NORTHWESTERN UNIVERSITY LIBRARY EVANSTON ILLINOIS "A ir'j,uyg'inH-f aiiWAOH'sciioj e -Q¡ Qolibas tibi .on. , / THE FAMILY LIBRARY OF Poetry and Song. BEING C^0ue SjeUitmns from tl^r §jesi Hoíís, ENGLISH, SCOTTISH, IRISH, AND AMERICAN ; INCLUDING TRANSLATIONS FROM ANCIENT AND MODERN LANGUAGES. i EDITED BY WILLIAM GULLEN BRYANT. OTítí) ait JEntrotiuctora Creatúse ftg EOitor ON THE " POETS AND POETRY OF THE ENGLISH LANGUAGE." . OeoiBcb, anb ®nlargci> BY THE ADDITION OF POEMS AND CLASSIFIED POETICAL QUOTATIONS. ALSO, CONTAINING The Biographical Memoir of Bryant, BY JAMES GRANT WILSON. lOitI) InîrcïcB, JUustrationa, auïr Tutogropl)ic Tac-similcs. NEW YORK: FORDS, HOWARD, AND HULBERT. . "V H ' ^ .-ff Copyright, By J. B. Ford and Company, in 1870. By Fords, Howard, and Hulbert, in 1878 and i88c i 0^ rr ■a PREFACE. 4 The flattering reception accorded to Mr. Br5'ant's Library of Poetry and Song is best shown in the fact that upwards of one hundred thousand copies have been sold since its publication in 1870, while its popularity seems in no way diminished. In 1876 the Publishers thought it worthy of a thorough revision, enlargement, and improvement. Accordingly, with Mr. Bryant's active co-operation, the work underwent an entire reconstruction : selected parts of thv^ early volume were eliminated, and a large amount of new matter added. This entailed upon Mr. Brj'ant much labor in revision of all the material, — cancelling, inserting, sug¬ gesting, even copying out with his own hand many poems not readily attainable except from his private library ; in short, giving the work the genuine influence of his fine poetic sense, his unquestioned taste, and his broad and scholarly acquaintance with literature. The work thus reconstructed riras f)ublished in Numbers, printed on large paper, and with some eighty full-page illustrations, — steel portraits, wood en¬ gravings, etc., — having been completed just before Mr. Brjrant's death in 1878. This forms a handsome work in two quarto volumes. The demand for the original, one-volume octavo form, however, has still con¬ tinued ; and now, in order to have it as complete as possible,, it has been revised in the light of Mr. Bryant's later labor on the quarto edition. The making of entirely new electrotj'pe plates has given opportunit}^ to observe the suggestions of the critics, to correct errors (especially' in the indexes, which have been brought down to the present year in the matter of the deaths of authors), to complete many poems of which only portions had been given, and as far as practicable to transfer to this volume many of the improvements of the larger work.* The design of the book cannot be better set forth than in the words of its early Preface : — " It has been intended in this work to gather the largest practicable compilation of the best poems in our language, making it as nearly as possible the choicest and most complete general collection of poetry yet published. " The name ' Library ' which is given it indicates the principle upon which the book has ' been made, namely, that it might serve as a book of reference ; as a comprehensive exhibit ♦ In view of this fact, it has been thought appropriate to introduce the extract from Mr. Bry¬ ant's Preface to the quarto edition, which follows. e PREFACE. a of the history, growth, and condition of poetical literature ; and, more especially, aa a com¬ panion, at the will of its possessor, for the varying moods of the mind. " Necessarily limited in extent, it yet contains one fifth more matter than any similar publication, presenting over fifteen hundred selections, from more than five hundred authors,* and it may be claimed that of the poetical ivriters whose works have caused their names to be'held in general esteem or affection, none are unrepresented ; while scores of the produc¬ tions of unknown authors, verses of merit though not of fame, found in old books or caught out of the passing current of literature, have been here collated with those more notable. And the chief object of the collection — to present an array of good poetry so widely repre¬ sentative and so varied in its tone as to offer an answering chord to every mood and phase of human feeling — has been carefully kept in view, both in the selection and the arrange¬ ment of its contents. So that, in all senses, the realization of the significant title, ' Library,' has been an objective point. " In pursuance of this plan, the highest standard of literary criticism has not been made the^only test of worth for selection, since many poems have been included which, though less perfect than others in form, have, by some power of touching the heart, gained and maintained a sure place in the popular esteem." The present edition embraces a new feature, namely, the addition to each of the departments into which the poems are divided (as "Childhood and Youth," " Love," " Nature," " Peace and War," etc.) of a number of briefer poetical quo¬ tations under the general head of " Fragments." These are in harmony with the character of the respective divisions, and are also grouped under more specific subject-titles. In the compilation of them there has been not only much careful searching in original poetical works, but also, for hints of what are commonly- accepted as famous or apt quotations, a consultation of various collections of such brief passages, — those of Addington, Mrs. Hale, AVatson, Allibone, Bartlett, and others. By far the most helpful of these has been Mr. John Bartlett's Familiar Quotations: being an Attempt to trace to their Sources Passages and Phrases in Common Use, published by Messrs. Little, Brown, & Co., of Boston. This work covers not only^ the poetical but also the prose literature of the English lan¬ guage, besides the Bible, the Book of Common Prayer, and a mass of Proverbial Expressions of miscellaneous and curious origins. It is a work of such broad scope and rare ac curacy of detail, and it has been so fruitful of suggestion and helpful in settling troublesome questions (for, as an authority, it holds probably the first place), that an acknowledgment of the debt which this book owes to it is gladly offered. The Publishers desire to return their cordial thanks for the courtesy freely extended to them, by which many copyrighted American poems have been allowed to appear in this collection. In regard to a large number of them, permission has been accorded by the authors themselves ; other poems, having been gathered as waifs and strays, have been necessarily used without especial authority ; and, where due credit is not given, or where the authorship may have been erroneously- ascribed, future editions will afford opportunity for correction, which wiU be gladly made. Particular acknowledgments are offered to Messrs. D. Appleton * Now more than two thousand selections, representing more than six hundred authors. ■B g fi PREFACE. 3 a & Co. for extracts from the works of Fitz-Greene Halleck, and from the poems of William Gullen Bryant ; to Messrs. Harper and Brothers for poems of Charles G. Halpine and Will Carleton ; to Messrs. J. B. Lippincott & Co. for quotations from the writings of T. Buchanan Read ; to Messrs. Charles ScribneFs Sons for extracts from Dr. J. G. Holland's poems ; and more especially to the house of Messrs. Houghton, Mifflin, & Co. — formerly Messrs. Fields, Osgood, & Co. — for their courtesy in the liberal extracts granted from the writings of Aldrich, Emerson, Holmes, Longfellow, Lowell, Florence Percy, Saxe, Mrs. Stowe, Sted- man, Bayard Taylor, Bret Harte, Trowbridge, Mrs. Thaxter, Whittier, and others of their unequalled list of poetical writers. In addition to the above acknowledgments, readers will see in the "Index of Authors " references enabling them to find the pubUshers of the works of Ameri¬ can writers to whom their attention has been called by any fragment or poem printed in this volume. This "Library" contains specimens of many styles, and it is believed that, so far from preventing the purchase of special authors, it serves to draw attention to their merits ; and the courtesy of their publishers in granting the use of some of their poems here will find a practical recognition. The death of Mr. Bryant made it seem especially appropriate that some recog¬ nition of his life and literary career should be embodied in this conti-ibution of his to die literature of the household, — this "Family Librar}^" as he was wont to call it. A Memoir of him was therefore prepared bj' one who knew him long and well,—Gen. James Grant Wilson, of New York, — and is included in this volume, which will hereafter be known as the "Memorial Edition." With these explanations and acknowledgments, Bryant's Family Library of Poetry and Song is placed anew before the public. New York, November, 1880. SI e CONTENTS. Page Index of Authors and Titles op the Poems 8 Mr. Bryant's Introduction: Poets and Poetry or the English Language 31 Memoir of Bryant 41 Poems of Childhood and Youth 73 Poems op the Affections. Eriendship 109 Compliment and Admiration 122 Love 135 Marriage 208 Home 216 Parting 233 Absence 241 Disappointment and Estrangement 249 Bereavement and Death 272 Poems of Sorrow and Adversity 313 Poems of Religion 349 - Poems op Nature • 401 Poems of Peace and War 497 Poems of Temperance and Labor 543 Poems of Patriotism and Freedom 561 Poems of the Sea 605 Poems of Adventure and Rural Sports 633 Descriptive Poems 673 - Poems op Sentiment and Reflection 727 Poems of Fancy 817 Poems of Tragedy 871 Personal Poems 901 Humorous Poems 941 Index op First Lines 1017 4 Qi g- -a LIST OF ILLUSTRATIONS. y STEEL ENGRAVING. Portrait or William Gullen Bryant Frontispiece. FAC-SIMILES OF AUTOGRAPH MANUSCRIPTS. William Wordsworth To front page 42 William Gullen Bryant (three-page MS. "The Poet") 70 Edmund Clarence Stedman 74 John Keats 74 Edgar Allan Poe 74 John Howard Payne IIO " I. — Helen Hunt Jackson 110 Thomas Hood 314 William Gilmore Simms 314 Leigh Hunt 350 JosiAH Gilbert Holland 350 Alfred Tennyson 350 Julia Ward Howe 400 Walt Whitman 402 George H. Boker 498 T. Buchanan Read 542 Nathaniel Parker Willis 544 John Greenle.af Whittier 544 Francis Scott Key 560 Oliver Wendell Holmes 562 Fitz-Greene Halleck 562 Bayard Taylor 606 George Perkins Morris 606 Elizabeth Barrett Browning 634 John Quincy Adams 634 Jean Ingelow 674 it ^ -Ö' í£r 6 LIST OF ILLUSTRATIONS. George Gordon Noel, Lord Byron 728 Henry Wadsworth Longfellow 818 Ricuajrd Henry Dana 870 Ralph Waldo Emerson 872 Thomas Gray 902 Harriet Beecher Stowe 902 Lydia Huntley Sigourney 902 John G. Saxe 942 Richard Henry Stoddard 942 James Russell Lowell 942 WOOD ENGRAVINGS. Mr. Bryant in his Library at Cedarmere 41 Mr. Longfellow's Home, in Cambridge 79 The Old Oaken Bucket 100 Mr. Emerson's Home, in Concord 112 Mr. Lowell's Home, in Cambridge 170 Love-Letters in Elowers ■ 195 Mr. Whittier's Home, in Amesbury 275 Mr. Emerson's Study 406 The Storm 430 The Orient 451 The Treasures of the Deep 620 The Convent 676 Fisher's Rock 691 The Blind Milton and his Daughters 735 Mr. Longfellow in his Library 777 Cedarmere; Mr, Bryant's Country Home at Roslyn 788 B -a MR. BRYANT'S LIBRARY AT CEDARMERE. ó-^0-^¿h^ÚrA>r¿j' MEMOIR OF WILLIAM GULLEN BRYANT. By James Grant Wilson. " Blessings be with them, and eternal praise, Who gave us nobler loves, and nobler cares, — The Poets ! who on earth have made us heirs Of truth and pure delight by heavenly lays ! " Personal Talk. ^ a MEMOIR OF WILLIAM GULLEN BRYANT BY JAMES GRANT WILSON. CHAPÏEE I. "The gravity and stillness of your youth The world hath noted, and your name is great In mouths of wisest censure." Shakespeare. " He had the wisdom of.age in his youth, and the fire of youth in his age." Makk Hopkins. Ancestors — Birth — Childhood — School and College Days — Legal Studies —■ Marriage — Publication op Poems. Sir Walter Scott relates that, when some one was mentioned as a " fine old man " to Dean Swift, he exclaimed with violence that there was no such thing. " If the man you speak of had either a mind or a body worth a farthing, they would have worn him out long ago." Béranger and Brougham, Goethe and Guizot, Humboldt and Sir Henry Holland, Lyndhurst and Palmerston, Earl Russell and Field-Marshal Moltke, and among Americans, J. Q. Adams and Taney, Professors Henry and Hodge, Horace Binney and Richard Henry Dana, who died shortly after reaching the age of ninety-one — the age at which Titian said that genius never grows old — may be cited among the men of the nineteenth century in refutation of this theory, which it may be presumed has nothing to do with thews or stature. But if we wanted a bright and shining example of faculties, and faculties of a high order, remaining unimpaired in mind and body till long past the grand climacteric, we might name William Gullen Bryant, the beloved patriarch of American poetry, and " the most ac¬ complished, the most distinguished, and the most universally honored citizen of the United States," who, having lived under every President of our country, completed his fourscore years and three, cheerful and full of conversation, and continued until the last week of May, 1878, to heartily enjoy what Dr. Johnson happily calls "the sunshine of life." No name in our contemporaneous literature, either in England or America, is crowned with more successful honors than that of William Gullen Bryant. Bom among the granite ' hills of Massachusetts, at a period when our colonial literature, like our people, was but recently under the dominion of Great Britain, he lived to see that literature expand from its infancy and take a proud place in the republic of letters, and he sui-vived to see the Republic itself, starting from its revolutionary birth, spring up to a giant power, after pass¬ ing most trinmphantly through a giant rebeUion. Surrounded by such historic and heroic associations, men like Bryant, who survive, embody in their lives the annals of a people, and represent in their individuality the history of a natiom Pursuing beyond the age of fourscore an energetic literary career, the poet was also an 7 3 WILLIAM GULLEN BRYANT. a active co-laborer in all worthy movements to promote the advancement of the arts and liter¬ ature. A liberal patron of art himself, he was always the judicious and eloquent advocate of the claims of artists. On the completion of the beautiful Venetian temple to art erected by the New York Academy of Design, Mr. Bryant delivered the address inaugurating the building and consecrating it to its uses. Foremost in the literary circles of his' adopted city, he was for many years the president of that time-honored institution of New York, the Century Club, which has always embraced among its members men of letters, prominent artists, and leading gentlemen of the liberal professions. The poet's predecessors in that office were Gulian C. Verplanck and George Bancroft. Philanthropic in his nature, Bryant was ever the consistent promoter of all subjects having for their tendency the elevation of the race and the furtherance of the interests of humanity. Connected with the leading evening metropolitan journal, and one of the oldest in the United States, he was enabled to bring the powerful influence of the press to bear with his own great literary renown and personal weight upon whatever measure he supported in the cause of philanthropy, letters, and the promotion of art. William Cullen Bryant was bom in a log-house at Cummington, Hampshire County, Massachusetts, November 3,1794.* He was a descendant of the English and Scotch fami¬ lies of Alden, Ames, Harris, Hayward, Howard, Keith, Mitchell, Packard, Snell, and Washburn, and through them from several of the Pilgrims who landed from the Mayflower at Plymouth, on the 22d of December, 1620, — not a bad genealogy for an American citizen, nor unlike that of his brother-poet Halleck, who was descended from the Pilgrim Fathers, including John EHot, the apostle to the Indians. Bryant also had a worthy clerical ances¬ tor in the person of James Keith, the first minister of Bridgewater, Massachusetts, who, after having preached from the same pulpit fifty-six years, died in that town in I7I9. Stephen Bryant, the first of the poet's American ancestors of his own name, who is known to have been at Plymouth, Massachusetts, as early as 1632, and who some time before 1650 married Abigail Sbaw, had several children, one of whom was also named Stephen. He was the father of Ichabod Bryant, who moved from Eaynham to West Bridgewater in 1745, bringing with him a certificate of dismission from the church at Eaynham, and a recommendation to that of his new place of residence. Philip, the eldest of his five sons, studied medicine, and settled in North Bridgewater, now Brockton, where his house is still standing. Dr. Philip Bryant married Silence Howard, daughter of Dr. Abiel Howard, with whom he studied medicine. One of their nine children, a son called Peter, bom in the year 1767, studied his father's profession, and succeeded to his practice. At that time there lived in the same town a revolutionary veteran, " stern and severe," named Ebenezer Snell, of whom a small boy of the period, still living, informs the writer that " all the boys of Bridgewater were dreadfully afraid," so austere and authoritative were his manners. The old soldier had a pretty daughter, who won the susceptible young doctor's affections, so that when Squire Snell removed with his family to Cummington, and built what is now known as the " Bryant Homestead," Peter Bryant followed, establishing himself there as a physician and surgeon, and in 1792 was married to "sweet Sarah Snell," as she is called in one of the * A general misapprehension exists as to îlr. Bryant's birthplace. He was bom, as he told the writer, not in what is now known as the " Biyant Homestead," but in a small house constracted of square logs, and long since removed. This fact is further confirmed by the following note from the poet to a friend, dated December 5, 1876; "Your uncle Eliphalet Packard was quite right in designating my birthplace. As the tradition of my family goes, I was born in a house which then stood at the northwest comer of a road leading north of the burying-ground on the hill, and directly opposite to the burying-ground. The house was afterwards removed and placed near that occupied then by Daniel Dawes. I suppose there is nothing left of it now.'' Ö e WILLIAM GULLEN BRYANT. 9 youthful doctor's poetic effusions. Five sons and two daughters were the fruit of this happy marriage, their second son being the subject of this sketch. Of these seven children but two sons survive, Arthur and John Howard Bryant of Illinois, who were present at the poet's funeral. Dr. Peter Bryant's bearing, I am told by an aged man who remembers him, was the very reverse of that of his gruff father-in-law. Although reserved, he was gentle in manner, with a low, soft voice, and always attired with scrupulous neatness. While not above the height of his gifted son, he was broad-shouldered, and would sometimes exhibit his great strength by lifting a barrel of cider from the ground over the wheel into a wagon. Accord¬ ing to the account of another who knew him, he was " possessed of extensive literary and scientific acquirements, an unusually vigorous and well-disciplined mind, and an elegant and refined taste." He was for his son William an able and skilful instructor, who chastened, improved, and encouraged the first rude efforts of his boyish genius. A personal friend of the poet wrote of him in 1840 : " His father, his guide in the first attempts at versification, taught him the value of correctness and compression, and enabled him to distinguish between true poetic enthusiasm and fustian." The son in after-life commemorated the teachings and trainings of the father in a poem entitled Hyrnm to Death, published in 1825, which has often been quoted for its beauty and pathos: — The poet's great-grandfather. Dr. Abiel Howard, a graduate of Harvard College of the class of 1729, had an extensive library for those times, and in his youth wrote verses. Some of these were in Mr. Bryant's possession, and, to quote his own words, " show no small power of poetic expression." The inclination to express themselves in poetic form reappeared in Dr. Howard's grandchildren. Dr. Bryant wrote many songs and love stanzas in his'younger days, and some satirical political poems in middle age. His sister Ruth Bry¬ ant, who died young, left behind several meritorious poems which her nephew had read in manuscript. When Mr. Bryant was studying law, the late Judge Daniel Howard asked him from whom he inherited his poetic gift ; he promptly replied, from his great-grandfather. Dr. Howard. One of the poet's surviving brothers recently said to the writer, "We were aU addicted, more or less, to the unprofitable business of rhyming." It was the dream of Dr. Bryant's life to educate a child for his own and his father's loved profession, and so it came to pass that his second son was named after one of the great Scot¬ tish medical lights of that era, William Gullen, an eminent Edinburgh physician. The child was frail, and his head was deemed too large for his body, which fact so disturbed the worthy doctor that, unable to find in the books any remedy for excessive cerebral develop¬ ment, he decided upon a remedy of his own, and directed that the child should be daily ducked in an adjoining spring of clear cold water. Two of Dr. Bryant's students were deputed to carry the child from his bed each morning and to immerse him and his immense head. The tradition is that the embryo-poet fought stoutly against this singular proceed¬ ing, of which the young mother did not approve, but which, notwitLstanding, was continued " For he ^s in \tis grav\who taught^y youth The art of verse, and in the end of life Offered me the Muses. O, cut off Untimely ! when the reason in its strength, Ripened hy years of toil and studious search. And watch of nature's silent lessons, taught Thy hand to practise best the lenient art To which thou gavest thy laborious days And lost thy life." a a 10 WILLIAM GULLEN BRYANT. till the discrepancy of proportion between the head and the body disappeared, and the father no longer deemed its continuance necessary. As a child, Bryant exhibited extraordinary precocity. He received instruction at home from his mother, whose school education, like that of most American women of her day, was limited to the ordinary English branches. He also was instructed by his father and an uncle, who taught him Bryant has happily told the story of his boyhood * in better and more entertaining style than it can by any possibility be narrated by another. It forms a charming chapter in an autobiography to which the venerable poet devoted an occasional hour during the closing years of his long career. Says Mr. Bryant: — "The boys of the generation to which I belonged—that is to say, who were born in the last years of the last century or the earliest of this — were brought up under a system of discipline which put a far greater distance between parents and their children than now exists. The parents seemed to think this necessary in order to secure obedience. They were believers in the old maxim that familiarity breeds contempt. My own parents lived in the house with my grandfather and grandmother on the mother's side. My grandfather was a disciplinarian of the stricter sort, and I can hardly find words to express the awe in which I stood of him—an awe so great as almost to pre¬ vent anything like affection on my part, although he was in the main kind, and certainly never thought of being severe beyond what was necessary to maintain a proper degree of order in the family. " The other boys in that part of the country, my schoolmates and playfellows, were educated on the same system. Yet there were at that time some indications that this very severe disci¬ pline was beginning to relax. "With my father and mother I was on much easier terms than with my grandfather. If a favor was to be asked of my grandfather, it was asked with fear and trembling; the request was postponed to the last moment, and then made with hesitation and blushes and a confused utterance. "One of the means of keeping the boys of that generation in order was a little bundle of birchen rods, bound together by a small cord, and generally suspended on a nail against the wall in the kitchen. This was esteemed as much a part of the necessary furniture as the crane that hung in the kitchen fireplace, or the shovel and tongs. It sometimes happened that the boy suffez-ed a fate similar to that of the eagle in the fable, wounded by an arrow fledged with a feather from his own wing ; in other words, the boy was made to gather the twigs intended for his own castigation. "The awe in which the boys of that time held their parents extended to all elderly per¬ sons, toward whom our behavior was more than merely respectful, for we all observed a hushed and subdued demeanor in their presence. Towai'd the ministers of the Gospel this behavior was particularly marked. At that time every township in Massachusetts, the State in which I lived, had its minister, who was settled there for life, and when he once came among his people was undei-stood to have entered into a connection with them scai'cely less lasting than the marriage-tie. The community in which he lived regai'ded him with great veneration, and the visits which from time to time he made to the distiict schools seemed to the boys important occasions, for which special preparation was made. When he came to visit the school which I attended, we all had on ozir Sunday clothes, and wei-e ready for him with a few answers to the questions in the Westminster Catechism. He heard us recite our lessons, examined us in the catechism, and then began a little addi'ess, wbich I remember was the same on every occasion. He told us how much greater weie the advantages of education which we enjoyed than those which had fallen to the lot of our parents, and exhoi'ted us to make the best possible use of them, both for our own "A little Latine and less Greeke." * "The Boys of my Boyhood," St. Nicholas Magazine, December, 1876. .-EJ WILLIAM GULLEN BRYANT. 11 a sakes and that of our parents, who were ready to make any sacrifice for us, even so far as to take the bread out of their own mouths to give us. I remember being disgusted with this illustration of parental kindness, which I was obliged to listen to twice at least in every year. " The good man had, perhaps, less reason than he supposed to magnify the advantages of education enjoyed in the common schools at that time. Reading, spelling, writing, and arith¬ metic, with a little grammar and a little geography, were all that was taught, and these by persons much less qualified, for the most part, than those who now give instruction. Those, however, who wished to proceed further took lessons from graduates of the colleges, who were then much more numerous in proportion to the population than they now are. "One of the entertainments of the boys of my time was what were called the 'raisings,' meaning the erection of the timber-frames of houses or barns, to which the boards were to be afterward nailed. Here the minister made a point of being present, and hither the able-bodied men of the neighborhood, the young men especially, were summoned, and took part in the work with great alacrity. It was a spectacle for us next to that of a performer on the tight-rope to see the young men walk steadily on the narrow footing of the beams at a great height from the ground, or as they stood to catch in their hands the wooden pins and the braces flung to them from below. They vied with each other in the dexterity and daring with which they went through with the work, and when the skeleton of the building was put together, some one among them generally capped the climax of fearless activity by standing on the ridge-pole with his head down¬ ward and his heels in the air. At that time even the presence of the minister was no restraint upon the flow of milk-punch and grog, which, in some cases, was taken to excess. The practice of calling the neighbors to these ' raisings ' is now discontinued in the rural neighborhoods ; the carpenters provide their own workmen for the business of adjusting the timbers of the new building to each other, and there is no consumption of grog. "Another of the entertainments of rustic life in the region of which I am speaking was the making of maple sugar. This was a favorite frolic of the boys. "In autumn, the task of stripping the husks from the ears of Indian com was made the occa¬ sion of social meetings, in which the boys took a special part. A farmer would appoint what was called ' a husking,' to which he invited his neighbors. The ears of maize in the husk, sometimes along with part of the stalk, were heaped on the barn floor. In the evening lanterns were brought, and, seated on piles of dry husks, the men and boys stripped the ears of their covering, and, breaking them from the stem with a sudden jerk, threw them into baskets placed for the purpose. It was often a merry time : the gossip of the neighborhood was talked over, stories were told, jests went round, and at the proper hour the assembly adjourned to the dwelling-house, and were treated to pumpkin-pie and cider, which in that season had not been so long from the press as to have parted with its sweetness. "Quite as cheerful were the 'apple-parings,' which on autumn evenings brought together the young people of both sexes in little circles. The fruit of the orchards was pared and quar¬ tered and the core extracted, and a supply of apples in this state provided for making what was called 'apple-sauce,' a kind of preserve of which every family laid in a large quantity every year. " The cider-making season in autumn was, at the time of which I am speaking, somewhat cor¬ respondent to the vintage in the wine countries of Europe. Large tracts of land in New England were overshadowed by rows of apple-trees, and in the month of May a journey through that region was a journey through a wilderness of bloom. In the month of October the whole population was busy gathering apples under the trees, from which they fell in heavy showers as the branches were shaken by the strong arms of the farmers. The creak of the cider-mill, turned by a horse moving in a circle, was heard in every neighborhood as one of the most common of rural sounds. The freshly pressed juice of the apples was most agreeable to boyish tastes, and the whole process of gathering the fruit and making the cider came in among the more laborious rural occupations in a way which diversified them pleasantly, and which made it seem a pastime. The time that was a 12 WILLIAM GULLEN BRYANT. given to making cider, and the number of barrels made and stored in the cellars of the farm-houses, would now seem incredible. A hundred barrels to a single farm was no uncommon proportion, and the quantity swallowed by the men of that day led to the habits of intemperance which at length alarmed the more thoughtful part of the community, and gave occasion to the formation of temperance societies and the introduction of better habits. "The streams which bickered through the narrow glens of the region in which 1 lived were much better stocked with trout in those days than now, for the country had been newly opened to settlement. The boys all were anglers. 1 confess to having felt a strong interest in that 'sport,' as I no longer call it. I have long since been weaned from the propensity of which 1 speak ; but 1 have no doubt that the instinct which inclines so many to it, and some of them our grave divines, is a remnant of the original wild nature of man. " 1 have not mentioned other sports and games of the boys of that day ; that is to say, of seventy or eighty years since — such as wrestling, running, leaping, base-ball, and the like, for in these there was nothing to distinguish them from the same pastimes at the present day. There were no public lectures at that time on subjects of general interest ; the profession of public lecturer was then unknown, and eminent men were not solicited, as they now are, to appear before audiences in distant parts of the country, and gratify the curiosity of strangers by letting them hear the sound of their voices. But the men of those days were far more given to attendance on public worship than those who now occupy their place, and of course they took their boys with them. " Every parish had its tithing-men, two in number generally, whose business it was to maintain order in the chmch during divine service, and who sat with a stem countenance through the ser¬ mon, keeping a vigilant eye on the boys in the distant pews and in the galleries. Sometimes, when he detected two of them communicating with each other, he went to one of them, took him by the button, and, leading him away, seated him beside himself. His power extended to other delinquencies. He was directed by law to see that the Sabbath was not profaned by people wan¬ dering in the fields and angling in the brooks. At that time a law, no longer in force, directed that any person who absented himself unnecessarily from public worship for a certain length of time should pay a fine into the treasury of the county. 1 remember several persons of whom it was said that they had been compelled to pay this fine, but 1 do not remember any of them who went to church afterward." Bryant's education was continued under his uncle the Eev. Thomas Snell,* of Brookfteld, in whose family he lived and studied for one year; and by the Rev. Moses Hallock, of Plainfield, he was prepared for college. One of his surviving brothers remembers that when the young poet came home on visits from his uncle Snell's or " Parson Hallock's," he was in the habit of playing at games with them, and of amusing them in various ways; that he excelled as a runner and had many successful running contests with his college classmates; also that he was accustomed on his home visits to declaim, for the entertamment of the family circle, some of his own compositions, both in prose and verse. He was, when study¬ ing with the pastor, a small, delicate, and handsome youth, very shy and reserved, and a great reader, devouring every volume that he could meet with, and resembling the hero of Waverley in " driving through a sea of books like a vessel without pilot or rudder." He was, I am also told by one who studied with him at that time, — now nearly seventy years ago, — a natural scholar like his father, and although but fifteen, he had already accumulated a vast stock of information. In a letter to the Rev. H. Seymour, of Northampton, Massa¬ chusetts, published since Mr. Bryant's death, he speaks as follows of his early studies of • Dr. Snell was pastor of the North Parish of Brookfield for sixty-four years. P ö a WILLIAM GULLEN BRYANT. 13 Greek. " I began with the Greek alphabet, passed to the declensions and conjugations, which I committed to memory, and was put into the Gospel of St. John. In two calendar months from the time of beginning with the powers of the Greek alphabet I had read every book in the New Testament. I supposed, at the time, that I had made pretty good progress, but do not even now know whether that was very extraordinary." He found more pleasure in books, and in silent rambles among the hills and valleys, than in the usual sports and pastimes of youth of that age. In October, 1810, when in his sixteenth year, he entered the Sophomore Class of Wil¬ liams College. He continued his studies there during one winter with the same ardor as before, but not with the same enthusiasm or pleasure. He did not like his college life, some features of which were distasteful to his shy and sensitive nature, and so with his father's permission he obtained an honorable dismissal in May, 1811, and in due time he received the degree as a member of the class of 1813, of which there are now [July, 1878] but two survivors, the Rev. Elisha D. Barrett, of Missouri, and the Hon. Charles F. Sedg¬ wick, of Connecticut. Dr. Calvin Durfee, the historian of Williams College, writes to me that Mr. Bryant " did not graduate in a regular course with his class; still, years ago, by vote of the trustees of the college, he was restored to his place in the class, and has been enrolled among the alumni." Judge Sedgwick, imder date Sharon, July 3, 1878, writes: — "I have your favor asking me to give you some of my recollections of the college life of my classmate W. C. Bryant. It gives me great pleasure to comply with your request, so far as I am able; but the short time during which he remained a member of the college could not be produc¬ tive of many events of very great interest. Since his decease, many incorrect statements in rela¬ tion to this portion of his history have gone forth, most of them intimating that he was a member of the college for two years. The truth is that, having entered the Sophomore Class in October, 1810, and then having continued his membership for two terms, he took a dismission in May, 1811, intending to complete his collegiate education at Yale College. As stated above, he entered our class at the commencement of the Sophomore year. His room-mate was John Avery, of Conway, Massachusetts, who was some eight years his senior in age. Bryant had not then attained to the physical dimensions which he afterwards reached, but his bodily structure was remarkably regular and systematic. He had a prolific growth of dark brown hair, and I do not remember ever to have known a person in whom the progress of years made so great a difference in personal appearance as it did in the case of Mr. Bryant. I met him twice near the close of his life at Williams College Commencements, and if I had not seen pictures of him as he appeared in old age, I would hardly have been persuaded of his identity with the Bryant 1 knew in early life. " When he entered college, it was known that he was the reputed author of two or three short poems which had recently been published, and which indicated decidedly promising talent on the part of their author. When spoken to in relation to these poetical effusions, he was reticent and modest, and in fact his modesty in everything was a peculiar trait of his character. It was very diflBcult to obtain from him any specimens of his talent as a poet. One exercise demanded of the students was the occasional writing of a composition, to be read to the tutor in presence of the class, and once Bryant, in fulfilling this requirement, read a .short poem which received the decided approval of the tutor, and once he translated one of the Odes of Horace which he showed to a few personal friends. Those were the only examples of his poetry that 1 now remember of his furnishing during his college Ufe. It may be stated here that the tutor who instructed Mr. Bryant in college was the Rev. Orange Lyman, who was afterwards the Presbyterian clergyman at Vernon, Oneida County, New York. " Bryant, during all his college experience, was remarkably quiet, pleasant, and unobtrusive in his manners, and studious in the literary course. His lessons were all well mastered, and not a single event occurred during his residence which received the least disapproval of the faculty. 4 fc ^ -a 14 WILLIAM GULLEN BRYANT. "Your letter reminds me of the fact that there are hut very few persons left who knew Mr. Bryant in college. ' The Flood of Years ' has swept them all away except the Rev. Herman Halsey, of the class of 1811, who yet survives in W^estem New York, and my classmate the Rev. E. D. Barrett, of Missouri, and myself. If I live to see the first day of September, I shall have completed eighty-three years of life." The Rev. E. D. Barrett, under date Sedalia, Missouri, July 9, 1878, writes: — "I well remember Bryant's first appearance at college in my Sophomore year. Many of the class were assembled in one of our rooms when he presented himself. A friendly greeting passed round the circle, and all seemed to enjoy the arrival of the young stranger and poet. News of Mr. Bryant's precocious intellect, his poetical genius, and his literary taste had preceded his arrival. He was looked up to with great respect, and regarded as an honor to the class of which he had become a member, and to the college which had now received him as his alma mater. I was the poet's senior by more than four years, having been born in January, 1790, and am, with the single exception of Charles F. Sedgwick, the sole survivor of the Williams College class of 1813." No American poet has equalled Bryant in early poetic development. In that particular he surpassed Pope and Cowley and Byron. At the age of nine we find him composing tolerably clever verses, and four years later writing The Embargo, a political as well as a poetical satire upon the Jeffersonian party of that day. The poem is also remarkable as having manifested at that early age a political order of mind which continued to develop in an equal ratio with his poetical nature through life. That mind, indeed, taking higher range, was not active in the turmoils and schemes of politicians; but it investigated the great ques¬ tions of political economy, and grappled with principles of the gravest moment to society and humanity. The Embargo; or, Sketch of the Times, a Satire, we could easily imagine had been written in 1878, instead of seventy-one years ago, when, our fathers tell us, demagogism was unknown. " E'en while I sing, see Faction urge her claim. Mislead with falsehood, and with zeal inflame; Lift her black banner, spread her empire wide, And stalk triumphant with a Fury's stride! She blows her brazen trump, and at the sound A motley throng obedient flock around: A mist of changing hue around she flings. And darkness perches on her dragon wings." This poem, printed in Boston, attracted the public attention, and the edition was soon sold. To the second edition, containing The Spanish Revolution and several other juve¬ nile pieces, was prefixed this curious advertisement, dated February, 1809: — " A doubt having been intimated in the Monthly Anthology of June last, whether a youth of thirteen years could have been the author of this poem, in justice to his merits, the friends of the writer feel obliged to certify the fact from their personal knowledge of himself and his family, as well as his literary improvement and extraordinary talents. They would premise that they do not come uncalled before the public to bear this testimony: they would prefer that he should be judged by his works without favor or affection. As the doubt has been suggested, they deem it merely an act of justice to remove it ; after which they leave him a candidate for favor in common with other literary adventurers. They therefore assure the public that Mr. Bryant, the author, is a native of Cummington, in the county of Hampshire, and in the month of November last arrived at the age of fourteen years. The facts can be authenticated by many of the inhabitants of that place, as well as by several of his friends who give this notice. And if it be deemed worthy of further inquiry, the printer is enabled to disclose their names and places of residence." CÖ 3 r WILLIAM GULLEN BRYANT. 15 a In September, 1817, appeared in the North American Review the poem entitled Thana- topsis, which Professor Wilson said " was alone sufficient to establish the author's claims to the honors of genius." It was written in a few weeks, in his eighteenth year, and but slightly retouched during the time that elapsed between its composition and its first appear¬ ance in print. The poem created a marked sensation at the time of its appearance, not unlike that caused by the publication of Halleck's Marco Bozzaris, a few years later. Richard H. Dana was then a member of the committee which conducted the Review, and received the manuscript poems Thanatopsis and the Inscription for the Entrance to a Wood. The former was understood to have been written by Dr. Bryant, and the latter by his son. When Dana learned the name, and heard that the author of Thanatopsis was a member of the State legislature, he proceeded to the Senate-chamber to observe the new poet. He saw there a man of dark complexion, with iron-gray hair, thick eyebrows, well- developed forehead, with an intellectual expression, in which, however, he failed to find He went away puzzled and mortified at his lack of discernment. When Bryant in 1821 delivered at Harvard University his didactic poem entitled The Ages, — a comprehensive poetical essay reviewing the world's progress in a panoramic view of the ages, and glowing with a prophetic vision of the future of America, — Dana alluded in complimentary terms to Dr. Bryant's Thanatopsis, and then learned for the first time that the son was the author of both poems. It is related that when the father showed a copy of Thanatopsis in manuscript, before its publication, to a lady well qualified to judge of its merits, simply saying, " Here are some lines that our AVillie has been writing," she read the poem, raised her eyes to the father's face, and burst into tears, in which Dr. Bryant, a somewhat reserved and silent man, was not ashamed to join. "And no wonder," continues the writer ; "it must have seemed a mystery that in the bosom of eighteen had grown up thoughts that even in boy¬ hood shaped themselves into solemn harmonies, majestic as the diapason of ocean, fit for a temple-service beneath the vault of heaven." Mr. Bryant continued his classical and mathematical studies at home with a view to entering Yale College ; but, abandoning this purpose, he became a law student in the office of Judge Howe, of Worthington, afterwards completing his course of legal study with William Baylies, of West Bridgewater. He was admitted to the bar at Plymouth in 1815, and began practice at Plainfield, where he remained one year, and then removed to Great Barrington (all these towns being in the State of Massachusetts). At Great Barringtoñ he made the acquaintance of the author Catherine M. Sedgwick, who afterwards dedicated to him her novel. Redwood, and of Miss Frances Fairchild. The lovely qualities of this latter lady the young lawyer celebrated in verses which, for simple purity and delicate imagery, are most characteristic of our poet's genius. They are elsewhere given in the Library (on page 130), and it will be of interest to read them in connection with the incidents of their origin. They are entitled 0 Fairest of the Rural Maids. Miss Fairchild became Mr. Bryant's wife in 1821, and for more than twoscore years was the "good angel of his life." She is mentioned in many of the poet's stanzas. The Future Life (see page 275) is addressed to her. " It was written," says Mr. Bryant in a note to me, " during the lifetime of my wife, and some twenty years after our marriage, — that is to say, about 1840, or possibly two or three years after." A few months after the young poet's marriage a small volume of forty-four dingy pages was published by Hilliard & Metcalf, of Cambridge, Massachusetts, entitled Poems by William Gullen Bryant. A copy is now lying before me. It contains The Ages, To a Waterfowl, Translation of a Fragment of Simonides, Inscription for the Entrance to a Wood, " The vision and the faculty divine." © a 16 WILLIAM GULLEN BRYANT. The Yellow Violet, Song, Green River, and Thanatopsis. In this rare little volume the first and last paragraphs of the latter poem appear as they now stand, the version originally published in the North American Review having commenced with the lines, Last winter 1 met Mr. Bryant in a Broadway bookstore, and showed him a copy of this early edition of his poetical writings, which the dealer in literary wares had just sold for ten dollars. He laughingly remarked, "Well, that's more than 1 received for its contents." " This little life^boat of an earth, with its noisy crew of a mankind, and their troubled history, will one day have vanished ; faded like a cloud-speck from the azure of the all! What, then, is man? He endures but for an hour, and is crushed before the moth. Yet, in the being and in the working of a faithful man is there already (as all faith, from the beginning, gives assurance) a something that pertains not to this wild death-element of time ; that triumphs over time, and is, will be, when time shall be no more." — Thou as Cablyle. Literary Career — Author, Editor, and Poet — Foreign Travels — Seventieth Birthday Festival — Country Houses — Eightieth Birthday — Poetical and Prose Writings—Public Addresses. In the year 1824 Mr. Bryant's picturesque poem, A Forest Hymn, The Old Man's Funeral, The Murdered Traveller, and other poetical compositions appeared in the United States Literary Gazette, a weekly journal issued in Boston. The same year, at the sug¬ gestion of the Sedgwick family, he made his first visit to New York City, where, through their influence, he was introduced to many of the leading literaiy men of the metropolis. From the first, Bryant was averse to the dull and distasteful routine of his profession, — He could not like it, and his aversion for it daily increased. With Slender he could say, "If there be no great love in the beginning, yet heaven may decrease it upon better acquaintance." His visit to New York decided his destiny. Abandoning the law, in which he had met with a fair measure of success, having enjoyed for nine years a reasonable share of the local practice of Great Barrington, he determined upon pursuing the career of a man of letters, so well described by Carlyle, the " Censor of the Age," as " an anarchic, nomadic, and entirely aerial and ill-conditioned profession," and he accordingly, in 1825, removed to New York, which continued to be his place of residence for more than half a century. Here he lived from earnest youth to venerable age — from thirty-one to eighty- four — in one unbroken path of honor and success. " Yet a few days, and thee The all-beholding sun shall see no more In all his course and ended with the words. "And make their bed with thee. CHAPTEE II. " Forced to drudge for the dregs of men And scrawl strange words with a barbarous pen." g WILLIAM GULLEN BRYANT. 17 ■a Establishing "himself as a literary man in New York, the poet entered upon the editor¬ ship of a monthly magazine, to which he contributed The Death of the Flowers and many other popular poems, as well as numerous articles on art and kindred subjects. This position soon introduced Bryant into a very charming circle, composed of Chancellor Kent ; Cooper, just achieving popularity by his American novels; the young poets Halleck, Hill- house, and Percival; the painters Dunlap, Durand, Inman, and Morse ; the scholars Charles King and Verplanck ; and many other choice spirits, all long since passed away. A few days after the poet's arrival in New York he met Cooper, to whom he had been previously introduced, who said : — " Come and dine with me to-morrow ; I live at No. 345 Greenwich Street." "Please put that down for me," said Bryant, "or I shall forget the place." " Can't you remember three-four-five 1" replied Cooper, bluntly. Bryant did " remember three-four-five " not only for the day, but ever afterward. He dined "with the novelist according to appointment, the additional guest, besides Cooper's immediate family, being Fitz-Greene Halleck. The warm friendship of these three gifted men was severed only by death. It was chiefiy through the influence of the brothers Eobert and Henry D. Sedgwick that Mr. Bryant was induced to abandon the uncongenial pursuit of the law ; and it was through the influence of the same gentlemen that, during the year 1826, he became connected with the Evening Post. Mr. H. D. Sedgwick, who was among the first to appreciate the genius of young Bryant, was a brother of Miss Sedgwick, the author, and at the time of his death, in 1831, he was among the most prominent lawyers and political writers of that day. To the Evening Post Mr. Bryant brought a varied experience of literary taste and learning, and even at that time a literary reputation. Halleck at that period rendered in the Recorder a richly deserved compliment to his brother bard, when he wrote : — " Bryant, whose songs are thoughts that bless The heart — its teachers and its joy — As mothers blend with their caress Lessons of truth and gentleness And virtue for the listening boy. Spring's lovelier flowers for many a day Have blossomed on his wandering way ; Beings of beauty and decay. They slumber in their autumn tomb ; But those that graced his own Green River And wreathed the lattice of his home. Charmed by his song from mortal doom. Bloom on, and will bloom on forever." The Evening Post was founded by William Coleman, a lawyer of Massachusetts, its first number being issued on the 16th of November, 1801. Mr. Coleman dying in 1826, the well-remembered William Leggett became its assistant editor, in which capacity he con¬ tinued for ten years. Mr. Bryant soon after his return from Europe in 1836, upon the retirement of Mr. Leggett, assumed the sole editorial charge of the paper, performing those duties, -with intervals of absence, till the 29th day of May, 1878, when he sat at his desk for the last time. To the Post, originally a Federal journal, Mr. Bryant early gave a strongly Democratic tone, taking decided ground against aU class legislation, and strongly advo¬ cating freedom of trade ; when his party at a later day passed under the yoke of slavery, the poet followed his principles out of the party, becoming before the war a strong Eepub- lican. In its management he was for a long time assisted by his son-in-law, Parke God-win, gi e -a 18 WILLIAM GULLEN BRYANT. and John Bigelow, late United States minister to France. Besides these able coadjutors, the Post has had the benefit of many eminent writers of prose and verse. To its column« Drake and Halleck contributed those sprightly and sparkling jmx d'esprit, The Croakers, which, after nearly sixty years, are still read with pleasure. At the expiration of the Post's first half-century, Mr. Bryant prepared a history of the veteran journal, in which his ver¬ satile pen and well-stored mind had ample range and material, in men and incidents, to do justice to the very interesting and eventful period through which the paper had passed. The following terse and just characterization of Mr. Bryant as a political journalist, taken from an article which appeared in the editorial column of the Post since his death, gives an admirable summary of the man's life and work : — "Mr. Bryant's political life was so closely associated with his journalistic life that they must necessarily be considered together. He never sought public office ; he repeatedly refused to hold it. He made no effort either to secure or to use influence in politics except through his newspaper and by his silent, individual vote at the polls. The same methods marked his political and his journalistic life. He could be a stout party man upon occasion, but only when the party promoted what he believed to be right principles, When the party with which he was accustomed to act did what according to his judgment was wrong, he would denounce and oppose it as readily and as heartily as he would the other party "He used the newspaper conscientiously to advocate views of political and social subjects which he believed to be correct. He set before himself principles whose prevalence he regarded as beneficial to the country or to the world, and his constant purpose was to promote their prevalence. He looked upon the journal which he conducted as a conscientious statesman looks upon the official trust which has been committed to him, or the work which he has undertaken — not with a view to do what is to be done to-day in the easiest or most brilliant way, but so to do it that it may tell upon what is to be done to-morrow, and all other days, until the worthiest object of ambition is achieved. This is the most useful journalism ; and, first and last, it is the most effective and influential." The lines with which Dr. Johnson concluded a memoir of James Thomson may with equal truth be applied to the writings of William Gullen Bryant : " The highest praise which he has received ought not to be suppressed : it is said by Lord Lyttleton, in the Pro¬ logue to his posthumous play, that his works contained Though actively and constantly connected with a daily paper, the poet found ample time to devote to verse and other literary pursuits. In 1827 and the two following years Mr. Bryant was associated with Verplanck and Robert C. Sands in an annual publication called The Talisman, consisting of miscellanies in prose and verse written almost exclusively by the trio of literary partners, in Sands's library at Hoboken. Verplanck had a curious habit of balancing himself on the back legs of a chair with his feet placed on two others, and occupying this novel position he dictated his portion of the three volumes to Bryant and Sands, who alternately acted as his amanu¬ ensis. In 1832 Bryant was again associated with Sands in a brace of volumes entitled Tales of the Glauber Spa, to which Paulding, Leggett, and Miss Sedgwick were also con¬ tributors. In 1839 Mr. Bryant made a most admirable selection from the American poets, which Vas published by the Harpers in two volumes during the following year. At the same time they brought out a similar collection from the British poets, edited by Halleck. So far back as 1827, Washington Irving writes from Spain to his friend Henry Brevoort of the growing faine of Bryant and Halleck. He says : " I have been charmed with what I have seen of the writings of Bryant and Halleck. Are you acquainted with them '( I should like to know something of them personally. Their vein of thinking is quite above 'No line which, dying, he could wish to blot.' " B- --a WILLIAM GULLEN BRYANT. 19 that of ordinary men and ordinary poets, and they are masters of the magic of poetical lan¬ guage." Four years later, Mr. Bryant, in a letter to Irving, informs him of the publication, in New York, of a volume comprising all his poems which he thought worth printing, and expresses a desire for their republication by a respectable English house. In order to antici¬ pate their reproduction by any other, he requested Mr. Irving's kind aid in securing their publication. They appeared, with an introauction by Irving, in London in 1832. Professor Wilson said, in a periodical distinguished rbr its contempt of mediocrity: "Bryant's poetry overflows with natural religion — with what Wordsworth calls 'the religion of the gods.' The reverential awe of the irresistible pervades the verses entitled Thanatopsis and Forest Hymn, imparting to them a sweet solemnity, which must affect all thinking hearts." Another British periodical, very chary of its praise of anything American, remarked : " The verses of Mr. Bryant come as assuredly from the ' well of English undeflled ' as the finer compositions of Wordsworth ; indeed, the resemblance between the two living authors might justify a much more invidious comparison." Irving left behind him the following picture of the poetry of this distinguished American whom his own country delighted to honor ; " Bryant's writings transport us into the depths of the solemn primeval forest, to the shore of the lovely lake, the banks of the wild nameless stream, or the brow of the rocky upland, rising like a promontory from amidst a wide ocean of foliage, while they shed around us the glories of a climate fierce in its extremes but splendid in all its vicissitudes." Dana has expressed his opinion of Bryant's poetry in equally ad¬ miring terms, and Halleck said to the writer, after repeating the whole of one of Bryant's later poems, TTie Planting ' of the Apple-Tree* " His genius is almost the only instance of a high order of thought becoming popular ; not that the people do not prize literary worth, but because they are unable to comprehend obscure poetry. Bryant's pieces seem to be fragments of one and the same poem, and require only a common plot to constitute a unique epic." (For the poem see p. 457.) Since the appearance of the first English edition of Bryant's poems, many others, mostly unauthorized, have been published in Great Britain, with but slight, if any, pecuniary advantage to their author. With one of these, which I bought at an English railway-stand for a shilling of their currency, and brought back with me to present to the poet in October, 1855, he appeared much amused, as it contained a villanous portrait of himself, which looked, he said, b more like Jack Ketch than a respectable poet." Many American editions of his poetical writings have appeared, from which Mr. Bryant derived a considerable amount of copyright, notwithstanding the remark he once made to the writer : " I should have starved if I had been obliged to depend upon my poetry for a living." Of one of these editions, known as the Red-line, there were five thousand copies sold in 1870, the year in which it appeared; and of another beautiful illustrated edition issued in 1877, the entire edition was exhausted in the course of a few months. Intensely American in his feelings, the love of home and of his native land being among his most cherished sentiments, Mr. Bryant, like all truly cultivated and liberal minds, pos¬ sessed an enlarged appreciation of the poetical associations of other lands. The inspirations of the East, the glowing imagery and romantic history of Spain, the balmy breezes and sun¬ shine of the island of Cuba, — all had an enchantment and charm for his most appreciative genius. The range of his poetic gift embraced with comprehensive sympathy the progress * "I was most agreeably surprised, as well as flattered, the other day to receive from General Wilson, who has collected the poetical wi'itings of Halleck, and is engaged in preparing his Life and Letters for the press, a copy in the poet's handwriting of some verses of mine entitled The Planting of the Apple-Tree, which he had taken the pains to transcribe, and which General Wilson had heard him repeat from memory in his own fine manner." — Bryants Address on Halleck, 1869. [S -a 20 WILLIAM GULLEN BRYANT. and struggles of humanity, seeking its vindication in a universal and enlightened liberty, in the beauties and harmonies of nature in her many forms, and the inspirations of art in its truth¬ fulness to nature ; and all these find their legitimate expression in productions of his muse. Between the years 1834 and 1867, inclusive, Mr. Bryant made six visits to the Old World. In 1872 still another long journey was undertaken by him, — a second voyage to Cuba, his tour being extended to the city of Mexico. Bryant was fond of travel, and seemed as unwilling as that ancient worthy, Ulysses, whose wanderings he not long ago put in such pleasing English verse, to let his faculties rest in idleness. His letters to the Evening Post, embracing his observations and opinions of Cuba and the Old World, were collected and published after his third visit to Europe in 1849, and were entitled The Letters of a Trav¬ eller. A few years later, after recrossing the Atlantic for the fifth time, he put forth in book form his letters from Spain and the East. These charming volumes, " born from his travelling thigh," as Ben Jonson quaintly expressed it, are written in a style of English prose distinguished for its purity and directness. The genial love of nature and the lurking ten¬ dency to humor which they everywhere betray prevent their severe simplicity from running into hardness, and give them a freshness and occasional glow in spite of their prevailing pro¬ priety and reserve. The reception which Mr. Bryant always met among literary men of distinction, especially in Great Britain, was a direct testimony to his own fine qualities. The poets Wordsworth and Kogers particularly extended to him most cordial and intimately friendly attention. Bryant's sympathy for the kindred arts was reciprocated by its votaries — though happily not in a posthumous form — in a novel and most beautiful manner, by a tribute paid to the poet on the anniversary of his seventieth birthday. I allude to the oflFering of paintings and poems made to Mr. Bryant on the evening of November 5, 1864 — which was selected for the festival — by the painters and poets of America, who cherished a love and veneration for one standing as a high-priest at the altar of nature, singing its praises in most harmonious numbers, and encouraging art in all its glowing beauties. An appropriate place for the offering was the Century Club of New York, of which but five of the one hundred founders are now living. On the occasion of the festival — a memorable one not only in the annals of the society itself, but in the history of American art and letters — Bancroft delivered the congratulatory address in most touching and eloquent words, and was followed by Ralph Waldo Emerson, Richard H. Dana, Jr., and William M. Evarts, in equally felicitous addresses. Miss Sedgwick, Mrs. Sherwood, the elder Dana, Edward Everett, Halleck, Longfellow, LoweU, Whittier, Willis, and others who were unable to be present, sent poems and epistles of affection¬ ate greeting. Mr. Everett wrote : " 1 congratulate the Century Club on the opportunity of paying this richly earned tribute of respect and admiration to their veteran, and him on the weU-deserved honor. Happy the community that has the discernment to appreciate its gifted sons ; happy the poet, the artist, the scholar, who is permitted to enjoy, in this way, a foretaste of posthumous commemoration and fame ! " Halleck, from a sick-chamber, sent these words : " Though far off in body, 1 shall be near him in spirit, repeating the homage which with heart, voice, and pen 1 have, during more than forty years of his threescore and ten, delighted to pay him." Longfellow in his letter said : " 1 assure you, nothing would give me greater pleasure than to do honor to Bryant at all times and in all ways, both as a poet and a man. He has written noble verse and led a noble life, and we are all proud of him." Whittier, in felicitous stanzas, written, be it remembered, in the third year of the war, exclaims: — " 1 praise not here the poet's ait, The rounded fitness of his song : Who weighs him from his life apart Must do his nobler nature wrong. e- 5 e WILLIAM GULLEN BRYANT. " When Freedom hath her own again, Let happy lips his songs rehearse ; His life is now his noblest strain, His manhood better than his verse. " Thank God ! his hand on nature's keys Its cunning keeps at life's full span ; But dimmed and dwarfed, in times like the.se. The poet seems beside the Man." Other poetical tributes were addressed to Mr. Bryant by Boker, Buchanan Read, Mrs. Howe, Mrs. Sigourney, Holmes, Street, Tuckerman, and Bayard Taylor ; but the feature of the festival was the presentation to the venerable poet, in an eloquent address by the Presi¬ dent of the National Academy, of upward of twoscore oil-paintings, — gifts of the artist- members of the Century Club, including Church, Darley, Durand, Gififord, Huntington, Eastman Johnson, and othei-s. Shelley, in his Defence of Poetry, asserts that " no living poet ever arrived at the fulness of his fame : the jury which sits in judgment upon a poet, belonging, as he does, to all time, must be composed of his peers, — it must be impanelled by Time from the select- est of the wise of many generations." Does not the continual sale of the beloved Bryant's poems, on which criticism and panegyric are alike unneeded, and on which the American world has pronounced a judgment of unanimous admiration, prove him to be an exception to the rule laid down by the dictum of the gifted Shelley Î As promised in his Inscription for the Entrance to a Wood, to him who .should enter and " view the haunts of Nature," " the calm shade shall bring a kindred calm," so did he truly seem to have received a quietude of spirit, a purity and elevation of thought, a " vari¬ ous language" of expression, which held him at once in subtle sympathy with nature and in ready communion with the minds of men. George William Curtis writes in his editorial Easy Chair of Harper's Mayazine concerning Bryant : " What Nature said to him was plainly spoken and clearly heard and perfectly repeated. His art was exquisite. It was absolutely uususpected ; but it served its truest purpose, for it removed every obstruction to full and complete delivery of his message." In December, 1867, Mr. Bryant responded in a beautifirl letter to an invitation of the alumni of Williams College to read a poem at their next meeting. The brief letter of decli¬ nation is poetical in its sympathy, and expresses, with pathos, not the decline of the powers of a mind yet vigorous, but a conscientious distrust of reaching that degree of excellence f which his admirers might expect from his previous poems : — ^ " You ask me for a few lines of verse to be read at your annual fe.stival of the alumni of Wil- > liams College. I am ever ill at occasional verses. Such as it is, my vein is not of that sort. I i, find it difficult to satisfy myself. Besides, it is the December of life with me ; I try to keep a few flowers in pots, — mere remembrances of a more genial season which is now with the things of the Ç past. If I have a carnation or two for Christmas, I think myself fortunate. You write as if I had p nothing to do, in fulfilling your reciuest, but to go out and gather under the hedges and by the brooks a bouquet of flowers that spring spontaneously, and throw upon your table. If I am to ^ try, what would you say if it proved to be only a little bundle of devil-stalks and withered leaves, which my dim sight had mistaken for fresh, green sprays and blossoms ? So I must excuse myself as well as I can, and content myself with wishing a very pleasant evening to the foster-children ot old 'Williams' who meet on New Year's Day, and all manner of prosperity and honor to the excellçnt in.stitution of learning in which they were nurtured." 3 g e a 22 WILLIAM GULLEN BRYANT. On the evening of the I7th of May, 1870, Mr. Bryant delivered an address before the New York Historical Society, his subject being the "Life and Writings of Gulian C. Ver- planck." The venerable poet spoke of his friend, as in previous years he had spoken of their contemporaries, Thomas Cole, the painter, and the authors Fenimore Cooper, Wash¬ ington Irving, and Fitz-Greene Halleck. These charming orations, together with various addresses, including those made at the unveiling of the Shakespeare, Scott, and Morse statues in the Central Park, were published in 1872 in a volume worthy of being possessed by all Bryant's admirers. The literary life which began more than sixty years ago was crowned by his translations of Homer. He was more than threescore and ten when he set himself to the formidable task of adding another to the many translations of the Ilia and Odyssey. The former occupied most of his leisure hours for three years, and the latter about two ; being completed when Mr. Bryant was well advanced in his seventy-seventh year. The opinion has been pronounced by competent critics that these wiU hold their own with the translations of Pope, Chapman, Newman, or the late Earl Derby, of which latter Halleck said to the writer that " it was an admirable translation of the Iliad with the poetry omitted ! " • To the breakfast-table at Eoslyn I remember that Mr. Bryant one day brought some pages in manuscript, being his morning's work on Homer ; for, like Scott, he was always an early riser, and by that excellent habit he gained some hours each day. That Bryant, Bayard Taylor, and Longfellow should have, during the past decade, simultaneously appeared as translators of Homer, Goethe, and Dante, and that their work should compare favorably with any previous renderings into English of Faust, the Divina Commedia, and of the Iliad and Odyssey, is certainly a striking illustration of advancing literary culture in the New World. In 1873 Mr. Bryant's name appeared as the editor of Picturesque Americcu, a hand¬ some illustrated quarto published by the Appletons ; and the latest prose work with which he was associated is a History of the United States, now in course of publication by the Scribners, the second volume having been completed shortly before Mr. Bryant's death, the residue of the work remaining in the hands of its associate author, Sidney Howard Gay. To the readers of this memoir a topic of especial interest will be Mr. Bryant's connection with the volume which encloses it, — A Library of Poetry and Song. This began in 1870, with the origination of the book in its octavo form, and continued with constant interest, through the reconstruction and enlargement of the work in its more elaborate quarto form, until its completion in 1878. His own words best show how it happened that Mr. Bryant became the sponsor of this book, which, in its various editions, has already taken his name into nearly a hundred thousand American homes. " At the request of the publishers," he says, " I undertook to write an Introduction to the present work, and, in pursuance of this design, I find that I have come into a somewhat closer personal relation with the book. In its prog¬ ress it has passed entirely under niy revision I have, as requested, exercised a free hand both in excluding and in adding matter according to my judgment of what was best * Of Mr. Bryant's translations of the Tliad and the Odyssey, the Alhaueum remarks : " These translations are with Mr. Bryant, as with Lord Derby, the work of the ripened scholarship and honorable leisure of age, and the impulse is natural to compare the products of the two minds. Mr. Bryant's translations seem less laboriously rounded and ornate, but perhaps even more forceful and vigorous, than Lord Derby's ; " while the London Times expresses the judgment that " his performance fell flat on the ears of an educated audience, after the efforts of Loi-d Derby and others in the same direction." cB 23 a WILLIAM GULLEN BRYANT. adapted to the purposes of the enterprise." Every poem took its place after passing under his clear eye. Many were dropped out hy him ; more were suggested, found, often copied out by him for addition. In the little notes accompanying his frequent forwarding of mat¬ ter to the publishers, he casually included many interesting points and hints of criticism or opinion : " I send also some extracts from an American poet who is one of our best, — Richard H. Dana." " I would request that more of the poems of Jones Very be inserted. I think them quite remarkable." " Do not, I pray you, forget Thomson's Castle of Indo¬ lence, the first canto of which is one of the most magnificent things in the language, and altogether free from the faults of style which deform his blank verse." " The lines are pretty enough, though there is a bad rhyme — toes and clothes ; but I have seen a similar one in Dryden — clothes pronounced as cloes — and I think I have seen the same thing in He was not a man given to humorous turns, yet he was not deficient in the sense of the comical. In forwarding some correction for an indexed name, he writes : " It is difficult always to get the names of authors right. Please read the enclosed, and see that Mrs. be not put into a pair of breeches." In specifying some additional 'poems of Stedman's for insertion, he says : " I think Alectryon a very beautiful poem. It is rather long The Old Admiral should go in, — under the head of ' Patriotism,' I think ; or, better, under that of ' Personal.' The Door-Step is a poem of ' Love ' ; but it is pretty enough for anywhere," etc. " I do not exactly like the poem To a Girl in her Thirteenth Year, on account of the bad rhymes ; nor am I quite pleased with Praed's I remember, I remember, printed just after Hood's,— it seems to me a little flippant, which is Praed's fault." The scrupulous care which Mr. Bryant exercised in keeping the compilation clean and pure was exemplified in his habitual name for it in correspondence and conversation, — " The Family Book," " The Family Library." He writes : " I have made more suggestions for the omission of poems in the humorous department than in any other ; several of them being deficient in the requisite literary merit. As to the convivial poems, the more I think of it the more I am inclined to advise their total omission." When the book appeared in 1870, it met with an instant and remarkable popular wel¬ come, selling more than twenty thousand copies during the first six months, which, for a bo'ok costing five dollars in its least expensive style, was certainly unusual. In 1876 it was determined to give the work a thorough revision, although it had been from time to time benefiting by the amendments sent by Mr. Bryant or suggested by use. Mr. Bryant took a keen interest in this enlargement and reconstruction, and, as stated in the Publisher's Pref¬ ace to the quarto edition, it "entailed upon him much labor, in conscientious and thorough revision of all the material, — cancelling, inserting, suggesting, even copying out with his own hand many poems not attainable save from his private library ; in short, giving the work not only the sanction of his widely honored name, but also the genuine influence of his fine poetic sense, his unquestioned taste, his broad and scholarly acquaintance with liter¬ ature." Both the octavo and the quarto editions now contain his much-admired Introduc¬ tion, in the form of an essay on " The Poets and Poetry of the English Language." Of this, Edmund Clarence Stedman, in an admirable paper on Bryant as " The Man of Letters," contributed to the Evening Post since the poet's death, says : " This is a model of expres¬ sive English prose, as simple as that of the Spectator essayists and far more to the purpose. Like all his productions, it ends when the writer's proper work is done. The essay, it may be added, contains, in succinct language, the poet's own views of the scope and method of song, a reflection of the instinct governing his entire poetical career." Bryant's prose has always received high commendation. A little collection of extracts from his writings has been compiled for use in schools, as a model of style. The secret of Whittier." y ff WILLIAM GULLEN BRYANT. it, so far as genius can communicate its secrets, may Le found in a letter addressed by Mr. Bryant to one of the editors of the Christian Intelligencer, in reply to some questions, and I published in the issue of that journal, July 11, 1878 : — "It seems to me that in style we ought first, and above all things, to aim at clearness of ex¬ pression. An obscure style is, of course, a bad style. In writing we should always consider not only whether we have expressed the thought in a manner which meets our own comprehension, but whether it will be understood by readers in generaL " The quality of style next in importance is attractiveness. It should invite and agreeably detain the reader. To acquire such a style, 1 know of no other way than to contemplate good mod¬ els and consider the observations of able critics. The Latin and Greek classics of which you speak are certainly impoitant helps in forming a taste in respect to style, but to attain a good English style something more is necessary, — the diligent study of good English authors. 1 would recur for this purpose to the elder worthies of our literature — to such writers as Jeremy Taylor and Bar¬ row and Thomas Fuller— whose works are perfect treasures of the riches of our language. Many modern writers have great excellences of style, but few are without some deficiency " 1 have but one more counsel to give in regard to the formation of a style in composition, and that is to read the poets, — the nobler and gi'auder ones of our language. In this way wannth and energy is communicated to the diction and a musical fiow to the sentences. " 1 have here treated the subject very briefly and meagrely, but 1 have given you my own method and the rules by which 1 have been guided through many years mostly passed in literary labors and studies." On Mr. Bryant's eightieth birthday he received a congratulatory letter with its thousands of signatures, sent from every State and Territory of his native land, followed soon after by the presentation, in Chickering Hall, New York, in the presence of a large and appreciative audience, of a superb silver vase, the gift of many hundred admirers in various portions of the country. This exquisite and valuable specimen of American silver work is now in the possession of the Metropolitan Museum of Art. Standing before it, the spectator may fitly recall those noble lines of Keats upon a Grecian urn : — A few months later, the venerable poet presented to the citizens of Koslyn a new hall and public reading-room, having previously given one to his native town. It was the wish of his fellow-citizens that the handsome hall should be named in honor of Mr. Bryant ; but as he proposed that it should be known simply as " The Hall," that title was bestowed upon it by popular acclamation. The Centennial Ode, written by Bryant for the opening of the International Exposition at Philadelphia, is worthy of the great fame of its author. Another of his recent compo¬ sitions, and one of his noblest, elicited from a prominent foreign journal the following mention: "The venerable American poet, who was bom before Keats, and who has seen so many tides of influence sweep over the literature of his own country and of England, pre¬ sents us here with a short but very noble and characteristic poem, which carries a singular weight with it as embodying the reflection of a very old man of genius on the mutability of all things, and the hurrying tide of years that cover the past as with a flood of waters. In a vein that reminds us of Thanatopsü, the grand S3anphonic blank verse of which was " Roslvn, Loxo Island, July 6, 1863. " When old age shall this generation waste Thou shalt remain, in midst of other woe Than ours, a friend to men : to whom thou sayest, ' Beauty is truth, truth beauty; that is all Ye know on earth, and all ye need to know.'" e- WILLIAM GULLEN BRYANT. 25 published no less than sixty-one years ago, Mr. Bryant reviews the mortal life of man as the ridge of a wave ever hurrying to oblivion the forms that appear on its surface for a moment." In this worthy companion to Thanatopsis, written in his eighty-second year, the poet strikes the old familiar key-note that he took so successfully in his greatest poem in 1812, in The Ages in 1821, and again in Among the Trees in 1874. It is called The Flood of Years. A gentleman recently bereaved was so struck by the unquestioning faith in immortality expressed in the concluding lines of this poem that he wrote to the poet, asking if they represented his own belief. Mr. Bryant answered him in the following note, dated Cummington, August 10,1876: " Certainly I believe all that is said in the lines you have quoted. If I had not, I could not have written them. I believe in the everlasting life of the soul; and it seems to me that immortality would be but an imperfect gift without the recognition in the life to come of those who are dear to us here." If the harmony of the poet's career was sustained in his writings and his love of art,' it was further manifested in the taste and affection which governed him in the selection of his homes. Like the historian Prescott, Bryant had three residences, — a town-house and two country homes. One of these is near the picturesque village of Eoslyn, Long Island, and commands a view which in its varied aspect takes in a mingled scene of outspreading land and water. The mansion, embosomed in trees and vines, an ample dwelling-place situated at the top of the hills, was built by Richard Kirk in 1781. Mr. Bryant, who was ever mindful of the injunction given by the dying Scotch laird to his son, " Be aye sticking in a tree, Jock : it will be growing while ye are sleeping," alternated recreations of tree plant¬ ing and pruning and other rural occupations with his literary labor. This country-seat at Eoslyn, called " Cedarmere," has been the resort of many distin¬ guished men of art and literature, of travellers and statesmen, gone thither to pay their re¬ spects to the sage, philosopher, and author. They were always welcomed, and enjoyed the purity of taste and simplicity of manner which presided over the mansion. Here the ven¬ erable host continued to the last to enjoy the society of his friends; and here much of his best literary work had been done since his purchase of the place in 1845. He was accus¬ tomed to spend most of the time there from May to the end of November of each year, excepting the months of August and September, which were given to the old Homestead at Cummington. Not extensive, but excellent in wide and judicious selections, was his Cedarmere library of several thousand volumes. The poet's knowledge of ancient and living languages enabled him to add with advantage to his collection of books the works of the best French, German, Italian, and Spanish authors. Among his poems may be found admirable translations from these various languages as well as from the Greek and Latin. Cedarmere is an extensive estate, and rich in a great variety of trees. As I was walking on a sunny October afternoon with the poet through his loved domain, he pointed out a Spanish chestnut-tree laden with fruit, and, springing lithely on a fence, despite his seventy- six summers, caught an open burr hanging from one of the lower branches, opened it, and, jumping down with the agility of a youth, handed to his city guest the contents, consisting of two as large chestnuts as I ever saw in Spain. The Madeira and Pecan nuts were also successfully cultivated by him at Cedannere. During another walk, Mr. Bryant gave a jump and caught the branch of a tree with his hands, and, after swinging backward and forward several times with his feet raised, he swung himself over a fence without touching it. About a quarter of a mile from the mansion, he pointed out a black-walnut tree, which was planted by Adam Smith, and first made its appearance above ground in 1713. It had attained a girth of twenty-five feet and an immense breadth of branches. It was the com- 10 EJ [fc ^ 26 WILLIAM GULLEN BRYANT. fortable home of a small army of squirrels, and every year strewed the ground around its gigantic stem with an abundance of " heavy fruit." The tree is alluded to in one of Mr. Bryant's poems : —r " On my cornice linger the ripe black grapes ungathered ; Children fill the groves with the echoes of their glee, Gathering tawny chestnuts, and shouting when beside them Drops the heavy fruit of the tall black-walnut tree." The taste displayed by the poet in the selection and adornment of his residence at Rosl3m was more than equalled by the affection and veneration which fourteen years ago prompted him to purchase the old Bryant Homestead and estate at Cummington, which had some thirty years previous passed out of the family into other hands. The mansion is situated among the Hampshire hills, and is a spot that nature has surrounded with scenes calculated to awaken the early dreams of the poet, and to fill his soul with purest inspiration. In the midst of such scenes the young singer received his earliest impressions, and descriptive of them he has embodied some of his mo.st cherished and home-endearing poetry. To a friend who requested information about the home of his boyhood, Mr. Bryant in 1872 wrote as follows: — "I am afraid that I cannot say much that will interest you or anybody else. A hundred years since this broad highland region lying between the Housatonic and the Connecticut was prin¬ cipally forest, and bore the name of Pontoosuc. In a few places settlers had cleared away wood¬ lands and cultivated the cleared spots. Bears, catamounts, and deer were not uncommon here. Wolves were sometimes seen, and the woods were dense and dark, without any natural openings or meadows. My grandfather on the mother's side came up from Plymouth County, in Massachu¬ setts, when a young man, in the year 1773, and chose a farm on a commanding site overlooking an extensive prospect, cut down the trees on a part of it, and built a house of square logs with a chimney as large as some kitchens, within which I remember to have sat on a bench in my child¬ hood. About ten years afterward he purchased, of an original settler, the contiguous farm, now called the Bryant Homestead, and having built beside a little brook, not very far from a spring from which water was to be drawn in pipes, the house which is now mine, he removed to it with his family. The soil of this region was then exceedingly fertile, all the settlers prospered, and my grandfather among the rest. My father, a physician and sui-geon, married his daughter, and after a while came to live with him on the homestead. He made some enlargements of the house, in one part of which he had his office, and in this, during my boyhood, were generally two or three students of medicine, who sometimes accompanied my ficther in his visits to his patients, always on horseback, which was the mode of travelling at that time. To this place my father brought me in my early childhood, and 1 have scarce an early recollection which does not relate to it. " On the farm beside the little brook, and at a short distance from the house, stood the district school-house, of which nothing now remains but a little hollow where was once a cellar. Here I received my earliest lessons in learning, except such as were given me by my mother, and here, when ten years old, I declaimed a copy of verses composed by me as a description of a district school. The little brook which runs by the house, on the site of the old district school-house, was in after years made the subject of a little poem entitled 77t« Rivulet. To the south of the house is a wood of tall trees clothing a declivity, and touching with its outermost boughs the grass of a moist meadow at the foot of the hill, which suggested the poem entitled An Inscription for (he Entrance to a Wood. "In the year 1835 the place passed out of the family; and at the end of thirty years I repur¬ chased it, and made various repairs of the house and additions to its size. A part of the building which my father had added, and which contained his office, had, in the mean time, been detached from it, and moved off down a steep hill to the side of the Westfield River. I supplied its place J by a new wing with the same external form, though of less size, in which is now my library. [0— —ö te 27 a WILLIAM GULLEN BRYANT. " The site of the house is uncommonly beautiful. Before it, to the east, the ground descends, first gradually, and then rapidly, to the Westfield River, flowing in a deep and narrow valley, from which is heard, after a copious rain, the roar of its swollen cunent, itself unseen. In the spring¬ time, when the frost-bound waters are loosened by a warm rain, the roar and crash are remarkably loud as the icy crust of the stream is broken, and the masses of ice are swept along by the flood over the stones with which the bed of the river is paved. Beyond the narrow valley of the West- field the surface of the country rises again gradually, carrying the eye over a region of vast extent, interspersed with farm-houses, pasture-grounds, and wooded heights, where on a showery day you sometimes see two or three different showers, each watering its own separate district; and in winter¬ time two or three different snow-storms dimly moving from place to place. " The soil of the whole of this highland region is disintegrated mica slate, for the most part. It has its peculiar growth of trees, shrubs, and wild-flowers, differing considerably from those of the eastern part of the State. In autumn the woods are peculiarly beautiful with their brightness and variety of hues. The higher farms of this region lie nearly two thousand feet above tide-water. The air is pure and healthful; the summer temperature is most agreeable, but the spring is coy in her approaches, and winter often comes before he is bidden. No venomous reptile inhabits any part of this region, as I think there is no tradition of a rattlesnake or copperhead having been seen here." The serenity and dignity so manifest in Bryant's writings were notable also in his person. The poet was often depicted with pencil and pen. The phrenologists exhausted their skill upon his noble head, and the painters and engravers their art upon his face. The former believed him to approach the ideal of Spurzheim in his phrenological developments, and the latter deemed him to' possess the fine artistic features of Titian and the Greek poet whom he translated. It is a consolation to age, when protected by a wise and orderly regulated Ufe, that its inherent dignity supplies the want, if not the place, of youth, and that the veneration and serenity which surround it more than compensate for the passions which turbulence renders dangerous. To such an honored age as this Bryant attained; calm, cir¬ cumspect, and sedate, he passed the perilous portals of Parnassus with his crown of laurel untarnished and un withered by the baser breath that sometimes lurks Uke a poison within its leaves. To my conception, he more resembled Dante in the calm dignity of his nature, though happily not in the violent and oppressive affliction of his life, than any other poet in history. Having passed, by more than three winters, what the Psalmist calls " the days of our years," and escaped the " labor and sorrow " that are foreboded to the strength that attains fourscore, Bryant continued to perform his daily editorial duties, to pursue his studies, and to give the world his much prized utterances, without exhibiting any evidences of physical or mental decay, although for a good part of half a century he was under whip and spur, with the daily press forever, as Scott expressed it, " clattering and thundering at his heels." On the evening of January 31, 1878, he walked out on the wildest night of the winter, when a blinding snow-storm kept many younger men at home, to address a meeting of the American Geographical Society, and to take part in the cordial welcome extended to the Earl of Dufferin, the accomplished Governor-General of Canada. When the president of the society sent for a carriage and urged the aged poet, at the close of the meeting, to make use of it, he sturdily refused, saying that he preferred to walk home. Among Mr. Bryant's latest utterances was the following noble ode, written for Washing¬ ton's last birthday, February 22, 1878, for the Sunday School Times : — " Pale is the February sky. And brief the mid-day's sunny hours; The wind-swept forest seems to sigh For the sweet time of leaves and flowers. 