark out the track. 183 ARTEMUS WARD'S LECTURE. # # * # * * * # # * * # * * * # # * * # * * # * # * * * * # # * % * # * * * # # * # * # # * * * * * * * * * * * in r * \ oVlO TO 11 * iron «"vn 1 I'c Kr M " (9« Reginald's breast." At this part of the lecture Artemus pretended to tell a story — the piano playing loudly all the time. He continued his narration in excited dumb- show — his lips moving as though he were speaking. For some minutes the audience indulged in unrestrained laughter. 1 86 ARTEMUS WARD'S LECTURE. The Prairie on Fire. A prairie on fire is one of the wildest and grandest sights that can possibly be imagined. These fires occur — of course — in the summer — when the grass is dry as tinder and the flames rush and roar over the prairie in a manner frightful to behold. They usually burn better than mine is burning to-night. I try to make my prairie burn regularly — and not dis- appoint the public but it is not as high-principled as I am. 35 35 "As high-principled as I am." The scene was a trans- parent one — the light from behind so managed as to give the THE PRAIRIE ON FIRE. * i* F«yW^ m §p %JAAAA^^ Artemus Ward had an opportunity of seeing part of a Prairie on Fire, just as lie entered the State of Kansas. The grandeur of the scene made a very deep impression upon him. He frequently alluded ta it in conversation. [8; THE PRAIRIE ON FIRE. CONTINUED. The effect of the Prairie being on Fife was illustrated in the panorama by means of a revolving cloth behind; a portion of the picture being transparent. 189 BRIGHAM YOUNG AT HO.MK. iSSJ^W WW WWW yilj^W^ This is, of course, a mere fancy sketch. It was roughly designed by Arteinus Ward himself. According to his own statement, made in a very playful manner, it represents that which he saw on an afternoon passed with the prophet at the palace. ARTEMUS WARD'S LECTURE. 193 Brigham Young at home. The last picture I have to show you represents Mr. Brigham Young in the bosom of his family. His family is large — and the olive branches around his table are in a very tangled condition. He is more a father than any man I know. When at home as you here see him he ought to be very happy with sixty wives effect of the prairie on fire. Artemus enjoyed the joke of letting the fire go out occasionally, and then allowing it to relight itself. i 9 4 ARTEMUS WARD'S LECTURE. to minister to his comforts — and twice sixty children to soothe his distracted mind. Ah! my friends what is home without a family ? What will become of Mormonism ? We all know and admit it to be a hideous wrong a great immoral stain upon the 'scutcheon of the United States. My belief is that its existence is dependent upon the life of Brigham Young. His administrative ability holds the system to- gether his power of will maintains it as the faith of a community. When he dies — Mor- monism will die too. The men who are around him have neither his talent nor his energy. By means of his strength it is held together. When he falls — Mormonism will also fall to pieces. ARTEMUS WARD'S LECTURE. 195 36 That lion — you perceive — has a tail. It is a long one already. Like mine — it is to be con- tinued in our next. 37 THE END. 86 " That Lion has a fail" The lion on a pedestal, as painted in the panorama — its tail outstretched like that of the leonine adornment to Northumberland House, was a pure piece of frolic on the part of the entertainer. Brigham Young certainly adopts the lion as a Mormon emblem. A beehive and a lion, suggestive of industry and strength, are the symbols of the Mormons in Salt Lake City. 37 "To be continued in our next." To re-visit Utah, and to do another and a better lecture about it was a favourite idea of Artemus Ward. Another fancy that he had was to visit the i 9 6 ARTEMUS WARD'S LECTURE. stranger countries of the Eastern world and find in some of them matter for a humorous lecture. While ill in Utah, he read Mr. Layard's book on Nineveh, left behind at the hotel by a traveller passing through Salt Lake. Mr. Layard's refer- ence to the Yezedi, or " Devil worshippers," took powerful hold on the imagination of the reader. During our trip home across the plains he would often, sometimes in jest and some- times in earnest, chat about a trip to Asia to see the " Devil worshippers." Naturally his inclinations were nomadic, and had a longer life been granted to him I believe that he would have seen more of the surface of this globe than even the generality of his countrymen see, much as they are accustomed to travel. Within about the same distance from Portland in England that his own birth-place is from Portland in Maine, his travels came to an end. He died at Southampton. His great wish was for strength to return to his home, that he might die with the face of his own mother bending over him, and in the cottage where he was born. " Ccelumque adspicit et mortens dulces reminiscitur argos." E. P. H. THE PROSCENIUM WITH THE CURTAIN DOWN. jgjSjiii^^ The curtain fell for the last time on Wednesday, the 23rd of January , 1867. Artemus Ward had to break off the lecture abruptly. He never lectured again. 