'S- ^ ^ HL \ 28 WILLIAM GULLEN BRYANT. l-P "Yet even when the summer broods O'er meadows in their fresh array, Or autumn tints her glowing woods, No month can boast a prouder day. " For this chill season now again Brings, in its annual round, the mom When, greatest of the sons of men. Our glorious Washington was bom. " Lo, where, beneath an icy shield. Calmly the mighty Hudson flows. By snow-clad fell and frozen fleld Broadening the lordly river goes. "'The wildest storm that sweeps through space. And rends the oak with sudden force. Can raise no ripple on his face Or slacken his majestic course. ' Thus, mid the wreck of thrones, shall live Unmarred, undimmed, our hero's fame. And years succeeding years shall give Increase of honors to his name." Still later (May 15, 1878) Mr. Bryant wrote at Roslyn the following characteristic senti¬ ment contributed to a Decoration Day number of the Recorder : — "In expressing my regard for the memory of those who fell in the late civil war, I cannot omit to say that, for one result of what they did and endured — namely, the extinction of slavery in this great republic — they deserve the imperishable gratitude of mankind. Their memory will survive many thousands of the generations of spring flowers which men will gather to-day on their graves. Nay, they will not be forgotten while the world has a written history." S à ¡p-, ^ ^ WILLIAM GULLEN BRYANT. 29 CHAPTEE III. " Of no distemper, of no blast he died, But fell like autumn fruit that mellowed long : Even wondered at because he dropt no sooner. Fate seemed to wind him up for fourscore years ; Yet freshly ran he on three winters more , Till, like a clock worn out with eating time, The wheels of weary life at last stood still." John Dryden. Mazzini Address — Last Words — Accident — Sickness — Death — Burial at Roslyn — Tributes to his Memory. In accordance with the expressed wishes of many personal friends of the patriarch of American poetry, who was so recently laid in his grave with many tears, and also remem¬ bering that posterity likes details in regard to the latest actions and utterances of eminent men, I have recorded, to the best of my recollection, some particulars of his conversation during the afternoon of Wednesday, May 29th, his last hours of consciousness. He was appointed to deliver an oration on the occasion of unveiling a bronze bust of Mazzini, the Italian revolutionist and statesman, in the Central Park. I met Mr. Bryant in the Park about half an hour before the commencement of the ceremonies, conversing with him during that time, and again for a similar period after those ceremonials were concluded. While I was walking with Mr. Bryant for the last time, he quoted an aphorism from his friend Sainte-Beuve, that " To know another man well, especially if he be a noted and illustrious character, is a great thing not to be despised." It was my good fortune to have enjoyed for nearly or quite a quarter of a century the privilege and pleasure of Mr. Bryant's acquaint¬ ance, and in all that time I never met him in a more cheerful and conversational mood than on the above-mentioned afternoon, and never saw him exhibit an equal depth and tender¬ ness of feeling, either in his public utterances or in his private talk. At the proper time Mr. Bryant took his seat on the platform — for he had been standing or seated under the welcome shade of adjoining elms — and presently he proceeded with the delivery of the last of a long series of scholarly addresses delivered in New York during the last thirty )'^ears. As I gazed on the majestic man, with his snow-white hair and flowing beard, his small, keen but gentle blue eye, his light but firm lithe figure, standing so erect and apparently with undiminished vigor, enunciating with such distinctness, I thought of what Napoleon said of another great singer who, like our American poet, reached an advanced age to which but few attain, and which was equally true of Bryant: " Behold a man 1 " The delivery of the oration, which affords most interesting evidence of the enthusiasm and mental energy of its aged author, it is to be feared drew too heavily on the poet's failing powers. It was uttered with an unusual depth of feeling, and for the first time in his pub¬ lic addresses, so far as I am aware, he hesitated and showed some difficulty in finding his place in the printed slip which was spread before him, and in proceeding with his remarks. During the delivery of his speech he was but slightly exposed to the hot sun, an umbrella being held over his " Good gray head, which all men knew," till he reached his peroration, when he stepped from under its shelter, and, looking up at the bust, delivered with power and great emphasis, while exposed to the sun, the concluding paragraph of his address : — e 30 "WILLIAM GULLEN BRYANT. " Image of the illustrious champion of civU and religious liberty, cast in enduring bronze to typify the imperishable renown of thy original ! Remain for ages yet to come where we place thee, in this resort of millions ; remain till the day shall dawn — far distant though it may he — when the rights and duties of human brotherhood shall be acknowledged by all the races of mankind ! " At the conclusion Mr. Bryant was loudly applauded, and, resuming his seat again on the platform, he remained an interested listener to the address in Italian which followed his. At the close of the ceremonies, and when the poet was left almost alone on the platform, he took my offered arm to accompany me to my home, saying that he was perfectly able to walk there, or indeed to his own house in Sixteenth Street. Before proceeding, I again proposed that we should take a carriage, when the poet said, in a determined manner, " I am not tired, and prefer to walk." As we set oflF, I raised my umbrella to protect him from the sun, when he said, in a most decided tone, " Don't hold that umbrella up on my account ; I like the warmth of the sunshine." He was much interested in the fine flock of sheep, together with the shepherd and his intelligent Scotch coUie, that he observed as we passed across the green. Mr. Bryant alluded to the death of Lord John Russell the day before, and asked if I had ever met him or heard him speak in public, adding : "For a statesman, he devoted a good deal of time to literature, and he appears to have been a man of respectable talents. How old was he ? " " Eighty-six." " Why, he was older than I am ; but I expect to beat that and to live as long as my friend Dana, who is ninety-one." " Have you any theory as to the cause of your good health ? " " 0, yes," he answered ; " it is all summed up in one word, — moderation. As you know, I am a moderate eater and drinker, moderate in my work, as well as in my pleasures, and I believe the best way to preserve the mental and physical faculties is to keep them employed. Don't allow them to rust." " But surely," I added, " there is no moderation in a man of eighty-three, after walking more than two miles, mounting eight or nine pairs of stairs to his office." " 0," he merrily replied, " I confess to the two or three miles down-town, but I do not often mount the stairs ; and if I do sometimes, when the elevator is not there, I do not see that it does me any harm. I can walk and work as well as ever, and have been at the office to-day, as usual." Some mention having been made of Lord Houghton's and Tapper's recent travels in this country, the poet asked ; " Did I ever tell you of Lord Houghton's visit to Roslyn a few years ago 1 He was accompanied by his valet, who announced in my kitchen that his ' master was the greatest poet in England,' when one of my servants, not to be outdone, thereupon said, ' Our man is the greatest poet in America.' " The use of the words " master " and " man," I may remark, is worthy of notice, and appeared to amuse the poet when relating the incident. Passing the Halleck statue, Mr. Bryant paused to speak of it, of other statues in similar sitting posture, and of Halleck himself and his genius, for several minutes. Still continuing to lean on my ann, he asked my little daughter, whose hand he had held and continued to hold during our walk, if she knew the names of the robins and sparrows that attracted his attention, and also the names of some flowering shrubs that we passed. Her correct answers pleased him, and he then inquired if she had ever heard some little verses about the bobolink. She answered yes, and that she also knew the poet who wrote them. This caused him much amusement, and he said, " I think I shall have to write them out for you. Mary, do you know the name of that tree with the pretty blue flowers ? " he asked, and as she did not know, he told her that it was " called the Paulovmia imperialis, — a hard name for a little girl to remember ; it was named in honor of a princess, and was brought from Japan." Arriving at the Morse statue at the Seventy-second Street gate, we stopped, and he said : 3 WILLIAM GULLEN BRYANT. 31 a " This recalls to my mind a curious circumstance. You remember Launt Thompson's bust which the Commissioners refused to admit in the Park, on the ground that I was living 1 Well, soon after, this statue of Morse was placed here, although he was alive, and [laugh¬ ingly] I was asked to deliver the address on the occasion of its unveiling, which I did." " Do you like your bust ? " " Yes, I think it is a good work of art, and the likeness is pleasing and satisfactory, I believe, to my friends." " Which do you think your best por¬ trait?" "Unlike Irving, I prefer the portraits made of me in old age. Of the earlier pictures, I presume the best are Inman's and my friend Durand's,* which you perhaps remember hangs in the parlor at Roslyn." As we approached my house, about four o'clock, Mr. Bryant was recalling the scenes of the previous year on the occasion of President Hayes's first visit to New York, and he was still, I think, cheerfully conversing on that subject as we walked up arm in arm, and all entered the vestibule. Disengaging my arm, I took a step in advance to open the inner door, and during those few seconds, without the slightest warning of any kind, the venerable poet, while my back was turned, dropped my daughter's hand and fell suddenly backward through the open outer door, striking his head on the steps. I turned just in time to see the silvered head striking the stone, and, springing to his side, hastily raised him up. He was unconscious, and I supposed that he was dead. Ice-water was immediately applied to his head, and, with the assistance of a neighbor's son and the servants, he was carried into the parlor and laid unconscious at full length on the sofa. He soon moved, became restless, and in á few minutes sat up and drank the contents of a goblet filled with iced sherry, which partially restored him, and he asked, with a bewildered look, " Where am I ? I do not feel at all well. 0, my head ! my poor head ! " accompanying the words by raising his right hand to his forehead. After a little, at his earnest request, I accompanied him to his own house, and, leaving him in charge of his niece, went for his family physician. Dr. John F. Gray. The following is a portion of the statement made by Dr. Gray after the poet's death : — "I sent for Dr. Camochan, the surgeon. He could find no injury to the skull, and therefore thought there was a chance of recovery. Mr. Bryant, during the first few day.s, would get up and walk about the library or sit in his favorite chair. He would occasionally say something about diet and air. When his daughter arrived from Atlantic City, where she had been for her health, she thought her father recognized her. It is uncertain how far he recognized her or any of his friends. The family were hopeful and made the most out of every sign of consciousness or recog¬ nition. " On the eighth day after the fall, hemorrhage took place in the brain, resulting in paralysis, technically called hemiplegia, and extending down the right side of the body. After this he was most of the time comatose. He ceased to recognize his friends in any way, and lay much of the time asleep. He was unable to speak, and when he attempted to swallow his food lodged in his larynx and choked him. He was greatly troubled with phlegm, and could not clear his throat. There was only that one attack of hemorrhage of the brain, and that was due to what is called trau¬ matic inflammation. After the fourteenth day he died. "He was a man who made little demonstration of affection or emotion, but he had a pro¬ foundly sympathetic feeling for the life and mission of Mazzini, and on the day when he delivered * The most important portraits of the poet, mentioned as nearly as possible in the order in which they were painted, are by Henry Inman (1835) ; Prof. S. F. B. Morse (1836); Henry Peters, Gray, S. W. Cheney, Charles Martin (1851) ; Charles L. Elliott, A. B. Durand (1854); Samuel Lawrence (1856) ; Paul Duggan, C. G. Thompson, A. H. Wenzler (1861) ; Thomas Hicks (1863) ; and Charles Fisher (1875). Of these I have engravings on steel now before me from Inman's, Martin's, Elliott's, Durand's, and Lawrence's portraits, as well as several taken from recent photographs. The portrait of Mr. Bryant which appears in this work is engraved from an admi¬ rable photograph taken by Sarony. , 32 WILLIAM GULLEN BRYANT. the address he exhibited considerable emotion. That and the walk afterwards certainly exhausted him, and led to the swoon. He overtaxed his strength during the winter, in attending evening entertainments and in public speaking. He had few intimate acquaintances, and was so extremely modest in expressing approbation or liking that one could scarcely tell the extent of his friendly feeling. Though 1 had attended him for many yeai-s, and often visited him at Roslyn, and also at his old homestead in Massachusetts, I never noticed an expression of more than ordinary friendship till 1 was prostrated by sickness. He made an impression ordinarily of coldness, but his poems show that he had plenty of feeling, and great sympathy for mankind. " Once when at Roslyn we visited the grave of his wife in the village cemetery, and we saw the place by her side resei-ved for him. He frequently requested that his funeral should be simple and without ostentation. He has had fulfilled his wish to die in June. " Mr. Bryant owed his long life to an exceedingly tenacious and tough constitution and very pru¬ dent living. I always found him an early riser. Although he was slight of body and limb, he seemed to me unconscious of fatigue, and he would walk many a stronger man off his legs. He did not walk rapidly, but seemed as wiry as an Indian." In April, 1867, Mr. Bryant expressed to the writer a wish that he might not survive the loss of his mental faculties, like Southey, Scott, Wilson, Lockhart, and the Ettrick Shep¬ herd, who all suffered from softening of the brain, and mentioned his hope that he should be permitted to complete his translation of Homer before death or mental imbecility, with a failure of physical strength, should overtake him. On another occasion he said, " If I am worth}'', I would wish for sudden death, with no interregnum between I cease to exercise rea¬ son and I cease to exist." In these wishes he was happily gratified, as well as in the time of his being laid away to his final rest, as expressed in his beautiful and characteristic lines to June : — " 1 gazed upon the glorious sky. And the green mountains round. And thought that when I came to lie At rest within the ground, 'T were pleasant that in flowery June, When brooks send up a cheerful tune. And groves a cheerful sound. The sexton's hand, my grave to make. The rich, green mountain turf should break." * It was indeed a glorious day, and the daisies were dancing and glimmering over the fields as the poet's family, a few old friends, and the villagers saw him laid in his last resting- place at Roslyn, after a few words fitly spoken by his pastor, and beheld his coffin covered with roses and other summer flowers by a little band of country children, who gently dropped them as they circled round the poet's grave. This act completed, we left the aged min¬ strel amid the melody dearest of all to him in life, — the music of the gentle June breezes murmuring through the tree-tops, from whence also came the songs of summer birds. The following, from the pen of Paul H. Hayne, of South Carolina, is one of the many tributes to Mr. Bryant's character and genius, that have appeared since the poet's death, from the pens of Curtis, Holland, Osgood, Powers, Stedman, Stoddard, Street, Symington (a Scottish singer), and many others : — " Lo ! there he lies, our Patriarch Poet, dead ! The solemn angel of eternal peace Has waveii a wand of my^teiy o'erjhis head, Touched his ^rong heart, imd bade his puUes cease. * The entire poem may be found on page 425. P © a WILLIAM GÜLLEN BRYANT. 33 " Behold, in marble quietude he lies ! Pallid and cold, divorced from earthly breath. With tranquil brow, lax hands, and dreamless eyes ; — Yet the closed lips would seem to smile at death. " Well may they smile ; for death, to such as he. Brings purer freedom, loftier thought and aim ; And, in grand truce with immortality. Lifts to song's fadeless heaven his star-like fame ! " I cannot forbear adding to this expression of appreciative affection a few words from the funeral address uttered by his pastor, the Rev. Dr. Bellows, at the commemorative ceremony held in New York, on the 14th of June, at All Souls' Church, of which Mr. Bryant was for the last fifteen years of his life an active and honored member. Dr. Bellows said : — " Never, perhaps, was there an instance of such precocity in point of wisdom and maturity as that which marked Thanatopsis, written at eighteen, or of such persistency in judgment, force, and melody as that exhibited in his last public ode, written at eighty-three, on occasion of Wash¬ ington's last birthday. Between these two bounds lies one even path, high, finished, faultless, in which comes a succession of poems, always meditative, always steeped in the love and knowledge of nature, always pure and melodious, always stamped with his sign manual of faultless taste and gcm-like purity " A devoted lover of religious liberty, he was an equal lover of religion itself — not in any pre¬ cise dogmatic form, but in its righteousness, reverence, and charity "It is the glory of this man, that his character outshone even his great talent and his large fame. Distinguished equally for his native gifts and his consummate culture, his poetic inspira¬ tion and his exquisite art, he is honored and loved to-day even more for his stainless purity of life, his unswerving rectitude of will, his devotion to the higher interests of his race, his unfeigned patriotism, and his broad humanity " The increasing sweetness and beneficence of his character, meanwhile, must have struck his familiar friends. His last years were his devoutest and most humane years. He became benefi¬ cent as he grew able to be so, and his hand was open to all just needs and to many unreasonable claimants." No more appropriate concluding paragraph can be added to this memorial paper, which I could wish worthier of the good and gifted Bryant — Integer vitce scelerisque purus — than his own beautiful words, applied to his contemporary, Washington Irving. " If it were becoming," said the poet, " to address our departed friend as if in his immediate presence, I would say, ' Farewell, thou who hast entered into the rest prepared from the foundation of the world for serene and gentle spirits like thine. Farewell, happy in thy life, happy in thy death, happier in the reward to which that death is the assured passage ; fortunate in attracting the admiration of the world to thy beautiful writings ; still more fortunate in having written nothing which did not tend to promote the reign of magnanimous forbear¬ ance and generous sympathies among thy fellow-men. The brightness of that enduring fame which thou hast won on earth is but a shadowy symbol of the glory to which thou art ad¬ mitted in the world beyond the grave. Thy errand on earth was an errand of peace and good-will to men, and thou art now in a region where hatred and strife never enter, and where the harmonious activity of those who inhabit it acknowledges no impulse less noble or less pure than love." JAMES GRANT WILSON. New York, July, 1878. ö a THE EDITOE TO THE HEADER. [Mb. Bryant's Preface to the Revision of 1876-8.] HE present enlarged edition of the "Library of Poetry and Song"' has been projected with a view of making the collection more perfect, both in the choice of poems and the variety of sources from which they are derived. Within a very few years past several names of eminence have been added to the list of poets in our language, and every reader would expect to find samples of their verse in an anthology like this, to say nothing of the air of freshness which these would give. That the demand for compilations of this character is genuine and very general is sufficiently demonstrated by the appearance, since the first edition of this was published, of Emerson's " Parnassus" and Whittier's "Songs of Three Centuries." These, however, do not seem to have supplanted Dana's " Household Book of Poetry," which still retains its popularity. It often happens that the same household contains several of these publications. The present volume, moreover, in addition to the fullness of its material, has been got up with much expense in the way of engraved illustrations, so that it will occupy a place by itself. Regarded from a literary point of view, it owes much to the expert hands of Mr. Knight and Mr. Raymond,* who have assisted in its compilation and the perfecting of its details. The first edition has proved, commercially speaking, one of the most successful publications of ♦Edward H. Knight, LL.D., since deceased, who did much work on the first edition also, and Prof. Robert R. Raymond, Principal of the Boston School of Oratory. 84 e TUE EDITOR TO THE READER. the day; and if the compilation in its present shape should meet with the same favor, the Publishers, it seems to me, can ask no more. When I saw that Mr. Emerson had omitted to include any of his own poems in the collection entitled " Parnassus," I doubted, for a while, whether I ought not to have practiced the same reserve. Yet when I considered that the omission on his part was so far a defect, and that there is not a reader of his volume who would not have been better pleased to possess several of his poems along with the others, I became better satisfied with what I had done, and allowed such of my poems as I had included to remain. In one respect, at least, the present compilation will have the advantage over Mr. Emerson's, namely, that it contains several of the poems with which he has enriclied our literature. WILLIAM GULLEN BRYANT. SI ■B ö EDITOR'S INTRODUCTION. So large a collection of poems as this demands of its compiler an extensive familiarity with the poetic literature of our language, both of the early and the later time, and withal so liberal a taste as not to exclude any variety of poetic merit. At the request of the Publishers I undertook to write an Intro¬ duction to the present work, and in pursuance of this design I find that I have come into a somewhat closer personal relation with the book. In its progress it has passed entirely under my revision, and, although not absolutely responsible for the compilation or its arrangement, I have, as requested, exer¬ cised a free hand both in excluding and in adding matter according to my judgment of what was best adapted to the purposes of the enterprise. Such, however, is the wide range of English verse, and such the abundance of the materials, that a compilation of this kind must be like a bouquet gathered from the fields in June, when hundreds of flowers will be left in unvisited spots as beautiful as those which have been taken. It may happen, there¬ fore, that many who have learned to delight in some particular poem will turn these pages, as they might those of other collections, without finding their favorite. JSTor should it be matter of surprise, considering the multitude of authors from whom thé compilation is made, if it be found that some are overlooked, especially the more recent, of equal merit with many whose poems appear in these pages. It may happen, also, that the compiler, in consequence of some particular association, has been sensible of a beauty and a power of awakening emotions and recalling images in certain poems which other readers will fail to perceive. It should be considered, moreover, that in poetry, as in painting, different artists have different modes of presenting their conceptions, each of which may possess its peculiar merit, yet those whose taste is formed by contemplating the productions of one class take little pleasure in any other. Crabb Eobinson relates that Wordsworth once admitted to him that he did not much admire contemporary poetry, not because of its want of poetic merit, but because he had been accustomed to poetry of a different sort, and added that but for this he might have read it with pleasure. I quote from memory. 15 86 37 a INTRODUCTION. It is to be hoped that every reader of this collection, however he may have been trained, will find in the great variety of its contents something conform¬ able to his taste. I suppose it is not necessary to give a reason for adding another to the collections of this nature, already in print. .They abound in every language, for the simple reason that there is a demand for them. German literature, prolific as it is in verse, has many of them, and some of them compiled by distinguished authors. The parlor table and the winter fireside require a book which, when one is in the humor for reading poetry, and knows not what author to take up, will supply exactly what he wantsi I have known persons who frankly said that they took no pleasure in read¬ ing poetry, and perhaps the number of those who make this admission would be greater were it not for the fear of appearing singular. But to the great mass of mankind poetry is really a delight and a refreshment. To many, perhaps to most, it is not requisite that it should be of the highest degree of merit. Nor, although it be true that the poems which are most famous and most highly prized are works of considerable length, can it be said that the pleasure they give is in any degree proportionate to the extent of their plan. It seems to me that it is only poems of a moderate length, or else portions of the greater works to which I refer, that produce the effect upon the mind and heart which make the charm of this kind of writing. The proper office of poetry, in filling the mind with delightful images and awakening the gentler emotions, is not accomplished on a first and rapid perusal, but requires that the words should be dwelt upon until they become in a certain sense our own, and are adopted as the utterance of our own minds. A collection such as this is intended to be furnishes for this purpose portions of the best English verse suited to any of the varying moods of its readers. Such a work also, if sufficiently extensive, gives the reader an opportunity of comparing the poetic literature of one period with that of another; of noting the fluctuations of taste, and how the poetic forms which are in fashion during one age are laid aside in the next ; of observing the changes which take place in our language, and the sentiments which at different periods challenge the public approbation. Specimens of the poetry of different cen¬ turies, presented in this way, show how the great stream of human thought in its poetic form eddies now to the right and now to the left, wearing away its banks fimt on one side and then on the other. Some author of more than common faculties and more tlian common boldness catches the public atten¬ tion, and immediately he has a crowd of followers who form their taste on his and seek to divide with him the praise. Thus Cowley, with his undeniable genius, was the head of a numerous class who made poetry consist in far¬ fetched conceits, ideas oddly brought together, and quaint turns of thought. Pope, following close upon Dryden, and learning much from him, was the < -•-ff e a INTRODUCTION. founder of a school of longer duration, which found its models in Boileau and other poets of the reign of Louis XIV., — a school in which the wit predomi¬ nated over the poetry, — a school marked by striking oppositions of thought, frequent happinesses of expression, and a carefully balanced modulation, — numbers pleasing at first, but in the end fatiguing. As this school degener¬ ated, the wit almost disappeared ; but there was no new infusion of poetry in its place. When Scott gave the public the Lay of tlie Last Minstrel, and other poems, which certainly, considered as mere narratives, are the best we have, carrying the reader forward without weariness and with an interest which the author never allows to subside, a crowd of imitators pressed after him, the greater part of whom are no longer read. Wordsworth had, and still has, his school ; the stamp of his example is visible on the writings of all the poets of the present day. Even Byron showed himself, in the third canto of Cliilcle Harold, to be one of his disciples, though he fiercely resented being called so. The same poet did not disdain to learn of Scott in composing his narrative poems, such as the Bride of Ahydos and the Giaour, though he could never tell a story in verse without occasional tediousness. In our day the style of writing adopted by eminent living poets is often seen reflected in the verses of their younger contemporaries, — sometimes with an effect like that of a face beheld in a tarnished mirror. Thus it is that poets are formed by their influence on one another ; the greatest of them are more or less indebted for what they are to their predecessors and their contemporaries. While speaking of these changes in the pubhc taste, I am tempted to cau¬ tion the reader against the mistake often made of estimating the merit of one poet by the too easy process of comparing him with another. The varieties of poetic excellence are as great as the varieties of beauty in flowers or in the female face. There is no poet, indeed no author in any department of litera¬ ture, who can be taken as a standard in judging of others ; the true standard is an ideal one, and even this is not the same in all men's minds. One delights in grace, another in strength ; one in a fiery vehemence and enthusi¬ asm on the surface, another in majestic repose and the expression of feeling too deep to be noisy ; one loves simple and obvious images strikingly em¬ ployed, or familiar thoughts placed in a new light ; another is satisfied only with novelties of thought and expression, with uncommon illustrations and images far sought. It is certain that each of these modes of treating a subject may have its peculiar merit, and that it is absurd to require of those whose genius inclines them to one that they should adopt its opposite, or to set one down as inferior to another because he is not of the same class. As well, in looking through an astronomer's telescope at that beautiful phenomenon, a double star, in which the twin flames are one of a roseate and the other of a golden tint, might we quarrel with either of them because it is not colored like its feUow. Some of the comparisons made by critics between one poet and 3 e a INTRODUCTION. another are scarcely less preposterous than would be a comparison between a river and a mountain. The compiler of this collection has gone as far back as to the author who may properly be called the father of English poetry, and who wrote while our language was like the lion in Milton's account of the creation, when rising from the earth at the Divine command and for it was still clogged by the unassimilated portions of the French tongue, to which in part it owed its origin. These were to be thrown aside in after years. The versification had also one characteristic of French verse, which was soon after Chaucer's time laid aside, — the mute or final e had in his lines the value of a syllable by itself, especially when the next word began with a consonant. But though these peculiarities somewhat embarrass the reader, he stiU finds in the writings of the old poet a fund of the good old English of the Saxon fire¬ side, which makes them worthy to be studied, were it only to strengthen our hold on our language. He delighted in describing natural objects which still retained their Saxon names, and this he did with great beauty and sweetness. In the sentiments also the critics ascribe to him a degree of delicacy which one could scarcely have looked for in the age in which he wrote, though at other times he avails himself of the license then allowed. There is no majesty, no stately march of numbers, in his poetry, still less is there of fire, rapidity, or conciseness ; the French and Italian nairative poets from whom he learned his art wrote as if the people of their time had nothing to do but to attend to long stories ; and Chaucer, who translated from the French the Itomaunt of the Base, though a greater poet than any of those whom he took for his models, made small improvement upon them in this respect. His Troylus and Cry- seyde, with but little action and incident, is as long as either of the epics of Homer. The Canterbury Tales, Chaucer's best things, have less of this defect ; but even there the narrative is over-minute, and the personages, as Taine, the French critic, remarks, although they talk well, talk too much. The taste for this prolixity in narratives and conversations had a long duration in English poetry, since we find the same tediousness, to call it by its true name, in Shakespeare's Venus and Adonis and his Lucrece, written more than two hun¬ dred years later. Yet in the mean time the old popular ballads of England and Scotland had been composed, in which the incidents follow each other in quick succession, and the briefest possible speeches are uttered by the person-, ages. The scholars and court poets doubtless disdained to learn anything of these poets of the people ; and the Davideis of Cowley, who lived three hun¬ dred years after Chaucer, is as remarkable for the sluggish progress of the story and the tediousness of the harangues as for any other characteristics. . . pawing to get free His hinder parts. 10-^. gi a 40 INTRODUCTION. Between the time of Chaucer and that of Sidney and Spenser we find little in the poetic literature of our language to detain our attention. That age produced many obscure versifiers, and metrical romances continued to be written after the fashion of the French and Italian poets, whom Chaucer acknowledged as his masters. During this period appeared Skelton, the poet and jester, whose special talent was facility in rhyming, who rhymed as if he could not help it, — as if he liad only to put pen to paper, and the words leaped of their own accord into regular measure with an inevitable jingle at the endings. Meantime our language was undergoing a process which gradu¬ ally separated the nobler parts from the dross, rejecting the French additions for which there was no occasion, or which could not easily be made to take upon themselves the familiar forms of our tongue. The prosody of English became also fixed in that period ; the final e, which so perplexes the modem reader in Chaucer's verse, was no longer permitted to figure as a distinct syl¬ lable. The poets, however, still allowed themselves the liberty of sometimes making, after the French manner, two syllables of the terminations tion and ion, so that nation became a word of three syllables and opinion a word of four. The Sonnets of Sidney, written on the Italian model, have all the grace and ingenuity of those of Petrarch. In the Faerie Queene of Spenser it seems to me that we find the English language, so far as the purposes of poetry require, in a degree of perfection beyond which it has not been since carried, and I suppose never wUl be. A vast assemblage of poetic endowments con¬ tributed to the composition of the poem, yet I think it would not be easy to name one of the same length, and the work of a genius equally great, in any language, which more fatigues the reader in a steady perusal from beginning to end. In it we have an invention ever awake, active, and apparently inex¬ haustible ; an affluence of imagery grand, beautiful, or magnificent, as the subject may require ; wise observations on human life steeped in a poetic color¬ ing, and not without touches of pathos ; a wonderful mastery of versification, and the aptest forms of expression. We read at first with admiration, yet to this erelong succeeds a sense of satiety, and we lay down the book, not unwill¬ ing, however, after an interval, to take it up with renewed admiration. I once heard an eminent poet say that he thought the second part of the Faerie Queene inferior to the first ; yet I am inclined to ascribe the remark rather to a falling off in the attention of the reader than in the merit of the work. A poet, how¬ ever, would be more likely to persevere to the end than any other reader, since in every stanza he would meet with some lesson in his art. In that fortunate age of English literature arose a greater than Spenser. Let me only say of Shakespeare, that in his dramas, amid certain faults im¬ putable to the taste of the English public, there is to be found every conceivable kind of poetic excellence. At the same time and immediately after him flourished a group of dramatic poets who drew their inspiration from nature t0 e INTRODUCTION. and wrote with manly vigor. One would naturally suppose that their example, along with the more illustrious ones of Spenser and Shakespeare, would influ¬ ence and form the taste of the succeeding age ; but almost before they had ceased to claim the attention of the public, and while the eminent divines, Barrow, Jeremy Taylor, and others, wrote nobly in prose with a genuine eloquence and a fervor scarcely less than poetic, appeared the school of writers inverse whom Johnson, by a phrase the propriety of which has been disputed» calls the metaphysical poets, — a class of wits whose whole aim was to extort admiration by ingenious conceits, thoughts of such unexpectedness and singu¬ larity that one wondered how they could ever come into the mind of the author. For what they regarded as poetic effect they depended, not upon the sense of beauty or grandeur, not upon depth or earnestness of feeling, but simply upon surprise at quaint and strange resemblances, contrasts, and combinations of ideas. These were delivered for the most part in rugged diction, and in num¬ bers so harsh as to be almost unmanageable by the reader. Cowley, a man of real genius, and of a more musical versification than his fellows, was the most distinguished example of this school. Milton, born a little before Cowley, and like him an eminent poet in his teens, is almost the only instance of escape from the infection of this vicious style ; his genius was of too robust a mould for such petty employments, and he would have made, if he had condescended to them, as ill a figure as his own Samson on the stage of a mountebank. Dryden himself, in some of his earlier poems, appears as a pupil of this school ; but he soon outgrew — in great part, at least — the false taste of the time, and set an example of a nobler treatment of poetic subjects. Yet though the genius of Dryden reacted against this perversion of the art of verse, it had not the power to raise the poetry of our language to the height which it occupied in the Elizabethan age. Within a limited range he was a true poet; his imagination was far from fertile, nor had he much skiU in awakening emotion, but he could treat certain subjects magnificently in verse, and often where his imagination fails him he is sustained by the vigor of his understanding and the largeness of his knowledge. He gave an example of versification in the heroic couplet, which has commanded the admiration of succeeding poets down to our time, — a versification manly, majestic, and of varied modulation, of which Pope took only a certain part as the model of his own, and, contracting its range and reducing it to more regular pauses, made it at first appear more musical to the reader, but in the end fatigued him by its monotony. Dryden drew scarcely a single image from his own obser¬ vation of external nature, and Pope, though less insensible than he to natural beauty, was still merely the poet of the drawing-room. Yet he is the author of more happy lines, which have passed into the common speech and are quoted as proverbial sayings, than any author we have save Shakespeare ; and, whatever may be said in his dispraise, he is likely to be quoted as long e a 42 INTRODUCTION. as the English is a living language. The footprints of Pope are not those of a giant, but he has left them scattered aU over the field of our literature, although the fashion of writing like him has wholly passed away. Certain faculties of the poetic mind seem to have slumbered from the time of Milton to that of Thomson, who showed the literary world of Great Britain, to its astonishment, what a profusion of materials for poetry Nature offers to him who directly consults her instead of taking his images at second-hand. Thomson's blank verse, however, is often swoUen and bladdery to a painful degree. He seems to have imagined, like many other writers of his time, that blank verse could not support itself without the aid of a stilted phraseology ; for that fine poem of his, in the Spenserian stanza, the Castle of Indolence, shows that when he wrote in rhyme he did not think it necessary to depart from a natural style. Wordsworth is generally spoken of as one who gave to our literature that impulse which brought the poets back from the capricious forms of expression in vogue before his time to a certain fearless simplicity; for it must be acknowledged that until he arose there was scarce any English poet who did not seem in some degree to labor under the apprehension of becoming too simple and natural, — to imagine that a certain pomp of words is necessary to elevate the style and make that grand and noble which in its direct ex¬ pression would be homely and trivial. Yet the poetry of Wordsworth was but the consummation of a tendency already existing and active. Cowper had already felt it in writing his Tosh, and in his longer rhymed poems had not only attempted a freer versification than that of Pope, but had clothed his thoughts in the manly English of the better age of our poetry. Percy's Reliques had accustomed English readers to perceive the extreme beauty of the old ballads in their absolute simplicity, and shown how much superior these were to such productions as Percy's own Hermit of Warhworth and Goldsmith's Edwin and Angelina, in their feeble elegance. Burns's inimitable Scottish poems — his English verses are tumid and wordy — had taugiit the same lesson. We may infer that the genius of Wordsworth was in a great degree influenced by these, just as he in his turn contributed to form the taste of those who wrote after him. It was long, however, before he reached the eminence which he now holds in the estimation of the literary world. His Lyrical Ballads, published about the close of the last century, were at first little read, and of those who liked them there were few who were not afraid to express their admiration. Yet his fame has slowly climbed from stage to stage until now his influence is perceived in all the English poetry of the day. If this were the place to criticise his poetry, I should say, of his more stately poems in blank verse, that they often lack compression, — that the thought suffers by too great expansion. Wordsworth was unnecessarily afraid of being epigrammatic. He abhorred what is called a point as much as Dennis is said a INTRODUCTION. a to have abhorred a pun. Yet I must own that even his most diffuse amplifi¬ cations have in them a certain grandeur that fills the mind. At a somewhat later period arose the poet Keats, who wrote in a manner which carried the reader back to the time when those charming passages of lyrical enthusiasm were produced which we occasionally find in the plays of Shakespeare, in those of Beaumont and Fletcher, and in Milton's Comus. The verses of Keats are occasionally disfigured, especially in his Endymion, a flatness almost childish, but in the finer passages they clothe the thought in the richest imagery and in words each of which is a poem. Lowell has justly called Keats " over-languaged," but there is scarce a word that we should be willing to part with in his Ode to the Nightingale, and that on a Grecian Urn, and the same thing may be said of the greater part of his Hyperion. His poems were ridiculed in the Edinburgh Eeview, but they survived the ridicule, and now, fifty years after their first publication, the poetry of the present day, by certain resemblances of manner, testifies to the admiration with which he is still read. The genius of Byron was of a more vigorous mould than that of Keats ; but notwithstanding his great popularity and the number of his imitators at one time, he made a less permanent impression on the character of English poetry. His misanthropy and gloom, his scoffing vein, and the fierceness of his animosities, after the first glow of admiration was over, had a repellent effect upon readers, and made them turn to more cheerful strains. Moore had in his time many imitators, but all his gayety, his brilliant fancy, his somewhat feminine graces, and the elaborate music of his numbers, have not saved him from the fate of being imitated no more. Coleridge and Southey were of the same school with Wordsworth, and only added to the effect of his example upon our literature. Coleridge is the author of the two most perfect poetical translations which our language in his day could boast, those of Schiller's Piccolomini and Death of Wallenstein, in which the English verse falls in no respect short of the original German. Southey divides with Scott the honor mf writing the first long narrative poems in our language which can be read without occasional weariness. Of the later poets, educated in part by the generation of authors which produced Wordsworth and Byron and in part by each other, yet possessing their individual peculiarities, I should perhaps speak with more reserve. The number of those who are attempting to win a name in this walk of literature is great, and several of them have already gained, and through many years held, the public favor. To some of them will be assigned an enduring station among the eminent of their class. There are two tendeneies by which the seekers after poetic fame in our day are apt to be misled, through both the example of others and the applause of critics. One of these is the desire to extort admiration by striking novelties I? e INTRODUCTION. 44 of expression ; and the other, the ambition to distinguish themselves by subtleties of thought, remote from the common apprehension. With regard to the first of these I have only to say what has been often said before, that, however favorable may be the idea which this luxuriance of poetic imagery and of epithet at first gives us of the author's talent, our admiration soon exhausts itself. We feel that the thouglit moves heavily under its load of garments, some of which perhaps strike us as tawdry and others as ill-fitting, and we lay down the book to take it up no more. The other mistake, if I may so call it, deserves more attention, since we find able critics speaking with high praise of passages in the poetry of the day to which the general reader is puzzled to attach a meaning. This is often the case when the words themselves seem simple enough, and keep within the range of the Saxon or household element of our language. The obscurity lies sometimes in the phrase itself, and sometimes in the recondite or remote allusion. I will not say that certain minds are not affected by this, as others are by verses in plainer English. To the few it may be genuine poetry, althougli it may be a riddle to the mass of readers. I remember reading somewhere of a mathematician who was affected with a sense of sublimity by the happy solution of an algebraical or geometrical problem, and I have been assured by one who devoted himself to the science of mathematics that the phenomenon is no uncommon one. Let us beware, therefore, of assigning too narrow limits to the causes which produce the poetic exaltation of mind. The genius of those who write in this manner may be freely acknowledged, but they do not write for mankind at large. To me it seems that one of the most important requisites for a great poet is a luminous style. The elements of poetry lie in natural objects, in the vicissitudes of human life, in the emotions of the human heart, and the rela¬ tions of man to man. He who can present them in combinations and lights which at once affect the mind with a deep sense of their truth and beauty is the poet for his own age and the ages that succeed it. It is no disparagement either to his skill or his power that he finds them near at hand ; the nearer they lie to the common track of the human intelligence, the more certain is he of the sympathy of his own generation, and of those which shall come after him. The metaphysician, the subtile thinker, the dealer in abstruse specula¬ tions, whatever his skill in versification, misapplies it when he abandons the more convenient form of prose and perplexes himself with the attempt to express his ideas in poetic numbers. Let me say for the poets of the present day that in one important respect they have profited by the example of their immediate predecessors ; they have learned to go directly to nature for their imagery, instead of taking it from what had once been regarded as the common stock of the guild of poets. I have often had occasion to verify this remark with no less delight than surprise Ö e a INTRODUCTION. 45 on meeting in recent verse new images in their untarnished lustre, like coins fresh from the mint, unworn and unsoiled by passing from pocket to pocket. It is curious, also, to observe how a certain set of hackneyed phrases, which Leigh Hunt, I believe, was the first to ridicule, and which were once used for the con¬ venience of rounding out a line or supplying a rhyme, have disappeared from our poetry, and how our blank verse in the hands of the most popular writers has dropped its stiff Latinisms and all the awkward distortions resorted to by those who thought that by putting a sentence out of its proper shape they were writing like Milton. I have now brought this brief survey of the progress of our poetry down to the present time, and refer the reader, for samples of it in the different stages of its existence, to those which are set before him in this volume. WILLIAM GULLEN BRYANT. ty [&— ^—;— ^ "-CO-f u,£<î/ifi^ f^f>CA^Í^éyÁrÚ/lXtt-t>J>^ L{Ij^ /^Yty¿X^AJ/^^ C^-^y^Ck/uyfíx/tfUÍyy 'T£\jujU ''ó^ye/ UJ^é^(^A/> ^ ^/ßA^Ji^^u£y^ 'VUyMÍy ^C2^Jteyynj Ó-^O^hl '-Ù^A}-'^^ lÚx-HiypyA^- y i^'^'yxAiJLA'iv-ty.^i.Jcy O**-^ pßz^T'V^iCey ¿yfx-edd/tfiiAA C¿4>€Lt't^iJtjdé^ AiS-^¿-^--^¿jiMy^U--^h\\jC-^ ät^CL4~tX>^^0,^^\y^-^-iyC-^ yi^lÁXsy t/êijD— éy^P5^^z^# iP'ivUL^jL^tf.CU^ / —tOxyùeMxp^ /c^Öfu/ L^vZí/^Ífye^yí P^ñxít(hrZ/útPZJÍ^Ple¿t¿ ¿P^^^^pyxJQ ^ / ' . ^¡téuuOcJy JS;ys^ ■0 a INDEX OF AUTHORS AND TITLES. ADAMS, JOHN QUINCY. Quincy, Mass., 1767 -1848. The Wants of Man . ADAMS, SARAH FLOWER. England, i8osHt848- " Nearer, my God, to thee' Page 732 373 ADDISON, JOSEPH. England, 1672-1719. Sempronius's Speech for War [Caic) . . 570 Soliloquy: On Immortality(Câ/îi) . . 759 "The spacious firmament on high " {Spectator) 376 From: — Campaign, The, 539; Cato, 310, 6oi, 631, 796, 799, 800, 802 ; Letter from Italy, 807 ; Spectator, The, 724. AKENSIDE, MARK. England, 1721-1770. Delights of Fancy {Pleasures of Imagituttion) 819 " The shape alone let others prize " . . 129 Virtuoso, The 946 From: — Pleasures of the Imagination 814 AKERMAN. LUCY EVELINA. America. " Nothing but leaves " 370 ALDRICH, THOMAS BAILEY. Portsmouth, N. H.. b. 1836. After the Rain 430 Baby Bell 79 Before the Rain ...... 427 Intaglio Head of Minerva, On an . . 749 Publishers : Houghton, Milflin, & Co., Boston. ALEXANDER, CECIL FRANCES. England. Burial of Moses .... 383 ALFORD, HÈNRY. England, b. 1810. " Rise, said the Master, come unto the feast ". 301 ALGER, WILLIAM ROUNSEVILLE. P'reetown, Mass., b. 1823. Parting Lovers, The {Front the Chinese) . 236 "To Heaven approached a Sufi SA\nt {From the Persian 0/ Dschellaleddin Rumi) . 365 Publishers ; Roberts Brothers, Boston. ALISON, RICHARD. England, b. I6th century. * There is a garden in her face " {A n Moure's Recreation in Musickey 1606) . 123 ALLEN, ELIZABETH AKERS {Florence Percy). Strong, Me., b. 1832. Left Behind 250 My Ship 318 Rock me to Sleep 222 Publishers: Houghton, Mifflin, &* Co., Boston. ALLINGHAM, WILLIAM, Ballyshannon, Ireland, b. 1828. I.ives in London, Eng. Dirty Old Man, The 253 Faines, The 836 Lovely Mary Donnelly 198 Touchstone, The 735 ALLSTON, WASHINGTON. Georgetown, S. C., 1779-1843. America to Great Britain 58S Boyhood 87 Rosalie 317 ALTENBURG, MICHAEL. Germany, 1583-1640. The Battle-Song of Gustavus Adolphus {Trans¬ lation) ....... 519 ANACREON. Greece, d. 476 B. C. Grasshopper, The {Cowley's Translation) 4S4 %'^ún%{Moore's Translation) , . 422 ANDERSEN, HANS CHRISTIAN. Denmark. 1805-1875. The Little Match-Girl {From the Danish) . 336 ANDROS, R. S. S. Berkeley, Mass., d. 1859. Perseverance 477 ANGELO, MICHAEL. See Buonarotti, Michael Angelo. ANSTER, JOHN. Ireland, b. about 1798; d. 1867. The Fairy Child 840 ARMSTRONG, JOHN. Scotland, 1709-1779. Building a Home {Art 0/ Preserving Health) 445 From'. — The Art of Preserving Health, 558, 809. ARNOLD, EDWIN. England, b. 1831. Almond Blossom , . ' . > 457 Secret of Deaih, The ... 298 From : — Woman's Voice 795 ARNOLD, GEORGE. New York, 1834-18^. Golden Fish, The .... . 185 Jolly Old Pedagogue 708 September 433 Publishers: Houghton, Mifflin, & Co., Boston. ARNOLD, MATTHEW. En^nd, b. 1822. Desire 359 Dover Beach .... 611 Forsaken Merman, The .... 826 Heine's Grave 923 Philomela 479 ASKEWE, ANNE. England, 1529-1546. The Fight of Faith ... . . 366 AUSTEN, SARAH. England, b. 1803. The Passage (From the German of Uhland) 291 AVERILL, ANNA BOYNTON. The Birch Stream .... 692 AYTON, SIR ROBERT. Scotland, 1570-1638. On Love ... 140 Woman's Inconstancy ..... 267 AYTOUN, WILLIAM EDMONSTOUNE. Scotland, 1813-1865. Execution of Montrose, The . 877 Heart of the Bruce, The 504 BACON, FRANCIS, BARON VERULAM. England, 1561-1626. From : — Life . . . . 320, 792 BAILEY, PHILIP JAMES. England, b. 1816. Aim of Life, The {Festus) .... 742 Poet of Nature, The {Festus) . 766 From:—Festus .... 204,232 4fl } fi- 50 INDEX OF AUTHORS AND TITLES. -a BAILLIE, JOANNA. Scotland, 1762-1851. Heath-Cock, The . . • . . . 477 *'Up! Quit thy bower " 408 310 Tyler's Rebellion 559 From : — Rayner BALL, JOHN. England, executed at Coven^. 1381. From : — Lines used in Wat BARBAULD, ANNA LETITIA. England, 1743-1825. •' Life ! I know not what thou art " • • 303 Sabbath of the Soul) The .... 389 Summer Evening's Meditation, A , . 430 To a Ladv with some Painted Flowers . 128 From : — ** Come here, fond Youth " . . • 800 BARHAM, RICHARD HARRIS {Thomas In- goldsbyy Esq). England, 1788-1845. City Bells 716 Jackdaw of Rheims, The 965 Misadventures at Margate . • 966 BARNARD, LADY ANNE. Scotland. 1750-1825. Auld Robin Gray 249 BARNFIELD, RICHARD. England, 1574-1606. Address to the Nightingale .... 480 BARON, ROBERT. England, b. about 1630. From : — Mirza 312 602 939 395 BARRETT, EATON STANNARD. Eng^land, 1785-1820. From : — Woman : Her Character and Influence 795 BARRY, MICHAEL JULAND. From : — " The Dublin Nation," Sept. 28, 1844. BARTON, BERNARD. England, 1784-1849. Bruce and the Spider Caractacus Not ours the vows " Sea, The BASSE, WILLIAM. England, 1613-1648. ' From : — On Shakespeare .... BAXTER, RICHARD. England, 1615-1691. From : — Love breathing Thanks and Praise . BAYLY, THOMAS HAYNES. England, 1797-1839. The Mistletoe Bough . . . . . 891 From : — Isle of Beauty, 248 ; The Pilot, 632 ; The Rose that all are praising, 205 ; Why don't the men propose ? 214. BEATTIE, JAMES. Scotland. 1735-1803. Hermit, The 737 Moming {TheMznsirei) .... 409 From: — The Minstrel, 493» 559» 812. BEAUMONT, FRANCIS. England, 1586-1616. From: — Humorous Lieutenant, 310; Letter to Ben Jonson, 939. BEAUMONT, FRANCIS, and FLETCHER, JOHN. England, 1586-1616. and 1576-1625. Folding the Flocks 469 Hence, all ye vain delights " {Nice Valour) 315 From: — A King and no King, 395 ; Chaucer, 899; Faithful Shepherdess, 134; Four Plays m One : The Triumph of Honor, 348 ; Knight of Malta, 204; Love's Cure, 107, 815; Wit without Money, io8. BEDDOES, THOMAS LOVELL. England, 1809-1849. *• If thou wilt ease thine heart" . . 303 "To Sea !" 630 BEERS, MRS. ETHELIN YAAOT {EthelLynn\ Goshen, N. Y., b. 1825. Died in Orange, N. J., 1879. The Picket-Guard . ... Publishers : Porter & Coates, Philadelphia. BENNETT, HENRY. England, b. about 1785. St. Patrick was a gentleman .... 1004 524 BENNETT, WILLIAM COX. Greenwich, Eng., b. idaa Lives in London. Baby May 76 Baby's Shoes 82 Invocation to Rain in Summer . , . 428 Worn Wedding-Ring, The .... 221 BENTON, MYRON B. Amenia, N. Y., b. 1824. The Mowers 552 BERKELEY, GEORGE. England, 1684-1753. Bishop of Cloyne, Ireland. On the Prospect of planting Arts and Learning in America 587 BETHUNE, GEORGE WASHINGTON. New York, 1805-1862. Hymn to Night 763 BICKERSTAFF, ISAAC. England, about 1735-1787. From : — Love in a Village, 559, 800, 816. BLACKER, COLONEL. Ireland. From I — Oliver's Advice .... 602 BLAIR, ROBERT. England, 1699-1747. From : — 1 he Grave, 107, 120, 30S, 310, 346, 396. BLAKE, WILLIAM. England, 1757-1827. Piper, The 85 Tiger, The 468 BLAMIRE, SUSANNA. England, 1747-1794. The Siller Croun . . • . . 155 " What ails this heart o' mine ?" . . 245 BLANCHARD, LAMAN. England, 1803- 1845. The Mother's Hope 84 BLAND, ROBERT» REV. England. 1779-1825. Home {From the Greek) .... 225 BLOOMFIELD, ROBERT. England, 1766 -1823. Farmer's Boy, The 553 Lambs at Play 469 Moonlight in Summer 432 Soldier's Return, The ..... 530 BOKER, GEORGE HENRY. Philadelphia. Pa., b. 1824. Black Regiment, The 595 Countess Laura 886 Dirge for a Soldier 531 Prince Adeb 652 Publishers: J. B. Lippmcottdc Co., Philadelphia. BOLTON, SARAH T. Newp>ort, Ky.. b. 1820. Left on the Battle-Field ..... 527 BONAR, HORATIUS. Scotland, b. i8 . 233 Afton Water 447 Auld Lang Syne 118 Banks o' Doon, The 249 Bannockbum 573. Bard's Epitaph, A 917 *' Ca' the yowes to the knowes " . , . 153 Comin' through the Rye ..... 187 Cotter's Saturday Night, The . . . 385 " Duncan Gray cam'here to woo " , . 196 Elegy on Captain Henderson . , . 917 " For a' that and a* that " . . . . 34* " Green grow the rashes, O ! " . ï9' I love my Jean 242 "John Anderson,, my Jo " 222 Ô2 INDEX OF AUTHORS AND TITLES. John Barleycorn .... Let not woman e*er complain " Louse, To a Man was made to mourn Mary in Heaven, To . . . Mary Morison ..... Mountain Daisy, To a . . . Mouse, To a My Heart's in the Highlands. *^My wife's a winsome wee thing " O my luve like a red, red rose " O, saw ye bonuie Lesley ?" Tarn O'Shanter .... The day returns, my bosom bums " . Toothache, Address to the To the Unco Guid .... " Whistle and 1 Ml come to you, my lad " From : — Despondency, 345 ; Epistle from Eso- pus to Maria, 346 ; Epistle to Davie, 348 ; Epistle to a Young Friend, 395, 396, 796; Epistle to James Smith, 108; Jessy, 134: On Captain Grose's Peregrinations through Scotland, 805; Sensibility, 204; Vision, The, 309. BUTLER. SAMUEL. England, 1600-1680. Hudibras' Sword and Dagger .... Hudibras, The Logic of ... . Hudibras, The Religion of ... . From: — Hudibras, 108, 205, 215, 309, 347, 395» 396, 490, 540, 632, 671, 803, 804, 807, 808, 809. BUTLER, WILLIAM ALLEN. Albany, N. Y., d. 1825. " Nothing to wear " .... Publishers : Houghton, Mifflin, & Co., Boston. BYRON, JOHN. England, 1691 -1763. A Pastoral BYRON, GEORGE GORDON NOEL, LORD England, 1788- 1824. " Adieu, adieu ! my native shore " . Augusta, To . > Coliseum by Moonlight {Man/red) Co\\%t\xm^Th^{Chüdé Harold) . Daniel Boone {Don yuan ) . . . Destruction of Sennacherib, The {Hebrew Melodies) Dream, The Evening {Don yuan) " Farewell, if ever fondest prayer" Farewell to his Wife Filial Love {Childe Harold) First Love {Don yuan) . Greece (The Giaour) . Greece {Ckilde Harold) . Greek Poet Song of the {Don Juan) . Lake Leman, Calm and Storm on {Childe Harold ) Latest Verses " Maid of Athens, ere we part " yiyirzi {Odeyrom the French) Napoleon {Childe Harold).... Night ....... Ox\evXyT\\e {Bride 0/Ahydos.) ** O, snatched away in beauty's bloom " 'P^TiiheoTi {Childe Harold) .... Picture of Death, A ( The Giaour) . Poet's Impulse {Childe Harold) . Prisoner of Chillón, The .... Rhine, The (CÄi/Ä Rover, Song of the ( The Corsair) . Sea, The {Childe Harold) .... She walks in beauty " {Hebrew Melodies) Swimming ( Two Foscari) .... "The kiss, dear maid " .... Thomas Moore, To Transient Beauty {Tho Giaour) Waterloo (Childe Harold) .... From: — Beppo, 721, 795, 801, 814; Bride of Abydos, 134, 206, 231, 309, 541,720; Childe Harold, 133,134,206,341,271,396.397» 49®» 493» 541, 720, 725. 726, 792, 796, 800,. 8i2, 813, 867, 869,938 ; Corsair, 348,812 ; Death of Sheridan, 940; Doge of Venice, 491 ; Don Juan, 107, 944 194 486 332 288 149 462 468 659 216 234 242 847 2i8 952 784 156 506 945 387 981 245 238 223 680 681 926 501 764 413 238 238 222 166 581 581 580 685 250 234 913 911 4*5 45* 288 682 303 767 70.3 446 626 607 130 669 234 920 267 5" 203, 204, 205, 215, 30g, 310, 396, 490, 631, 632, 671, 794, 796, 80^, 808,809, 8zi ; English Bards and Scotch Reviewers, 215, 397» 800, 804, 805, 806,940 ; Giaour, The, 205, 307, 271, 312, 816 ; Island, The, 814 ; Lara, 346, 49© ; Letter, 793 ; Manfred, 107, 108, 493; Mazeppa, 899; Par¬ isina, 491, 899: Sardanapalus, 241, 794 ; Waltz, The, 814 ; " When we two parted," 241. CALDWELL, WILLIAM W. Newburyport, Mass., b. 1823. Rose-Bush, The {From thé Germad) CALIDASA. India, ist Century B. C. Baby, The {Sir JVtlliam yones*s Trans.) omzxi {Horace H. IVilsotCs Trans.) CALLANAN. JEREMIAH JOSEPH. Ireland, 1795-1829. Gougaune Barra CALVERLEY, CHARLES S. England, b. 1831. Arab, The Cock and the Bull, The .... Disaster Lovers and a Reflection 741 78 776 577 lOIO 1008 99* 1010 Motherhood 991 To Tobacco 990 412 578 788 5*3 743 185 573 338 *44 616 583 74* 529 629 CAMOENS, LUIS DE. Portuiral. 1524- 1579. Blighted 'L.ove{LordStrang/ord*s Trans.) CAMPBELL, THOMAS. Scotland, 1777-1844. Evening Star, The Exile of Erin .... Hallowed Ground . Hohenlinden .... Hope {Pleasures 0/Hope) Kiss, The First .... Lochiel's Warning ... Lord Ullin's Daughter . , Maid's Remonstrance, The Napoleon and the British Sailor . Poland River of Life, The Soldier's Dream, The . ** Ye mariners of England " From : — Drink ye to her, 205 ; Gertrude, 494 Pleasures of Hope, 204, 248, 310, 347, 395» 397» 795, 800, 802, 810 ; To the Rainbow, 494. CANNING, GEORGE. England, 1770-1827, Epitaph on the Marquis of Anglesea's Leg . 953 Friend of Humanity and the Knife-Grin der 952 From : — New Morality, 121, 806 ; The Pilot that weathered tlie Storm, 632. CAREW, LADY ELIZABETH. England, pub. 1613. Revenge of Injuries {Mariant) . . . 789 CAREW, THOMAS. England, is¡89-i639. Compliment, The ..... 126 " Give me more love or more disdain " 144 " He that loves a rosy cheek'' . *4* ** Sweetly breathing, vernal air " . . 422 From : — Conquest by Flight, 205 : On the Duke of Buckingham, 309 ; "Think not 'cause men flattering say," 203. CAREY, HENRY. England, 1663-1743. Maiden's Ideal of a Husband {Contrivances) 142 Saliy in our Alley .... From : — Choonon, 808 ; God save the King, 603. CARLETON, WILL M. Ohio, b. 1839. New Church Organ, The . . . 995 Over the Hill to the Poor-House • 34a Publishers: Harper Bros,, New York. GARY, ALICE. Near Cincinnati. 0.. 1820-1871. IWing Hymn, A 391 Make Believe ...... 188 Pictures of Memory ..... 89 Spinster's Stint, A 17t Publishers, Houghton, Mifflin, &Co., Boston. INDEX OF AUTHOKS AND TITLES. 53 CARY, HENRY FRANCIS. England, 1773 • 1844- ** The fairest thing in mortal eyes " {From the French of Charles^ Duke of Orleans) . 300 CARY, LUCIUS (Lord Falkland). England, 1610-1643. Ben Jonson's Commonplace Book . . 907 CARY, PHŒBE. Near Cincinnati, O., 1824-1871. Dreams and Realities 113 Lovers, The toes Nearer Home 375 Peace 533 Publishers: Houghton, Mifflin, & Co., New York. CASIMIR THE GREAT, KING OF POLAND. Poland, 1309-1370. ** It lundles all my soul " {From the Polish) 372 CASWALL, EDWARD. England, b. 1814. ** My God, I love thee {From the Latin of St. Francis Xavier) 360 CELANO, THOMAS A. Italy, about 1250. Dies Irae {John A. Dix^s Translation). 353 CHADWICK, JOHN WHITE. Marblehead, Mass., b. 1840. The Two Waitings ...... 277 CHALKHILL, JOHN (Probably Izaak Walton). The Angler 668 CHAMBERLAYNE, WILLIAM. England, 1619-1689. From'.—Chastity 796 CHANNING, WILLIAM ELLERY. Boston, Mass., b. 1818. Our Boat to the Waves 630 Publishers : American Unitarian Association,Boston. CHAPMAN, GEORGE. England, 1557*^634. Camp at Night, The {Iliad) . . . . 414 *' Muses th^t sing Love's sensual empiric " 135 From : — Blind Beggar of Alexandria, 203 ; Re¬ venge, 120; Widows* Tears, 900. CHARLES, DUKE OF ORLEANS. France, 1391-1465. "The fairest thing in mortal eyes*' (Henry F. Carfs Translation 300 Spnng 421 CHATTERTON, THOMAS. England, 1752 1770. Minstrel's Song 289 CHAUCER, GEOFFREY. England, 1328-1400. Canterbury Pilgrims, The {Canterbury Tales) 695 Compieynte of Chaucer to his Purse . . 904 'D2Í\%yi'T\\^{Legend of Good IVomen) . . 462 Morning in May {Knightes Tale) . 418 From: — Assembly of Foules, 489; Canterbury Tales: Prologue, 809; Clerkes Tale, 231; Frankleines Tale, 398 ; Knightes Tale, 490, 492, 802; Manciples Tale, 398; Nonnes Preestes Tale, 900; Troilus and Creseide, 108. CHERRY, ANDREW. England, 1762-1812. * The Bay of Biscay .... 628 CHESTERFIELD, EARL OF. England, 1694-1773. From: — Advice to a Lady in Autumn . . 491 CHORLEY, HENRY FOTHERGILL. England, 1808-1^2. 'ITie Brave Old Oak 454 CHURCHILL, CHARLES. England, 1731-1764. From : — Prophecy of Famine, 807 ; Rosciad 804 CIBBER, COLLEY, Engird, 1671-1757. The Blind Boy 343 From: — Richard III., Altered 204, 492, 539, 541, 899 CLARE, JOHN. England, 1793-1864, Laborer, The 557 Summer Moods 427 CLARKE, JAMES FREEMAN. Hanover, N. H., b. 1810. Cana 388 The Caliph and Satan {Persian of Tholuck) 866 Publishers : Houghton, Mifflin, & Co., Boston. CLAUDIUS, MATTHIAS. Germany, 1743-1815. The iitn{ Translation) 991 CLELAND, WILLIAM England, about 1661-1Ó89. Hallo, my Fancy 820 CLEMMER, MARY. By the Sea . 743 CLEVELAND, JOHN. England, 161 1659. To the Memory of Ben Jonson . 906 CLOUGH, ARTHUR HUGH. England, 1819-1861. Quâ Cursum Ventus 233 COFFIN, ROBERT BARRY {Barry Gray). Ships at Sea 261 COLERIDGE, HARTLEY. England, 1796-1849. Shakespeare 906 " She is not fair to outward view " . . 129 COLERIDGE, SAMUEL TAYLOR. England, 1772 -1834. Answer to a Child's Question .... 474 Epigrams . 954 Exchange, The 192 Fancy in Nubibus 822 Good Great Man, The 739 Hymn before Sunrise in the Vale of Chamouni 376 Knight's Tomb, The 538 Kubla Khan. . . ' . 834 Love. . , 162 Metrical Feet 1015 Quarrel of Friends, The . ii6 Rime of the Ancient Mariner .... 854 From: — Christabel, 308, 721, 726; Christmas Carol, 492 ; Day Dream, 807 ; Death of Wallen¬ stein, 490, 800 ; Devil's Thoiights, 396 ; Epi¬ taph on an Infant, 107 : Fears in Solitude, 395 ; Homeric Hexameter Gei'man of Senil- ler \ 63: : Wallenstein, 307 ; Youth and Age, 120. COLES, ABRAHAM. Newark, N. J. SiibdXÍA7t.\etT>o\oro$A{Fromthe Latin). • 355 COLLINS, ANNE. England, about 1627. " The winter being over " .... 420 COLLINS, MORTIMER. England, 1827-1878. Comfort 974 Darwin... .... 991 COLLINS, WILLIAM. England, 1720-1756. " How sleep the brave " 563 Passions, The 773 From: — Ode on the Death of Thomson . 94' COLMAN, GEORGE (The Younger). England, 1762-1836. {The Myrtle a7idthe Vine) . 946 Sir Marmaduke 958 Toby Tosspot . 958 Front : — Lodgings for Single Gentlemen . 809 CONGREVE, WILLIAM. England, 1670-1729. Silly Fair 713 From : —Letter to Cobham, 793 ; Mourning Bride, 207, 398, 809 ; Old Bachelor, 214. COOK, ELIZA. England, b. 1817. Old Arm-Chair, The ..... 101 COOKE, PHILIP PENDLETON. Martinsburgh, Va., 1816-1850. Life in the Autumn Woods . . . 663 COOKE, ROSE TERRY. Hartford. Conn. Rêve du Midi 41c Publishers : Houghton, Mifflin, & Co., Boston. COOLIDGE, SUSAN. See Woolsev, Sarah C. [fi- 64 INDEX OP AUTHORS AND TITLES. a COOPER, JAMES FENIMORE. Burlington, N. J., 1789-1851. My Brigantine ( The IVater iVitch) CORBET. RICHARD. EngUna, 1582-1635. Farewell to the Fairies . CORNWALL, BARRY. See Procter, B. W. CORNWELL, HENRY SYLVESTER. The Sunset City COTTON, CHARLES. England, 1630 -1687. Contentation Retirement, The ... • • COTTON. NATHANIEL. England, 1721-1788. The Fireside COWLEY, ABRAHAM. England, 1618-1667. Chronicle, The Grasshopper, Th e f Greek 0/ A nacreon) Hymn to Light, From the .... Invocation Q)avideis) Of Myself ....... —Anacreontiques, 494; Davideis, 793; For Hope, 800 ; Gold, 204 ; Motto, The, 811 ; On the Death of Crashaw, 398 ; Prophet, The, 804; Waiting Maid, The, 795. COWPER, WILLIAM. England, 1731-1800. Boadicea Contradiction {Conversaiion) Cricket, The ... Diverting History of John Gilpin Duelling {Conversation) . England Task: Book If,) . Freeman, The {The Task: Book V.) Happy Man, The {The Task: Book Vi:, Humanity {The Task: Book VI.) . My Mothers Picture . Nightingale and Glow-Worm, The . Nose and the Eyes, The Rose, The Royal George, On the Loss of the Slavery Task: Book II.) Sum of Life, The {The Task: Book VI.\ Sweet stream, that winds '* . Verses supposed to be written by Alexander Selkirk Winter Morning (T'A^ Task: Book V.) Winter Noon {The Task: Book VI.) From: — Conversation, 558, 724, Exhortation to Prayer, 398; Fable, A, 394; Li^ht shining out of Darkness, 632 : Motto of Connoisseur No. III., 107; Mutual Forbearance, 215; Needless Alarm, 671, 793 ; On Friendship, 121; Pairing-Time Anticipated, 215, 495; Progress of Error, 793 ; Retired Cat, 802 ; Retirement, 120^ $g6, 724, 815; Stanzas subjoined to a Bill of Mortality, 308; Table Talk, ^i, 602; Task, The: Sofa, 493, 672; Timepiece, 232, 806, 809, 814. 815; Winter Evening, 492, 495, 810; Winter Morning Walk, 394, 493, 539, 541 ; Tirocinium, 398 ; To an Afflicted Protestant Lady, 348; Transla¬ tion from the Greek, 271 ; Translation of Horace, 815 ; Truth, 397, 493. COZZENS, FREDERICK SWARTWOUT. New York, 1818-1869. An Experience and a Moral .... Publishers : Houghton, Mifflin, Sc Co., Boston. CRABBE. GEORGE. England. 1754-1832. Approach of Age, The ( Tales 0/ the Hall) . Quack Medicines ( The Borough) From : Birth of Flattery, 798 ; Parish Register, 805. CRAIK, DINAH MARIA MULOCIC England, b. 1826. Alma River, By the *'Suried to-day'* Dead Czar Nicliolas, The .... Douglas, Douglas, tender and true 626 847 . 823 734 737 226 191 484 407 772 730 572 780 485 959 780 575 600 735 782 92 863 95* 464 612 593 790 z06 738 435 437 253 323 783 5*6 272 929 289 % Fletcher Harper, To the Memory oí . 935 Her Likeness 130 ] Lancashire Doxology, A 556 ' Now and Afterwards . . 295 Only a Woman 258 Philip, my King 75 CRANCH, CHRISTOPHER PEARSE. Alexandria. D. C.. b. 1813. Thought ........ 73t Publishers : Houghton, Mifflin, Sc Co., and Roberts Bros., Bo.ston. CRASHAW, RICHARD. England, 1600 -1650. Nightingale's Song {Music's Duel) . . 774 Supposed Mistress, Wishes to his . . 192 The Cheap Physician {In Praise 0/Lessius's Rule of Health) 546 "Two men went up to the Temple to pray." 362 Water turned into Wine 362 Widow's Mites, The 362 CRAWFORD, MRS. JULIA. Ireland. " We parted in silence " ...» 240 CROLY,REV. GEORGE, LL.D. Ireland, 1780 -1860. Catiline to the Roman Army . .501 Genius of Death, The 744 Leonidas, The Death of . . . .. 564 CROSS, MARIA EVANS LEWES {George Eliot). England, b. 1820. " Day is Dying" {The Spanish Gipsy) . . 411 " O, may I join the choir invisible " . . 760 CROWQUILL, ALFRED. See Forrester, Alfred A. CUNNINGHAM, ALLAN, Scotland, 1784-1842. "Thou h^t sworn by thy God, my Jeanie" . 208 Poet's Bridal-Day Song, The , . . 219 Wet Sheet and a Flowing Sea. A . . . 626 CUNNINGHAM, JOHN. Ireland, 1729- 1773. Morning 408 CUTTER, GEORGE W. Massachusetts, b. z8oi. Song of the Lightning ..... s64 Song of Steam 555 DANA, RICHARD HENRY. Cambridge. Mass., 1787-1879. Bea<^ Bird, The Little 482 Husband and Wife's Grave, The . • 304 Islznà, The {The Buccaneer) . . . . 691 Pleasure-Boat, The 666 Soul, The 368 Publishers ; Charles Scribner's Sons, New York. DANIEL, SAMUEL. England, 1562 -1619. To Delia 414 Love is a Sickness 130 From : — On the Earl of Southampton, 348 ; Son¬ net, 204 ; To the Countess of Cumberland, 808. DANTE. Italy, 1265-1321. From : — Inferno 346, 396. DARLEY, GEORGE, Ireland, 1785-1846. Gambols of Children, The .... 85 Song of the Summer Winds . • . 425 DARWIN, ERASMUS. England, 1731-1802, From : — Botanic Garden .... 802 DAVIES, SIR JOHN. England, 1570-1626. The Dancing of the Air 451 From : — Contendon betwixt a Wife, &c. . .23» DAVIS, THOMAS*. Ireland, 1814-1845. Sack of Baltimore, The 880 Welcome, The 152 DEKKER, THOMAS. EngUnd, about 1574-about 1641. The Happy Heart {Patient Grissell) . 550 From : — Honest Whore, The, 723 ; Old Fortuna- tus, 308. -ff » ja INDEX OF AUTHORS AND TITLES. 55 a DE LISLE, ROUGET. France. The Song written at Strasburg, in 1792. The Marseilles Hymn Translation) 584 DENHAM, SIR JOHN. England, 1615-1668. From: — Cooper's Hill, 720, 723; Elegy on Cowley, 939. DE VERE, AUBREY. Ireland, b. 1814. Early Friendship 111 Sad is our youth, for it is ever going" . 316 DIBDIN. CHARLES, England, 1745-1B14. Heaving of the Lead, The .... 627 Poor Jack 615 Tom Bowling 629 DIBDIN, THOMAS. England. 1771- 1841. A\\*%^^W.(,The British Fleet) . • . 627 From : — The Tight Little Island . . . 6oa DICKENS, CHARLES. England, 1812 -1870. ivy Green, The 465 DICKINSON. CHARLES M. Lowville, N. Y., b. 1842. The Children . 330 DICKSON, DAVID. England, 1583-1662. The New Jerusalem 358 DIMOND, WILLIAM. England, 1800-1837. The Mariner's Dream 6x4 DIX, JOHN ADAMS. Boscawen. N. H., 1798-1879. lr3i (Latin 0/Thomas à Celano) . . 353 DOBELL, SYDNEY. England, 1824-1875. Home» Wounded 325 How's my Boy ? 616 Milkmaid s Song, The 168 DOBSON, AUSTIN. En^and, b. about 1840. before Sedan 529 For a Copy of Theocritus {Essays in old French Forms 0/ Verse) .... 405 Browing Gray 755 o a Fan. * 749 Romaunt of the Rose ( Vignettes in Rhyme) . 266 Sun Dial, The 184 DODDRIDGE, PHILIP. England, 1702- 1751. ''Amazing, beauteous change !" . . . 377 From : — Epigram on his Family Arms . . 794 DODGE, MARY MAPES. New York City. The Two Mysteries 297 DOLLIVER, CLARA G. America. No Baby in the House . ... 80 DONNE, DR. JOHN. England, 1573-1631. The Will 791 From : — Comparison, The, 795 ; Divine Poems : On the Sacrament, 598 ; Triple Fool, The, 798 ; Valediction forbidding Mourning, 248. DORR, JULIA C. R. Charleston, S. C., b. 1825. Outgrown Publishers : J. B. Eippincott & Co.. Philadelphia. 263 DORSET. CHARLES SACKVILLE, EARL OF. England, 1637-1709. The Fire of Love (Examen Miscellaneum) . 202 DOUGLAS, MARIAN. See Green, Annie D. DOUGLASS . Scotland- Annie Laurie . 155 DOWLAND, JOHN. England, 1562-x6x^ Sleep . 762 DOYLE, SIR FRANCIS HASTINGS. England, b. 1810. The Private of the Buffs . -514 ■ r» DRAKE, JOSEPH RODMAN. New York City, 1795-1820. American Flag, The • Culprit Fay, 'i'he .... DRAYTON, MICHAEL. England, 1563-1631. Ballad of Agincourt, The 502 " Come, let us kisse and parte " • . . 239 From: — To Henry Reynolds .... 938 DRUMMOND, WILLIAM. Scotland. 1585-1640. Nightingale, To a 479 DRYDEN, JOHN. England, 1631-1700. Ah, how sweet Í ( Tyrannic Love) . . . 145 Alexander's Feast ; or, tire Power of Music. 771 Character of the Earl of Shaftesbury (Absalom and A chitophel) 908 Portrait of John Milton, Lines written under 907 Song for St. Cecilia's Day, A, 1687. . . 775 Veni Creator Spiritus (From the Latin). . 357 Zimri (A bsalom and A chitophel) . . 909 From : — Absalom and Achilophel, 490,601, 798 ; All for Love, 207 ; Amphictrion, 248 ; Aurung- Zebe, 793 ; Cock and the Fox, 489; Conquest of Grenada, 345, 798; Cymon and Iphigenia, 204, 206, 671, 721 ; Don Sebastian, 813 ; Elegy on Mrs. Killigrew, 311 ; Epistle to Congreve,- 120; Hind and Panther, 39S; Imitation of Horace, 792, 793, 806 ; Marriage à la Mode» 203 ; CEdipus, 309; Oliver Cromwell, 939 ; On tlie Death of a very young Gentleman, 309: Palamon and Arcite, 207; Tempest, 725; Threnodia Augustalis, 725 ; Trans. Ovid's Metamorphoses, 493 ; Tyrannic Love, 539. DSCHELLALEDDIN RUMI. Persia. " To heaven approached a Sufi saint " ( R. Alger's Translation) 365 DUFFERIN, LADY {Helen Selina Sheridan). Ireland, 1807-1867. Lament of the Irish Emigrant.... 292 DUNLOP, JOHN. Scotland, 1755 -1820. "Dinnaaskme" 161 DWIGHT, JOHN SULLIVAN. Boston, Mass., b- 1813- Landlady's Daughter, The {From the German o/Uhland) True Rest 557 DWIGHT, TIMOTHY. Northampton, Mass., 1752-1817. Columbia 5S8 DYER, JOHN, Wales, 1700-1758. Grongar Hill 443 From : — Ruins of Rome 725 DYER, SIR EDWARD. England, about 1540-1607. " My minde to me a kingdom is " . • 729 EASTMAN, CHARLES GAMAGE. Burlington. Vt., 1816-iS6i. A Picture . 229 A Snow-Storm 440 EDWARDS, AMELIA BLANDFORD. England, b. 1831. " Give me three grains of com, mother" . 338 ELIOT, GEORGE. See Cross, Maria Evans Lewes. ELLIOT, EBENEZER {The Corn-Law Rhymer). England, 1781-1849. Bums 914 Corn-Law Hymn, The 557 Spring 421 EMERSON, RALPH WALDO. Boston. Mass., 1803 -1882. Boston Hymn 597 Brahma 746 Concord Monument Hymn . . . . , 589 Each and All . . . • . 405 Friendship na Good By 744 Humble-Bee, To the 484 Letters 746 M -gi e- 56 INDEX OE AUTHORS AND TITLES-^ O ^ Problem, The . » . . • *735 Rhodora, The .... . 461 Sea, The .... ... 610 Snow-Storm, The 439 From : — Good By 397 Publishers, Houghton, Milflin, & Co., Boston. ERASMUS. Rotterdam, 1467-1536. From: — Apothegms 540 EVERETT, DAVID. I'rinceton, Mass., 1769-1813. From : — Lines written for a School Declamation 107 EVERETT, EDWARD. Dorchester, Mass.. 1794 - í865. Dirge of Alario the Visigoth .... 903 EYTINGE, MARGARET. America. Baby Louise 78 FABER, FREDERICK WILLIAM. England, b. 1814-1864. O, how the thought of God attracts " . . 374 The Right must Win 390 FALCONER, WILLIAM. Scotland, 1730-1769. The Shipwreck 612 FANSHAWE, CATHERINE. England. 1-atter part of i8th centurj'. A Riddle. (The Letter H.) .... 778 FENNER, CORNELIUS GEORGE. Providence. R. 1., 1822-1847. Gulf-Weed 622 FERGUSON, SIR SAMUEL. Ireland, 1803. Forging of the Anchor, The .... 554 Pretty Girl of Loch Dan, The . . . 105 FIELDING, HENRY. England, 1707-1754. A hunting we will go" .... 662 Roast Beef of Old England, The . . 575 From: — Covent Garden Tragedy, 803; Tom Thumb the Great, 797. FIELDS, JAMES THOMAS. Portsmouth. N. H., b. 1820. Nantucket Skipper, The 988 Tempest, The 627 Publishers ; Houghton, Miftlin, & Co., Boston. 1 FINCH, FRANCIS MILES. Ithaca, N. V., b. 1827. The Blue and the Gray . . . . 533 FINLEY, JOHN. Cincinnati, O. • Bachelor's Hall 1003 FLAGG, WILSON. Beverly, Mass.. b. 1805. The O'Lincoln Family ... . 475 Publishers, Houghton, Mifflin. &Co., Bostoji. FLETCHER, GILES. England, 15^-1623. Drop, drop, slow tears " . , . . 300 FLETCHER, JOHN. England, 1576-1625. Invocation to Sleep ( . . . 761 " Take, O, take those lips away " . ^ . 263 From: — Nice Valour, 206; Queen of Corinth, 346; Upon an Honest Man's Fortune, 793, 797. FORD, JOHN. England, 1586-about 1639. The Musical Duel XThe Loveras Melancholy) 694 FORRESTER, ALFRED H. {Alfred CrowquiU). England, b. 1806. To my Nose ...... 1015 FOSDICK, WILLIAM WHITEMAN. Cincinnati, 0-, 1825-1862. The Maize 434 593 309, 801 712 79» FREILIGRATH, FERDINAND. Germany, b. 1810. "" Lion's Ride, The {From the German) GALLAGHER, WILLIAM D. Philadelphia, Pa., b. 1808. Autumn, The GARRICK, DAVID. England, 1716-1779. From: — Hearts of Oak, 631; Prologue on quitting the Stage in 1776, 804. GARRISON, WILLIAM LLOYD. Ncwburyport, Mass., 1804-1879. Sonnet written in Prison ► GARTH, SIR SAMUEL. England, 1670-1719. From : — The Dispensary GASCOIGNE, GEORGE. England, 1537-1577. The Vanity of the Beautiful From : — The Swiftness of Time GAY, JOHN. England, 1688-1732. Black-eyed Susan 235 From : — Beggar's Opera, 12t, 134, 205, 493, 722, 795 ; Dione,207 ; Hare and Many Friends, 121, 133 ; Mother, Nurse, and Fairy, 232 ; My own ' Epitaph, 792 ; Painter who pleased Nobody and Everybody, 805, 810; Rural Sports, 671 ; Shepherd and Philosopher, 804 ; Sick Man and the Angel, 794; Squire and his Cur, 121. GAYLORD, WILLIS. Lines written in an Album .... 1015 , GERHARDT, PAUL. Germany, 1607-1676. The Dying Saviour .... . 373 GIBBONS, THOMAS. England, 1720-1785. From: — When Jesus dwelt .... 797 GIFFORD, RICHARD. England, 1725-1807. From : — Contemplation .... 559 GILBERT, WILLIAM SCHWENCK. England, b. 1836. Captain Reece 970 I To the Terrestrial Globe .... 1012 Yam of the " Nancy Bell," The {Bab Ballads) 968 1 GILDER, RICHARD WATSON- Bordentown, N. J., b. 1844. Dawn ........ 409 Publishers : Charles Scribner's Sons, New York. GILMORE, JAMES R. {EdmundKirke). Boston, Mass., b. 1823. Three Days 751 GLAZIER, WILLIAM BELCHER. Hallowcll, Me., b. 1827. 1 Cape-Cottage at Sunset 412 , GLUCK, FOSTER, STEPHEN COLLINS. Pittsburg, Pa.. 1826-1864. My Old Kentucky Home FOX, WILLIAM JOHNSON. England, 1786-1864. The Martyr's Hymn {German of Luther) FRANKLIN, BENJAMIN. Boston, Mass., 1706-1790. Paper .... 458 238 365 975 Germany. To Death {Translation) GOETHE, JOHANN WOLFGANG VON. Germany 1749-1833. Brothers, The ( Translation) .... Fisher, The(C. T. Brooks's Translation) . King of Thüle, The {Bayard Taylor's Trans.) GOLDSMITH, OLIVER. Ireland, 1725-1774. Deserted village, The Hermit, The ( The Vicar of Wakeßeld) Home {The Traveller) ..... Madame Blaize, Elegy on ... . Mad Dog, Elegy on the Death of a I {Vicar of Wakeßeld) From: — Art of Poetry on a New Plan, 540 : Cap- j tivity. The, 347, 348, 800 ; Good-natured Man, I 813 ; Retaliation, 724 ; Traveller, 232, 248,306, 398, 603, 632, 809, 812 ; Vicar of Wakefiefcl : On Woman, 271. it GOULD, HANNAH FRANCES. I-ancaster, Vt., 1789-1865. I The Frost GRAHAM, JAMES, MARQUESS OF MON- 1 TROSE. Scotland, 1612-1650. ' " My dear and only love" 295 761 825 862 686 138 229 949 94» 33^ 96 150 B- lOP AUTHORS AND TITLES. GRAHAM OF GARTMORE. Scotland. " I£ doughty deeds my lady please " GRAHAME, JAMES. Scotland; 1785-1838. The Sabbath GRANT, SIR ROBERT. Scotland, 1785-1838. Litany GRAY. DAVID. Scotland, 1838-1861. ** Die down, O dismal day" Homesick ...... O winter, wilt thou never go ? " GRAY, THOMAS. En^nd, 1716-1771. Eleçy written in a Country Churchyard Spring Front : — Bard, The, 108, 206, 868 ; Distant Prospecto! Eton College, 108, 793, 899; Edu¬ cation and Government, 232, 397; Fatal Sis¬ ters, 540; Hymn to Adversity, 345; Ode on the Pleasure arising from Vicissitude, 232, 346, A^9y 559 Î Progress of Poesy, 205, 867, 939. GREEN, ANNIE D. {Marian Douglas). Bristol, N. H. Two Pictures Publishers : Houghton, Mifflin, & Co., Boston. GREEN, MATTHEW. England, 1696-1737. Voyage of Life, The ( Tht Spleen) . GREENE, ALBERT GORTON. Providence, R. I., 1802-1868. Baron's Last Banquet, The . . . . " Old Grimes is dead " .... Publisher ; S. S. Rider, Providence, R. I. GREENE, ROBERT. England, 1560-1592. Coxiitnt {Farewell to Follie) . . . . Shepherd and the King, The GREENWOOD, GRACE. See LIPPINCOTT, SARA J. GREGORY THE GREAT, ST. Italy, 540-604, Darkness is thinning (y. M. NeaWs Trans). Veni Creator Spiritus {Dryden^s Trans) HABINGTON, WILLIAM. England, 1605- 1645. From : — Castara 146 378 358 4>9 223 441 305 421 HALLECK, FITZ-GREENE. Guilford, Conn., 1790-1867. Alnwick Castle Bums Fortune {Fanny) ...... Joseph Rodman Drake .... Marco Bozzaris ...... Weehawken and the New York Bay {Fanny) From : — Connecticut Publishers j D. Appleton & Co., New York. HALPINE, CHARLES G. {Miles O'Reilly). Ireland, 1829-1868. Quakerdom — The Formal Call Publishers : Harper & Brothers, New York. HAMILTON, ELIZABETH. Scotland, 1758-1816. My ain Fireside 229 293 976 73 t 136 360 357 311 677 9»5 777 937 582 685 603 159 HARRINGTON, SIR JOHN. England, 1561-1612. Lines on Isabella Markhani .... Of a Certaine Man Warres in Ireland, Of the {Epigrams) . From: — Epigrams .... 801,805, HARTE, FRANCIS BRET. Albany,/^. Y.. b. 1839. Dickens in Camp .... Dow's Flat Her Letter Bm ........ Plain Language from Truthful James (Heathen Chinee) Pliocene Skull, To the .... Ramon ...... 926 996 m 997 Society upon the Stanislaus, The . Publishers : Houghton, Mifflin, 8c Co., Boston. HARTE, WALTER. Wales, 1700-1774., A Soliloquy 57 98S 484 a 998 999 270 136 760 HARVEY, STEPHEN. England. From: — Translation of Juvenal's Satire IX. HAY, JOHN. Salem, Ind., b. 1839. Banty Tim . - Little Breeches Woman's Love Publishers : Houghton, Mifflin, & Co., Boston. HAYNE, PAUL HAMILTON. Charleston, S. C., b, 1832. Love scorns Degrees ( Mountain of the Lovers) Pre-existence Publishers : E. J. Hale 6e Son, New York. HEBER, REGINALD. England, 1783-1826. Jf thou wert by my side, my love " . ^ . 219 From : — Epiphany, 397 ; Gulistan, 724 ; Lines written to a March, 491 ; Missionary Hymn, 395. HEDGE, FREDERIC HENRY. Cambridge, Mnss., b. 1805. "A mighty fortress is our God" {From the German of Martin Luther) -37* HEGGE, ROBERT. England, 1599- 1629. From : — On Love . .... 204 HEINE, HEINRICH. Germany, 1797-1847. Fisher's Cottage, The (C. G. Leland's Trans) 691 Lore-lei, The {Translation) . . . .825 HEMANS, FELICIA DOROTHEA. England, 1794-1835. Casablanca 6x4 Homes of England, The .... 229 Landing of the Pilgrim Fathers, The 587 Meeting of the Ships, The . • • 115 Mignon's Song {German of Goethe) . . 789 Treasures of the Deep, The .... 619 From: — Graves of a Household, 31t; Hour of Death, The, 308 ; Wordsworth, 940. HERBERT, GEORGE. Wales, 1593-1632. Church Porch, The 364 Flower, The 768 Gifts of God, The 778 Life 741 Praise 363 Said I not so?" 366 Virtue Immortal ..... • 30* From: — Answer, The, 121; Church Militant, 395 ; Country Parson, 398 ; Devil's Progress, 271 ; Man, 792 ; Pulley, The, 395. HERRICK, ROBERT. England, 1591-1674. Ben Jonson, Ode to 907 Blossoms, To ...... 456 Daffodils 464 Delight in Disorder .... 713 Holy Spirit, The 359 Kiss, The 186 Lent, A True 361 " Sweet, be not proud " i33 Violets 461 yirgins, To the 754 " When as in silks my Julia goes" . . . 126 From: — Cherry Ripe, 134; "Love me little, love me long," 207 ; Night Piece to Julia, 134 ; Rock of Rubies and Quarrie of Pearls, 134; Seek and find, 800; Upon her Feet, 721. HERVEY, THOMAS KIBBLE. England, 1804-1859. Love 208 The Devil at Home {The Devil's Progress) 951 From:—The Devil's Progress . 271 98*1] HEYWOOD, JOHN. 99z England, d. 1565. 897 From: " Be merry, friends" • 347 trr 58 INDEX OF AÜTHOKS HEYWOOD, THOMAS. England, d. 1649. Pack clouds away " Portrait, The From :—Apology for Actors HIGGINS, JOHN. En^and. Time of Queen Elizabeth. Books .... 409 127 792 768 HILL, AARON. England, 1685-1750. From : — Epilogue to Zara, 795 ; Verses writ¬ ten on a Window in Scotland, 800. HILL, THOMAS. New Brunswick, N. J., b. 1818. The Bobolink 475 HINDS, SAMUEL (Bishop of Norwich). En^nd, 1793-1872. Baby Sleeps . 282 HOBART, MRS. CHARLES. England. The Changed Cross. HOFFMAN, CHARLES FENNO. New York City, b. 1806. Monterey Publishers : Porter & Coates, Philadelphia. HOGG, JAMES. Scotland, ^72-1835. Jock Johnstone, the Tinkler . Kilmeny {Quoon*s IVako) . Skylark. The .... When the Kye comes Hame Women Fo'k, The . 374 523 . 639 837 . 473 163 . 974 75 .HOLLAND, JOSIAH GILBERT. Belchertown, Mass., b. 1819. Cradle Song ( Bitter-Sweet) Publishers : Chas. Scribner's Sons, New York. HOLMES, OLIVER WENDELL. Cambridge, Mass., b. 1809. Bill and Joe 112 Boys, The Chambered Nautilus, The Contentment Daniel Webster The 1015 620 979 977 55* 978 347» 803 Height of the Ridiculous, Katydid . Last Leaf, The Ode for a Social Meeting Old Ironsides Old Man Dreams, The One-Hoss Shay, The . Ploughman, The Rudolph the Headsman From : — Urania Publishers : Houghton, Mifflin, & Co., Boston. HÔLTY, LUDWIG, HEINRICH CHRISTOPH. Germany, 1748-1776. Winter Song {Charles T. Brooks's Trans.) . 434 HOME, JOHN, Scotland, 1724-1808. Norvai {Douglas) 650 HOMER. Greece. IX. Centu^, B. C. The Camp at Night ChapmafCs Trans^ 414 From : — Iliad {Pope's Trans.\ 120, 792, 794, 797 ; Odyssey {Pope's Trans.)t 121, 489. HOOD, THOMAS. England, 1798-1845. Art of Bookkeeping Autumn Bridge of Sighs, The . Dream of Eugene Aram, The . Faithless Nelly Gray . Faithless Sally Brown " Farewell, life !" Flowers ..... Heir, The Lost . Infant Son, To my . " I remember, I remember " Morning Meditations No Nocturnal Sketch Ruth 989 433 335 895 964 953 327 460 94 93 93 963 435 1014 106 r # Song ^ the Shirt, The . 337 ** 'SV^at can an old man do but die ** 322 From : — Miss Kilmansegg, 724, 802 : LadyU Dream, 798. HOOPER, LUCY. Newburyport. Mass., 1816-1841. Three Loves Publishers : J. B. Lippincott & Co.. Philadelphia. HOPKINSON, JOSEPH. Philadelphia, Fa., 1770-1842. From : — Hail Columbia HOPPIN, WILLIAM J. Charlie Macbree HORACE [QUINTUS HORATIUS FLACCUS]. Italy, 65-8 B.C. From : — Book i.. Ode 5 (Afiliónos Trans.) . 632 HOUGHTON, LORD (Richard Monckton milnes). EnjH^d, b. 1809. Brookside, The Good Nient and Good Morning . London Churches Men of Old From : — Tragedy of the Lac de Gaube 142 fo3 253 *49 103 334 740 489 HOVEL, EDWARD. See Lord Thür low. HOWARD, HENRY. See surrey, Earl of. HOWARD, SIR ROBERT. England, 162(^1698. From : — The Blind Lady HOWE, JULIA WARD. New York City, b. 1819. Battle Hymn of the Republic Royal Guest, The . Publishers : Houghton, Mifflin, & Co., HOWITT, MARY. England, b. about 1800 or 1804. Use of Flowers, The . HOWITT, WILLIAM. England, 1795-1879. Departure of the Swallow, The Summer Noon, A ROWLAND, MARY WOOLSEY. England, b. 1832 ; d. New York, 1864. First Spring Flowers Rest Publishers : E. P. Dutton & Co., New York. HOYT, RALPH. New York, 1808-1878. Old Snow.—A Winter Sketch .... HUGO, VICTOR. France, b. 1802. From : — The Djinns {CSuüivan^s Trans.). HUME, ALEXANDER. Scotland, 17x1-1776. The Story of a Summer Day .... HUNT, SIR A. England. From : HUNT, LEIGH. England, 1784-1850. Abou Ben Adhem ...... Child during Sickness, To a . . . Cupid Swallowed Fairies* Song {Latin of Thomas Randolph) Glove and the Lions, The .... Grasshopper and Cricket, To the . Jaffar Jenny kissed me** Love-Letters made in Flowers Mahmoud Sneezing Trumpets of Doolkamein, The From : —Politics and Poetics, 489 ; The Story of Rimini, 493. HURDIS, JAMES. England, 1763-1801. From : — The Village Curate ... 594 116 466 478 410 289 295 3^3 44o 868 426 631 768 88 *95 835 652 48s **5 98 *95 700 1015 699 495 AUTHORS AND TITLES. 59 INGELOW, JEAN. England, b. 1830. High-Tide on the Coast of Lincolnshire Like a Laverock in the Lift Maiden with a Milking-Pail» A Seven Times One 386 213 167 87 Seven Times Two 101 172 86 213 Seven Times Three Seven Times Four . Seven Times Six INGOLDSBY, THOMAS. See Harham, R. H. JACKSON, HELEN HUNT. America, now living« My Legacy 770 Publishers: Roberts Bros., Boston. JACKSON, HENRY R. Savannah. Ga., b. 1810. My Wife and Child JACOPONE, ERA. Italy, d. 1306. Stabat Mater Dolorosa Translation) JENKS, EDWARD A. Newport, N. H., b. 1835. Going and Coming JENNER, DR. EDWARD- England, 1749-1823. Signs of Rain JOHNSON, C. England. From: — Wife's Reick JOHNSON, EDWARD, M.D. England. Pub. 1837. The Water-Drinker . 522 355 754 558 545 JOHNSON, SAMUEL. England, 1709-178^ C\\zv\t%'^\l\yaHÍty 0/Human, JVsAm) ■ 909 Shakespeare 905 To-morrow ^ 754 From: — Epitaph, 940 ; Epitaph on C. Philips, 802 ; Lines added to Goldsmith'? "Traveller,' 807; London, 345, 806; Rambler, The, 394; Vanity of Human Wishes, 794, 804 ; Verses on Robert Levet, 395. JONES, SIR WILLIAM. England, 1746- 1794. Baby, The (From the Sanskrit of CédidáseC) . 78 " What constitutes a State? " . . . 599 From: — A Persian Song of Hañz . 807 JONSON. BEN. England, 1574-1637. "Drink to me only with thine (From the Greek of Philostratus) 125 Epitaph on Elizabeth L. H. . 907 Epitaph on the Countess of Pembroke . 907 Fame 781 {Vision of Delight) .... 819 Freedom in Dress (E^icœne) . • 713 " How near to good IS what fair " . \ 711 Good Life, Long Life 729 " O, do not wanton with those eyes" . 184 On the Portrait of Shakespeare . 905 To the Memory of Shakespeare . . 905 Vision of Beauty, A 123 From : — Cynthia's Revels, 120 ; Masques, 671 ; Underwood, i2r; Valpone, 809. JUDSON, EMILY CHUBBUCK. Eaton, Ñ. Y., 1817 -1854. Watching 763 JUVENAL, DECIMUS JULIUS. Italy, b. ist Cent., d. 2d Cent.. A. D. From : — Satire IX. (.y. Harvefs Trans. ) .8x1 KEATS, JOHN. England, 1796-1821. Eve of St. Agnes, The 176 Fairy Song 846 Fancy 819 Grasshopper and Cricket, The . 485 Ode on a Grecian Urn ... 718 Ode to a Nightingale 316 Thing of Beauty js a Joy îox^v^x(Endymion\ 675 From:—Yiyptxioni 494; Lamia, 205,808; On hrst looking into Chapman's Homer, 805, KEBLE, JOHN. England, 1700-1866. Example 739 From : — Burial of the Dead, 120; The Christian Year, 309. KEMBLE-BUTLER. FRANCES ANNE. England, b. i8ix. Absence 244 Faith ........ 790 KENNEDY, CRAMMOND. Scotland, b. 1841. Greenwood Cemetery 305 KEPPEL, LADY CAROLINE. Scotland. Robin Adair 154 KEY, FRANCIS SCOTT. Frederick Co., Md-, 1779-1843. The Star-spangled Banner . . 59a KING, HENRY. England, 1591-1669. Sic Vita 301 KING. WILLIAM. England, x663'i7i2. —Upon a Giant's Angling . . 672 KINGSLEY, CHARLES. England, 1819-1875. ^olcino to Margaret 214 Farewell, A 97 Merry Lark, The 280 Rough Rhyme on a Rough Matter, A 331 Sands o' Dee 621 Song of the River 448 Three Fishers, The 621 KINNEY. COATES. Pen Van, N. V.. b, 1826. Rain on the Roof 97 KNOWLES, JAMES SHERIDAN. Ireland,. 1784-1862. Switzerland TV//) . . • , 585 KNOX, WILLIAM. Scotland, 1789-1825. " O, why should the spirit of mortal be proud ? " ya KÖRNER, CHARLES THEODORE. Germany, 1791-1813. Good Night (C. T. Brfunks^s Translatiofi) . 558 Men and Boys " ^ " 583 Sword Song, The " " sir KRUMMACHER, FRIEDERICH WILHELM. Germany, 1774-1868. Alpine Heights (C. T. Brooks's Translation) 445 Moss Rose, The (T'ra/wÄz/«»») . . 464 LAMB, CHARLES. England, 1773- 1834. Childhood . 86 Farewell to Tobacco, A • . • . 548 Hester . 285 Housekeeper, The 487 Old Familiar Faces, The 274 LAMB, MARY. England, 1765-1847. Choosing a Name - 7b LANDON, LETITIA ELIZABETH. England, 1802-1838. Death and the Youth 270 Female Convict, The 330 LANDOR, WALTER SAVAGE. England. 1775-1864. Iphigenia and Agamemnon .... 873 Macaulay, To 923 Maid's Lament, The ..... 260 One Gray Hair, The 755 LANIER, SIDNEY. Charleston, S. C., 1842-1881. From : — Centennial Meditation of Columbia 604 Publishers : J. B. Lippincott & Co., Philadelphia. LARCOM, LUCY. Lowell, Mass., b. 1826. By the Fireside 227 Publishers: Boughton, Mifflin, St Co., Boston. LEE, NATHANIEL. England, 1655-1692. From ; — Alexander the Great . . 204, 541 fl¬ eo index of authors a: 'les. LEIGH, HENRY S. England. Only Seven • 1006 LELAND, CHARLES G. Philadelphia, Pa., b. 1824. Fisher's Cottage, The {From German of Heinrich Heine) 691 Hans Breitmann's Party ...» 999 Ritter Hugo xooo Publishers ; T.B. Peterson &Bros., Philadelphia. LEONIDAS. Alexandria, 59-129. HomtiRohert Biand's Translation) . 225 On the Picture of an InfantRogers*s Trans.) 81 L'ESTRANGE, ROGER. England, 1616-1704. In Prison 731 From : — The Boys and the Frogs . • 108 LEVER, CHARLES JAMES. Ireland, 1806-1872. Widow Malone 1003 LEWIS, MATTHEW GREGORY. England, 1775-1818. Alonzo the Brave and the Fair Imogine . . 861 The Maniac 339 | LEYDEN, JOHN. I Scotland, 1775-1811. 1 Daisy, The « . 463 ' Noontide 410 1 Sabbath Morning, The . 410 LILLY, JOHN. England, 1553-1600. From : — Endymion . . . . 120 LIPPINCOTT, SARA JANE {Grace Greenwood). Pompey, N. Y.. b. 1823. j Horseback Ride, The 665 Poet of To-day, The .... 767' Publishers : Jas. R. Osgood & Co., Boston. j LOCKER, FREDERICK. I England, b. 1824. On an Old Muff 972 Widow's Mite, The 282 LOCKHART. JOHN GIBSON. Scotland, 1^2-1854 Lord of^Butrago, The {From the Spanish) . 507 Zara's Ear-Rings {From the Spanish). . 171 LODGE, THOMAS. En^and, 1556-1625. - Rosalind's Complaint 194 Rosaline • 127 LOGAN, JOHN. Scotland, 1748-1788. Cuckoo, To the . . ... " Thy braes were bonny " . LOGAU, FRIEDERICH VON. Germany. "Retribution {Longfellow*s Translation). LONGFELLOW, HENRY WADSWORTH. Portland, Maine. 1807-1882. Agassiz, Fiftieth Birthday of . Carillon Children's Hour, The Daybreak • _ Divina Commedia ...... Excelsior . . Footsteps of Ai)gels... . . God's Acre Household Sovereign, ITie {Hanging 0/ the Crane) ........ Hymn to the Night Maidenhood Moonlight on the Prairie {Evangeline) Nuremberg . . . . . . ■ , - Paul Revere's Ride 5^ Primeval Forest . . . 453 Psalm of Life, A 769 Rain in Summer 428 Rainy Day, The 344 Reaper and the Flowers, The . . . 276 Résiliation 272 Retribution {German 0/F. von Logau). 747 Sea-Weed . . .... 622 Snow-Flakes 440 Village Blacksmith, The . 550 From MSSilding of the Ship, 631 : Endymion, 345, So® i Evangeline, 492 ; Fire of Drift-wood, 801 ; Flowers, 494 ; Goblet of Life, 345 ; Gold¬ en Legend, 794 ; Hawthorne, 940 ; Hyperion, 348; Ladder of St. Augustine, 3991 Light of Stars, 348, 802 ; Midniglit Mass, 494 i Sunrise on the Hills, 490 : Day is done, 490, 813, 816. Publishers, Houghton, Milflin, & Co., Boston. LOVELACE, RICHARD. England, 1618-1658. Althea from Prison, To 146 Lucasta, To 242 Lucasta, on Going to the Wars, To . 235 LOVELL, MARIA. ;—Ingomar the Barbarian . - . .205 LOVER, SAMUEL. Ireland, 1797-1866. Angel's Whisper, The 81 Birth of St. Patrick, The .... 1004 Father Land and Mother Tongue . • • 778 Low-backed Car, The ..... 197 RoryO'More 196 Widow Machree ...... 200 471 2S8 747 935 716 98 408 707 777 273 305 79 416 104 432 678 LOVERIDGE, RICHARD. England, Eighteenth Century. Stanzas added to *'The Roast Beef of Old England " . 575 LOWELL, JAMES RUSSELL. Cambridge, Mass., b- 1819. Abraham Lincoln 930 Auf Wiedersehen ! {From Summer) . , 170 Courtin', The 993 First Snow-Fall, The 275 Henry Wadsworth Longfellow, To 937 June {The Vision of Sir Launfat). . . 424 Sonnets 216 Summer Storm 429 Washington 927 What Mr. Robinson thinks {Biglow Papers). 994 William Lloyd Garrison .... 932 Winter Pictures {The Vision of Sir Launfal) 438 Winter Evening Hymn to my Fire . . 228 Vussouf 768 Fromt — R^x^o^ Papers, 493» 539» 54*1 558; Irenè, 723 ; Love, 215 ; Ode to Freedom, 604 ; Rhœcus, 869 ; Sirens, The, 631 ; Sonnet, 796, 807 ; To the Dandelion, 495. Publisners : Houghton, Mifflin, & Co., Boston. LOWELL, MARIA WHITE. Watertown, Mass., 1821- 1853. The Morning Glory 280 Publishers ; Hougliton, Mifflin, & Co., Boston. LOWELL, ROBERT T. S. Cambridge, Mass., b. i8t6. The Relief of Lucknow . . . »5*5 Publishers ; E. P. Dutton & Co., New York. LUDLOW, FITZ HUGH. Poughkeepsie, N. Y., 1837-1875. Too Late 755 LUTHER, MARTIN. Germany, 1483-1546. "A mighty fortress is our God" {F. H. Hedge's Translation) ..... 371 Martyrs' Hymn, The {IV. f. Fox's Trans.) 365 LYLY, JOHN. England. 1554-1600. Cupid and Campaspe 186 Front I — Alexander and Campaspe . . 495 LYTLE, WILLIAM HAINES. Cincinnati, O., 1826-1863. Antony and Cleopatra ..... 296 LYTTLETON, GEORGE, LORD. England, 1708-1773. "Tell me, my heart, if this be love" . 137 From: — Advice to a Lady, 214, 795; Epigram, 204; Irregular Ode, 215; Prologue to Thom¬ son's "Coriolanus," 806; Soliloquy on a Beauty in the Country, 133 ; Stanza for Thomson's "Castle of indolence," 940. LYTTON, EDWARD BULWER, LORD. England, 1805-1873. From: — Lady of Lyons, 203 ; New Timon, 723, 813; Richelieu, 541, S02, 805. fl- INDEX AUTHORS AND TITLES. 61 -a LYTTON, ROBERT BULWER, LORD Meredith), England, b. 1831. Aux Italiens Chess-Board, The Portrait, The ... Possession ...... From : — Lucile MACAULAY, THOMAS BABINGTON, LORD England, 1800-1859. Horatius at the Bridge .... Naseby ... ... Roman Father's Sacrifice, The {Virginia) MAC-CARTHY, DENIS FLORENCE. Ireland, b. 1817. Ireland Labor Song {Bell-founder) . Love and Time ..... Summer Longings .... MACDONALD, GEORGE. England, b. 1824. Baby, The .... Earl O'Quarterdeck MACE, FRANCIS LAUGHTON. America. " Only waiting "... MACKAY, CHARLES. Scotland, b. 1814. Cleon and I . . . Small Beginnings . Tell me, ye winged winds ' Tubal Cain . . . . 264 160 265 202 S14 565 576 873 579 556 150 419 78 646 368 732 779 369 537 MAGINN, WILLIAM. Ireland, 1793-1842. Waiting for the Grapes MAHONY, FRANCIS {Father Prout). Ireland, 1805-1866. Bells of Shandon, The Bonaparte, Popular Recollections of {From Béranger) ....... Flight into Egypt, The MALLET, DAVID. . Scotland, 1700-1765. From : — Mustapha MANGAN, JAMES CLARENCE. Ireland, 1803 -1849. The Sunken City {German of Mueller) . MANNERS, JOHN. LORD. England, Pub. 1841. From: — England's Trust, and Other Poems . MARLOWE, CHRISTOPHER. En^nd, 1564- 1593. The Passionate Shepherd to his Love . From: — Edward II., 899; Faustus, 134, 396; Hero and Leander, 203 ; Jew of Malta, 726. MARSDEN, WILLIAM. England. 1754-1836. What is Time? .... MARSTON, JOHN. England. Time of Queen Elizabeth and James I. From : — A Scholar and his Dog . MARVELL, ANDREW. Engend, 1620-1678. Death of the White Fawn .... Drop of Dew, A Song of the Emigrants in Bermuda From'.—An Horatian Ode: Upon Cromwell's Return from Ireland, 539; The Garden, 719, 813 ; The Loyal Scot, 7^. MARY. Queen of Hungary, d. 1558. Prayer 539 82s 812 *57 748 808 MASSEY. GERALD. England, b. 1828. ** O, \3.y thy hand in mine, dear'' Our Wee White Rose MASSINGER, PHILIP. England, 1584-1640. From: — The Maid of Honor, 120, 900; New Way to pay Old Debts 365 221 83 54* MAY, THOMAS. England, about i5j4-1650. From:^Htnry IL, 248; Continuation of Lucan, 311. McMASTER, GUV HUMPHREY. Clyde, N, Y.. b. «-9- Carmen Belhcosum .... S9^ MATURIN, CHARLES ROBERT. England, 1782-1824. From : — Bertram, '>32, 800. MEEK, ALEXANDER BEAUFORT. Columbia, S. C., 1814-»■{05. Balaklava MEREDITH, OWEN. See Lytton, Robert Bulwer. MERIVALE, JOHN HERMAN. England, 1779- 1844. The V oyt {From ike Greek) . MESSENGER, ROBERT rilNCHLEY. Boston, MssSm b. 1807. Give me the Old .... METASTASIO. PIERRE A. D. B. Italy. 1698-1782. without and Within MICKLE. WILLIAM JULIUS. Scotland, 1734-1788. The Sailor's Wife From: — Cumnor Hall ... MILLER, CINCINNATUS HEINE Indiana, b. 184t. . People's Song of Peace, The .... MILLER, WILLIAM. Scotland. Willie Winkie 5*6 268 118 757 246 49* 598 83 MILMAN. HENRY HART. England. 1791-1869. Hebrew Wedding ( Fall 0/ Jerusalem ) . Jewish Hymn in Babylon MILNES, RICHARD MONCKTON. See Houghton, Lord. MILTON, JOHN. England, 1608- 1674. Adam and Eve {Paradise Lost) Adam describing Eve {Paradise Lost) Adam's Morning Hymn in Paradise Adam to Eve ..... Battle of the Angels {Paradise Lost) Blindness, On his Blindness, On his own {To Cyriack Skinner] Cromwell, To the Lord-General Epitaph on Shakespeare Evening in Paradise {Paradise Lost) —, Faithful Angel, The {Paradise Lost) . Haunt of the Sorcerer {Comus) II Penseroso Invocation to Light {Paradise Lost) L'Allegro Lady lost in the Wood {Comus) May Morning Nymph of the Severn {Comus) Samson on his Blindness {Samson Agonistes) Selections from " Paradise Lost " From: — Comus, 491, 558, 726, 796, 869; Ly- cidas, 203, 490, 494, 495, 812; On his Being Arrived to the Age of Twenty-three, 395; On the Detraction which Followed my Writing Certain Treatises, II., 6or ; Paradise Lost, 121, 203, 204, 205, 206, 207, 215, 232, 310, 346, 348, 3948 395. 396, 398, 399» 490» 49*» 492» 494, 496» 539» 54O) 558» 601, 719. 722, 724» 725» 794» 798, 799, 801, 803, 807, 808, 812, 814, 815, 816, 868, 899; Paradise Regained, 107, 490, 720, 800, 804, 811; Samson Agonistes, 631, 794; To the Lady Margaret Ley, 939; To the Nightingale, 496; Translation of^Horace, 632. MITCHELL, WALTER F. New Bedford. Mass. Tacking Ship off Shore ..... 619 372 711 209 363 216 500 366 735 909 906 4*3 387 830 786 407 785 829 422 830 32* 321 62 INDEX OF AUTHOES AND TITLES. MITFORD, MARY RUSSELL. En^and, 1786-1855. ^enzi to the Romans {Rienzt) MOIR. DAVID MACBETH. Scotland, 1798 -1851. Casa Wappy Rustic Lad's Lament in 'he Town, The MONTAGU, LADY MAÍ WORTLEV. England, 16^-1762. From : — Answer, The, -5 ; To the Imitator of the First Satire of \orace, 806. MONTGOMERY, JAMA'S. Scotland, 1771 -18^ 0 . . can Island) •d erty ! Birds (Pe/iVa« Is Common Lot, T' Coral Reef, The Daisy, The . Forever with the Make way for ' My Country Night Ocean, The Parted Frieno ... Pelican (i dican Island) . Sea Life ( ^ican Island) .... From: — Lart t^uil of God's Goodnes^ 399 : Grave The h \ Issues of Life and Death, 311, 39) ; Ln Cloud, 801; Mother's Love, 232; What is-'^t'rayer? 398. MONTREUIL, MATHIEU DE. France, 1611 - 1691. To Madame de Sevig^é MOORE, CLEMENT CLARKE. New York City, 1779-18^. St. Nicholas, A Visit from .... MOORE, EDWARD. England, 1712-1757. From : — Fables : Happy Marriage, The, 215 ; Spider and the Bee, Ihe, 134, 795. MOORE, THOMAS. ^ Ireland, 1779-1852. " AJas ! how light a cause may move" As by the shore, at break of day " As slow our ship " Believe me, if all those endearing young charms" Black and Blue Eyes Campbell, To Canadian Boat-Song, A . Come, rest in this bosom "... Farewell, but whenever " . . . . " Farewell to thee, Araby's daughter " (Fire- Worshippers) Fly to the desert, fly with me " (From L ight of the Harem) Go where Glory waits thee .... ** I knew by the smoke that so gracefully curled " lÀi^àAXoYi^itàKFire-Worshippers) , Love's Young Dream "Oft, in the stilly night" .... " O, breathe not his name " . . . . Orator Puff ....... Origin of the Harp. The S^x\x\% (From ihe Greek of Anacreofi) Syria ( Paradise and the Peri) Temple to Friendship, A . . . . " The harp that once through Tara's halls " . "Those evening bells" .... " 'T is the last rose of summer "... Vale of Avoca, The Vah of Cashmere, The (Light of the Harem) Verses written in an Album .... From : All that's bright must fade, 793 ; Blue Stocking, 816; "How shall I woo? "121; 111 Omens, 205; " I saw thy form," 248; Lalla Rookh : Fire-Worshippers, 348, — Light of the Harem, 203,— Paradise and the Peri, 396,— Veiled Prophet of Khorassan, 120, 397, 793 ; Lines on the Death of Sheridan, 940 ; My Heart and Lute, 795 ; " O, the sight entrancing," 539, 602; *'Rich and Rare," 721; Sacred Songs, 348» 399 ; The Time I've lost, 203, 204 ; To ——204; "While gazing on the Moon's Light," 491 ; Young May Moon, 205. 725 279 243 470 308 624 463 3^9 584 563 416 608 114 480 623 914 96 264 577 237 >74 131 920 665 185 240 294 151 237 228 25> 262 318 92 Ï 962 865 422 45 > 120 577 716 465 116 452 133 MORE, HANNAH. England, 1744-»833. From: — Florio .... 812 MORLAIX, BERNARD DE. France, 12th Century, Benedictine Monk.. The Celestial Country (John Mason Nealit Translation) 351 MORRIS, CHARLES. England, 1739-1832. From : — Town and Country. . • . 814 MORRIS, GEORGE PERKINS. Philadelphia, Pa., 2802-1864. My Mother's Bible 100 The Retort 996 " Woodman, spare that tree " . . . 101 MORRIS, J. W. America. Collusion between a Alegaiter and a Water- Snaik looo MORRIS, WILLIAM. England, b. i8u. Atalanta Conquered ( The Eartkly Paradise) 165 Atalanta Victorious " . " " 164 March 418 Riding Together. 883 MOSS, THOMAS. England, about 1740-1808. The Beggar 340 MOTHERWELL, WILLIAM. Scotland, 1797 -1835. Jeanie Morrison 242 ** My held is like to rend, Willie " . . 269 "They come ! the merry summer months" . 423 MOULTON, ELLEN LOUISE CHANDLER. Pomfret, Conn., b. 1835. Late Spring, The 32a MOULTRIE, JOHN. England. Pub. 18^. Forget thee .... . . 161 The Three Sons 9° MUELLER, WILLIAM. Germany, 1794-18^. The Sunken (Z\X.y (James Clarence MangatPs Translation)' ...... 82s MULOCK, DINAH MARIA. See Craik^ Dinah Mulock. MUNBY, ARTHUR J. England. Après 776 NABB. From: — Microcosmos ..... 348 NAIRNE, CAROLINA. BARONESS. Scotland, 1776-1845. Laird o' Cockpen, The 200 Land o* the Leal, The 296 NASH, THOMAS England, 1558-1600. " Spring, the sweet Spring " .... 422 NEALE, JOHN MASON. England, 1818-1866. Art thou Weary? (From the Latin of Si. Stephen the Sabcite) 364 Celestial Country, The (From ihe Latin of Bernard de Morlaix) . . 351 Darkness is thinning" (From the Latin of St. Gregory the Great) . . . 360 NEELE, HENRY. England, 1798-1828. " Moan, moan, ye dying gales " . . . 315 NEWELL, ROBERT HENRY (Orpheus C. Kerr). New York City, b- 1836. Poems received in Response to an Advertised Call for a National Anthem .... 1007 Publishers : Lee & Shep>ard, Boston. NEW ENGLAND PRIMER. Quotations 107, 308, 397 NEWMAN, JOHN HENRY. England, b. 1801. Flowers without Fruit 789 The Pillar of the Cloud 364 NICHOLS, MRS. REBECCA S. Greenwich. N. J. Pub. 1844, The Philosopher Toad ..... ^ INDEX OF AUTHORS AND TljTLES. 63 lí 131 347 NICOLL, ROBERT. Scotland, 1814-1837. We are Brethren a' 117 NOEL, THOMAS. Enj^land. Pub. 1841. The Pauperis Drive ..•••. 341 NORRIS, JOHN. England. 1657-Z711. My Little Saint From : — The Parting . . , . NORTH, CHRISTOPHER. See WH.son, John. NORTON, CAROLINE ELIZABETH S., HON. England. zdo8-1876. Arab to his Favorite Steed, The 664 Bingen on the Rhine 521 King of Denmark's Ride, The . 293 Love Not 320 Mother's Heart, The 83 ** We have been friends together " 116 From : — The Dream 232 O'BRIEN, FITZJAMES. Ireland. D. 1829-; d. wounded, in Virginia, 1862. Kane 933 O'KEEFE, JOHN. Ireland, 1747 -1833. " 1 am a friar of orders gray " {^Robin Hood) . 964 OLDMIXON, JOHN. England. 1673-1742. From: — Governor of Cyprus . . . - 271 OLIPHANT, THOMAS. England. " Where are the men?" (From tho Welsh of Talhaiarn) 530 O'REILLY, JOHN BOYLE. Ireland, b. 1844. My Native Land .... 579 Publishers : Roberts Brothers. Boston. O'REILLY, MILES. See Halpine, Charles G. ORRERY, CHARLES BOYLE, EARL OF. England, 1676-1731. From: — Henry V. 120 OSGOOD, FRANCES SARGENT. Boston. Mass., 1812-1850. To Labor is to Pray . ► . . 556 OSGOOD, KATE PUTNAM. Fryeburg, Me., b. 1843. Driving Home the Cows 531 Publishers : Houghton, Mihiin, & Co., Boston. O'SULLIVAN, JOHN L. America. From : — The Djinns {From the French of Victor Hugo ...... 868 OTWAY, THOMAS. England. 1651-1685. Jaffier parting with Belvidera (Venice Pre¬ served . 239 From: — Caius Marius, 725 : Don Carlos, 108; Orphan, The, 232, 795; Venice Preserved, 133. 206. OVERBURY, SIR THOMAS. England, 1581-1613. From : — A Wife, 232,796. OVID. [PoBLius OviDius Naso.] Italy, 43 B. c.-18 a. d. From: — Metamorphoses (DrydetCs Transla- iion)y 493; Metamorphoses (Tate and Stone- street^ s Translation^ 395. PAINE, THOMAS. England, 1736-1^. The Castle in the Air 823 PALMER, JOHN WILLIAMSON. Baltimore, Md., b. 1825. For Charlie's sake" 277 Thread and Song 104 Publishers : Charles Scribner's Sons, New York. PALMER, RAY. Rhode Island, b. 1808. ** I saw thee" 393 The Soul's Cry 394 Publisher : A. D. F. Randolph, New York. PALMER, WILLIAM PITT. Stockbridge. Mciss.. b. 1805. The Smack in School 99 PARKER, MA^JYN. England. XVII. Century. From: — Y^ Gentlemen of England . , 632 »ARKER, THEODORE* ' Lexington, Mass.. iöio-i8t Í J: '• The Way, the Truth ,nd the Life" . . 389 Publishers : D. Appl . 908 Publishers : Houghton, Mifflin & t Bostom PATMORE, COVENTRY. England, b. 1823. Rose of the World, The 128 Sly Thoughts . . . • • , . 186 Sweet Meeting of Desires . . 170 Tribute, The . . ' f • 12b PAYNE, JOHN HOWARD. . , New York City, 1792-1852. y Home, Sv/ettHomt (Ciarif the laidHMilan) 225 Brutus's Oration over the Body of Lucretia (Brutus) 875 Publisher ; S. r rench & Son. New Yora- PEALE, REMBRANDT. Near Philadelphia. Pa., 1778-i86a Faith and Hope 231 PEELE, GEORGE. England, 1552-15^. From : — The Arraignment of Paris ; Cupid's Curse PERCIVAL, JAMES GATES. Berlin, Conn., 1795-1856, May Coral Grove. The .... Seneca Lake From : — The Graves of the Patriots Publishers : Houghton, Mifflin, & Co., Boston. PERCY, FLORENCE. See Allen, Elizabeth Akers. PERCY, THOMAS BISHOP. England, 1728- 1811. Friar of Orders Gray, The " O Nanny, wilt thou gang wi' me ? " . From : — Winifreda PERRY, NORA. America. Love-Knot, The ...... PETTEE, G. W. Canada. Sleigh Song PFEFFEL. Germany, 1736-1809. The Nobleman and the Pensioner (Charles T. Brooks's Translatio7i) ..... ' PHILIPS, JOHN. England, 1676-1708. The Splendid Shilling PHILLIPS, AMBROSE. I England, 1675-174^. ¡ Blest as the immortal gods " (From the Greek) 207 423 624 449 601 »37 »56 21$ 190 670 520 947 184 PHILOSTRATUS. Greece. " Drink to me only with thine eyes " ( Trans¬ lation of Ben yonson) . . . .125 PIERPONT, JOHN. Litchfield, Conn., 1785-1866. My Child 278 Not on the Battle-Field .... 534 Warren's Address .... . 500 Whittling . 979 From : — A Word from a Petitioner . 604 PINKNEY, EDWARD COATE. Annapolis, Md., 1802- 1828. A Health 129 3-^- 64 INDE)^ OF AUTHORS AND TITLES. PITT, WILLIAM. Ën^nd, d. 1840. The Sailor's Consolation .... 630 POE, EDGAR ALLAN. Baltimore. Md., 1811-1849. Annabel Lee . 285 Annie, For . • / • • • 299 Bells, The . . . ^ . 714 Raven, The 852 From : — To F. S. 0 796 Publisher : W. J. Widdleton. York, POLLOK, ROBERT. Scotland, 1799-1827. Byron {Course Time) ^ . 918 Ocean " " .... 610 :-I-Course of Time . . . 346,797 POMFRET, JOHN. England, 1667-1703. From: — Verses to his Friend under Afflic¬ tion, 312, 347. POPE, ALEXANDER. England, 1688-1744' Aà^\son {Prologue to The Satires) . . . 910 Belinda ( The Rape of the Lock) . . . 128 Dying Christian to his Soul, The . 365 Fame {Essay m Man) 780 Greatness " " 781 Happiness " " .... 736 Nature's Chain {Essay on Man) 405 Ode to Solitude 225 "Poti^^YritnàyTht {Essay on Man) • 9" Reason and Instinct " . 781 Ruling Passion, The {Moral Essays) . 779 Scandal {Prologue to the Satires) . 781 Sporus, — Lord Hervey " . . 909 Toilet, The {Rape 0/ the Lock) . 713 Universal Prayer, The . . . . . 370 From : — Dunciad, The, 396, 724, 803, 807 ; Eloísa to Abelard, 215,248 ; Epigram from Boileau, 810; Epilogue to Satires, 797 ; Epistle IL, 107 ; Epistle to Mr. Addison, 120; Epistle to Dr. Arbuthnot, 107, 805, 815 ; Epistle to Robert, Earl of Oxford, 801 ; Epitaph on Gay, 724 ; Epitaph on Hon. S. Harcourt, 120; Essay on Criticism, 798, 799, 803, 805, 806, 807, 812; Essay on Man, 107, 394, 395» 397» 398,399» 489, 496, 792, 793, 796, 799, 800, 801, 803, 807, 808, 812, 815, 938, 939; Imitations of Horace, 793, 796, 803, 804, 806, 807, 811, 814; Martinus ScribUrus on the Art of Sinking in Poetry, 205 ; Moral Essays, 2x5, 231, 232, 396, 723, 795, 797» 798» 799» 803, 804, 805, 808,812, 814 ; Pro¬ logue to Addison's Cato, 602 -, Rape of the Lock, 203, 799, 8xo, 811, 814, 815 ; Temple of Fame, 8x1 ; To the Memory of an Unfortunate Lady, 31J, 3x2; Translation of Homer's Iliad, x2o, 792, 797 ; Translation of Homer's Odyssey, 121, 207,489 ; Wife of Bath : Prologue, 805 ; Wind¬ sor Forest, 671, 672, 815. PORTEUS, BEILBY. England, 1731 -1808. From : — Death, 311, 539, 341, 559, 794. PRAED, WINTHROP MACKWORTH. England, 1802-1839. Belle of the Ball, The 97X Camp-bell 920 From: — "I remember, I remember," 108; School and Schooiiellows, 309. PRENTICE, GEORGE DENISON. Preston, Conn., 1802- 1870. The Closing Year 752 PRIEST, NANCY AMELIA WOODBURY. America, 1837 -1870. Heaven 368 Over the River 276 PRINGLE, THOMAS. Scotland, 1789-1834. " Afar in the desert " 319 PRIOR, MATTHEW. Engird, 1664-1721. To the Honorable Charles Montague . . 730 From: — Henry and Emma, 721 ; Upon a Pas¬ sage in the Scaligerana, 803. PROCTER, ADELAIDE ANNE. England, 1826-1864. Doubting Heart, A . Judge Not .... Lost Chord, A . Woman's Answer, A Woman's Question, A From : — Hearts PROCTER, BRYAN W. {Barry Cornwall^ England, 1787-1874. Address to the Ocean Blood Horse, The Golden Girl, A . History of a Life .... Owl, The . ... Poet's Song to his Wife, The Sea, The Sit down, sad soul" . " Softly woo away her breath " Song of Wood Nymphs Stormy Petrel, The . White Squadl, The PROUT, FATHER, See Mahony, Francis. PULTENEY, WILLIAM, EARL OF BATH. England, 1682- 1764. From : — The Honest Jury . PUNCH. Published in London. Bomba, King of Naples, Death-Bed of . Collegian to his Bride, The .... Jones at the Barber's Shop Roasted Sucking Pig 318 784 760 *43 *43 27X 611 467 132 74* 483 219 625 369 296 83s 483 629 810 922 992 lOlX 1013 QUARLES, FRANCIS. En^nd. 1592-1644. Delight in God 360 Vanity of the World, The . . . . 743 From:—Emblems, 214, 309, 489, 798; Divine Poems, 309. RALEIGH, SIR WALTER. England, 1552-1618. Lines found in his Bible 745 Nymph's Reply, The 158 Pilgrimage, The 361 Soul's Errand^ The 745 From : — The Silent Lover 204 RAMSAY, ALLAN. Scotland, 1685-1758. " At setting day and rising morn " . , . x6x Lochaber no more 237 RANDOLPH, ANSON D. F. Woodbridge, N. J., b. 1820. Hopefully Waiting 391 RANDOLPH, THOMAS. En^mi, 1605-1634. Fairies' %on% {Leigh HunPs Translation) . To a Lady adminng herself in a Looking- 83s 125 RASCAS, BERNARD. Provence, France. The Love of God ( W. €■ BryanPs Trans.) RAY, WILLIAM. England, pub. 1752. From : — History of the Rebellion . 388 540 5*8 RAYMOND, ROSSITER W. Cincinnati, O., b. 1840. Trooper's Deatk, The {Frotn the German) READ, THOMAS BUCHANAN. Chester, Fa., 1822-1872. Angler, The 669 Brave at Home, The 563 Closing Scene, The 710 Drifting 684 Sheridan's Ride 594 Publishers : J. B. Lippincott & Co., Philadelphia« REQUIER, AUGUSTUS JULIAN. Charleston. S. C., b. t825_. Baby Zulma's Christmas Carol ... 81 RITTER, MARY LOUISE. Perished 3" Why? '*8 INDEX OF AUTHORS AND TITLES. 65 ROBERT II. {Son «j/'Hugh Capet). France. ^96-1031. Veni Sánete Spiritus (C. IVínkworíh's Trans.) 356 ROBERTS, SARAH. Portsmouth, N, H. The Voice of the Grass 465 ROCHESTER, JOHN WILMOT, EARL OF. England, 1648-1680. Too late, alas, 1 must confess " . . 160 Prom : — Song, 134 ; Written on the Bedchamber Door of Charles II 940 RODGER, ALEXANDER. Scotland. 1784-1846. " Behave yoursel'before folk " . 157 ROGERS, SAMUEL. En^nd, 1763-1855. Descent, The 446 Ginevra 890 Italy ......... 679 Jorasse (//a^) 651 Marriage 212 Naples {Italy) 683 On the Picture of an Infant {Greek 0/ León¬ idas) 81 Rome {Italy) 680 Sleeping Beauty, A 130 Tear, A • 789 Venice {Italy) 679 Wish, A 225 From : — Italy, 248, 493 ; Human Life, 311, 809 ; Jacqueline, 348. RONSARD, PIERRE. France. 1542-1585. Ketwm of Sprmg {Translation) . .421 ROSCOE, MRS. HENRY. England, Pub. 1868. From : — Sonnet {Italian of Michel A ngelo) . 809 ROSCOMMON, WENTWORTH DILLON, EARL. Ireland, about 1633- 1684. From: — Essay on Translated Verse, 805; Translation of Dies 1rs, 394. ROSSETTI, CHRISTINA GEORGINA. England, b. 1830. Milking-Maid, The X32 Up-Hill 363 ROSSETTI, DANTE GABRIEL. England, b. 1828. Blessed Damozel, The 824 Nevermore, The 744 ROWE, NICHOLAS. England, 1673-1718. From: — The Fair Penitent . . . i34j 347 ROVDEN, MATHEW. England, about 1586. Sir Philip Sidney . ... 904 From : — An Elegie on a Friend's Passion for his Astrophill 133 RYAN, ABRAM J. Ireland. Lives in Mobile, Ala. Rosary of my Tears 742 Sentinel Songs 532 The Cause of the South .... 596 RYAN, RICHARD. England, 170- 1849. "Oh, saw ye the lass" .... 149 SANGSTER, CHARLES. Kingston, Canada, b. 1822. The Comet 863 The Snows ....... 666 Publisher : John Lovell, Montreal, Canada. SANGSTER, MRS. MARGARET E. M. New Rochelle, N. Y., b. 1838. "Are the children at home " .... 281 SAPPHO. Island of Lesbos, 600 B. C. "Blest as the Immortal Gods" {Ambrose Phillips's Translation) .... 184 SARGENT, EPES. Gloucester, Mass., b. 1814. A Life on the Ocean Wave .... 630 SAVAGE, RICHARD. Engltnd, 1696-1743. Prom:—The Bastard . . • . . 812 SAXE, JOHN GODFREY. Highgate, Vt., b. 1816. Echo 1014 " My eyes ! how I love you " , . . . 195 Proud Miss McBride, The .... 985 Railroad Rhyme 980 Woman's Will . . ... 981 Publishers : Houghton. Mifñin, ¿1: Co., Boston. SCHILLER, FRIEDRICH. Würtemberg, 1759-1805. From: — Homeric Hexameter {Coleridge's Translation) 631 SCOTT, SIR WALTER. Scotland. 1771-1832. "And said 1 that my limbs were old" {Lay of the Last Minstreb) . ^ . . . 202 Beal* an Dhifine {Lady of the Lake\ . . 510 " Breathes there the man " {Last Minstrel) . 563 Christmas in Olden Time {Mar^nion) . . 698 Clan-Alpine, Song of {Lady of the Lake) . 519 Coxoi\2S^ {Lady of the Lake) 283 County Guy {Qtientin Durward) . . 194 Fitzjamesand Roderick Dhu {Lady of Lake) 655 Flodden Field {Marmion) .... 507 Helvellyn 654 James Fitzjames and Ellen {Lady of Lake) . 648 hoch'invdir (Marmion) 175 Marmion and Douglas . . 648 Melrose Abbey {Lay of the Last Miftstrel) 675 Norham Castle {Marmion) .... 676 Pibroch of Donuil Dhu {Lady of the Lake). 518 Rebecca's Hymn {Ivauhoe) .... 372 Scotland {Lay of the Last Minstrel) . 575 "Soldier, rest I thy warfare o'er" {Lady of the Lake) 53° Stag Hunt, The {Lady of the Lake) . . 658 " The heath this night " {Lady of the Lake) . 234 " Waken, lords and ladies gay " . . 658 From : — Bridal of Triermain, 395 ; Lady of the Lake, 204, 308, 670, 671, 719, 721, 791, 813; Lay of the Last Minstrel, 491, 494, 811, 814; Lord of the Isles, 348, 539, 893; Marmion, 108, 248, 816, 899; Monastery, 397 SCUDDER, ELIZA. The Love of God 392 SEARING, LAURA C. REDDEN {Howard Glyndon). SomerbCt Co., Md., b. about 1840. Mazzini 934 SEDLEY, SIR CHARLES. England, 1631-1701. To a Very Young Lady 147 "Phillis IS my only joy " .... 124 SEWALL, HARRIET WINSLOW. America, d. 1833. Why thus Longing? 392 SHAKESPEARE, WILLIAM. England, 1564-1616. Airy Nothings .... 867 Approach of Age {Sonnet XII.) . . . 753 Antony's Oration over the Body of Caesar {yiilius Ccesar) . . . . • 875 "Blow, blow, thou winter wind" {As You Like It) . 316 Cleopatra {A ntony and Cleopatra) . -712 Compliment to Queen Elizabeth {Midsummer Night's Dreani) 835 Course of True Love, The {Midsummer Night's Dream) ...... 250 Dagger of the Mind, A {Macbeth) . . 882 Dover Cliff {Kittg Lear) 445 Fairies' Lullaby {Midsummer Night's Dream) 835 " Farewell ! thou art too dear " . . 239 " Fear no more the heat " ' • 3o* Friendship m Qx\^\.{Hamlet). ... . • 294 ** Hark, hark ! the lark " {Cymbeline) . 474 Hotspur's Description of a Fop {Henry IF) 506 King to his Soldiers before Harfleur, The {Henry V.) S03 INDEX OP AUTHORS AND TITLES. ** Let me not to the marriage of true minds " . 208 Lo\t {Merchant ûf yenice) . . . 125 Love Dissembled {As Yon Like If) . 144 Love's Memory {Airs iVell that Ends IVeW) 242 Martial Friendship . . . 114 Murder, The {Macbeth) .... 882 Music {Merchant of Venice") .... 775 Old Age of Temperance {As Vov Likt It. ). 546 Olivia ( Twelfth Night) O mistress mine ! " {Twelfth Night) . 122 Othello's Defence {Othello) .... 145 Othello's Remorse {Othello) .... 877 Portia's Picture {Merchant of Venice) • . 122 Queen Mab {Romeo and Juliet) . . . 836 Seven A%es ot M^niAs Vors Like It) . . 711 Shepherd's Life, A {Henry VI, Part III.) 225 S\eep{Henry IV. Part ÍI.) .... 762 Soliloquy on Death {Hamlet) . . 297 " Take, O, take those lips away **{Measure for Measure) . 263 *'The forward violet" 123 Unrequited Love . . .251 *'When icicles hang by the wall" {Lovers Labor Lost) 439 " When in the chronicle" ' . . . 122 " When to the sessions of sweet silent thought "115 Wolsey's Fall VIII ) . . 321 Wolsey's Advice to Cromwell {Henry VIII.) 321 Prom:—All's Well that Ends Well, 312, 791, 793» 796» 801, 813- Antony and Cleopatra» 206, 490, 722. As You Like It, 133» >34» 204, 214» 347» 348, 394,489, 496, 602, 722, 791, 795, 803, 8io, 813. Comedy of Errors, 345, 722, 799, 868. Coriolanus, 493, 813. Cymbeline, 241, 798, 811, 816. Hamlet, 121, 133, 203, 205, 206, 207, 241» 248, 271» 309» 310» 31Ï» 345» 346» 347» 395» 396, 397, 399» 489, 490» 491» 495, 540» 559» 671, 721, 722, 723» 724, 725» 793» 797» 79S, 8or, 803, 804, 80$, 809, 811, 813, 814, 815, 867, 868, 900. Julius Caesar, 120, 121, 206, 310, 492, 539, 670, 671, 722, 793» 797» 799» 802, 810, 8^, 900, 938. King Henry IV. Ft. I, 108, 312, 397, 398, 670, 671, 722, 793» 798, 807, 812, 815, 816. King Henry IV. Pt. II., 346, 395, 540, 724, 800. King Henry V., 395, 540, 559, 631, 632, 723, 802, 811, 867. King Henry VI., Pt. I., 310, 795, 810. King Henry VI., Pt. II., 495, 724, 796, 799. King Henry VI., Pt. III., 541, 798, 802, 815, 938. King Henry VIII., 3"» 3»2, 345, 346, 347, 601, 723, 811. King John, 107, 232, 309, 345, 346, 34S, 541, 603, 722, 726, 798, 799, 801, 812, 815, 899. King Lear, 346, 347» 348, 494, 721, 723, 802. King Richard II., 308, 309, 310, 346, 541, 603, 719, 722, 725, 792- King Richard III., 107,232, 310, 396, 540, 541, 721, 722, 796, Soo, 802, 803, 804, 868, 899, 938. Love's Labor Lost, 133, 203, 723, 724, 795, 804, 810. Lover's Complaint, 204. Macbeth, 232, 309, 3"r3ï2. 345» 346, 347» 396, 491, 540, 54J» 559» 720, 724, 725» 79», 792» 793» 794» 797» 798, 800, 802, 810, 816, 868, 900. Measure for Measure, 205, 232, 310, 347» 797» 800, 8rj, 813. Merchant of Venice, 133, 203, 248, 312, 346, 347» 348, 496» 632, 722, 723, 724, 797» 798, 802, 803, 804, 899. Merry Wives of Windsor, 868, 869. Midsummer Night's Dream, 203, 495,722, 806, 867, 869. Much Ado About Nothing, 121, 203, 204, 271, 312, 345» 723» 724, 799» 80X. Othello, 207, 248, 347» 539» 721» 722, 723» 724» 72Ç, 81X, 9c^. Passionate Pilgrim, 492. Romeo and Juliet, 134, 207, 241» 345» 346» 490» 492, 721, 723, 724, 809, 815, 899. Sonnet XVIII., 134. Sonnet X XV., 540, Sonnet LXVI., 398. Sonnet LXX., 722. Sonnet XC., 271. Sonnet XCVIII., 492. Sonnet CXI., 722. Sonnet CXXXII..49I- Taming of the Shrew, 121, 215, 725, 804. Tempest. 133, 205, 492, 672, 721, 797, 805, 869. Tiinon of Athens, 347. 489. Titus Andronicus, 311, 798. Troilusand Cressida, 121, 792, 811. Twelfth Night, 205, 215, 494» 798» 808. Two Gentlemen of Verona, 133, 134» 203, 215, 27Í» 345» 493» 723» 795- Venus and Adonis, 205, 803. Winter's Tale, 107, 134» 495» 63*» 724» 802. SHANLY, CHARLES DAWSON. America, l^ib. 1866. Brierwood Pipe 525 Civil War 525 SHARPE, R. S. England, 17^9-183^ The Miuute-Guo . . . . « . . 627 SHEALE, RICHARD. England. Chevy-Chase 635 SHELLEY. PERCY BYSSHE. England, 1792-1822. Cloud, The 822 lanthe, Sleeping {Queen Mob) . . • 714 'M arise from dreams of thee" . • 188 " I fear thy kisses, gentle maiden " . . 131 Lament, A 322 Love's Philosophy 188 ** Music, when soft voices die "... 776 Night {Queen Mab) 415 Night, To - . 4*4 Ozymandias of Egypt 7»7 Skylark, To the 473 Sunset {Queen Mob) 412 " The sun is warm, the sky is clear " • 317 View from the Euganean Hills ... 441 War 499 " When the lamp is shattered " . . . 262 From : — Cenci, The, 720 ; Julian and Maddalo» 806 ; Prometheus Unbound, 206. SHENSTONE, WILLIAM. England, 17x4-1763. Village Schoolmistress, The ( Schoolmistress) 707 Prom: — Pastoral, A, 241 ; Schoolmistress, The, 107 ; Written on the Window of an Inn, X2i. SHEPHERD. N. G. America. " Only the clothes she wore " . . • . 299 • SHERIDAN, RICHARD BRINSLEV. Ireland, 1751 -1816. het the Tozst pass {Schoolfor S candad) • 13t SHIRLEY, JAMES. England, 1594-1666. Death, the Leveller 301 From : — Cupid and Death .... 308 SIBLEY, CHARLES. Scotland. The Plaidie tS; SIDNEY, SIR PHILIP. England, 1554-1586. Love's Silence >44 " My true-love hath my heart" ... >37 S\eep {Astropheland Stella) .... 762 "With how sad steps, O Moon " . . . 249 SIGOURNEY, LYDIA HUNTLEY. Norwich, Conn., 1791-1865. Coral Insect, The 623 ** Go to thy rest, feir child " . . . • 282 Man —* Woman 776 Publishers : Hamersley 8c Co., Hartford, Coon. SIMMONS, BARTHOLOMEW. Ireland, pub. 1843: d. 1850. To the Memory of Thomas Hood . . .922 INDEX OF AUTHORS AND TITLES. 67 SIMMS, WILLIAM GILMORE. Charleston, S. C.. 1806-1870. Grape-Vine Swing, The 456 Mother and Child 81 Shaded Water 448 Publishers : W. J. Widdleton & Co., New York. SKELTON, JOHN. England, about 1460- isaç« To Mistress Margaret Hussey . . 122 SMITH, ALEXANDER. Scotland, 1830-1867. Lady Barbara . . . . 163 The Night before the Wedding '. . 210 From : — A Life Drama .... 493, 807 SMITH, CHARLOTTE. England, 1749-1306. The Swallow ... . 478 SMITH. F. BÜRGE. America. Little Goldenhair 85 SMITH, HORACE. England, 1779-1849. Address to the Mummy at Belzoni*s Exhibition 717 Flowers, Hymn to the 459 Moral Cosmetics 545 Tale of Drury Lane, A {Rejected Addresses) ioo6 The Gouty Merchant and the Stranger . . 962 From : — Rejected Addresses .... 808 SMITH, JAMES. England, 1775-18^. From : — Rejected Addresses SMITH, SEBA. Turner. Me., 1792-1868. The Mother's Sacrifice SMITH, SYDNEY. England, 1771-1845. A Recipe for Salad . SMOLLETT, TOBIAS GEORGE. Scotland. 1721-1771. From : — Roderick Random SOMERVILLE, WILLIAM. England, 1677-1742. From : — The Chase SOUTHEY, MRS. CAROLINE BOWLES. England, 1787 -1854. Cuckoo Clock, The (The Birthday) Greenwood Shrift, The. Pauper's Death-Bed, The Young Gray Head, The SOUTHEY, ROBERT. England. 1774-1843. Blenheim, The Battle of . Cataract of Lodore, The Devil's Walk, The Emmett's Epitaph God's Judgment on a Wicked Bishop Greenwood Shrift, The Holly-Tree, The ..... Inchcape Rock, Tlie .... Old Man's Comforts, The Well of St. Keyne, The .... From : — Curse of Kehama, 206, 309, 816 ; Ma doc, 271 ; Joan of Arc, 311 ; Thalaba the De stroyer, 491 ; Occasional Pieces, XVIIL,-8o6 SPENCER, CAROLINE S. Catskill, N. v., 1850. Living Waters SPENCER, WILLIAM ROBERT. England. 1770- 1834. Beth Gêlert "Toolate [ stayed" , Wife, Children, and Friends . SPENSER, EDMUND. England, I553- »599- Beauty {Hymn in Honor 0/ Beauty) Bower of Bliss, The {Faerie Queene) 'Bnát^ThtiEpithalamion) Cave of Sleep, The {Faerie Queene) Ministry of Angels " *' Una and the Lion " " Una and the Red Crosse Knight {Faerie Queene) Prom: — Faerie Queene, 311, 395, 398, 492, 494, 540, 670, 671 ; Fate of the Butterfly, 489 \ 808 86 X013 203 671 717 3B3 341 891 538 449 949 921 879 383 455 620 545 955 739 662 Ï17 220 730 829 212 828 373 828 827 Hymn in Honor of Beauty, 206 ; Lines on his Promised Pension, 938 ; Mother Hubberd's Tale, 204. SPOFFORD, HARRIET PRESCOTT. Calais, Me., b. 183$. Vanity 769 Publishers : Houghton, Mifflin, & Co., Boston, SPRAGUE, CHARLES. Boston, Mass.. 1791-1875. Winged Worshippers, The .... 478 From : — Curiosity, 804 ; To my Cigar . 814 Publishers : Houghton, Mifflin, & Co., Boston. STA NI FORD. Boston, Mass., Pub. 1803^ From : — Art of Reading .... 398 STEDMAN, EDMUND CLARENCE. Hartford, Conn., b. 1833. Betrothed Anew 460 Caw&hy Sovg{ A/ice ^Monmouth) . 518 Old Admiral, The 932 What the Winds bring 451 Publishers : Hougliton, Mifflin, & Co., Boston. STEPHEN THE SABAITE, ST. Art thou weary ? ( yohn Mason Nealds Trans. ) 364 STERLING, JOHN. Scotland, 1^-1844. Alfred the^Harper 645 .... 406 . 456 Beautiful D^, On a Spice-Tree, The STEVENS, GEORGE ALEXANDER. England, 1720-1784. The Storm STILL, JOHN. England, 1543-1607. Good Ale 628 946 STODDARD, RICHARD HENRY. Hinghain, Mass., b. 1825. Brahma's Answer 746 " It never comes again " ... Publishers : Houghton, Mifflin, & Co., Boston. STODDART, THOMAS TOD. ScotKind, b. 1810. The Anglers* Trysting-Tree . STORY, ROBERT. Scotland, 1790-1859. The Whistle STORY, WILLIAM WETMORE. Salem, Mass., b. 18x9. Pan in Love Perseverance {From the Italian 0/ Leonardo da Vinci) Violet, The Publishers : Little. Brown, & Co., Boston. STOWE, HARRIET BEECHER. Lítchñeid, Conn., b- 1812. A Day in the Pamñli Doria Lines to the Memory of Annie " Only a year " .... * Other World. The .... Publishers : Houghton. Mifflin, & Co., Boston. STRANGFORD, LORD. England. 1789-1855. Blighted Love {From the Portugueoe) . STREET, ALFRED B. Poughkcepsic, N. Y., b. i8ii. Nightfall Settler, The STRODE, WILLIAM. England, 1600-1644. Kisses 106 667 156 488 781 461 682 273 278 387 2ÓI 4f2 709 186 SUCKLING, SIR JOHN. England, 1609-1641. Bride, The {A Ballad upon a IVedding) Constancy I prythee send me back my heart " why so pale and wan ? " From: — Brennoralt, 134; Against Fruition SURREY, HENRY HOWARD, EARL OF. England, 1516-1547. ** Give place, ye lovers" 123 Means to attain Happy Life, The . 211 124 146 263 801 226 68 INDEX OF AUTHORS AND TITLES. 126 156 796 993 6ri 188 148 419 770 794 SWAIN, CHARLES. England, 1803- 1874. A Violet in her Hair ..... " Smile and never heed me " From: — The Mother's Hand .... SWIFT, JONATHAN. Ireland. 1^-1745. Tonis ad resto mare " From : — Cadenus and Vanessa, 810 ; Imitation of Horace, 121; Poetry; a Rhapsody, 496. SWINBURNE. ALGERNON CHARLES. En^nd, b. 1837. Disappointed Lover, The ( Triumph of Time) Kissing her Hair Match, A . . . . ** When the hounds of spring'* . SYLVESTER, JOSHUA. England, 1563-1618. Contentment Were I as base as is the lowly plain " TALFOURD, SIR THOMAS NOON. England, 1795-1854. Sympathy {Ion) From : — I on TALHAIARN OF WALES. Where are the men ? " {Olipkanfs Trans.) 530 TANNAHILL, ROBERT. Scotland, 1774-1810. Flower o' Dumblane, The .... 148 " The midges dance aboon the bum ". . 411 TAYLOR, BAYARD. Kennett Square, Pa., 1825-1878. Arab to the Palm, The 454 Bedouin Love-Song 186 King of Thüle {From the German 0/ Goethe) 862 Possession 218 Rose, The {Hassan Ben Khaled) . 464 Song of the Camp 155 From : — National Ode 604 Publishers : Houghton, Mifflin. & Co., Boston. TAYLOR, BENJAMIN FRANKLIN. Lowville. N. Y., b. 1822. Northern Lights, The 409 TAYLOR, SIR HENRY. England, b. about 1800. Athulf and Ethilda 172 {Philip van Artevelde) . . 229 Scholar, The {Edwin the Fair) . . 766 K {Philip van Artevelde) . . 213 From: — Philip van Artevelde . . 348,812,867 TAYLOR. JANE. Encana, 1783-1824. Philosopher's Scales, The .... 862 Toad's Journal, The 851 TAYLOR, JOHN EDWARD. England, Pub. ¡852. ** If it be true that any beauteous thing " {From the Italian of Michael A ngelo Buonarotti) 135 " The might of one fair face " {From the Italian of Michael Angelo Buonarotti) . 135 TAYLOR, JEFFERYS. England, 1703-i8>3. The Milkmaid ..... TAYLOR, JEREMY. England, 1613-1667. Heaven ..... TAYLOR, TOM. England, 1817-11580. Abraham Lincoln {London Punch) TENNANT, WILLIAM. Scotland, 1784- 1848. Ode to Peace TENNYSON, ALFRED. England, b. 1810. Break, break, break " . Bugle, The (Princess) .... Charge of the Light Brigade . Come into the garden, Maud " . Dead Friend, The {In Memoriam) Death of the Old Year, The Eaçle, The Enid's Song {Idyls of tht King) . Foolish Virgins, The {Idyls of the King) 957 367 931 534 315 449 5*7 '52 113 753 483 777 754 Godiva . . 702 Hero to Leander . . . 235 "Home they brought her warrior dead" {Princess) 292 In Memoriam, Selections from . 290 Lady Clara Vere de Vere . .267 Locicsley Hall 254 Lullaby {Princess) 81 May Queen, The 327 Miner's Daughter, The {MillePs Daughter) 183 Mort d'Arthur ..... 642 New Year's Eve (/« . . 752 " ü swallow, swallow, flying south " {Princess) 171 "O, yet we trust that somehow good" {In Memoriam) 392 Retrospection {Princess) .... 315 Sleeping Beauty, The ( Drfrtw) . 174 Song of the Brook ( The Brook : an Idyl) . 446 Song of the Milkmaid {Queen Mary) . . 168 Spring {In Memoriam) .... 418 "Strong Son of God, immortal Love" {In Memoriam) ....... 393 Victor Hugo, To 926 " What does little birdie say?" {Sea Dreams)' 80 From: — Aylmer's Field, 810; Fatima, 205; In Memoriam. 309, 311, 345, 394, 397, 399i 797» 803, 807 ; International Exhibition Ode, 541 ; Land of Lands, The, 603 : Miller's Daughter, 814; "Of old sat Freedom on the heights," 602 ; On the Death of the Duke of Welling¬ ton, 940; Princess, The, 493, 721, 807; Sir Launcelot and Queen Guinevere, 721 ; To the Queen, 632. TENNYSON, FREDERICK. England. (Brotlicrof the preceding.) Blackbird, The TERRETT, WILLIAM B. Platonic . 693 119 THACKERAY, WILLIAM MAKEPEACE. England, 1811-1863, Age of Wisdom, The 202 Church Gate, At the 132 End of the Play, The 344 Little Billee 971 Mahogany Tree, The 117 Mr. Molony's Account of the Ball . . 1002 Sorrows of Werther 972 THAXTER, MRS. CELIA. Isles of Shoals. The Sandpiper. . . . . . , 482 Publishers : Houghton, Mifflin, & Co., Boston. THEOBALD, LEWIS. England, 1691-1744- From: — The Double Falsehood . .812 THOM, WILLIAM. Scotland. 1799-1850. The Milherless Baira 91 THOMSON, JAMES. Scotland. 1700- 1748. hT\^\Ti%{Tne Seasons: Spring) . . . 669 Bathing ( The Seasons : Summer) . . 669 Castle of Indolence, The {From Canto I.) . 831 Connubial {The Seasons: Spring) . 214 Domestic Birds ( 6'ííwívíí: Spring). . 470 Hymn on the Seasons 417 Plea for the Animals {The Seasons: Spring) 783 Rule Britannia 576 Songsters, The {7he Seasons: Spring) . 469 Stag Hunt, The {The Seasons: Autumn) 659 War for the Sake of Peace {Britannia) . 499 Winter Scenes (; ¡Vinter) . . 439 From: — Britannia, 541; Castle of Indolence, 489» 539, 814, 816 ; Coriolanus, 812 ; Seasons, The : Spring, 107, 489, 492, 672, 799, — Sum¬ mer, 204, 490, 631, 719, — Autumn, 492, 795,— Winter, 310, 672, 806; Song, 205. THOREAU, HENRY DAVID. Concord, Mass., 1817-1862. Mist Smoke Publishers t Houghton, Mifflin & Co.. Boston THORNBURY, GEORGE WALTER. England, 1828-1877. The Jester's Sermon 69t 691 748 INDEX OF AUTHORS AND TITLES. 69 2og 910 532 422 I 392 558 388 769 THORPE, ROSE HARTWICK. Litchñeld, Mich., b. 1840. Curfew must not ring to-night.... 180 THRALE, HESTER LYNCH Piozzi). Wales, 1740-1821. The Three Warnings 756 THURLOW9 EDWARD HOVEL, LORD. En^and, 1781-1829. Beauty 730 Bird, To a 482 TICKELL, THOMAS. Enjriand, 1686-1740. To a Lady before Marriage .... To Earl of Warwick on the Death of Addison From : ~ To a Lady, with a Present of Flowers, 134: Colin and Lucy, 311. TIMROD, HENRY. Charleston, S. C., 1829-1867. " Sleep sweetly in your humble graves " Spring in Carolina Publishers ; E. J. Hale & Son, New York. TOPLADY, AUGUSTUS. England, 1740-1778. " Love divine, all love excelling " . TOURNEUR, CYRIL. England, Time of James I. From : — The Revenger* s Tragedy TRENCH, RICHARD CHENEVIX. Ireland, b. 1807. Different Minds ...... Harniosan ....... TROWBRIDGE, JOHN TOWNSEND. Ogden, N. Y., b. 1827. Dorothy in the Garret 251 Vagabonds, The 547 Publishers ; Harper iS: Brothers, New York. TRUMBULL, J. Woodbury, Conn., 1750-1831, From: — McFingal, 671, 793. TUCKERMAN, HENRY THEODORE. Boston, Mass., 1813-1871. Newport Beach 692 Publi.shers : Houghton, Mifflin, & Co., Boston. TUPPER, MARTIN FARQUHAR. England, b. i8io. Cruelty to Animals, Of {Prov. Philosophy) •. 782 From:—Of Education, 107; Of Immortality 394 TURNER, CHARLES TENNYSON. England, 1808-1879. Brother of Alfred Tennyson. The Ocean TUSSER. THOMAS. England, 1523-1380. From: — Farmer's Daily Diet, 232; Good Husbandry Lessons, 347, 394, 672, 802 ; Winds, The, 802 ; Wiving and Thriving, 214. TVCHBORN, CHIDIOCK. England. Lines written by One in the Tower UDALL, NICHOLAS. England, 1506-1364. From: — Translations from Erasmus, 540 UHLAND, LUDWIG. Germany, i787-'i8.>2. Landlady's Daughter, The {DwighPs Trans.) 142 Passage, The {Sarah Ansíenos Translation) • 291 UPTON, JAMES. England, 1670-1749. The Lass of Richmond Hill VAUGHAN, HENRY. England, 1621-1695. They are all gone VENABLE, W. H. America. Welcome to ** Boz," A VERY, JONES. Salem, Mass., b. 1813. Latter Rain, The Nature 631 745 149 274 925 433 403 Spirit Land, The 3^8 VICENTE, GIL. Portugal, 1482-1537. , ^ . The Nightingale {Sir John Bowrin^s Trans. ) 479 VINCI, LEONARDO DA. Italy, 1452- 1519. Perseverance IV. Story''s Translation) . 781 VISSCHER, MARIA TESSELSCHADE. Holland, 1594-1649. The Nightingale {Sir John Bowring s Trans.) 479 WALLER, EDMUND. England, 1605-1687. Girdle, On a 125 Go, Lovely Rose ! 125 Old Age and Death ( Upon his Divine Poesy) 755 From ; — Divine Love, 399 ; On the King's Re¬ turn, 798 ; To a Lady singing a Song of his Composing, 134; Upon Roscommon's Trans¬ lation of Horace's De Arte Poética, 806; Verses upon his Divine Poesy, 794; " While I listen to thy voice," 399. WALLER. JOHN FRANCIS. Ireland, D. i8io. " Dance light " 174 The Spinning-Wheel Song .... 173 WALSH, WILLIAM. En^and, 1663-1707. Rivalry in Love 147 WALTON, IZAAK. (See also John Chalkhill.) England, 1593-1683. The Angler's Wish . . ... 668 WARTON, THOMAS. England, 1728-1790. Retirement 406 WASSON, DAVID A. Love against Love ..... 790 WASTELL, SIMON. England, d. 1623. Man's Mortality 302 WATSON, JAMES W. America. Beautiful Snow 334 Wounded to Death. .... 526 WATTS, ISAAC. England, 1674-1749. Cradle Hymn, A 76 Insignificant Existence 751 Summer Evening, A 431 From: — Divine Songs, 395, 398; Funeral Thought, 308, 310; Glory to the Father and Son, 394 ; Horae Lyric®, 807 ; Hymns and Spiritual Songs, 794, 799 ; Sluggard, The, 815; Song XVI., 108; Song XX., io8- WAUGH, EDWIN. England, 1817. (Called *' The Lancashire Poet.") The dule's i'this bonnet o'mine " . • 196 WEBSTER, DANIEL. Salisbury, N. H., 1782-1852. The Memory of the Heart .... 112 From : — Address before the Sons of New Hampshire 939 WEBSTER. JOHN England, about xóoo. From: — Duchess of Malfy, 121, 232; The White Devil, 495 WEIR, HARRISON. England. Pub. 1S65. The English Robin 475 WELBY, AMELIA B COPPUCK. St. Michaels, Md.. 1821-1852. Old Maid, The 790 Twilight at Sea ...... 610 WESLEY, CHARLES. England, 1708-^88. Wrestling Jacob 37* WESLEY, JOHN. England, 1703-1791. The Love of God Supreme . . . • 39® WESTWOOD, THOMAS. England, b. 1814. Little Bell 88 " Under my window " 8S WHEWELL, WILLIAM, England, 1795-1866. Physics 99« [fi- 70 INDEX OF AUTHORS AND TITLES. -a WHITCHER, FRANCES MIRIAM. Whitesboro", N. Y., 1812-1852. Widow Bedott to Elder Sniffles . , . 995 WHITE, JOSEPH BLANCO. Spain, b. 1775, d. England. 1841 Night 415 WHITE, HENRY KIRKE. England, 1785- 1806. Early Primrose, To the 461 Harvest Moon, To the .... 550 WHITMAN, SARAH HELEN. Providence. R. I., b. 1803. A Still Day in Autumn ... 692 WHITMAN, WALT. West Hills. N. v.. b. 1819. The Mocking-Bird (" O«/ of thé cradle^^) . 470 WHITNEY. ADELINE D. TRAIN. Boston, b. 1824. Jack Horner (^MotJur Goose for Grown Folks) 973 Publishers : Roberts Bros. WHITTIER, JOHN GREENLEAF. Haverhill. Mass., b. 1807. Absent Sailor, To her Tent on the Beack) 241 Agassiz, Prayer of 936 Angel of Patience, The . 275 . Barbara Frietchie 596 Barclay of Ury 536 Barefoot Boy, The 99 Benedicite zii Brown of Ossawatomie 599 Bums 914 Fremont, John C 935 Halleck, Fitz-Greene ... 937 Hampton Beach 609 Ichabod 929 Laus Deo! . .... 597 Maud Muller. 158 Meeting, The 378 New England in Winter {Snow-Bound) . 436 Palm-Tree, The 455 Pumpkin, The 459 Reformer, The 600 Thy Will be Done 375 From: — Centennial Hymn, 604; Democracy, 813 ; Eve of Election, 603, 719 ; Snow-Boundi, 807. Publishers : Houghton, Mifflin, & Co., Boston. WILCOX, CARLOS. Newport, N. H., 1794- 1827. God everywhere in Nature .... 488 WILDE, RICHARD HENRY. Ireland, b. 1789 ; d. New Orleans, La.. 1847. Life . . . • 743 WILLIS, NATHANIEL PARKER. Portland, Me., 1807-1867. Belfry Pigeon, The 47^ Leper, The 70* Parrhasius ... ... 881 Women, Two 333 Publishers : Clark & Maynard, New York. WILLSON, ARABELLA M. Canandaigua. N. Y. To the " Sextant " 1001 WILLSON, BYRON FORCEYTHE. ' America, 1837-1867. In State . . 523 WILMOT, JOHN. See Rochester, Earl of, WILSON, HORACE HAYMAN. England, 1786-1860. j Woman {From Sanskrit of Càîidàsa) . 776 WILSON. JOHN {Kit ox Christopher North). Scotlana, 1785-1854. Evening Cloud, The ..... 692 Rose and the Gauntlet, The 884 WINKWORTH. CATHARINE. Scotland, b. 1829. Veni Sánete Spiritus {From the Latin) - • 356 WINTER, WILLIAM. Beauty . - 769 WITHER, GEORGE. England, 1588-1667. " Lord ! when those glorious lights I see** . 376 Shepherd*s Resolution, The . . . 193 Upon a Stolen Kiss 186 From: — Christmas, 816 ; The Shepherd's Hunt¬ ing, 803. WOLCOTT, or WOLCOT, JOHN {PeUr Pindar). England, 1738-1819. Chloe, To 192 Pilgrims and the Peas, The .... 953 Razor-Seller, The 954 Sleep 761 WOLFE, CHARLES. Ireland, 1791-1823. Burial of Sir John Moore. . . , 920 WOODWORTH, SAMUEL. Scituate, Mass., 1785-1842. The Old Oaken Bucket 100 WOOLSEY, SARAH CHAVHiCEY {Susan Coolid^e). New Haven, Conn. Now living. In the Mist . 823 When? 381 Publishers : Roberts Brothers, Boston. WORDSWORTH, WILLIAM. England, 1770-1850. Cuckoo, To the . 472 ' DafTodils 464 - Hart-leap Well 660 Highland Girl at Inversneyde, To a . . 105-' Inner Vision, The 767 Lucy Z04 - Milton, To ....... 907 Rainbow, The . 432- She was a phantom of delight " 128- Skylark, To the ...... 474-. Sleeplessness . . ... ^3- Sonnet composed upon Westminster Bridge 678 Sonnet, The 907 " There was a time " 757... ^ The world is too much with us " - 403 ■. Three years she grew ". . ' . . 103 - Tintem Abbey 403 ^ To a Child .89 Toussaint l'Ouverture, To . . 921 Vrikxíown Poets {Excursion) .... 766 -s Walton's Book of Lives {Eccles. Sonnets) . 908 We are Seven 87 From: — Character of the Happy Warrior, 540; Dion, 868 ; Early Spring, 492, 495 ; Ecclesias¬ tical Sonnets, 809, 939; Ellen Irwin, 311 ; Ex¬ cursion, The, 309» 396, 397» 398, 399, 494, 631, ^3, 798, 801, 806, 808, 867 ; Expostulation and Reply, 397 ; Extempore Effusion on the Death of James Hogg, 309 ; Influence of Natural Ob¬ jects, 672 ; Lao- damia, 203, 206, 399 ; Lines added to ** The Ancient Mariner/' 108 ; Lines written in Ear¬ ly Spring, 492, 495 ; Miscellaneous Sonnets, 489; " My heart leaps up," 107: Nutting, 490; Ode to Duty, 797 ; Old Cumberland Beggar, 489; On the Subjugation of Switzerland, 4931 Personal Talk, 805 ; Peter Bell, 490, 495 » Poems dedicated to National Independence, 602 : Poems in Summer of 1833, 495 ; Poet's Epitaph, 205 ; Prelude, The, 4to ; Resolution and Independence, 807 ; Sky Prospect, 491 ; Sonnet composed at —— Castle, 494 • Sonnet XXXV., 398; Sparrow's Nest, The, 231; Tables turned, The, 494 ; Thoughts suggested on the Banks of Nith, 398 ; To , 206 ; To a Butterfly, 108 ; To the Daisy, 495 '> To Sir G. H. B., 348 ; To a Young Lady, 311, 723 ; Triad, The, 721 ; Written in London, Septem¬ ber, x8o2, 814; Yarrow Unvisited, 493« WOTTON. SIR HENRY. England, 1568-T639. ^ Character of a Happy Life, The • 73" In Praise of Angling . . . • 667 To his Mistress 124 From : — The Death of Sir Albert Morton's Wife 312 WROTHER, MISS. From: — The Universal Songster • • 271 WYATT, SIR THOMAS. England. 1503-1542. Earnest Suit, An • - . . • ^4P XAVIER, ST. FRANCIS. France. 1506-1552. " My God, I love thee " [CaswaU*s Trans.) . 360 B- ■4 INDEX OF AUTHORS AND TITLES. -a 71 , YALDEN, or VOULDING, THOMAS. England, i669»7o-1736. From : — Against Enjoyment 801 YOUNG, DR. EDWARD. England, 1684-1765. Man {Night Thoughts) 776 Narcissa 106 Procrastination {Night Thoughts) . . 748 Time {Night Thoughts) .... 747 From: — Epistle to Mr. Pope, 347, 798; Last Day, The, 398 ; Love of Fame, 215, 347, 541, 793, 804, 810, 815; Night Thoughts, 120, 232, 308, 309, 310, 312, 345» 348, 395» 398» 399» 489» 491, 492, 792, 794, 798, 799, 801, 816. YOUNG, SIR J. Epitaoh on Ben Jonson 939 ANONYMOUS. Anne Hathaway 904 A Voice and Nothing Else .... 923 Bellagcholly Days 1016 Books {KaUder 0/Sheperdes) . . 767 Constancy . 713 Cooking and Courting .... 301 Cosmic Egg, The 991 Cradle Song 77 Dreamer, The {Poems by a Seamstress) . 330 Drummer-Boy's Burial, The .... 528 Duty . 557 Echo and the Lover. X014 Edwin and Paulinus {Conversion of North- umbria) ...... 389 Eggs and the Horses, The . . . 955 Faithful Lovers, The aoi Fetching Water from the Well . . 169 Fine Old English Gentleman . 959 Flotsam and jetsam .... 621 George Washington ..... 928 Girlhood 711 •* Go, feel what I have felt " ... 546 Good By 233 Grief for the Dead 272 Indian Summer 434 Inscription on Melrose Abbey . . . 307 King John and the Abbot of Canterbury . 943 Kissing's no Sin 187 ** Rock of Ages," p. 367, in a previous edition in« Springfield, Mass. "The Babie," on p. 79, in former Washington, D. C., b. New Hampshire, 1828. Kitty of Coleraine 187 Lady Ann Bothwell's Lament . . 269 Lament of the Border Widow . . - . 638 Life's Love, A ..... • 972 Little Feet 77 Love lightens Labor 220 Loveliness of Love, The 14z " Love me little, love me long " ... 141 " Love not me for comely grace " . . . 141 Modern House that Jack built, The . . loii My Love . . . . • . 1012 My sweet Sweeting (temp. Henry VÍ//,) . 123 Not one to spare ..... 230 Nursery Rhymes ...... 993 Old-School Punishment . ... 99 Origin of the Opal 865 Parting Lovers, The {IV. R. Alger's Trans.) 236 Passage in the Life of St. Augustine . . 362 Praxiteles {From the Greek) .... 903 Remonstrance with the Snails . . 486 Revelry of the Dying 898 Robin Hood and Allan-a-Dale . . . 638 Sea Fight, The . . . ' . . . 612 Seaside Well, The ... . 739 Siege of Belgrade 1013 Silent Baby ....... 78 Skater Belle, Our . ..... 670 Skeleton, To a 761 Somebody ....... 170 Somebody's Darling . . 531 Stormy Petrel, Lines to the .... 483 Summer Days ..... 160 Swell's Soliloquy 1001 Tell-tale, The 476 " They are dear fish to me " .... 282 Unsatisfactory 194 Useful Plough, The 551 Vicar of Bray, The . . . . 945 "Waly, waly, but love be bonny" . . . 268 " When I think on the happy days " , , 247 " When shall we all meet again ? " . . . 322 " Where are you going, iny pretty maid?" . 958 White Rose, The . . . . . 123 "Why, lovely charmer" . . 146 Wife to her Husband, The .... 244 Woman 975 From : — Battle of the Boyne, The, 602 ; Epigram on Matrimony, 232 ; On Tobacco, 814. as Anonymous, was written by Prof. Edward H. Rice, ns ascribed to Hugh Miller- w by Rev. J. £. Rankim, POEMS OF CHILDHOOD AND YOUTH. [& ^Kyt^TC' ^^^ipvz^ ^á/0^ Ct/K^fí¿ ^ato 1 iti ■/•ttvyw^ W-iaJU^ O^'^lmAAS Sh- C^ticaA>Jb ÍEL/ÍÁXÍ' I'&t- ^accffi*^ j^vtoah C^-juí, cLP/i^ ^áj n.tf-tv/Ä. a- /m^íu líGí/KU-d nra/*íJdiiM*y^ i\fiVß no tfyjL' iíojílíu) 0^ m/tiAz. 0UxJ/ (^£tû^in\.eJ^ t/^ÊMÎO/^ i^X' duioJxCn^ "fcußji^ ^ ÁeJjít' ci. ctncrêJ- 0^ iiayijukh -H^^Jl/l «nVFPFTPH" She came, and brought delicious May. THE HOUSEHOLD SOVEREIGN. swallows built beneath the eaves ; from "the hanging op the crane." Like sunlight. In and out the leaves The robins went the livelong day ; Seated I see the two again. The lily swung its noiseiess bell; But not alone ; they entertain And o'er the porch the trembling vine A little angel unaware. Seemed burstmg with its veins of wine. With face as round as is the moon ; How sweetly, softly, twilight fell ! A royal guest with flaxen hair, earth was fuli of singing-birds Who, throned upon his lofty chair. And opening spring-tide flowers. Drums on the table with his spoon. When the dainty Baby Beil Then drops It careless on the floor. Came to this world of ours 1 To grasp at things unseen before. Are these celestial manners Î these 0, Baby, dainty Baby Bell, The ways that win, the arts that please ? How fair she grew from day to day I Ah. yes ; consider weU the guest. What woman-nature fiUed her eyes. And whatsoe'er he does seems best ; What poetry within them iay I He mleth by the right divine Those deep and tender twiiight eyes. Of helplessness, so lately born So full of meaning, pure and bright In purple chambers of the mom. As if she yet stood in the iight As sovereign over thee and thine. Of those oped gates of Paradise. He speaketh not, and yet there lies And so we loved her more and more : A conversation in his eyes ; Ah, never in our hearts before The golden silence of the Greek, Was love so lovely bom ; The gravest wisdom of the wise. We felt we had a link between Not spoken in language, but in looks This real world and that unseen— More legible than printed books. The land beyond the mom ; J 1 80 POEMS OF CHILDHOOD AND YOUTH. And for the love of those dear eyes, For love of her whom God led forth (The mother's being ceased on earth When Baby came from Paradise), — For love of Him who smote our lives, And woke the choi'ds of joy and pain. We said. Dear Christ ! — oui- hearts bent down Like violets after rain. And now the orchards, wliich were white And red with blossoms when she came. Were rich in autumn's mellow prime ; The clustered apples burnt like flame. The soft-cheeked peaches blushed and fell, The ivory chestnut burst its shell. The grapes hung purpling in the gi'ange ; And time wrought just as rich a change In little Baby Bell. Her lissome fomr more perfect grew. And in her features we could trace. In softened curves, her mother's face. Her angel-nature ripened too ; We thought her lovely when she came, But she was holy, saintly now : — Around her pale angelic brow We saw a slender ring of flame ! God's hand had taken away the seal That held the portals of her speech ; And oft she said a few strange words Whose meaning lay beyond our reach. She never was a child to us. We never held her being's key ; IVe could not teach her holy things ; She was Christ's self in purity. It came irpon us by degrees, We saw its shadow ere it fell, — The knowledge that our God had Sent His messenger for Baby Bell. We shuddered with unlanguaged pain. And all our hopes were changed to fears. And all our thoughts ran into tears Like sunshine into rain. We cried aloud in our belief, " 0, smite us gently, geutly, God ! Teach us to bend and kiss the rod. And perfect grow through grief." Ah, how we loved her, God can tell ; Her heart was folded deep in ours. Our hearts are broken. Baby Bell ! At last he came, the messenger. The messenger from unseen lands : And what did dainty Baby Bell ? She only crossed her little hands. She only looked more meek and fair ! We parted back her silken hair. We wove the roses round her brow, — White buds, the summer's drifted snow, — Wrapt her from head to foot in flowers ! And thus went dainty Baby Bell Out of this world of ours ! Thomas Bailey Aldrich. NO BABY IN THE HOUSE. No baby in the house, 1 know, 'T is far too nice and clean. No toys, by careless fingera strewn. Upon the floors are seen. No finger-marks are on the panes. No scratches on the chairs ; No wooden men set up in rows. Or marshalled off in pairs ; No little stockings to be darned. All ragged at the toes ; No pile of mending to be done. Made up of baby-clothes ; No little troubles to be soothed ; No little hands to fold ; No grimy fingers to be washed ; No stories to be told ; No tender kisses to be given ; No nicknames, " Dove " and " Mouse ; No merry frolics after tea, — No baby in the house ! Clara G. Dolliver WHAT DOES LITTLE BIRDIE SAY? from " sea dreams. ' What does little birdie say In her nest at peep of day ? Let me fly, says little birdie. Mother, let me fly away. Birdie, rest a little longer, Till the little wings are stronger. So she rests a little longer, Then she flies away. What docs little baby say. In her bed at peep of day ? Baby says, like little birdie. Let me rise and fly away. Baby sleep, a little longer. Till the little limbs are stronger, If she sleeps a little longer. Baby too shall fly away. ALFRED TENNYSON. INFANCY. 81 ON THE PICTURE OF AN INFANT playing near a precipice. While on the cliff with calm delight she kneels, And the blue vales a thousand joys recall, See, to the last, last verge her infant steals ! O, fly — yet stir not, speak not, lest it fall. — Far better taught, she lays her bosom bare, And the fond boy springs back to nestle there. LEONIDAS of Alexandria (Creek). Translation of SAMUEL Rogers. LULLABY. from " the princess." Sweet and low, sweet and low, Wind of the western sea. Low, low, breathe and blow. Wind of the western sea ! Over the rolling waters go. Come from the dying moon, and blow. Blow him again to me ; While my little one, while my pretty one, sleeps. Sleep and rest, sleep and rest. Father will come to thee soon ; Rest, rest, on mother's breast. Father will come to thee soon ; Father will come to his babe in the nest. Silver sails all out of the west Under the silver moon : Sleep, my little one, sleep, my pretty one, sleep. Alfred Tennyson. THE ANGEL'S WHISPER. In Ireland they have a pretty fancy, that, when a child smiles in its sleep, it is " talking with angels." A baby'was sleeping J Its mother was weeping ; For her husband was far on the wild raging sea ; And the tempest was swelling Round the flsherman's dwelling ; And she cried, " Dcrmot, darling ! 0 come back to me ! " Her beads while she numbered The baby stül slumbered. And smiled in her face as she bended her knee : " 0, blessed be that warning. My child, thy sleep adorning, — For 1 know that the angels arc whispering with thee. " And while they Me keeping Blight watch o'er thy sleeping. 0, pray to them softly, my baby, with me, — And say thou wouldst rather They'd watch o'er thy father ! For I know that the angels are whispering to thee." The dawn of the morning Saw Dermot returning. And the wife wept with joy her babe's father to see ; And closely caressing Her child with a blessing. Said, " 1 knew that the angels were whispering with thee." samuel i.over. MOTHER AND CHILD. , ' < < * The wind blew wide the casement, and within — It was the loveliest picture ! — a sweet child Lay in its mother's arms, and drew its life. In pauses, from the fountain, — the white round Part shaded by loose tresses, soft and dark. Concealing, but still showing, the fair realm Of so much rapture, as green shadowing trees With beauty shroud the brooklet. The red lips Were parted, and the cheek upon the breast Lay close, and, like the young leaf of the flower. Wore the same color, rich and warm and fresh : — And such alone are beautiful. Its eye, A full blue gem, most exquisitely set. Looked archly on its world, — the little imp. As if it knew even then that such a wreath W ere not for all ; and with its playful hands It drew aside the robe that hid its realm. And peeped and laughed aloud, and so it laid Its head upon the shrine of such pure joys. And, laughing, slept. And while it slept, the tears Of the sweet mother fell upon its cheek, — Tears such as fall from April skies, and bring The sunlight after. They were tears of joy ; And the true heart of that young mother then Grew lighter, and she sang unconsciously The silliest ballad-song that ever yet Subdued the nursery's voices, and brought sleep To fold her sabbath wings above its couch. William Gilmore Simsis. BABY ZULMA'S CHRISTMAS CAROL. A lighter scarf of richer fold The morning flushed upon our sight. And Evening trimmed her lamps of gold From deeper springs of purer light ; And softer drips bedewed the lea. And whiter blossoms veiled the tree. [& 82 POEMS OF CHILDHOOD AND YOUTH. ■a And bluer waves danced on the sea When baby Zulma came to be ! The day before, a bird had sung Strange gi-eetings on the roof and flown ; And Night's immaculate priestess flung A diamond from her parted zone Upon the crib beside the bed, Whereunto, as the doctor said, A king or queen would soon be led By some sweet Ariel overhead. Ere yet the sun had crossed the line When we, at Aries' double bai-s, Behold him, tempest-beaten, shine In stormy Libra's triple stara : What time the hillsides shake with corn And boughs of fruitage laugh unshorn And cheery echoes wake the morn To gales of fragrance harvest-bom. In storied spots of vernal flame And breezy realms of tossing shade. The tripping elves tumultuous came To join the fairy cavalcade : From blushing chambers of the rose, And bowers the lily's buds enclose. And nooks and dells of deep repose. Where human sandal never goes. The rabble poured its motley tide : Some upon airy chariots rode. By cupids showered from side to side. And some the dragon-fly bestrode ; While troops of virgins, left and right. Like microscopic trails of light. The sweeping pageant made as bright As beams a rainbow in its flight ! It passed : the bloom of purple plums Was rippled by trumpets rallying long O'er beds of pinks ; and dwarfish dnims Struck all the insect world to song : The milkmaid caught the low refrain. The ploughman answered to her strain. And every warbler of the plain The ringing chorus chirped again ! Beneath the sunset's faded arch. It fomed and filed within our- porch. With not a ray to guide its march Except the twilight's silver torch : And thus she came from clouds above, With spirits of the glen and grove, A flower of grace, a cooing dove, A shrine of prayer and star of love ! A queen of hearts ! — her mighty chains Are beads of coral round her strung. And, ribbon-diademed, she reigns, Commanding in an imknown tongue : The kitten spies her cunning ways. The patient cur romps in her plays. And glimpses of her earlier days Are seen in picture-books of fays. To fondle all things doth she choose. And when she gets, what some one sends, A trifling gift of tiny shoes. She kisses both as loving friends ; For in her eyes this orb of care. Whose hopes are heaps of frosted hair. Is but a garland, trim and fair. Of cherubs twining in the air. 0, from a soul suffused with tears Of trust thou mayst be spared the thorn Which it has felt in other years, — Across the mom our Lord was bora, I waft thee blessings ! At thy side May his invisible seraphs glide ; And teU thee still, whate'er betide. For thee, for thine, for all. He died ! Augustus Julian Requibk. BABY'S SHOES. 0, THOSE little, those little blue shoes ! Those shoes that no little feet use. 0 the price were high That those shoes would buy, Those little blue unused shoes ! For they hold the small shape of feet That no more their mother's eyes meet. That, by God's good will, Yeai-s since, grew stUl, And ceased from their totter so sweet. And O, since that baby slept. So hushed, how the mother has kept. With a tearfid pleasure. That little dear treasure. And o'er them thought and wept ! For they mind her forevermore Of a patter along the floor ; And blue eyes she sees " Look up from her knees With the look that in life they wore. As they lie before her there. There babbles from chair to chair A little sweet face That's a gleam in the place. With its little gold curls of hair. -S INFANCÏ. 83 Then O wonder not that her heart From all else would rather part Than those tiny blue shoes That no little feet use, And whose sight makes such fond tears start ! William Cox Bennett. OUR WEE WHITE ROSE. All in our marriage garden Grew, smiling up to God, A bonnier flower than ever Suekt the green warmth of the sod ; 0, beautiful unfathomably Its little life unfurled ; And crown of all things was our wee White Rose of all the world. From out a balmy bosom Our bud of beauty gi'ew ; It fed on smiles for sunshine. On tears for daintier dew : Aye nestling warm and tenderly. Our leaves of love were curled So close and close about our wee White Rose of all the world. With mystical faint fragrance Our house of life she filled ; Revealed each hour some fairy tower Where winged hopes might build ! We saw — though none like us might see — Such precious promise pearled Upon the petals of our wee White Rose of all the world. But evermore the halo Of angel-light increased. Like the mystery of moonlight That folds some fairy feast. Snow-white, snow-soft, snow-silently Our darling bud upcurled. And dropt i' the grave — God's lap — our wee White Rose of all the world. Our Rose was but in blossom. Our life was but in spring. When down the solemn midnight We heard the spirits sing, " Another bud of infancy With holy dews impearled ! " And in their hands they bore our wee White Rose of all the world. You scarce could think so small a thing Could leave a loss so large ; Her little light such shadow fling From dawn to sunset's marge. In other springs our life may be In bannered bloom unfurled. But never, never match our wee White Rose of aU the world. Gerald Massey. WILLIE WINKIE. Wee Willie Winkie rins through the town. Up stairs and doon stairs, in his nicht-gown, Tirlin' at the window, cryin' at the lock, " Are the weans in their bed ?—for it's now ten o'clock." Hey, Willie Winkie ! are ye comin' ben ? The cat's singin' gay thrums to the sleepin' hen. The doug's speldered on the floor, and disna gie a cheep ; ' But here's a waukrife laddie, that winna fa' asleep. Ony thing but sleep, ye rogue; — glow'rin' like the moon, Rattlin' in an aim jug wi' an aim spoon, Rumblin', tnmblin' roun' about, crawin' like a cock, Skirlin' like a kenna-what — wauknin' sleepin' folk! Hey, Willie Winkie ! the wean's in a creel ! Waumblin' aff a bodie's knee like a vera eel, Ruggin' at the cat's lug, and ravellin' a' her thrums ; Hey, Willie Winkie ! — See, there he comes ! Wearie is the mither that has a storie wean, A wee stumpie stoussie, that canna rin his lane. That has a battle aye wi' sleep, before he '11 close an ee ; But a kiss frae aff his rosy lips gies strength anew to me. WILLIAM Miller. THE MOTHER'S HEART. When first thou earnest, gentle, shy, and fond. My eldest born, first hope, and dearest treasure, My heart received thee with a joy beyond All that it yet had felt of earthly pleasure ; Nor thought that any love again might be So deep and strong as that I felt for thee. Faithful and trae, with sense beyond thy years. And natural piety that leaned to heaven ; Wrung by a harsh word suddenly to tears. Yet patient to rebuke when justly given; Obedient, easy to be reconciled, And meekly cheerful ; such wert thou, my child ! POEMS OF. CHILDHOOD AND YOUTH, Not willing to be left — still by my side, Haunting my walks, while summer-day was dying ; Nor leaving in thy turn, but pleased to glide Through the dark room where I was sadly lying; Or by the couch of pain, a sitter meek. Watch the dim eye, and kiss the fevered cheek. 0 boy ! of such as thou are oftenest made Earth's fragile idols ; like a tender flower. No strength in all thy freshness, prone to fade. And bending weakly to the thunder-shower ; Still, round the loved, thy heart found force to bind. And clung, like woodbine shaken in the wind ! Then thou, my merry love, — bold in thy glee. Under the bough, or by the ñrelight dancing. With thy sweet temper, and thy spirit free, — Didst come, as restless as a bird's wing glan¬ cing. Full of a wild and frrepressible mirth. Like a young sunbeam to the gladdened earth ! Thine was the shout, the song, the burst of joy. Which sweet from childhood's rosy lip re- soundeth ; Thine was the eager spirit naught could cloy. And the glad heart from which all grief re- boundeth ; And many a mirthful jest and mock reply Lurked in the laughter of thy dark-blue eye. And thine was many an art to win and bless. The cold and stern to joy and fondness warm¬ ing ; The coaxing smile, the frequent soft caress, The earnest, teaiiul prayer all wrath disarm¬ ing ! Again my heart a new affection found. But thought that love with thee had reached its bound. At length thou earnest, — thou, the last and least. Nicknamed " the Emperor " by thy laughing brothers. Because a haughty spirit swelled thy breast, And thou didst seek to rule and sway the others. Mingling with every playful infant wile A mimic majesty that made us smile. And O, most like a regal child wert thou ! An eye of resolute and successful scheming ! Fair shoulders, curling lips, and dauntless brow. Fit for the world's strife, not for poet's dream¬ ing; And proud the lifting of thy stately head. And the firm bearing of thy eonscious tread. Different from both ! yet each succeeding elaim I, that all other love had been forswearing. Forthwith admitted, equal and the same ; Nor injured either by this love's comparing. Nor stole a fraction for the newer call, — But in the mother's heart found room for all ! Caroline E. Norton. THE MOTHER'S HOPE. Is there, when the winds are singing In the happy summer time, — When the raptured air is ringing With Earth's music heavenward springing, Forest chirp, and village chime, — Is there, of the sounds that float Unsighingly, a single note Half so sweet and clear and wild As the laughter of a child ? Listen ! and be now delighted : Morn hath touched her golden strings ; Earth and Sky their vows have plighted ; Life and Light are reunited Amid countless carollings ; Yet, delicious as they are. There's a sound that's sweeter far, — One that makes the heart rejoice More than all, — the human voice ! Organ finer, deeper, clearer. Though it be a stranger's tone, — Than the winds or waters dearer. More enchanting to the hearer. For it answereth to his own. But, of all its witching words. Sweeter than the song of birds. Those are sweetest, bubbling wild Tlu-ough the laughter of a chUd. Haimonies from time-touched towem. Haunted strains from livulets. Hum of bees among the flowers. Rustling leaves, and silver showers, — These, erelong, the ear forgets ; But in mine there is a sound Ringing on the whole year round, — Heart-deep laughter that I heard Ere my child could speak a word. Ah ! *t was heard by ear far purer, Fondlier formed to catch the strain, — Ear of one whose love is surer, — Hers, the mother, the endurer Of the deepest share of pain ; ^ r J ' ' n CHILDHOOD. 85 Hers the deepest bliss to treasure " Pitty much," answered the sweet little one ; Memories of that cry of pleasure " 1 cannot tell so much things 1 have done, — Hers to hoard, a lifetime after. Played with my dolly and feeded my Bun. Echoes of that infant laughter. " And 1 have jumped with my little jump-rope, 'T is a mother's large affection And 1 made out of some water and soap Hears with a mysterious sense, — Bufitle worlds ! mamma's castles of Hope. Breathings that evade detection. Whisper faint, and fine inflection, " And I have readed in my picture-hook. Thrill in her with power intense. And little Bella and 1 went to look Childhood's honeyed words untaught For some smooth stones by the side of the brook. Hiveth she in loving thought, — Tones that never thence depart ; " Then 1 comed home and I eated my tea, For she listens — with her heart. 1 climbed up to my grandpapa's knee. iJiMAN BLANCHARD. 1 jcs as tired as tired can be." —♦— Lower and lower the little head pressed. Until it drooped upon grandpapa's breast ; THE PIPER. Dear little Goldenhair ! sweet be thy rest ! Piping down the vaUeys wild, theVthings thaiwe do Pipmg songs of pleasant glee, J On a cloud I saw a child, That sees all our weakness, and pities it too. And he laughing said to me : — + 1 V »» grant that when night overshadows our way, x^ipe a son^ aooux a xamo. . v i sv ^ n v . > ^ o T • J •., , And we shall be called to account for our day, » °p-,, He shall find us as guileless as Goldenhair's play ! " Piper, pipe that song again ; ° ^ So I piped : he wept to hear. And 0, when aweary, may we be so blest " Drop thy pipe, thy happy pipe, As to sink like the innocent child to our rest. Sing thy son^s of happy cheer : " And feel ourselves clasped to the Infinite breast ! So 1 sung the same again, smith. While he wept with joy to hear. —.— " Piper, sit thee down and write tjje GAMBOLS OF CHILDREN. In a book that all may read — " So he vanished from my sight ; Down the dimpled greensward dancing,' And 1 plucked a hollow reed. Bursts a flaxen-headed bevy^ — Bud-lipt'boys ami girls advancing. And I made a rural pen. Love's irregular little levy. , And I stnined the water clear. And 1 wrote my happy songs Rows of liquid eyes in laughter. Every child may joy to hear. How they glimmer, how they quiver william blake. Sparkling one another after, J Take blight ripples on a river. LITTLE GOLDENHAIR. Tipsy band of mbious faces. Flushed with Joy s ethereal spmt. Goldenea,ir climbed up on grandpapa's knee ; Make your mocks and sly grimaces Dear little Goldenhair ! tired was she. At Love's self, and do not fear it. AU the day busy as busy could be. george darlev. —«— Up in the morning as soon as 'twas light. Out with the birds and butterflies bright, UNDER MY WINDOW Skipping about tiU the coming of night. Under my window, under my window. Grandpapa toyed with the curls on her head. AU in the Midsummer weather, " What has my baby been doing," he said. Three little girls with fluttering curls " Since she arose, with the sun, from her bed ? " FUt to and fro together : — ' 1-r r ] 1 LJ •' LJ d r -| J T 86 POEMS OF CHILDHOOD AND YOUTH. There's Bell with her bonnet of satin sheen, " 0 God !" she cried in accents wild, And Maud with her mantle of silver-green, "If I must perish, save my child 1 " And Kate with her searlet feather. She stripped her mantle from her breast. Under my window, under my window, And bared her bosom to the storm. Leaning stealthily over. And round the child she wrapped the vest. Merry and clear, the voice I hear. And smiled to think her babe was warm. Of each glad-hearted rover. With one cold kiss, one tear she shed. Ah I sly little Kate, she steals my roses ; And sunk upon her snowy bed. And Maud and Bell twine wreaths and posies, As merry as bees in clover. At dawn a traveller passed by. And saw her 'neath a snowy veil ; Under my window, under my window. The frost of death was in her eye. In the blue Midsummer weather, Her cheek was cold and hard and pale. Stealing slow, on a hushed tiptoe. He moved the robe from off the child, — I catch them all together : The babe looked up and sweetly smiled ! Bell with her bonnet of satin sheen, seba smith. And Maud with her mantle of silver-green, And Kate with the scarlet feather. „ , . , , . ^ SEVEN TIMES FOUR. Under my window, under my window. And off through the orchard closes; maternity. While Maud she flouts, and Bell she pouts. Heigh-ho I daisies and buttercups. They scamper and drop their posies ; pair yellow daffodils, stately and taU ! But dear little Kate takes naught amiss. When the wind wakes, how they rock in the And leaps in my arms with a loving kiss, grasses And 1 give her all my roses. dance with the cuckoo-buds slender and Thomas Westwood. ,, . small I ♦ Here's two bonny boys, and here's mothers ptttt "nirnntl own lasses, CHILDHOOD. In my poor mind it is most sweet to muse Upon the days gone by ; to act in thought Heigli-ho I daisies and buttercups ! Past seasons o'er, and be again a child ; Mother shall thread them a daisy chain ; To sit in fancy on the turf-clad slope. Sing them a song of the pretty hedge-sparrow, Down which the child would roll ; to pluck gay That loved her brown little ones, loved them flowers, > Make posies in the sun, which the child's hand Sing, " Heart, thou art wide, though the house (Childhood offended soon, soon reconciled), narrow," — Would throw away, and straight take up again. Sing once, and sing it again. Then fling them to the winds, and o'er the lawn . , , , . . Bound with so playful and so light a foot, Heigh-ho ! daisies and buttercups, That the pressed daisy scarce declined her head. ^aggmg cowslips, they bend and they Charles Lamb. > 1 A ship sails afar over warm ocean waters. And haply one musing doth stand at her prow. THE MOTHER'S SACRIFICE. 0 bonny brown sons, and 0 sweet little daugh- ters. The cold winds swept the mountain s height. Maybe he thinks on you now ! And pathless was the dreary wild. And mid the cheerless hours of night Heigh-ho ! daisies and buttercups, A mother wandered with her child ; Fair yellow daffodils, stately and tall — As through the drifting snow she pressed, A sunshiny world full of laughter and leisure. The babe was sleeping on her breast. And fresh hearts unconscious of sorrow and thiull I And colder still the winds did blow. Send down on their pleasure smiles passing its And darker hours of night came on, measure And deeper grew the drifting snow : Goj that 4 over us all 1 Her limbs were chilled, her sti'ength was gone. jean ingelow. ~i r -J 1 INFANCY. 