197 APPENDIX. "THE TIMES" NOTICE. " Egyptian Hall. — Before a large audience, comprising an extraordinary number of literary celebrities, Mr. Artemus Ward, the noted American humorist, made his first appearance as a public lecturer on Tuesday evening, the place selected for the display of his quaint oratory being the room long tenanted by Mr. Arthur Sketchley. His first entrance on the platform was the signal for loud and continuous laughter and applause, denoting a degree of expectation which a nervous man might have feared to encounter. However, his first sentences, and the way in which they were received, amply sufficed to prove that his success was certain. The dialect of Artemus bears a less evident mark of the Western World than that of many American actors, who would fain merge their own peculiarities in the delineation of English character; but his jokes are of that true Transatlantic type, to which no nation beyond the limits of the States can offer any parallel. These jokes he lets fall with an air of profound unconsciousness — we may almost say melancholy — which is irresistibly droll, aided as it is by the effect of a figure singularly gaunt and lean and a face to match. And he has found an audience by whom his caustic humour is thoroughly appreciated. Not one of the odd pleasantries slipped out with such imperturbable gravity misses its mark, and scarcely a minute elapses at the end of which the sedate Artemus is not forced to pause till the roar of mirth has sub- sided. There is certainly this foundation for an entente cordiale between the two countries calling themselves Anglo- Saxon, that the Englishman, puzzled by Yankee politics, thoroughly relishes Yankee jokes, though they are not in the least like his own. When two persons laugh together, they cannot hate each other much so long as the lausrh continues. NOTICE. The subject of Artemus Ward's lecture is a visit to the Mormons, copiously illustrated by a series of moving pic- tures, not much to be commended as works of art, but for the most part well enough executed to give (fidelity granted) a notion of life as it is among the remarkable inhabitants of Utah. Nor let the connoisseur, who detects the shortcomings of some of these pictures, fancy that he has discovered a flaw in the armour of the doughty Artemus. That astute gentle- man knows their worth as well as anybody else, and while he ostensibly extols them, as a showman is bound to do, he every now and then holds them up to ridicule in a vein of the deepest irony. In one case a palpable error of perspective, by which a man is made equal in size to a mountain, has been purposely committed, and the shouts of laughter that arise as soon as the ridiculous picture appears is tremendous. But there is no mirth in the face of Artemus ; he seems even deaf to the roar ; and when he proceeds to the explanation of the landscape, he touches on the ridiculous point in a slur- ring way that provokes a new explosion. The particulars of the lecture we need not describe. Many accounts of the Mormons, more or less credible, and all authenticated, have been given by serious historians, and Mr. W. H. Dixon, who has just returned from Utah to London, is said to have brought with him new stores of solid informa- tion. But to most of us Mormonism is still a mystery, and under those circumstances a lecturer who has professedly visited a country for the sake more of picking up fun than of sifting facts, and whose chief object it must be to make his narrative amusing, can scarcely be accepted as an authority. We will, therefore, content ourselves with stating that the lecture is entertaining to such a degree that to those who seek amusement its brevity is its only fault ; that it is utterly free from offence, though the opportunities for offence given by the subject of Mormonism are obviously numerous ; and that it is interspersed, not only with irresistible jokes, but with shrewd remarks, proving that Artemus Ward is a man of reflection, as well as a consummate humorist." B-ttTFTl km m PICCADILLY Every Night {except Saturday) at 8, SATURDAY MORNINGS at 3. AMONG THE MORMONS. — ^?m passed through five editions, rea