87 BOYHOOD. Ah, then how sweetly closed those crowded days ! The minutes parting one by one, like rays That fade upon a summer's eve. But O, what charm or magic numbers Can give me back the gentle slumbers Those weary, happy days did leave ? When by my bed I saw my mother kneel. And with her blessing took her nightly kiss ; Whatever time destroys, he cannot this ; — E'en now that nameless kiss I feel. Washington Allston. —4 SEVEN TIMES ONE. There's no dew left on the daisies and clover. There's no rain left in heaven. I 've said my " seven times " over and over, — Seven times one are seven. I am old, — so old I can write a letter ; My birthday lessons are done. The lambs play always, — they know no better ; They are only one times one. 0 Moon ! in the night I have seen you sailing And shining so round and low. You were bright — ah, bright — but your light is failing ; You are nothing now but a bow. You Moon ! have you done something wrong in heaven. That God has hidden your face ? 1 hope, if you have, you will soon be forgiven. And shine again in your place. 0 velvet Bee ! you 're a dusty fellow, — You've powdered your legs with gold. 0 brave marsh Mary-buds, rich and yellow. Give me your money to hold ! 0 Columbine ! open your folded wrapper. Where two twin turtle-doves dwell ! 0 Cuckoo-pint ! toll me the purple clapper That hangs in your clear green bell ! And show me your nest, with the young ones in it,— I will not steal them away ; 1 am old ! you may trust me, linnet, linnet ! I am seven times one to-day. Jean Ingelow. WE ARE SEVEN. A SIMPLE child. That lightly draws its breath. And feels its life in every limb. What should it know of death ? I met a little cottage girl : She was eight years old, she said ; Her hair was thick with many a curl That clustered round her head. She had a rustic, woodland air. And she was wildly clad ; Her eyes were fair, and very fair ; — Her beauty made me glad. " Sisters and brothers, little maid. How many may you be ? " " How many ? Seven in all," she said, And wondering looked at me. And where are they ? 1 pray you telL" She answered, " Seven are we ; And two of us at Conway dwell. And two are gone to sea ; " Two of us in the churchyard He, My sister and my brother ; And, in the churchyard cottage, I Dwell near them with my mother." " You say that two at Conway dwell, And two are gone to sea. Yet ye are seven ! I pray you tell. Sweet maid, how this may be." Then did the little maid reply, "Seven boys and girls are we ; Two of us in the churchyard lie Beneath the churchyard tree." "You run about, my little maid ; Your Umbs they are alive ; If two are in the churchyard laid. Then ye are only five." "Their graves are green, they may he seen," The little maid replied : " Twelve steps or more from my mother's door. And they are side by side. " My stockings there I often knit. My kerchief there I hem ; And there upon the ground I sit. And sing a song to them. " And often after sunset, sir. When it is light and fair, I take my Httle porringer. And eat my supper there. " The first that died was Sister Jane ; In bed she moaning lay, Till God released her of her pain ; And then she went away. a- d8 POEMS OF CHILDHOOD AND YOUTH. -a "Soin the churchyard she was laid ; And, when the grass was dry, Together round her grave we played, My brother John and I. " And when the ground was white with snow. And I could run and slide, My brother John was forced to go, And he lies by her side." " How many are you, then," said I, " If they two are in heaven ? " Quick was the little maid's reply ! "0 Master ! we are seven." " But they are dead ; those two are dead ! Their spirits are in heaven ! " 'T was throwing words away ; for stiU The little maid would have her will. And said, "Nay, we are seven." William Wordsworth. TO A CHILD DURING SICKNESS. Sleep breathes at last from out thee. My little patient boy ; And balmy rest about thee Smooths off the day's annoy. I sit me down, and think Of all thy winning ways ; Yet almost wish, with sudden shrink. That I had less to praise. Thy sidelong pillowed meekness ; Thy thanks to all that aid ; Thy heart, in pain and weakness. Of fancied faults afraid ; The little trembling hand That wipes thy quiet tears, — These, these are things that may demand Dread memories for years. Sorrows I've had, severe ones, I will not think of now ; And calmly, midst my dear ones. Have wasted with dry brow ; But when thy fingers press And pat my stooping head, I cannot bear the gentleness, — The tears are in their bed. Ah, first-bom of thy mother, "When life and hope were new ; Kind playmate of thy brother. Thy sister, father too ; My light, where'er I go ; My bird, when prison-bound ; My hand-in-hand companion — No, My prayers shall hold thee round. To say, " He has departed " — " His voice " — " his face " — is gone. To feel impatient-hearted. Yet feel we must bear on, — Ah, I could not endure To whisper of such woe. Unless I felt this sleep insure That it will not be so. Yes, stül he's fixed, and sleeping ! This silence too the while, — Its very hush and creeping Seem whispering us a smile %. Something divine and dim Seems going by one's ear. Like parting wings of cherabim, "*^0 say, "We've finished here." Leigh hunt. LITTLE BELL. Piped the Blackbird, on the beechwood spray, " Pretty maid, slow wandering this way. What's your name ? " quoth he, — " "What's your name ? O, stop and straight un¬ fold. Pretty maid with showery curls of gold." — " Little Bell," said she. Little Bell sat down beneath the rocks. Tossed aside her gleaming golden locks, — " Bonny bird," quoth she, " Sing me your best song before I go." " Here's the very finest song I know. Little Bell," said he. And the Blackbird piped ; you nevft heard Half so gay a song from any bird, — Full of quips and wiles. Now so round and rich, now soft and slow, All for love of that sweet face below. Dimpled o'er with smiles. And the while that bonny bird did pour His full heart out, freely o'er and o'er 'Neath the morning skies. In the little childish heart below All the sweetness seemed to grow and grow. And shine forth in happy overflow From the brown, bright eyes. Down the dell she tripped, and through the glade ; Peeped the squirrel from the hazel shade. And from out the tree Swung and leaped and frolicked, void of fear ; While bold Blackbird piped, that all might hear, — " Little BeU ! " piped he. f INFANCY. 89 ■a Little Bell sat down amid the fern : •' Squirrel, Squirrel, to your task return ; Bring me nuts," quoth she. Up, away ! the frisky Squirrel hies, — Golden wood-lights glancing in his eyes, — And adown the tree Great ripe nuts, kissed brown by July sun. In the little lap drop one by one. Hark, how Blackbird pipes to see the fun ! " Happy Bell ! " pipes he. Little Bell looked up and down the glade: " Squirrel, Squirrel, from the nut-tree shade. Bonny Blackbird, if you 're not afraid, Come and share with me ! " Down came Squirrel, eager for his fare, Down came bonny Blackbird, I declare ; Little Bell gave each his honest share, — Ah 1 the merry three ! And the while those frolic playmates twain Piped and frisked from bough to bough again, 'Neath the morning skies. In the little childish heart below All the sweetness seemed to grow and grow. And shine out in happy overflow From her brown, bright eyes. By her snow-white cot, at close of day. Knelt sweet Bell, with folded palms, to pray ; Very calm and clear Kose the praying voice to where, unseen. In blue heaven, an angel-shape serene Paused awhile to hear. " What good child is this," the angel said, " That with happy heart beside her bed Prays so lovingly ? " Low and soft, 0, very low and soft. Crooned the Blackbird in the orchard croft, " Bell, dear BeU ! " crooned he. "Whom God's creatures love," the angel fair Murmured, " God doth bless with angels' care ; Child, thy bed shall be Folded safe from harm. Love, deep and kind, ShaK watch around and leave good gifts behind. Little Bell, for thee ! " thomas westwood. TO A CHILD. written in her album. Small service is [true sej-vice whik it lastä : Of humblest friends, bnght creature ! scorn not one : The daisy, by the shadow that it casts. Protects the lingering dewdrop from the sun. William Wordsworth. PICTURES OF MEMORY. Among the beautiful pictures That hang on Memory's wall Is one j)f a dim old forest. That seemeth best of all ; Not for its gnarled oaks olden. Dark with the mistletoe ; Not for the violets golden That sprinkle the vale below ; Not for the milk-white lilies That lean from the fragrant ledge. Coquetting all day with the sunbeams. And stealing their golden edge ; Not for the vines on the upland. Where the bright red berries rest. Nor the pinks, nor the pale sweet cowslip. It seemeth to me the best. I once had a little brother. With eyes that were dark and deep ; In the lap of that old dim forest He lieth in peace asleep : Light as the down of the thistle. Free as the winds that blow. We roved there the beautiful summers. The summers of long ago_x^ But his feet on the hills grew weary. And, one of the autumn eves, I made for my little brother A bed of the yellow leaves. Sweetly his pale arms foldeí My neck in a meek embrace. As the light of immortal beauty Silently covered his face ;, And when the arrows of sunset Lodged in the tree-tops bright. He fell, in his saint-like beauty. Asleep by the gates of light. Therefore, of all the pictures That hang on Memory's wall. The one of the dim old forest Seemeth tire best of all. Alice Carv. THE PET NAME. *' The name Which from THEIR lips seemed a caress." Miss Mitford's Dramatic Scenes I have a name, a little name, Uncadenced for the ear, Unhonored by ancestral claim, Unsanctified by prayer and psalm The solemn font anear. & S" 90 POEMS OF CHILDHOOD AND YOUTH. fe¬ lt never did, to pages wove For gay romance, belong. It never dedicate did move As " Saebarissa," unto love, — " Orinda," unto song. Though I write books, it will be read Upon the leaves of none. And afterward, when I am dead. Will ne'er be graved for sight or tread. Across my funeral-stone. This name, whoever chance to call Perhaps your smile may win. Nay, do not smile ! mine eyelids fall Over mine eyes, and feel withal The sudden tears within. Is there a leaf that greenly grows Where summer meadows bloom. But gathereth the winter snows. And changeth to the hue of those. If lasting till they come ? Is there a word, or jest, or game. But time encrusteth round With sad associate thoughts the same ? And so to me my very name Assumes a mournful sound. My brother gave that name to me When we were children twain, — When names acquired baptismally Were hard to utter, as to see That life had any pain. No shade was on us then, save one Of chestnuts from the hill, — And through the word our laugh did run As part thereof. The mirth being done. He calls me by it still. Nay, do not smile ! 1 hear in it What none of you can hear, — The talk upon the willow seat. The bird and wind that did repeat Around, our human cheer. 1 hear the birthday's noisy bliss. My sisters' woodland glee, — My father's praise I did not miss. When, stooping down, he cared to kiss The poet at his knee, — And voices which, to name me, aye Their tenderest tones were keeping, — To some 1 nevermore can say An answer, till God wipes away In heaven these drops of weeping. My name to me a sadness wears ; No murmurs cross my mind. Now God be thanked for these thick tears, Which show, of those departed years. Sweet memories left behind. Now God be thanked for years en wrought With love which softens yet. Now God be thanked for every thought Which is so tender it has caught Earth's guerdon of regret. Earth saddens, never shall remove. Affections purely given ; And e'en that mortal grief shall prove The immortality of love. And heighten it with Heaven. Elizabeth Barrett Browning. THE THREE SONä 1 HAVE ^ son,/a little sonj, a boy^ust fivefyears old. With eyes of thoughtful earnestness, and mind of gentle mould. They tell me that unusual grace in all his ways appears. That my child is grave and wise of heart beyond his childish years. 1 cannot say how this may be ; 1 know his face is fair, — And yet his chiefest comeliness is his sweet and serious air ; 1 know his heart is kind and fond ; 1 know he loveth me ; But loveth yet his mother more with grateful fervency. But that which others most admire, is the thought which fills his mind. The food for grave inquiring speech he every¬ where doth find. Strange questions doth he ask of me, when we together walk ; He scarcely thinks as children think, or talks as children talk. Nor cares he much for childish sports, dotes not on bat or ball. But looks on manhood's ways and works, and aptly mimics all. His little heart is busy still, and oftentimes per- plext With thoughts about this world of ours, and thoughts about the next. He kneels at his dear mother's knee ; she teacheth him to pray ; And strange and sweet and solemn then are the words which he wül say. -3 CHILDHOOD. O, should my gentle child be spared to man¬ hood's years like me, A holier and a wiser man I trust that he will be ; And when I look into his eyes, and stroke his thoughtful brow, I dare not think what I should feel, were I to lose him now. Í have a son, a second son, a simple chUd of three ; I '11 not declare how bright and fair his little features be. How silver sweet those tones of his when he prattles on my knee ; I do not think his light-blue eye is, like his brother's, keen. Nor his brow so full of childish thought as his hath ever been ; But his little heart's a fountain pure of kind and tender feeling ; And his every look's a gleam of light, rich depths of love revealing. When he walks with me, the country folk, who pass us in the street, Will shout for joy, and bless my boy, he looks so mild and sweet. A playfellow is he to all ; and yet, with cheerful tone. Win sing his little song of love, when left to sport alone. His presence is like sunshine sent to gladden home and hearth, To comfort us in all our griefs, and sweeten all our mirth. Should he grow up to riper years, God grant his heart may prove As sweet a home for heavenly grace as now for earthly love ; And if, beside his grave, the tears our aching eyes must dim, God comfort us for all the love which we shall lose in him. I have a son, a third sweet son ; his age I cannot tell, For they reckon not by years and months where he has gone to dwell. To us, for fourteen anxious months, his infant smiles were given ; And then he bade farewell to earth, and went to live in heaven. I cannot tell what form is his, what looks he weareth now. Nor guess how bright a glory crowns his shining seraph brow. The thoughts that fill his sinless soul, the bliss which he doth feel. Are numbered with the secret things which God will not reveal. But I know (for God hath told me this) that he is now at rest. Where other blessed infants be, on their Saviour's loving breast. I know his spirit feels no more this weary load of flesh. But his sleep is blessed with endless dreams of joy forever fresh. I know the angels fold him close beneath their guttering wings. And soothe him with a song that breathes of Heaven's divinest things. I know that we shall meet our babe (his mother dear and I) Where God for aye shall wipe away all tears from every eye. Whate'er befalls his brethren twain, his bliss can never cease ; Their lot may here be grief and fear, but his is certain peace. It may be that the tempter's wiles their souls from bliss may sever ; But, if our own poor faith fail not, he must be ours forever. When we think of what our darling is, and what we still must be, — When we muse on that world's perfect bliss, and this world's misery, — When we groan beneath this load of sin, and feel this grief and pain, — Oh ! we'd rather lose qur other two, than have him hero again. JOHN MODI-TRIE. « THE MITHERLESS BAIRN. An Inverary correspondent writes : "Thom gave me the fol¬ lowing narrative as to the origin of * The Mitherless Bairn ' ; I quote his own words. ' When I wîis livin* in Aberdeen, I was limping roun' the house to my garret, when I heard the greetin' o' a wean. A lassie was thumpin' a bairn, when out cam a big dame, bellowin', " Ye hussie, will ye lick a mitherless bairn I " I hobled up the stair and wrote the sang afore sleepin'.' " When a' ither bairnies are bushed to their hame By aunty, or cousin, or frecky grand-dame) Wha stands laslNand lanely, an' naebody carin' ? 'T is the puir* doited loonie, —the mitherless bairn ! The mitherless baim gangs to his lane bed ; Nane covers his cauld back, or haps his bare head; His wee hackit heelies are hard as the aim. An' Utheless the lair o' the mitherless bairn. Aneath his cauld brow siecan dreams hover there, 0' hands that wont kindly to käme his dark hair ; But momin' brings clutches, a' reckless an' stem, That lo'e nae the locks o' the mitherless bairn ! [& 92 POEMS OF CHILDHOOD AND YOUTH. Yon sister that sang o'er his safjtly rocked bed Now rests in* the mools where her mammie-is laid ; The father toils sair their wee bannock to earn, An' kens na the wrangs o' his mitherless haim. Her spirit, that passed in yon hour o' his birth, Stül watches his wearisome wanderings on earth ; Recording in heaven the blessings they earn Wha couthüie deal wi' the mitherless baim ! 0, speak him na harshly, —he trembles the while. He bends to your bidding, and blesses your smile; In their dark hour o' anguish the heartless shall learn That God deals the blow, for the mitherless baim ! William Thom. MY MOTHER'S PICTURE. out op norfolk, the gift of my cousin, ann bodham. 1& 0 THAT those lips had language ! Life^has passed With me but roughly since I heard thee last. Those lips are thine,—thy own sweet smile I see. The same that oft in childhood solaced me ; Yoice only fails, else how distinct they say, " Grieve not, my child ; chase all thy fears away ! " The meek intelligence of those dear eyes (Blest be the art that can immortalize, — The art that baffles time's tyrannic claim To quench it !) here shines on me still the same. Faithful remembrancer of one so dear ! 0 welcome guest, though unexpected here ! Wlio bid'st me honor with an artless song. Affectionate, a mother lost so long. 1 wiU obey, —not willingly alone. But gladly, as the precept were her own ; And, while that face renews my filial grief. Fancy shall weave a charm for my relief, — Shall steep me in Elysian revery, A momentary dream that thou art she. My mother! when I learned that thou wa.st dead. Say, wast thou conscious of the tears I shed ? Hovered thy spirit o'er thy sorrowing son, — Wretch even then, life's journey just begun ? Perhaps thou gavest me, though unfelt, a kiss ; Perhaps a tear, if souls can weep in bliss — Ah, that maternal smile ! it answers — Yes. I heard the bell tolled on thy burial day ; I saw the hearse that bore thee slow away; And, turning from my nursery window, drew A long, long sigh, and wept a last adieu I But was it such ?—It was. —Where thou art gone Alliens and farewells are a sound unknown ; May I but meet thee on that peaceful shore. The parting word shall pass my lips no more. Thy maidens, grieved themselves at my concern. Oft gave me promise of thy quick return ; What ardently I wished I long believed. And, disappointed still, was stiU deceived, — By expectation every day beguiled. Dupe of to-morrow even from a child. Thus many a sad to-morrow came and went. Till, aU my stock of infant sorrows spent, I learned at last submission to my lot ; But, though I less deplored thee, ne'er forgot. Where once we dwelt our name is heard no more ; Children not thine have trod my nursery fioor ; And where the gardener Robin, day by day. Drew me to school along the public way, — Delighted with my bawble coach, and wrapped In scarlet mantle warm and velvet cap, — 'T is now become a hi-story little known That once we called the pastoral house our own. Short-lived possession ! but the record fair. That memory keeps of all thy kindness there. Still outlives many a storm that has effaced A thousand other themes, less deeply traced: Thy nightly visits to my chamber made. That thou mightst know me safe and warmly laid; Thy morning bounties ere I left my home, — The biscuit, or confectionery plum ; The fragrant waters on my cheeks bestowed By thy own hand, till fresh they shone and glowed, — AU this, and, more endearing still than all. Thy constant Row of love, that knew no fall, — Ne'er roughened by those cataracts and breaks That humor interposed too often makes ; All this, still legible in memory's page. And still to be so to my latest age. Adds joy to duty, makes me glad to pay Such honors to thee as my numbers may, — Perhaps a frail memorial, but sincere, — Not scorned in heaven, though little noticed here. Could time, his Right reversed, restore the hours "Wlien, playing with thy vesture's tissued flow¬ ers, — The violet, the pink, the jessamine, — I pricked them into paper with a pin, (And thou wast happier than myself the while — Wouldst softly speak, and stroke my head and smile, ) — Could those few pleasant days again appear. Might one wish bring them, would I wish them here ? I would not trust my heart, — the dear delight Seems so to be desired, perhaps I might. But no, — what here we caU our life is such. So little to be loved, and thou so much. CHILDHOOD. 93 That I should ill requite thee to constrain Thy unbound spirit into bonds again. Thou —as a gallant bark, from Albion's coast, (The storms all weathered and the ocean crossed, ) Shoots into port at some well-havened isle. Where spices breathe and brighter seasons smile ; There sits quiescent on the floods, that show Her beauteous form reflected clear below. While ah's impregnated with incense play Around her, fanning light her streamers gay, — So thou, with sails how swift ! hast reached the shore "Where tempests never beat nor billows roar," And thy loved consort on the dangerous tide Of life long since has anchored by thy side. But me, scarce hoping to attain that rest. Always from port withheld, always distressed, — Me howling blasts drive devious, tempest-tossed. Sails ripped, seams opening wide, and compass lost ; And day by day some current's thwarting force Sets me more distant from a prosperous course. Yet 0, the thought that thou art safe, and he! — That thought is joy, arrive what may to me. My boast is not that I deduce my birth From loins enthroned, and rulers of the earth ; But higher far my proud pretensions rise,— The son of parents passed into the skies. And now, farewell !—Time, unrevoked, has run His wonted course ; yet what I wished is done. By contemplation's help, not sought in vain, I seem to have lived my childhood o'er again, — To have renewed the joys that once were mine. Without the sin of violating thine ; And, while the wings of fancy still are free, And I can view this mimic show of thee. Time has but half succeeded in his theft, — Thyself removed, thy power to soothe me left. William Cowper. I REMEMBER, I REMEMBER. I REMEMBER, I remember The house where I was bom. The little window where the sun Came peeping in at mom. He never came a wink too soon. Nor brought too long a day ; But now I often wish the night Had borne my breath away ! I remember, I remember The roses, red and white. The violets, and the lily-cups, — Those flowers made of light ! The lilacs where the robin built, Aud where my brother set The laburnum on his birthday, — The tree is living yet I I remember, I remember Where I was used to swing, And thought the air must rash as fresh To swallows on the wing ; My spirit flew in feathers then. That is so heavy now. And summer pools could hardly cool . The fever on my brow ! I remember, I remember The fir-trees dark and high ; I used to think their slender tops Were close against the sky. It was a childish ignorance. But now 't is little joy To know I'm farther off from heaven Than when I was a boy. Thomas Hood. « TO MY INFANT SON. Thou happy, happy elf I (But stop, first let me kiss away that tear,) Thou tiny image of myself ! (My love, he's poking peas into his ear,) Thou merry, laughing sprite. With spirits, feather light. Untouched by sorrow, and unsoiled by sin ; (My dear, the child is swallowing a pin !) Thou little tricksy Puck I With antic toys so funnily bestück. Light as the singing bird that rings the air, — (The door ! the door ! he '11 tumble down the stair !) Thou darling of thy sire ! (Why, Jane, he '11 set his pinafore afire !) Thou imp of mirth and joy I In love's dear chain so bright a link. Thou idol of thy parents ; — (Drat the boy ! There goes my ink.) Thou cherub, but of earth ; Fit playfellow for fairies, by moonlight pale, In harmless sport and mirth, (That dog will bite him, if he pulls his tail !) Thou human humming-bee, extracting honey From every blossom in the world that blows. Singing in youth's Elysium ever sunny, — (Another tumble I That's his precious nose !) Thy father's pride and hope ! (He'U break that mirror with that skipping- rope !) 94 POEMS OF CHILDHOOD AND YOUTH. With pure heart newly stamped from nature's mint, (Where did he learn that squint ?) Thou young domestic dove ! (He '11 have that ring off with another shove,) Dear nursling of the hymeneal nest ! (Are these torn clothes his best ?) Little epitome of man ! (He '11 climb upon the table, that's his plan,) Touched with the beauteous tints of dawning life, (He's got a knife !) Thou enviable being ! No storms, no clouds, in thy blue sky foreseeing. Play on, play on. My elfln John ! Toss the light ball, bestride the stick, — (I knew so many cakes would make him sick !) With fancies buoyant as the thistle-down. Prompting the face grotesque, and antic brisk. With many a lamb-like frisk ! (He's got the scissors, snipping at your gown !) Thou pretty opening rose ! (Go to your mother, child, and wipe your nose !) Balmy and breathing music like the south, (He really brings my heart into my mouth !) Bold as the hawk, yet gentle as the dove ; (1 'U tell you what, my love, 1 cannot write unless he's sent above. ) Thomas Hood. THE LOST HEIR. " O where, and O where Is my bonnie laddie ffonet "—OLD SONG. One day, as 1 was going by That part of Holborn christened High, I heard a loud and sudden cry That chilled my very blood ; And lo ! from out a dirty alley. Where pigs and Irish wont to rally, I saw a crazy woman sally. Bedaubed with grease and mud. She turned her East, she turned her West, Staring like Pythoness possest. With streaming hair and heaving breast. As one stark mad with grief. This way and that she wildly ran. Jostling with woman and with man, — Her right hand held a frying-pan. The left a lump of beef. At last her frenzy seemed to reach A point just capable of speech. And with a tone almost a screech. As wUd as ocean birds. Or female ranter moved to preach. She gave her " sorrow words." " 0 Lord ! O dear, my heart will break, 1 shall go stick stark staring wild ! Has ever a one seen anything about the streets like a crying lost-looking child ? Lawk help me, 1 don't know where to look, or to run, if 1 only knew which way — A Child as is lost about London streets, and es¬ pecially Seven Dials, is a needle in a bottle of hay. 1 am all in a quiver — get out of my sight, do, you wretch, you little Kitty M'Nab ! You promised to have half an eye to him, you know you did, you dirty deceitful young drab. The last time as ever 1 see him, poor thing, was with my own blessed Motherly eyes. Sitting as good as gold in the gutter, a playing at making little dirt-pies. 1 wonder he left the court, where he was better off than all the other young boys. With two bricks, an old shoe, nine oyster-shells, and a dead kitten by way of toys. When his father comes home, and he always comes home as sure as ever the clock strikes one. He'll be rampant, he will, at his child being lost ; and the beef and the inguns not done ! La bless you, good folks, mind your own con¬ cerns, and don't be making a mob in the street ; 0 Sergeant M'Farlane ! you have not come across my poor little boy, have you, in your beat ? Do, good people, move on ! don't stand staring at me like a parcel of stupid stuck pigs ; Saints forbid ! but he's p'r'aps been inviggled away up a court for the sake of his clothes by the priggs ; He'd a very good jacket, for certain, for I bought it myself for a shilling one day in Rag Fair ; And his trousers considering not very much patched, and red plush, they was once his Father's best pair. His shirt, it's very lucky I'd got washing in the tub, or that might have gone with the rest ; But he'd got on a very good pinafore with only two slits and a burn on the breast. He'd a goodish sort of hat, if the crown was sewed in, and not quite so much jagged at the brim. With one shoe on, and the other shoe is a boot, and not a fit, and you '11 know by that if it's him. Except being so well dressed, my mind would misgive, some old beggar woman, in want of an orphan, á rft CHILDHOOD. 95 rö Had borrowed the child to go a-begging with, but I'd rather see him laid out in his coffin ! Do, good people, move on, such a rabble of boys ! I '11 break every bone of 'em I come near. Go home — you 're spilling the porter — go home — Tommy Jones, go along home with your beer. This day is the sorrowfuUest day of my life, ever since my name was Betty Morgan, Them vile Savoyards ! they lost him once before all along of following a monkey and an organ : 0 my Billy — my head will turn right round — if he's got kiddynapped with them /tal- ians. They '11 make him a plaster parish image boy, they will, the outlandish tatterdemalions. Billy — where are you, Billy ? — 1 'm as hoarse as a crow, with screaming for ye, you young sorrow ! And sha'n't have half a voice, no more I sha'n't, for crying fresh herrings to-morrow. 0 Billy, you 're bursting my heart in two, and my life won't be of no more vally. If I'm to see other folks' darlin's, and none of mine, playing like angels in our alley. And what shall I do but cry out my eyes, when I looks at the old three-legged chair As Billy used to make coach and horses of, and there a'n't no Billy there ! 1 would run all the wide world over to find htm, if I only knowed where to run. Little Murphy, now I remember, was once lost for a month through stealing a penny bun, — The Lord forbid of any child of mine ! I think it would kill me rally. To find my Bill holdin' up his little innocent hand at the Old Bailey. For though I say it as ought n't, yet I will say, you may search for miles and mileses And not find one better brought up, and more pretty behaved, from one end to t' other of St. Giles's. And if I called him a beauty, it's no lie, but only as a mother ought to speak ; You never set eyes on a more handsomer face, only it has n't been washed for a week ; As for hair, though it's red, it's the most nicest hair when I 've time to just show it the comb ; I 'U owe 'em five pounds, and a blessing besides, as will only bring him safe and sound home. He's blue eyes, and not to be called a squint, though a little cast he's certainly got ; And his nose is still a good un, though the bridge is broke, by his falling on a pewter pint pot ; He's got the most elegant wide mouth in the world, and very large teeth for his age ; And quite as fit as Mrs. Murdockson's child to play Cupid on the Drury Lane stage. And then he has got such dear winning ways — but 0, I never, never shall see him no more ! 0 dear ! to think of losing him just after nuss- ing him back from death's door ! Only the very last month when the windfalls, hang 'em, was at twenty a peimy ! And the threepence he'd got by grottoing was spent in plums, and sixty for a child is too many. And the Cholera man came and whitewashed us all, and, drat him ! made a seize of our hog. — It's no use to send the Crier to cry him about, he's such a blunderin' drunken old dog ; The last time he was fetched to find a lost child he was guzzling with his bell at tha Crown, And went and cried a boy instead of a girl, for a distracted Mother and Father about Town. BiUy — where are you, Billy, I say ? come, Billy, come home, to your best of Mothers ! I'm scared when I think of them Cabroleys, they drive so, they'd run over their own Sisters and Brothers. Or maybe he's stole by some chimbly-sweeping wretch, to stick fast in narrow flues and what not. And be poked up behind with a picked pointed pole, when the soot has ketched, and the chimbly's red hot. 0, I'd give the whole wide world, if the world was mine, to clap my two longin' eyes on his face. For he's my darlin' of darlin's, and if he don't soon come back, you '11 see me drop stone dead on the place. 1 only wish I'd got him safe in these two Moth¬ erly arms, and would n't I hug him and kiss him ! Lawk ! I never knew what a precious he was — but a child don't not feel like a chüd till you miss him. Why, there he is ! Punch and Judy hunting, the young wretch, it's that Billy as sartin as sin ! But let me get him home, with a good grip of his hair, and I'm blest if he shall have a whole bone in his skin ! Thomas Hood. — , n L J 96 POEMS OF CHILDHOOD AND YOUTH. The stump of a pipe he held tight in his teeth, And the smoke it encircled his head like a wreath. He had a broad face and a little round belly That shook, when he laughed, like a bowl full of jelly- He was chubby and plump, — a right jolly old elf; And I laughed, when I saw him, in spite of my¬ self. A wink of his eye and a twist of his head Soon gave me to know I had nothing to dread. He spoke not a word, but went straight to his work, And filled all the stockings ; then turned with a jerk, And laying his finger aside of his nose. And giving a nod, up the chimney he rose. He sprang to his sleigh, to his team gave a whistle. And away they all flew like the down of a this¬ tle ; But I heard him exclaim, ere he drove out of sight, " Happy Christinas to all, and to all a good¬ night ! " Clement C. Moore. » THE FROST. The Frost looked forth, one still, clear night. And he said, "Now I shall be out of sight ; So through the valley and over the height In silence 1 '11 take my way. I will not go like that blustering train, The wind and the snow, the hail and the rain. Who make so much bustle and noise in vain. But 1 'U be as busy as they ! " Then he went to the mountain, and powdered its crest, He climbed up the trees, and their boughs he dressed With diamonds and pearls, and over the breast Of the quivering lake he spread A coat of mail, that it need not fear The downward point of many a spear That he hung on its margin, far and near. Where a rock could rear its head. A VISIT FROM ST. NICHOLAS. 'T WAS the night before Christmas, when all through the house Not a creature was stirring, not even a mouse ; The stockings were hung by the chimney with care. In hopes that St. Nicholas soon would be there; The children were nestled all snug in their beds. While visions of sugar-plums danced in their heads ; And mamma in her kerchief, and 1 in my cap. Had just settled our brains for a long winter's nap, — When out on the lawn there arose such a clatter, 1 sprang from my bed to see what was the mat¬ ter. Away to the window I flew like a flash. Tore open the shutters and threw up the sash. The moon on the breast of the new-fallen snow Gave a lustre of midday to objects below ; When what to my wondering eyes should ap¬ pear. But a miniature sleigh and eight tiny reindeer. With a little old driver, so lively and quick I knew in a moment it must be St. Nick. More rapid than eagles his coursers they came. And he whistled and shouted, and called them by name : " Now, Dasher ! now. Dancer ! now, Prancer and Vixen ! On, Comet ! on, Cupid ! on, Donder and Blitzen ! To the top of the porch, to the top of the wall ! Now dash a^way, dash ¿way, dash awayaj] ! " As dry leaves that before the wild hurricane fly. When they meet with an obstacle, mount to the sky. So up to the house-top the coursers they flew. With the sleigh full of toys, — and St. Nicholas too. And then in a twinkling I heard on the roof The prancing and pawing of each little hoof. As I drew in my head, and was turning around, Down the chimney St. Nicholas came with a bound. He was dressed all in fur from his head to his foot. And his clothes were all tarnished with ashes and soot ; A bundle of toys he had flung on his back. And he looked like a pedler just opening his pack. His eyes how they twinkled ! his dimples how merry ! His cheeks were like roses, his nose like a cherry ; His droll little mouth was drawn up like a bow. And the beard on his chin was as white as the snow. He went to the windows of those who slept. And over each pane like a fairy crept : Wherever he breathed, wherever he stepped. By the light of the moon were seen Most beautiful things. There were flowers and trees. There were bevies of birds and swarms of bees. CHILDHOOD. 97 There were cities, thrones, temples, and towers, and these All pictured in silver sheen ! But he did one thing that was hardly fair, — He peeped in the cupboard, and, finding there That all had forgotten far him to prepare, — " Now, just to set them a thinking, I '11 bite this basket of fruit," said he ; " This costly pitcher I '11 burst in three. And the glass of water they've left for me Shall ' tchick ! ' to tell them I'm drinking." hannah frances gould. RAIN ON THE ROOF. When the humid shadows hover Over all the starry spheres. And the melancholy darkness Gently weeps in rainy tears. What a bliss to press the pillow Of a cottage-chamber bed. And to listen to the patter Of the soft rain overhead ! Every tinkle on the shingles Has an echo in the heart ; And a thousand dreamy fancies Into busy being start. And a thousand recollections Weave their air-threads into woof. As I listen to the patter Of the rain upon the roof. Now in memory comes my mother. As she used, in years agone. To regard the darling dreamers Ere she left them till the dawn: So I see her leaning o'er me. As I list to this refrain Which is played upon the shingles By the patter of the rain. Then my little seraph sister. With the wings and waving hair. And her star-eyed cherub brother — A serene angelic pair — Glide around my wakeful pillow. With their praise or mild reproof. As I listen to the murmur Of the soft rain on the roof. And another comes, to thrill me With her eyes' delicious blue ; And I mind not, musing on her. That her heart was all untrue ; I remember but to love her. With a passion kin to pain. And my heart's quick pulses vibrate To the patter of the rain. Art hath [naught ofj^tone orjcadence That can ^ork withl such a( spell In theVsoul's mysterious Ifountains, Whence the^tears of \rapture\well. As thaf^melody ofinature. That subdued, subduing strain Which is played upon the shingles By the patter of the rain. Coates Kinney. A FAREWELL. My fairest child, I have no song to give you ; No lark could pipe to skies so dull and gray ; Yet, ere we part, one lesson I can leave you For every day. Be good, sweet maid, and let who will be clever; Do noble things, not dream them, all day long : And so make life, death, and that vast forever One grand, sweet song. Charles Kingsley. A EÛRTRAIT. "One name is Elizabeth,"—Ben JonSON. I WILL paint her as I see her. Ten timeà Jie^ve thejlilies blown Since she looked upon the sun. And her face is lily-clear, Lily-shaped, and dropped in duty To the law of its own beauty. Oval cheeks encolored faintly. Which a trail of golden hair Keeps from fading off to air ; And a forehead fair and saintly. Which two blue eyes undershine. Like meek prayers before a shrine. Face and figure of a child, — Though too calm, you think, and tender. For the childhood you would lend her. Yet child-simple, undefiled, Frank, obedient, — waiting still On the turnings of your will. Moving light, as all your things. As young birds, or early wheat. When the wind blows over it. 98 POEMS OF CHILDHOOD AND YOUTH. Only, free from flutterings Of loud mirth that scometh measure, — Taking love for her chief pleasure. Choosing pleasures, for the rest, Which come softly, —just as she. When she nestles at your knee Quiet talk she liketh best. In a bower of gentle looks, — Watering flowers, or reading hooks. And her voice, it murmurs lowly. As a silver stream may run. Which yet feels, you feel, the sun. And her smile, it seems half holy. As if drawn from thoughts more far Than our common jestings are. And if any poet knew her. He would sing of her with falls Used in lovely madrigals. And if any painter drew her. He would paint her unaware With a halo round the hair. And if reader read the poem. He would whisper, "You have done a Consecrated little Una." And a dreamer (did you show him That same picture) would exclaim, " 'T is my angel, with a name ! " And a stranger, when he sees her In the street even, smileth stilly. Just as you would at a lily. And all voices that address her Soften, sleeken every word. As if speaking to a bird. And all fancies yearn to cover The hard earth whereon she passes, With the thymy-scented grasses. And all hearts do pray, "God love ter ! " — Ay, and always, in good sooth. We may all be sure He doth. Elizabeth Barrett Browning. « THE CHILDREN'S HOUR. Between the dark and the daylight. When night is beginning to lower. Comes a pause in the day's occupations, That is known as the children's hour. I hear in the chamber above me The patter of little feet. The sound of a door that is opened, And voices soft and sweet. From my study I see in the lamplight, Descending the iroad hall stair. Grave Alice and laughing Allegra, And Edith with golden hair. A whisper and then a silence, Yet I know by their merry eyes They are plotting and planning together To take me by surprise. A sudden rush from the stairway, A sudden raid from the haU, By three doors left unguarded. They enter my castle walL They climb up into my turret. O'er the arms and back of my chair ; If I try to escape, they surround me : They seem to be ever3rwhere. They almost devour me with kisses. Their arms about me intwine. Till I think of the Bishop of Bingen In his Mouse-Tower on the Rhine. Do you think, 0 blue-eyed banditti. Because you have scaled the wall. Such an old mustache as I am Is not a match for you all ? \ I have you fast in my fortress. And will not let you depart. But put you into the dungeon In the round-tower of my heart. And there will 1 keep you forever. Yes, forever and a day. Till the walls shall crumble to ruin. And moulder in dust away. Henry Wadsworth Longfellow. JENNY KISSED ME. Jenny kissed me when we met. Jumping from the chair she sat in. Time, you thief ! who love to get Sweets into your list, put that in. Say I'm weary, say I'm sad ; Say that health and wealth have missed me ; Say I'm growing old, but add — Jenny kissed me ! LEIGH Hunt. a- CHILDHOOD. 1- ' jj 1 / ' Q| 99 THE SMACK IN SCHOOL. A district school, not far away, Mid Berkshire hills, one winter's day. Was humming with its wonted noise Of threescore mingled girls and boys ; Some few upon their tasks intent. But more on furtive mischief bent. The while the master's downward look Was fastened on a copy-book ; When suddenly, behind his back. Hose sharp and clear a rousing smack ! As't were a battery of bliss Let off in one tremendous kiss ! " What's that 1 " the startled master cries ; " That, thir," a little imp replies, " Wath William Willith, if you pleathe, — I thaw him kith Thuthanna Peathe ! " With frown to make a statue thrill. The master thundered, " Hither, Will ! " Like wretch o'ertaken in his track. With stolen chattels on his back. Will hung his head in fear and shame. And to the awful presence came, — A great, green, bashful simpleton. The butt of all good-natured fun. With smile suppressed, and birch upraised. The threatener faltered, — " I'm amazed That you, my biggest pupil, should Be guilty of an act so rude ! Before the whole set school to boot - What evil genius put you to't ? " " ' T was she herself, sir," sobbed the lad, " I did not mean to be so bad ; But when Susannah shook her curls. And whispered, I was 'fraid of girls And dursn't kiss a baby's doll, I could n't stand it, sir, at all. But up and kissed her on the spot ! I know — boo-hoo — I ought to not. But, somehow, from her looks—boo-hoo — I thought she kind o' wished me to ! " William Pitt Palmer. OLD-SCHOOL PUNISHMENT. Old Master Brown brought his ferule down. And his face looked angry and red. " Go, seat you there, now, Anthony Blair, Along with the girls," he said. Then Anthony Blair, with a mortified air. With his head down on his breast, Took his penitent seat by the maiden sweet That he loved, of all, the best. And Anthony Blair seemed whimpering there, But the rogue only made believe ; For he peeped at the girls with the beautiful curls. And ogled them over his sleeve. Anonymous. THE BAEEFOOT BOY. Blessings on thee, little man. Barefoot boy, with cheek of tan ! With thy tumed-up pantaloons, And thy merry whistled tunes ; With thy red lip, redder still Kissed by strawberries on the hill ; With the sunshine on thy face. Through thy torn brim's jaunty grace ; From my heart I give thee joy, — 1 was once a barefoot boy ! Prince thou art, —■ the grown-up man Only is republican. Let the million-dollared ride ! Barefoot, trudging at his side. Thou hast more than he can buy In the reach of ear and eye, — Outward sunshine, inward joy : Blessings on thee, barefoot boy ! 0 for boyhood's painless play. Sleep that wakes in laughing day. Health that mocks the doctor's rules. Knowledge never learned of schools. Of the wild bee's morning chase. Of the wild-flower's time and place. Flight of fowl and habitude Of the tenants of the wood ; How the tortoise bears his shell. How the woodchuck digs his cell. And the ground-mole sinks his well ; How the robin feeds her young. How the oriole's nest is hung ; Where the whitest lilies blow. Where the freshest berries grow, ■Where the ground-nut trails its vine. Where the wood-grape's clusters shine ; Of the black wasp's cunning way. Mason of his walls of clay. And the architectural plans Of gray hornet artisans ! — For, eschewing books and tasks. Nature answers all he asks ; Hand in hand with her he walks. Face to face with her he talks. Part and parcel of her joy, — Blessings on the barefoot boy ! O for boyhood's time of June, Crowding years in one brief moon. When all things I heard or saw. Me, their master, waited for. I was rich in flowers and trees, Humming-birds and honey-bees ; For my sport the squirrel played. Plied the snouted mole his spade ; For my taste the blackberry cone Purpled over hedge and stone ; w POEMS OP CHILDHOOD AND YOUTH. Laughed the hrook for my delight Through the day and through the night, Whispering at the garden wall, Talked with me from fall to fall ; Mine the sand-rimmed pickerel pond, Mine the walnut slopes beyond, Mine, on bending orchard trees. Apples of Hesperides ! Still as my horizon grew. Larger grew my riches too ; All the world I saw or knew Seemed a complex Chinese toy, Pashioned for a barefoot hoy ! 0 for festal dainties spread. Like my bowl of milk and bread, — Pewter spoon and howl of wood. On the door-stone, gray and rude ! O'er me, like a regal tent, Cloudy-rihhed, the sunset bent. Purple-curtained, fringed with gold. Looped in many a wind-swung fold ; While for music came the play Of the pied frogs' orchestra ; And, to light the noisy choir. Lit the fly his lamp of fire. I was monarch : pomp and joy Waited on the barefoot hoy ! Cheerly, then, my little man. Live and laugh, as boyhood can ! Though the flinty slopes he hard, Stuhhle-speared the new-mown sward. Every mom shall lead thee through Presh baptisms of the dew ; Every evening from thy feet Shall the cool wind kiss the heat All too soon these feet must hide In the prison cells of pride. Lose the freedom of the sod. Like a colt's for work he shod. Made to tread the mills of toil. Up and down in ceaseless moil : Happy if their track he found Never on forbidden ground ; Happy if they sink not in Quick and treacherous sands of sin. Ah ! that thou couldst know thy joy. Ere it passes, barefoot hoy ! John Greenleap Whittier. MY MOTHER'S BIBLE. This hook^is all that's left me now, — Tears will unhidden start, — With faltering lip and throbbing brow I press it to my heart. Por many generations past Here is our family tree ; My mother's hands this Bible clasped. She, djdng, gave it me. Ah ! well do I remember those Whose names these records bear ; Who round the hearthstone used to closer After the evening prayer. And speak of what these pages said In tones my heart would thrill ! Though they are with the silent dead. Here are they living still ! My father read this holy hook To brothers, sisters, dear ; How calm was my poor mother's look. Who loved God's word to hear ! Her angel face, — I see it yet ! What thronging memories come ! Again that little group is met Within the halls of home ! Thou truest friend man ever knew. Thy constancy I've tried ; When all were false, I found thee tme. My counsellor and guide. The mines of earth no treasures give That could this volume buy ; In teaching me the way to live, It taught me how to die ! george perkins morris THE OLD OAKEN BUCKET. How dead toj^ this heart hrelthe scenes jofí my chil^hoodl . " ' M When fond re!plle€t|on[ piesentsltheni to view ! The orcliard, the meadiw^ the deep-tangled wild- ■VTOOd, And every loved spot which my infancy knew ; The wide-spreading pond, and the mill which stood by it. The bridge, and the rock where the cataract feU; The cot of my father, the dairy-house nigh it, And e'en the rude bucket which hung in the well, — The old oaken bucket, the iron-hound hucket, The moss-covered bucket which hung in the well. That moss-covered vessel I hail as a treasure ; For often, at noon, when retm-ned from the field, I found it the source of an exquisite pleasure. The purest and sweetest that nature can yield. How ardent I seized it, with hands that were glowing ! And quick to the white-pebbled bottom it fell; THE OLD OAKEN BUCKET. fancy reverti to vty fat her''s plantation And sighs for the bucket which hangs in the well*' YOUTH. 101 ■a Then soon, with the emblem of truth overflow¬ ing, And dripping with coolness, it rose from the / ' well ; — The old oaken bucket, the iron-bound bucket, The moss-covered bucket, arose from the well. How sweet from the green mossy brim to receive it. As, poised on the curb, it inclined to my lips ! Not a full blushing goblet could tempt me to leave it. Though flUed with the nectar that Jupiter sips. And now, far removed from the loved situation. The tear of regret will intrusively swell. As fancy reverts to my father's plantation. And sighs for the bucket which hangs in the well ; — The old oaken bucket, the iron-bound bucket, The moss-covered bucket which hangs in the well. Samuel woodworth. THE OLD ARM-CHAIR. I LOVE it, I love it ! and who shall dare To chide me for loving that old arm-chair ? I've treasured it long as a sainted prize, I've bedewed) it with tears! I ' ve embalmed in with sighsî'" 'I ' > 'T is bound by a thousand bands to my heart ; Not a tie break, not a link will start ; Would you know the'spell ? —; a mother sat there ! And a sacred thing is that old arm-chair. In chüdjiood's houf 1 lingered near' The hallowed seat with'listening ear ; And gentle words that mother would give To fit melto diej and tea,ch md to live. She told in^ that shame would never betide With Truth fot my creed, and God foi my guide ; She taught me/ to lisp my earliest prayer. As 1 knelt 'beside that old arm-chair. 1 I sat, and watched her many a day. When her eye grew dim, and her locks were gray; And 1 almost worshipped her when she smiled. And turned from her Bible to bless her child. Years rolled on, but the last one sped, — My idol was shattered, my earth-star fled ! 1 leamt how much the heart can bear. When 1 saw her die in her old arm-chair. 'T is past, 't is past ! but 1 gaze on it now. With quivering breath a^d throbl^ing brow : 'T was there she nursed me, 't wasthere she died. And memory flows with lava tide. Say it is folly, and deem me weak, Whilst scalding drops start down my cheek ; Bu1| 1 love it, 1 love it, and cannot tear My soul^from a mother's old! arm-chair. ELIZA Cook. WOODMAN, SPARE THAT TREE. Woodman, spare that tree ! i Touch not a single\boug^ ! In youth "1(1; shelter^ me. And 1 '11 protect it now. 'T was my forefather's hand That placed it near his cot ; There, woodman, let it stand. Thy axe shall harm it not 1 That old familiar tree. Whose glory and renown Are spread o'er land and sea. And wouldst thou hew it down Í Woodman, fojbear thy stroke ! Cut not its earth-bound ties ; 0, spare that aged oak. Now towering to the skies.! When but an idle boy 1 sought its grateful shade ; In all their gushing joy Here too my sisters played. My mother kissed me here ; My father pressed my hand — Forgive this foolish tear. But let that old oak stand ! My heart-strings round thee cling. Close as thy bark, old friend ! ' Here shall the wild-bird sing. And still thy branches bend. Old tree I the storm still brave ! And, woodman, leave the spot ; While I've a hand to save. Thy axe shall hurt it not. george Perkins morris. SEVEN TIMES TWO. romance. i You bells in the steeple, ring, ring out your changes, ^ . How many soever they be, , And let the 'brown meadow-lark's note as he ranges' Come over, come over to me. Yet birds' clearest carol by fall or by swelling No magical sense conveys. And bells have foigotten their old art of telling The fortune of future days. 102 POEMS OF CHILDHOOD AND YOUTH. ' ' Tum again, turn again, "once they rang cheerily While a boy listened alone : Made his heart yearn again, musing so wearily All by himself on a stone. Poor beUs ! 1 forgive you ; your good days are over, And mine, they are yet to he ; No hsteaing, no longing, shall aught, aught discover : You leave the story to me. The foxglove shoots out of the green matted heather. Preparing her hoods of snow ; She was idle, and slept tül the sunshiny weather : 0, children take long to grow. 1 wish, and 1 wish that the spring would go faster. Nor long summer hide so late ; And 1 could grow on like the foxglove and aster. For some things are ill to wait. 1 wait for the day when dear hearts shall discover. While dear hands are laid on my head ; " The child is a woman, the book may close over, For aU the lessons are said." 1 wait for my story — the birds cannot sing it. Not one, as he sits on the tree ; The heUs cannot ring it, but long years, 0, bring it! Such as I wish it to he. JEAN INGELOW. THÉ EOMANCE OF THE SWAN'S NEST. Little Ellie sits alone Mid the beeches of a meadow. By a stream-side on the grass. And the trees are showering down Doubles of their leaves in shadow. On her shining hair and face. She has thrown her bonnet by. And her feet she has been dipping In the shallow water's flow. Now she holds them nakedly In her hands all sleek and dripping. While she rocketh to and fro. Little EUie sits alone. And the smile she softly uses Fills the silence like a speech. While she thinks what shall he done, — And the sweetest pleasure chooses For her future within reach. Little Ellie in her smile Chooses ..." 1 wiU have a lover. Biding on a steed of steeds I He shall love me without guüe. And to him 1 will discover The swan's nest among the reeds. "And the steed shall he red-roan. And the lover shall be noble. With an eye that takes the breath. And the lute he plays upon Shall strike ladies into trouble. As his sword strikes men to death. "And the steed it shall be shod All in silver, housed in azure. And the mane shall swim the wind ; And the hoofs along the sod Shall flash onward and keep measure. Till the shepherds look behind. " But my lover will not prize All the glory that he rides in. When he gazes in my face. He will say, ' O Love, thine eyes Build the shrine my soul abides in. And 1 kneel here for thy grace.' "Then, ay then — he shall kneel low. With the red-roan steed anear him. Which shall seem to understand — Till 1 answer, ' Bise and go I For the world must love and fear him Whom 1 gift with heart and hand.' " Then he will arise so pale, 1 shall feel my own lips tremble With a yes 1 must not say ; Nathless maiden-brave, ' Farewell ' 1 will utter, and dissemble ; — ' Light to-morrow with to-day.' " Then he '11 ride among the hills To the wide world past the river. There to put away all wrong ; To make straight distorted wUls, And to empty the broad quiver Which the wicked bear along. "Three times shall a young foot-page Swim the stream and climb the mountain And kneel down beside my feet ; — • Lo, my master sends this gage. Lady, for thy pity's counting ! What wilt thou exchange for it ? ' " And the first time, 1 will send A white rosebud for a guerdon, — And the second time, a glove ; YOUTH. 103 But the third time, I may bend From my pride, and answer, ' Pardon, If he comes to take my love.' " Then the young foot-page will run, — Then my lover will ride faster. Till he kneeleth at my knee : ' I am a duke's eldest son ! Thousand serfs do call me master, — But, 0 Love, I love but thee ! ' " He will kiss me on the mouth Then, and lead me as a lover Through the crowds that praise his deeds ; And, when soul-tied by one troth. Unto him I will discover That swan's nest among the reeds." Little Ellie, with her smile. Not yet ended, rose up gayly. Tied the bonnet, donned the shoe. And went homeward, round a mile. Just to see, as she did daily. What more eggs were with the two. Pushing through the elm-tree copse. Winding up the stream, light-hearted. Where the osier pathway leads, — Past the boughs she stoops — and stops. Lo, the wild swan had deserted. And a rat had gnawed the reeds. EUie went home sad and slow. If she found the lover ever. With his red-roan steed of steeds, Sooth I know not ! but I know She could never show him — never. That swan's nest among the reeds ! Elizabeth Barrett browning. —« GOOD NIGHT AND GOOD MORNING. A FAIR little girl sat imder a tree Sewing as long as her eyes could see ; Then smoothed her work and folded it right, .'ind said, " Dear work, good night, good night ! " Such a number of rooks came over her head, Crying " Caw, caw ! " on their way to bed. She said, as she watched their curious flight, " Little black things, good night, good night ! " The horses neighed, and the oxen lowed. The sheep's "Bleat! bleat!" came over the road ; All seeming to say, with a quiet delight, " Good little girl, good night, good night ! " She did not say to the sun, " Good night ! " Though she saw him there like a ball of light ; For she knew he had God's time to keep AU over the world and never could sleep. The tall pink foxglove bowed his head ; The violets courtesied, and went to bed ; And good Uttle Lucy tied up her hair. And said, on her knees, her favorite prayer. And, whUe on her pillow she softly lay. She knew nothing more till again it was day ; And aU things said to the beautiful sun, " Good morning, good morning ! our work is begun." Richard Monckton Milnes. (lord Houghton.) THREE YEARS SHE GREW. Three years she grew in sun and shower ; Then Nature said, " A lovelier flower On earth was never sown : This child I to myself wiU take ; She shall be mine, and I wiU make A lady of my own. " Myself will to my darling be Both law and impulse ; and with me The girl, in rock and plain. In earth and heaven, in glade and bower. Shall feel an overseeing power To kindle or restrain. " She shaU be sportive as the fawn That wild with glee across the lawn Or up the mountain springs ; And hers shall be the breathing balm, And hers the silence and the calm. Of mute insensate things. " The floating clouds their state shall lend To her ; for her the willow bend ; Nor shall she fail to see E'en in the motions of the storm Grace that shall mould the maiden's form By silent sympathy. " The stars of midnight shall be dear To her ; and she shall lean her ear In many a secret place Where rivulets dance their wayward round. And beauty born of murmuring sound Shall pass into her face. " And vital feelings of delight ShaU rear her form to stately height. Her virgin bosom swell ; Such thoughts'to Lucy I will give WhUe she and I together live Here in this happy dell." *104 POEMS OF CHILDHOOD AND YOUTH. a Thus Nature spake. The work was done, — How soon my Lucy's race was run ! She died, and left to me This heath, this calm and quiet scene ; The memory of what has been. And nevermore wül be. William Wordsworth. THREAD AND SONG. Sweeter and sweeter. Soft and low. Neat little nymph. Thy numbers flow. Urging thy thimble. Thrift's tidy symbol. Busy and nimble. To and fro ; Prettily plying Thread and song, Keeping them flying Late and long, Through the stitch linger. Kissing thy finger, Quick, — as it skips along. Many an echo. Soft and low. Follows thy flying Fancy so, — Melodies thrilling. Tenderly fllling Thee with their trilling, Come and go ; Memory's flnger. Quick as thine. Loving to linger On the line, "Writes of another, Dearer than brother ; Would that the name were mine ! John Williamson palmer. h MAIDENHOOD. Maiden ! with the meek brown eyes. In whose orbs a shadow lies Like the dusk in evening skies ! Thou whose locks outshine the sun, — Golden tresses wreathed in one. As the braided streamlets run ! Standing, with reluctant feet. Where the brook and river meet. Womanhood and childhood fleet ! Gazing, with a timid glance, On the brooklet's swift advance. On the river's broad expanse ! Deep and still, that gliding stream Beautiful to thee must seem As the river of a dream. Then why pause with indecision. When bright angels in thy vision Beckon thee to fields Elysian ? Seest thou shadows sailing by. As the dove, with startled eye. Sees the falcon's shadow fly ? Hearest thou voices on the shore. That our ears perceive no more. Deafened by the cataract's roar ? O thou child of many prayers ! Life hath qiucksands, Life hath snares ! Care and age come unawares ! Like the swell of some sweet tune. Morning rises into noon. May glides onward into June. Childhood is the bough where slumbered Birds and blossoms many-numbered ; — Age, that bough with snows encumbered. Gather, then, each flower that grows. When the young heart overflows. To embalm that tent of snows. Bear a lily in thy hand ; Gates of brass cannot withstand One touch of that magic wand. Bear through sorrow, wrong, and ruth. In thy heart the dew of youth. On thy lips the smile of truth. O, that dew, like balm, shall steal Into wounds that cannot heal. Even as sleep our eyes doth seal ; And that smile, like sunshine, dart Into many a sunless heart. For a smile of God thou art. Henry wadsworth Longfellow. LUCY. She dwelt among the untrodden ways Beside the springs of Dove ; A maid whom there were none to praise. And very few to love. i YOUTH. 105 A violet by a mossy stone Half hidden from the eye ! Fair as a star, when only one Is shining in the sky. She lived unknown, and few could know "When Lucy ceased to be ; But she is in her grave, and O, The difference to me ! William Wordsworth. THE PRETTY GIRL OF LOCH DAN. The shades of eve had crossed the glen That frowns o'er infant Avonmore, When, nigh Loch Dan, two weary men. We stopped before a cottage door. "God save all here," my comrade cries. And rattles on the raised latch-pin; " God save you kindly," quick replies A clear sweet voice, and asks us in. We enter ; from the wheel she starts, A rosy girl with soft black eyes ; Her fluttering courtesy takes our hearts. Her blushing grace and pleased surprise. Poor Mary, she was quite alone, For, all the way to Glenmalure, Her mother had that morning gone. And left the house in charge with her. But neither household cares, nor yet The shame that startled virgins feel. Could make the generous girl forget Her wonted hospitable seal. She brought us in a beechen bowl Sweet milk that smacked of mountain thyme. Oat cake, and such a yellow roll Of butter, — it gilds all my rhyme ! And, while we ate the grateful food (With weary limbs on bench reclined). Considerate and discreet, she stood Apart, and listened to the wind. Kind wishes both our souls engaged. From breast to breast spontaneous ran The mutual thought, — we stood and pledged The modest hose above Loch Dan. " The milk we drink is not more pure. Sweet Mary, — bless those budding charms ! — Than your own generous heart, I'm sure. Nor whiter than the breast it warms ! " She turned and gazed, unused to hear Such language in that homely glen ; But, Mary, you have naught to fear. Though smiled on by two stranger-men. Not for a crown would I alarm Your virgin pride by word or sign. Nor need a painful blush disarm My friend of thoughts as pure as mine. Her simple heart could not but feel The words we spoke were free from guile ; She stooped, she blushed, she fixed her wheel, — 'T is all in vain, — she can't but smile ! Just like sweet April's dawn appears Her modest face, — I see it yet, — And though I lived a hundred years Methinks I never could forget The pleasure that, despite her heart. Fills all her downcast eyes with light ; The lips reluctantly apart. The white teeth struggling into sight. The dimples eddying o'er her cheek. The rosy cheek that won't be still : — 0, who could blame what flatterers speak. Did smiles like this reward their skill ? For such another smile, I vow. Though loudly beats the midnight rain, I'd take the mountain-side e'en now. And walk to Luggelaw again ! samuel ferguson. TO A HIGHLAND GIRL. at inversneyde, upon loch lomond. Sweet Highland Girl, a very shower Of beauty is thy earthly dower ! Twice seven consenting years have shed Their utmost bounty on thy head ; And these gray rocks, this household lawn. These trees, — a veil just half withdrawn, — This fall of water that doth make A murmur near the silent lake. This little bay, a quiet road That holds in shelter thy abode ; In truth together ye do seem Like something fashioned in a dream. Such forms as from their covert peep When earthly cares are laid asleep ! But 0 fair Creature ! in the light Of common day so heavenly bright, I bless thee. Vision as thou art, I bless thee with a human heart r God shield thee to thy latest years ! I neither know thee nor thy peers ; And yet my eyes are filled with tears. With earnest feeling I shall pray For thee when I am far away ; 106 POEMS OF CHILDHOOD AND YOUTH. For never saw I mien or face In which more plainly I could trace Benignity and home-bred sense Ripening in perfect innocence. Here scattered like a random seed, Remote from men, thou dost not need The embarrassed look of shy distress. And maidenly shamefacedness : Thou weai'st upon thy forehead clear The freedom of a mountaineer ; A face with gladness overspread, Soft smiles, by human kindness bred ; And seemliness complete, that sways Thy courtesies, about thee plays ; With no restraint, hut such as springs From quick and eager visitings Of thoughts that lie beyond the reach Of thy few words of English speech, — A bondage sweetly brooked, a strife That gives thy gestures grace and life ! So have I, not unmoved in mind. Seen birds of tempest-loving kind, Thus beating up against the wind. What hand hut would a garland cull For thee^ho art so beautiful ? 0 happy pleasure ! here to dwell Beside thee in some heathy dell ; Adopt your homely ways and dress, A shepherd, thou a shepherdess ! But I could frame a wish for thee More like a grave reality : Thou art to me hut as a wave Of the wild sea ; and I would have Some claim upon thee, if I could. Though hut of common neighborhood. What joy to hear thee, and to see ! Thy elder brother I would be. Thy father, — anything to thee. Now thanks to Heaven ! that of its grace Hath led me to this lonely place ; Joy have 1 had ; and going hence 1 bear away my recompense. In spots like these it is we prize Our Memory, feel that she hath eyes : Then why should I be loath to stir ? 1 feel this place was made for her ; To give new pleasure like the past. Continued long as life shall last. Nor am I loath, though pleased at heart. Sweet Highland Girl ! from thee to part ; For I, methinks, till I grow old As fair before me shall behold As I do now, the cabin small. The lake, the hay, the waterfall ; And thee, the spirit of them aU ! William Wordsworth. SWEET STREAM, THAT WINDS. Sweet stream, that winds through yonder glade. Apt emblem of a virtuous maid, — Silent and chaste she steals along. Far from the world's gay, busy throng ; With gentle yet prevailing force, Intent upon her destined course ; Graceful and useful all she does. Blessing and blest where'er she goes ; Pure-hosomed as that watery glass. And Heaven reflected in her face. william cowpeh. RUTH. She stood breast high amid the com. Clasped by the golden light of mom. Like the sweetheart of the sun. Who many a glowing kiss had won. On her cheek an autumn flush Deeply ripened ; — such a blush In the midst of brown was born. Like red poppies grown with com. Round her eyes her tresses fell, — Which were blackest none could tell ; But long lashes veiled a light That had else been all too bright. And her hat, with shady brim. Made her tressy forehead dim ; — Thus she stood amid the stooks. Praising God with sweetest looks. Sure, I said. Heaven did not mean Where I reap thou shouldst but glean ; Lay thy sheaf adown and come. Share my harvest and my home. Thomas Hood. NARCISSA. from " night thoughts," night v. " Yottno, gay, and fortunate !" Each yields a theme. And, first, thy youth ; what says it to gray hairs ? Narcissa, I'm become thy pupil now ; — Early, bright, transient, chaste as morning dew. She sparkled, was exhaled, and went to heaven. dr. Edward young. IT NEVER COMES AGAIN. There are gains for aR our losses. There are balms for all our pain. But when youth, the dream, departs. It takes something from our hearts. And it never comes again. 4 FRAGMENTS. 107 We are stronger, and are better, Under manhood's sterner reign ; Still we feel that something sweet Followed youth, with flying feet, And will never come again. Something beautiful is vanished. And we sigh for it in vain ; We behold it everywhere. On the earth, and in the air. But it never comes again. RICHARD HENRY STODDARD. EEAGMENTS. The Baby. A babe in a house is a well-spring of pleasure. 0/Educatim. m. F. Tupper. Behold the chUd, by Nature's kindly law. Pleased with a rattle, tickled with a straw. Efisile II, Pope. Behold, my lords. Although the print be little, the whole matter And copy of the father : eye, nose, lip. The trick of his frown, his forehead ; nay, the valley. The pretty dimples of his chin, and cheek ; his smiles ; The very mould and frame of hand, nail, flnger. tyittitr's Tail, Act ii. Sc. 3. Shakespeare. 0, 't is a parlous boy ; Bold, quick, ingenious, forward, capable ; He is all the mother's from the top to toe. Richard III., Act. iü. Sc. i. SHAKESPEARE. Eably Death. " Whom the gods love die young," was said of yore. Do7i yuan. Cant, ivt Stan, z2. BYRON. Ere sin could blight or sorrow fade. Death came with friendly care ; The opening bud to Heaven conveyed. And bade it blossom there. Epitafh on an Infant. S. T. COLERIDGE. Grief fills the room up of my absent child. Lies in his bed, walks up and down with me ; Puts on his pretty looks, repeats his words. Remembers me of all his gracious parts. Stuffs out his vacant garments with his form. King yohn, Act \\\. Sc. 4. shakespeare. Child's Pratee. Now I lay me down to take my sleep, I pray the Lord my soul to keep : If 1 should die before I wake, I pray the Lord my soul to take. New England Primer. Prophecies. Men are but children of a larger growth. Alt/or Lome, Act iv. Sc, i. DrvDEN. The childhood shows the man As morning shows the day. Paradise Regained, Book iv. MiLTON. A little bench of heedless bishops here. And there a chancellor in embryo. The Schoolmistress, SHBNSTONB* Look here upon thy brother Geffrey's face ; These eyes, these brows, were moulded out of his : This little abstract doth contain that large Which died in Geffrey : and the hand of time Shall draw this brief unto as large a volume. King John, Act ii. Sc. i. SHAKESPEARE. As yet a chUd, nor yet a fool to fame, 1 lisped in numbers, for the numbers came. Epistle to Dr, Arbuthnot. pope, Boyish Ambition. But strive still to be a man before your mother. Motto of No, III. Connoisseur, COWPER. Thou wilt scarce be a man before thy mother. Love's Cure, Act ii. Sc. 2. BEAUMONT and FLETCHER. School-Days. The school-boy, with his satchel in his hand. Whistling aloud to bear his courage up. The Grave, R. Blair. Besides, they always smell of bread and butter. Manfred', BYRON. You'd scarce expect one of my age To speak in pubhc on the stage ; And if 1 chance to fall below Demosthenes or Cicero, Don't view me with a critic's eye, But pass my imperfections by. Large streams from little fountains flow, Tall oaks from little acoms grow. Lines written for a School Declamation. D. EVERETT. 1 pray ye, flog them upon all occasions. It mends their morals, never mind the pain. Don yuan. Cant. ii. BYRON. fi- 108 POEMS OF CHILDHOOD AND YOUTH. ■a Love is a boy by poets styled ; Then spare the rod and spoil the child. Hudtbras, Part II. Cant. i. BUTLER. Whipping, that's virtue's governess, Tutoress of arts and sciences ; That mends the gi-oss mistakes of nature, And puts new life into dull matter ; That lays foundation for renown. And aU the honors of the gown. Hudibras, Part II. Cant. i. Butler. Work and Plat. If all the year were playing holidays, To sport would be as tedious as to work. K. Henry, Part I. Act i. Sc. a. SHAKESPEARE. How doth the little busy bee Improve each shining hour. And gather honey all the day. From every opening flower 1 For Satan finds some mischief still For idle hands to do. Seng XX. Though this may be play to you, 'T is death to us. Fables : The Boys and the Frogs. Watts L'Estrange. Qdaeeelling. Let dogs delight to bark and bite. For God hath made them so ; Let bears and lions growl and fight. For 'tis their nature too. But, children, you should never let Y our angry passions rise ; Your little hands were never made To tear each other's eyes. Song XVI. watts. Careless Childhood. As children gath'ring pebbles on the shore. Paradise Regained, Book iv, MILTON, One eare it heard, at the other out it went. Trailles and Creseide, Book iv. CHAUCER. Children blessings seem, but torments are ; When young, our folly, and when old, our fear. Don Carlos. OTWAY. I remember, I remember How my childhood fleeted by, — The mirth of its December, And the warmth of its July. I Remember, I Remember. PRABD. When they are young, they Are like bells rung backwards, nothing but noise And giddiness. Wit tvithout Money. BEAUMONT and FLETCHER. Ah, happy hiUs ! ah, pleasing shade ! Ah, fields beloved in vain ! Where once my careless childhood strayed, A stranger yet to pain ! I feel the gales that from ye blow A momentary bliss bestow. On a Distant Prospect Eton College» GRAY. Childish Days. Sweet childish days, that were as long As twenty days are now. To a Butterfly. WORDSWORTH. Merry Youth. O Life ! how pleasant in thy morning. Young Fancy's rays the hills adorning ! Cold-pausing Caution's lesson scorning. We frisk away. Like school-boys at th' expected warning. To joy and play. Epistle to yames Smith. BURNS. Life went a Ma3dng With Nature, Hope, and Poesy, When I was young ! Youth and Age. s. t. coleridge. Just at the age 'twixt boy and youth. When thought is speech, and speech is truth. Marmion, Introduc. to Cant. ii. SCOTT. Naught cared this body for wind or weather When youth and I lived in't together. Youth and Age, S. T. COLERIDGE. Oh, Mirth and Innocence ! Oh, Milk and Water ! Ye happy mixtures of more happy days ! Manfred. BYRON. Fair laughs the mom, and soft the zephyr blows. While proudly riding o'er the azure realm In gallant trim the gilded vessel goes ; Youth on the prow, and Pleasure at the helm ; Regardless of the sweeping whirlwind's sway. That, hushed in grim repose, expects his evening prey. The Bard, II. 2. GRAY. Yet, ah ! why should they know their fate. Since sorrow never comes too late. And happiness too swiftly flies ? Thought would destroy their paradise. No more ; — where ignorance is bliss, 'T is foUy to be wise. On a Distant Prospect of Eton College. GRAY. à a POEMS OF THE AFFECTIONS. B-- POEMS OF THE AFFECTIONS. FRIENDSHIP. B- BENEDICITE. God's love and peace be with thee, where Soe'er this soft autumnal air Lifts the dark tresses of thy hair ! Whether through city casements comes Its kiss to thee, in crowded rooms. Or, out among the woodland blooms. It freshens o'er thy thoughtful face. Imparting, in its glad embrace. Beauty to beauty, grace to grace ! Fair Nature's book together read. The old wood-paths that knew our tread. The maple shadows overhead, — The hills we climbed, the river seen By gleams along its deep ravine, — All keep thy memory fresh and green. Where'er I look, where'er I stray. Thy thought goes with me on my way. And hence the prayer I breathe to-day : O'er lapse of time and change of scene. The weary waste which lies between Thyself and me, my heart I lean. Thou lack'st not Friendship's spellword, nor The half-unconscious power to draw All hearts to thine by Love's sweet law. With these good gifts of God is cast Thy lot, and many a charm thou hast To hold the blessed angels fast. If, then, a fervent wish for thee The gracious heavens will heed from me. What should, dear heart, its burden be ? The sighing of a shaken reed, — What can I more than meekly plead The greatness of our common need ? God's love, — unchanging, pure, and true, — The Paraclete white-shining through His peace, — the fall of Hermon's dew ! With such a prayer, on this sweet day, As thou mayst hear and I may say, I greet thee, dearest, far away ! John greenleaf whittier. EAKLY FRIENDSHIP. The half-seen memories of childish days, When pains and pleasures lightly came and went ; The sympathies of boyhood rashly spent In fearful wanderings through forbidden ways ; The vague, but manly wish to tread the maze Of life to noble ends, — whereon intent. Asking to know for what man here is sent, The bravest heart must often pause, and gaze; The firm resolve to seek the chosen end Of manhood's judgment, cautious and mature, — Each of these viewless bonds binds friend to friend With strength no selfish purpose can secure : My happy lot is this, that all attend That friendship which first came, and which shall last endure. Aubrey De Vere. FRIENDSHIP. from " hamlet," act hi. sc. 2. Ham. Horatio, thou art e'en as just a man Ai e'er my conversation coped withaL Hor. O my dear lord — Ham. Nay, do not think I flatter : For what advancement may I hope from thee That no revènue hast but thy good spirits. To feed and clothe thee ? Why should the poor be flattered ? No, let the candied tongue lick absurd pomp. And crook the pregnant hinges of the knee. Where thrift may follow fawning. Dost thou hear? 112 POEMS OF THE AFFECTIONS. Since my dear soul was mistress of her choice, And could of men distinguish, her election Hath sealed thee for herself ; for thou hast been As one, in suffering all, that suffers nothing, — A man that Fortune's buffets and rewards Hast ta'en with equal thanks ; and blessed are those Whose blood and judgment are so well co-mingled. That they are not a pipe for Fortune's finger To sound what stop she please : Give me that man That is not passion's slave, and I will wear him In my heart's core, ay, in my heart of heart. As I do thee. SHAKESPEARE. FRIENDSHIP. A RUDDY drop of manly blood The surging sea outweighs ; The world uncertain comes and goes. The lover rooted stays. I fancied he was fied, — And, after many a year. Glowed unexhausted kindliness. Like daily sunrise there. My careful heart was free again ; 0 friend, my bosom said. Through thee alone the sky is arched. Through thee the rose is red ; All things through thee take nobler form. And look beyond the earth ; The mill-round of our fate appears A sun-path in thy worth. Me too thy nobleness has taught To master my despair ; The fountains of my hidden life Are through thy friendship fair. Ralph Waldo Emerson. THE MEMORY OF THE HEART. If stores of dry and learned lore we gain. We keep them in the memory of the brain ; Names, things, and facts, — whate'er we knowl¬ edge call, — There is the common ledger for them all; And images on this cold surface traced Make slight impression, and are soon effaced. But we've a page, more glowing and more bright. On which our friendship and our love to write ; That these may never from the soul depart. We trust them to the memory of the heart. There is no dimming, no effacement there ; Each new pulsation keeps the record clear ; Warm, golden letters all the tablet fill. Nor lose their lustre tiU the heart stands still. ' ' daniel Webster. B BILL AND JOK Come, dear old comrade, you and I Will steal an hour from days gone by, — The shining days when life was new. And all was bright as morning dew. The lusty days of long ago. When you were BUI and I was Joe. Your name may flaunt a titled trail. Proud as a cockerel's rainbow tail ; And mine as brief appendix wear As Tam O'Shanter's luckless mare ; To-day, old friend, remember stiU That I am Joe and you are BiU. You've won the great world's envied prize. And grand you look in people's eyes. With HON. and L L. D. In big brave letters, fair to see, — Your fist, old fellow ! off they go ! How are you. Bill ? How are you, Joe ? You've worn the judge's ermined robe ; You've taught your name to half the globe; You've sung mankind a deathless strain ; You've made the dead past live again : The world may call you what it wiU, But you and I are Joe and BilL The chaffing young folks stare and say, " See those old buffers, bent and gray ; They talk like fellows in their teens! Mad, poor old boys I That's what it means," - And shake their heads ; they little know The throbbing hearts of Bill and Joe ! How BUI forgets his hour of pride. While Joe sits smiling at his side ; How Joe, in spite of time's disguise. Finds the old schoolmate in his eyes, — Those calm, stern eyes that melt and fill As Joe looks fondly up at BUI. Ah, pensive scholar, what is fame ? A fitful tongue of leaping flame ; A giddy whirlwind's fickle gust. That lifts a pinch of mortal dust : A few swift years, and who can show Which dust was BUI, and which was Joe ? The weary idol takes his stand. Holds out his bruised and aching hand. While gaping thousands come and go, — How vain it seems, this empty show-! Till all at once his pulses thrill, 'T is poor old Joe's " God bless you. Bill ! " EMERSON'S HOME AT CONCORD. " dell attd cragy Hollow ond like, hillside aud plnc-arcad\ Are tmtch'd with genius." FRIENDSHIP. And shall we breathe in happier spheres The names that pleased our mortal ears, — In some sweet lull of harp and song, For earth-bom spirits none too long, — Just whispering of the world below, "Where this was Bill, and that was Joe ? No matter ; while our home is here No sounding name is half so dear; "When fades at length our lingering day, "Who cares what pompous tombstones say ? Read on the hearts that love us still, Hicjacet Joe. Eicjacet BiU. Oliver Wendell holmes. DREAMS AND REALITIES. 0 Rosamond, thou fair and good And perfect flower of womanhood ! Thou royal rose of June ! "Why didst thou droop before thy time ? "Why wither in the first sweet prime ? "Why didst thou die so soon ? For, looking backward through my tears On thee, and on my wasted years, 1 cannot choose but say. If thou hadst lived to be my guide. Or thou hadst lived and 1 had died, 'T were better far to-day. O child of light, 0 golden head ! — Bright sunbeam for one moment shed Upon life's lonely way, — "Why didst thou vanish from our sight ? Could they not spare my little light From heaven's unclouded day ? 0 friend so true, O friend so good ! — Thou one dream of my maidenhood. That gave youth all its charms, — "What had 1 done, or what hadst thou, That, through this lonesome world till now. We walk with empty arms ? And yet had this poor soul been fed With all it loved and coveted ; Had life been always fair. Would these dear dreams that ne'er depart. That thriU with bliss my inmost heart. Forever tremble there ? If still they kept their earthly place. The friends 1 held in my embrace. And gave to death, alas ! Could 1 have learned that clear, cabn faith That looks beyond the bonds of death, And almost longs to pass ? Sometimes, 1 think, the things we see Are shadows of the things to be ; That what we plan we build ; That every hope that hath been crossed. And every dream we thought was lost. In heaven shall be fulfilled ; That even the children of the brain Have not been born and died in vain, Though here unclothed and dumb ; But on some brighter, better shore They live, embodied evermore, And wait for us to come. And when on that last day we rise, Caught up between the earth and skies. Then shall we hear our Lord Say, Thou hast done with doubt and death. Henceforth, according to thy faith. Shall be thy faith's reward. phcebe carv. THE DEAD FRIEND. from "in memoriam." The path by which we twain did go, which led by tracts that pleased us well. Through four sweet years arose and fell. From flower to flower, from snow to snow. But where the path we walked began To slant the fifth autumnal slope. As we descended, following Hope, There sat the Shadow feared of man ; "Who broke our fair companionship. And spread his mantle dark and cold. And wrapped thee formless in the fold. And dulled the murmur on thy lip. When each by turns was guide to each. And Fancy light from Fancy caught. And Thought leapt out to wed with Thought Ere Thought could wed itself with Speech ; And all we met was fair and good. And all was good that Time could bring. And all the secret of the Spring Moved in the chambers of the blood ; 1 know that this was Life, — the track "Whereon with equal feet we fared ; And then, as now, the day prepared The daUy burden for the back. But this it was that made me move As light as carrier-birds in air ; 1 loved the weight 1 had to bear Because it needed help of Love : e 114 POEMS OF THE AFFECTIONS. a Nor could I weary, heart or limb, When mighty Love would cleave in twain - The lading of a single pain. And part it, giving half to him. But 1 remained, whose hopes were dim, Whose life, whose thoughts were little worth. To wander on a darkened earth. Where all things round me breathed of him. O friendship, equal-poised control, 0 heart, with kindliest motion warm, 0 sacred essence, other form, 0 solemn ghost, O crownèd soul ! Yet none could better know than I, How much of act at human hands The sense of human will demands, By which we dare to live or die. Whatever way my days decline, 1 felt and feel, though left alone. His being working in mine own. The footsteps of his life in mine. My pulses therefore beat again For other friends that once 1 met ; Nor can it suit me to forget The mighty hopes that make us men. 1 woo your love : 1 count it crime To mourn for any overmuch ; 1, the divided half of sueh A friendship as had mastered Time ; Which masters Time, indeed, and is Eternal, separate from fears : The all-assuming mouths and years Can take no part away from this. 0 days and hours, your work is this. To hold me from my proper place, A little while from his embrace. For fuller gain of after bliss : That out of distance might ensue Desire of nearness doubly sweet ; And unto meeting when we meet. Delight a hundred-fold accrue. The hills are shadows, and they flow From form to form, and nothing stands ; They melt like mist, the solid lands. Like clouds thsy shape themselves and go. But in my spirit will I dwell. And dream my dream, and hold it trae ; For tho' my lips may breathe adieu, 1 cannot think the thing farewell. Alfred Tehwïsok. PARTED FRIENDS. Friend after friend departs : Who hath not lost a friend ? There is no union here of hearts That finds not here an end ; Were this frail world our only rest, Living or dying, none were blest. Beyond the flight of time. Beyond this vale of death. There surely is some blessed clime Where life is not a breath, Nor life's affections transient fire. Whose sparks fly upward to expire. There is a world above. Where parting is unknown ; A whole eternity of love. Formed for the good alone ; And faith beholds the dying here Translated to that happier sphere. Thus star by star declines. Till all are passed away. As morning high and higher shines. To pure and perfect day ; Nor sink those stars in empty night ; They hide themselves in heaven's own light. James Montgomery. MARTIAL FRIENDSHIP. from "coriolanus," act iv. sc. s- (Aufidius the Volscian to Catus Marcius Coriolanus.] Auf. 0 Marcius, Marcius ! Each word thou hast spoke hath weeded from my heart A root of ancient envy. If Jupiter Should from yond' cloud speak divine things, and say, "'Tis true," 1 'd not believe them more than thee. All-noble Mareius. — Let me twine Mine arms about that body, where-against My grained ash an hundred times hath broke. And scared the moon with splinters ! Here 1 clip The anvil of my sword ; and do contest As hotly and as nobly with thy love. As ever in ambitious strength 1 did Contend against thy valor. Know thou first, 1 loved the maid 1 married ; never man Sighed truer breath ; but that I see thee here. Thou noble thing ! more dances my rapt heart Than when I first my wedded mistress saw Bestride my thi-eshold. Why, thou Mars ! I tell thee. We have a power on foot ; and I had purpose Once more to hew thy target from thy brawn. FRIENDSHIP. 115 Or lose mine arm for't. Thou hast beat me out Twelve several times, and I have nightly since Dreamt of encounters 'twixt thyself and me, We have been down together in my sleep. Unbuckling helms, fisting each other's throat. And waked half dead with nothing. Worthy Marcius, Had we no other quarrel else to Rome, but that Thou art thence banished, we would muster all From twelve to seventy ; and, pouring war Into the bowels of ungrateful Rome, Like a bold flood o'erbear. 0, come ! go in. And take our friendly senators by the hands ; Who now are here, taking their leaves of me. Who am prepared against your territories. Though not for Rome itself. A thousand welcomes ! And more a friend than e'er an enemy ; Yet, Marcius, that was much. shakespeare. WHEN TO THE SESSIONS OF SWEET SILENT THOUGHT. sonnet .xxx. When to the sessions of sweet silent thought I summon up remembrance of things past, I sigh the lack of many a thing I sought. And with old woes new wail my dear time's waste : Then can I drown an eye, unused to flow. For precious friends hid in death's dateless night, And weep afresh love's long-since-cancelled woe. And moan the expense of many a vanished sight. Then can I grieve at grievances foregone. And heavily from woe to woe tell o'er The sad account of fore-bemoanèd moan. Which I new pay, as if not paid before ; But if the while I think on thee, dear friend. All losses are restored, and sorrows end. Shakespeare. JAFFAE. Jaffae, the Barmecide, the good vizier. The poor man's hope, the friend without a peer, Jaflar was dead, slain by a doom unjust ; And guilty Haroun, sullen with mistrust Of what the good, and e'en the bad, might say. Ordained that no man living from that day Should dare to speak his name on pain of death. All Araby and Persia held their breath ; All but the brave Mondeer : he, proud to show How far for love a grateful soul could go. And facing death for very scorn and grief IFor his great heart wanted a great relief). Stood forth in Bagdad daily, in the square Where once had stood a happy house, and there Harangued the tremblers at the scymitar On all they owed to the divine Jaifar. "Bring me this man," the caliph cried ; the man Was brought, was gazed upon. The mutes began To bind his arms. "Welcome, brave cords," cried he ; " From bonds far worse Jaffar delivered me ; From wants, from shames, from loveless house¬ hold fears ; Made a man's eyes friends with delicious tears ; Restored me, loved me, put me on a par With his great self. How can I pay Jaifar ? " Haroun, who felt that on a soul like this The mightiest vengeance could but fall amiss, Now deigned to smile, as one great lord of fate Might smile upon another half as great. He said, " Let worth grow frenzied if it will ; The caliph's judgment shall be master still. Go, and since gifts so move thee, take this gem, The richest in the Tartar's diadem. And hold the giver as thou deemest flt ! " "Gifts!" cried the friend; he took, and hold¬ ing it High toward the heavens, as though to meet his star. Exclaimed, " This, too, I owe to thee, Jaffar ! " Leigh Hunt. THE MEETING OF THE SHIPS. ** We take each other by the hand, and we exchai^e a few words and looks of kindness, and we rejoice together for a few short mo¬ ments ; and then days, months, years intervene, and we see and know nothing of each other." — WASHINGTON IRVING. Two barks met on the deep mid-sea. When calms had stilled the tide ; A few bright days of summer glee There found them side by side. And voices of the fair and brave Rose mingling thence in mirth ; And sweetly floated o'er the wave The melodies of earth. Moonlight on that lone Indian main Cloudless and lovely slept ; While dancing step and festive strain Each deck in triumph swept. And hands were linked, and answering eyes With kindly meaning shone ; 0, brief and passing sympathies, Like leaves together blown ! POEMS OF THE AFFECTIONS. A little while suçh joy was cast Over the deep's repose, Till the loud singing winds at last Like trumpet music rose. And proudly, freely on their way The parting vessels bore ; In calm or storm, by rock or bay, To meet — 0, nevermore ! Never to blend in victory's cheer, To aid in hours of woe ; And thus bright spirits mingle here. Such ties are formed below. Felicia Hemans. THE VALE OF AVOCA. There is not in this wide world a valley so sweet As that vale in whose bosom the bright waters meet ; 0, the last ray of feeling and life must depart Ere the bloom of that valley shall fade from my heart ! Y et it was not that N ature had shed o'er the scene Her purest of crystal and brightest of green ; 'T was not the soft magic of streamlet or hill, — 0, no ! it was something more exquisite still. 'T was that friends, the beloved of my bosom, were near. Who made every dear scene of enchantment more dear. And who felt how the best charms of nature im¬ prove. When we see them reflected from looks that we love. Sweet Vale of Avoca ! how calm could I rest In thy bosom of shade, with the friends I love best; Where the storms that we feel in this cold world should cease, And our hearts, like thy waters, be mingled in peace. Thomas Moore. WE HAVE BEEN FRIENDS TOGETHER. We have been friends together In sunshine and in shade. Since first beneath the chestnut-tree In infancy we played. But coldness dwells within thy heart, A cloud is on thy brow ; We have been friends together. Shall a light word part us now ? ^ 22: We have been gay together ; We have laughed at little jests ; For the fount of hope was gushing Warm and joyous in our breasts. But laughter now hath fled thy Up, And sullen glooms thy brow ; We have been gay together. Shall a light word part us now ? We have been sad together ; We have wept with bitter tears O'er the grass-grown graves where slumbered The hopes of early years. The voices which were silent then Would bid thee clear thy brow ; We have been sad together. Shall a Ught word part us now ? caroline elizabeth SARAH NORTON. THE QUARREL OF FRIENDS. from "christabel." Alas ! they had been friends in youth ; But whispering tongues can poison truth ; And constancy lives in realms above ; And Ufe is thorny ; and youth is vain ; And to be wroth with one we love Doth work like madness in the brain. And thus it chanced, as I divine. With Roland and Sir Leoline ! Each spoke words of high disdain And insult to his heart's best brother ; They parted, — ne'er to meet again ! But never either found another To free the hollow heart from paining. They stood aloof, the scars remaining. Like cUffs which had been rent asunder ; A dreary sea now flows between. But neither heat, nor frost, nor thunder Shall wholly do away, 1 ween. The marks of that which once hath been. Samuel Taylor Coleridge. ——♦ THE ROYAL GUEST. They tell me I am shrewd with other men ; With thee I'm slow, and difficult of speech. With others I may guide the car of talk ; Thou wing'st it oft to realms beyond my reach. If other guests should come, I'd deck my hair. And choose my newest garment from the shelf ; When thou art bidden, I would clothe my heart With holiest purpose, as for God himself. irr FRIENDSHIP. 117 a For them I while the hours with tale or song, Or web of fancy, fringed with careless rhyme ; But how to find a fitting lay for thee, Who hast the harmonies of every time ? O friend beloved ! I sit apart and dumb, — Sometimes in sorrow, oft in joy divine ; My lip will falter, but my prisoned heart Springs forth to measure its faint pulse with thine. Thou art to me most like a royal guest. Whose travels bring him to some lowly roof. Where simple rustics spread their festal fare And, blushing, own it is not good enough. Bethink thee, then, whene'er thou com'st to me. From high emprise and noble toil to rest. My thoughts are weak and trivial, matched with thine ; But the poor mansion offers thee its best. julia Ward Howe, TOO LATE I STAYED. Too late I stayed, —forgive the crime ! Unheeded flew the hours : How noiseless falls the foot of Time That only treads on flowers ! And who, with clear account, remarks The ebbings of his glass. When all its sands are diamond sparks. That dazzle as they pass ? O, who to sober measurement Time's happy swiftness brings, When birds of paradise have lent Their plumage to his wings ? William Robert Spencer. WE ARE BRETHREN A'. A happy bit hame this auld world would be If men, when they 're here, could make shift to agree. An' ilk said to his neighbor, in cottage an' ha', " Come, gi'e me your hand, —we are brethren a'." I ken na why ane wi' anither should fight, When to 'gree would make ae body cosie an' right. When man meets wi' man, 't is the best way ava. To say, "Gi'e me your hand,—we are breth¬ ren a'." My coat is a coarse ane, an' yours may be fine. And I maun drink water, while you may drink wine ; But we baith ha'e a leal heart, unspotted to shaw : Sae gi'e me your hand, — we are brethren a'. The knave ye would scorn, the unfaithfu' deride , Ye would stand like a rock, wi' the truth on your side ; Sae would I, an' naught else would I value a straw : Then gi'e me your hand, — we are brethren a'. Ye would scorn to do fausely by woman or man ; I baud by the right aye, as weel as I can ; We are ane in our joys, our affections, an' a' : Come, gi'e me your hand, — we are brethren a'. Your mother has lo'ed you as mithers can lo'e ; An' mine has done for me what mithers can do ; We are ane high an' laigh, an' we shouldna be twa : Sae gi'e me your hand, — we are brethren a'. We love the same sunmer day, sunny and fair ; Hame ! oh, how we love it, an' a' that are there ! Frae the pure air of heaven the same life we draw : Come, gi'e me your hand, — we are brethren a'. Frail shakin' auld age will soon come o'er us baith. An' creeping alang at his back will be death ;. Syne into the same mither-yird we will fa' ; Come, gi'e me your hand, — we are brethren a'. robert nicolu THE MAHOGANY-TREE. Christmas is here ; Winds whistle shrill. Icy and chill, , Little care we ; ^ Little we fear Weather without. Sheltered about The mahogany-tree. Once on the boughs Birds of rare plume Sang, in its bloom ; Night-birds are we ; Here we carouse. Singing, like them. Perched round the stem Of the jolly old tree. Here let us sport. Boys, as we sit, — Laughter and wit Flashing so free. iP fl¬ us POEMS OF THE AFFECTIONS. Life is but short, — When we are gone. Let them sing on, Kound the old tree. Evenings we knew, Happy as this ; Faces we miss. Pleasant to see. Kind hearts and true. Gentle and just. Peace to your dust ! We sing round the tree. Care, like a dun. Lurks at the gate : Let the dog wait ; Happy we '11 he ! Drink, every one ; Pile up the coals ; Fill the red howls, Kound the old tree ! Drain we the cup. — Friend, art afraid ? Spirits are laid In the Ked Sea. Mantle it up ; Empty it yet ; Let us forget. Round the old tree ! Sorrows, begone ! Life and its ills. Duns and their hills. Bid we to flee. Come with the dawn. Blue-devil sprite ; Leave us to-night, Kound the old tree ! William makepeace Thackeray. GIVE ME THE OLD. old wine to drink, old wood to burn, old books to read, and old friends to converse with. Old wine to drink ! — Ay, give the slippery juice That drippeth from the grape thrown loose Within the tun ; Plucked from beneath the cliff Of sunny-sided Teneriffe, And ripened 'neath the blink Of India's sun ! Peat whiskey hot. Tempered with well-boiled water ! These make the long night shorter, — Forgetting not Good stout old English porter. Old wood to bum ! — Ay, bring the hillside beech From where the owlets meet and screech. And ravens croak ; The crackling pine, and cedar sweet ; Bring too a clump of fragrant peat. Dug 'neath the fern ; The knotted oak, A fagot too, perhap. Whose bright flame, dancing, winking. Shall light us at our drinking ; While the oozing sap Shall make sweet music to our thinking. Old books to read ! — Ay, bring those nodes of wit. The brazen-clasped, the vellum writ. Time-honored tomes ! The same my sire scanned before. The same my grandsire thumbed o'er. The same his sire from college bore. The well-earned meed Of Oxford's domes ; Old Homer blind. Old Horace, rake Anacreon, by Old Tully, Plautus, Terence lie ; Mort Arthur's olden minstrelsie. Quaint Burton, quainter Spenser, ay ! And Gervase Markham's venerie, — Nor leave behind The Holye Book by which we live and die. Old friends to talk ! —■ Ay, bring those chosen few. The wise, the courtly, and the true. So rarely found ; Him for my wine, him for my stud. Him for my easel, distich, bud In mountain walk ! Bring Walter good : With soulful Fred ; and learned Will, And thee, my alter ego (dearer still For every mood). Robert Hinckley Messenger. AULD LANG SYNE. Should auld acquaintance be forgot. And never brought to min' ? Should auld acquaintance be forgot. And days o' lang syne ? chorus. For auld lang syne, ray dear. For auld lang syne. We '11 tak a cup o' kindness yet. For auld lang syne. •i? FRIENDSHIP. 119 -a We twa hae run about the braes, And pu'd the gowans fine ; But we've wandered mony a weary foot Sin' auld lang syne. For auld, etc. We twa hae paidl't i' the burn, Frae momin' sun till dine ; But seas between us braid hae roared Sin' auld lang syne. For auld, etc. And here's a hand, my trusty fiere. And gie's a hand o' thine ; And we '11 tak a right guid-willie waught For auld lang syne. For auld, etc. And surely ye '11 be your pint-stowp. And surely I '11 be mine ; And we '11 tak a cup o' kindness yet For auld lang syne. For auld, etc. robert Burns. PLATONIC. I HAoVswom tolbe a\bachelo]V she ^ad^swoni to^ be-annaid. For we quite agreed in doubting whether matri¬ mony paid ; Besides, we had our higher loves, — fair science ruled my heart. And she said her young affections were all wound up in art. So we laughed at those wise men who say that friendship cannot live 'Twixt man and woman, unless each has some¬ thing more to give ; We would be friends, and friends as true as e'er were man and man ; I'd be a second David, and she Miss Jonathan. • We scorned all sentimental trash, — vows, kisses, tears, and sighs ; High friendship, such as ours, might well such childish arts despise ; We liked each other, that was all, quite all there was to say. So we just shook hands upon it, in a business sort of way. We shared our secrets and our joys, together hoped and feared. With common pm-pose sought the goal that young Ambition reared ; We dreamed together of the days, the dream- bright days to come. We were strictly confidential, and we called each other " chum." And many a day we wandered together o'er the hills, I seeking bugs and butterflies, and she, the ruined mills And rustic bridges, and the like, that picture- makers prize To run in with their waterfalls, and groves, and summer skies. And many a quiet evening, in hours of silent ease. We floated down the river, or strolled beneath the trees. And talked, in long gradation from the poets to the weather. While the western skies and my cigar burned slowly out together. Yet through it all no whispered word, no tell¬ tale glance or sigh. Told aught of warmer sentiment than friendly sympathy. We talked of love as coolly as we talked of nebulse, And thought no more of being o'm than we did of being three. "Well, good by, chum !" I took her hand, for the time had come to go. My going meant our parting, when to meet, we did not know. I had lingered long, and said farewell with a very heavy heart ; For although we were but friends, 'tis hard for honest friends to part. " Good-by, old fellow ! don't forget your friends beyond the sea. And some day, when you've lots of time, drop a line or two to me." The words came lightly, gayly, but a great sob, just behind. Welled upward with a story of quite a different kind. And then she raised her eyes to mine, — great liquid eyes of blue. Filled to the brim, and running o'er, like violet cups of dew ; One long, long glance, and then I did, what Í never did before — Perhaps the tears meant friendship, but I'm sure the kiss meant more. WILLIAM B. TERRETT. e- 120 POEMS OF THE AFFECTIONS. A TEMPLE TO FRIENDSHIP. "A TEMPLE to Friendship," cried Laura, en¬ chanted, "I'll build in this garden; the thought is di¬ vine." So the temple was built, and she now only wanted An image of Friendship, to place on the shrine. So she flew to the sculptor, who sat down before her An image, the fairest his art could invent ; But so cold, and so dull, that the youthful adorer Saw plainly this was not the Friendship she meant. "O, never," said she, "could I think of en¬ shrining An image whose looks are so joyless and dim ; But yon little god upon roses reclining, We'U make, if you please, sir, a Friendship of him." So the bargain was struck ; with the little god laden. She joyfully flew to her home in the grove. "Farewell," said the sculptor, "you 're not the first maiden Who came but for Friendship, and took away Love ! " Thomas Moore. à FEAGMENTS. Friendship. Friendship ! mysterious cement of the soul ! Sweet'ner of life ! and solder of society ! The Grave. R. BLAIR. Friendship is the cement of two minds. As of one man the soul and body is ; Of which one cannot sever but the other Suffers a needful separation. Rnmge. Geo. CHAPMAN. Friendship's the image of Eternity, in which there's nothing Movable, nothing mischievous. Endymion. LILLY. Flowers are lovely ; Love is flower-like ; Friendship is a sheltering tree ; 0 the Joys, that came down shower-like. Of Friendship, Love, and Liberty, Ere 1 was old ! nmt-igr s.t.coleridge. Heaven gives us friends to bless the present scene ; Resumes them, to prepare us for the next. Thoughts. YOUNG. 'T is sweet, as year by year we lose Friends out of sight, in faith to muse How grows in Paradise our store. Burial of the Dead. KEBLE. 1 praise the Frenchman,* his remark was shrewd, How sweet, how passing sweet is solitude ! But grant me still a friend in my retreat. Whom 1 may whisper. Solitude is sweet. Retirement. COWPER. Choice Friends. True happiness Consists not in the multitude of friends, But in the worth and choice. Cynthia's Revels. Ben JONSON. A generous friendship no cold medium knows. Burns with one love, with one resentment glows. Iliad, Book ix. Homer, Poise's Trans. Statesman, yet friend to truth ! of soul sincere. In action faithful, and in honor clear ; Who broke no promise, served no private end. Who gained no title, and who lost no friend. Epistle tc Mr, Addison, POPE. Like the stained web that whitens in the sun. Grow pure by being purely shone upon. LallaRoobh: The Veiled Pn^hetqf Khorassan. T.MOORB» Who ne'er knew joy but friendship might divide. Or gave his father grief but when he died. Epitaph on the Hon, S. Harcourt. pope. Though last, not least, in love ! yulius Casar, Act iii. Sc. x. SHAKESPEARE. Faithful Friends. Friendship above all ties does bind the heart ; And faith in friendship is the noblest part. Henry V. earl of orrery. Be kind to my remains ; and 0, defend, Against your judgment, your departed friend ! Epistle to Congreve. DrvdEN. Summer Friends. O summer friendship. Whose flatteiing leaves, that shadowed us in Our prosperity, with the least gust drop off In the autumn of adversity. The Maid of Honor. m asszngb& • La Bruyère. sa3rs Bartlett. [& FRIENDSHIP. 121 Like summer friends, Flies of estate and sunneshine. The AnsTver. CBOaCB HERBERT. What the declinèd is He shall as soon read in the eyes of others As feel in his own fall ; for men, like butterflies. Show not their mealy wings but to the summer. Troilus and Cressida, Act iii. Sc. 3. SHAKESPEARE* Friends to be Shunned. The man that hails you Tom or Jack, And proves, by thumping on your back. His sense of your great merit. Is such a friend, that one had need Be very much his friend indeed To pardon, or to bear it. On FrUndshif. COWPER. Give me the avowed, the erect, ftie manly foe. Bold I can meet, — perhaps may turn his blow ; But of all plagues, good Heaven, thy wrath can send, Save, save, oh ! save me from the Candid Friend! New Morality. GEORGE CANNING. Friendship and Love. Friendship is constant in all other things. Save in the office and' affairs of love. Much Ado about Nothing, Act ii. Sc. z. SHAKESPEARE. If I speak to thee in Friendship's name. Thou think'st I speak too coldly ; If I mention Love's devoted flame. Thou say'st I speak too boldly. H(rw Shall I IVeo} T. MOORE. Friendship, like love, is but a name. Unless to one you stint the flame. 'T is thus in friendship ; who depend On many rarely flnd a friend. The Hare and Many Friends, Quarrels of Friends. I have shot mine arrow o'er the house. And hurt my brother. Hamlet, Act v. Sc. 2. SHAKESPEARE. Brother, brother, we are both in the wrong. The Beggar's Ojera, Act U. Sc, 9. GAY. A friend should bear his friend's infirmities. But Brutus makes mine greater than they are. yuliu* Casar, Act iy. Sc, 2, Shakespeare. Hospitality. I've often wished that I had clear. For life, six hundred pounds a year, A handsome house to lodge a friend, A river at my garden's end. Imitation 0/Horace, Book iL Sat. 6. SWIFT. True friendship's laws are by this rule exprest. Welcome the coming, speed the parting guest. Odyssey, Book xv. Translation 0/ POPE. HOMER. Whoe'er has travelled life's dull round. Where'er his stages may have been. May sigh to think he still has found The warmest welcome at an inn. Written on a Window of an Inn, SHENSTONE. And do as adversaries do in law. Strive mightily, but eat and drink as friends. Taming of the Shrew, Act i. Sc, 2. SHAKESPEARE. Sir, you are very welcome to our house : It must appear in other ways than words. Therefore I scant this breathing courtesy. The Merchant of Venice, Act v. Sc. z. SHAKESPEARE. Good Counsel. Neither a borrower nor a lender be. For loan oft loses both itself and friend. Hamlet, Acti. Sc. 3. shakespeare. Be thou familiar, but by no means vulgar : The friends thou hast, and their adoption tried. Grapple them to thy soul with hoops of steel. Hhmlet, Act l Sc. 3. shakespeare. Turn him, and see his thrtads : look if he be Friend to himself, that would be friend to thee : For that is first required, a man be his own ; But he that's too much that is friend to none. Underwood. BEN JONSON. Lay this into your breast : Old friends, like old swords, still are trusted best. Duchas i/Mal/j!. John Webster. :.i}- SI a- 122 POEMS GE THE AFPECTIONS. COMPLIMENT AND ADMIRATION. WHEN IN THE CHRONICLE OF WASTED TIME. sonnet cvi. When in the chronicle of wasted time I see descriptions of the fairest wights. And beauty making beautiful old rhyme, In praise of ladies dead, and lovely knights ; Then, in the blazon of sweet beauty's best Of hand, of foot, of lip, of eye, of brow, I see their antique pen would have expressed Even such a beauty as you master now. So all their praises are but prophecies Of this our time, all you prefiguring ; And, for they looked but with divining eyes. They had not skill enough your worth to sing ; For we, which now behold these present days, Have eyes to wonder, but lack tongues to praise. shakespeare. How could he see to do them ? having made one, Methinks it should have power to steal both his. And leave itself unfurnished. shakespeare. OLIVIA. prom "twelfth night," act i. sc. 5. Viola. 'T is beauty truly blent, whose red and white Nature's own sweet and cunning hand laid on : Lady, you are the cruel'st she alive. If you will lead these graces to the grave. And leave the world no copy. shakespeare. 0 MISTRESS MINE. from "twelfth night." act ii. sc. 3. 0 mistkess mine, where are you roaming ? O, stay and hear ! your true-love's coming That can sing both high and low ; Trip no further, pretty sweeting. Journeys end in lovers' meeting, — Every wise man's son doth know. What is love ? 't is not hereafter ; Present mirth hath present laughter ; What's to come is still unsui'e : In delay there lies no plenty, — Then come kiss me; Sweet-and-twenty, Youth's a stuff will not endure. shakespeare. è PORTIA'S PICTURE. from "the merchant of venice," act iii. sc. 2. Fair Portia's counterfeit ? What demi-god Hath come so near creation ? Move these eyes ? Or whether, riding on the balls of mine. Seem they in motion ? Here are severed lips. Parted with sugar breath ; so sweet a bar Should sunder such sweet friends : Here in her hairs The painter plays the spider ;, and hath woven A golden mesh to entrap the hearts of men. Faster than gnats in cobwebs : But her eyes, — TO MISTRESS MARGARET HUSSEY. Merry Margaret, As midsummer flower. Gentle as falcon. Or hawk of the tower ; With solace and gladness. Much mirth and no madness. All good and no badness ; So joyously. So maidenly. So womanly Her demeaning. In everything Far, far passing That I can indite. Or suffice to write. Of merry Margaret, As midsummer flower. Gentle as falcon Or hawk of the tower ; As patient and as still. And as fuU of good-will. As fair IsiphU, Coliander, Sweet Pomander, Good Cassander ; Stedfast of thought, Well made, well wrought ; Far may be sought Ere you can find So courteous, so kind. As merry Margaret, This midsummer flower, Gentle as falcon. Or hawk of the tower. john skelton. -gi COMPLIMENT AND ADMIRATION. 123 THE FORWARD VIOLET THUS DID I CHIDE. sonnet xcix. The forward violet thus did I chide : — Sweet thief, whence didst thou steal thy sweet that smells, If not from my love's breath ? the purple pride Which on thy soft cheek for complexion dweUs, In my love's veins thou hast too grossly dyed. The lily I condemned for thy hand, And buds of maijoram had stolen thy hair : The roses fearfully on thorns did stand. One blushing shame, another white despair ; A third, nor red nor white, had stolen of both, And to this robbery had annexed thy breath ; But, for his theft, in pride of all his growth A vengeful canker eat him up to death. More flowem I noted, yet I none could see But sweet or color it had stolen from thee. shakespeare. THERE IS A GARDEN IN HER FACE. from "an houre's recreation in mosicke," l6os. There is a garden in her face. Where roses and white lilies blow ; A heavenly paradise is that place. Wherein all pleasant fruits do grow ; There cherries grow that none may buy, Till cherry-ripe themselves do cry. Those cherries fairly do enclose Of orient pearl a double row. Which when her lovely laughter shows. They look like rosebuds filled with snow ; Yet them no peer nor prince may buy. Till cherry-ripe themselves do cry. Her eyes like angels watch them still. Her brows like bended bows do stand. Threatening with piercing frowns to kill All that approach with eye or hand These sacred cherries to come nigh. Till cherry-ripe themselves do cry. Richard Allison. MY SWEET SWEETING. from a ms. temp. henrv viii. Ah, my sweet sweeting ; My little pretty sweeting. My sweeting will I love wherever I go ; She is so proper and pure. Full, steadfast, stable, and demure. There is none such, you may be sure. As my sweet sweeting. In all this world, as thinketh me. Is none so pleasant to my e'e. That I am glad so oft to see, As my sweet sweeting. When I behold my sweeting sweet. Her face, her hands, her minion feet. They seem to me there is none so mete, As my sweet sweeting. Above all other praise must I, And love my pretty pygsnye. For none 1 find so womanly As my sweet sweeting. Anonymous. —«— THE WHITE ROSE. sent by a yorkish lover to his lancastrian / mistress. If this fair rose offend thy sight. Placed in thy bosom bare, 'Twill blush to find itself less white. And turn Lancastrian there. ■ But if thy ruby lip it spy. As kiss it thou mayest deign. With envy pale't will lose its dye. And Yorkish turn again. Anonymous. A VISION OF BEAUTY. It was a beauty that I saw, — So pure, so perfect, as the frame Of all the universe were lame To that one figure, could I draw. Or give least line of it a law : A skein of silk without a knot ! A fair march made without a halt ! A curious form without a fault ! A printed book without a blot ! All beauty ! — and without a spot. ben jonson. GIVE PLACE, YE LOVERS. Give place, ye lovers, here before That spent your boa.sts and brags in vain ; My lady's beauty passeth more The best of yours, I dare well sayen. Than doth the sun the candle-light. Or brightest day the darkest night. And thereto hath a troth as just As had Penelope the fair ; For what she saith, ye may it trust. As it by writing sealed were : e- 124 POEMS OF THE AFFECTIONS. And virtues hath she many mo' Than I with pen have skill to show. I could rehearse, if that I would, The whole effect of Nature's plaint. When she had lost the perfect mould. The like to whom she could not paint : With wringing hands, how she did cry. And what she said, 1 know it aye. I know she swore with raging mind. Her kingdom only set apart. There was no loss by law of kind That could have gone so near her heart ; And this was chiefly all her pain ; " She could not make the like again." Sith Nature thus gave her the praise. To be the chiefest work she wrought. In faith, methink, some better ways On your behalf might well be sought. Than to compare, as ye have done, To match the candle with the sun. Henry Howard, Earl of Surrey. TO HIS MISTRESS, elizabeth, queen of bohemia. Yott meaner beauties of the night. That poorly satisfy our eyes More by your number than your light, — You common people of the skies. What are you when the moon shall rise ? You curious chanters of the wood. That warble forth Dame Nature's lays. Thinking your passions understood By your weak accents, — what's your praise When Philomel her voice shall raise ? You violets that flrst appear. By your pure purple mantles known. Like the proud virgins of the year. As if the spring were all your own, — What are you when the rose is blown ? So when my mistress shall be seen In form and beauty of her mind : By virtue first, then choice, a queen, — Tell me, if she were not designed The eclipse and glory of her kind? Sir henry Wotton 'S CONSTANCY. Out upon it. I have loved Three whole days together ; And am like to love three more," If it prove fair weather. Time shall moult away his wings, Ere he shall discover In the whole wide world again Such a constant lover. But the spite on't is, no praise Is due at all to me ; Love with me had made no stays. Had it any been but she. Had it any been but she, And that very face. There had been at least ere this A dozen in her place. sir john suckling. PHILLIS THE FAIR. On a hill there grows a flower. Fair befall the dainty sweet ! By that flower there is a bower Wliere the heavenly muses meet. In that bower there is a chair, Fringèd all about with gold. Where doth sit the fairest fail- That ever eye did yet behold. It is Phillis, fair and bright. She that is the shepherd's joy. She that Venus did despite. And did blind her little boy. "Who would not that face admire ? Who would not this saint adore ? Who would not this sight desire ? Though he thought to see no more. Thou that art the shepherd's queen. Look upon thy love-sick swain ; By thy comfort have been seen Dead men brought to life again. NICHOLAS Breton PHILLIS IS MY ONLY JOY. Phillis is my only joy Faithless as the wind or seas ; Sometimes coming, sometimes coy. Yet she never fails to please. If with a frown I am cast down, Phillis, smiling And beguiling. Makes me happier than before. Though, alas ! too late I find Nothing can her fancy fix ; Yet the moment she is kind I forgive her all her tricks ; á f COMPLIMENT AND ADMIRATION. 125 -a WhicR tho>^h I see, I can't get free ; She deceiving, I believing. What need lovera wish for more ? Sir Charles Sedley. GO, LOVELY ROSE. Go, lovely rose ! Tell her that wastes her time and me. That now she knows, When 1 resemble her to thee, How sweet and fair she seems to be. Tell her that's young. And shuns to have her graces spied. That hadst thou sprung In deserts, where no men abide, Thou must have uncommended died. Small is the worth Of beauty from the light retired ; Bid her come forth. Suffer herself to be desired, And not blush so to be admired. Then die, that she The common fate of all things rare May read in thee ; How small a part of time they share. That are so wondrous sweet and fair. Edmund waller. stanza added by henry kirke white. Yet, though thou fade. From thy dead leaves let fragrance rise ; And teach the maid. That goodness Time's rude hand defies. That virtue lives when beauty dies. ON A GIRDLE. That which her slender waist confined Shall now my joyful temples bind ; No monarch but would give his crown. His arms might do what this hath done. It was my heaven's extremest sphere. The pale which held that lovely deer : My joy, my grief, my hope, my love. Did all within this circle move. A narrow compass ! and yet there Dwelt all that's good, and all that's fair. Give me but what this ribbon bound. Take all the rest the sun goes round ! Edmund Waller. DRINK TO ME ONLY WITH THINE EYES. from "the forest." Drink to me only with thine eyes. And 1 will pledge with mine ; Or leave a kiss but in the cup. And 1 '11 not look for wine. The thirst that from the soul doth rise Doth ask a drink divine ; But might 1 of Jove's nectar sup, 1 would not change for thine. I sent thee late a rosy wreath. Not so much honoring thee As giving it a hope that there It could not withered be ; But thou thereon didst only breathe And sent'st it back to me ; Since when it grows, and smells, 1 swear. Not of itself but thee ! philostratus (Greek). Trans¬ lation of Ben Jonson. LOVE. from "the merchant of venice," act iii. sc. o. Tell me where is fancy bred. Or in the heart, or in the head 1 How begot, how nourished 2 Reply, reply. It is engendered in the eyes. With gazing fed ; and fancy dies In the cradle where it lies. Let us all ring fancy's knell ; I '11 begin it, — ding, dong, bell. Ding, dong, beU. Shakespeare. TO A LADY ADMIRING HERSELF IN A LOOKING-GLASS. Fair lady, when you see the grace Of beauty in your looking-glass ; A stately forehead, smooth and high. And full of princely majesty ; A sparkling eye no gem so fair. Whose lustre dims the Cyprian star ; A glorious cheek, divinely sweet. Wherein both roses kindly meet ; A cherry lip that would entice Even gods to kiss at any price ; You think no beauty is so rare That with your shadow might compare ; That your reflection is alone The thing that men most dote upon. JB-- -51 fl- 126 POEMS OP THE AFFECTIONS. Madam, alas ! your glass doth lie, And you are much deceived ; for I A beauty know of richer grace (Sweet, be not angry), 'tis your face. Hence, then, 0, learn more mild to be, And leave to lay your blame on me : If me your real substance move. When you so much your shadow love. Wise nature would not let your eye Look on her own bright majesty ; Which, had you once but gazed upon. You could, except yourself, love none ; What then you cannot love, let me, That face I can, you cannot see. Now you have what to love, you '11 say, What then is left for me, I pray ? My face, sweet heart, if it please thee ; That which you can, I cannot see : So cither love shall gain his due, Yours, sweet, in me, and mine in you. Thomas Randolph. WELCOME, WELCOME, DO I SING. Welcome, welcome, do I sing. Far more welcome than the spring ; He that parteth from you never Shall enjoy a spring forever. Love, that to the voice is near, Breaking from your ivory pale. Need not walk abroad to hear The delightful nightingale. Welcome, welcome, then I sing, etc. Love, that still looks on your eyes. Though the winter have begim To benumb our arteries. Shall not want the summer's sun. Welcome, welcome, then I sing, etc. Love, that still may see your cheeks. Where all rareness still reposes. Is a fool if e'er he seeks Other lilies, other roses. Welcome, welcome, then I sing, etc. Love, to whom your soft lip yields. And perceives your breath in kissing. All the odors of the fields Never, never shall be missing. William Browne. h WHENAS IN SILKS MY JULIA GOES. When as in silks my Julia goes. Then, then, me thinks, how sweetly flowes That liquefaction of her clothes. Next, when 1 cast mine eyes and see That brave vibration each way freej O how that glittering taketh me ! r. kerrick. A VIOLET IN HER HAIR. A VIOLET in her lovely hair, A rose upon her bosom fair ! But 0, her eyes A lovelier violet disclose. And her ripe lips the sweetest rose That's 'neath the skies. A lute beneath her graceful hand Breathes music forth at her command ; But still her tongue Far richer music calls to birth Than all the minstrel power on earth Can give to song. And thus she moves in tender light. The purest ray, where all is bright. Serene, and sweet ; And sheds a graceful infiuence round. That hallows e'en the very ground Beneath her feet ' charles swain. THE TRIBUTE. No splendor 'neath the sky's proud dome But serves her for familiar wear ; The far-fetched diamond finds its home Flashing and smouldering in her hair ; For her the seas their pearls reveal ; Art and strange lands her pomp supply With purple, chrome, and cochineal. Ochre, and lapis lazuli ; The worm its golden woof presents ; Whatever runs, flies, dives, or delves, All doff for her their ornaments. Which suit her better than themselves ; And all, by this their power to give Proving her right to take, proclaim Her beauty's clear prerogative To profit so by Eden's blame. Coventry patmore. THE COMPLIMENT. I do not love thee for that fair Rich fan of thy most curious hair ; Though the wires thereof be diuwii Finer than the threads of lawn. And are softer than the leaves On which the subtle spider weaves. -gi COMPLIMENT AND ADMIRATION. 127 I do not love thee for those flowers Growing on thy cheeks, — love's bowers ; Though such cunning them hath spread, None can paint them white and red : Love's golden arrows thence are shot. Yet for them I love thee not. I do not love thee for those soft Red coral lips I've kissed so oft ; Nor teeth of pearl, the double guard To speech whence music still is heard. Though from those lips a kiss being taken Might tyrants melt, and death awaken. I do^ot love[thee, 0 [my, fallest. For that richest, for that rarest Silver pillar, which stands under Thy sound head, that globe of wonder ; Though that neck be whiter far Than towers of polished ivory are. Thomas Carew. THE EORTRATT. Give place, ye ladies, and begone. Boast not yourselves at all ; For here at hand approacheth one "Whose face will stain you all. The virtue of her lively looks Excels the precious stone : I wish to have none other books To read or look upon. In each of her two crystal eyes Smileth a naked boy : It would you all in heart suffice To see that lamp of joy. I think Nature hath lost the mould "Where she her shape did take ; Or else I doubt if Nature could So fair a creature make. In life she is Diana chaste. In truth Penelope ; In word and eke in deed steadfast ; "What will you more we say ? If all the world were sought so far. Who could find such a wight ? Her beauty twinkleth like a star Within the frosty night. Her rosial color comes and goes With such a comely grace. More ruddier too than in the rose. Within her lovely face. At Bacchus' feast none shall her meet. Nor at no wanton play Nor gazing in an open street. Nor gadding as astray. The modest mirth that she doth use Is mixt with shamefastness ; All vice she doth wholly refuse. And hateth idleness. 0 Lord ! it is a world to see How virtue can repair And deck in her such honesty, Whom Nature made so fair ! How might I do to get a graffe Of this unspotted tree-? For all the rest are plain but chaff, "Which seem good cgm to be. Thomas Hevwood. « ROSALINE. Like to the clear in highest sphere "Where all imperial glory shines : Of selfsame color iâ her hair, "Whether unfolded, or in twines : Heigh-ho, fair Rosaline ! Her eyes are sapphires set in snow. Resembling heaven by every wink ; The gods do fear whenas they glow. And I do tremble when I think Heigh-ho, would she were mine ! Her cheeks are like the blushing cloud That beautifies Aurora's face. Or like the silver crimson shroud That Phœbus' smiling looks doth grace : Heigh-ho, fair Rosaline ! Her lips are like two budded roses "Whom ranks of lilies neighbor nigh. Within which bounds she balm encloses Apt to entice a deity : Heigh-ho, would she were mine ! Her neck is like a stately tower Where Love himself imprisoned lies To watch for glances every hour From her divine and sacred eyes ; Heigh-ho, fair Rosaline ! Her paps are centres of delight. Her breasts are orbs of heavenly frame, Where Nature moulds the dew of light To feed perfection with the same : Heigh-ho, would she were mine ! 128 POEMS OF THE AFFECTIONS. With orient pearl, with ruby red. With marble white, with sapphire blue. Her body every way is fed, Yet soft in touch and sweet in view : Heigh-ho, fair Rosaline ! Nature herself her shape admires ; The gods are wounded in her sight ; And Love forsakes his heavenly fires And at her eyes his brand doth light : Heigh-ho, would she were mine ! Then muse not. Nymphs, though I bemoan The absence of fair Rosaline, SincQ for a fair there's fairer none. Nor for her virtues so divine : Heigh-ho, fair Rosaline ! Heigh-ho, my heart ! would God that she were mine ! Thomas lodge. BELINDA. FROM THE " RAPE OF THE tOCK." On her white breast a sparkling cross she wore. Which Jews might kiss, and Infidels adore. Her lively looks a sprightly mind disclose. Quick as her eyes, and as unfixed as those : Favors to none, to all she smiles extends : Oft she rejects, but never, once offends. Bright as the sun, her eyes the gazers strike. And, like the sun, they shine on all alike. Yet, graceful ease, and sweetness void of pride. Might hide her faults, if belles had faults to hide ; If to her share some female errors fall. Look on her face, and you 'U forget them all. Alexander Pope. TO A LADY, WITH SOME PAINTED FLOWERS. Flowers to the fair : to you these flowers I bring. And strive to greet you with an earlier spring. Flowers sweet, and gay, and delicate like you ; Emblems of innocence, and beauty too. With flowers the Graces bind their yellow hair. And flowery wreaths consenting lovers wear. Flowers, the sole luxury which nature knew. In Eden's pure and guiltless garden grew. To loftier forms are rougher tasks assigned ; The sheltering oak resists the stormy wind. The tougher yew repels invading foes. And the tall pine for future navies grows : But this soft family to cares unknown. Were bom for pleasure and delight alone. Gay without toil, and lovely without art. They spring to cheer the sense and glad the heàit. Nor blush, my fair, to own you copy these ; Your best, your sweetest empire is — to please. ANXA L/CTITtA BARBAULD. SHE WAS A PHANTOM OF DELIGHT. She was a phantom of delight When first she gleamed upon my sight ; A lovely apparition, sent To be a moment's ornament ; Her eyes as stars of twilight fair ; Like Twilight's, too, her dusky hair ; But aU things else about her drawn From May-time and the cheerful dawn j A dancing shape, an image gay. To haunt, to startle, and waylay. I saw her upon nearer view, A spirit, yet a woman too ! Her household motions light and free, And steps of virgin-liberty ; A countenance in which did meet Sweet records, promises as sweet ; A creature not too bright or good For human nature's daily food. For transient sorrows, simple wiles. Praise, blame, love, kisses, tears, and smiles. And now I see with eye serene The very pulse of the machine ; A being breathing thoughtful breath, A traveller between life and death : The reason firm, the temperate will. Endurance, foresight, strength, and skill ; A perfect woman, nobly planned To warn, to comfort, and command ; And yet a spirit still, and bright With something of an angel-light. William Wordsworth. THE ROSE OF THE WORLD. Lo, when the Lord made north and south. And sun and moon ordained, he. Forth bringing each by word of mouth In order of its dignity. Did man from the crude clay express By sequence, and, all else decreed. He formed the woman ; nor might less Than Sabbath such a work succeed. And still with favor singled out. Marred less than man by mortal fall. Her disposition is devout. Her countenance angelical. No faithless thought her instinct shrouds. But fancy checkers settled sense. Like alteration of the clouds On noonday's azure permanence. COMPLIMENT AND ADMIRATION. 129 Pure courtesy, composure, ease, Declare affections nobly fixed. And impulse sprung from due degrees Of sense and spirit sweetly mixed. Her modesty, her chiefest grace. The cestus clasping Venus' side, Is potent to deject the face Of him who would affront its pride. Wrong dares not in her presence speak. Nor spotted thought its taint disclose Under the protest of a cheek Outbragging Nature's boast, the rose. In mind and manners how discreet ! How artless in her very art ! How candid in discourse ! how sweet The concord of her lips and heart ! How (not to call true instinct's bent And woman's very nature harm). How amiable and innocent Her pleasure in her power to charm ! How humbly careful to attract, Though crowned with all the soul desires. Connubial aptitude exact. Diversity that never tires ! coventry patmore. SONG. The shape alone let others prize. The features of the fair : I look for spirit in her eyes. And meaning in her air. A damask cheek, an ivory arm. Shall ne'er my wishes win : Give me an animated foim. That speaks a mind within. A face where awful honor shines. Where sense and sweetness move. And angel innocence refines The tenderness of love. These are the soul of beauty's frame ; Without whose vital aid Unfinished all her features seem. And all her roses dead. But ah ! where both their charms unite. How perfect is the view. With every image of delight. With graces ever new ; Of power to charm the gteatest woe, The wildest rage control. Diffusing mildness o'er the brow. And rapture through the soul. Their power but faintly to express All language must despair ; But go, behold Arpasia's face. And read it perfect there. Marx Akenside. —«— SHE IS NOT FAIR TO OUTWARD VIEW She is not fair to outward view. As many maidens be ; Her loveliness 1 never knew Until she smiled on me ; 0, then I saw her eye was bright, — A well of love, a spring of light. But now her looks are coy and cold ; To mine they ne'er reply ; And yet I cease not to behold The love-light in her eye : Her very frowns are fairer far Than smiles of other piaidens are ! hartley Coleridge A HEALTH. I FILL this cup to one made up Of loveliness alone, A woman, of her gentle sex The seeming paragon ; To whom the better elements And kindly stars have given A form so fair, that, like the air, 'T is less of earth than heaven. Her every tone is music's own, , Like those of morning birds. And something more than melody Dwells ever in her words ; The coinage of her heart are they. And from her lips each fiows. As one may see the burdened bee Forth issue from the rose. Affections are as thoughts to her. The measures of her hours ; Her feelings have the fragrancy, The freshness of young flowers ; And lovely passions, changing oft. So fill her, she appears The image of themselves by turns, — The idol of past years ! Of her bright face one glance will trace A picture on the brain. And of her voice in echoing hearts A sound must long remain ; 130 POEMS OF THE AFFECTIONS. But memory, such as mine of her, So very much endears. When death is nigh my latest sigh Will not be life's, but hers. I fill this cup to one made up Of loveliness alone, A woman, of her gentle sex The seeming paragon. Her health ! and would on earth there stood Some more of such a frame. That life might be all poetry. And weariness a name. Edward Coate Pinknev. SHE WALKS IN BEAUTY. "hebrew melodies.' She walks in beauty, like the night Of cloudless climes and starry skies. And all that's best of dark and bright Meet in her aspect and her eyes. Thus mellowed to that tender light Which heaven to gaudy day denies. One shade the more, one ray the less. Had half impaired the nameless grace Which waves in every raven tress Or softly lightens o'er her face, Wliere thoughts serenely sweet express How pure, how dear their dwelling-place. And on that cheek and o'er that brow So soft, so calm, yet eloquent. The smiles that win, the tints that glow, But teU of days in goodness spent, — A mind at peace with aU below, A heart whose love is innocent. Byron. A SLEEPING BEAUTY. Sleep on ! and dream of Heaven awhile ! Though shut so close thy laughing eyes. Thy rosy lips still wear a smile. And move, and breathe delicious sighs. Ah ! now soft blushes tinge her cheeks And mantle o'er her neck of snow ; Ah ! now she murmurs, now she speaks. What most I wish, and fear, to know. She starts, she trembles, and she weeps ! Her fair hands folded on her breast ; — And now, how like a saint she sleeps ! A seraph in the realms of rest ! Sleep on secure ! Above control, Thy thoughts belong to Heaven and thee ; And may the secret of thy soul Remain within its sanctuary ! samuel ROGERS. 0, FAIREST OF THE RURAL MAIDS! O, fairest of the rural maids ! Thy birth was in the forest shades ; Green boughs, and glimpses of the sky. Were all that met thine infant eye. Thy sports, thy wanderings, when a child. Were ever in the sylvan wild. And all the beauty of the place Is in thy heart and on thy face. The twilight of the trees and rocks Is in the light shade of thy locks ; Thy step is as the wind, that weaves Its playful way among the leaves. Thine eyes are springs, in whose serene And silent waters heaven is seen ; Their lashes are the herbs that look On their young figures in the brook. The forest depths, by foot unpressed. Are not more sinless than thy breast ; The holy peace, that fills the air Of those cahn solitudes, is there. william cullen bryant. HER LIKENESS. A GIRL, who has so many wilful ways She would have caused Job's patience to for sake him ; Yet is so rich in all that's girlhood's praise. Did Job himself upon her goodness gaze, A little better she would surely make him. Yet is this girl I sing in naught uncommon. And very far from angel yet, I trow. Her faults, her sweetnesses, are purely human ; Yet she's more lovable as simple woman Than any one diviner that I know. Therefore I wish that she may safely keep This womanhede, and change not, only grow ; From maid to matron, youth to age, may creep, And in perennial blessedness, still reap On every hand of that which she doth sow. dinah Maria Mulock Craik. iS- COMPLIMENT AND ADMIRATION. 131 a I FEAR THY KISSES, GENTLE MAIDEN. I fear thy kisses, gentle maiden ; Thou needest not fear mine ; My spirit is too deeply laden Ever to burden thine. I fear thy mien, thy tones, thy motion ; Thou needest not fear mine ; Innocent is the heart's devotion With which I worship thine. percy bvsshe shelley, .e- BLACK AND BLUE EYES. The brilliant black eye May in triumph let fly All its darts without caring who feels 'em ; But the soft eye of blue, Though it scatter wounds too. Is much better pleased when it heals 'em ! Dear Fanny ! The black eye may say, " Come and worship my ray ; By adoring, perhaps you may move me ! " But the blue eye, half hid, Says, from under its lid, " I love, and am yours, if you love me ! " Dear Fanny ! Then tell me, 0 why. In that lovely blue eye. Not a charm of its tint I discover ; Or why should you wear The only blue pair That ever said " No " to a lover ? Dear Fanny ! Thomas moorb. LET THE TOAST PASS. prom " the school for scandal." Here's to the maiden of bashful fifteen ; Here's to the widow of fifty ; Here's to the flaunting extravagant quean. And here's to the housewife that's thrifty. Let the toast pass. Drink to the lass, I 'II warrant she '11 prove an excuse for the glass. Here's to the charmer whose dimples we prize, Now to the maid who has none, sir ; Here's to the girl with a pair of blue eyes. And here's to the nymph with but one, sir. Let the toast pass, etc. Here's to the maid with a bosom of snow ; Now to her that's as brown as a berry ; Here's to the wife with a face full of woe. And now to the damsel that's merry. Let the toast pass, etc. For let 'em be clumsy, or let 'em be slim. Young or ancient, I care not a feather ; So fill a pint bumper quite up to the brim. So fill up your glasses, nay, fill to the brim. And let us e'en toast them together. Let the toast pass, etc. Richard Brinsley Sheridan. MY LITTLE SAINT. 1 care not, though it be By the préciser sort thought popery ; We poets can a license show For everything we do. Hear, then, my little saint ! 1 '11 pray to thee. If now thy happy mind. Amidst its various joys, can leisure find To attend to anything so low As what 1 say or do. Regard, and be what thou wast ever, —kind. Let not the blest above Engross thee quite, but sometimes hither rove : Fain would I thy sweet image see. And sit and talk with thee ; Nor is it curiosity, but love. Ah ! what delight't would be, Wouldst thou sometimes by stealth converse with me ! How should 1 thy sweet commune prize. And other joys despise ! Come, then ! 1 ne'er was yet denied by thee. I would not long detain Thy soul from bliss, nor keep thee here in pain ; Nor should thy fellow-saints e'er know Of thy escape below : Before thou'rt missed, thou shouldst return again., Sure, heaven must needs thy love. As well as other qualities, improve : Come, then ! and recreate my sight With rays of thy pure light ; 'T wiU cheer my eyes more than the lamps above. But if Fate's so severe As to confine thee to thy blissful sphere, (And by thy absence 1 shall know Whether thy state be so,) Live happy, and be mindful of me there. John norris 132 POEMS OF THE AFFECTIOA'S. A GOLDEN GIRL. Ltrcr is a golden girl ; But a man, a man, should woo her ■ They who seek her shrink aback, When they should, like storms, pursue her. All her smiles are hid in light ; All her hair is lost in splendor ; But she hath the eyes of Night And a heart that's over-tender. Yet the foolish suitors fly (Is't excess of dread or duty ?) From the starlight of her eye. Leaving to neglect her beauty 1 Men by fifty seasons taught Leave her to a young beginner. Who, without a second thought. Whispers, wooes, and straight must win her. Lucy is a golden girl ! Toast her in a goblet brimming ! May the man that wins her wear On his heart the Rose of Women ! Bryan waller Procter {Barry CormiaU). *— THE MILKING-MAID. The year stood at its equinox. And bluff the North was blowing, A bleat of lambs came from the flocks, Green hardy things were growing ; I met a maid with shining locks Where milky kine were lowing. She wore a kerchief on her neck. Her bare arm showed its dimple. Her apron spread without a speck. Her air was frank and simple. She milked into a wooden pail, And sang a country ditty, — An innocent fond lovers' tale, That was not wise nor witty. Pathetically rustical. Too pointless for the city. She kept in time without a beat. As true as church-bell ringers. Unless she tapped time with her feet. Or squeezed it with her fingers ; Her clear, unstudied notes were sweet As many a practised singer's. 1 stood a minute out of sight. Stood silent for a minute. To eye the pail, and creamy white The frothing milk within it, — To eye the comely milking-maid. Herself so fresh and creamy. "Good day to you ! " at last I said ; She turned her head to see me. " Good day ! " she said, with lifted head ; Her eyes looked soft and dreamy. And all the while she milked and milked The grave cow heavy-laden : I've seen grand ladies, plumed and silked. But not a sweeter maiden ; But not a sweeter, fresher maid Than this in homely cotton. Whose pleasant face and silky braid I have not yet forgotten. Seven springs have passed since then, as I Count with a sober sorrow ; Seven springs have come and passed me by. And spring sets in to-morrow. I've half a mind to shake myself Free, just for once, from London, To set my work upon the shelf. And leave it done or undone ; To run down by the early train. Whirl down with shriek and whistle. And feel the hluflf north blow again. And mark the sprouting thistle Set up on waste patch of the lane Its green and tender bristle ; And spy the scarce-blown violet banks. Crisp primrose-leaves and others. And watch the lambs leap at their pranks. And butt their patient mothers. Alas ! one point in all my plan My serious thoughts demur to ; Seven years have passed for maid and man, Seven years have passed for her too. Perhaps my rose is over-blown. Not rosy, or too rosy; Perhaps in farm-house of her own Some husband keeps her cosy. Where I should show a face unknown, — Good-by, my wayside posy ! Christina Georgina Rossetti. « AT THE CHURCH GATE. Although I enter not. Yet round about the spot Ofttimes I hover ; And near the sacred gate. With longing eyes I wait. Expectant of her. COMPLIMENT AND ADMIRATION. 133 a P- The minster bell tolls out Above the city's rout, And noise and humming ; They 've hushed the minster bell ; The organ 'gins to swell ; She's eoioing, coming ! My lady comes at last, Timid and stepping fast. And hastening hither, With modest eyes downcast ; She comes, — she's here, she's past ! May Heaven go with her ! Kneel undisturbed, fair saint ! Pour out your praise or plaint Meekly and duly ; I will not enter there. To sully your pure prayer With thoughts unruly. But suffer me to pace Round the forbidden place, Lingering a minute. Like outcast spirits, who wait. And see, through heaven's gate. Angels within it. William Makepeace Thackeray. SWEET, BE NOT PROUD. Sweet, be not proud of those two eyes. Which starlike sparkle in their skies ; Nor be you proud that you can see All hearts your captives, yours yet free. Be you not proud of that rich hair. Which wantons with the lovesick air ; Whenas that ruby which you wear. Sunk from the tip of your soft ear. Will last to be a precious stone When all your world of beauty's gone. Robert Herrick. VERSES WRITTEN IN AN ALBUM. Here is one leaf reserved for me. Prom all thy sweet memorials free ; And here my simple song might tell The feelings thou must guess so well. But could I thus, within thy mind. One little vacant comer find. Where no impression yet is seen. Where no memorial yet has been, O, it should be my sweetest care To write my name forever there ! T. Moore. FKAGMENTS. Compliments. Where none admire, 't is useless to excel ; Where none are beaux, 't is vain to be a belle. SoHíoqvy on a Beauty in the Country. LORD LYTTLETON. That man that hath a tongue, I say, is no man. If with his tongue he cannot win a woman. Two Gentlemen Verona, Act iii. Sc. x. SHAKESPEARE. Woman. And when a lady's in the case. You know all other things give place. The Hare and Many Friends. j. Gay. o woman ! lovely woman ! nature made thee To temper man ; we had been bmtes without you. Angels are painted fair, to look like you : There's in you all that we believe of heaven ; Amazing brightness, purity, and truth. Eternal joy, and everlasting love. Venice Preserved, Act i. Sc. i. T. OTWAY. Prom women's eyes this doctrine I derive : They sparkle still the right Promethean fire ; They are the books, the arts, the Academes, That show, contain, and nourish all the world. Lovds Labor Lost, Act iv. Sc. 3. Shakespeare. Personal Charms. Such was Zuleika ! such around her shone The nameless charms unmarked by her alone ; The light of love, the purity of grace. The mind, the music breathing from her face. The heart whose softness harmonized the whole. And oh ! that eye was in itself a Soul. Bride 0/ Abydos, Cant. i. BVRON. Is she not passing fair ? Two Gentlemen 0/ Verona, Act iv. Sc. 4« Shakespeare. And she is fair, and fairer than that word. Merchant 0/ Venice, Act 1. Sc. i. shakespeare. There's nothing ill can dwell in such a temple : If the ill spirit have so fair a house. Good things will strive to dwell with't. The Tempest, Act i. Sc. 2. SHAKESPEARE. Beauty provoketh thieves sooner than gold. As Ycu Like It, Act i. Sc. 3. SHAKESPEARE Here's metal more attractive. Hantlet. Act iii. Sc. 2. shakespeare. -EP e- 134 POEMS OP THE AFFECTIONS. She is pretty to walk with. And witty to talk with, And pleasant, too, to think on. Brennoralt, Aciii. SIR J". Suckling. But from the hoop's bewitching round. Her very shoe has power to wound. Fables: The Slider and the Bee. E. MOORE. We call it only pretty Fanny's way. An EU¿y to an Old Beauty. T. PaRNELL. The fair, the chaste, and unexpressive she. As Ycu Like It, Act iii. Sc. 3. SHAKESPEARE. Angels listen when she speaks : She's my delight, all mankind's wonder ; But my jealous heart would break. Should we live one day asunder. Scttg. Earl of Rochester. Impartial Affection. How happy could 1 be with either, Were t'other dear charmer away. Beggai^s Opera, Act ii. Sc. 2. J. CAY. Had sighed to many, though he loved but one. Childe Harold's Pilgrimage, Cant. L BYRON. Compliments from Nature. O, thou art fairer than the evening air. Clad in the beauty of a thousand stars. When he shall die. Take him and cut him out in little stars, And he will make the face of heaven so fine. That all the world will be in love with night. And pay no worship to the garish sun. Rcmeo and yuliet. Act iii. Sc. 2. SHAKESPEARE. Her eyes the glow-worm lend thee. The shooting-stars attend thee ; And the elves also, Whose little eyes glow Like the sparks of fire, befriend thee. The Night Piece to yulia. R. Herrick. The sweetest garland to the sweetest maid. To a Lady ; vith a Present of Flov/ers% T. TlCKELL. When you do dance, I wish you A wave o' th' sea, that you might ever do Nothing but that. IViniePs Tale, Act iv. Sc. 4. Shakespeare. Some asked me where the Rubies grew. And nothing I did say. But with my finger pointed to The lips of Julia. The Rock 0/Rubies, and the Quarrte 0/ Pearls. R. HERRICK Cherry ripe, ripe, ripe, I cry. Full and fair ones, — Come and buy ; If so be you ask me where They do grow, I answer, there. Where my Julia's lips do smile. There's the land, or cherry-isle. Cherry Ripe. R. HERRICK. Except I be by Sylvia in the night. There is no music in the nightingale. Ttuo Gentlemen 0/ Verona, Act iii. Sc. i. SHAKESPEARE. But thy eternal summer shall not fade Sonnet XVIH. SHAKESPEARE. Be thou the rainbow to the storms of life ! The evening beam that smiles the clouds away. And tints to-morrow with prophetic ray ! The Bride 0/ Abydos, Cant. ii. BYRON, The Poet's Admiration. That eagle's fate and mine are one. Which, on the shaft that made him die. Espied a feather of his own. Wherewith he wont to soar so high. To a Lady singing a Song oy his Composing. E. WALLER. Is she not more than painting can express, Or youthful poets fancy when they love ? The Fair Penitent, Act iii. Sc. 1. N. rowe. 'T is sweeter for thee despairing. Than aught in the world beside, — Jessy ! yessy. BURNS. Flattery. Banish all compliments but single truth. Faithful Shepherdess. BEAUMONT and FLETCHER. a- LOVE. 135 a LOVE. IF IT BE TRUE THAT ANY BEAUTEOUS THING. If it be true that any beauteous thing Raises the pure and just desire of man From earth to God, the eternal fount of aU, Such I believe my love ; for as in her So fair, in whom I all besides forget, 1 view the gentle work of her Creator, I have no care for any other thing. Whilst thus I love. Nor is it marvellous. Since the effect is not of my own power. If the soul doth, by nature tempted forth. Enamored through the eyes. Repose upon the eyes which it resembleth. And through them riseth to the Primal Love, As to its end, and honors in admiring ; For who adores the Maker needs must love his work. Michael Angelo (Italian). Translation of j. e. Taylor, SONNET. Muses, that sing Love's sensual empirie. And lovers kindling your enraged fires At Cupid's bonfires burning in the eye. Blown with the empty breath of vain desires ; You, that prefer the painted cabinet Before the wealthy jewels it doth store ye. That aU your j oye in dying figures set. And stain the living substance of your glory ; Abjure those joys, abhor their memory ; And let my love the honored subject be Of love and honor's complete history ! Your eyes were never yet let in to see The majesty and riches of the mind. That dwell in darkness ; for your god is blind. george chapman. THE MIGHT OF ONE FAIR FACE. The might of one fair face sublimes my love. For it hath weaned my heart from low desires ; Nor death I heed, nor purgatorial fires. Thy beauty, antepast of joys above. Instructs me in the bliss that saints approve ; For 0, how good, how beautiful, must be The God that made so good a thing as thee. So fair an image of the heavenly Dove ! Forgive me If I cannot tum away From those sweet eyes that are my earthly heaven. For they are guiding stars, benignly given To tempt my footsteps to the upward way ; And if I dwell too fondly in thy sight, I live and love in God's peculiar light. michael Angelo (Italian). Translation of j. e. Taylor. WERE I AS BASE AS IS THE LOWLY PLAIN. Were I as base as is the lowly plain. And you, my Love, as high as heaven above. Yet should the thoughts of me your humble swain Ascend to heaven, in honor of my Love. Were I as high as heaven above the plain. And you, my Love, as humble and as low As are the deepest bottoms of the main, Wheresoe'er you were, with you my Love should go- Were you the earth, dear Love, and I the skies. My love should shine on you like to the sun. And look upon you with ten thousand eyes TiU heaven waxed blind, and till the world were done. Wheresoe'er I am, below, or else above you, Wheresoe'er you are, my heart shall truly love you. Joshua Sylvester. LIGHT. The night has a thousand eyes, . The day but one ; Yet the light of the bright world dies With the dying sun. The mind has a thousand eyes. And the heart but one ; Yet tbe light of a whole life dies When its love is done. francis w. bourdillon. f 136 POEMS OP THE AFFECTIONS. n LOVE IS A SICKNESS. Love is a sickness full of woes, All remedies refusing ; A plant that most with cutting grows, Most harren with best using. Why so ? More we enjoy it, more it dies ; If not enjoyed, it sighing cries Heigh-ho ! Love is a torment of the mind, A tempest everlasting ; And Jove hath made it of a kind. Not weU, nor full, nor fasting. Why so ? More we enjoy it, more it dies ; If not enjoyed, it sighing cries Heigh-ho ! Samuel Daniel. PHILLIDA AND CORYDON. In the merry month of May, In a morn by break of day. With a troop of damsels playing Forth I rode, forsooth, a-maying. When anon by a woodside. Where as May was in his pride, I espied, all alone, PhiUida and Corydon. Much ado there was, God wot ! He would love and she would not : She said, " Never man was true He says, " None was false to you." He said he had loved her long : She says, "Love should have no wrong." Corydon he would kiss her then. She says, " Maids must kiss no men Till they do for good and all." Then she made the shepherd call All the heavens to witness, truth Never loved a truer youth. Thus, with many a pretty oath. Yea and nay, and faith and troth, — Such as silly shepherds use When they will not love abuse, — Love, which had been long deluded. Was with kisses sweet concluded ; And PhiUida, with garlands gay. Was made the lady of the May. Nicholas Breton. LOVE SCORNS DEGREES. from "the mountain of the lovers." Love scorns degrees ; the low he lifteth high. The high he draweth down to that fair plain Whereon, in his divine equality. Two loving hearts may meet, nor meet in vain ; 'Gainst such sweet levelling Custom cries amain. But o'er its harshest utterance one bland sigh. Breathed passion-wise, doth mount victorious stiU, For Love, earth's lord, must have his lordly wilL PAUL H. HAYNE. THE SHEPHERD AND THE KING. Ah ! what is love ? It is a pretty thing. As sweet unto a shepherd as a king, And sweeter too ; For kings have cares that wait upon a^rown. And cares can make the sweetest face to frown : Ah then, ah then. If country loves such sweet desires gain. What lady would not love a shepherd swain ? His flocks are folded ; he comes home at night As merry as a king in his delight. And merrier too ; For kings bethink them what the state require. Where shepherds, careless, carol by the fire : Ah then, ah then. If country loves such sweet desires gain. What lady would not love a shepherd swain ? He kisseth first, then sits as blithe to eat His cream and curd as doth the king his meat. And blither too ; For kings have often fears when they sup. Where shepherds dread no poison in their cup : Ah then, ah then. If country loves such sweet desires gain. What lady would not love a shepherd swain ? Upon his couch of straw he sleeps as sound As doth the king upon his beds of down. More sounder too ; For cares cause kings full oft their sleep to spill, Where weary shepherds lie and snort their fill : Ah then, ah then. If country loves such sweet desires gain. What lady would not love a shepherd swain ? Thus with his wife he spends the year as blithe As doth the king at every tide or syth. And blither too ; -d' LOVE. 137 For kings have wars and broils to take in hand, When shepherds laugh, and love upon the land ; Ah then, ah then. If country loves such sweet desires gain. What lady would not love a shepherd swain ? Robert Greene. TELL ME, MY HEART, IF THIS BE LOVE. When Delia on the plain appears. Awed by a thousand tender fears, I would approach, hut dare not move • — TeU me, my heart, if this be love. Whene'er she speaks, my ravished ear No other voice than hers can hear ; No other wit but hers approve ; — TeU me, my heart, if this be love. If she some other swain commend. Though I was once his fondest friend, His instant enemy I prove ; — Tell me, my heart, if this be love. When she is absent, I no more Delight in all that pleased before, The clearest spring, the shadiest grove ; — Tell me, my heart, if this he love. When fond of power, of beauty vain, Her nets she spread for every swain, I strove to hate, but vainly strove ; — TeU me, my heart, if this be love. George, Lord Lyttilton. MY TRUE-LOVE HATH MY HEART. My true-love hath my heart, and I have his. By just exchange one to the other given : I hold his dear, and mine he cannot miss. There never was a better bargain driven : My true-love hath my heart, and I have his. His heart in me keeps him and me in one ; My heart in him his thoughts and senses guides : He loves my heart, for once it was his own ; 1 cherish his because in me it bides : My ti'ue-love hath my heart, and I have his. SIR Philip Sidney. I SAW TWO CLOUDS AT MORNING. I SAW two clouds at morning. Tinged by the rising sun, wAnd in the dawn they floated on. And mingled into one ; I thought that morning cloud was blest. It moved so sweetly to the west. I saw two summer currents Flow smoothly to theii- meeting. And join their course, with silent force. In peace each other greeting ; Calm was their course through hanks of green, WhUe dimpling eddies played between. Such be your gentle motion, TiU life's last pulse shaU beat ; Like summer's beam, and summer's stream, Float on, in joy, to meet A calmer sea, where storms shaU cease, A purer sky, where all is peace. John Gardiner Calkins Brainard. —« THE FRIAR OF ORDERS GRAY. It was a friar of orders gi'ay Walked forth to tell his beads ; And he met with a lady fan- Clad in a pilgrim's weeds. " Now Christ thee save, thou reverend friar : I pray thee teU to me. If ever at yon holy shrine My true-love thou didst see." "And how should 1 know your true-love From many another one ? " " O, by his cockle hat, and stafl^ And by his sandal shoon. " But chiefly by his face and mien. That were so fair to view ; His flaxen locks that sweetly curled. And eyes of lovely blue." " 0 lady, he is dead and gone 1 Lady, he's dead and gone ! And at his head a green grass turf, And at his heels a stone. " Within these holy cloisters long He languished, and he died. Lamenting of a lady's love. And 'plaining of her pride. " Here bore him barefaced on his bier Six proper youths and tall. And many a tear bedewed his grave Within yon kirkyard wall." " And art thou dead, thou gentle youth ? And art thou dead and gone ? And didst thou die for love of me ? Break, cruel heart of stone ! " 138 POEMS OP THE AFFECTIONS. " 0, weep not, lady, weep not so ; Some ghostly comfort seek ; Let not vain sorrow rive thy heart. Nor tears bedew thy cheek." "0, do not, do not, holy friar. My sorrow now reprove ; For I have lost the sweetest youth That e'er won lady's love. " And now, alas ! for thy sad loss I '11 evermore weep and sigh ; For thee I only wished to live. For thee I wish to die." " Weep no more, lady, weep no more. Thy sorrow is in vain ; For violets plucked, the sweetest showers Wül ne'er make grow again. " Our joys as wingèd dreams do fly ; Why then should sorrow last ? Since grief but aggravates thy loss. Grieve not for what is past." " 0, say not so, thou holy friar ; I pray thee, say not so ; For since my true-love died for me, 'T is meet my tears should flow. " And will he never come again ? Will he ne'er come again ? Ah, no ! he is dead, and laid in his grave, Forever to remain. " His cheek was redder than the rose ; The comeliest youth was he ! But he is dead and laid in his grave : Alas, and woe is me ! " " Sigh no more, lady, sigh no more. Men were deceivers ever : One foot on sea and one on land. To one thing constant never. " Hadst thou been fond, he had been false. And left thee sad and heavy ; For young men ever were fickle found. Since summer trees were leafy." "Now say not so, thou holy friar, I pray thee say not so ; My love he had the truest heart, O, he was ever true ! *' And art thou dead, thou much-loved youth, And didst thou die for me ? Then farewell home ; for evermore A pilgrim I will be. " But first upon my true-love's grave My weary limbs I 'U lay. And thi ice I '11 kiss the green-grass turf That wraps his breathless clay." " Yet stay, fair lady ; rest awhile Beneath this cloister wall ; The cold wind through the hawthorn blows, And drizzly rain doth fall." " O, stay me not, thou holy friar, 0, stay me not, I pray ; No drizzly rain that falls on me Can wash my fault away." "Yet stay, fair lady, turn again. And dry those pearly tears ; For see, beneath this gown of gray Thy own true-love appears. " Here forced by grief and hopeless love. These holy weeds I sought ; And here, amid these lonely walls, To end my days I thought. " But haply, for my year of grace Is not yet passed away. Might I still hope to win thy love. No longer would I stay." " Now farewell grief, and welcome joy Once more unto my heart ; For since I have found thee, lovely youth. We nevermore will part." Adapted from old ballads by THOMAS PERCY- THE HERMIT. FROM "THE VICAR OF WAKEFIELD." " Tuen, gentle Hermit of the dale. And guide my lonely way To where yon taper cheers the vale With hospitable ray. "For here forlorn and lost I tread. With fainting steps and slow ; Where wilds, immeasurably spread. Seem lengthening as I go." "Forbear, my son," the Hermit cries, "To tempt the dangerous gloom ; For yonder faithless phantom flies To lure thee to thy doom. " Here to the houseless child of want My door is open still ; And though my portion is but scant, I give it with good will. LOVE. 139 "Then turn to-night, and freely share W hate'er my cell bestows ; My rushy couch and frugal fare, My blessing and repose. "No flocks that range the valley free To slaughter I condemn ; Taught by that Power that pities me, I learn to pity them ; " But from the mountain's grassy side A guiltless feast I bring ; A scrip with herbs and fruits supplied. And water from the spring. " Then, pilgrim, turn, thy cares forego ; All earth-born cares are wrong : Man wants but little here below. Nor wants that little long." Soft as the dew from heaven descends. His gentle accents fell : Thé modest stranger lowly bends, And follows to the cell. Far in a wilderness obscure The lonely mansion lay ; A refuge to the neighboring poor. And strangers led astray. No stores beneath its humble thatch Required a master's care : The wicket, opening with a latch. Received the harmless pair. And now, when busy crowds retire To take their evening rest. The Hermit trimmed his little fire. And cheered his pensive guest ; And spread his vegetable store. And gayly pressed and smiled ; And, skilled in legendary lore. The lingering hours beguiled. Around, in sympathetic mirth. Its tricks the kitten tries ; The cricket chirrups on the hearth ; The crackling fagot flies. But nothing could a charm impart To soothe the stranger's woe ; For grief was heavy at his heart. And tears began to flow. His rising cares the Hermit spied, With answering care opprest : " And whence, unhappy youth," he cried, " The sorrows of thy breast ? " From better habitations spumed. Reluctant dost thou rove ? Or grieve for friendship imretumed. Or unregarded love ? " Alas ! the joys that fortune brings Are trifling, and decay ; And those who prize the paltry things More trifling still than they. "And what is friendship but a name, A charm that lulls to sleep ; A shade that follows wealth or fame. And leaves the wretch to weep ? " And love is still an emptier sound. The modern fair one's jest ; On earth unseen, or only found To warm the turtle's nest. "For shame, fond youth ! thy sorrows hush. And spum the sex," he said ; But while he spoke, a rising blush His lovelorn guest betrayed. Surprised, he sees new beauties rise. Swift mantling to the view ; Like colors o'er the morning skies. As bright, as transient too. The bashful look, the rising breast. Alternate spread alarms : The lovely stranger stands contest A maid in all her charms. " And, ah ! forgive a stranger rude, A wretch forlorn," she cried; " Whose feet unhallowed thus intrude Where heaven and you reside. " But let a maid thy pity share. Whom love has taught to stray ; Who seeks for rest, but finds despair Companion of her way. "My father lived beside the Tyne, A wealthy lord was he ; And all his wealth was marked as mine, — He had but only me. " To win me from his tender arms. Unnumbered suitors came ; Who praised me for imputed charms. And felt, or feigned, a flame. " Each hour a mercenary crowd With richest proffers strove : Among the rest young Edwin bowed, But never talked of love. "In humble, simplest habit clad. No wealth or power had he ; Wisdom and worth were all he had. But these were aU to me. " And when beside me in the dale He carolled lays of love. His breath lent fragrance to the gale And music to the grove. " The blossom opening to the day. The dews of heaven refined. Could naught of purity display To emulate his mind. " The dew, the blossoms of the tree. With charms inconstant shine ; Their charms were his, but, woe to me ! Their constancy was mine. "For still I tried each fickle art. Importunate and vain ; And while his passion touched my heart, I triumphed in his pain ■ " Till, quite dejected with my scorn. He left me to my pride ; And sought a solitude forlorn. In secret, where he died. " But mine the sorrow, mine the fault. And well my life shall pay ; I '11 seek the solitude he sought. And stretch me where he laj'. "And there forlorn, despairing, hid, I 'U lay me down and die ; 'T was so for me that Edwin did. And so for him wiU I." "Forbid it. Heaven !" the Hermit cried. And clasped her to his breast : The wondering fair one turned to chide, — 'T was Edwin's self that pressed. " Turn, Angelina, ever dear. My charmer, turn to see Thy own, thy long-lost Edwin here. Restored to love and thee. " Thus let me hold thee to my heart. And every care resign : And shall we never, never part. My life, — my all that's mine ? " No, never from this hour to part. We '11 live and love so true : The sigh that rends thy constant heart Shall break thy Edwin's too." olivek goldsmith. ON LOVE. There is no worldly pleasure here below. Which by experience doth not folly prove : But among all the follies that I know. The sweetest folly in the world is love : But not that passion which, with fools' consent. Above the reason bears imperious sway. Making their lifetime a perpetual Lent, As if a man were born to fast and pray. No, that is not the humor I approve. As either yielding pleasure or promotion ; I like a mild and lukewarm zeal in love. Although I do not like it in devotion ; For it has no coherence with my creed. To think that lovers die as they pretend ; If all that say they dy had dy'd indeed. Sure, long ere now the world had had an eml. Besides, we need not love but if we please. No destiny can force men's disposition ; And how can any die of that disease Whereof himself may be his own physician ? But some seem so distracted of their wits. That I would think it but a venial sin To take some of those innocents that sits In Bedlam out, and put some lovers in. Yet some men, rather than incur the slander Of true apostates, wül false martyrs prove. But I am neither Iphis nor Leander, I '11 neither drown nor hang myself for love. Methinks a wise man's actions should be such As always yield to reason's best advice ; Now, for to love too little or too much Are both extreams, and all extreams are vice. Yet have I been a lover by report. Yea I have dy'd for love, as others do ; But, praised be God, it was in such a sort. That I revived within an hour or two. Thus have I lived, thus have I loved till now. And find no reason to repent me yet ; And whosoever otherways will do. His courage is as little as his wit. Sir Robert Ayton. MY CHOICE. Shall I tell you whom I love ? Hearken then awhile to me ; And if such a woman move As I now shall versify. Be assured't is she or none. That I love, and love alone. Nature did her so much right As she scorns the help of art In as many virtues dight As e'er yet embraced a heart LOVE. 141 fi] So much good so truly tried, Some for less were deified. Wit she hath, without desire To make known how much she hath ; And her anger flames no higher Than may fitly sweeten wrath. Tull of pity as may be. Though perhaps not so to me. Keason masters every sense. And her virtues grace her birth ; Lovely as all excellence. Modest in her most of mirth. Likelihood enough to prove Only worth could kindle love. Such she is ; and if you know Such a one as I have sung ; Be she brown, or fair, or so That she be but somewhat young ; Be assured't is she, or none. That I love, and love alone. William Browne. LOVE NOT ME FOR COMELY GRACE. Love not me for comely grace. For my pleasing eye or face, Nor for any outward part, No, nor for my constant heart ; For those may fail or turn to ill. So thou and I shall sever ; Keep therefore a true woman's eye. And love me stUl, but know not why. So hast thou the same reason still To dote upon me ever. Anonymous. DISDAIN RETURNED. He that loves a rosy cheek. Or a coral lip admires. Or from starlike eyes doth seek Fuel to maintain his fires ; As old Time makes these decay. So his flames must waste away. But a smooth and steadfast mind. Gentle thoughts, and calm desires. Hearts with equal love combined. Kindle never-dying fires : — Where these are not, I despise Lovely cheeks or lips or eyes. Thomas Carew. LOVE ME LITTLE, LOVE ME LONG. originally printed in 1569. Love me little, love me long ! Is the burden of my song : Love that is too hot and strong Burneth soon to waste. Still I would not have thee cold, — Not too backward, nor too bold ; Love that lasteth till't is old Fadeth not in haste Love me little, love me long ! Is the burden of my song. If thou lovest me too much, 'T will not prove as true a touch ; Love me little more than such, — For I fear the end. I'm with little well content. And a little from thee sent Is enough, with true intent To be steadfast, friend. Say thou lovest me, while thou live I to thee my love will give. Never dreaming to deceive While that life endures ; Nay, and after death, in sooth, I to thee will keep my truth, As now when in ray May of youth : This my love assures. Constant love is moderate ever. And it will through life persever ; Give me that with true endeavor, — I will it restore. A suit of durance let it be. For all weathers, —that for me,— For the land or for the sea : Lasting evermore. Winter's cold or summer's heat. Autumn's tempests on it beat ; It can never know defeat. Never can rebel Such the love that I would gain. Such the love, I tell thee plain. Thou must give, or woo in vain ; So to thee — farewell ! anonymous. THE LOVELINESS OF LOVE. It is not Beauty I demand, A crystal brow, the moon's despair. Nor the snow's daughter, a white hand. Nor mermaid's yellow pride of hair : -51 142 POEMS OF THE AFFECTIONS. TeU me not of yom- starry eyes, Your lips that seem on roses fed. Your breasts, where Cupid tumbling lies Nor sleeps for kissing of his bed, — A bloomy pair of vermeil cheeks Like Hebe's in her ruddiest hours, A breath that softer music speaks Than summer winds a-wooing flowers ; — These are but gauds : nay, what are lips ? Coral beneath the ocean-stream, Who^e brink when your adventurer slips Full oft he peiisheth on them. And what are cheeks, but ensigns oft That wave hot youth to fields of blood ? Did Helen's breast, though ne'er so soft, Do Greece or Ilium any good ? Eyes can with baleful ardor bum ; Poison can breath, that erst perfumed ; There's many a white hand liolds an urn With lovers' hearts 'to dust consumed. For crystal brows there's naught within ; They are but empty cells for pride ; He who the Siren's hair would win Is mostly strangled in the tide. Give me, instead of Beauty's bust, A tender heart, a loyal mind. Which with temptation I would trust. Yet never linked with error find, — One in whose gentíe bosom I Could pour my secret heart of woes. Like the care-burdened honey-fly That hides his murmurs in the rose, — My earthly Comforter ! whose love So indefeasible might be That, when my spirit wonned above. Hers could not stay, for sympathy. anonvmous. A MAIDEN'S IDEAL OF A HUSBAND. from "the contrivances." Genteel in personage. Conduct, and equipage. Noble by heritage. Generous and free : Brave, not romantic ; Learned, not pedantic ; Frolic, not frantic ; This must he be. Houor maintaining, Meanness disdaining. Still entertaining. Engaging and new. Neat, but not finical ; , Sage, but not cynical ; Never tyrannical. But ever true. Henry Carey. THE LANDLADY'S DAUGHTER. Three students were travelling over the Rhine ; They stopped when they came to the landlady's sign ; " Good landlady, have you good beer and wine ? And where is that dear little daughter of thine ? " " My beer and wine are fresh and clear ; My daughter she lies on the cold death-bier ! " And when to the chamber they made their way. There, dead, in a coal-black slirine, she lay. The first he drew near, and the veil gently raised. And on her pale face he mournfully gazed : " Ah ! wert thou but living yet," he said, " I'd love thee from this time forth, fair maid ! " The second he slowly put back the shroud. And turned him away and wept aloud : "Ah ! that thou liest in the cold death-bier ! Alas ! 1 have loved thee for many a year ! " The third he once more uplifted the veil. And kissed her upon her mouth so pale : " Thee loved 1 always ; 1 love still but thee ; And thee will 1 love through eternity ! " From the German of Uhland. Translation of J. S, DWIGHT. THREE LOVES. There were three maidens who loved a king ; They sat together beside the sea ; One cried, " 1 love him, and 1 would die If but for one day he might love me ! " The second whispered, " And 1 would die To gladden his life, or make him great." The third one spoke not, but gazed afar With dreamy eyes that were sad as Fate. The king he loved the first for a day. The second his life with fond love blest ; And yet the woman who never spoke Was the one of the three who loved him best. lucy H. Hoofer. e- LOVE. 143 ■a A WOMAN'S QUESTION. Before I trust my fate to thee. Or place my hand in thine, Before I let thy future give Color and form to mine. Before I peril all for thee, Question thy soul to-night for me. I break all slighter bonds, nor feel A shadow of regret ; Is there one link within the past That holds thy spirit yet ? Or is thy faith as clear and free As that which I can pledge to thee ? Does there within thy dimmest dreams A possible future shine. Wherein thy life could henceforth breathe, Untouched, unshared by mine ? If so, at any pain or cost, 0, tell me before all is lost ! Look deeper still ; if thou canst feel, Within thy inmost soul. That thou hast kept a portion hack, While I have staked the whole, Let no false pity spare the blow. But in true mercy tell me so. Is there within thy heart a need That mine cannot fulfil ? One chord that any other hand Could better wake or still? Speak now, lest at some future day My whole life wither and decay. Lives there within thy nature hid The demon-spirit, change, Shedding a passing glory still On all things new and strange ? It may not he thy fault alone, — But shield my heart against thine own. Couldst thou withdraw thy haná one day And answer to my claim. That fate, and that to-day's mistake, — Not thou, — had been to blame,? • Some soothe their conscience thus ; but thou Wilt surely warn and save me now. Nay, answer riot, — I dare not hear ; The words would come too late ; Yet I would spare thee all remorse. So comfort thee, my fate: Whatever on my heart may fall, Eemember, I would risk it all ! Adelaide Anne Feoctee. A WOMAN'S ANSWER. I WILL not let you say a woman's part Must be to give exclusive love alone ; Dearest, although I love you so, my heart Answers a thousand claims besides your own. I love, — what do I not love ? Earth and air Find space within my heart, and myriad things You would not deign to heed are cherished there. And vibrate on its very inmost strings. I love the summer, with her ebb and flow Of light and warmth and music, that have nursed Her tender buds to blossoms . . . and you know It was in summer that I saw you first. I love the winter dearly too, . . . but then I owe it so much ; on a winter's day. Bleak, cold, and stormy, you returned again. When you had been those weary months away. I love the stars like friends ; so many nights I gazed at them, when you were far from me. Till I grew blind with tears . . . those far-off lights Could watch you, whom I longed in vain to see. I love the flowers ; happy hours lie Shut up within their petals close and fast : You have forgotten, dear ; but they and I Keep every fragment of the golden Past. I love, too, to be loved ; all loving praise Seems like a crown upon my life, — to make It better worth the giving, and to raise Still nearer to your own the heart you take. I love all good and noble souls ; — 1 heard One speak of you but lately, and for days. Only to think of it, my soul was stirred In tender memory of such generous praise. I love all those who love you, all who owe Comfort to you ; and I can find regret Even for those poorer hearts who once could know. And once could love you, and can now forget. Well, is my heart so narrow, —I, who spare Love for all these ? Do I not even hold My favorite books in special tender care. And prize them as a miser does his gold ? The poets that you used to read to me While summer twilights faded in the sky ; But most of all I think Aurora Leigh, Beeause — because — do you remember why ? t e 144 POEMS OF THE AFFECTIONS. Will you be jealous ? Did you guess before I loved so many things ?