iving \ every where the highest praise as "a, clever a, vl~ brilliant booh." TO NO OTHER WORK OF THE PRESENT DAY HAVE SO MANY DISTINGUISHED ARTISTS CONTRIBUTED ILLUS- TRATIONS. To the designs of GEORGE CRUIKSHANK, JOHN LEECH, JULIAN PORTCH, "PHIZ," tmd other artist*, SIR NOEL PATON, MILLAIS, JOHN TENNIEL, RICHARD DOYLE, and M. ELLEN EDWARDS have now contributed several exquisite pictures, tin's making the new edition — which is twice tite size of the old one, and contains irresistibly funny pieces— THE BEST BOOK FOR THE DRAWING-BOOM TABLE NOW PUBLISHED. In 4cV>, printed within an india-paper tone, and elegantly bound, gilt, gilt edges, p: if. 10s. 6cJ. only. John Camden Hottcn, 74 and 75, Piccadilly, W. VERY IMPORTANT NEW BOOKS. THE NEW "FUNIANA SERIES" OF CHOICE ILLUSTRATED WORKS OF HUMOUR. Elegantly printed on toned paper, full gilt, gilt edges, for the Drawing Room, price 6s. each : — 1. Carols of Cockayne. By Henry S. Leigh. Vers cle Societe, and charming Verses descriptive of London life. With numerous exquisite little designs by Alfred Concanen and the late John Leech. Small 4to, elegant, uniform with " Puniana," 6s. 2. The "Bab Ballads." New Illustrated Book of Humour ; ok, a Great Deal of Rhyme with very little Reason. By W. S. Gilbert. With a most laughable illustration on nearly every page, drawn by the Author. On toned paper, gilt edges, price 6s. " An awfully Jolly Book for Parties." 3. Puniana. Best Book of Biddies and Funs ever formed. Thoughts Wise— and Otherwise. With nearly ioo exquisitely fanciful drawings. Contains nearly 3,000 of the best Riddles and 10,000 most outrageous Puns, and is one of the most popular books ever issued. New edition, uniform with the " Bab Ballads," price 6s. Wliy did Du Chaillu get so angry when he was chaffed about the Gorilla ? Why ? we ask. Why is a chrysalis like a hot roll? You will doubtless remark, "Be- cause it's the grub that makes the butterfly !" But see " Puniana." Why is a wide-awake hat so called ? Because it never had a na/p, and never wants one. The Saturday Revieiv says of this most amusing work — " Enormous burlesque — unapproachable *nd pre-eminent. We venture to think that this very queer volume will be a favourite. It deserve9 to be so : and we should suggest that, to a dull person desirous to get credit with the young holiday people, it would be good policy to invest in the book, and dole it out by instalments." John Camden Hotten, 74 and 75, Piccadilly, W. VERY IMPORTANT NEW BOOKS. Seymour's Sketches. A Companion Volume to " Leech's Pictures." The Book of Cockney Sports, Whims, and Oddities. Nearly 200 highly amusing Illustrations. Oblong 4to, a handsome volume, half morocco, price 12s. *** A re-issue of the famous pictorial comicalities which were so popular thirty years ago. Th« volume is admirably adapted for a table-book, and the pictures will aonbflOM ajrain meet with thai popularity which was extended towards them when the artist projected with Mr. Dickens the famous 11 Pickwick Papers." The Famous "DOCTOR SYNTAX'S" Three Tours. One of the most Amusing and Laughable Books ever published. With the whole of Rowlandson's very droll full-page illustrations, in colours, after the original draivings. Comprising the well-known Tours : — 1. In Search of the Picturesque. 2. In Search of Consolation. 3. In Search of a Wife. The three series complete and unabridged from the original editions in one handsome volume, with a Life of this industrious Author — the English Le Sage— now first written by John Camden Hotten. * # * It is not a little surprising that the most voluminous and popular English writer since the days of Defoe should never before have received the small honour of a biography. This Edition contains the whole of the original, hitherto sold for £1 us. 6d., but which is now published at 7s. 6d. only. A VERY USEFUL BOOK. In folio, half morocco, cloth sides, 7s. 6d. Literary Scraps, Cuttings from Newspapers, Ex- tracts, Miscellanea, &c. A FOLIO SCRAP-BOOK OF 340 COLUMNS, formed for the reception of Cuttings, &c, with guards. $3f Authors and literary men have thanked the publisher for this useful book. *** A most useful volume, and one of the cheapest ever sold. The book is sure to be appreciated, and to become popular. Hone's Scrap Book. A Supplementary Volume to the " Every-Day Book," the "Year-Book," and the "Table-Book." From the MSS. of the late William Hoxe, with upwards of One Hundred and Fifty engravings of curious or eccentric objects. Thick 8vo, uniform with " Year-Book," pp. 800. [In preparation. John Camden Hotten, 74 and 75, Piccadilly, W. I— % ■ ■ ■ ■ J ' ■ ^^^H ^^H >^ 1 1 K L