—Still you the best : — Dearest, remember that I love you more, 0, more a thousand times, than all the rest ! Adelaide Anne Procter. THE LADY'S "YES." "Yes," I answered you last night; "No," this morning, sir, I say. Colors seen by candle-light Will not look the same by day. When the viols played their best, Lamps above, and laughs below. Love me sounded like a jest. Fit for yes or fit for no. CaU me false or call me free. Vow, whatever light may shine, . No man on your face shall see Any grief for change on mine. Yet the sin is on us both ; Time to dance is not to woo ; vVooing light makes fickle troth. Scorn of me recoils on you. Learn to win a lady's faith Nobly, as the thing is high. Bravely, as for life and death. With a loyal gravity. Lead her from the festive boards. Point her to the starry skies. Guard her, by your truthful words. Pure from courtship's flatteries. By your truth she shall be true, Ever true, as wives of yore ; And her yes, once said to you. Shall be Yes forevermore. Elizabeth Barrett Browning. THE MAID'S REMONSTRANCE. Never wedding, ever wooing. Still a lovelorn heart pursuing. Read you not the wrong you 're doing In my cheek's pale hue ? AU my life with sorrow strewing. Wed, or cease to woo. Rivals banished, bosoms plighted, StUl our days are disunited ; Now the lamp of hope is lighted. Now half quenched appears. Damped and wavering and benighted Midst my sighs and tears. Charms you call your dearest blessing. Lips that thrUl at your caressing. Eyes a mutual soul confessing. Soon you '11 make them grow Dim, and worthless your possessing. Not with age, but woe ! Thouas Caupbbll. LOVE'S SILENCE. BECATrsE\l breathe(not love ^o eve^ie one, Nor do toot use ^t colprs for (to weare. Nor nourish special locks of vowèd haire. Nor give each speech a full point of a groane, — The courtlie nymphs, acquainted with the moane Of them who on their lips Love's standard beare, "What! he?" say they of me. "Now I dare sweare He cannot love : No, no I let him alone." And think so stiU, — if SteUa know my minde. Profess, indeed, I do not Cupid's art ; But you, faire maids, at length this true shall finde, — That his right badge is but worne in the hearte. Dumb swans, not chattering pies, do lovers prove : They love indeed who quake to say they love. Sir PHILIP Sidney. GIVE ME MORE LOVE OR MORE DISDAIN. Give me more love or more disdain j The tomd or the frozen zone Brings equal ease "unto my pain ; The temperate affords me none; Either extreme, of love or hate. Is sweeter than a calm estate. Give me a storm ; If it be love. Like Danaë in a golden shower, I swim in pleasure ; if it prove Disdain, that torrent wül devour My vulture hopes ; and he's possessed. Of heaven that's but from hell released; Then crown my joys, or cure my pain ; Give me more love or more disdain. Thomas Carew. LOVE DISSEMBLED. from " as you like it," act iii. sc. 5. Think not I love him, though I ask for him ; 'T is but a peevish boy :—yet he talks weU ; — But what care I for words ?—yet words do well. When he that speaks them pleases those that hear. -0 • LOVE, 145 a But, sure, he's proud ; and yet his pride hecomes him : He '11 make a proper man ; The best thing in him Is his complexiqj^ ; and^faster than his tongue Did make oH'ence, his eye did heal it up. He is not very tall ; yet for his years he's tall ; His leg is but so so ; and yet't is well : There was a pretty redness in his lip, A little riper and more lusty red . Than -that \nixed ir^his cheel^; 't was justi the difllprence^. , Bet^Yixt the constant reoL and minmed damnsk. There be some women, Sflvius, had they marked him In parcels, as I did, would have gone near To fall in love with him : but, for my part, I love him not, nor hate him not ; and yet I have more cause to hate him than to love hint : For what had he to do to chide at me ? He said mine eyes were black, and my hair black ; And, now I am remembered, scorned at me : I marvel, why I answered not again : But that's all one ; omittance is no quittance. shakespeare. OTHELLO'S DEFENCE. from " othello," act i. sc. 3. Othello. Most potent, grave, and reverend signiors. My veiy noble and approved good master.?, — That I have ta'en away this old man's daughter. It is most tme ; true, I have married her ; The veiy heaa and front of my offending Hakh this extent, no more. Bude am I in my speech. And little blessed with the soft phrase of peace ; For since these arms of mine had seven yeais' pith. Till now some nine moons wasted, they have used Their dearest action in the tented field ; And little of this great world can I speak. More than pertains to feats of broil and battle ; And therefore little shall I grace my cause In speaking for myself. Yet, by your gracious patience, 1 will a round unvarnished tale deliver ^ Of my whole course of love ; what drugs, what charms. What conjuration, and what mighty magic, — For such proceeding I am charged withal, — I won his daughter. I '11 present How 1 did thrive in this fair lady's love, And she in mine. Her father loved me ; oft invited mc Still questioned me the story of my life, F'rom year to year ; — the battles, sieges, fortunes. That 1 have passed. 1 ran it through, even from my boyish days. To the very moment that he bade me tell it : Wherein I spake of most disastrous chances. Of moving accidents by flood and field ; Of hair-breadth 'scapes i' the imminent deadly breach ; Of being taken by the insolent foe. And sold to slavery ; of my redemption thence. And portance in my travel's history : Wherein of antres vast, and deserts idle. Bough quarries, rocks, and hills whose head ; touch heaven. It was my hint to speak, — such was the process ; And of the Cannibals that each other eat. The Anthropophagi, and men whose heads Do grow beneath their shoulders. This to heai'. Would Desdemona seriously incline : But still the house affairs would draw hep thence ; Which ever as she could with haste despatch. She'd come again, and with a greedy ear Devour up my discourse. Which I observing, Took once a pliant hour ; and found good means To draw from her a prayer of earnest heart. That 1 would all my pilgrimage dilate. Whereof by parcels she had something heard. But not intentively : I did consent ; And often did beguile her of her tears. When 1 did speak of some distressful stroke. That my youth suffered. My .story being done. She gave me for my pains a world of sighs ; She swore,—in faith 'twas strange, 'twas pass¬ ing strange ; 'T was pitiful, 't was wondrous pitiful : She wished she had not heard it ; yet she wished That Heaven had made her such a man : she thanked me ; And b.ade me, if 1 had a friend that loved her, 1 should teach him how to tell my story. And that would woo her. Upon this hint, I spake ; She loved me for the dangers I had passed. And I loved her that she did pity them. This only is the witchcraft 1 have used : Here comes the lady, let her witness it. shakespeaku. 10 AH, HOW SWEET. from " tyrannic love." act iv. sc. i- AH,ihow sweet it is to love ! Ah, how gay is young desire ! And what pleasing pains we prove When we first approach love's fire ! Pains ofjlove be|sweetei|far Than all othciypleasuresjare. •fï 146 POEMS OP THE AFFECTIONS. 1 Sighs which are from lovers blown Do but gently heave the heart ; E'en the tears they shed alone Cure, like trickling balm, their smart. Lovers, when they lose their breath. Bleed away in easy death. Love and Time with reverence use. Treat them like a parting friend ; Nor the golden gifts refuse Which in youth sincere they send : For each year their price is more. And they less simple than before. Love, like spring-tides full and high. Swells in every youthful vein ; But each tide does less supply, Till they quite shrink in again. If a flow in age appear, 'T is but rain, and runs not clear. john drvden. WHY, LOVELY CHARMER? from " the hive." Why, lovely charmer, tell me why, So very kind, and yet so shy ? Why does that cold, forbidding air Give damps of sorrow and despair ? Or why that smile my soul subdue. And kindle up my flames anew ? In vain you strive with all your art. By turns to fire and freeze my heart ; When 1 behold a face so fair. So sweet a look, so soft an air. My ravished soul is charmed all o'er, I cannot love thee less or more. Anonymous. But love is such a mystery, I cannot find it out ; For when I think I'm best resolved I then am most in doubt. Then farewell care, and farewell woe ; I will no longer pine ; For I '11 believe I have her heart As much as she has mine. Sir Joh.n Suckling. 1 PRITHEE SEND ME BACK MY HE.A.RÏ. I prithee send me back my heart. Since I cannot have thine ; For if from youre you will not part, Why then shouldst thou have mine ? Yet, now I think on't, let it lie ; To find it were in vain ; For thou 'st a thief in either eye Would steal it back again. Why should two hearts in one breast lie. And yet not lodge together ? G Love ! wLere is thy sympathy If thus our breasts thou sever ? IF DOUGHTY DEEDS MY LADY PLEASE. If doughty deeds my ladj' please, Right soon I '11 mount my steed. And strong his arm and fast his seat That bears frae me the meed. I '11 wear thy colors in my cap. Thy picture at my heart. And he that bends not to thine eye Shall rue it to his smart ! Then tell me how to woo thee. Love ; 0, tell me how to woo thee ! For thy dear sake nae care I '11 take. Though ne'er another trow me. If gay attire delight thine eye I '11 dight me in array ; I '11 tend thy chamber door all night. And squire thee aU the day. If sweetest sounds can win thine ear. These sounds I '11 strive to catch ; Thy voice I '11 steal to woo thysell. That voice that nane can match. But if fond love thy heart can gain, I never broke a vow ; Nae maiden lays her skaith to me ; I never loved but you. For you alone I ride the ring, For you I wear the blue ; For you alone I strive to sing, O, tell me how to woo ! Then tell me how to woo thee. Love ; 0, tell me how to woo thee ! For thy dear sake nae care I 'U take. Though ne'er another trow me. Graham of Garthore. TO ALTHEA FROM PRISON. Whem Love with uuconfinëd wings Hovers within my gates, ■ And my divine Althea brings To whi.sper at my grates ; When I lie tangled in her hair And fettered with her eye. The birds that wanton in the air Know no such liberty. 4 LOVE. 147 ■a When flowing cups pass swiftly round With no allaying Thames, Our careless heads with roses crowned, Our hearts with loyal flames ; When thirsty grief in wine We steep, When healths and draughts go free. Fishes that tipple in the deep Know no such liberty. When, linnet-like confinèd, With shriller throat shall sing The mercy, sweetness, majesty And glories of my King ; When I shall voice aloud how good He is, how great should be. The enlarged winds, that curl the flood. Know no such liberty. Stone walls do not a prison make. Nor iron bars a cage ; Minds innocent and quiet take That for an hermitage : If 1 have freedom in my love, And in my soul am free. Angels alone, that soar above. Enjoy such liberty. colonel Richard Lovelace. RIVALRY IN LOVE. Of all the torments, all the cares. With which our lives are curst ; Of all the plagues a lover bears, Sure rivals are the worst ! By partners in each other kind. Afflictions easier grow ; In love alone we hate to find Companions of our woe. Sylvia, for aU the pangs you see Are laboring in my breast, I beg not you would favor me ; — Would you but slight the rest ! How great soe'er your rigors are, With them alone I '11 cope ; I can endure my own despair. But not another's hope. William Walsh. TO A VERY YOUNG LADY. Ah, Chloris ! that I now could sit As unconcerned as when Your infant beauty could beget No pleasure, nor no pain. When I the dawn used to admire. And praised the coming day, I little thought the growing fire Must take my rest away. Your charms in harmless childhood lay. Like metals in the mine ; Age from no face took more away. Than youth concealed in thine. But as your charms insensibly To their perfection prest. Fond Love as unperceived did fly. And in my bosom rest. My passion with your beauty grew. And Cupid at my heart. Still as his mother favored you. Threw a new flaming dart. Each gloried in their wanton part : To make a lover, he Employed the utmost of his art ; To make a Beauty, she. Though now I slowly bend to love Uncertain of my fqte. If your fair self my chains approve, I shall my freedom hate. Lovers, like dying men, may well At first disordered be. Since none alive can truly tell What fortune they must see. sir charles sedlev. THE FLOWER'S NAME. Herf, 's the garden she walked acros.s. Arm in my arm, such a short while since : Hark ! now I push its wicket, the moss Hinders the hinges, and makes them wince. She must have reached this shrub ere she turned, As back with that murmur the wicket swung ; For shelaid the poor snail my chance foot spurned, To feed and forget it the leaves among. Down this side of the gravel-walk She went while her robè's edge brushed the bo.v ; And here she paused in her gracious talk To point me a moth on the milk-white phlox. Roses, ranged in valiant row, I will never think that she passed you by ! She loves yon, noble roses, I know ; But yonder see where the rock-plants lie ! This flower she stopped at, finger on lip, — Stooped over, in doubt, as settling its claim ; Till she gave me, with pride to make no slip. Its soft meandering Spanish name. 148 POEMS OF THE AFFECTIONS. ñ "What a name ! was it love or praise ? Speech half asleep, or song half awake ? I must learii Spanisli one of these days, Only for that slow sweet name's sake. Eose.s, if 1 live and do well, I may bring her one of these days, To li.x you last with as fine a sjiell, — Fit you each with his Spanish phrase. But do not detain me now, for she lingers There, like sunshine over the ground ; And ever I see her soft white fingers Searching after the bud she found. Flower, you Spaniard ! look that you grow not, — Stay as you are, and be loved forever ! Bud, if I ki.ss you, 't is that you blow not, — Mind ! the shu.t pink mouth opens never ! For while thus it pouts, her fingers wrestle. Twinkling the audacious leaves between. Till round they turn, and down they nestle : Is not the dear mark still to be seen ? Where I find her not, beauties v.anish ; Whither I follow her, beauties flee. Is there no method to tell her in Spanish June's twice June since she breathed it with me? Come, bud ! show me the least of her traces ; Treasure my lady's lightest footfall : Ah ! you may flout and turn up your faces, PlOscs, you are not so fair after all ! Robert Browning. WHY ? Wiiy came the rose ? Because the sun, in shining. Found in the mould some atoms rare and fine ; .Vnd, stooping, drew and wanned them into grow- iug.— Dust, with the spirit's mystic countersign. What made the perfume ? All his wondrous kisses Fell on the sweet red mouth, till, lost to sight. The love became too exquisite, and vanished Into a viewless rapture of the night. Why did the rose die ? Ah, why ask the question ? There is a time to love, a time to give ; She perished gladly, folding close the secret Wherein is garnered what it is to live. Mary Louise Ritter. A MATCH. If love were what the rose is. And I were like the leaf. Our lives would grow together In sad or singing weather. Blown fields or flowerfiil closes, Green pleasure or gray grief ; If love were what the rose is. And 1 were like the leaf. If I were what the words are. And love were like the tune. With double sound and single Delight our lips would mingle. With kisses glad as birds are That get sweet rain at noon ; If I were what the words are. And love were like the tune. If you were life, my darling. And 1, your love, were death, We'd shine and snow together Ere March made sweet the weather With daffodil and starling And hours of fruitful breath ; If you were life, my darling. And I, your love, were death. If you were thrall to sorrow. And I were page to joy. We'd play for lives and seasons, W^ith loving looks and treasons. And tears of night and morrow, And laughs of maid and boy ; If you were thrall to sorrow. And I were page to joy. If you were April's lady. And I were lord in May, We'd throw with leaves for hours. And draw for days with flowers, Till day like night were shady. And night were bright like day ; If you were April's lady. And I were lord in May. If you were queen of pleasure. And I were king of pain. We'd hunt down love together. Pluck out his flying-feather. And teach his feet a measure. And find his mouth a rein ; If you were queen of plea.sure. And I were king of pain. Algernon Charles Swinburne. THE FLOWER 0' DUMBLANE. The sun has ganedown o'erthe lofty Ben Lomond, And left the red clouds to preside o'er the scene, While lanely 1 stray in the calm summer gloamin', To muse on sweet Jessie, the Flower o' Dum- , blane. a- LOVE. 149 How sweet is the brier, wi' its saft fauldin' blos¬ som, And sweet is the birk, wi' its mantle o' green ; Yet sweeter and fairer, and dear to this bosom. Is lovely young Jessie, the Flower o' Dumblane. She's modest as ony, and blithe as she's bonnie, — For guileless simplicity marks her its ain ; And far be the villain, divested of feeling, Wha'd blight in its bloom-the sweet F'lower o' Dumblane. Sing on, thou sweet mavis, thy hymn to the e'ening ! — Thou 'rt dear to the echoes of Calderwood glen ; Sae dear to this bosom, sae artless and winning. Is charming young Jessie, the Flower o' Dum¬ blane. How lost were my days till I met wi' my Jessie ! The sports o' the city seemed foolish and vain ; 1 ne'er s.aw a nymph I would ca' my dear lassie Till charmed wi' sweet Jessie, the Flower o' Dumblane. Though mine were the station o' loftiest grandeur. Amidst its profusion I'd languish in pain. And reckon as naething the height o' its splendor. If wanting sweet Jessie, the Flower o' Dum¬ blane. Robert Taxnahill. ■e- MARY MORI SON. 0 Mart, at thy window be ! It is the wished, the trysted hour ! Those smiles and glances let me see That make the miser's treasure poor : How blithely wad I bide the stoure, A weary slave frae sun to sun. Could I the rich reward secure. The lovely Mary Morison. Yestreen when to the trembling string The dance gaed through the lighted ha'. To thee my fancy took its wing, — I sat, but neither heard nor saw : Though this was fair, and that was braw. And yon the toast of a' the town, 1 sighed, and said amang them a', " Ye are na Mary Morison." 0 Maiy, canst thou wreck his peace Wha for thy sake wad gladly dee ? Or canst thou break that heart of his. Whose only faut is loving, thee ? If love for love thou wilt na gie. At least be pity to me shown ; A thought ungentle canna be The thought o' Mary Morison. robert burn's. 0, SAW YE THE LASS? 0, saw ye the lass wi' the bonny blue een ? Her smile is the sweetest that ever was seen ; Her cheek like the rose is, but fresher, I ween ; She's the loveliest lassie that trips on the green. The home of my love is below in the valley. Where wild-flowers welcome the wandering bee ; But the sweetest of flowers in that spot that is seen Is the maid that I love wi' the bonny blue eeii. When night overshadows her cot in the glen. She '11 steal out to meet her loved Donald again ; And when the moon shines on the valley so green, I '11 welcome the lass wi' the bonny blue een. As the dove that has wandered away from his nest Returns to the mate his fond heart loves the best, I '11 fly from the world's false and vanishing scene. To my dear one, the lass wi' the bonny blue een. richard rva.n. THE LASS OF RICHMOND HILL. On Richmond Hill there lives a laas More bright than May-day morn. Whose charms all other maids surpass, — A rose without a thoni. This lass so neat, with smiles so sweet. Has won my right good-will ; I'd crowns resign to call her mine. Sweet lass of Riehmond HilL Ye zephyrs gay, that fan the air. And wanton through the grove, O, whisper to my charming fair, I die for her I love. How happy will the shepherd be Who calls this nymph his' own I O, may her choice be fixed on me 1 Mine's fixed on her alone. TAMES Upton. THE BROOKSIDE. 1 wandered by the brookside, 1 wandered by the mill ; I could not hear the brook flow, — The noisy wheel was still ; There was no burr of grasshopper. No chirp of any bird. But the beating of my own heart Was all the sound 1 heard. ifl- 150 POEMS OF THE AFFECTIONS. I sat beneath the elm-tree ; I watched the long, long shade, And, as it grew still longer, I did not feel afraid ; For 1 listened for a footfall, 1 listened for a word, — But the beating of my own heart Was all the sound I heard. He came not, — no, he came not, — The night came on alone, — The little stars sat, one by one. Each on his golden throne ; The evening wind passed by my cheek. The leaves above were stirred, — But the beating of my own heart Was all the sound I heard. Fast silent tears were flowing, Wlien something stood behind ; A hand was on my shoulder, — I knew its touch was kind : It drew me nearer, — nearer, — We did not speak one word. For the beating of our own hearts Was all the sound we heard. Richard Monckton Milnes, lord houghton. MY DEAR AND ONLY LOVE, 1 PRAY, My dear and only love, 1 pray That little world, of thee. Be governed by no otljer sway Than purest monarchie. For if confusion have a part, • Which vii-tuous souls abhöre. And hold a synod in thine heart, 1 '11 never love thee more. As Alexander 1 will reign. And 1 will reign alone ; My thoughts did evermore disdain A rival on my throne ; He either fears his fate too much. Or his deserts are small. That dares not put it to the touch. To gain or lose it all. But 1 will reign, and govern still. And always give the law. And have each subject at my wiU, And all to stand in awe ; But 'gainst my batteries if 1 find Thou kick, or vex me sore. As that thou set me up a blind, 1 '11 never love thee more. And in the empire of thine heart. Where 1 should solely be. If others do pretend a part. Or dare to vie with me. Or if committees thou erect. And go on such a score, 1 '11 laugh and sing at thy neglect. And never love thee more. But if thou wilt prove faithful then. And constant of thy word, 1 '11 make thee glorious by my pen. And famous by my sword ; I '11 serve thee in such noble ways Was never heard before, I '11 crown and deck thee all with bays. And love thee more and more. James Graham. Marquxss of montrose. LOVE AND TIME. Two pilgrims from the distant plain Come quickly o'er the mossy ground. One is a boy, with locks of gold Thick curling round his face so fair ; The other pilgiim, stern and old. Has snowy beard and silver hair. The youth with many a merry trick Goes singing on his careless way ; His old companion walks as quick. But speaks no word by night or day. Where'er the old man treads, the grass . Fast fadeth with a certain doom ; But where the beauteous boy doth pass Unnumbered flowers are seen to bloom. And thus before the sage, the boy Trips lightly o'er the blooming lands, And proudly bears a pretty toy, — A crystal glass with diamond sands. A smile o'er any brow would pass To see him frolic in the sun, — To see him shake the crystal glass. And make the sands more quickly run. And now they leap the streamlet o'er, A silver thread so white and thin. And now they reach the open door. And now they lightly enter in : " God save all here," — that kind wish fliet Still sweeter from his lips so sweet ; "God save you kindly," Noi-ah cries, "Sit down, my child, and rest and eat." " Thanks, gentle Norah, fair and good. We '11 rest awhile our weary feet ; LOVE. 151 But though this old mau needeth food, There's nothing here that he can eat. His taste is strange, he eats alone. Beneath some ruined cloister's cope, Or on some tottering turret's stone. While I can only live on — Hope ! " A week ago, ere you were wed, — It was the very night before, — Upon so many sweets I fed While passing by your mother's door, — It was that dear, delicious hour When Owen here the nosegay brought. And found you in the woodbine bower, — Since then, indeed, I've needed naught." A blush steals over Norah's face, A smile comes over Owen's brow, A ti-amiuil joy illumes the place. As if the moon were shining now ; The boy beholds the pleasing pain. The sweet confusion he has done. And shakes the crystal glass again. And makes the sands moi'e quickly run. " Dear Norah, we are pilgrims, bound Upon an endless path sublime ; We pace the green earth round and round, And mortals call us Love and Time ; He seeks the many, I the few ; I dwell with peasants, he with kings. We seldom meet ; but when we do, I take his glass, and he my wings. " And thus together on we go, Where'er I chance or wish to lead ; And Time, whose lonely steps are slow. Now sweeps along with lightning speed. Now on our bright predestined way We must to other regions pass ; But take this gift, and night and day Look well upon its truthful glass. " How quick or slow the bright sands fall Is hid from lovers' eyes alone. If you can see tliem move at all. Be sure your heart has colder grown. 'T is coldness makes the glass grow dry. The icy hand, the freezing brow ; But warm the heart and breathe the sigh. And then they '11 pass you know not how." She took the glass where Love's warm hands A bright impeiwious vapor cast. She looks, but cannot see the sands. Although she feels they 're falling fast. But cold hours came, and then, alas ! She saw them falling frozen through, Till Love's warm light suffused the glass. And hid the loosening sands from view ! Demis Florence MacCarthv. FLY TO THE DESERT, FLY WITH ME. song of nourmahal in "the light of the harem." " Fly to the desert, fly with me. Our Arab tents are rude for thee ; But oh ! the choice what heart can doubt Of tents with love or thrones without ? " Our rocks are rough, but smiling there The acacia waves her yellow hair. Lonely and sweet, nor loved the less For flowering in a wilderness. "Our sands are bare, but down their slope The silvery-footed antelope As gracefully and gayly springs As o'er the marble courts of kings. " Then come, — thy Arab maid will be The loved and lone acacia-tree. The antelope, whose feet shall bless With their light sound thy loneliness. " Oh ! there are looks and tones that dart An instant sunshine through the heart. As if the soul that minute caught Some treasure it through life had sought ; " As if the very lips and eyes Predestined to have all our siglis. And never be forgot again. Sparkled and spoke before as then ! " So came thy every glance and tone, When first on me they breathed and shone ; New, as if brought from other spheres. Yet welcome as if loved for years ! "Then fly with me, if thou hast known No other flame, nor falsely thrown A gem aw.ay, that thou hadst sworn Should ever in thy heart be worn. " Come, if the love thou hast for me Is pure and fresh as mine for thee, — Fresh as the fountain undei'ground. When first't is by the lapwing found. " But if for me thou dost forsake Some other maid, and rudely break Her worshipped image from its base. To give to me the ruined place ; ' ' Then, fare thee well ! — I'd rather make My bower upon some icy lake When thawing suns begin to shine. Than trust to love so false as thine ! " There was a pathos in this lay, Tiiat even without enchantment's art Would instantly h.ave found its way Deep into Selim's burning heart ; e- 152 POEMS OF THE AFFECTIONS. Hut breathing, as it did, a tone To earthly lutes and lips unknown ; AVith every chord fresh from the touch Of music's spirit, 't was too much ! Starting, he dashed away the cup, — Which, all the time of this sweet ah-. His hand had held, untasted, up. As if't were fixed by magic there. And naming her, so long unnamed. So long unseen, wildly*exclaimed, " 0 Nounnahal ! 0 Nourmahal ! Hadst thou but sung this witching strain, 1 could forget — foi'give thee all. And never leave those eyes again." The mask is off, — the charm is wrought, — And Selini to his heart has caught, 1 n blushes, more than ever bright. His Nourmahal, his Harem's Light ! And well do vanished frowns enhance The chaim of eveiy brightened glance ; And dearer seems each dawning smile For having lost its light awhile ; And, happier now for all her sighs. As on his arm her head reposes, She whispers him, with laughing eyes, " Eemeinber, love, the Feast of Roses ! " Thouas Moore. THE WELCOME. Come in the evening, or come in the morning ; Come when you 're looked for, or come without warning ; Kisses and welcome you '11 find here before you. And the oftener you come here the more I '11 adore you ! Jnght is my heart since the day we were plighted ; Red is myj cheek that they told me was blighted ; The green of the trees looks far greener than ever, 1 the don't sever ! ' And the linnets are singing, "True lovere I& I '11 pull you sweet flowers, to wear if you choose them ! Or, after you 've kissed them, "they '11 lie ,on my bosom ; I '11 fetch from the mountain its breeze to inspire you : I 1 '11 fetch from my fancy a tale that won't tire you. 0, your step's like the rain to the summer- vexed farmer. Or sabre and shield to a knight without anuor ; I'll sing you sweet songs till the stare rise above me. Then, wandering, I '11 wish you in silence to love me. We '11 look through the trees at the cliff and the eyrie ; We '11 tread round the rath on the track of the fairy ; We '11 look on the stars, and we '11 list to tlie river. Till you ask of your darling what gift you can give her. O, she'll whisper you, "Love, as unchange¬ ably beaming. And tmst, when in secret, most tunefully streaming ; TUl the starlight of heaven above us shall quiver. As our souls flow in one down eternity's river." So come in the evening, or come in the morning ; Come when you 're looked for, or come without warning ; Kisses and welcome you '11 find here before you. And the oftener you come here the more I '11 adore you ! Light is my heart since the day we were plighted ; Red is my cheek that they told me was blighted ; The green of the trees looks far greener than ever. And the-linnets are singing, "Tnie lovers don't sever ! ' thomas Davis. COME INTO THE GARDEN, MAUD. Come into the garden, Maud, For the black bat, night, has flown ! Come into the gai Jen, JIaud, I am here at the gate alone ; And the woodbine spices are wafted abroad. And the musk of tlie roses blown. For a breeze of morning moves. And the planet of Love is on high. Beginning to faint in tlie light that she loves. On a bed of dafl'odil sky, — To faint in the light of the sun that she loves. To faint in its light, and to die. All night liave the roses heard The flute, violin, bassoon ; All night has the casement jessamine stirred To the dancers dancing in tune, — Till a silence fell with the waking bird. And a hush with tire setting moon. ■ff !& LOVE. 133 ■a <0- I .said to the lily, " There is but one With whom she has heart to be gay. When, will the dancers leave her alone ? She is weary of dance and play." Kow half to the setting moon are gone. And half to the rising day ; Low on the sand and loud on the stone The last wheel echoes away. I said to the rose, "The brief night goes In babble and revel and wine. O young lord-lover, what sighs are those For one that will never be thine ? But mine, but mine,".so I sware to the rose, " For ever and ever mine ! " And the soul of the rose went into my blood, As the music clashed in the hall ; And long by the garden lahe 1 stood. For I heard your rivulet fall From the lake to the meadow and on to the wood. Our wood, that is dearer than all ; From the meadow your walks have left so .sweet That whenever a March-wind sighs. He sets the jewel-print of your feet In violets blue as your eyes. To the woody hollows in which we meet. And the valleys of Paradise. The slender acacia would not shake One long milk-bloom on the tree ; The white lake-blossom fell into the lake. As the pimpernel dozed on the lea ; But the rose was awake all night for your sake. Knowing your promise to me ; The lilies and roses were all awake. They sighed for the dawn and thee. Queen rose of the rosebud garden of girls. Come hither ! the dances are done ; In gloss of satin and glimmer of pearls. Queen lily and rose in one ; Shine out, little head, sunning over with curls. To the flowers, and be their sun. There has fallen a splendid tear From the passion-flower at the gate. She is coming, my dove, my dear ; She is coming, my life, my fate ! The red rose cries, " She is near, she is near ; " And the white rose weeps, "She is late ; " The larkspur listens, " 1 hear, I hear ; " And the lily whispers, " I wait." She is coming, my own, my sweet ! Were it ever so airy a tread, My heart would hear her and beat. Were it earth in an earthly bed ; My dust would hear her and beat. Had I lain for a century dead ; Would start and tremble under her feet. And blossom in purple and red. ALFRED TENNYSON. CA' THE YOWES TO THE KNOWES. Ca' the yermes to the knoaoes, Ca' them where the Iwaihcr grows, Ca' them where the humie rowcs. My bannie dearie. Hark the mavis' evening sang Sounding Clouden's woods amang ; Then a-faulding let us gang, . My bonnie dearie. We '11 gae down by Clouden side. Thro' the hazels spreading wide. O'er the waves that sweetly glide To the moon sae clearly. Yonder Clouden's silent towers. Where at moonshine midnight hours. O'er the dewy bending flowers. Fairies dance sae cheerie. Ghaist nor bogle shalt thou fear : Thou 'rt to Love and Heaven sae dear, Nocht of ill may come thee near. My bonnie dearie. Fair and lovely as thou art. Thou hast stown my very heart ; I can die — but canna part. My bonnie dearie. While waters wimple to the sea ; While day blinks in the lift sae hie ; Till clay-cauld death shall blin' my e'e. Ye shall be my dearie. robert Burns. CHARLIE MACHREE. Come over, come over The river to me. If ye are my laddie. Bold Charlie machree. Here's Mary McPhereon And Susy O'Linn, Who say ye 're faint-hearted. And darena plunge in. But the dark rolling water. Though deep as the sea, I know willna scare j'e, Nor keep ye frae me ; 154 POEMS OF THE AFFECTIONS. For stout is yer back, And strong is yer arm, And the heart in yer bosom Is faithful and warm. Come over, come over The river to me. If yc are my laddie. Bold Charlie machree ! I see him, I see him ! He's plunged in the tide. His strong arms are dashing The big waves aside. O, the dark rolling water Shoots swift as the sea. But blithe is the glance Of his bonny blue e'e. And his cheeks are like roses, Twa buds on a bough ; Wlio says ye 're faint-hearted. My brave Charlie, now ? Ho, ho, foaming river. Ye may roar as ye go. But ye canna bear Charlie To the dark loch below ! Come over, come over The river to me, My true-hearted laddie. My Charlie machree ! He's sinking, he's sinkings O, what shall I do ! Strike out, Charlie, boldly. Ten strokes and ye 're thro' ! He's sinking, O Heaven ! Ne'er fear, man, ne'er fear ; I've a kiss for ye, Charlie, As soon as ye 're here ! He rises, I see him, — Five strokes, Charlie, mair, — He's shaking the wet From his bonny brown hair ; He conquers the current. He gains on the sea, — Ho, where is the swimmer Like Charlie machree ? Come over the river. But once come to me. And I '11 love ye forever. Dear Charlie machree ! He's sinking, he's gone, — 0 God ! it is I, It is I, who have killed him — Help, help ! — he must die ! Help, help ! — ah, he rises, — Strike out and ye 're free ! Ho, bravely done, Charlie, Once more now, for me ! Now cling to the rock. Now gie us yer hand, — Ye 're safe, dearest Charlie, Ye 're safe on the land ! Come rest in my bosom. If there ye can sleep ; 1 canna speak to ye, I only can weep. Ye've crossed the wild river. Ye've risked all for me. And I '11 part frae ye never. Dear Charlie machree ! William J. Hoppin. KOBIN ADAIR. What's this dull town to me ? Robin's not near, — He whom I wished to see. Wished for to hear ; Where's all the joy and mirtfi Made life a heaven on earth,^'' O, they 're all fled with thee, Robin Adair ! What made the assembly shine ? Robin Adair : What made the ball so fine ? Robin was there ; What, when the play was o'er. What made my heart so sore ? O, it was parting with Robin Adair ! But now thou art far from me, Robin Adair ; But now I never see Robin Adair ; Yet him I loved so well Still in my heart shall dwell ; O, I can ne'er forget Robin Adair ! Welcome on shore again, Robin Adair ! AVelcome once more again, Robin Adair ! a- LOVE. 155 ■a I feel thy trembling hand ; Tears in thy eyelids stand, To greet thy native land, Eobin Adair. Long I ne'er saw thee, love, Robin Adair ; Still I prayed for thee, love, Robin Adair ; When thou wert far at sea. Many made love to me. But still 1 thought on thee, Robin Adair. Come to my heart again, Robin Adair ; Never to part again, Robin Adair ; And if thou still art true, I will be constant too. And will wed none but you, Robin Adair ! Lady Caroline Keppel. THE SILLER CROUN. " And ye sail walk in silk attire. And siller hae to spare. Gin ye '11 consent to be his bride. Nor think o' Donald mair." O, wha wad buy a silken goun Wi' a puir broken heart ? Or what's to me a siller croun Gin frae my love I part ? ■ The mind whose meanest wish is pure Far dearest is to me. And ere I'm forced to break my faith, I '11 lay me doun an' dee. For I hae vowed a virgin's vow My lover's fate to share. An' he has gi'en to me his heart. And what can man do mair ? His mind and manners won my heart ; He gratefu' took the gift ; And did I wish to seek it back, It wad be waur than theft. The langest life can ne'er repay The love he bears to me. And ere I'm forced to break my faith, I '11 lay me doun an' dee. Susanna Blamire. ANNIE LAURIE.* Maxwelton banks are bonnie. Where early fa's the dew ; Where me and Annie Laurie Made up the promise true ; Made up the promise true. And never forget will I ; And for bonnie Annie Laurie I '11 lay me down and die. She's backit like the peacock. She's breistit like the swan. She's jimp about the middle. Her waist ye weel micht span ; Her waist ye weel micht span. And she has a rolling eye ; And for bonnie Annie Laurie I '11 lay me down and die. Douglass THE SONG OF THE CAMP. " Give us a song ! " the soldiers cried. The outer trenches guarding, When the heated guns of the camps aUied Grew weary of bombarding. The dark Redan, in silent scoff. Lay grim and threatening under ; And the tawny mound of the Malakofif No longer belched its thunder. There was a pause. A guardsman said : " We storm the forts to-morrow ; Sing while we may, another day Will bring enough of sorrow." They lay along the battery's side. Below the smoking cannon : Brave hearts from Severn and from Clyde, And from the banks of Shannon. They sang of love, and not of fame ; Forgot was Britain's glory : Each heart recalled a different name. But all sang " Annie Laurie." Voice after voice caught up the song. Until its tender passion Rose like an anthem, rieh and strong, — Their battle-eve confession. Dear girl, her name he dared not speak. But as the song grew louder. Something upon the soldier's cheek Washed off the stains of powder. • A daughter of Sir Robert Laurie, whom a Mr. Douglasfi courted in vain, but whose name he immortalized, says Chamàertm ff fi- 156 POEMS OP THE APTWnONS. Beyond the darkening ocean burned The bloody sunset's embers. While the Crimean valleys learned How English love remembers. And once again a fire of hell Eained on the Russian quarters. With scream of shot, and burst of shell. And bellowing of the mortars ! And Irish Nora's eyes are dim For a singer dumb and gory ; And English Mary mourns for him Who sang of "Annie Laurie." Sleep, soldiers ! still in honored rest Your truth and valor wearing : The bravest are the tenderest, — The loving are the daring. Bayard Taylor. I& 0 NANNY, WILT THOU GANG WP ME? O Nanny, wilt thou gang wi' me. Nor sigh to leave the flaunting town ? Can silent glens have charms for thee, The lowly cot and russet gown ? Nae langer drest in silken sheen, Nae langer decked wi' jewels rare. Say, canst thou quit each courtly scene. Where thou wert fairest of the fair ? O Nanny, when thou'rt far awa. Wilt thou not cast a look behind ? Say, canst thou face the flaky snaw. Nor shrink before the winter wind ? O, can that soft and gentle mien Severest hardships leam to bear. Nor, sad, regret each courtly scene. Where thou wert fairest of the fair ? 0 Nanny, canst thou love so true,. Through perils keen wi' me to gae ? Or, when thy swain mishap shall rue. To share with him the pang of wae I Say, should dise.ase or pain befall. Wilt thou assume the nurse's care. Nor, wishful, those gay scenes recall Where thou wert fairest of the fair ? And when at last thy love shall die. Wilt thou receive his parting bi-eath ? Wilt thou repress each struggling sigh. And cheer with smiles the bed of death? And wilt thou o'er his much-loved clay Strew flowers, and drop the tender tear ? Nor then regret those scenes so gay. Where thou wert fairest of the fair ? Bishop Thomas Percy. SMILE AND NEVER HEED ME. Though, when other maids stand by, I may deign thee no reply. Turn not then away, and sigh, — Smile, and never heed me ! If our love, indeed, be such As must thrill at every touch. Why should others learn as much ? — Smile, and never heed me ! Even if, with maiden pride, I should bid thee quit my side. Take this lesson for thy guide, — Smile, and never heed me ! But when stars and twilight meet. And the dew is falling sweet. And thou hear'st my coming feet, — Then—thou then — mayst heed mo! Charles Swain. WHISTLE, AND I'LL COME TO YOU, MY LAD. 0 whistle, ind I '11 come to you, my lad, O whistle, and 1 '11 come to you, ray lail, Tho' father .ind mither and a' should gae mad, O whistle, and I '11 come to you, my lad. But warily tent, when ye come to court me. And come na unless the baek-yett be a-jee: Syne up the back stile, and let naebody see. And come as ye were na comin' to me. And come, etc. 0 whistle, etc. At kirk, or at market, whene'er ye meet me. Gang by me as tho' that ye cared nae a flie ; But steal me a blink o' your bonnie black e'e. Yet look as ye were na lookin' at me. Yet look, etc. 0 whistle, etc. Aye vow and protest that ye-care na for me, And wh'iles ye may lightly my behuty a wee ; But court nae anither, tho' jokin' ye be. For fear that she wile your fancy frae me. For fear, etc. O whistle, etc. Robert burns. THE WHISTLE. "You have heard," said a youth to his sweet¬ heart, who stood. While he sat on a corn-sheaf, at daylight's decline, — LOVE. 157 "You have heard of the Danish boy's whistle of wood ? I wish that that Danish boy's whistle were mine." "And what would you do with it? —tell me," she said, M'hile an arch smile played over her beautiful face. " I would blow it," he answered ; " and then my fair maid Would fly to my side, and would here take her place." "Isthat all you wish it for? That may be yours Without any magic," the fair maiden cried : "A favor so slight one's good nature secure.s;" And she playfully seated herself by his side. " I would blow it again," said the youth, " and the charm Would work so, that not even Modesty's check AVould be able to keep from my neck your fine aim : " She smiled, —and she laid her fine arm round his neck. "Vet once move would I blow, and the music divine Would bring me the third time an exquisite bliss: You would lay your fair cheek to this brown one of mine, And your lips, stealing past it, would give me a kiss." The maiden laughed out in her innocent glee, — "What a fool of yourself with your whistle you'd make ! 1 )!• only consider, how silly't would be To sit there and whistle for — what you might take ! " Robert Story. —0— BEHAVE YOURSEL' BEFORE FOLK. Behave yoursel' before folk, Behave yoursel' before folk. And dinna be sae rude to me. As kiss me sae before folk. It wouldna give me meikle jmin, Gin we were seen and heard by naile, To tak' a kiss, or grant you ane ; But giidesake ! no before folk. Behave youisel' before folk. Behave yoursel' before folk, — Whate'er you do when out o' view, Be cautious aye before folk ! Consider, lad, how folks will crack. And what a great afiliir they '11 mak' 0' naething but a simple smack. That's gi'cn or ta'en before folk. Behave your-scl' before folk, Behave yoursel' before folk, — Nor gi'e the tongue o' old and young • Occasion to come o'er folk. I'm sure wi' you I've been as free As ony modest lass should be ; But yet it doesna do to see Sic freedom used before folk. Behave yoursel' before folk. Behave yoursel' before folk, — I '11 ne'er submit again to it ; So mind you that — before folk ! Ye tell me that my face is fair : It may be sae — 1 dinna care — But ne'er again gar't blush so sair As ye hae done before folk. Behave yoursel' before folk. Behave yoursel' before folk, — Nor heat my cheeks wi' your mad freaks. But aye be douce before folk ! Ye tell me that my lips are sweet ; Sic tales, 1 doubt, are a' deceit ; — At ony rate, it's hardly meet To prie their sweets before folk. Behave yoursel' before folk. Behave yoursel' before folk, — Gin that's tjie case, there's time and place. But surely no before folk !., But gin ye re.ally do insist Tliat I should suffer to be kissed, Gae get a license frae the priest, And mak' me youis before folk ! Behave yoursel' before folk, Behave yoursel' before folk, — And when we 're ane, baith flesh and bane. Ye may tak' ten — before folk ! Alexander Rodcfk. THE PASSIONATE SHEPHERD TO HIS LOVE. Come live with me and be my love. And we will all the pleasures prove. That hills and valleys, dales and fields. And all the craggy mouutains yield. There will we sit upon the rocks. And see the shepherds feed their flocks By shallow rivers, to whose falls Melodious birds sing madrigals. And will I make thee beds of roses. With a thousand fragrant posies ; fi- 158 POEMS OP THE AFFECTIONS. A cap of flowers and a kirtle Embroidered all with leaves of myrtle ; A gown made of the flnest wool Which from our pretty lambs we pull ; Slippers lined choicely for the cold, With buckles of the purest gold ; A belt of straw, and ivy buds, With coral clasps and amber studs. The shepherd swains shall dance and sing For thy delight each May morning ; And if these pleasures may thee move. Then live with me and be my love. christopher marlowe. THE NYMPH'S REPLY. If all the world and love were young, And tnith in every shepherd's tongue, These pretty pleasures might me move To live with thee, and be thy love. Time drives the flocks from field to fold. When rivers rage and rocks grow cold ; And Philomel becometh dumb. The rest complain of cares to come. The flowers do fade, and wanton fields To wayward winter reckoning yields ; A honey tongue, a heart of gall. Is fancy's spring, but sorrow's fall. Thy gowns, thy shoes, thy beds of roses. Thy cap, thy kirtle, and thy posies. Soon break, soon wither, soou forgotten, In folly ripe, in reason rotten. Thy belt of straw and ivy buds. Thy coral clasps and amber studs ; All these in me no means can move To come to thee and be thy love. But could youth last, and love still breed. Had joys no date, nor age no need. Then these delights my mind might move To live with thee and be thy love. Sir Walter Raleigh. ■& MAUD MULLER. Maud Mulleii, on a summer's day, Raked the meàJow sweet with hay. Beneath her torn hat glowed the wealth Of simple beauty and rustic health. Singing, she wrought, and her merry glee The mock-bird echoed from his tim But, when she glanced to the far-off town. White from its hill-slope looking down. The sweet song died, and a vague unrest And a nameless longing filled her breast, — A wish, that she hardly dared to own. For something better than she had known. The Judge rode slowly down the lane. Smoothing his horse's chestnut mane. He drew his bridle in the shade Of the apple-trees, to greet the maid, And ask a draught from the spring that flowed Through the meadow, across the road. She stooped where the cool spring bubbled up. And filled for Mm her small tin cup. And blushed as she gave it, looking down On her feet so bare, and her tattered gown. " Thanks ! " said the Judge, " a sweeter draught From a fairer hand was never quaffed." He spoke of the grass and flowers and trees. Of the singing birds and the humming bees ; Then talked of the haying, and wondered wnetner The cloud in the west would bring foul weather. And Maud forgot her brier-tom gown. And her graceful ankles, bare and brown. And listened, while a pleased surprise Looked from her long-laslied hazel eyes. At last, like one who for delay Seeks a vain excuse, he rode away. Maud Millier looked and sighed : " Ah me ! That I tlie Judge's bride might be ! " He would dress me up m silks so fine. And praise and toast me at his wine. " My father should wear a broadcloth coat. My brother should sail a painted boat. " I'd dress my mother so grand and gay. And the baby should have a new toy each day. "And I'd feed the hungr)' and clothe the poor. And all should bless me who left our door." The Judge looked back as he climbed the hill. And saw Maud Midler standing still : " A form more fair, a face more sweet. Ne'er hath it been my lot to meet. -i L r * r LOVE. 159 •- " And her modest answer and graceful air Sometimes her narrow kitchen walls Show her wise and good as she is fair. Stretched away into stately halls ; " Would she were mine, and I to-day, The weary wheel to a spinnet tui-ned, Like her, a harvester of hay. The tallow candle an astral burned ; " No doubtful balance of rights and wrongs. And for him who sat by the chimney lug. Nor weary lawyers with endless tongues. Dozing and grumbling o'er pipe and mug, " But low of cattle, and song of birds, A manly form at her side she saw. And health, and quiet, and loving words." And joy was duty and love was law. But he thought of his sister, proud and cold, Then she took up her burden of life again. And his mother, vain of her rank and gold. Saying only, "It might have been." So, closing his heart, the Judge rode on, Alas for maiden, alas for judge. And Maud was left in the field alone. For rich repiner and household drudge ! But the lawyers smiled that afternoon, God pity them both ! and pity us all, When he hummed in court an old love tune ; Who vainly the dreams of youth recall ; And the young girl mused beside the well, For of all sad words of tongue or pen, Till the rain on the unraked clover fell. The saddest are these ; "It might have been ! " He wedded a wife of richest dower. Ah, well ! for us all some sweet hope lies Who lived for fashion, as he for powqf. Deeply buried from human eyes ; Yet oft, in his marble hearth's bright glow. And, in the hereafter, angels may He watched a picture come and go ; Roll the stone from its grave away ! John Creenleaf Whittier. And sweet Maud Muller's hazel eyes Looked out in their innocent surprise. — Oft, when the wine in his glass was red, QUAKERDOM. He longed for the wayside well instead, formal call. THROtJGH her forced, abnormal quiet And closed his eyes on his garnished rooms. Flashed the soul of frolic riot. To dream of meadows and clover blooms ; ^ malicious laughter lighted up her And the proud man sighed with a secret pain, donnent e^s , . << Ai. il i. T c • 1 All m vain I tried each topic, " Ah, that I were free again ! _ ia it : 1 • Ranged from polar climes to tropic, — " Free as when I rode that day commonplace I started met with yes-or-no Where the barefoot maiden raked the hay." replies. ... , , , For her mother — stiff and stately. She wedded a man unlearned and Tioor, «-ííei j- iiai , , , , , , , Í J As if starched and ironed lately — And many children played round her door. „ . ...... n l u j .a •' Sat erect, with ngid elbows bedded thus in curv- But care and sorrow, and child-birth pain, palms ; Left theii' traces on heart and brain. There she sat on guard before us. And in words precise, decorous. And oft, when the summer sun shone hot And most calm, reviewed the weather, and recited On the new-mown hay in the meadow lot, several psalms. And she heard the little spring brook fall '¿bmpÛy ending Over the roadside, through the wall, This my visit, and offending Wealthy neighbors, vas the problem which, em- In the shade of the apple-tree again ployed my mental care ; She saw a rider draw his rein, When the butler, bowing lowly. Uttered clearly, stiflly, slowly, And, gazing down with a timid grace, "Madam, please, the gaidener wants you," — She felt his pleased eyes read her face. Heaven, I thought, has heard my prayer. j 3 : J J 1 160 PüE.MS OF THE AFFECTIONS. " Pardon me ! " she grandly uttered ; Bowing low, I gladly muttered, "Surely, madam!" and, relieved, I turned to scan the daughter's face : , Ha I what pent-up mirth outflashes From beneath those pencilled lashes ! How the drill of Quaker custom yields to Na¬ ture's brilliant grace. Brightly springs the prisoned fountain Ficni the side of Delphi's mountain When the stone that weighed upon its buoyant life is thrust aside ; So the long-enforced stagnation Of the maiden's conversation Now imparted five-fold brilliance to its ever- varying tide. Widely ranging, quickly changing. Witty, winning, from beginning Unto end I listened, merely flinging in a casual word ; Eloquent, and yet how simple ! Hand and eye, and eddying dimple, Tongire and lip together made a music seen as well as heard. When the noonday woods are ringing, All the birds of summer singing, .•Suddenly there falls a silence, and we know a serpent nigh : So upon the door a rattle Stopped our animated tattle. And the stately mother found us prim enough to suit her eye. Charles C. halpinf.. THE CHESS-BOARD. My little love, do you remember. Ere we were grown so sadly wise. Those cvening.s in the bleak December, Curtained warm from the snowy weather. When you and I pl.ayed chess together. Checkmated by each other's eyes ? Ah ! still I see your soft white hand Hovering warm o'er Queen and Knight ; Brave Pawns in valiant battle stand ; The double Castles guard the wings ; The Bishop, bent on distant things. Moves, sidling, through the fight. Our fingers touch ; our glances meet. And falter ; falls your golden hair Against my cheek ; your bosom sweet Is heaving. Down the field, your Queen Hides slow, her soldiery all between, And checks me unaware. Ah me ! the little battle '.s done : Disjrerst is all its chivalry- Full many a move since then have we Mid life's perjdexing checkers made. And many a game with fortune played ; What is it we have won ? This, this at least, — if this alone : That never, never, nevermore. As in those old still nights of yore, (Ere we were grown so sadly wise,) Can you and 1 shut out the skies. Shut out the world and wintry weather. And, eyes exchanging warmth with eyes, Play chess, as then we played together. Robert Bulwer. i.ord Lytto.v. (Oti/eft Mer,'dith.) SONG. Too late, alas I I must confess. You need not arts to move me ; Such charms by nature you possess, "T were madness not to love ye. Then spare a heart you may surprise. And give my tongue the glory- To boast, though my unfaithful eyes Betray a tender story. John Wilmot, Earl of Rochesthr. SUMMER DAYS. Ix summer, when the days were long. We walked together in the wood : Our heart was light, our step was strong ; weet ñutterings were there in our blood. In summer, when the days were long. We strayed from morn till evening came ; We gathered flowers, and wove us crowns ; We walked mid jroppies red as flame. Or sat upon the yellow downs ; And always wished our life the same. In summer, when the days were long, Wc leaped the hedge-row, cr ossed the brook ; And still her voice flowed forth in song. Or else she read some graceful book. In summer, when the days were long. And then we sat beneath the trees. With shadows lessening in the noon ; And in the sunlight and the breexe. We feasted, many a gorgeous June, While larks were singing o'er the leas. LOVE. 161 In summer, when the days were long, On dainty chicken, snow-white bread. We feasted, with no grace but song ; We plucked wild strawberries, ripe and red. In summer, when the days were long. We loved, and yet we knew it not, — For loving seemed like breathing then ; We found a heaven in eveiy spot ; Saw angels, too, in all good men ; And dreamed of God in giove and grot. In summer, when the days are long. Alone I wander, muse alone. I see her not ; but that old song Under the fragrant wind is blown. In summer, when the days are long. Alone I wander in the wood : But one fair spirit hears my sighs ; And half I see, so glad and good. The honest daylight of her eyes. That charmed me under earlier skies. In summer, when the days are long, I love her as we loved of old. My heart is light, my step is strong ; For love brings back those hours of gold. In summer, when the days are long. anonymous. FORGET THEE? "Forget thee ?" — If to .dream by night, and muse on thee by day. If all the worship, deep and wüd, a poet's heart can pay. If prayers in absence breathed for thee to Heav¬ en's protecting power. If winged thoughts that flit to thee — a thousand in an hour. If busy Fancy blending thee with all my future lot, —• If this thou call'st "forgetting," thou indeed shalt be forgot ! " Forget thee ? " — Bid the forest-birds forget their sweetest tune ; "Forget thee ?" — Bid the sea forget to swell beneath the moon ; Bid the thirsty flowers forget to drink the eve's refreshing dew ; Thyself forget thine "own dear land," and its "mountains wüd and blue;" Forget each old familiar face, each long-remem¬ bered spot ; — When these things are forgot by thee, then thou shalt be forgot ! Keep, if thou wilt, thy maiden peace, still calm and fancy-free. For God forbid thy gladsome heart should grow less glad for me ; Yet, while that heart is still unwon, 0, bid not mine to rove. But let it nurse its humble faith and uncomplain¬ ing love ; If these, preserved for patient years, at last avail me not, Forget me then ; — but ne'er believe that thou canst be forgot ! John Moultrie. DINNA ASK ME. 0, ninna ask me gin I lo'e ye : Troth, I dauma tell ! Dinna ask me gin I lo'e ye, — A.sk it o' yoursel'. O, dinna look sae sair at me. For weel ye ken me true ; 0, gin ye look sae sair at me, I dauma look at you. When ye gang to yon braw braw town, And bonnier lassies see, O, dinna, Jamie, look at them. Lest ye should mind na me. For I could never bide the lass That ye'd lo'e mair than me ; And 0, I'm sure my heart wad brak. Gin ye'd prove fause to me ! John dunlop. SONG. At setting day and rising mom. With soul that still shall love thee, I '11 ask of Heaven thy safe return. With all that can improve thee. I '11 visit aft the birken bush. Where first thou kindly told me Sweet tales of love, and hid thy blush, Whüst round thou didst infold me. To all our haunts I will repair. By greenwood shaw or fountain ; Or where the summer day I'd share With thee upon yon mountain ; There will I tell the trees and flowers. From thoughts unfeigned and tender. By vows you 're mine, by love is yours A heart which cannot wander. Allan Ramsay. fi- 162 POEMS OP THE AFFECTIONS. LOVE. All thoughts, all passions, all delights. Whatever stirs this mortal frame. All are but ministers of Love, And feed his sacred flame. Oft in my waking dreams do 1 Live o'er again that happy hour, When midway on the mount I lay Beside the ruined tower. The moonshine stealing o'er the scene Had blended with the lights of eve ; And she was there, my hope, my joy. My own dear Genevieve ! She leaned against the armed man, The statue of the armèd knight ; She stood and listened to my lay, Amid the lingering hght. Few sorrows hath she of her own. My hope ! my joy ! my Genevieve ! She loves me best whene'er I sing The songs that make her grieve. I played a soft and doleful air, I sang an old and moving story, — An old rude song, that suited well That ruin wild and hoary. She listened with a flitting blush. With downcast eyes and modest grace ; For well she knew, I could not choose But gaze upon her face. I told her of the Knight that wore Upon his shield a burning brand ; And that for ten long years he wooed The Lady of the Land. I told her how he pined ; and ah ! The deep, the low, the pleading tone With which I sang another's love Interpreted my own. She listened with a flitting blush, With downcast eyes and modest grace ; And she forgave me that I gazed Too fondly on her face. But when I told the cruel scorn That crazed that bold and lovely Knight, And that he crossed the mountain-woods. Nor rested day nor night ; That sometimes from the savage den. And sometimes from the darksome shade. And sometimes starting up at once In green and sunny glade. There came and looked him in the face An angel beautiful and bright ; And that he knew it was a Fiend, This miserable Knight ! And that unknowing what he did. He leaped amid a murderous band. And saved from outrage worse than death The Lady of the Land ; And how she wept, and clasped his knees ; And how .she tended him in vain ; And ever strove to expiate The scorn that crazed his brain ; And that she nursed him in a cave. And how his madness went away. When on the yellow forest-leaves A dying man he lay ; — His dying words—but when I reached That tenderest strain of all the ditty, My faltering voice and pausing harp Disturbed her soul with pity ! All impulses of soul and sense Had thrilled my guileless Genevieve ; The music and the doleful tale. The rich and balmy eve ; And hopes, and fears that kindle hope. An imdistinguishable throng. And gentle wishes long subdued. Subdued and cherished long. She wept with pity and delight. She blushed with love, and virgin shame ; And like the murmur of a dream, I heard her breathe my name. Her bosom heaved, — she stepped aside. As conscious of my look she stept, — Then suddenly, with timorous eye She fled to me and wept. She half enclosed me with her arms. She pressed me with a meek embrace ; And bending back her head, looked up. And gazed upon my face. 'T was partly love, and partly fear. And partly't was a bashful art That I might rather feel than see The swelling of her heart. I calmed her fears, and she was calm. And told her love with virgin pride ; And so I won my Genevieve, My bright and beauteous Bride. samuel Taylor Coleridge i J LOVE 163 J r WHEN THE KYE COMES HAME. Come, all ye jolly shepherds That whistle through the glen, I '11 tell ye of a secret That courtiers dinna ken : What is the greatest bliss That the tongue o' man can name ? 'T is to woo a bonny lassie When the kye comes hame ! When the kye comes hame. When the kye comes hame, 'Tween the gloaming and the mirk, When the kye comes hame ! 'T is not beneath the coronet. Nor canopy of state, 'T is not on couch of velvet. Nor arbor of the great, — 'T is beneath the spreading birk. In the glen without the name, Wi' a bonny, bonny lassie. When the kye comes hame ! When the kye comes hame, etc. There the blackbird bigs his nest For the mate he loes to see. And on the topmost bough, 0, a happy bird is he ; Where he pours his melting ditty. And love is a' the theme. And he '11 woo his bonny lassie When the kye comes hame ! When the kye comes hame, etc. When the blewart bears a pearl. And the daisy turns a pea. And the bonny lucken gowan Has fauldit up her ee. Then the laverock frae the blue lift Doops down, an' thinks nae shame To woo his bonny lassie When the kye comes hame ! When the kye comes hame, etc. See yonder pawkie shepherd. That lingers on the hill. His ewes are in the fauld. An' his lambs are lying still ; Yet he downa gang to bed. For his heart is in a flame. To meet his bonny lassie When the kye comes hame ! When the kye comes hame, etc. ■When the little wee bit heart Rises high in the breast. An' the little wee bit stam Rises red in the east. 0 there's a joy sae dear. That the heart can hardly frame, Wi' a honny, bonny lassie. When the kye comes hame ! When the kye comes hame, etc. Then since all nature joins In this love without alloy, 0, wha wad prove a traitor To Nature's dearest joy ? 0, wha wad choose a crown, Wi' its perils and its fame. And miss his bonny lassie When the kye comes hame ? When the kye comes hame. When the kye comes hame, 'Tween the gloaming and the mirk. When the kye comes hame ! James hocc. LADY BARBARA. Eael Gawain wooed the Lady Barbara, High-thoughted Barbara, so white and cold ! 'Mong broad-branched beeches in the summer shaw. In soft green light his passion he has told. When rain-beat winds did shriek across the wold. The Earl to take her fair reluctant ear Framed passion-trembled ditties manifold ; Silent' she sat his amorous breath to hear. With calm and steady eyes ; her heart was other¬ where. He sighed for herj through all the summer weeks ; Sitting beneath a tree whose fruitful boughs Bore glorious apples with smooth, shining cheeks. Earl Gawain came and whispered, " Lady, rouse ! Thou art no vestal held in holy vows ; Out with our falcons to the pleasant heath." Her father's blood leapt up into her brows, — He who, exulting on the trumpet's breath. Came charging like a star across the lists of death. Trembled, and passed before her high rebuke : And then she sat, her hands clasped round her knee ; Like one far-thoughted was the lady's look. For in a morning cold as misery She saw a lone ship sailing on the sea ; Before the north't was driven like a cloud. High on the poop a man sat mournfully : The wind was whistling through mast and shroud, And to the whistling wind thus did he s''ng aloud ; — 1 e 164 POEMS OP THE AFFECTIONS. ■a " Didst look last night upon my native vales, Thou Sun ! that from the drenching sea hast clomb ? Ye demon winds ! that glut my gaping sails, Upon the salt sea must 1 ever roam. Wander forever on the barren foam ? 0, happy are ye, resting mariners ! 0 Death, that thou wouldst come and take me home ! A hand unseen this vessel onward steers, And onward I must float through slow, moon- measured years. "Ye winds ! when like a curse ye drove us on. Frothing the waters, and along our way. Nor cape nor headland through red mornings shone. One wept aloud, one shuddered down to pray, One howled, ' Upon the deep we are astray.' On our wild hearts his words fell like a Might In one short hour my hair was stricken gray. For all the crew sank ghastly in my sight As we went driving on through the cold starry night. " Madness fell on me in my loneliness. The sea foamed curses, and the reeling sky Became a dreadful face which did oppress Me with the weight of its unwinking eye. It fled, when I hurst forth into a cry, — A shoal of fiends came on me from the deep ; 1 hid, hut in all comers they did pry. And dragged me forth, and round did dance and leap; They mouthed on me in dream, and tore me from sweet sleep. "Strange constellations humed above my head. Strange birds around the vessel shrieked and flew. Strange shapes, like shadows, through the clear sea fled. As our lone ship, wide-winged, came nppling through. Angering to foam the smooth and sleeping blue. " The lady sighed, "Far, far upon the sea. My own Sir Arthur, could I die with you ! The wind blows shrill between my love and me." Fond heart ! the space between was but the apple- tree. • There was a cry of joy ; with seeking hands She fled to him, like worn bird to her nest ; Like washing water on the figured sands. His being came and went in sweet unrest. As from the mighty shelter of his breast The Lady Barbara her head uprears With a wan smile, ' ' Methinks I'm but half blest : Now when I 've found thee, after weary years, I cannot see thee, love ! so blind I am with tears. " Alexander Smith. ATALANTA'S RACE. from "the earthly paradise" atalanta victorious. And there two runners did the sign abide Foot set to foot, — a young man slim and fair. Crisp-haired, well knit, with firm limbs often tried In places where no man his strength may spare ; Dainty his thin coat was, and on his hair A golden circlet of renown he wore. And in his hand an olive garland bore. But on this day with whom shall he contend ? A maid stood by him like Diana clad When in the woods she lists her bow to bend. Too fair for one to look on and be glad. Who scarcely yet has thirty summers had. If he must still behold her from afar ; Too fair to let the world live free from war. She seemed all earthly matters to forget ; Of all tormenting lines her face was clear. Her wide gray eyes upon the goal were set Calm and unmoved as though no soul were near : But her foe trembled as a man in fear. Nor from her loveliness one moment turned His anxious face with fierce desire that burned. Now through the hush there broke the trum¬ pet's clang Just as the setting sun made eventide. Then from light feet a spurt of dust there sprang And swiftly were they running side by side ; But silent did the thronging folk abide Until the turning-post was reached at last. And round about it still abreast they passed. But when the people saw how close they ran. When half-way to the starting-point they were, A cry of joy broke forth, whereat the man Headed the white-foot runner, and drew near Unto the very end of aU his fear; And scarce his straining feet the ground could feel. And bliss unhoped for o'er his heart 'gan steal. But midst the loud victorious shouts he heard Her footsteps drawing nearer, and the sound Of fluttering raiment, and thereat afeard His flushed and eager face he turned around. And even then he felt her past him bound Fleet as the wind, but scarcely saw her Hiere Till on the goal she laid her fingers fair. There stood she breathing like a little child Amid some warlike clamor laid asleep. For no victorious joy her red lips smiled. Her cheek its wonted freshness did but keep ; No glance lit up her clear gray eyes and deep. Though some divine thought softened all her face As once more rang the trumpet through the place. -ff LOVE. 165 But her late foe stopped short amidst his course. One moment gazed upon her piteously, Then with a groan his lingering feet did force To leave the spot whence he her eyes could see ; And, changed like one who knows his time must be But short and bitter, without any word He knelt before the hearer of the sword ; Then high rose up the gleaming deadly blade. Bared of its flowers, and through the crowded place Was silence now, and midst of it the maid Went by the poor wretch at a gentle pace. And he to hers upturned his sad white face ; Nor did his eyes behold another sight Ere on his soul there fell eternal night. ATALANTA CONQUERED. Now has the lingering month at last gone by. Again are all folk round fhe running place. Nor other seems the dismal pageantry Than heretofore, hut that another face Looks o'er the smooth course ready for the race ; For now, beheld of all, MUanion Stands on the spot he twice has looked upon. But yet — what change is this that holds the maid? Does she indeed see in his glittering eye More than disdain of the sharp shearing blade. Some happy hope of help and victory? The others seemed to say, "We come to die. Look down upon us for a little while. That dead, we may bethink us of thy smile." But he — what look of mastery was this He cast on her ? why were his lips so red ? Why was his face so flushed with happiness ? So looks not one who deems himself but dead. E'en if to death he bows a willing head ; So rather looks a god well pleased to find Some earthly damsel fashioned to his mind. Why must she drop her lids before his gaze. And even as she casts adown her eyes Redden to note his eager glance of praise. And wish that she were clad in other guise ? Why must the memory to her heart arise Of things unnoticed when they first were heard. Some lover's song, some answeringmaiden's word ? What makes these longings, vague, without a name. And this vain pity never felt before. This sudden languor, this contempt of fame. This tender sorrow for the time past o'er. These doubts that grow each minute more and more ? Why does she tremble as the time grows near. And weak defeat and woful victory fear ? But while she seemed to hear her heating heart, Above their heads the trumpet blast rang out. And forth they sprang ; and she must play her part ; Then flew her white feet, knowing not a doubt. Though slackening once, she turned her head about. But then she cried aloud and faster fled Than e'er before, and all men deemed him dead. But with no sound he raised aloft his hand. And thence what seemed a ray of light there flew And past the maid rolled on along the sand ; Then trembling she her feet together drew. And in her heart a strong desire there grew To have the toy ; some god she thought had given That gift to her, to make of earth a heaven. Then from the course with eager steps she ran. And in her odorous bosom laid the gold. But when she turned again, the great-limbed man Now well ahead she failed not to behold. And mindful of her glory waxing cold. Sprang up and followed him in hot pursuit. Though with one hand she touched the golden fruit. Note, too, the bow that she was wont to bear She laid aside to grasp the glittering prize. And o'er her shoulder from the quiver fair Three arrows fell and lay before her eyes Unnoticed, as amidst the people's cries She sprang to head the strong Milanion, Who now the turning-post had wellnigh won. as he set his mighty hand on it, Wliite fingers underneath his own were laid. And white limbs from Ms dazzled eyes did flit. Then he the second fruit cast by the maid ; But she ran on awllile, then as afraid Wavered and stopped, and turned and made no stay Until the globe with its bright fellow lay. Then, as a troubled glance she cast around. Now far ahead the Argive could she see. And in her garment's hem one hand she wound To keep the double prize, and strenu'ously Sped o'er the course, and little doubt had she To wjn the day, though now but scanty space Was left betwixt him and the winning place. Short was the way unto such winged feet. Quickly she gained upon him till at last He turned about her eager eyes to meet. And from his hand the third fair apple cast. She wavered not, but turned and ran so fast [S- ,, 166 POEMS OP After the prize that should her bliss fulfil, That in her hand it lay ere it was stiU. if or did she rest, but turned about to win Once more, an unblest, woful victory— And yet —and yet—why does her breath begin To fail her, and her feet drag heavily ? Why fails she now to see if far or nigh The goal is ? Why do her gray eyes grow dim ? Why do these tremors run through every limb ? She spreads her arms abroad some stay to find Else must she fall, indeed, and findeth this, A strong man's arms about her body twined. Nor may she shudder now to feel his kiss, So wrapped she is in new, unbroken bliss : Made happy that the foe the prize hath won. She weeps glad tears for all her glory done. William Morkis. FATIMA AND EADUAN. from the spanish. ** Diamante falso y ñngido, Ez^astado en pedernal," etc. " False diamond set in flint ! hard heart in haughty breast ! By a softer, warmer bosom the tiger's couch is prest. Thou art fickle as the sea, thou art wandering as the wind. And the restless ever-mounting flame is not more hard to bind. If the tears I shed were tongues, yet aU too few would be To tell of all the treachery that thou hast shown to me. Oh! I could chide thee sharply, — but every maiden knows That she who chides her lover forgives him ere he goes. " Thou hast called me oft the flower of all Gre¬ nada's maids, Thou hast said that by the side of me the first and fairest fades ; And they thought thy heart was mine, and it seemed to every one That what thou didst to win my love, for love of me was done. Alas ! if they but knew thee, a-s mine it is to know. They well might see another mark to which thine arrows go ; But thou giv'st little heed, — for 1 speak to one who knows That she who chides her lover forgives him ere à he goes. AFFECTIONS. " It wearies me, mine enemy, that 1 must weep and bear What fills thy heart with triumph, and fills my own with care. Thou art leagued with those that hate me, and ah ! thou know'st I feel That cruel words as surely kill as shai'pest blades of steel. 'T was the doubt that thou wert false that wrung my heart with pain ; But, now 1 know thy perfidy, 1 shall be well again. 1 would proclaim thee as thou art, — but every maiden knows That she who chides her lover forgives him ere he goes." Thus Fatima complained to the valiant Raduan, Where underneath the myrtles Alhambra's foun¬ tains ran : The Moor was inly moved, and, blameless as he was. He took her white hand in his own, and pleaded thus his cause ; "0 lady, dry those star-like eyes, —their dim¬ ness does me wrong ; If my heart be made of flint, at least 'twill keep thy image long ; Thou hast uttered cniel words, — but 1 grieve the less for those. Since she who chides her lover forgives him ere he goes." William Collen Bryant. FIRST LOVK from " don juan," canto i. 'T IS sweet to hear. At midnight on the blue and moonlit deep. The song and oar of Adria's gondolier, By distance mellowed, o'er the waters sweep ; 'T is sweet to see the evening star appear ; 'T is sweet to listen as the night-winds creep From leaf to leaf ; 't is sweet to view on high The rainbow, based on ocean, span the sky. 'T is sweet to hear the watch-dog's honest bark Bay deep-mouthed welcome as we draw near home ; 'T is sweet to know there is an eye wül mark Our coming, and look brighter when we come ; 'T is sweet to be awakened by the lark, Or lulled by falling waters ; sweet the hum Of bees, the voice of girls, the song of birds, The lisp of children, and their earliest words. 1 r ^ LOVE. 167 ^ 1 Sweet is the vintage, when the showering grapes She, rosy in the morning light. In Bacchanal profusion reel to earth. Among the water-daisies white. Purple and gushing : sweet are our escapes Like some fair sloop appeared to sail. From civic revelry to rural mirth ; Sweet to the miser are his glittering heaps ; Against her ankles as she trod Sweet to the father is his first-born's birth ; Tli® lucky buttercups did nod : Sweet is revenge, — especially to women, I leaned upon the gate to see. Pillage to soldiers, prize-money to seamen. The sweet thing looked, but did not speak ; A dimple came in either cheek, 'T is sweet to win, no matter how, one's laurels, -^d all my heart was gone from me. By blood or ink ; 't is sweet to put an end To strife; 'tis sometimes sweet to have our Then, as I lingered on the gate, quarrels came up like coming fate. Particularly with a tiresome friend ; ^ ^ picture in her eyes, - Sweet is old wine in bottles, ale in barrels ; Clear dancirg eyes, more black than sloes ! Dear is the helpless creature we defend Cheeks like the mountain pink, that grows Against the world ; and dear the school-boy spot Among white-headed majesties ! We ne'er forget, though there we are forgot. j ^ „ „ That I would fain to thee unfold. But sweeter stül than this, than these, than all, ¡ Is first and passionate love, - it stands alone, ^ . Like Adam's recollection of his fall; " I cannot heed it now," she said, an's known""^ ^ ~ milking-paU." And life yields nothing further to recall She laughed. What good to make ado ? Worthy of this ambrosial sin, so shown, I held the gate, and she came through. No doubt in fable, as the unforgiven And took her homeward path anon. Fire which Prometheus filched for us from From the clear pool her face had fied ; heaven. It rested on my heart instead. Reflected when the maid was gone. With happy youth, and work content, A MAIDEN WITH A MILKIN6-PAIL. So sweet and stately, on she went, J Right careless of the imtold tale. Each step she took 1 loved her more. What change has made the pastures sweet, followed to her dairy door And reached the daisies at my feet, maiden with the milking-pail. And cloud that wears a golden hem ? This lovely world, the hills, the sward, — n. They aU look fresh, as if our Lord hearts where wakened love doth lurk. But yesterday had finished them. How fine, how blest a thing is work ! . For work does good when reasons faü, — And here s the field with light aglow : How fresh its boundary lime-trees show ! ^he echo of a name awoke, - And how its wet leaves trembling shine ! Martindale. Between their trunks come through to me The morning sparkles of the sea, I'm glad that echo was not heard Below the level browsing line. Aright by other men. A bird Knows doubtless what his own notes tell ; I see the pool, more clear by half And 1 know not, — but I can say Than pools where other waters laugh I felt as shamefaced all that day Up at the breasts of coot and rail. As if folks heard her name right well. There, as she passed it on her way, I saw reflected yesterday And when the west began to glow A maiden with a milking-pail, I went — I could not choose but go — To that same dairy on the hill ; There, neither slowly nor in haste, • And while sweet Mary moved about One hand upon her slender waist. Within, I came to her without. The other lifted to her pail, — And leaned upon the window-sill. "1 - ■ -P LI * Lj 168 POEMS OF THE AFFECTIONS. The garden border where I stood Was sweet with pinks and southernwood. I spoke, — her answer seemed to fail. I smelt the pinks, — I could not see. The dusk came down and sheltered me. And in the dusk she heard my tale. And what is left that 1 should tell ? 1 begged a kiss, — 1 pleaded well : The rosebud lips did long decline ; But yet, 1 think — 1 think't is true — That, leaned at last into the dew. One little instant they were mine ! 0 life ! how dear thou hast become ! She laughed at dawn, and 1 was dumb !, But evening counsels best prevail. Fair shine the blue that o'er her spreads, Green be the pastures where she treads. The maiden with the milking-pail ! Jean Ingelow. SONG OF THE MILKMAID. from " queen mary.", Shame upon you, Robin, Shame upon you now ! Kiss me would you ? with my hands Milking the cow ? Daisies grow again. Kingcups blow again. And you came and kissed me milking the cow. Robin came behind me. Kissed me well 1 vow ; Cuff him could 1 ? with my hands Milking the cow ? Swallows fly again. Cuckoos cry again, And you came and kissed me milking the cow. Come, Robin, Robin, Come and kiss me now ; Help it can 1 ? with my hands Milking the cow ? Ringdoves coo again. All things woo again. Come behind and kiss me milking the cow ! Alfred Tennyson. THE MILKMAID'S SONG. Turn, turn, for my cheeks they bum. Turn by the dale, my Harry ! Fill paU, flU pail. He has turned by the dale. And there by the stile waits Harry. FUI, ñll, FUI, pail, fill. For there by the stUe waits Harry ! The world may go round, the world may stand still. But I can milk and marry. Fill pail, 1 can milk and marry. Wheugh, wheugh ! 0, if we two Stood down there now by the water, 1 know who'd carry me over the ford As brave as a soldier, as proud as a lord. Though 1 don't live over the water. Wheugh, wheugh ! he's whistling through. He's whistling " The Farmer's Daughter." Give down, give down. My crumpled brown ! He shall not take the road to the town. For 1 '11 meet him beyond the water. Give down, give down. My crumpled brown ! And send me to my Harry. The folk o' towns May have silken gowns. But 1 can milk and marry. Fill pail, 1 can milk and marry. Wheugh, wheugh ! he has whistled through He has whistled through the water. FiU, fill, with a will, a will. For he's whistled through the water. And he's whistling down The way to the town. And it's not " The Farmer's Daughter ! " Churr, churr ! goes the cockchafer. The sun sets over the water, Churr, chuir ! goes the cockchafer, 1 'm too late for my Harry ! And, 0, if he goes a-soldiering. The cows they may low, the bells they may ring. But 1 '11 neither milk nor marry, FiU pail, Neither milk nor marry. My brow beats on thy flank, FiU pail. Give down, good wench, give down ! 1 know the primrose bank, FiU paU, Between him and the town. Give down, good wench, give down, FiU paU, And he shall not reach the town ! Strain, strain ! he's whistling again. He's nearer by half a mile. More, more ! 0, never before Were you such a weary while ! Fill, fill ! he's crossed the hill. LOVE. 169 a I can see him down by the stile, He's passed the hay, he's coming this way, He's coming to me, my Harry ! Give silken gowns to the folk o' towns. He's coming to me, my Harry ! There's not -so grand a dame in the land. That she walks to-night with Harry ! Come late, come soon, come sun, come moon, 0, 1 can milk and marry. Fill pail, I can milk and marry. Wheugh, wheugh ! he has whistled through. My Harry ! my lad ! my lover ! Set the sun and fall the dew. Heigh-ho, merry world, what's to do That you 're smiling over and over ? Up on the hill and down in the dale. And along the tree-tops over the vale Shining over and over. Low in the grass and high on the bough. Shining over and over, 0 -world, have you ever a lover ? You were so dull and cold just now, 0 world, have you ever a lover ? 1 could not see a leaf on the tree. And now I could count them, one, two, three. Count them over and over. Leaf from leaf like lips apart. Like lips apart for a lover. And the hillside beats with my beating heart, And the apple-tree blushes all over. And the May bough touched me and made me start. And the wind breathes warm like a lover. Pull, pull ! and the pail is full. And milking's done and over. Who would not sit here under the tree ? What a fair fair thing's a green field to see ! Brim, brim, to the rim, ah me ! I have set my pail on the daisies ! It seems so light, — can the sun be set ? The dews must be heavy, my cheeks are wet, 1 could cry to have hurt the daisies ! Harry is near, Harry is near. My heart's as sick as if he were here. My lips are burning, my cheeks are wet. He has n't uttered a word as yet. But the air's astir with his praises. My Harry ! The air's astir with your praises. He has scaled the rock by the pixy's stone. He's among the kingcups, — he picks me one, I love the grass that I tread upon When I go to iny Harry ! He has jumped the brook, he has climbed the knowe. There's never a faster foot I know, But still he seems to tai-ry. 0 Harry ! 0 Harry ! my love, my pride. My heart is leaping, my arms are wide ! Roll up, roll up, you dull hillside. Roll up, and bring my Harry ! They may talk of glory over the sea. But Harry's alive, and Harry's for me. My love, my lad, my Harry ! Come spring, come winter, come sun, come snow. What cares DoUy, whether or no. While I can milk and marry ? Right or wrong, and wrong or right. Quarrel who quarrel, and fight who fight. But I '11 bring my pail home every night To love, and home, and Harry ' We'll drink our can, we '11 eat our cake. There's beer in the barrel, there's bread in the bake. The world may sleep, the world may wake. But I shall milk and marry. And marry, 1 shall milk and marry. Sydney Dobell. FETCHING WATER FROM THE WET.T. Early on a sunny morning, while the lark was singing sweet. Came, beyond the ancient farm-house, sounds of lightly tripping feet. 'T was a lowly cottage maiden going, — why, let young hearts teU, — With her homely pitcher laden, fetching water from the well. Shadows lay athwart the pathway, all along the quiet lane. And the breezes of the morning moved them to and fro again. O'er the sunshine, o'er the shadow, passed the maiden of the famr, With a charmed heart within her, thinking of no ill nor harm. Pleasant, surely, were her musings, for the nod¬ ding leaves in vain Sought to press their brightening image on her ever-busy brain. Leaves and joyous birds went by her, like a dim, half-waking dream ; And her soul was only conscious of life's gladdest summer gleam. At the old lane's shady turning lay a weU of water bright. Singing, soft, its hallelujah to the gi-acious morn¬ ing light. fl- 170 POEMS OF THE AFFECTIONS. Fern-leaves, broad and green, bent o'er it where its silvery droplets fell. And the fairies dwelt beside it, in the spotted foxglove bell. Back she bent the shading fem-leaves, dipt the pitcher in the tide, — Drew it, with the dripping waters flowing o'er its glazed side. But before her arm could place it on her shiny, wavy hair. By her side a youth was standing ! — Love re¬ joiced to see the pair ! Tones of tremulous emotion trailed upon the morning breeze. Gentle words of heart-devotion whispered 'neath the ancient trees. But the holy, blessed secrets it becomes me not to tell : Life had met another meaning, fetching water from the well ! Down the rural lane they sauntered. He the burden-pitcher bore ; She, with dewy eyes down looking, grew more beauteous than before ! When they neared the silent homestead, up he raised the pitcher light ; Like, a fitting crown he placed it on her hair of wavelets bright : Emblems of the coming burdens that for love of him she'd bear. Calling every burden blessed, if his love but lighted there. Then, still waving benedictions, further, further oflf he drew. While his shadow seemed a glory that across the pathway grew. Now about her household duties sUently the maiden went. And an ever-radiant halo o'er her daily life was blent. Little knew the aged matron as her feet like music fell. What abundant treasure found she fetching water from the well ! ANONYMOUS. AUF WIEDERSEHEN!* The little gate was reached at last. Half hid in lilacs down the lane ; She pushed it wide, and, as she past, A wistful look she backward cast. And said, " Auf wiedersehen !" * Till we meet again I With hand on latch, a vision white Lingered reluctant, and again Half doubting if she did aright. Soft as the dews that fell that night. She said, "Auf wiedersehen ! ' ' The lamp's clear gleam flits up the stair ; 1 linger in delicious pain ; Ah, in that chamber, whose rich air To breathe in thought 1 scarcely dare. Thinks she, " Auf wiedersehen ! " 'T is thirteen years : once more I press The turf that silences the lane ; I hear the rustle of her dress, I smell the lilacs, and — ah yes, I hear, " Auf wiedersehen. ! " Sweet piece of bashful maiden art ! The English words had seemed too fain. But these — they drew us heart to heart. Yet held us tenderly apart ; She said, "Auf wiedersehen ! " James Russell Lowell MEETING. The gray sea, and the long black land ; And the yellow half-moon large and low ; And the startled little waves, that leap In fiery ringlets from their sleep. As I gain the cove with pushing prow. And quench its speed in the slushy sand. Then a mile of warm, sea-scented beach ; Three fields to cross, till a farm appears : A tap at the pane, the quick sharp scratch And blue spqrt of a lighted match. And a voice less loud, through its joys and fears. Than the two hearts, beating each to each. Robert Browning. SWEET MEETING OF DESIRES. I grew assured, before I asked. That she'd be mine without reserve. And in her unclaimed graces basked At leisure, tiU the time should serve, — With just enough of dread to thrill The hope, and make it trebly dear : Thus loath to speak the word, to kill Either the hope or happy fear. Till once, through lanes retuming late. Her laughing sisters lagged behind ; And ere we reached her father's gate. We paused with one preseutient mind ; è „'s.ri fs UV.¡VfI /o stnopmfi *9SXV4s SUOl¡irpiiVp 9tff fTlO¡3 9U9tf/¡l 'ssvx3 tmmoy/o ¡vuvy 4^9p 9T(J^ *5swu ivtjv7v4 stif ypcn 'saiopw/^ 'pv9if^»iio ytfvupy 9np¡ 9yx p9nz yfc>p *Suu. ivmtuv uv y^Mi 'oyAt *9U91f 99ZU9^ K/V91 AtW fo 93o(J UwiC yipBApuntf siyf 'uq» j¡vf »uo puy •aoaiHawv^ xv awoH s.naMO'i aUtJAMM'lJ [&' LOVE. 171 ra And, in the dim and perfumed mist Their coming stayed, who, blithe and free, And very women, loved to assist A lover's opportunity. Twice rose, twice died, my trembling word ; To faint and frail cathedral chimes Spake time in music, and we heard The chafers rustling in the limes. Her dress, that touched me where I stood ; The warmth of her confided arm ; Her bosom's gentle neighborhood ; Her pleasure in her power to charm ; Her look, her love, her form, her touch ! The least seemed most by blissful turn, — Blissful but that it pleased too much, And taught the wayward soul to yearn. It was as if a harp with wires Was traversed by the breath I drew ; And O, sweet meeting of desires ! She, answering, owned that she loved too. COVENTRY PATMORE. B- ZARA'S EAR-RINGS. FROM THE SPANISH. " Mt ear-rings ! my ear-rings ! they 've dropt into the well, And what to say to Muça, I cannot, cannot tell." 'T was thus, Granada's fountain by, spoke Albu- harez' daughter, — " The well is deep, far down they lie, beneath the cold blue water. To me did Muça give them, when he spake his sad farewell. And what to say when he comes back, alas ! I cannot tell. " My ear-rings ! my ear-rings ! they were pearls in silver set, That when my Moor was far away, I ne'er should him forget. That I ne'er to other tongue should list, nor smile on other's tale, But remember he my lips had kissed, pure as those ear-rings pale. When he comes back, and hears that I have dropped them in the well, O, what will Muça think of me, I cannot, can¬ not tell. " My ear-rings ! my ear-rings ! he '11 say they should have been. Not of pearl and of silver, but of gold and glit¬ tering sheen, Of jasper and of onyx, and of diamond shining clear. Changing to the changing light, with radiance insincere ; That changeful mind unchanging gems are not befitting well, — Thus will he think, — and what to say, alas ! I cannot tell. " He '11 think when I to market went I loitered by the way ; He '11 think a willing ear I lent to all the lads might say ; He'll think some other lover's hand among my tresses noosed, From the ears where he had placed them my rings of pearl unloosed ; He '11 think when I was sporting so beside this marble well. My pearls fell in, — and what to say, alas ! I cannot tell. " He '11 say I am a woman, and we are all the same ; He '11 say I loved when he was here to whisper of his ñame — But when he went to Tunis my virgin troth had broken. And thought no more of Muça, and cared not for his token. My ear-rings ! my ear-rings ! O, luckless, luck¬ less well ! For what to say to Muça, alas ! I cannot tell. " I '11 tell the truth to Muça, and I hope he will believe. That I have thought of him at mom, and thought of him at eve ; That musing on my lover, when down the sun was gone. His ear-rings in my hand I held, by the fountain all alone ; And that my mind was o'er the sea, when from my hand they fell, And that deep his love lies in my heart, as they lie in the well." John Gibson Lockhart. 0 SWALLOW, SWALLOW, FLYING SOUTH. FROM "THE PRINCESS." 0 Swallow, Swallow, flying, flying South, Fly to her, and fall upon her gilded eaves. And tell her, tell her what I tell to thee. 0 tell her. Swallow, thou that knowest each. That bright and fierce and fickle is the South, And dark and true and tender is the North. 9 172 POEMS OF THE AFFECTIONS. 0 Swallow, Swallow, if I could follow, and light Upon her lattice, I would pipe and trill. And cheep and twitter twenty million loves. O were I thou that she might take me in. And lay me on her bosom, and her heart Would rock the snowy cradle till I died ! Why lingereth she to clothe her heart with love. Delaying as the tender ash delays To clothe herself, when all the woods are green ? 0 tell her. Swallow, that thy brood is flown ; Say to her, I do but wanton in the South, But in the North long since my nest is made. 0 tell her, brief is life, but love is long, And brief the sun of summer in the North, And brief the moon of beauty in the South. 0 Swallow, flying from the golden woods. Fly to her, and pipe and woo her, and make her mine. And tell her, tell her, that I follow thee. alfred Tennyson. • ATHULF AND ETHILDA. Athulf. Appeared The princess with that merry child Prince Guy : He loves me well, and made her stop and sit. And sat upon her knee, and it so chanced That in his various chatter he denied That I could hold his hand within my own So closely as to hide it : this being tried Was proved against him ; he insisted then I could not by his royal sister's hand Do likewise. Starting at the random word. And dumb with trepidation, there I stood Some seconds as bewitched ; then I looked up. And in her face beheld an orient flush Of half-bewildered pleasure : from which trance She with an instant ease resumed herself. And frankly, with a pleasant laugh, held out Her arrowy hand. I thought it trembled as it lay in mine, But yet her looks were clear, direct, and free. And said that she felt nothing. sideoc. And what felt'st thou ? Athülf. a sort of swarming, curling, tremu¬ lous tumbling. As though there were an ant-hill in my bosom. I said I was ashamed. — Sidroc, you smile ; If at my folly, well ! But if you smile. Suspicious of a taint upon my heart. Wide is your error, and you never loved. HENRY TAYLOR. SEVEN TIMES THREE. love. I leaned out of window, I smelt the white clover, Dark,~dark was the garden, I saw not the gate ; "Now, if there be footsteps, he comes, my one lover — Hush, nightingale, hush ! O sweet nightin¬ gale, wait Till I listen and hear If a step draweth near. For my love he is late ! "The skies in the darkness stoop nearer and nearer, A cluster of stars hangs like fruit in the tree. The fall of the water comes sweeter, comes clearer¡: To what art thou listening, and what dost thou see ? Let the star-clusters glow. Let the sweet waters flow. And cross quickly to me. "You night-moths that hover where honey brims over From sycamore blossoms, or settle or sleep ; You glow-worms, shine out, and the pathway discover To him that comes darkling along the rough steep. Ah, my sailor, make haste. For the time runs to waste. And my love lieth deep, — " Too deep for swift telling ; and yet, my one lover, I've conned thee an answer, it waits thee to¬ night." By the sycamore passed he, and through the white clover ; Then all the sweet speech I had fashioned took flight ; But I '11 love him more, more Than e'er wife loved before. Be the days dark or bright. jean ingelow. A SPINSTER'S STINT. Six skeins and three, six skeins and three ! Good mother, so you stinted me. And here they be, — ay, six and three ! Stop, busy wheel ! stop, noisy wheel ! Long shadows down my chamber steal. And warn me to make haste and reek LOVE. • 173 'T is done, — the spinning work complete, 0 heart of mine, what makes you beat So fast and sweet, so fast and sweet ? 1 must have wheat and pinks, to stick My hat from hrim to ribbon, thick, — Slow hands of mine, he quick, be quick ! One, two, three stars along the skies Begin to wink their golden eyes, — I '11 leave my thread all knots and ties. O moon, so red ! 0 moon, so red ! Sweetheart of night, go straight to bed ; Love's light will answer in your stead. A-tiptoe, beckoning me, he stands, — Stop trembling, little foolish hands. And stop the bands, and stop the bands ! alice carv. —*— THE SPINNING-WHEEL SONG. Mellow the moonlight to shine is beginning ; Close by the window young Eileen is spinning ; Bent o'er the fire, her blind grandmother, sitting. Is Groaning, and moaning, and drowsily knit¬ ting,— "Eileen, achora, I hear some one tapping." " 'T is the ivy, dear mother, against the glass flapping." " Eileen, I surely hear somebody sighing." " 'T is the sound, mother dear, of the summer wind dying." Merrily, cheerily, noisily whirring. Swings the wheel, spins the reel, while the foot's stirring ; Sprightly, and lightly, and airily ringing, Thrills the sweet voice of the young maiden singing. " What's that noise that I hear at the window, I wonder ? " " 'T is the little birds chirping the holly-bush under." " What makes you be shoving and moving your stool on. And singing aU wrong that old song of ' The Coolun'?" There's a form at the casement, — the form of her true-love, — And he whispers, with face bent, " I'm waiting for you, love ; Get up on the stool, through the lattice step lightly. We 'U rove in the grove while the moon's shin¬ ing brightly." Merrily, cheerily, noisily whirring. Swings the wheel, spins the reel, while the foot's stirring ; Sprightly, and lightly, and airily ringing, ThrUls the sweet voice of the young maiden singing. The maid shakes her head, on her lip lays her fingers. Steals up from her seat, — longs to go, and yet lingers ; A frightened glance turns to her drowsy grand¬ mother, Puts one foot on the stool, spins the wheel with the other. Lazily, easily, swings now the wheel round ; Slowly and lowly is heard now the reel's sound ; Noiseless and light to the lattice above her The maid steps, — then leaps to the arms of her lover. Slower — and slower—and slower the wheel swings ; Lower — and lower — and lower the reel rings ; Ere the reel and the wheel stop their ringing and moving. Through the grove the young lovers by moon¬ light are roving. John Francis waller. »— SOMEBODY. \ Somebody's courting somebody. Somewhere or other to-night ; Somebody's whispering to somebody. Somebody's listening to somebody. Under this clear moonlight. Near the bright river's flow. Running so still and slow. Talking so soft and low. She sits with Somebody. Pacing the ocean's shore. Edged by the foaming roar. Words never used before Sound sweet to Somebody. Under the maple-tree Deep though the shadow be. Plain enough they can see. Bright eyes has Somebody. No one sits up to wait. Though she is out so late. All know she's at the gate. Talking with Somebody. 174 POEMS OF THE AFFECTIONS. Tiptoe to parlor door ; Two shadows on the floor ! Moonlight, reveal no more, — Susy and Somebody. Two, sitting side by side Float with the ebbing tide, " Thus, dearest, may we glide Through life," says Somebody. Somewhere, Somebody Makes love to Somebody, To-night. Anonymous. ♦ DANCE LIGHT. "Ah! sweet Kitty Neil, rise up from that wheel, — Your neat little foot will be weary with spin¬ ning ! Come trip down with me to the sycamore-tree : Half the parish is there, and the dance is be¬ ginning. The sun is gone down, but the full harvest moon Shines sweetly and cool on the dew-whitened valley ; While all the air rings with the soft, loving things Each little bird sings in the green shaded alley." With a blush and a smile Kitty rose up the while, Her eye in the glass, as she bound her hair, glancing ; 'T is hard to refuse when a young lover sues. So she could n't but choose to go off to the dancing. And now on the green the glad groups are seen, — Each gay-hearted lad with the lass of his choosing ; And Pat, without fail, leads out sweet Kitty Neil, — Somehow, when he asked, she ne'er thought of refusing. Now Felix Magee put his pipes to his knee. And with flourish so free sets each couple in motion : With a cheer and a bound the lads patter the ground ; The maids move around just like swans on the ocean. Cheeks bright as the rose, feet light as the doe's. Now coyly retiring, now boldly advancing : Search the world all around, from the sky to the ground. No such sight can be found as an Irish lass dancing I Sweet Kate ! who could view your bright eyes of deep blue. Beaming hiunidly through their dark lashes so mildly. Your fair-turnèd arm, heaving breast, rounded form. Nor feel his heart warm, and his pulses throb wildly ? Young Pat feels his heart, as he gazes, depart. Subdued by the smart of such painful yet sweet love ; The sight leaves his eye as he cries with a sigh. Dance light, for my heart ü lies under your feet, lam ! John Francis waller. BELIEYE ME, IF ALL THOSE ENDEAR¬ ING YOUNG CHARMS. Believe me, if all those endearing young charms. Which I g^e on so fondly to-day. Were to change by to-morrow, and fleet in my arms. Like fairy-gifts fading away. Thou wouldst still be adored, as this moment thou art. Let thy loveliness fade as it will. And around the dear ruin each wish of my heart Would entwine itself verdantly still. It is not while beauty and youth are thine own. And thy cheeks unprofaned by a tear, That the fervor and faith of a soul may be known. To which time will but make thee more dear ! No, the heart that has truly loved never forgets. But as truly loves on to the close. As the sunflower turns to her god when he sets The same look which she turned when he rose ! Thomas moore. THE SLEEPING BEAUTY. from "the day dream." Year after year unto her feet, She lying on her couch alone. Across the purple coverlet. The maiden's jet-black hair has grown ; On either side her tranced form Forth streaming from a braid of pearl ; The slumberous light is rich and warm. And moves not on the rounded curL The silk star-broidered coverlid Unto her limbs itself doth mould. Languidly ever ; and amid Her full black ringlets, downward rolled. (& LOVE. 175 ra Glows forth each softly shadowed arm, With bracelets of the diamond bright. Her constant beauty doth inform Stillness with love, and day with light. She sleeps : her breathings are not heard In palace chambers far apart. The fragrant tresses are not stirred That lie upon her chaimèd heart. She sleeps ; on either hand upswells The gold-fringed pillow lightly prest : She sleeps, nor dreams, but ever dwells A perfect form in perfect rest. THE REVIVAL. A touch, a kiss ! the charm was snapt. There rose a noise of striking clocks. And feet that ran, and doors that clapt. And barking dogs, and crowing cocks ; A fuller light illumined all, A breeze through all the garden swept, A sudden hubbub shook the hall. And sixty feet the fountain leapt. The hedge broke in, the banner blew, The butler drank, the steward scrawled. The fire shot up, the martin flew. The parrot screamed, the peacock squalled. The maid and page renewed their strife. The palace banged, and buzzed and clackt. And all the long-pent stream of life Dashed downward in a cataract. At last with these the king awoke, And in his chair himself upreared. And yawned, and rubbed his face, and spoke, " By holy rood, a royal beard ! How say you ? we have slept, my lords. My beard has grown into my lap." The barons swore, with many words, 'T was but an after-dinner's nap. " Pardy," returned the king, " but stiU My joints are something stiff or so. My lord, and shall we pass the bill I mentioned half an hour ago ? " The chancellor, sedate and vain. In courteous words returned reply : But dallied with his golden chain. And, smiling, put the question by. THE DEPARTTTRE. And on her lover's arm she leant. And round her waist she felt it fold ; And far across the hills they went In that new world which is the old. Across the hills, and far away Beyond their utmost purple rim, And deep into the dying day. The happy princess followed him. " I'd sleep another hundred years, 0 love, for such another kiss ; ' "0 wake forever, love," she hears, " 0 love, 't was such as this and this." And o'er them many a sliding star. And many a merry wind was borne, And, streamed through many a golden bar. The twilight melted into morn. " 0 eyes long laid in happy sleep ! " " O happy sleep, that lightly fled ! " " 0 happy kiss, that woke thy sleep ! " ' ' 0 love, thy kiss would wake the dead ! " And o'er them many a flowing range Of vapor buoyed the crescent bark ; And, rapt thro' many a rosy change. The twilight died into the dark. " A hundred summers ! can it be ? And whither goest thou, tell me where ? " "0, seek my father's court with me. For there are gi-eater wonders there." And o'er the hills, and far away Beyond their utmost purple rim. Beyond the night, across the day. Thro' all the world she followed him. Alfred Tennvsow. LOCHINVAR. from "marmion,-* canto v. O, YOTTNG Lochinvar is come out of the west. Through all the wide Border his steed was the best ; And, save his good broadsword, he weapon had none. He rode all unarmed, and he rode all alone. So faithful in love, and so dauntless in war. There never was knight like the young Lochinvar. He stayed not for brake, and he stopped not for stone. He swam the Eske River where ford there was none ; But, ere he alighted at Netherby gate. The bride had consented, the gallant came late ; For a laggard in love, and a dastard in war. Was to wed the fair Ellen of brave Lochinvar. So boldly he entered the Netherby HaU, Among bridesmen, and kinsmen, and brothers, and all. th 176 POEMS OP THE AFFECTIONS. Then spoke the bride's father, his hand on his sword (For the poor craven bridegroom said never a word), " 0, come ye in peace here, or come ye in war. Or to dance at our bridal, young Lord Lochin- var ? " " I long wooed your daughter, my suit you de¬ nied ; — Love swells like the Solway, but ebbs like its tide, — And now I am come, with this lost love of mine. To lead but one measure, drink one cup of wine. There are maidens in Scotland more lovely by far. That would gladly be bride to the young Loch- invar." The bride kissed the goblet ; the knight took it up. He quaffed off the wine, and threw down the cup. She looked down to blush, and she looked up to sigh, With a smUe on her lips, and a tear in her eye. He took her soft hand, ere her mother could bar, — "Now tread we a measure," said young Loch- invar. So stately his form, and so lovely her face. That never a hall such a gaillard did grace ; While her mother did fret, and her father did fume. And the bridegroom stood dangling his bonnet and plume ; And the bridemaidens whispered, ' 'T were bet¬ ter by far To have matched our fair cousin with young Lochinvar." One touch to her hand, and one word in her ear. When they reached the hall-door, and the charger stood near ; So light to the croupe the fair lady he swung. So light to the saddle before her he sprung ; " She is won ! we are gone I over bank, bush, and scaur ; They '11 have fleet steeds that follow," quoth young Lochinvar. There was mounting 'mong Graemes of the Neth- erby clan ; Forsters, Fenwicks, and Musgraves, they rode and they ran ; There was racing and chasing on Cannobie Lee, But the lost bride of Netherby ne'er did they see. So daring in love, and so dauntless in war. Have ye e'er heard of gallant like young Loch¬ invar ? Sir Walter Scott. THE EVE OF ST. AGNES. St. Agnes' Eve, — ah, bitter chill it was ! The owl, for all his feathers, was a-cold ; The hare limped trembling through the frozen grass. And silent was the flock in woolly fold : Numb were the beadsman's flngers while he told His rosary, and while his frosted breath. Like pious incense from a censer old. Seemed taking flight for heaven without a death. Fast the sweet virgin's picture, while his prayer he saith. His prayer he saith, this patient, holy man ; Then takes his lamp, and riseth from his knees. And back returneth, meagre, barefoot, wan. Along the chapel aisle by slow degrees ; The sculptured dead on each side seem to freeze, Emprisoned in black, purgatorial rails ; Knights, ladies, praying in dumb orat'ries^ He passeth by ; and his weak spirit fails To think how they may ache in icy hoods and mails. Northward he tumeth through a little door. And scarce three steps, ere music's golden tongue Flattered to tears this aged man and poor ; But no, — already had his death-bell rung ; The joys of all his life were said and sung : His was harsh penance on St. Agnes' Eve : Another way he went, and soon among Rough ashes sat he for his soul's reprieve. And all night kept awake, for sinners' sake to grieve. That ancient beadsman heard the prelude soft ; And so it chanced, for many a door was wide. From hurry to and fro. Soon, up aloft. The silver, snarling trumpets 'gan to chide ; The level chambers, ready with their pride. Were, glowing to receive a thousand guests : The carvèd angels, ever eager-eyed. Stared, where upon their heads the cornice rests. With hair blown back, and wings put crosswise on their breasts. At length burst in the argent revelry. With plume, tiara, and all rich array. Numerous as shadows haunting fairily The brain, new-stufifed, in youth, with triumphs m Of old romance. These let us wish away ; And turn, sole-thoughted, to one lady there. Whose heart had brooded, all that wintry day. On love, and winged St. Agnes' saintly care. As she had heard old dames fuU many times declare. e- LOVE. 177 !&- They told her how, upon St. Agnes' Eve, Young virgins might have visions of delight. And soft adorings from their loves receive Upon the honeyed middle of the night. If ceremonies due they did aright ; As, supperless to bed they must retire. And couch supine their beauties, lily white ; Nor look behind, nor sideways, but require Of heaven with upward eyes for all that they desire. FuU of this whim was thoughtful Madeline ; The music, yearning like a god in pain. She scarcely heard ; her maiden eyes divine. Fixed on the floor, saw many a sweeping train Pass by, — she heeded not at all ; in vain Came many a tiptoe, amorous cavalier. And back retired, not cooled by high disdain. But she saw not ; her heart was otherwhere ; She sighed for Agnes' dreams, the sweetest of the year. She danced along with vague, regardless eyes, Anxious her lips, her breathing quick and short ; The hallowed hour was near at hand ; she sighs Amid the timbrels, and the thronged resort Of whisperers in anger, or in sport ; Mid looks of love, defiance, hate, and scorn. Hoodwinked with fairy fancy ; all amort Save to St. Agnes and her lambs unshorn. And all the bliss to be before to-morrow morn. So, purposing each moment to retire. She lingered still. Meantime, across the moors, Had come young Porphyro, with heart on fire For Madeline. Beside the portal dooi's. Buttressed from moonlight, stands he, and im¬ plores All saints to give him sight of Madeline ; But for one moment in the tedious hours. That he might gaze and worship all unseen ; Perchance speak, kneel, touch, kiss, — in sooth snch things have been. He ventures in : let no buzzed whisper tell : All eyes be muffled, or a hundred swords Will storm his heart, love's feverous citadel ; For him, those chambers held barbarian hordes. Hyena foemen, and hot-blooded lords. Whose veiy dogs would execrations howl Against his lineage ; not one breast affords Him any mercy, in that mansion foul. Save one old beldame, weak in body and in soul. Ah, happy chance ! the aged creature came. Shuffling along with ivory-headed wand. To where he stood, hid from the torch's flame, Behind a broad hall-pillar, far beyond The sound of merriment and chorus bland. He startled her ; but soon she knew his face. And grasped his fingers in her palsied hand. Saying, "Mercy, Porphyro! hie thee from this place ; They are all here to-night, the whole blood¬ thirsty race ! " Get hence I get hence ! there's dwarfish Hüde- brand ; He had a fever late, and in the fit He cursed thee and thine, both house and land ; Then there's that old Lord Maurice, not a whit More tame for his gray hairs — Alas me I flit ! Flit like a ghost away ! " " Ah, gossip dear. We're safe enough ; here in this arm-chair sit. And tell me how — " " Good saints I not here, not here ; Follow me, child, or else these stones will be thy bier." He followed through a lowly arched way. Brushing the cobwebs with his lofty plume ; And as she muttered, " Well-a — well-a-day ! " He found him in a little moonlight room. Pale, latticed, chill, and silent as a tomb. "Now tell me where is Madeline," said he, " O, tell me, Angela, by the holy loom Which none but secret sisterhood may see. When they St. Agnes' wool are weaving piously." " St Agnes ! Ah ! it is St. Agnes' Eve, — Yet men will murder upon holy days ; Thou must hold water in a witch's sieve. And be liege-lord of all the elves and fays. To venture so. It fills me with amaze To see thee, Porphyro ! —St. Agnes' Eve ! God's help I my lady fair the conjurer plays This very night ; good angels her deceive ! But let me laugh awhile, I've mickle time to grieve." Feebly she laugheth in the languid moon. While Porphyro npon her face doth look. Like puzzled urchin on an aged crone Who keepeth closed a wondrous riddle-book. As spectacled she sits in chimney nook. But soon his eyes grew brilliant, when she told His lady's purpose ; and he scarce could brook Tears, at the thought of those enchantments cold. And Madeline asleep in lap of legends old. Sudden a thonght came like a full-blown rose. Flushing his brow, and in his painèd heart Made purple riot ; then doth he propose A stratagem, that makes the beldame start : " A cruel man and impious thou art I Sweet lady, let her pray, and sleep and dream Alone with her good angels, far apart -SI 17S POEMS OP THE AFFECTIONS. --E à From wicked men like thee. Go, go ! I deem Thou canst not surely be the same that thou didst seem." " I will not harm her, by all saints I swear ! " Quoth Porphyro ; "0, may I ne'er find grace When my weak voice shall whisper its last prayer. If one of her soft ringlets I displace. Or look with ruffian passion in her face : Good Angela, believe me by these tears ; Or I will, even in a moment's space. Awake, with horrid shout, my foemen's ears. And beard them, though they be more fanged than wolves and bears." " Ah ! why wilt thou affright a feeble soul ? A poor, weak, palsy-stricken, churchyard thing. Whose passing-bell may ere the midnight toll ; Whose prayers for thee, each morn and evening, Were never missed." Thus plaining, doth she bring A gentler speech from burning Porphyro ; So woful, and of such deep sorrowing. That Angela gives promise she will do Whatever he shall wish, betide her weal or woe. Which was, to lead him, in close secrecy. Even to Madeline's chamber, and there hide Him in a closet, of such privacy That he might see her beauty unespied. And win perhaps that night a peerless bride. While legioned fairies paced the coverlet. And pale enchantment held her sleepy-eyed. Never on such a night have lovers met. Since Merlin paid his demon all the monstrous debt. " It shall be as thou wishest," said the dame ; " All cates and dainties shall be stored there Quickly on this feast-night ; by the tambour frame Her own lute thou wilt see ; no time to spare, For I am slow and feeble, and scarce dare On such a catering trust my dizzy head. Wait here, my child, with patience kneel in prayer The while. Ah ! thou must needs the lady wed. Or may I never leave my grave among the dead." So saying, she hobbled off with busy fear. The lover's endless minutes slowly passed : The dame returned, and whispered in his ear To follow her ; with aged eyes aghast From fright of dim espial. Safe at last, Through many a dusky gallery, they gain The maiden's chamber, silken, hushed and chaste ; Where Porphyro took covert, pleased amain. His poor guide hurried back with agues in her brain. Her faltering hand upon the balustrade. Old Angela was feeling for the stair. When Madeline, St. Agnes' charmed maid. Rose, like a missioned spirit, unaware ; With silver taper's light, and pious care. She turned, and down the aged gossip led To a safe level matting. Now prepare. Young Porphyro, for gazing on that bed I She comes, she comes again, like ring-dove frayed and fled. Out went the taper as she hurried in ; Its little smoke, in pallid moonshine, died ; She closed the door, she panted, all akin To spirits of the air, and visions wide ; No uttered syllable, or, woe betide ! But to her heart, her heart was voluble. Paining with eloquence her balmy side ; As though a tongueless nightingale should swell Her throat in vain, and die, heart-stifled in her dell. A casement high and triple-arched there was. All garlanded with carven imageries Of fruits, and flowers, and bimches of knot-grass. And diamonded with panes of quaint device. Innumerable of stains and splendid dyes. As are the tiger-moth's deep-damasked wings ; And in the midst, 'mong thousand heraldries. And twilight saints, and dim emblazonings, A shielded scutcheon blushed with blood of queens and kings. Full on this casement shone the wintry moon. And threw warm gules on Madeline's fair breast, As down she knelt for heaven's grace and boon ; Rose-bloom fell on her hands, together prest. And on her silver cross soft amethyst. And on her hair a glory, like a saint ; She seemed a splendid angel, newly drest. Save wings, for heaven. Porphyro grew faint : She knelt, so pure a thing, so free from mortal taint. Anon his heart revives ; her vespers done. Of all its wreathèd pearls her hair she frees ; Unclasps her warmèd jewels one by one ; Loosens her fragrant bodice ; by degrees Her rich attire creeps rustling to her knees ; Half hidden, like a mermaid in sea-weed. Pensive awhile she dreams awake, and sees, In fancy, fair St. Agnes in her bed. But dares not look behind, or all the charm Ú > fled. f & LOVE. 179 :-a "B- Soon, trembling in her soft and chilly nest. In sort of wakeful swoon, perplexed she lay. Until the poppied wannth of sleep oppressed Her soothed limbs, and soul fatigued away ; Flown like a thought, until the morrow-day ; Blissfully havened both from joy and pain ; Clasped like a missal where swart Paynims pray ; Blinded alike from sunshine and from rain. As though a rose should shut, and be a bud again. Stolen to this paradise, and so entranced. Porphyre gazed upon her empty dress. And listened to her breathing, if it chanced To wake into a slumberous tenderness ; Which when he heard, that minute did he bless. And breathed himself ; then from the closet crept. Noiseless as fear in a wide wilderness. And over the hushed carpet, silent, stept. And 'tween the curtains peeped, where, lo ! — how fast she slept. Then by the bedside, where the faded moon Made a dim, silver twilight soft he set A table, and, half anguished, threw thereon A cloth of woven crimson, gold, and jet : — 0 for some drowsy Morphean amulet ! The boisterous, midnight, festive clarion. The kettle-drum, and far-heard clarionet. Affray his ears, though but in dying tone ; — The hall-door shuts again, and all the noise is gone. And still she slept an azure-lidded sleep. In blanehèd linen, smooth, and lavendered ; While he from forth the closet brought a heap Of candied apple, quince, and plum, and gourd ; With jellies soother than the creamy curd, And lucent syrops, tinct with cinnamon ; Manna and dates, in argosy transferred From Fez ; and spiced dainties, every one. From silken Samarcand to cedared Lebanon. These delicates he heaped with glowing hand On golden dishes and in baskets bright Of wreathèd silver. Sumptuous they stand In the retired quiet of the night. Filling the chilly room with perfume light. — " And now, my love, my seraph fair, awake ! Thou art my heaven, and 1 thine eremite ; Open thine eyes, for meek St. Agnes' sake, Or 1 shall drowse beside thee, so my soul doth ache." Thus whispering, his warm, unnerved arm Sank in her jrillow. Shaded was her dream By the dusk curtains ; — 't was a midnight charml Impossible to melt as icèd stream : ) The lustrous salvers in the moonlight gleam ; Broad golden fringe upon the carpet lies ; It seemed he never, never could redeem From such a steadfast spell his lady's eyes ; So mused awhile, entoiled in woofèd phantasies. Awakening up, he took her hollow lute, — Tumultuous, — and, in chords that tenderest be. He played an ancient ditty, long since mute. In Provence called " La belle dame sans merci ; " Close to her ear touching the melody ; — Wherewith disturbed, she uttered a soft moan : He ceased ; she panted quick, — and suddenly Her blue affrayèd eyes wide open shone ; Upon his knees he sank, pale as smooth-sculptured stone. Her eyes were open, but she still beheld. Now wide awake, the vision of her sleep. There was a painful change, that nigh expelled The blisses of her dream so pure and deep ; At which fair Madeline began to weep. And moan forth witless words with many a sigh ; While still her gaze on Porphyre would keep ; Who knelt, with joined hands and piteous eye. Fearing to move or speak, she looked so dream- ingly. " Ah, Porphyre ! " said she, " but even now Thy voice was at sweet tremble in mine ear. Made tunable with every sweetest vow ; And those sad eyes were spiritual and clear ; How changed thou art ! how pallid, chill, and drear ! Give me that voice again, my Porphyro, Those looks immortal, those complainings dear ! O, leave me not in this eternal woe. For if thou diest,mylove, 1 know not where to go." Beyond a mortal man impassioned far At these voluptuous accents, he arose. Ethereal, flushed, and like a throbbing star Seen mid the sapphire heaven's deep repose ; Into her dream he melted, as the rose Blendetli its odor with the violet, — Solution sweet ; meantime the frost-wind blows Like love's alarum pattering the sharp sleet Against the window-panes ; St. Agnes' moon hath set. 'T is dark ; quick pattereth the flaw-blown sleet ; " This is no dream, nry bride, my Madeline ! " 'T is dark ; the icèd gusts still rave and beat : " No dream 1 alas ! alas ! aitd woe is mirre ! Porphyro will leave trre here to fade atrd pine. Cruel ! what traitor could thee hither bring ? 1 curse not, for nry heart is lost irr thirre, TJrorrgh tlrorr forsakest a deceived thing ; — Adove forlorn andlost, with sick, unprunèd wing." -51, [f]~*— 180 POEMS OF THE AFFECTIONS. a " My Madeline ! sweet dreamer ! lovely bride ! Say, may I be for aye thy vassal blest ? Thy beauty's shield, heart-shaped and vermeil dyed ? Ah, silver shrine, here will 1 take my rest After so many hours of toil and quest, A famished pilgrim, — saved by miracle. Though 1 have found, 1 will not rob thy nest. Saving of thy sweet self ; if thou think'st well To trust, fair Madeline, to no rude infidel. " Hark ! 't is an elfin storm from faery land, Of haggard seeming, but a boon indeed : Arise, arise ! the morning is at hand ; — The bloated wassailers will never heed : Let us away, my love, with happy speed ; There are no ears to hear, or eyes to see, — Drowned all in Rhenish and the sleepy mead : Awake, arise, my love, and fearless be. For o'er the southern moors 1 have a home for thee." She hurried at his words, beset with fears. For there were sleeping dragons all around. At glaring watch, perhaps, with ready spears ; Down the wide stairs a darkling way they found. In all the house was heard no human sound. A chain-droopedlamp was flickering by each door ; The arras, rich with horseman, hawk, and hound. Fluttered in the besieging wind's uproar ; And the long carpets rose along the gusty floor. They glide, like phantoms, into the wide hall ! Like phantoms to the iron porch they glide. Where lay the porter, in uneasy sprawl. With a huge empty flagon by his side : The wakeful bloodhound rose, and shook his hide, But his sagacious eye an inmate owns ; By one, and one, the bolts full easy slide ; The chains lie silent on the footworn stones ; The key turns, and the door upon its hinges groans. And they are gone ! ay, ages long ago Tliese lovei-s fled away into the storm. That night the baron dreamt of many a woe, ..Vnd all his warrior-guests, with shade and form Of witch, and demon, and large coffin-worm, Were long be-nightmared. Angela the old Died palsy-twitched, with meagre face deform ; The beadsman, after thousand aves told. For aye unsought-for slept among his ashes cold. john Keats. CURFEW MUST NOT RING TO-NIGHT. Slowly England's sun was setting o'er the hill¬ tops far away,— Filling all the land with beauty at the close of And the last rays kissed the forehead of a man and maiden fair, — He with footsteps slow and weary, she with sunny floating hair ; He with bowed head, sad and thoughtful, she with lips all cold and white, Struggling to keep back the murmur, — " Curfew must not ring to-night." " Sexton," Bessie's white lips faltered, pointing to the prison old. With its turrets tall and gloomy, with its walls dark, damp, and cold, " I've a lover in that prison, doomed this very night to die. At the ringing of the Curfew, and no earthly help is nigh ; Cromwell will not come till sunset," and her lips grew strangely white As she breathed the husky whisper : — " Curfew must not ring to-night." " Bessie," calmly spoke the sexton, — every word pierced her young heart Like the piercing of an arrow, like a deadly poisoned dart, — " Long, longyears I've rung the Curfew from that gloomy, shadowed tower ; Every evening, just at sunset, it has told the twilight hour ; 1 have done my duty ever, tried to do it just and right. Now 1 'm old 1 will not falter, — Curfew, it must ring to-night." Wild her eyes and pale her features, stem and white her thoughtful brow. As witliin her secret bosom Bessie made a solemn vow. She had listened while the judges read without a tear or sigh : " At the ringing of the Curfew, Basil Underwood must die." And her breath came fast and faster, and her • eyes grew large and bright ; In an undertone she murmured : — " Curfew must not ring to-night." With quick I step she bounded forward, sprung within the old church door. Left the old man threading slowly paths so oft he'd trod before ; Not one moment paused the maiden, but with eye and cheek aglow Mounted up the gloomy tower, where the bell swung to and fro As she climbed the dusty ladder on which fell no ray of light. Up and up, — her white lips saying : — " Curfew must not ring to-night." E' LOVE. 181 ■a She has reached the topmost ladder ; o'er her hangs the great, dark bell ; Awful is the gloom beneath her, like the path¬ way down to hell. Lo, the ponderous tongue is swinging, — 't is the hour of Curfew now. And the sight has chilled her bosom, stopped her breath, and paled her brow. Shall she let it ring ? No, never ! flash her eyes with sudden light. As she springs, and grasps it flrmly, — " Curfew shall not ring to-night ! " Out she swung — far out ; the city seemed a speck of light below. There 'twixt heaven and earth suspended as the bell swung to and fro. And the sexton at the bell-rope, old and deaf, heard not the bell. Sadly thought, "That twilight Curfew rang young Basil's funeral knell." Still the maiden clung more firmly, and with trembling lips so white. Said to hush her heart's wild throbbing ; — " Curfew shall not ring to-night ! " It was o'er, the bell ceased swaying, and the maiden stepped once more Firmly on the dark old ladder where for hun¬ dred years before Human foot had not been planted. The brave deed that she had done Should be told long ages after, as the rays of setting sun Crimson all the sky with beauty ; aged sires, with heads of white. Tell the eager, listening children, " Curfew did not ring that night." O'er the distant hills came Cromwell; Bessie sees him, and her brow. Lately white with fear and anguish, has no anxious traces now. At his feet she tells her story, shows her hands all bruised and torn ; And her face so sweet and pleading, yet with sorrow pale and worn. Touched his heart with sudden pity, lit his eyes with misty light : "Go ! your lover lives," said Cromwell, " Cmfew shall not ring to-night." Wide they flung the massive portal ; led the prisoner forth to die, — All his bright young life before him. 'Neath the darkening English sky Bessie comes with flying footsteps, eyes aglow with love-light sweet ; Kneeling on the turf beside him, lays his pardon at his feet. In his brave, strong arms he clasped her, kissed the face upturned and white. Whispered, " Darling, you have saved me, — Curfew will not ring to-night ! " ROSE HARTWICK THORPE. THE LITTLE MILLINER. My girl hath violet eyes and yellow hair, A soft hand, like a lady's, small and fair, A sweet face pouting in a white straw bonnet, A tiny foot, and little boot upon it ; And all her finery to charm beholder* I s the gray shawl drawn tight around her shoulders. The plain stuff-gown and collar white as snow. And sweet red petticoat that peeps below. But gladly in the busy town goes she. Summer and winter, fearing nobodie ; She pats the pavement with her fairy feet. With fearless eyes she charms the crowded street ; And in her pocket lie, in lieu of gold, A lucky sixpence and a thimble old. We lodged in the same house a year ago : She on the topmost floor, I just below, — She, a poor milliner, content and wise, 1, a poor city clerk, with hopes to rise ; And, long ere we were friends, I learnt to love The little angel on the floor above. For, every morn, ere from my bed I stirred. Her chamber door would open, and I heard, — And listened, blushing, to her coming down. And palpitated with her rustling gown. And tingled while her foot went downward slow. Creaked like a cricket, passed, and died below ; Then peeping from the window, pleased and sly, I saw the pretty shining face go by. Healthy and rosy, fresh from slumber sweet, — A sunbeam in the quiet morning street. And every night, when in from work she tript. Red to the ears I from my chamber slipt. That I might hear upon the narrow stair Her low " Good evening," as she passed me there. And when her door was closed, below sat 1, And hearkened stüiy as she stirred on high, — Watched the red firelight shadows m the room. Fashioned her face before me in the gloom. And heard her close the window, lock the door. Moving about more lightly than before. And thought, "She is undressing now ! " and, oh ! My cheeks were hot, my heart was in a glow ! And 1 made pictures of her, — standing bright Before the looking-glass in bed-gown white. 9 fl- 182 POEMS OP THE APPECTIONS. 1 B- Unbinding in a knot her yellow hair. Then kneeling timidly to say a prayer ; TUl, last, the floor creaked softly overhead, 'Neath bare feet tripping to the little bed, — And all was hushed. Yet still I hearkened on. Till the faint sounds about the streets were gone ; And saw her slumbering with lips apart, One little hand upon her little heart. The other pillowing a face that smiled In slumber like the slumber of a child. The bright hair shining round the small white ear. The soft breath stealing visible and clear, And mixing with the moon's, whose frosty gleam Made round her rest a vaporous light of dream. How free she wandered in the wicked place. Protected only by her gentle face ! She saw bad things — how could she choose but see ? — She heard of wantonness and misery ; The city closed around her night and day. But lightly, happily, she went her way. Nothing of evil that she saw or heard Could touch a heart so innocently stirred, — By simple hopes that cheered it through the storm. And httle flutterings that kept it warm. No power had she to reason out her needs. To give the whence and wherefore of her deeds ; But she was good and pure amid the strife By virtue of the joy that was her life. Here, where a thousand spirits daily fall. Where heart and soul and senses turn to gall. She floated, pure as innocent could be. Like a small sea-bird on a stormy sea, Which breasts the billows, wafted to and fro, Fearless, uninjured, while the strong winds blow, While the clouds gather, and the waters roar. And mighty ships are broken on the shore. All winter long, witless who peeped the while. She sweetened the chill mornings with her smile ; When the soft snow was falling dimly white. Shining among it with a child's delight. Bright as a rose, though nipping winds might blow. And leaving fairy footprints in the snow ! 'T was when the spring was coming, when the snow Had melted, and fresh winds began to blow. And girls were selling violets in the town. That suddenly a fever struck me down. The world was changed, the sense of life was pained. And nothing but a shadow-land remained ; Death came in a dark mist and looked at me, 1 felt his breathing, though I could not see. But heavily 1 lay and did not stir. And had strange images and dreams of her. Then came a vacancy: with feeble breath, 1 shivered under the cold touch of Death, And swooned among strange visions of the dead, When a voice called from heaven, and he fled ; And suddenly I wakened, as it seemed. From a deep sleep wherein I had not dreamed. And it was night, and I could see and hear. And I was in the room I held so dear. And unaware, stretched out upon my bed, I hearkened for a footstep overhead. But all was hushed. I looked around the room. And slowly made out shapes amid the gloom. The wall was reddened by a rosy light, A faint fire flickered, and I knew't was night. Because below there was a sound of feet Dying away along the quiet street, — When, turning my pale face and sighing low, I saw a vision in the quiet glow : A little figure, in a cotton gown. Looking upon the fire and stooping down. Her side to me, her face illumed, she eyed Two chestnuts burning slowly, side by side, — Her lips apart, her clear eyes strained to see. Her little hands clasped tight around her knee. The firelight gleaming on her golden head. And tinting her white neck to rosy red. Her features bright, and beautiful, and pure, With childish fear and yearning half demure. 0 sweet, sweet dream ! I thought, and strained mine eyes. Fearing to break the spell with words and sighs. Softly she stooped, her dear face sweetly fair. And sweeter since a light like love was there. Brightening, watching, more and more elate. As the nuts glowed together in the grate. Crackling with little jets of fiery light. Till side by side they turned to ashes white, — Then up she leapt, her face cast off its fear For rapture that itself was radiance clear. And would have clapped her little hands in glee. But, pausing, bit her lips and peeped at me. And met the face that yearned on her so whitely. And gave a cry and trembled, blushing brightly. While, raised on elbow, as she turned to flee, "Polly ! " I cried, —and grew as red as she ! It was no dream ! for soon my thoughts were clear. And she could tell me all, and I could hear : How in my sickness friendless I had lain. How the hard people pitied not my pain ; How, in despite of what bad people said. She left her labors, stopped beside my bed, LOVE. 183 And nursed me, thinking sadly I would die ; How, in the end, the danger passed me by ; How she had sought to steal away before The sickness passed, and I was strong once more. By fits she told the story in mine ear, And troubled all the telling with a fear Lest by my cold man's heart she should be chid. Lest 1 should think her bold in what she did ; But, lying on my bed, I dared to say, How I had watched and loved her many a day. How dear she was to me, and dearer stUl For that strange kindness done while I was ill. And how I could but think that Heaven above Had done it all to bind our lives in love. And Polly cried, turning her face away. And seemed afraid, and answered "yea" nor "nay Then stealing close, with little pants and sighs. Looked on my pale thin face and earnest eyes. And seemed in act to fling her arms about My neck; then, blushing, paused, in fluttering doubt ; Last, sprang upon my heart, sighing and sob¬ bing, — That I might feel how gladly hers was thrcbbing ! Ah ! ne'er shall I forget until I die. How happily the dreamy days went by. While 1 grew well, and lay with soft heart-beats, Hearkening the pleasant murmur from the streets. And Polly by me like a sunny beam. And life all changed, and love a drowsy dream ! 'T was happiness enough to lie and see The little golden head bent droopingly Over its sewing, while the stUl time flew. And my fond eyes were dim with happy dew ! And then, when I was nearly well and strong, And she went back to labor all day long. How sweet to lie alone with half-shut eyes. And hear the distant murmurs and the cries. And think how pure she was from pain and sin, — And how the summer days were coming in ! Then, as the sunset faded from the room. To listen for her footstep in the gloom. To pant as it came stealing up the stair. To feel my whole life brighten unaware When the soft tap came to the door, and when The door was opened for her smile again ! Best, the long evenings ! — when, till late at night. She sat beside me in the quiet light. And happy things were said and kisses won. And serious gladness found its vent in fun. Sometimes I would draw close her shining head. And pour her bright hair out upon the bed. And she would laugh, and blush, and try to scold, While "Here," I cried, "I count my wealth in gold ! " Once, like a little sinner for transgression, She blushed upon my breast, and made con¬ fession : How, when that night I woke and looked around, I found her busy with a charm profound, — One chestnut was herself, my girl confessed, The other was the person she loved best. And if they burned together side by side. He loved her, and she would become his bride ; And burn indeed they did, to her delight, — And had the pretty charm not proven right ? Thus much, and more, with timorous joy, she said. While her confessor, too, grew rosy red, — And close together pressed two blissful faces. As I absolved the sinner, with embraces. And here is winter come again, winds blow. The houses and the streets are white with snow ; And in the long and pleasant eventide. Why, what is Polly making at my side ? Wliat but a silk gown, beautiful and grand. We bought together lately in the Strand ! What but a dress to go to church in soon. And wear right queenly 'neath a honeymoon ! And who shall match her with her new straw bonnet. Her tiny foot and little boot upon it ; Embroidered petticoat and silk gown new. And shawl she wears as few fine ladies do ? And she will keep, to charm away all ill. The lucky sixpence in her pocket still ; And we will turn, come fair or cloudy weather. To ashes, like the chestnuts, close together ! Robert Buchanan. SONG. from "the miller's daughter." It is the miller's daughter. And she is grown so dear, so dear. That I would be the jewel That trembles at her ear : For, hid in ringlets day and night, I'd touch her neck so warm and white. And I would be the girdle About her dainty, dainty waist. And her heart would beat against me In sorrow and in rest : And I should know if it beat right, I'd clasp it round so close and tight. POEMS OP THE AFFECTIONS. And I would be the necklace, And all day long to fall and rise Upon her balmy bosom, With her laughter or her sighs : And I would lie so light, so light, I scarce should be unclasped at night. alfred Tennyson. BLEST AS THE IMMORTAL GODS. Blest as the immortal gods is he. The youth who fondly sits by thee. And hears and sees thee all the while Softly speak, and sweetly smüe. 'T was this deprived my soul of rest. And raised such tumults in my breast : For while I gazed, in transport tost. My breath was gone, my voice was lost. My bosom glowed ; the subtle flame Ran quick through all my vital frame ; O'er my dim eyes a darkness hung ; My ears with hollow murmurs rung ; In dewy damps my limbs were chilled ; My blood with gentle horrors thrilled : My feeble pulse forgot to play — I fainted, sunk, and died away. From the Greek of SAPPHO, by AMBROSE PHILLIPS. 0, DO NOT WANTON WITH THOSE EYES. 0, DO not wanton with those eyes. Lest I be sick with seeing ; Nor cast them down, but let them rise. Lest shame destroy their being. 0, be not angry with those fires. For then their threats will kill me ; Nor look too kind on my desires. For then my hopes will spill me. O, do not steep them in thy tears. For so will sorrow slay me ; Nor spread them as distract with fears ; Mine own enough betray me. Ben Jonson. THE SUN-DIAL. 'T IS an old dial, dark with many a stain ; In summer crowned with drifting orchard bloom. Tricked in the autumn with the yellow rain. And white in winter like a marble tomb. And round about its gray, time-eaten brow Lean letters speak, — a worn and shattered row : E am a iSfjaUe : a Äfjaöotor too art tl)ou ; E markt tijr ®imr: sage, ffiossip, Uost tijou sot? Here would the ring-doves linger, head to head ; And here the snail a silver course would run, Beating old Time ; and here the peacock spread His gold-green glory, shutting out the sun. The tardy shade moved forward to the noon ; Betwixt the paths a dainty Beauty stept. That swung a flower, and, smiling, hummed a tune, — Before whose feet a barking spaniel leapt. O'er her blue dress an endless blossom strayed ; About her tendril-curls the sunlight shone ; And round her train the tiger-lilies swayed. Like courtiers bowing till the queen be gone. She leaned upon the slab a little while. Then drew a jewelled pencil from her zone. Scribbled a something with a frolic smile. Folded, inscribed, and niched it in the stone. The shade slipped on, no swifter than the snail ; There came a -second lady to the place. Dove-eyed, dove-robed, and something wan and pale, — An inner beauty shining from her face. She, as if listless with a lonely love. Straying among the alleys with a book, — Herrick or Herbert, — watched the circling dove. And spied the tiny letter in the nook. Then, like to one who confirmation found Of some dread secret half-accounted true, — Who knew what hearts and hands the letter bound. And argued loving commerce 'twixt the two, — She bent her fair young forehead on the stone ; The dark shade gloomed an instant on her head ; And 'twixt her taper fingers pearled and shone The single tear that tear-worn eyes will shed. The shade slipped onward to the falling gloom ; Then came a soldier gallant in her stead. Swinging a beaver with a swaling plume, A ribboned love-lock rippling from his head. Blue-eyed, frank-faced, with clear and open brow, Scar-seamed a little, as the women love ; So kindly fronted that you marvelled how The frequent sword-hilt had so frayed his glove ; LOVE. 185 ü¡ Who switched at Psyche plunging in the sun ; Uncrowned three lilies with a backward swinge; And standing somewhat widely, like to one More used to "Boot and Saddle" than to cringe As courtiers do, but gentleman withal. Took out the note ; — held it as one who feared The fragile thing he held would slip and fall ; Eead and re-read, pulling his tawny beard ; Kissed it, I think, and hid it in his breast ; Laughed softly in a flattered, happy way. Arranged the broidered baldrick on his crest, And sauntered past, singing a roundelay. The shade crept forward through the dying glow ; There came no more nor dame nor cavalier ; But for a little time the brass will show A small gray spot, — the record of a tear. austin dobson. ■. THE GOLDEN FISH. Love is a little golden flsh. Wondrous shy . . . ah, wondrous shy.. . You may catch him if you wish ; He might make a dainty dish. . . But 1. . . Ah, I've other fish to fry ! For when I try to snare this prize. Earnestly and patiently. All my skill the rogue defies. Lurking safe in Aimée's eyes. . . So, you see, I am caught and Love goes free ! George Arnold. COME, REST IN THIS BOSOM. prom " irish melodies." Comb, rest in this bosom, my own stricken deer, Though the herd have fled from thee, thy home is still here ; Here still is the smile, that no cloud can o'ereast. And a heart and a hand all thy own to the last. Oh ! what was love made for, if't is not the same Through joy and through torment, through glory and shame ? I know not, I ask not, if guilt's in that heart, I but know that I love thee, whatever thou art. Thou hast called me thy Angel in moments of bliss. And thy Angel I '11 be, mid the horrors of this. Through the furnace, unshrinking, thy steps to pursue. And shield thee, and save thee, —or perish there too ! Thomas Moore. ♦ WHEN YOUR BEAUTY APPEARS. "When your beauty appears, In its graces and airs, AU bright as an angel new dropt from the skies. At distance I gaze, and am awed by my fears. So strangely you dazzle my eyes ! " But when without art Your kind thoughts you impart. When your love runs in blushes through every vein. When it darts from your eyes, when it pants at your heart. Then 1 know that you 're woman again." " There's a passion and pride In our sex," she replied ; " And thus (might I gratify both) I would do, — Still an angel appear to each lover beside. But stiU be a woman to you." Thomas parnell. THE FIRST KISS. I How delicious is the winning Of a kiss at love's beginning. When two mutual hearts are sighing For the knot there's no untying. Yet remember, midst your wooing. Love has bliss, but love has ruing ; Other smiles may make you fickle. Tears for other charms may trickle. Love he comes, and Love he tarries. Just as fate or fancy carries, — Longest stays when sorest chidden. Laughs and flies when pressed and bidden. Bind the sea to slumber stilly. Bind its odor to the lily. Bind the aspen ne'er to quiver, — Then bind Love to last forever ! Love's a fire that needs renewal Of fresh beauty for its fuel ; Love's wing moults when caged and captured, - Only free he soars enraptured. -gi e- 186 POEMS OF THE AFFECTIONS. Can you keep the bee from ranging, Or the ring-dove's neck from changing ? No ! nor fettered Love from dying In the knot there's no untying. thomas Campbell. BEDOUIN LOVE-SONG. From the Desert I come to the^ On a staUion shod with fire; And the winds are left behind In the speed of my desire. Under thy window I stand, And the midnight heai-s my cry ; i love thee, I love but thee ! . With a love that shall not die Till the mn grows cold, And the stars are old. And the leaves of the Judgment Boole unfolds ! Look from thy window, and see My passion and my pain ! I lie on the sands below. And I faint in thy disdain. Let the night-winds touch thy brow With the heat of my burning sigh, And melt thee to hear the vow Of a love that shall not die Till the sun grows cold. And the stars are old. And the leaves of the Judgment Book unfold ! My steps are nightly driven. By the fever in my breast. To hear from thy lattice breathed The word that shall give me rest. Open the door of thy heart, And open thy chamber door. And my kisses shall teach thy lips The love that shall fade no more Till the sun grows cold. And the stars are old. And the leaves of the Judgmenvt Book unfold ! Bayard Taylor. SONNET UPON A STOLEN KISS. Now gentle sleep hath closèd up those eyes Which, waking, kept my boldest thoughts in awe ; And free access unto that sweet lip lies. From whence I long the rosy breath to draw. Methinks no wrong it were, if I should steal From those two melting rubies one poor kiss ; None sees the theft that would the theft reveal. Nor roh I her of aught what she can miss ; Nay, should I twenty kisses take away. There would be little sign I would do so ; Why then should 1 this robbery delay? 0, she may wake, and therewith angry grow ! Well, if she do, I '11 back restore that one. And twenty hundred thousand more for loan. grorce Wither. SLY THOUGHTS. "I SAW him kiss your cheek !" — "'T is true." " 0 Modesty ! "— " 'T was strictly kept : He thought me asleep ; at least, I knew He thought I thought he thought I slept." coventry patmore. KISSES. My love and I for kisses played : She would keep stakes — I was content ; But when I won, she would be paid ; This made me ask her what she meant. " Pray, since I see," quoth she, " your wrangling vein. Take your own kisses ; give me mine again," William Strope« CUPID AND CAMPASPE. Cupid and my Campaspe played At cards for kisses, — Cupid paid ; He stakes his quiver, how and arrows. His mother's doves, and team of sparrows, — Loses them too ; then down he throws The coral of his lip, the rose Growing on's cheek (but none knows how) ; With these the crystal of his brow. And then the dimple of his chin, — All these did my Campaspe win. At last he set her both his eyes ; She won, and Cupid blind did rise. O Love I has she done this to thee ? What shall, alas I become of me ? John Lylv. THE KISS. 1. Among thy fancies tell me this : What is the thing we call a kiss ? 2. I shall resolve ye what it is : It is a creature horn and bred Between the lips all cherry red. By love and warm desires fed ; Chor. And makes more soft the bridal bed. a- LOVE. 187 Ü1 It is an active flame, that flies First to the babies of the eyes, And charms them there with lullabies ; Chor. And stills the bride too when she cries. Tlien to the chin, the cheek, the ear, , It frisks and flies, — now here, now there ; 'T is now far off, and then't is near ; Char. And here, and there, and everywhere. 1. Hai it a speaking virtue ? — 2. Yes. 1. How speaks it, say ? — 2. Do you but / this : Part your joined lips, — then speaks your kiss ; Chor. And this love's sweetest language is. _ 1. Has it a body ? — 2. Ay, and wings, With thousand rare encolorings ; And as it flies it gently sings ; Chor. Love honey yields, but never stings. Robert Herrick. THE PLAIDIE. Upon ane stormy Sunday, Coming adoon the lane. Were a score of bonnie lassies — And the sweetest I maintain Was Caddie, That I took unneath my plaidie. To shield her from the rain. She said that the daisies blushed For the kiss that I had ta'en ; I wadna hae thought the lassie Wad sae of a kiss complain : " How, laddie ! 1 winna stay under your plaidie. If I gang hame in the rain ! " But, on an after Sunday, When cloud there was not ane. This selfsame winsome lassie (We chanced to meet in the lane) Said, "Laddie, Why dinna ye wear your plaidie ? Wha kens but it may rain ? " CHARLES SIBLEV. KITTY OF COLERAINE. As beautiful Kitty one morning was tripping With a pitcher of milk, from the fair of Cole- raine. When she saw me she stumbled, the pitcher it tumbled. And all the sweet buttermilk watered the plain. " 0, what shall I do now — 't was looking at you now ! Sure, sure, such a pitcher I '11 ne'er meet again ! 'T was the pride of my dairy : O Barney M'Cleary ! You're sent as a plague to the girls of Cole- raine." I sat down beside her, ind gently did chide her. That such a misfortune should give her such pain. A kiss then I gave her ; and ere I did leave her. She vowed for such pleasure she'd break it again. 'T was hay-making season — I can't tell the rea¬ son — Misfortunes will never come single, 't is plain ; For very soon after poor Kitty's disaster The devil a pitcher was whole in Coleraine. Anonymous. KISSING'S NO SIN. Some say that kissing's a sin ; But I think it's nane ava. For kissing has wonn'd in this warld Since ever that there was twa. 0, if it wasna lawfu' Lawyers wadna allow it ; If it wasna holy. Ministers wadna do it. If it wasna modest. Maidens wadna tak' it ; If it wasna plenty, Puir folk wadna get it. anonymous, COMIN' THROUGH THE RYE. Gin a body meet a body Comin' through the rye. Gin a body kiss a body. Need a body cry? Every lassie has her laddie, — Ne'er a ane hae I ; Yet a' the lads they smile at me When comin' through the rye. Amang the train there is a swain I dearly lo'e myseV ; But whaur his hame, or what his name, I dinna care to tell. Gin a body meet a body Comin' frae the town. Gin a body greet a body. Need a body frown ? -g 188 POEMS OF THE AFFECTIONS. Every lassie has her laddie, — Ne'er a ane hae I ; Yet a' the lads they smile at me When comin' through the rye. Amang the train there is a swain I ókarly lo'e myseV; But whaur his harm, or what his name, I dinna care to tell. Adapted from BURNS. KISSING HER HAIR. Kissing her hair, I sat against her feet : Wove and unwove it, — wound, and found it sweet ; Made fast therewith her hands, drew down her eyes. Deep as deep flowers, and dreamy like dim skies ; With her own tresses bound, and found her fair, — Kissing her hair. Sleep were no sweeter than her face to me, — Sleep of cold sea-bloom under the cold sea : What pain could get between my face and hers ? What new sweet thing would Love not relish worse ? Unless, perhaps, white Death had kissed me there, — Kissing her hair. Algernon Charles Swinburne. —♦ MAKE BELIEVE. Kiss me, though you make believe ; Kiss me, though I almost know You are kissing to deceive : Let the tide one moment flow Backward ere it rise and break, for noor nitv's sake ! LOVE'S PHILOSOPHY. The fountains mingle with the river. And the rivers with the ocean ; The winds of heaven mix forever. With a sweet emotion ; Nothing in the world is single ; All things by a law divine In one another's being mingle : — Why not I with thine ? See ! the mountains kiss high heaven, And the waves clasp one another ; No sister flower would be forgiven If it disdained its brother ; And the sunlight clasps the earth. And the moonbeams kiss the sea : — What are aU these kissings worth. If thou kiss not me ? PERCY BvssHE Shelley. —*— THE MOTH'S KISS, FIRST! frou " in a gondola." The Moth's kiss, first ! Kiss me as if you made believe You were not sure, this eve. How my face, your flower, had pursed Its petals up ; so, here and there You brush it, till I gi-ow aware Who wants me, and wide open burst. The Bee's kiss, now ! Kiss me as if you entered gay My heart at some noonday, A bud that dared not disallow The claim, so all is rendered up. And passively its shattered cup Over your head to sleep I bow. Robert Browning. Give me of your flowers one leaf. Give me of your smiles one smile, Backward roU this tide of grief Just a moment, though, the while, I should feel and almost know You are trifling with my woe. Whisper to me sweet and low ; Tell me how you sit and weave Dreams about me, though I know It is only make believe ! Just a moment, though't is plain You are jesting with my pain. Alice Gary. LINES TO AN INDIAN AIR. serenade. I arise from dreams of thee In the first sweet sleep of night, When the winds are breathing low. And the stars are shining bright. I arise from dreams of thee. And a spirit in my feet Has led me — who knows how ? — To thy chamber-window, sweet 1 The wandering airs they faint On the dark, the silent stream, — The champak odors fail Like sweet thoughts in a dream ; LOVE. 189 The nightingale's complaint, It dies upon her heart, As I must die on thine, O, belovèd as thou art 1 0, lift me from the grass ! I die, I faint, I fail ! Let thy love in kisses rain On my lips and eyelids pale. My cheek is cold and white, alas ! My heart heats loud and fast : 0, press it close to thine again. Where it will break at last ! PERCY BVSSHE SHELLEY. SONNETS FROM THE PORTUGUESE. Go from me. Yet I feel that I shall stand Henceforward in thy shadow. Nevermore Alone upon the threshold of my door Of individual life, 1 shall command The uses of my soul, nor lift my hand Serenely in the sunshine as before. Without the sense of that which I forbore,.. . Thy touch upon the palm. The widest land Doom takes to part us, leaves thy heart in mine With pulses that beat double. What I do And what I dream include thee, as the wine Must taste of its own grapes. And when I sue God for myself, he hears that name of thine. And sees within my eyes the tears of two. Indeed this very love which is my boast, And which, when rising up from breast to brow. Doth crown me with a ruby large enow To draw men's eyes and prove the inner cost, . This love even, all my worth, to the uttermost, I should not love withal, unless that thou Hadst set me an example, shown me how, AVhen first thine earnest eyes with mine were crossed, And love called love. And thus, I cannot speak Of love even, as a good thing of my own. Thy soul hath snatched up mine all faint and weak. And placed it by thee on a golden throne, — And that I love (0 soul, we must be meek !) Is by thee only, whom I love alone. If thou must love me, let it be for naught Except for love's sake only. Do not say "I love her for her smile.. . her look. . . her way Of speaking gently, — for a trick of thought That falls in well with mine, and certes brought A sense of pleasant ease on such a day." È For these things in themselves, belovfed, may Be changed, or change for thee, — and love so wrought, May be un wrought so. Neither love me for Thine own dear pity's wiping my cheeks dry, — A creature might forget to weep, who bore Thy comfort long, and lose thy love thereby. But love me for love's sake, that evermore Thou mayst love on, through love's eternity. I never gave a lock of hair away To a man. Dearest, except this to thee, Which now upon my fingers thoughtfully 1 ring out to the full brown length and say " Take it." My day of youth went yesterday ; My hair no longer bounds to my foot's glee. Nor plant I it from rose or myrtle tree. As girls do, any more. It only may Now shade On two pale cheeks, the mark of tears. Taught drooping from the head that hangs aside Through sorrow's trick. I thought the funeral- shears Would take this first, but Love is justified, — Take it thou, . .. finding pure, from all those years. The kiss my mother left here when she died. Sat over again, and yet once over again. That thou dost love me. Though the word re¬ peated Should seem " a cuckoo-song," as thou dost treat it. Remember, never to the hill or plain. Valley and wood, without her cuckoo-strain. Comes the fresh spring in all her green completed. Beloved, I, amid the darkness greeted By a doubtful spirit-voice, in that doubt's pain Cry : " Speak once more — thou lovest ! " Who can fear Too many stars, though each in heaven shall roll, — Too many flowers, though each shall crown the year ? Say thou dost love me, love me, love me, — toll The silver iterance ! — only minding, dear. To love me also in silence, with thy soul. My letters ! all dead paper,.. . mute and white ! — And yet they seem alive and quivering Against my tremulous hands which loose the string And let them drop down on my knee to-night. This said,... he wished to have me in his sight Once, as a friend : this fixed a day in spring To come and touch my hand ... a simple thing. POEMS OP THE AFFECTIONS. Yet I wept for it ! this,... the paper's light.. . Said, Dear, I love thee ; and I sank and quailed As if God's future thundered on my past. This said, I am thim, — and so its ink has paled With lying at my heart that beat too fast. And this ... 0 Love, thy words have ill availed. If what this said, I dared repeat at last ! The first time that the sun rose on thine oath To love me, I looked forward to the moon To slacken all those bonds which seemed too soon And quickly tied to make a lasting troth. Quick-loving hearts, I thought, may quickly loathe ; And, looking on myself, I seemed not one For such man's love ! — more like an out of tune Worn viol, a good singer would be wroth To spoil his song with, and which, snatched in haste. Is laid down at the first ill-sounding note. I did not wrong myself so, but I placed A wrong on thee. For perfect strains may float 'Neathmaster-hands, from instruments defaced,— And great souls, at one stroke, may do and doat. First time he kissed me, he but only kissed The fingers of this hand wherewith I write ; And, ever since, it grew more clean and white. Slow to world-greetings, quick with its " 0 list ! " When the angels speak. A ring of amethyst I could not wear here, plainer to my sight Than that first kiss. The second passed in height The first, and sought the forehead, and half missed. Half falling on the hair. 0, beyond meed ! That was the chrism of love, which love's own crown. With sanctifying sweetness, did precede. The third upon my lips was folded down In perfect, purple state ; since when, indeed, I have been proud, and said, "My love, my own ! " How do I love thee ? Let me count the ways. I love thee to the depth and breadth and height j\Iy soul can reach, when feeling out of sight For the ends of Being and ideal Grace. I love thee to the level of every day's Most quiet need, by sun and candle-light. I love thee freely, as men strive for Eight ; I love thee purely, as they turn from Praise. I love thee with the passion put to use In my old griefs, and with my childhood's faith. I love thee with a love I seemed to lose With my lost saints,—I love thee with the breath. Smiles, tears, of all my life ! — and, if God choose, 1 shall but love thee better after death. elizabeth Barrett Browning. WAITING FOR THE GRAPES. That I love thee, charming maid, I a thousand times have said. And a thousand times more I have sworn it. But't is easy to be seen in the coldness of your mien That you doubt my afifection — or scorn it. Ah me! Not a single grain of sense is in the whole of these pretences For rejecting your lover's petitions ; Had I windows in my bosom, 0, how gladly I'd expose 'em. To undo your fantastic suspicions ! Ah me ! You repeat I 've known you long, and you hint I do you wrong. In beginning so late to pursue ye ; But 't is folly to look glum because people did not come Up the stairs of your nursery to woo ye. Ah me I In a grapery one walks without looking at the stalks. While the bunches are green that they 're bear¬ ing: AH the pretty little leaves that are dangling at the eaves Scarce attract e'en a moment of staring. Ah me ! But when time has sweUed the grapes to a richer style of shapes. And the sun has lent warmth to their blushes. Then to cheer us and to gladden, to enchant us and to madden. Is the ripe ruddy glory that rushes. Ah me ! 0, 't is then that mortals pant while they gaze on Bacchus' plant, — 0, 't is then, — will my simile serve ye ? Should a damsel fair repine, though neglected like a vine ? Both erelong shaU turn heads topsy-turvy. Ah me ! William macinn. THE LOVE-KNOT. Tying her bonnet under her chin. She tied her raven ringlets in. But not alone in the silken snare Did she catch her lovely floating hair. For, tying her bonnet under her chin. She tied a young man's heart within. [S- They were strolling together up the hill, Where the wind came blowing merry and chill ; And it blew the curls a frolicsome race, All over the happy peach-colored face. Till scolding and laughing, she tied them in. Under her beautiful, dimpled chin. And it blew a color, bright as the bloom Of the pinkest fuchsia's tossing plume. All over the cheeks of the prettiest girl That ever imprisoned a romping curl. Or, in tying her bonnet under her chin, Tied a young man's heart within. Steeper and steeper grew the hill. Madder, merrier, chiller still, The western wind blew down, and played The wildest tricks with the little maid. As, tying her bonnet under her chin. She tied a young man's heart within. 0 western wind, do you think it was fair To play such tricks with her floating hair ? To gladly, gleefully, do your best To blow her against the young man's breast. Where he has gladly folded her in. And kissed her mouth and dimpled chin ? 0 Ellery Vane, you little thought. An hour ago, when you besought This country lass to walk with you. After the sun had dried the dew. What terrible danger you'd be'in. As she tied her bonnet under her cliin. Nora perry. GREEN GROW THE RASHES O! Green grow the rashes O, Green grow the rashes 0 ; The sweetest hours that e'er I spend Are spent amang the lasses O ! There's naught but care on ev'ry han'. In every hour that passes O ; What signifies the life o' man. An't were na for the lasses 0 ? The warly race may riches chase. An' riches still may fly them 0 ; An' though at last they catch them fast. Their hearts can ne'er enjoy them O ! Gie me a canny hour at e'en. My arms about my dearie 0, An' warly cares an' warly men May all gae tapsalteerie O ! « For you sae douce, ye sneer at this. Ye 're naught but senseless asses 0 ; The wisest man the warl' e'er saw He dearly lo'ed the lasses 0 ! Auld Nature swears the lovely dears Her noblest work she classes O : Her 'prentice han' she tried on man. An' then she made the lasses O ! robert Burns. THE CHRONICLE. MaÍigabita first possessed. If I remember well, my breast, Margarita first of all ; But when awhile the wanton maid / i < ' With my restless heart had^ played, Martha took the flying ball. Martha soon did it resign To the beauteous Catharine. Beauteous Catharine gave place (Though loath and angry she to part With the possession of my heart) To Eliza's conquering face. Eliza till this hour might reign. Had she not evil counsels ta'en ; Fundamental laws she broke. And still new favorites she chose. Till up in arms my passions rose. And cast away her yoke. Mary then, and gentle Anne, Both to reign at once began ; Alternately they swayed ; And sometimes Mary was the fair. And sometimes Anne the crown did wear. And sometimes both I obeyed. Another Mary then arose. And did rigorous laws impose ; A mighty tyrant she ! Long, alas ! should I have been Under that iron-sceptred queen. Had not Rebecca set me free. When fair Rebecca set me free, 'T was then a golden time with me : But soon those pleasures fled ; For the gracious princess died In her youth and beauty's pride. And Judith reignèd in her stead. One month, three days, and half an honr Judith held the sovereign power ; Wondrous beautiful her face ! 192 POEMS OF THE AFFECTIONS. But so weak and small her wit, That she to govern was unfit. And so Susanna took her place. But when Isabella came, Armed with a resistless ñame. And the artillery of her eye ; Whilst she proudly marched about. Greater conquests to find out, She beat out Susan, by the by. But in her place I then obeyed Black-eyed Bess, her viceroy-maid, To whom ensued a vacancy : Thousand worse passions then possessed The interregnum of my breast ; Bless me from such an anarchy ! Gentle Henrietta then. And a third Mary, next began ; Then Joan, and Jane, and Audria ; And then a pretty Thomasine, And then another Catharine, And then a long et caetera. But I wiU briefer with them be. Since few of them were long with me. An higher and a nobler strain My present emperess does claim, Heleonora, first o' th' name. Whom God grant long to reign ! Abraham Cowley. Grown calmer, wiser, how the fault they curse. And, limping, look with such a sneaking grace ! Job's war-horse fierce, his neck with thunder hung. Sunk to an humble hack that carries dung. Smell to the queen of flowers, the fragrant rose — Smell twenty times—and then, my dear, thy nose Will tell thee (not so much for scent athirst) The twentieth drank less flavor than the first. Love, doubtless, is the sweetest of all fellows ; Yet often should the little god retire. Absence, dear Chloe, is a pair of bellows. That keeps alive the sacred fire. Dr. Wolcott {Peter Pindar). e- TO CHLOE. an apology for going into the country. Chloe, we must not always be in heaven. Forever tojiing, ogling, kissing, billing ; The joys for which 1 thousands would have given, ' Will presently be scarcely worth a shilling. Thy neck is fairer than the Alpine snows. And, sweetly swelling, beats the down of doves ; Thy cheek of health, a rival to the rose ; Thy pouting lips, the throne of all the loves ; Yet, though thus beautiful beyond expression. That beauty fadeth by too much possession. Economy in love is peace to nature. Much like economy in worldly matter ; We should be prudent, never live too fast ; Profusion wiU not, cannot always last. Lovers are really spendthrifts, — 't is a shame, — Nothing their thoughtless, wild career can tame. Till penury stares them in the face ; knà. when they find an empty purse, THE EXCHANGE. We pledged our hearts, my love and 1, — 1 in my arms the maiden clasping ; 1 could not tell the reason why. But, O, 1 trembled like an aspen ! Her father's love she bade me gain ; I went, and shook like any reed ! I strove to act the man, —in vain ! We had exchanged our hearts indeed. Samuel Taylor Coleridge. WISHES TO HIS SUPPOSED MISTRESS. Whoe'er she be. That not impossible she. That shall command my heart and me ; Where'er she lie. Locked up from mortal eye. In shady leaves of destiny. Till that ripe birth Of studied fate stand forth. And teach her fair steps to our earth ; Till that divine Idea take a shrine Of crystal flesh, through which to shine : Meet you her, my Wishes, Bespeak her to my blisses. And be ye called my absent kisses. I wish her beauty, That owes not all its duty To gaudy tire, or glistering shoe-tie, -0 LOVE. 193 Something more than Taffata or tissue can. Or rampant feather, or rich fan ; More than the spoil Of shop, or silkworm's toil. Or a bought blush, or a set smile. A face, that's best By its own beauty dressed. And can alone command the rest. A face, made up Out of no other shop, Thau what Nature's white hand sets ope. Days, that need borrow No part of their good morrow. From a fore-spent night of sorrow. Days, that in spite Of darkness, by the light Of a clear mind, are day all night. Nights, sweet as they Made short by lovers' play. Yet long by the absence of the day. Life that dares send A challenge to his end. And when it comes, say. Welcome, friend ! Sydneian showers Of sweet discourse, whose powers Can crown old Winter's head with flowers. Soft silken hours. Open suns, shady bowers ; 'Bove all — nothing within that lowers. Whate'er delight Can make day's forehead bright. Or give down to the wings of night. In her whole frame. Have Nature all the name. Art and ornament the shame. Her flattery. Picture and poesy. Her counsel her own virtue be. I wish her store Of worth may leave her poor Of wishes ; and 1 wish — no more. Now, if Time knows That her, whose radiant brows Weave them a garland of my vows ; 1 Her, whose just hays My future hopes can raise, A trophy to her present praise ; Her, that dares he What these lines wish to see : I seek no further, it is She. 'T is She, and here, Lo, 1 unclothe and clear My Wish's cloudy character f May she enjoy it. Whose merit dare apply it. But modesty dares still deny it ! Such worth as this is Shall fix my flying wishes. And determine them to kisses. Let her full glory. My fancies, fly before ye. Be ye my fictions, but — her story. Richard Crashaw. THE SHEPHERD'S RESOLUTION Shall I, wasting in despair. Die because a woman's fair ? Or make pale my cheeks with care 'Cause another's rosy are ? Be she fairer than the day. Or the flowery meads in May, — If she be not so to me. What care I how fair she be ? Shall my foolish heart be pined 'Cause 1 see a woman kind ? Or a well-disposèd nature Joined with a lovely feature ? Be she meeker, kinder than The turtle-dove or pelican, — If she be not so to me. What care I how kind she be ? Shall a woman's virtues move Me to perish for her love ? Or, her well deservings known. Make me quite forget mine own ? Be she with that goodness blest Which may merit name of best, - If she be not such to me. What care I how good she be ? 'Cause her fortune seems too high, Shall I play the fool and die ? Those that bear a noble mind Where they want of riches find. 194 POEMS OF THE AFFECTIONS. Think what with them they would do That without them dare to woo ; And unless that mind I see, What care I how great she be ? Great, or good, or kind, or fair, I will ne'er the more despair : If she love me, this believe, — I will die ere she shall grieve. If she slight me when I woo, I can scorn and let her go ; — For if she be not for me, What care I for whom she be ? gborgf. wither. BOSALIND'S COMPLAINT. Love in my bosom, like a bee. Doth suck his sweet ; Now with his wings he plays with me. Now with his feet ; Within mine eyes he makes his nest. His bed amidst my tender breast, My kisses are his daily feast, And yet he robs me of my rest : Ah ! wanton, will ye ? And if I sleep, then percheth he With pretty flight. And makes his pillow of my knee. The livelong night. Strike I the lute, he tunes the string ; He music plays, if so I sing ; He lends me every lovely thing. Yet, cruel, he my heart doth sting ; Whist ! wanton, still ye ! Else I with roses every day Will whip you hence. And bind you when you long to play. For your offence ; I 'II shut my eyes to keep you in, I '11 make you fast it for your sin, I 'II count your power not worth a pin : Alas ! what hereby shall I win If he gainsay me ! What if I beat the wanton boy With many a rod ? He will repay me with annoy, Because a god ; Then sit thou safely on my knee, And let thy bower my bosom be ; Lurk in my eyes, I like of thee, 0 Cupid ! so thou pity me ; Spare not, but play thee ! Thomas Lodge. COUNTY GUY. from " quentin durward." Ah ! County Guy, the hour is nigh, The sun has left the lea, The orange-flower perfumes the bower. The breeze is on the sea. The lark, his lay who trilled all day. Sits hushed his partner nigh ; Breeze, bird, and flower confess the hour. But where is County Guy ? The village maid steals through the shade. Her shepherd's suit, to hear ; To beauty shy, by lattice high, Sings high-bom cavalier. The star of Love, all stars above. Now reigns o'er earth and sky. And high and low the influence know. But where is County Guy ? Sir walter Scott. LET NOT WOMAN E'ER COMPLAIN. Let not woman e'er complain Of inconstancy in love ; Let not woman e'er complain Fickle man is apt to rove ; Look abroad through Nature's range, Nature's mighty law is change ; Ladies, would it not be strange Man should then a monster prove ? Mark the winds, and mark the skies ; Ocean's ebb and ocean's flow ; Sun and moon but set to rise. Round and round the seasons go. Why then ask of silly man. To oppose great Nature's plan ? We '11 be constant while we can, — You can be no more, you know. Robert Burns. UNSATISFACTORY. " Have other lovers — say, my love — Loved thus before to-day ? " " They may have, yes, they may, my love ; Not long ago they may." " But, though they worshipped thee, my love. Thy maiden heart was free ? " " Don't ask too much of me, my love ; Don't ask too much of me." " Yet, now't is you and I, my love. Love's wings no more wUI fly ? " " If love could never die, my love. Our love should never die." LOVE-LETTERS IN FLOWERS exquisite invention this^ H 'orthy of Lovers most honeyed kiss^ - This art of writiuf^ bilUt'doux In buds, and odors, and hris:ht hues I LOVE. 195 " For shame ! and is this so, my love, And Love and I must go ? " " Indeed, I do not know, my love, My life, I do not know." " You wiU, you must be true, my love, — Not look and love anew ! " " I '11 see what I can do, my love, I '11 see what I can do." Anonymous. LOVE-LETTERS , MADE IN FLOWERS. on a print of one op them in a book. An exquisite invention this. Worthy of Love's most honeyed kiss, — This art of writing billet-doux In buds, and odors, and bright hues ! In saying all one feels and thinks In clever daffodils and pinks ; In puns of tulips ; and in phrases. Charming for their truth, of daisies ; Uttering, as well as silence may. The sweetest words the sweetest way. How fit too for the lady's bosom ! The place where billet-doux repose 'em. What delight in some sweet spot Combining love with garden plot. At once to cultivate one's fiowers And one's epistolary powers ! Growing one's own choice words and fancies In orange tubs, and beds of pansies ; One's sighs, and passionate declarations. In odorous rhetoric of carnations ; Seeing how far one's stocks will reach ; Taking due care one's flowers of speech To guard from blight as well as bathos. And watering every day one's pathos ! a letter comes, just gathered. We Dote on its tender brilliancy. Inhale its delicate expressions Of balm and pea, and its confessions Made with as sweet a Maiden's Blush As ever morn bedewed on bush : {'T is in reply to one of ours. Made of the most convincing flowers.) Then, after we have kissed its wit And heart, in water putting it (To keep its remarks fresh), go round Our little eloquent plot of ground. And with enchanted hands compose Our answer, — aU of lily and rose, Of tuberose and of violet. And Little Darling (mignonette); Of Look-at-me and Call-me-to-you (Words that, while they greet, go through you) ; Of Thoughts, of Flames, Forget-me-not, Bridewort, — in short, the whole blest lot Of vouchers for a hfelong kiss, — And literally, breathing bliss ! Leigh Hunt. MY EYES! HOW I LOVE YOU. My eyes ! how I love you. You sweet little dove you I There's no one above you. Most beautiful Kitty. So glossy your hair is. Like a sylph's or a fairy's ; And your neck, I declare, is Exquisitely pretty Quite Grecian your nose is. And your cheeks are like roses. So delicious — O Moses ! Surpassingly sweet ! Not the beauty of tulips. Nor the taste of mint-juleps. Can compare with your two lips. Most beautiful Kate ! Not the black eyes of Juno, Nor Minerva's of blue, no. Nor Venus's, you know. Can equal your own ! 0, how my heart prances. And frolics and dances. When its radiant glances Upon me are thrown ! And now, dearest Kitty, It's not very pretty. Indeed it's a pity. To keep me in sorrow ! So, if you 'II but chime in. We 'U have done with our rhymin'. Swap Cupid for Hymen, And be married to-morrow. john Godfrey Saxe. • CUPID SWALLOWED. T' other day, as I was twining Roses for a crown to dine in. What, of all things, midst the heap. Should I light on, fast asleep. e- 196 POEMS OF THE AFFECTIONS. But the little desperate elf, The tiny traitor, — Love himself ! By the wings 1 pinched him up Like a bee, and in a cup Of my wine I plunged and sank him ; And what d' ye think I did ? — I drank him ! Faith, I thought him dead. Not he ! There he lives with tenfold glee ; And now this moment, with his wings I feel him tickling my heart-strings. Leigh Hunt. DUNCAN GRAY CAM' HERE TO "WOO. Duncan Gray cam' here to woo — Ha, ha ! the wooing o't ! On blythe Yule night when we were fou — Ha, ha ! the wooing o't ! Maggie coost her head fu' high. Looked asklent and unco skeigh. Gart poor Duncan stand aheigh — Ha, ha ! the wooing o't ! Duncan fleeched and Duncan prayed — Ha, ha ! the wooing o't ! Meg was deaf as Ailsa craig — Ha, ha ! the wooing o't I Duncan sighed haith out and in, Grat his een haith bleer't and blin*, Spak o' lowpin o'er a linn — Ha, ha ! the wooing o't I Time and chance are but a tide — Ha, ha ! the wooing o't ! Slighted love is sair to bide — Ha, ha ! the wooing o't ! Shall I, like a fool, quoth he. For a haughty hizzie dee ? She may gae to — France, for me ! Ha, ha ! the wooing o't ! How it comes let doctors tell — Ha, ha ! the wooing o't ! Meg grew sick as he grew heal — Ha, ha ! the wooing o't ! Something in her bosom wrings, — Foi reRef a sigh she brings ; And O, her een they speak sic things ! Ha, ha ! the wooing o't ! Duncan was a lad o' grace — Ha, ha ! the wooing o't ! Maggie's was a piteous case — Ha, ha ! the wooing o't ! Duncan could na be her death : Swelling pity smoored his wrath. Now they're crouse and canty haith. Ha, ha ! the wooing o't ! robert Burns THE DULE 'S I' THIS BONNET 0' MINE. lancashire dialect. The dule's i' this bonnet o' mine ; My ribbins 'U never be reet ; Here, Mally, aw'm like to be fine, For Jamie '11 be comin' to-neet ; He met me i' th' lone t' other day (Aw wur gooin' for wayter to th* well). An' he begged that aw'd wed him i' May, Bi th' mass, if he 'U let me,'aw wül ! "When he took my two hoods into his. Good Lord, heaw they trembled between ! An' aw durst n't look up in his face, Becose on him seein' my e'en. My cheek went as red as a rose ; There's never a mortal con tell Heaw happy aw felt, — for, thae knows. One could n't ha' axed hhn theirsel'. But th' tale wur at th' end o' my tung : To let it eawt would n't he reet, For aw thought to seem forrud wur wrung ; So aw towd him aw'd teU him to-neet. But, Mally, thae knows very weel. Though it is n't a thing one should own, Iv aw'd th' pikein' o' th' world to mysel'. Aw'd oather ha Jamie or noan. Neaw, Mally, aw've towd thae my mind ; What would to do iv it wur thee ? " Aw'd tak him just while he 'se inclined, An' a farrantly bargain he '11 be ; For Jamie's as greadly a lad As ever stept eawt into th' sun. Go, jump at thy chance, an' get wed ; An' mak th' best o' th' job when it's done ! " Eh, dear ! but it's time to be gwon : Aw should n't like Jamie to wait ; Aw connut for shame be too soon. An' aw would n't for th' wuld be too late. Aw'm o' ov a tremble to th' heel : Dost think 'at my bonnet 'U do ? " Be off, lass, — thae looks very weel ; He wants noan o' th' bonnet, thae foo ! " edwin waugh. RORY O'MORE; or, all for good luck. Young Rory O'More courted Kathleen bawn, — He was bold as a hawk, she as soft as the dawn j He wished in his heart pretty Kathleen to please. And he thought the best way to do that was to tease. á F LOVE. 197 'S- "Now, Rory, be aisy ! " sweet Kathleen would cry, Reproof on her lip, but a smile in her eye, — " With your tricks, I don't know, in troth, what I'm about ; Faith ! you've tazed tiU I've put on my cloak inside out." " Geh ! jewel," says Rory, " that same is the way Ye've thrated my heart for this many a day ; And 't is plazed that I am, and why not, to be sure ? For 'tis all for good luck," says bold Rory O'More. "Indeed, then," says Kathleen, "don't think of the like. For I half gave a promise to soothering Mike : The ground that I walk on he loves, I 'U be bound — " "Faith! " says Roiy, " I'd rather love you than the ground." "Now, Rory, I '11 cry if you don't let me go ; Sure I dream every night that I'm hating you so!" "Geh ! " says Rory, "that same I'm delighted to hear. For dhrames always go by conthraries, my dear. So, jewel, kape dhraming that same till ye die. And bright morning will give dirty night the black lie ! And 't is plazed that I am, and why not, to be sure ? Since 'tis all for good luck," says bold Rory G'More. " Arrah, Kathleen, my darlint, you've tazed me enough ; Sure I've thrashed, for your sake, Dinny Grimes and Jim Duff ; And I've made myself, drinking your health, quite a baste, — So I think, after that, I may talk to the praste." Then Rory, the rogue, stole his arm round her neck. So soft and so white, without freckle or speck ; And he looked in her eyes, that were beaming with light. And he kissed her sweet lips, — don't you think he was right ? " Now, Rory, leave off, sir, — you '11 hug me no more, — That's eight times to-day that you've kissed me before." "Then here goes another," says he, "to make sure ! For there's luck in odd numbers," says Rory O'More. Samuel Lover. THE LGW-BACKED CAE. When first I saw sweet Peggy, 'T was on a market day : A low-backed car she drove, and sat Upon a truss of hay ; But when that hay was blooming grass. And decked with fiowers of spring. No ño wer was there that could compare With the blooming girl I sing. As she sat in the low-backed car. The man at the turnpike bar Never asked for the toU, But just rubbed his owld poll. And looked after the low-backed car. In battle's wild commotion, The proud and mighty Mars With hostile scythes demands his tithes Gf death in warlike cars ; While Peggy, peaceful goddess. Has darts in her bright eye. That knock men down in the market town, As right and left they fly ; While she sits in her low-backed car. Than battle more dangerous far, — For the doctor's art Cannot cure the heart That is hit from that low-backed car Sweet Peggy round her car, sir. Has strings of ducks and geese. But the scores of hearts she slaughters By far outnumber these ; While she among her poultry sits. Just like a turtle-dove. Well worth the cage, I do engage, Gf the blooming god of Love ! While she sits in her low-backed car. The lovers come near and far. And envy the chicken That Peggy is pickin'. As she sits in her low-backed car. O, I'd rather own that car, sir. With Peggy by my side. Than a coach and four, and gold galore. And a lady for my bride ; For the lady would sit forninst me. On a cushion made with taste, — While Peggy would sit beside me. With my arm around her waist. While we drove in the low-backed car. To be married by Father Mahar ; G, my heart would beat high At her glance and her sigh, — Though it beat in a low-backed car ! Samuel Lover. -51 198 POEMS OF THE AFFECTIONS. SALLY IN OUR ALLEY. Of all the girls that are so smart There's none like pretty Sally ; She is the darling of my heart. And she lives in our alley. There is no lady in the land Is half so sweet as Sally ; She is the darling of my heart, And she lives in our alley. Her father he makes cabbage-nets, And through the streets does cry 'em ; Her mother she sells laces long To such as please to buy 'em ; But sure such folks could ne'er beget So sweet a girl as Sally ! She is the darling of my heart, And she lives in our alley. When she is by I leave my work, I love her so sincerely ; My master comes like any Turk, And bangs me most severely. But let him bang his bellyful, I '11 bear it all for Sally ; For she's the darling of my heart. And she lives in our alley. Of all the days that's in the week I dearly love but one day, And that's the day that comes betwixt The Saturday and Monday ; For then I'm drest all in my best To walk abroad with Sally ; She is the darling of my heart. And she lives in our alley. My master carries me to church. And often am I blamed Because I leave him in the lurch As soon as text is named : I leave the church in sermon-time. And slink away to Sally ; She is the darling of my heart. And she lives in our alley. When Christmas comes about again, 0, then I shall have money ! I '11 hoard it up, and box it all. And give it to my honey ; I would it were ten thousand pound! I'd give it all to Sally ; She is the darling of my heait. And she lives in our alley. My master and the neighbors all Make game of me and Sally, And, but for her, I'd better be A slave, and inw a galley ; But when my seven long years are out, 0, then I '11 marry Sally ! O, then we '11 wed, and then we '11 bed, — But not in our alley ! henry Carey. LOVELY MARY DONNELLY. 0 LOVELY Mary Donnelly, it's you I love the best ! If fifty girls were round you, I'd hardly see the rest. Be what it may the time of day, the place be where it will. Sweet looks of Mary Donnelly, they bloom be¬ fore me still. Her eyes like mountain water that's fiowing on a rock. How clear they are I how dark they are ! and they give me many a shock. Red rowans warm in sunshine, and wetted with a shower. Could ne'er express the charming lip that has me in its power. Her nose is straight and handsome, her eyebrows lifted up. Her chin is very neat and pert, and smooth like a china cup. Her hair's the brag of Ireland, so weighty and so fine, — It's rolling down upon her neck, and gathered in a twine. The dance o' last Whit-Monday night exceeded all before ; No pretty girl for miles about was missing from the floor ; But Mary kept the belt of love, and 0, but she was gay ! She danced a jig, she sung a song, that took my heart away. When she stood up for dancing, her steps were so complete The music nearly killed itself to listen to her feet ; The fiddler moaned his blindness, he heard her so much praised, But blessed himself he was n't deaf when once her voice she raised. And evermore I'm whistling or lilting what you sung, Your smüe is always in my heart, your name beside my tongue ; LOVE. 199 But you've as many sweethearts as you'd count on both your hands, And for myself there's not a thumb or little finger stands. 0, you're the flower o' womankind in country or in town ; The higher I exalt you, the lower I'm cast down. If some great lord should come this way, and see your beauty bright. And you to be his lady, I'd own it was but right. O, might we live together in a lofty palace hall. Where joyful music rises, and where scarlet cur¬ tains faU ! 0, might we live together in a cottage mean and small ; With sods of grass the only roof, and mud the only wall ! 0 lovely Mary Donnelly, your beauty's my dis¬ tress ; It's far too beauteous to be mine, but I '11 never wish it less. The proudest place would fit your face, and I am poor and low ; But blessings be about you, dear, wherever you may go ! WILLIAM ALLINGHAM. HER LETTER. I'm sitting alone by the fire. Dressed just as I came from the dance. In a robe even you would admire, — It cost a cool thousand in France ; I'm bediamonded out of all reason. My hair is done up in a cue : In short, sir, " the belle of the season " Is wasting an hour on you. A dozen engagements I've broken ; I left in the midst of a set ; Likewise a proposal, half spoken. That waits — on the stairs — for me yet. They say he 'U be rich, — when he grows up, — And then he adores me indeed. And you, sir, are turning your nose up. Three thousand miles off, as you read. " And how do I like my position ? " " And what do 1 think of New York ? " "And now, in my higher ambition. With whom do I waltz, flirt, or talk ? " " And is n't it nice to have riches And diamonds and silks and aU that ? " " And are n't it a change to the ditches And tunnels of Poverty Flat ? " Well, yes, — if you saw us out driving Each day in the park, four-in-hand ; If you saw poor dear mamma contriving To look supematurally grand, — If you saw papa's picture, as taken By Brady, and tinted at that. You'd never suspect he sold bacon And flour at Poverty Flat. And yet, just this moment, when sitting In the glare of the grand chandelier. In the bustle and glitter befitting The " finest soiree of the year," In the mists of a gaze de chainbéry And the hum of the smallest of talk, — Somehow, Joe, I thought of " The Ferry," And the dance that we had on " The Fork ; " Of Harrison's bam, with its muster Of flags festooned over the wall ; Of the candles that shed their soft lustre And tallow on head-dress and shawl ; Of the steps that we took to one fiddle ; Of the dress of my queer vis-à-vis ; And how I once went down the middle With the man that shot Sandy McGee ; Of the moon that was quietly sleeping On the hill, when the time came to go ; Of the few baby peaks that were peeping From under their bedclothes of snow ; Of that ride, — that to me was the rarest ; Of — the something you said at the gate : Ah, Joe, then I was n't an heiress To "the best-paying lead in the State." Well, well, it's all past ; yet it's funny To think, as I stood in the glare Of fashion and beauty and money. That I should he thinking, right there. Of some one who breasted high water. And swam the North Fork, and all that. Just to dmce with old Folinsbee's daughter. The Lily of Poverty Flat. But goodness ! what nonsense I'm writing ! (Mamma says my taste still is low,) Instead of my triumphs reciting, I'm spooning on Joseph, — heigh-ho ! And I'm to be " finished" by travel. Whatever's the meaning of that, — 0, why did papa strike pay gravel In drifting on Poverty Flat ? Good night, — here's the end of my paper ; Good night, — if the longitude please, — For maybe, while wasting my taper. Your sun's climbing over the trees. 200 POEMS OP THE AFFECTIONS. But know, if you have n't got riches, And are poor, dearest Joe, and all that. That my heart's somewhere there in the ditches, And you've struck it, — on Poverty Flat. Bret Harte. WIDOW MAOHREE. Widow machree, it's no wonder you frown, — Och hone ! widow machree ; Faith, it ruins your looks, that same dirty black gown, — Och hone ! widow machree. How altered your air. With that close cap you wear, — 'T is destroying your hair. Which should be flowing free : Be no longer a churl Of its black silken curl, — Och hone ! widow machree. Widow machree, now the summer is come, — Och hone ! widow machree ; When everything smiles, should a beauty look glum ? Och hone ! widow machree ! See the birds go in pairs. And the rabbits and hares ; Why, even the bears Now in couples agi'ee ; And the mute little fish. Though they can't spake, they wish, — hone ! widow machree ! Widow machree, and when winter comes in, — Och hone ! widow machree, — To be poking the fire all alone is a sin, Och hone ! widow machree ! Sure the shovel and tongs To each other belongs, And the kettle sings songs Full of family glee ; While alone with your cup Like a hermit you sup, Och hone ! widow machree ! And how do you know, with the comforts I've towld, — Och hone ! widow machree, — But you 're keeping some poor fellow out in the cowld ? Och hone ! widow machree ! With such sins on your head. Sure your peace would be fled ; Could you sleep in your bed Without thinking to see Some ghost or some sprite. That would wake you each night. Crying " Och hone ! widow machree ! " Then take my advice, darling widow machree, — Och hone 1 widow machree ! — And with my advice, faith, I wish you'd take me, Och hone ! widow machree ! You'd have me to desire Then to stir up the fire ; And sure hope is no liar In whispering to me That the ghosts would depart When you'd me near your heart, — Och hone ! widow machree ! Samuel Lover. « THE LAIRD O' COCKPEN. The laird o' Cockpen he's proud and he's great. His mind is ta'en up with the things o' the state ; He wanted a wife his braw house to keep. But favor wi' wooin' was fashious to seek. Doun by the dyke-side a lady did dwell. At his table-head he thought she'd look well ; M'Clish's ae daughter o' Claverse-ha' Lee, A penniless lass wi' a lang pedigree. His wig was weel pouthered, and guid as when new ; His waistcoat was white, his coat it was blue ; He put on a ring, a sword, and cocked hat, — And wha could refuse the Laird wi' a' that ? He took the gray mare, and rade cannilie, — And rapped at the yett o' Claverse-ha' Lee ; " Gae tell Mistress Jean to come speedily ben ; She's wanted to speak wi' the Laird o' Cockpen." Mistress Jean she was makin' the elder-flower wine ; " And what brings the Laird at sic a like time ? " She put aff her apron, and on her silk gown, Her mutch wi' red ribbons, and gaed awa' down. And when she cam' ben, he boued fu' low. And what was his enund he soon let her know. Amazed was the Laird when the lady said, Na, And wi' a laigh curtsie she turnèd awa'. Dumfoundered he was, but nae sigh did he gi'e ; He mounted his mare, and rade cannilie. And aften he thought, as he gaed through the glen, " She's daft to refuse the Laird o' Cockpen." And now that the Laird his exit had made. Mistress Jean she reflected on what she had said ; " 0, for ane I '11 get better, it's waur I '11 get ten ; I was daft to refuse the Laird o' Cockpen." LOVE. 201 Neist time that the Laird and the lady were seen, They were gaun arm and arm to the kirk on the green ; Now she sits in the ha' like a weel-tappit hen, But as yet there's nae chickens appeared at Cockpen. Carolina Oliphant, Baroness NaIrne. ♦ THE FAITHFUL LOVERS. 1 'd been away from her three years, — q,hout that. And I returned to find my Mary true ; And though I'd question her, I did not doubt that It was unnecessary so to do. 'T was by the chimney-comer we were sitting : *' Mary," said I, " have you been always tme ?" "Frankly," says she, just pausing in her knit¬ ting, " I don't think I've unfaithful been to you ; But for the three years past I '11 tell you what I've done ; then say if I've been true or not. " When first you left my grief was uncontrollable; Alone I mourned my miserable lot ; And all who saw me thought me inconsolable. Till Captain Clifford came from Aldershott. To flirt with him amused me while't was new : I don't count that unfaithfulness — do you ? "The next — oh! let me see — was Frankie Phipps ; I met him at my uncle's, Christmas-tide, And 'neath the mistletoe, where lips meet lips. He gave me his first kiss — " And here she sighed. "We stayed six weeks at uncle's — how time flew ! I don't count that unfaithfidness — do you ? "Lord Cecil Fossmore — only twenty-one — Lent me his horse. 0, how we rode and raced I We scoured the downs — we rode to hounds — such fun ! And often was his arm about my waist, — That was to lift me up and down. But who Would call just that unfaithfulness ? Would you? " Do you know Reggy Vere ? Ah, how he sings I We met, — 't was at a picnic. O, such weather ! He gave me, look, the first of these two rings When we were lost in Cliefden woods together. Ah, what a happy time we spent, — we two I I don't count that unfaithfulness to you. " I've yet another ring from him ; d' ye see The plain gold circlet that is shining here ? " I took her hand : "0 Mary I can it be That y ou—" Quoth she, ' ' that I am Mrs. Vere. I don't call that unfaithfulness — do you ? " " No," I replied, " for I am married too." Anonymous. COOKING AND COURTING. from tom to ned. Dear Ned, no doubt you '11 be surprised When you receive and read this letter. I've railed against the marriage state ; But then, you see, I knew no better. I've met a lovely girl out here ; Her manner is — well — very winning ; We 're soon to be — well, Ned, my dear, I '11 tell you all, from the beginning. I went to ask her out to ride Last Wednesday — it was perfect weather. She said she could n't possibly : The servants had gone ofl" together (Hibernians always rush away. At cousins' funerals to be looking) ; Pies must be made, and she must stay. She said, to do that branch of cooking. " O, let me help you," then I cried : " I '11 be a cooker too — how jolly I " She laughed, and answered, with a smile, " All right I but you '11 repent your folly ; For I shall be a tyrant, sir. And good hard work you '11 have to grapple ; So sit down there, and don't you stir. But take this knife, and pare that apple." She rolled her sleeve above her arm, — That lovely arm, so plump and rounded ; Outside, the morning sun shone bright ; Inside, the dough she deftly pounded. Her little fingere sprinkled flour. And rolled the pie-crust up in masses : I passed the most delightful hour Mid butter, sugar, and molasses. With deep reflection her sweet eyes Gazed on each pot and pan and kettle : She sliced the apples, filled her pies. And then the upper crust did settle. Her rippling waves of golden hair In one great coil were tightly twisted ; But locks would break it, here and there. And curl about where'er they listed. And then her sleeve came down, and I Fastened it up — her hands were doughy ; O, it did take the longest time I — Her arm, Ned, was so round and snowy. 202 POEMS OF THE AFFECTIONS. She blushed, and trembled, and looked shy ; Somehow that made me all the holder ; Her arch lips looked so red that I — Well — found her head upon my shoulder. We 're to be married, Ned, next month; Come and attend the wedding revels. I really think that bachelors Are the most miserable devils ! You'd better go for some girl's hand ; And if you are uncertain whether You dare to make a due demand. Why, just try cooking pies together. Anonymous. POSSESSION. A Poet loved a Star, And to it whispered nightly, " Being so fair, why art thou, love, so far ? Or why so coldly shine, who shin'st so brightly ? 0 Beauty wooed and uupossest ! 0, might I to this beating breast But clasp thee once, and then die blest ! " That Star her Poet's love. So wildly warm, made human ; And leaving, for his sake, her heaven above. His Star stooped earthward, and became a Woman. " Thou who hast wooed and hast possest. My lover, answer : Which was best, The Star's beam or the Woman's breast ?" "I miss from heaven," the man replied, " A light that drew my spirit to it." And to the man the woman sighed, " I miss from earth a poet." Robert Bulwer, lord Lvtton. (Orveu Aferedith.) THE AGE OF WISDOM. Ho ! pretty page, with the dimpled chin. That never has known the barber's shear, All your wish is woman to win ; This is the way that boys begin, — Wait till you come to forty year. Curly gold locks cover foolish brains ; Billing and cooing is all your cheer, — Sighing, and singing of midnight strains. Under Bonny bell's window-panes, — Wait till you come to forty year. Forty times over let Michaelmas pass ; Grizzling hair the brain doth clear ; Then you know a boy is an ass. Then you know the worth of a lass, — Once you have come to forty year. Pledge me round ; I bid ye declare. All good fellows whose beards are gray, — Did not the fairest of the fair Common grow and wearisome ere Ever a month was past away ? The reddest lips that ever have kissed, The brightest eyes that ever have shone. May pray and whisper and we not list. Or look away and never be missed, — Ere yet ever a month is gone. Gillian's dead ! God rest her bier, — How I loved her twenty years syne ! Marian's married ; but I sit here. Alone and merry at forty year. Dipping my nose in the Gascon wine. William Makepeace Thackeray. THE FIRE OF LOVE. from the " examen miscellaneum." j708. « The fire of love in youthful blood. Like what is kindled in brushwood. But for a moment bui-ns ; Yet in that moment makes a mighty noise ; It crackles, and to vapor turns. And soon itself destroys. But when crept into aged veins It slowly burns, and then long remains. And with a silent heat. Like fire in logs, it glows and warms 'em long ; And though the flame be not so great. Yet is the heat as strong. Charles Sackville, Earl of Dorset. » LOVE. from the "lay of the last minstrel, ' canto iil And said I that my limbs were old. And said I that my blood was cold. And that my kindly fire was fled. And my poor withered heart was dead, "And that I might not sing of love ? — How could I, to the dearest theme That ever warmed a minstrel's dream. So foul, so false a recreant prove ! How could I name love's very name. Nor wake my heart to notes of flame ! In peace, Love tunes the shepherd's reed ; In war, he mounts the warrior's steed ; In halls, in gay attire is seen ; In hamlets, dances on the gi'een. f FRAGMENTS. 20^"^ ^ Love rules the court, the camp, the grove, And men below, and saints above ; For love is heaven, and heaven is love. True love's the gift which God has given To man alone beneath the heaven ; It is not fantasy's hot fire. Whose wishes, soon as granted, fly ; It liveth not in fierce desire. With dead desire it doth not die ; It is the secret sympathy. The silver link, the silken tie. Which heart to heart, and mind to mind. In body and in soul can bind. sir Walter Scott. 4 FEAGMENTS. Power of Love and Beattty. Love, like death. Levels all ranks, and lays the shepherd's crook Beside the sceptre. Lady of Lyons. e. bulwer-lytton. Didst thou hut know the inly touch of love. Thou wouldst as soon go kindle fire with snow. As seek to quench the fire of love with words. Two Gentlemen of Verona, Act ii. Sc. 7. SHAKESPEARE# Thy fatal shafts unerring move, 1 bow before thine altar. Love ! Roderick Random, Ch. xL T. SMOLLETT. Alas ! the love of women ! it is known To be a lovely and a fearful thing. Don yuan. Cant. u. byron. Mightier far Than strength of nerve or sinew, or the sway Of magic potent over sun and star. Is love, though oft to agony distrest. And though his favorite seat be feeble woman's breast. Laodamia. wordsworth. There's a bUss beyond all that the minstrel has told. When two, that are linked in one heavenly tie. With heart never changing, and brow never cold. Love on through all ills, and love on till they die ! One hour of a passion so sacred is worth Whole ages of heartless and wandering bliss ; And 0, if there be an Elysium on earth. It is this, it is this. Lalla Rookh : Light of the Harem. MOORE. Those curious locks so aptly twined Whose every hair a soul doth bind. Think not 'cause men flattering say. T. CAREW. To sport with Amaryllis in the shade, Or with the tangles of Nesera's hair. Lycidccs. MiLTON. And beauty draws us with a single hair. Rape of the Lock, Cant. ii. POPE. Lie ten nights awake, carving the fashion of a new doublet. Much Ado about Nothing, Act ii. Sc. 3« SHAKESPEARE. still harping on my daughter. Hamlet, Act ii. Sc. s. Shakespeare. This is the very ecstasy of love. Hamlet, Act ii. Sc. I. SHAKESPEARE. The light that lies In woman's eyes. The time I've tact. MOORE. It adds a precious seeing to the eye. Love's Labor Lost, Act iv. Sc. 3. SHAKESPEARE. I With a smile that glowed ' Celestial rosy red, love's proper hue. Paradise Lost, Book viii. MiLTON. Hung over her enamored, and beheld Beauty, which, whether waking or asleep. Shot forth peculiar graces. Paradise Lost, Book v. Milton. Love's Blindness. Love looks not with the eyes, but with the mind. And therefore is winged Cupid painted blind. Midsummer Night's Dream, Acti. Sc. x. SHAKESPEARE. None ever loved but at first sight they loved. BliTtd Beggar of Alexandria, GEO. CHAPMAN. Wlro ever loved that loved not at first sight ? Hero and Leander. c. MarlOwe. But love is blind, and lovers cannot see The pretty follies that themselves commit. Merchant of Venice, Act ii. Sc. 6. SHAKESPEARE. Charms strike the sight, but merit wins the soul. Rafe of the Lock, Cant. v. POPE. Our souls sit close and silently within. And their own web from their own entrails spin ; And when eyes meet far off, our sense is such, That, spider-Uke, we feel the tenderest touch. Mariage à la Mode, Act W. Sc. X. DRYDEN. á 204 POEMS OF THE AFFECTIONS. Love's Pains. A mighty pain to love it is. And't is a pain that pain to miss ; But of aU pains, the greatest pain It is to love, but love in vain. Cold. A. COWLEV. The sweetest joy, the wildest woe is love ; The taint of earth, the odor of the skies Is in it Festus. p. J. BAILEY. Chords that vibrate sweetest pleasure TliriU the deepest notes of woe. On Sensibility* BURNS. Two Gentlemen of Verona, Act i. Sc* i. SHAKESPEARE. Love is like a landscape which doth stand Smooth at a distance, rough at hand. On Love. R. HEGGH Vows with so much passion, swears with so much grace, That't is a kind of heaven to be deluded by him. Alexander the Great, Act i. Sc. 3. N. LEE. To love you was pleasant enough, And O, 't is delicious to hate you ! To — MOORE Sighs, Tears, and Smiles. To love, It is to be all made of sighs and tears. As You Like It, Act v. Sc* a. SHAKESPEARE. The world was sad, — the garden was a wild ; And Man, the hermit, sighed — tiU Woman smiled. Pleasures of Hope, Part L T. CAMPBELL. o father, what a hell of witchcraft lies In the small orb of one particular tear ! A Lover's Complaint, St. xUi. SHAKESPEARE. Sighed and looked unutterable things. The Seasons : Summer. THOMSON. U Sunshine and rain at once. JCin£' Lear, Act iv. Sc. 3. SHAKESPEARE. Smiles from reason flow. To brute denied, and are of love the food. Paradise Lost, Book ix. MiLTON. The rose is fairest when 'tis budding new. And hope is brightest when it dawns from fears. The rose is sweetest washed with morning dew. And love is loveliest when embalmed in tears. Lady of the Lake, Cant. iv. SCOTT. Fantastic t3rTant of the amorous heart. How hard thy yoke ! how cruel is thy dart ! Those 'scape thy anger who refuse thy sway. And those are punished most who most obey. Solomon, M. PRIOR. To be in love where scorn is bought with groans ; Coy looks, with heart-sore sighs; one fading moment's mirth. With twenty watchful, weary, tedious nights : If haply won, perhaps a hapless gain ; If lost, why then a grievous labor won. Shyness of Love. Silence in love bewrays more woe Than words, though ne'er so witty ; A beggar that is dumb, you know. May challenge double pity. The Silent Lover. Sir w. Raleigh. Read it, sweet maid, though it be done but slightly : Who can show all his love doth love but lightly. Sonnet. S. DANIEL. I never tempted her with word too large ; But, as a brother to his sister, showed Bashful sincerity, and comely love. Muck Ado about Jiothing-, Act iv. Sc* x. SHAKESPEARE. Arts of Love. Of all the paths lead to a woman's love Pity's the straightest. Knight 0/Malta, Act i. Sc. i. BEAUMONT and FLETCHER. So mourned the dame of Ephesns her love ; And thus the soldier, armed with resolution. Told his soft tale, and was a thriving wooer. Richard III. {Altered), Act ii. Sc. i. COLLEY ClBBER. The Devil hath not, in all his quiver's choice. An arrow for the heart like a sweet voice. Don Juan, Cant. xv. BYRON. Love first invented verse, and formed the rhyme. The motion measured, harmonized the chime. Cymon and Iphigenia* Drvden. Pleased me, long choosing and beginning late. Paradise Lost, Book ix. MILTON. None without hope e'er loved the brightest fair. But love can hope where reason would despair. Epigram. GEORGE, LORD LYTTELTON. Idle Love. My only books Were woman's looks. And folly's all they've taught me. The time I've lost íí- FRAGMENTS. 205 -Qi Love in your hearts as idly bums As fire in antique Roman urns. ffudibraSt Part n. Cani. t. BUTLER. Love sought is good, but given unsought is better. Twelfth Night, Act ii. Sc. 5. SHAKESPEARE. Discriminating Love. The rose that all are praising Is not the rose for me ; Too many eyes are gazing Upon the costly tree ; But there's a rose in yonder glen That shuns the gaze of other men. For me its blossom raising, — O, that's the rose for me. The rose that all are praising. T. H. BAYLY. But the fruit that can fall without shaking. Indeed is too mellow for me. The Answer. LAOV MAKV W. Mo.NTAGU. Love in a hut, with water and a crust. Is — Lord forgive us ! — cinders, ashes, dust. Lamia, KEATS. The cold in clime are cold in blood. Their love can scarce deserve the name. The Giaour, BYRON. Love's Dangers. And when once the young heart of a maiden is stolen. The maiden herself will steal after it soon. /// Omens, MoORE. And whispering, " I will ne'er consent," — con¬ sented. Don Juan, Cant. i. BYRON. The fly that sips treacle is lost in the sweets. Beggar's Opera, Act ii. Sc. 2, J, GAY. Then fly betimes, for only they Conquer Love, that run away. Conquest by Flight, T. Carew. The Sweets of Love. Then awake ! — the heavens look bright, my dear ! 'T is never too late for delight, my dear ! And the best of all ways To lengthen our days, Is to steal a few hours from the night, my dear ! Young May Moon, MOORE. Lovers' hours are long, though seeming short. Venus and Adonis, Shakespeare 0 Love ! 0 fire ! once he drew With one long kiss my whole soul through My lips, as sunlight drinketh dew. Fatima. TENNYSON. A long, long kiss, a kiss of youth and love. Don yuan. Cant. ii. BYRON. O'er her warm cheek, and rising bosom, move The bloom of young Desire and purple light of Love. Progress of Poesy, T.GRAY. Still amorous, and fond, and billing, Like Philip and Mary on a shilling. Hudibras, Part. iu. Cant.i, BUTLER. And dallies with the innocence of love. Twelfth Night, Act iL Sc. A SHAKESPEARE. And, touched by her fair tendance, gladlier grew. Paradise Lost, Book viii. MILTON. Why, she would hang on him. As if increase of appetite had grown By what it fed on. Hamlet, Act i. Sc. 2, SHAKESPEARE. Imparadised in one another's arms. Paradise Lost, Book iv. MiLTON. Mutual Love. Two souls with but a single thought. Two hearts that beat as one. Ingomar the Barbarian, Act \\, MARIA LOVELL. Ferd. Here's my hand. Miran. And mine, with my heart in't. Temfest, Act Hi. Sc. i. Shakespeare. What's mine is yours, and what is yours is mine. Measure for Measure, Acty.Sc. 1. SHAKESPEARE. Drink ye to her that each loves best. And if you nurse a flame That's told but to her mutual breast. We will not ask her name. Dri7tk ye to her. Campbell. Forever, Fortune, wilt thou prove An unrelenting foe to love ; And, when we meet a mutual heart. Come in between and bid us part ? Song. And you must love him, ere to you He will seem worthy of your love. A Poet's Epitaph, WORDSWORTH Ye gods ! annihilate but space and time, And make two lovers happy. Martinus Scriblerus on the Art of Sinking in Poetry, Ch. xi. pope. !&- á 3-, 206 POEMS OF THE AFFECTIONS. -a Sweet to entrance The raptured soul by intermingling glance. PsyclK. Mrs. Tighe. True beauty dwells in deep retreats, Whose veil is unremoved Till heart with heart in concord beats, And the lover is beloved. To » wordsworth. 0 that the desert were my dwelling-place. With one fair Spirit for my minister. That 1 might all forget the human race. And, hating no one, love but only her ! Ckilde Harold, Cant, iv. Byron. With thee, all toils are sweet ; each clime hath charms ; Earth — sea alike—our world within our arms. The Bride of Abydot. bvron. True Love. Love is a celestial harmony Of likely hearts. Hymn in Honor o/ Beauty. SPENSER. The Gods approve The depth, and not the tumult, of the soul ; A fervent, not ungovernable, love. Thy transports moderate. Laodamia. wordsworth. In his deportment, shape, and mien appeared Elysian beauty, melancholy grace, Brought from a pensive, though a happy place. He spake of love, such love as Spirits feel In worlds whose course is equable and pure ; No fears to beat away, — no strife to heal, — The past unsighed for, and the future sure. Laodamia. wordsworth. There's beggary in the love that can be reckoned. Antony and Cleopatra, Act i. Sc. i. SHAKESPEARE. Forty thousand brothers Could not, with all their quantity of love, Make up my sum. HamUt,Acty.Sc.\. SHAKESPEARE. Tender Affection. So loving to my mother. That he might not beteem the winds of heaven Visit her face too roughly. Hatnlet, Act i. Sc. 2. Shakespeare. Dear as the vital warmth that feeds my life ; Dear as these eyes, that weep in fondness o'er thee. Venice Preserved, Act v. Sc. i. T. Otway. Dear as the light that visits these sad eyes ; Dear as the ruddy drops that warm my heart. The Bard, i. 3. T. GRAY. As dear to me as are the ruddy drops That visit my sad heart. Julius Casar, Act ii. Sc. i. SHAKESPEARE. With thee conversing 1 forget all time ; All seasons and their change, all please alike. But neither breath of mom when she ascends With charm of earliest birds, nor rising sun On this delightful land, nor herb, fruit, flower. Glistering with dew, nor fragrance after showers. Nor grateful evening mild, nor silent night With this her solemn bird, nor walk by moon, Or glittering starlight, without thee is sweet. Paradise Lost, Book iy. MILTON. Constancy. All love is sweet. Given or returned. Common as light is love. And its familiar voice wearies not ever. Prometheus Unbound, Act ii. Sc. 5. SHELLEY, Love is indestructible : Its holy flame forever burneth ; From Heaven it came, to Heaven retumeth ; It soweth here with toil and care. But the harvest-time of Love is there. Curse 0/ Kehanxa, Cant.x, R, SOUTHSY* They sin who tell us Love can die : With Life all other passions fly. All others are but vanity. Curse of Kehama, Cant. x. R. SOUTHEY. Doubt thou the stare are fire. Doubt that the sun doth move ; Doubt truth to be a liar. But never doubt I love. Hamlet, Act ii. Sc. a. shakespeare. When love begins to sicken and decay. It useth an enforcèd ceremony. There are no tricks in plain and simple faith. Julius Casar, Act iv. Sc. 2. shakespeare. She hugged the offender, and forgave the offenca Sex to the last. Cymon and iphigenia. DRYOENe FRAGMENTS. 207 Lightly thou say'st that woman's love is false, The thought is falser far. Bertram. R. MATURIN. You say to me-wards your affection's strong ; Pray love me little, so you love me long. Love me little, love me long. R. HERRICK. Let those love now who never loved before. Let those who always loved now love the more.' Pervigilium Veneris. T. ParNELL. Inconstancy and Jealottst. All love may be expelled by other love As poisons are by poisons. AU/or Lave. DRVDEN. Frailty, thy name is woman ! Hamlet, Act i. Sc. 2. SHAKESPEARE. Ham. Is this a prologue, or the posy of a ring ? Oph. 'T is brief, my lord. Ham. As woman's love. Hamlet, Act iiL Sc. 1. SHAKESPEARE. A little month. Hamlet, Act i. Sc. 2. shakespeare. Framed to make women false. OthcUa, Act i. Sc. 3. Shakespeare. To beguile many, and be beguiled by one. Othetta, Act iv. Sc. i. SHAKESPEARE. The lady doth protest too much, niethinks. Hamlet, Act Hi. Sc, 2. SHAKESPEARE. O, swear not by the moon, the inconstant moon. That monthly changes in her circled orb. Lest that thy love prove likewise variable. Ramea and fulicl. Act u. Sc, 2. shakespeare. O, beware, my lord, of jealousy ; It is the green-eyed monster which doth mock The meat it feeds on. Otheila, Actm. Sc. 3. Shakespeare. To be once in doubt. Is once to be resolved. Oltietla, Actm. Sc. 3. shakespeare. That we can call these delicate creatures ours. And not their appetites ! otheila. Act iU. Sc. 3. SHAKESPEARE. But, O, what damnèd minutes tells he o'er. Who dotes, yet doubts ; suspects, yet strongly loves ! otheila. Act ill. Xi. 3. SHAKESPEARE. Trifles, light as air. Are to the jealous confirmations strong As proofs of holy writ. otheila. Act Hi. Sc, 3. SHAKESPEARE. With groundless fear he thus his soul deceives : What phrenzy dictates, jealousy believes. Dione. J. Gay. At lovers' perjuries. They say, Jove laughs. Romeo and Juliet, Act ii. Sc. 2. SHAKESPEARE. Fool, not to know that love endures no tie. And Jove but laughs at lovers' perjury. Palamon and Arcite, Book'Ú, DRVDEN. Nor jealousy Was vmderstood, the mjured lover's hell. Paradise Lost, Book y. MILTON. Good heaven, the souls of all my tribe defend From jealousy ! Othello, Act iii. Sc. %. Shakespeare. Heaven has no rage like love to hatred turned. Nor hell a fury like a woman scorned. The Mourning Bride, Act iii. Sc. 8. W, CONGREVE. t Who love too much hate in the like extreme. Homer's Odyssey. POPE. They that do change old love for new. Pray gods, they change for worse ! The Arraignment of Paris : Cupids Curse. G. PEELE. POSSESSrON. I die — but first I have possessed. And come what may, 1 Jiavt heen blest. TheCtaaur. BYRON. 1 've lived and loved. IVaUensiein, Part 1. Actü. Sc. 6. S. T. coleridge. 208 POEMS OF THE AFFECTIONS. a MAREIAQE. SONNET. Let me not to the marriage of true minds Admit impediments : love is not love, Which alters when it alteration finds. Or bends with the remover to remove ; O, no ! it is an ever-fixed mark. That looks on tempests, and is never shaken ; It is the star to every wandering bark, Whose worth's unknown, although his height be taken. Love's not Time's fool, though rosy lips and cheeks Within his bending sickle's compass come ; Love alters not with his brief hours and weeks. But bears it out even to the edge of doom. If this be error, and upon me proved, I never writ, nor no man ever loved. shakespeare. LOVE. There are who say the lover's heart Is in the loved one's merged ; 0, never by love's own warm art ^o cold a plea was urged ! No ! — hearts that love hath crowned or crossed Love fondly knits together ; But not a thought or hue is lost That made a part of either. It is an ill-told tale that tells Of "hearts by love made one ; "' He grows who near another's dwells More conscious of his own ; In each spring up new thoughts and powers That, mid love's warm, clear weather. Together tend like climbing flowers, And, turning, grow together. Such fictions blink love's better part. Yield up its half of bliss ; The wells are in the neighbor heart When there is thirst in this ; There findeth love the passion-flowers On which it learns to thrive. Makes honey in another's bowei's. But brings it home to hive. Love's life is in its own replies, — To each low beat it beats, Smiles back the smiles, sighs back the sighs. And every throb repeats. Then, since one loving heart still throws Two shadows in love's sun. How should two loving hearts compose And mingle into one ? THOMAS Kibble hervev. THOU HAST SWORN BY THY GOD, MY JEANIE. Thou hast sworn by thy God, my Jeanie, By that pretty white hand o' thine. And by a' the lowing stars in heaven. That thou wad aye be mine ! And 1 hae sworn by my God, my Jeanie, And by that kind heart o' thine. By a' the stars sown thick owre heaven, That thou shalt aye be mine ! Then foul fa' the hands that wad loose sic bands. And the heart that wad part sic luve ! But there's nae hand can loose the band. But the finger o' God abuve. Though the wee, wee cot maun be my bield. An' my claithing ne'er sae mean, 1 wad lap me up rich i' the faulds o' luve, — Heaven's armfu' o' my Jean ! Her white ann wad be a pillow to me, Fu' safter than the down ; An' Luve wad winnow owre us his kind, kind wings. An' sweetly 1 'd sleep, an' soun'. Come here to me, thou lass o' my luve ! Come here and kneel wi' me ! The mom is fu' o' the presence o' God, An' 1 canna pray without thee. The morn-wiud is sweet 'mang the beds o' new flowers. The wee bii'ds sing kindlie an' hie ; Our gudeman leans owre his kail-yard dike. And a blythe auld bodie is he. The Book maun be ta'en whan the carle comes hame, Wi' the holie psalmodie ; And thou maun speak o' me to thy God, And 1 WÜ1 speak o' thee. Allan Cunningham 9 f MAIIUIAGE. 209 •a ADAM DESCTJBING EVE. FROM "PARADISE LOST," DOOK VIII. Mixe eyes he closed, but open left the cell OffaiTcy, my" internal sight," by whicli Abstract, as in a trance, methought I saw. Though sleeping, where 1 lay, and saw the shape Still glorious before whom awake I stood ; AVho, stooping, opened my left side, and took From thence a rib, with cordial spirits warm, x\nd life-blood streaming fresh ; wide was the wound. But suddenly with flesh filled up and healed ; The rib ho formed and fashioned with his hands ; Under his forming hands a creature grew. Manlike, but different sex, so lovely fair. That what seemed fair in all the world seemed now Mean, or in her summed up, in her contained Ami in her looks, which from that time infuse 1 Mveetness into my heart, unfelt before, \ ml into all things from her air inspired 1 lie spirit of love and amorous klelightj Mie disappeared, and left me dark ; I waked 'i'u find her, or forever to deplore Her loss, and other pleasures all abjure : When out of hope, behold her, not far off. Such as I saw her in my dream, adorned With what all earth or Heaven could bestow To make her amiable. On she eame, Led by her heavenly Maker, though unseen. And guided by his voice, nor uninformed Of nuptial sanctity and marriage rites : Grace was in all her stops, Heaven in her eye. In every gesture dignity and love. I, overjoyed, could not forbear aloud : " This turn hath made amends ; thou hast fulfilled Thy words, Creator^bounteous and benign. Giver of all things fair, but fairest this Of all thy gifts, nor enviest. I now see Bone of my bone, (lesh of my flesh, myself Before me; Woman is her name, of man Extracted : for this cause ho shall forego Father and mother, and to his wife adhere ; And they shall be one flesh, one heart, one soul. " She heard me thus, and though diviuely brought, A"et innocence and virgin modesty. Her virtue and the conscience of her worth. That would be wooed, and not unsought be won, Not obvious, not obtrusive, but retired. The more desirable ; or, to say all. Nature herself, though pure of sinful thought. Wrought in her so, that, seeing me, she turned ; I followed her ; she what was honor knew. And with obsequious majesty approved My pleaded reason. To the nuptial bower I led her blushing like the morn : all Heaven, And happy constellations on that hour Shed their selectest influence ; the eai tli Gave sign of gratulation, and each hill ; Joyous the bii-ds ; fiesh gales and gentle airs Whi.spercd it to the woods, and from their wings Flung rose, flung odors from the spicy shrub. Disporting, till the amorous bird of night Sung spousal, and bid haste the evening star On his hill-top, to light the bridal lamp. When I approach Her loveliness, so absolute she .seems. And in herself complete, so well to know Her own, that what she wills to do or say Seems wisest, virtuousest, discreetest, best ; All higher knowledge in her presence falls Degraded, wisdom in discourse with her Loses discountenanced, and like folly shows ; Authority and reason on her wait. As one intended first, not after made Occasionally ; and, to consummate all, ( ireatness of mind and nobleness their seat Build in her loveliest, and create an awe -Vbout her, as a guard angelic placed. Neither her outside formed so fair, nor aught So much delights me, as those graceful acts. Those thousand decencies that daily flow From all her words and actions, mixed with love And sweet compli.ance, which declare unfeigned Union of mind, or in us both one soul ; Harmony to behold in wedded pair More grateful than harmonious sound to the ear. TO A LADY BEFORE MARRIAGE 0, formed by Nature, and refined by Art, With charms to win, and sense to fix the heart ! By thousands sought, Clotilda, canst thon free Thy crowd of captives and descend to me ? Content in shades obscure to waste thy life, A hidden beauty and a country wife ? 0, listen while thy summers are my theme ! Ah ! soothe thy partner in his waking dream ! In some small hamlet on the lonely idain. Where Thames through meadows rolls his mazy train. Or where high Windsor, thick with greens ar¬ rayed, Waves his old oaks, and spreads his ample shade. Fancy has figured out our calm retreat ; Already round the visionary seat Our limes begin to shoot, onr flowers to spring. The brooks to murmur, and the birds to sing. -EP 210 POEMS OF THE AFFECTIONS. Where dost thou lie, thou thinly peopled green, Thou nameless lawn, and village yet unseen. Where sons, contented with their native ground. Ne'er travelled further than ten furlongs r ound. And the tanned peasant and his ruddy bride Were born together, and togetlier dieil. Wher e early larks best tell the mornirrg light. And only Philomel disturbs the rright ? Midst gardetrs here my humble pile shall rise. With sweets surrounded of ten thousand dyes ; All savage where the embroidered gardens end. The haunt of echoes, shall rny woods ascend ; Arrd oh ! if Heaven the ambitious thought ap¬ prove, A rill shall warble 'cross the gloomy grove, — A little rill, o'er pebbly bods conveyed. Gush down the steep, and glitter through the glade. What cheering scents these bordering banks ex¬ hale ! How loud that heifer lows from yonder vale ! That thrush how shrill ! his note so clear, so high, He drowtrs each feathered minstrel of the sky. Here let nre trace beneath the purpled nior-n The deep-mouthed beagle arrd the sprightly horn. Or lure the trout with well-dissembled flies. Or fetch the flutterirrg partridge from the skies. Nor shall thy hand disdain to cr op the vine. The dowrry peach, or flavored nectarine ; Or rob the beehive of its golden hoard. And bear the unbought luxuriaueo to thy board. Sometimes rny books by day shall kill the hours. While from thy tteedlc rise the silkcir Hewers, And thou, by turns, to ease nry feeble sight. Resume the volume, and deceive the night. O, when 1 mark thy twinklirrg eyes opprest, Soft whispering, let rrte warn nry love to rest ; Then watch thee, charmed, while sleep locks every sense. And to sweet Heaven commend thy innocence. Thus reigned our fathers o'er the rural fold. Wise, hale, arrd honest, in the days of old ; Till courts arose, where substance pays for show. And specious joys are boirght with real woe. Thomas Tickell. THE NIGHT BEFORE THE WEDDING; OR, TEN YEARS AFTER. The country ways are full of mire. The boughs toss in the fading light. The winds blow out the sunset's fire, And snddetr dr oppeth down the night. I sit in this fanriliar room. Where rnud-splashed hunting squires resort ; My sole conrpartion in the gloom This slofl'ly dying piut of port. 'Mong all the joys my soul hath known, 'Mong errors over which it grieves, I sit at this dark hour alone. Like Autumn mid his withered leaves. This is a night of wild farewells To all the past, the good, the fair ; To-morrow, and my wedding bells Will make a music in the air. Like a wet fisher tempest-tost. Who sees throughout the weltering night Afar on some low-lying coast The streaming of a rainy light, I saw this hour, — and now't is come ; The rooms are lit, the feast is set ; Within the twilight 1 am dumb. My heart filled with a vague regret. I cannot say, in Eastern style. Where'er she treads the pansy blows ; Nor call her eyes twin stars, her smile A sunbeam, and her mouth a rose. Nor can I, as your bridegrooms do. Talk of my raptiu-es. O, how sore The fond romance of twenty-two Is parodied ere thirty-four ! To-night I shake hands with the past, — Familiar j'ears, adieu, adieu ! An unknown door is open cast. An empty future wide and new Stands waiting. O ye naked rooms. Void, desolate, without a charm! Will Love's smile chase your lonely glooms. And drape your walls, and make them warm ? The man who knew, while he was young. Some soft and soul-subduing air. Melts when again he hears it .sung. Although't is only half so fair. So I love thee, and love is sweet (My Florence, 't is the cruel truth) Because it can to age repeat That long-lost passion of my youth. 0, often did my spirit melt. Blurred lettere, o'er your artless rhymes ! Fair tress, in which the sunshine dwelt, I've kissed thee many a million times ! And now't is done. — My passionate tears. Mad pleadings with an iron fate. And all the sweetness of my years. Are blackened ashes in the grate. Then ring in the wind, my wedding chimes ; Smile, villagers, at every door ; Old churchyard, stuffed with buried crimes. Be clad in sunshine o'er and o'er ; -0 MARRIAGE. 211 And youthful maidens, white and sweet, Scatter your blossoms far and wide ; And with a bridal chorus greet This happy bridegroom and his bride. " This happy bridegroom !" there is sin At bottom of my thankless mood : What if desert alone could win For me life's chiefest grace and good? Love gives itself ; and if not given. No genius, beauty, state or wit. No gold of earth, no gem of heaven. Is rich enough to purchase it. It may be, Florence, loving thee. My heart will its old memories keep; Like some worn sea-shell from the sea. Filled with the music of the deep. And you may watch, on nights of rain, A shadow on my brow encroach ; Be startled by my sudden pain. And tenderness of self-reproach. It may be that your loving wiles Will call a sigh from far-off years ; It may be that your happiest smiles Will brim my eyes with hopeless tears ; It may be that my sleeping breath Will shake, with painful visions wrung ; And, in the awful trance of death, A stranger's name be on my tongue. Ye phantoms, bom of bitter blood. Ye ghosts of passion, lean and worn. Ye teiTors of a lonely mood. What do ye here on a wedding-mom ? For, as the dawning sweet and fast Through all the heaven spreads and flows. Within life's discord, rade and vast. Love's subtle music grows and grows. And lightened is the heavy cm'se. And clearer is the weary road ; The very worm the sea-weeds nurse Is cared for by the Eternal God. My love, pale blossom of the snow. Has pierced earth wet with wintry showers, — 0 may it drink the sun, and blow. And be followed by all the year of flowers ! Black Bayard from the stable bring ; The rain is o'er, the wind is down. Round stirring farms the birds will sing. The dawn stand in the sleeping town. Within an hour. This is her gate. Her sodden roses droop in night. And — emblem of my happy fate — In one dear window there is light. The dawn is oozing pale and cold Through the damp east for many a mile ; When half my tale of life is told. Grim-featured Time begins to smile. Last star of night that lingerest yet In that long rift of rainy gray. Gather thy wasted splendors, set, And die into my wedding day. Alexander Smith. —• THE BRIDE. from "a ballad upon a wedding." » • • • • The maid, and thereby hangs a tale. For such a maid no Whitsun-ale Could ever yet proiluce : No grape that's kindly ripe could be So round, so plump, so soft as she. Nor half so full of juice. Her finger was .so small, the ring Would not stay on which they did bring, — It was too wide a peck ; And, to say truth, — for out it must, — It looked like the great collar—just — About our young colt's neck. Her feet beneath her petticoat. Like little mice, stole in and out. As if they feared the light ; But O, she dances such a way ! No sun upon an Easter-day Is half so fine a sight. Her cheeks so rare a white was on. No daisy makes comparison ; Who sees them is undone ; For streaks of red were mingled there. Such as are on a Katherine pear. The side that's next the sun. Her lips were red ; and one was thin. Compared to that was next her chin. Some bee had stung it newly ; But, Dick, her eyes so guard her face, I durst no more upon them gaze. Than on the sun in July. Her mouth so small, when she does speak. Thou 'dst swear her teeth her words did break. That they might passage get ; But she so handled still the matter. They came as good as ours, or better. And are not spent a whit. • , • . . SIR John succling. 212 POEMS OP THE AFFECTIONS. THE BRIDE. from " the epithalamion." Loe ! where she conies along with portly pace, Lylce Phœbe, from her chamber of tlie East, Arysing forth to run her mighty race. Clad all in white, that seems a virgin best. So well it her beseems, that ye would weene Some angelí she had beene. Her long loose yellow locks lyke golden wyre, Sprinekled with perle, and pei ling Howresatwcene, Doe lyke a golden mantle her attyre, And, being crowned with a girland greene. Seem lyke some niäyden queene. Her modest eyes, aliashed to behold So many gazers as on her do stare. Upon the lowly ground affixed are. Ne dare lift up her countenance too bold. But blush to heare her prayses sung so loud, — So faire from being proud. Nathlesse doe ye still loud her prayses sing. That all the woods may answer, and your eccho ring. Tell me, ye merchants daughters, did ye see So fayre a creature in your towne before ; So sweet, so lovely, and so mild as she, Adomd with bcautyes grace and vertues store ? Her goodly eyes lyke saphyres shining bright. Her forehead yvoiy white. Her clieekes lyke apples which the sun hath nidded. Her lips lyke cherries, charming men to byte. Her brest lyke to a bowl of creame uncrudded. Her paps lyke lyllies budded. Her snowie necke lyke to a marble towre. And all her body like a pallace fayre. Ascending up, with many-a stately stay re. To honors seat and chastities sweet bowre. Why stand ye still, ye virgins, in amaze, ITpon her so to gaze, AVhiles ye forget your former lay to sing. To which'the woodS|did aqiswer, anc^' your eccho ring? Edmund Spenser. HEBREW WEDDING. from "the fall of jerusalem." To the sound of timbrels sweet Moving slow our solemn feet, We have home thee on the road To the virgin's blest abode ; With thy yellow torches gleaming, And thy scarlet mantle streaming. And the canopy above Swaying as we slowly move. Thou hast left the joyous feast. And the mirth and wine have ceased ; And now we set thee down before The jealously unclosing door. That the favored youth admits Where the vcilèd virgin sits In the bliss of maiden fear. Waiting our soft tread to hear. And the" music's brisker din At the bridegroom's entering in. Entering in, a welcome guest. To the chamber of his rest. CHOEtJS of MAIDENS. Now the jocund song is thine. Bride of David's kingly line ; How thy dove-like bosom trembleth, And thy shrouded eye resembleth Violets, when the dews of eve A moist and tremulous glitter leave On the bashful sealed lid ! Close within the bride-veil hid. Motionless thou sitt'st and mute ; Save that at the soft salute Of each entering maiden friend. Thou dost rise and softly bend. Hark ! a brisker, merrier glee ! The door unfolds, — 't is he ! 't is he ! Thu.s we lift our lamps to meet him. Thus we touch our lutes to greet him. Thou shalt give a fonder meeting, Then shalt give a tenderer greeting. henry hart MlLUAM. MARRIAGE. from human life." Then before All they stand, —the holy vow And ring of gold, no fond illusions now, Bind her as his. Across the threshold led. And every tear kissed off as soon as shed. His house she entere, —there to be a light. Shining within, when all without is night ; A guardian angel o'er his life presiding. Doubling his pleasures and his cares dividing. Winning him back when mingling in the throng. Back from a world we love, alas ! too long, To fireside happiness, to hours of ease, Blest with that charm, the certainty to please, How oft her eyes read his ; her gentle mind To all his wishes, all his thoughts inclined ; Still subject, — ever on the watch to borrow Mirth of his mirth and sorrow of his sorrow ! MARRIAGE. The soul of music slumbers in the shell, ÏU1 waked and kindled by the master's spell, And feeling hearts — touch them but rightly — pour A thousand melodies unheard before ! Samuel Rogers. SEVEN TIMES SIX. giving in marriage. To bear, to nurse, to rear. To watch, and then to lose : To see my bright ones disappear. Drawn up like morning dews ; — To bear, to nurse, to rear. To watch, aud then to lose : This have 1 done when God drew near Among his own to choose. To hear, to heed, to wed, And with thy lord depart In tears that he, as soon as shed, Will let no longer smart. — To hear, to heed, to \ved. This while thou didst 1 smiled. For now it was not God who said, " Mother, give me thy child." 0 fond, 0 fool, and blind. To God 1 gave with teai-s ; But, when a man like grace would find. My soul put by her fears. O fond, O fool, and blind, God guards in happier spheres ; Tliat man will guard where he did bind Is hope for unknown years. To hear, to heed, to wed. Fair lot that maidens choose. Thy mother's tenderest words are said. Thy face no more she views ; Thy mother's lot, my dear. She doth in naught accuse ; Her lot to bear, to nurse, to rear. To love—and then to lose. Jean Ingelow. LIKE A LAVEROCK IN THE LIFT. It's we two, it's we two for aye. All the world, and we two, and Heaven be our stay ! Like a laverock* in the lift,t sing, O bonny bride ! All the world was Adam once, with Eve by his side. * Lark. f Cloud. What's the world, my lass, my love! — what can it do ? 1 am thine, and thou art mine ; life is sweet and new. If the world have missed the mark, let it stand by; For we two have gotten leave, and once more will try. Like a laverock in the lift, sing, O bonny bride I It's we two, it's we two, happy side by side. Take a kiss from me, thy man ; now the song begins : "All is made afresh for us, and the brave heart wins." When the darker days come, and nO sun will shine. Thou shalt dry my tears, lass, and I '11 dry thinç. It's we two, it's we two, while the world's away. Sitting by tjie golden sheaves on our wedtling day. Jean Ingelow. NOT OURS THE VOWS. Not ours the vows of such as plight Their troth in sunny weather. While leaves are green, aud skies are bright. To walk on fiowers together. But we have loved as those who tread The thorny path of son'ow. With clouds above, and cause to dread Yet deeper gloom to-morrow. That thorny path, those stormy skies. Have drawn our spirits nearer ; And rendered us, by sorrow's ties. Each to the other dearer. Love, born in hom-s of joy and mirth. With mirth and joy may perish ; That to which darker hours gave birth Still more and more wo cherish. It looks beyond the clouds of time. And through death's shadowy portal ; Made by advereity sublime, By faith aud hope immortal. Bernard Barton. A WIFE. from " philip van artevelde." She was a creature framed by love divine For mortal love to muse a life away In pondering her perfections ; so unmoved Amidst the world's contentions, if they touched 214 POEMS OF THE AFFECTIONS. No vital chovd nor troubled what she loved, Philosophy might look her in the face, And, like a hermit stooping to the well That yields him sweet refreshment, might therein See but his own serenity reflected With a more heavenly tenderness of hue ! Yet whilst the world's ambitious empty cares, Its small disi]^uietudes and insect stings. Disturbed her never, she was oue made up Of feminine aflbctions, and her life Was oue full stream of love from fount to sea. Hemrv Taylor. DOLCINO TO MARGARET. The world goes up and the world goes down. And the sunshine follows the rain ; And yesterday's sneer, and yesterday's frown. Can never come over again, Sweet wife. No, never come over again. For woman is warmj though man be cold. And the night will liallow the dajT; Till the heart which at even Was weary and old Can rise in the morning gay. Sweet wife. To its work in the morning gay. Charles Kingsley. CONNUBIAL LIFE. FROU "THE SEASONS: SPRING.' But happy they ! the happiest of their kind ! Whom gentler stars unite, and in one fate Their hearts, their fortunes, and their beings blend. 'T is not the coarser tie of human laws. Unnatural oft, and foreign to the mind. That binds their peace, but hannony itself. Attuning all their passions into love ; Where friendship full-exei-ts her softest power. Perfect esteem enlivened by desire Ineffable, and sympathy of soul ; Thought meeting tliought, and will preventing will. With boundless confidence : for naught but love Can answer love, and render bliss secure. Meantime a smiling olTspiing rises round. And mingles both their graces. By degrees. The human blossom blows ; and every day. Soft as it rolls along, shows some new charm. The father's lustre and the mother's bloom. Then infant reason gi-ows apace, and calls For the kind hand of an assiduous care. Delightful task ! to rear the tender thought. To teach the young idea how to shoot. To pour the fresh instruction o'er the mind. To breathe the enlivening spirit, and to fix The generous purpose in the glowing bi-east. 0, speak the joy ! ye whom the sudden tear Surprises often, while you look around. And nothing strikes your eye but sights of bliss. All various natui-e pressing on the heart ; An elegant sufficiency, content. Retirement, rural quiet, friendship, books. Ease and alternate labor, useful life, Progi-essive virtue, and approving Heaven. These are the matchless joys of vii-tuous love ; And thus their moments fly. The Seasons thus. As ceaseless round a janing world they roll. Still find them happy ; and consenting Spring Sheds her own rosy garland on their heads : Till evening comes at last, serene and mild ; When after the long vernal day of life. Enamored more, as more remembrance swells With many a proof of recollected love. Together down they sink in social sleep ; Together freed, their gentle spii'its fly To scenes where love and bliss immortal reign. James Thomson. FRAGMENTS. Forelookings. Why don't the men propose, mamma. Why don't the men propose ? IVhydonUthemeHfropostf T. H. BATLY« Warnings. This house is to be let for life or years ; Her rent is sorrow, and her income tears ; Cupid, 't has long stood void ; her bills make known. She must be dearly let, or let alone. EmbUtns, Book ii. xo. F« QUARLES. Look ere thou leap, see ere thou go. 0/ IViXfing attd Thriving. T. TUSSER. Thus grief still treads upon the heels of pleasure ; Married in haste, we may repent at leisure Tht Old Bax:helor. Act v. Sc. i. W. CONGREVE. Men are April when they woo, December when they wed. As Vcu Lite It. Act iv. Sc. i. SHAKESPEARE. And oft the careless find it to their cost, The lover in the husband may be lost. Advice to a Lady, LORD LYTTELTON. MAKKIAGE. 215 Mehcenary Matches. Maidens like moths are ever canght by glai-e, And Mammon wins his way where seraphs might despair. English Bards and Scotch Reviewers, BYRON. Possibilities. Find all his having and his holding lîeduced to eternal noise and scolding, — The conjugal petard that tears Down all portcullises of ears. Uudibras, butler. Abroad too kind, at home't is steadfast hate, And one eternal tempest of debate. Love of Fame. E. YOUNG. Curse on all laws but those which love has made. Love, free as air, at sight of human ties. Spreads his light wings, and in a moment flies. Eloisa to Abclard. POPE. Certainties. The kindest and the happiest pair Will flnd occasion to forbear ; And something every day they live To pity and perhaps forgive. Mutual Forbearance, cowper« Advice. Misses ! the tale that I relate This lesson seems to carry, — Choose not alone a proper mate, But proper time to marry. Pairing Time Anticipated, cowper. Let still the woman take An elder than herself ; so wears she to him. So sways she level in her husband's heart. For, boy, however we do praise ourselves. Our fancies are more giddy and unfirm, More longing, wavering, sooner lost and won. Than women's are. Then let thy love be younger than thyself. Or thy affection cannot hold the bent. Iviel/ih Night, Aet ii, Sc. 4. shakespeare. Such duty as the subject owes the prince, Even such a woman oweth to her husband. Taming of the Shrew, Act v. Sc. a. SHAKESPEARE. She who ne'er answers till a husband cools. Or, if she rules him, never shows she rules. Moral Essays; Epistle il, POPE; And truant husband should return, and saj', " My dear, I was the first who came away." Don yuan. Cant, i. BVRON. The Happy Lot. My latest found. Heaven's last best gift, my ever new delight. Paradise Lost, Book v. MiLTON. She is mine own ! And I as rich in having such a jewel As twenty seas, if all their sand were pearl. The water nectar, and the rocks pure gold. Two Gent, of Verona, Act ii. Sc. 4. SHAKESPEARE. How much the wife is dearer than the bride. An Irregular Ode, lord LytteltoN. Time still, as he flies, brings increase to her truth. And gives to her mind what he steals from her youth. The Happy Marriage. e. moore, And when with envy Time, tran.sported. Shall think to rob us of our joys. You'll in your girls again be courted. And 1 '11 go wooing in my boys. li'im/rtda. t. PERCY. True Love is but a humble, low-bom thing. And hath its food served up in eartlien ware ; It is a thing to walk with, hand in hand. Through the every-dayness of this work-day world, A simple, fireside thing, whose quiet smile Can warm earth's poorest hovel to a home. Lme. J, R. LOWELL. f 21Ü POEMS OF THE AFFECTIONS. ■a HOME. MY mFE 'S A WINSOME WEE THING. She is a winsome wee thing, She is a handsome wee thing. She is a bonnie wee thing, This sweet wee wife o' mine. 1 never saw a fairer, I never lo'ed a dearer, And neist my heart I '11 wear her. For fear my jewel tine. She is a winsome wee thing. She is a handsome wee thing. She is a bonnie wee thing, Tliis sweet wee wife o' mine. The warld's wrack we share o't. The warstle and the care o't ; Wi' her I '11 blythely bear it, And think my lot divine. Robert Burns. SONNETS. My Love, I have no fear that thon shouldst die ; Albeit I ask no fairer life than this, Whose numbering-clock is still thy gentle kiss, AVhile Time and Peace with hands unlocked fl}', — Y et care I not where in Eternity We live and love, well knowing that there is No backward step for those who feel the bliss Of Faith as their-most lofty yearnings high ; Love hath so purified my being's core, üleseems I scarcely should be startled, even, To find, some morn, that thou had.st gone before ; Since, with thy love, this knowledge too was given. Which each calm day doth strengthen more and more, That they who love are but one step fwm Heaven. I CANNOT think that thou shouldst pass away, Wliose life to mine is an eteimal law, A piece of nature that can have no flaw, A new and certain sunrise every day ; Hut, if thou art to be another ray About the Sun of Life, and art to live Free from all of thee that was fugitive. The debt of Love I will more fully pay. Not downcast with the thought of thee so high. But rather raised to be a nobler man, And more divine in my humanity. As knowing that the waiting eyes which scan Mj' life are lighted by a purer being. And ask meek, calm-browed deeds, with it agree¬ ing. Our love is not a fading, earthly flower : Its winged seed dropped down from Paradise, And, nursed by day and night, by sun and shower. Doth momently to fresher beauty rise : To us the leafless autumn is not bare. Nor winter's rattling boughs lack lusty green. Our .summer hearts make summer's fulness, where No leaf, or bud, or blossom may be seen : For nature's life in love's deep life doth lie. Love, — whose forgetfulness is beauty's death. Whose mystic key these cells of Thou and I Into the infinite freedom openèth. And makes the body's dark and narrow grate The wind-flung leaves of Heaven's palace-gate. I THOUGHT our love at full, but I did err ; Joy's wreath drooped o'er mine eyes ; I could not " see That sorrow in our hajipy world must be Love's deepest spokesman and interpreter. But, as a mother feels her child fii-st stir Under her heart, so felt I instantly Deep in my soul another bond to thee Thrill with that life we saw depart from her ; O mother of our angel child ! twice dear! Death knits as well as parts, and still, I wis, Her tender radiance shall infold us here. Even as the light, borne up by inward bliss. Threads the void glooms of space without a fear. To print on farthest stars her pitying kiss. Jaubs Russell Lowell. ADAM TO EVE. from " paradise lost." book ix. 0 F.AIREST of creation, last and best Of all God's works, creature in whom excelled Whatever can to sight or thought be formed. Holy, divine, good, amiable, or sweet ! How art thou lost, how on a sudden lost. Defaced, deflowered, and now to death devote ! Rather, how hast tliou yielded to transgress ■ßl HOME. 217 The strict forbiddance, how to violate The sacred fruit forbidden ! Some cureed fraud Of enemy hath beguiled thee, yet unknown, And me with thee hath ruined, for with thee Certain my resolution is to die. How can I live without thee, how forego Thy sweet converse, and love so dearly joined, To live again in these wild woods forlorn ? Should God create another Eve, aud I Another rib aflbrd, yet loss of thee Would never from my heart ; no, no, I feel The link of nature draw me : Hesh of flesh. Bone of my bone thou art, and from thy state Mine never shall be parted, bliss or woe. However, I with thee have fixed my lot, Certain to undergo like doom ; if death Consort with thee, death is to me as life ; So forcible within my heart I feel The bond of nature draw me to my own. My own in thee, for what thou art is mine ; Our state cannot be severed, we are .one. One flesh ; to lose thee were to lose myself. MILTON. LORD WALTER'S WIFE. " But why do you go ? " said the lady, while both sate under the yew. And her eyes were alive in their depth, as the kraken beneath the sea-blue. " Because I fear you," he answered ; — " because you are far too fair. And able to strangle my soul in a mesh of your gold-colored hair." " 0, that," she said, " is no reason ! Such knots are quickly undone. And too much beauty, I reckon, is nothing but too much sun." "Yet farewell so," ho answered;—"the sun¬ stroke's fatal at times. I value your husband. Lord Walter, whose gallop rings still from the limes." "0, that," she said, " is no reason. You smell a rose through a fence : If two should smell it, what matter ? who grum¬ bles, and where's the pretence ? " "But I," he replied, "have promised another, when love was free. To love her alone, alone, who alone aud afar loves me." "Why, that," she said, "is no reason. Love's always free, 1 am told. Will you vow to be -safe from the headache on Tuesday, and think it will hold ? " " But you," he replied, *' have a daughter, a young little child, who was laid In your lap to be pure ; so I leave you ; the angels would make me afraid." "0, that," she said, "is no reason. The angels keep out of the way ; And Dora, the child, observes nothing, although you should please me and stay." At which he rose up in his anger, — " Why, now, you no longer are fair ! Why, now, you no longer are fatal, but ugly and hateful, I swear." At which she laughed out in her scorn,— " These men ! 0, these men overnice. Who are shocked if a color not virtuous is frankly put on by a vice." Her eyes blazed upon him — " And you ! You bring us your vices so near That we smell them ! you think in our presence a thought't would defame us to hear ! "What reason had you, and what right, —I appeal to your soul from my life, — To find me too fair as a woman ? Why, .sir, I am pure, and a wife. " Is the day-star too fair up above you ? It burns you not. Dare you imply I brushed you more close than the star does, when Walter had set mo as high ? " If a man finds a woman too fair, he means simply adapted too much To uses unlawful and fatal. The praise ! — shall I thank you for such ? "Too fair? — not unless you misuse us! and surely if, once in a while, Y'ou attain to it, straightway you call us no longer too fair, but too vile. " A moment, — I pray your attention ! — I have a poor word in my head 1 must utter, though womanly custom would set it down better unsaid. " Y'^ou grew, sir, i)ale to impertinence, once when I showed you a ring. You kissed my fan when I dropped it- No mat¬ ter ! 1 've broken the thing. POEMS OF THE AFFECTIONS. "You did me tlic honor, perhaps, to be moved at my side now and then In the sense.s, — a vice, I have heard, which is common to beasts and some men. " Love's a virtue for heroes ! — as white as the snow on liigh hills, And immortal as eveiy great soul is that strug¬ gles, endures, and fulfils. " I love my Walter profoundly, — yon, Maude, though you faltered a week. For the sake of . . . what was it ? an eyebrow ? or, less still, a mole on a cheek ? "And since, when all's said, you're too noble to stoop to the frivolous cant About crimes irresistible, virtues that swindle, betray, and supplant, "I determined to prove to yourself that, what- e'er you might dream or avow By illusion, you wanted precisely no more of me than you have now. " There ! Look me full in the face ! — in the face. Understand, if you can. That the eyes of such women as I am are clean as the palm of a man. "Drop his hand, you insult him. Avoid us for fear we should cost you a scar, — You take us for harlots, I tell you, and not for the women we are. "You wronged me : but then I considered . . . there's Walter ! And so at the end, I vowed that he should not be mulcted, by me, in the hand of a friend. " Have I hurt you indeed ? We are quits tlien. Nay, friend of my Walter, bo mine ! Come, Dora, my darling, my angel, and help me to ask him to dine." Elizabeth Barrett Browning. u POSSESSION. "It was our wedding-day A month ago," dear heart, 1 hear you say. If months, or yeais, or ages since have passed, I know not : I have ceased to question Time. I only know that once there pealed a chime Of joyous bells, and then 1 held you fast. And all stood back, and none my right denied. And forth we walked ; the world was free and wide Before us. Since that day 1 count my life : the Past is washed away. It was no dream, that vow : It was the voice that woke me from a dream, — A happy dream, I think ; but I am waking now. And drink the splendor of a sun supreme That turns the mist of former tears to gold. Within these arms 1 hold The fleeting promise, chased so long in vain : Ah, weary bird ! thou wilt not fly again : Thy wings are clipped, thou canst no more de¬ part, — Thy nest is builded in my heart ! I was the crescent ; thou The silver phantom of the perfect sphere, Held in its bosom : in one glory now Our lives united shine, and many a 3'ear — Not the sweet moon of bridal only — we One lustre, ever at the full, shall be : One pure and rounded light, one planet whole, One life developed, one completed soul ! For I in thee, and thou in me. Unite our cloven halves of destiny. God knew his chosen time. He bade me slowly ripen to my prime. And from my boughs withheld the promised fruit. Till storm and sun gave vigor to the root. Secure, O Love ! secure Thy blessing is : 1 have thee day and night : Thou art become my blood, my life, my light : God's mercy thou, and therefore shalt endure. Bayard Taylor. THE DAY RETURNS, MY BOSOM BURNS. The day returns, my bosom burns. The blissful day we twa did meet ; Though winter wild in tempest toiled. Ne'er summer sun was half sae sweet. Than a' the pride that loads the tide. And crosses o'er the sultry line, — Than kingly robes, and croums and globes, Heaven gave me more ; it made thee mine. While day and night can bring delight. Or nature aught of pleasure give, — While joj's above my mind can move, For thee and thee alone 1 live ; When that grim foe of life below Comes in between to make us part, The iron hand that breaks our band. It breaks my bliss, — it breaks my heart. Rosert Burns. í& HOME. 219 ■a fe THE POETS BRIDAL-DAY SOÍÍG. 0, MY love's like the steadfast sun, Or streams that dee¡)en as they run ; Nor hoary hairs, nor forty years. Nor moments between sighs and tears. Nor nights of thought, nor days of pain, Nor dreams of glory dreamed in vain. Nor mirth, nor sweetest song that flows To sober joys and soften woes, Can make my heart or fancy flee. One moment, my sweet wife, from thee. Even while I muse, I see thee sit In maiden bloom and matron wit ; Pair, gentle as when first 1 sued. Ye seem, but of sedater mood; Yet my heart leaps as fond for thee As when, beneath Arbigland tree. We stayed and wooed, and thought the moon Set on the sea an hour too soon ; Or lingered mid the falling dew. When looks were fond and words were few. Though I see smiling at thy feet Five sons and ae fair daughter sweet. And time, and care, and birthtime woes Have dimmed thine eye and touched thy rose. To thee, and thoughts of thee, belong Whate'er charms me in tale or song. When words descend like dews, unsought. With gleams of deep, enthusiast thought. And Fancy in her heaven flies free. They come, my love, they come from thee. 0, when more thought we gave, of old, To silver than some give to gold, 'T was sweet to sit and ponder o'er How we should deck our humble bower ; 'T was sweet to pull, in hope, with thee. The golden fruit of fortune's tree ; And sweeter still to choose and twine A garland for that brow of thine, — A song-wreath which may grace my Jean, While rivers flow, and woods grow green. At times there come, as come there ought. Grave moments of sedater thought. When Fortune frowns, nor lends our night One gleam of her inconstant light ; And Hope, that decks the peasant's bower. Shines like a rainbow through the shower ; 0, then I see, while seated nigh, A mother's heart shine in thine eye. And proud resolve and purpose meek. Speak of thee more than words can speak. I think this wedded wife of mine The best of all that's not divine. Allan Cunningha.m. THE POET'S SONG TO HIS WIFE. How many summers, love. Have I been thine? How many days, thou dove, Hast thou been mine ? Time, like the wingèd wind When 't bends the flowers. Hath left no mark behind. To count the hours ! Some weight of thought, though loath,^ On thee he leaves ; Some lines of care round both. Perhaps he weaves ; Some fears, — a soft regret For joys scarce known ; Sweet looks we half forget All else is flown ! Ah ! —With what thankless heart I mourn and sing ! Look, where our children start. Like sudden spring ! With tongues all sweet and low Like a pleasant rhyme. They tell how much I owe To thee and time ! B. W. Procter (Barty CormaaU). IF THOU WERT BY MY SIDE, MY LOVE. lines written to his wife, while on a visit to upper india. If thou wert by my side, my love ! How fast would evening fail In green Bengala's palmy grove. Listening the nightingale ! If thou, my love, wert by my side. My babies at my knee. How gayly would our pinnace glide O'er Gunga's mimic sea ! • I miss thee at the dawning gray. When, on our deck reclined. In careless ease my limbs I lay . And woo the cooler wind. I miss thee when by Gunga's stream My twilight steps I guide. But most beneath the lamp's pale beam I miss thee from my side. I spread my books, my pencil try. The lingering noon to cheer. But miss thy kind, approving eye. Thy meek, attentive ear. -gi 220 POEMS OF THE AFFECTIONS. But when at morn and eve the star Beholds me on my knee, I feel, though thou art distant far. Thy prayers ascend for me. Then on ! then on ! where duty leads, My course be onward still. O'er broad Hindostan's sultry meads. O'er bleak Almorah's hill. That course nor Delhi's kingly gates. Nor mild Malwah detain ; For sweet the bliss us both awaits By yonder western main. Thy towers, Bombay, gleam bright, they say. Across the dark blue sea ; But never were hearts so light and gay As then shall meet in thee ! Reginald Heber. AVIFE, CHILDREN, AND FRIENDS. When the black-lettered list to the göds was pi'esented (The list of what Fate for each mortal intends). At tlie long string of ills a kind goddess relented, And slipped in three blessings,—wife, chil¬ dren, and friends. In vain sulrly Plutol maintained he'was cheated. For justice divine could not compass its ends ; The scheme of man's penance he swore was de¬ feated. For earth becomes heaven with — wife, chil¬ dren, and friends. If the stock of our bliss is in stranger hands vested. The fund, ill secured, oft in bankruptcy ends ; But the heart issues bills which are never pro- , tested. When drawn on the firm of — wife, children, and friends. Though valor still glows in his Ufe's dying em¬ bers. The death-wounded tar, who his colors defends. Drops a tear of regret as he dying remembers How blessed was his home with — wife, chil¬ dren, and friends. The soldier, whose deeds live immortal in story. Whom duty to far distant latitudes sends. With transport would barter whole ages of glory For one happy day with—wife, children, and friends. Though spice-breathing gales on his caravan hover. Though for him all Arabia's fragrance ascends. The merchant still thinks of the woodbines that cover The bower where he sat with—wife, children, and friends. The dayspring of youth, still imclouded by sor¬ row, Alone on itself for enjoyment depends ; But drear is the twilight of age, if it borrow No warmth from the smile of—wife, children, and friends. Let the breath of renown ever freshen and nourish The laurel which o'er the dead favorite bends ; O'er me wave the wiUow, and long may it flourish. Bedewed with the tears of—wife, children, and friends. Let us drink, for my song, growing gi'aver and I giaver. To subjects too solemn insensibly tends ; Let us drink, pledge me high, love and virtue shall flavor The glass which I fill to — wife, children, and friends. William Robert Spencer. LOVE LIGHTENS LABOR. A GOOn wife rose from her bed one mom. And thought, with a nervous dread. Of the piles of clothes to be washed, and more Than a dozen mouths to be fed. " There's the meals to get for the men in the field, And the children to fix away To school, and the milk to be skimmed and churned ; And all to be done this day." It had rained in the night, and all the wood Was wet as it could be ; There were puddings and pies to bake, besides A loaf of cake for tea. And the day was hot, and her aching head Throbbed wearily as she said, " If maidens but knew what good vnves know. They would not be in haste to wed ! " " Jennie, what do you think I told Ben Brown ? " Called the famier from the well ; And a flush crept up to his bronzed brow, 'And his eyes half-bashfully fell. HOME. " It was this," he said, and coming near He smiled, and stooping down. Kissed her cheek, — "'t was this, that you were the best And the dearest wife in town ! " The farmer went back to the field, and the wife. In a smiling, absent way. Sang snatehes of tender little songs She'd not sung for many a day. And the pain in her head was gone, and the clothes Were white as the foam of the sea ; Her bread was light, and her butter was sweet. And as golden as it could be. "Just think," the children all called in a breath, "Tom Wood has run olf to sea ! He would n't, I know, if he'd only had As happy a home as we." The night came down, and the good wife smiled To herself, as she softly said ; " 'T is so sweet to labor for those we love, — It's not strange that maids will wed ! " a.VO.NVMOUS. 0, LAY THY HAND IN MINE, DEAR ! 0, lay thy hand in mine, dear ! We 're growing old ; But Time hath brought no sign, dear. That hearts grow cold. 'T is long, long since our new love Made life divine ; | But age enricheth true love, Like noble wine. ■ And lay, thy cheek to mine, dear. And take thy rest ; Mine arms around thee twine, dear. And make thy nest. (, A many cares are pressing On this dear head ; But Sorrow's hands in blessing Are surely laid. 0, lean thy life on mine, dear ! 'T will shelter.thee. Thou wert a winsome vine, dear. On my young tree : And so, till boughs are leafless. And songbirds flown. Wo '11 twine, then lay us, grieficss. Together down. Cr.RALD MAssr.v. THE WORN WEDDING-RING. Your wedding-rîng wears thin, dear wife ; ah, summers not a few. Since I put it on your finger first, have passed o'er me and you ; And, love, what changes we have seen, — what cares and pleasures, too, — Since you became my own dear wife, when this old ring was new ! 0, blessings on that happy day, the happiest of my life. When, thanks to God, your low, sweet "Yes" made you my loving wife ! Your heart will say the same, I know ; that day's as dear to you, — That day that made me yours, dear wife-, when this old ring was new. How well do I remember now your young sweet face that day ! How fair Vi»» were, how dear you were, my fonijvt^uld hardly say ; Nor how t liaated on you ; 0, how proud I was of you ! But did I love you more than now, when this old ring was new ? No—no ! no fairer were you then than at this hour to me ; And, dear as life to me this day, how could you dearer be ? As sweet your face might be that day as now it is, 't is true ; But did I know your heart as well when this old ring was new ? 0 partner of my gladneSs, wife, what care, what grief is there For me you would not bravely face, with me you would not share ? 0, what a weary want had every day, if wanting you. Wanting the love that God made mine when this old ring was new ! Years bring fresh links to bind us, wife, —young voices that are here ; Young faces round our fire that make their mother's yet more dear ; Young loving hearts your care each day makes yet more like to you. More like the loving heart made mine when this I old ring was new. s- 222 POEMS OP THE APFECTIONS. And blessed be God ! all he has given are with lis yet ; around Our table every precious life lent to us still is found. Though cares we 've known, with hopeful hearts the worst we've struggled through ; Blessed be his name for all his love since this old ring was new ! The past is dear, its sweetness still our memo¬ ries treasure yet ; The griefs we've borue, together home, we would not now forget. Whatever, wife, the future brings, heart unto heart still trae. We'll share as wo have shared all else since this old ring was new. And if God spare us 'mengst our sons and daugh¬ ters to grow old. We know his goodness will not let your heart or mine grow cold. Your aged eyes will see in mine all they've still shown to you. And mine in yours all they have seen since this old ring was new. And 0, when death shall come at last to bid me to my rest. May I die looking in those eyes, and resting on that breast ; O, may my parting gaze be blessed with the dear sight of you. Of those fond eyes, — fond as they were when this old ring was new ! William Cox Ben.nett. JOHN ANDERSON, MY JO. John Anderson, my jo, John, When we were first aequent. Your locks were like the raven. Your bonnie brow was brent ; But now your brow is beld, John, Your locks are like the snaw ; But blessings on your frosty pow, John Anderson, my jo. John Anderson, my jo, John, We clamb the hill thegither ; And monie a canty day, John, We've had wi' ane anither. Now we maun totter down, John, But hand in hand we '11 go ; And sleep thegither at the foot, John Anderson, my jo. Robert Burns. FILIAL LOVE. from "childe harold." There is a dungeon in whose dim drear light What do I gaze on ? Nothing : look again ! Two forms are slowly shadowed on my sight, — Two insulated phantoms of the brain : It is not so ; I see them full and plain, — - An old man and a female young and fair. Fresh as a nui-sing mother, in whose vein The blood is nectar : but what doth she there. With her unmantled neck, and bosom white and bare ? Full swells the deep pure fountain of young life. Where on the heart and from the heart we took Our first and sweetest nurture, when the wife, Blest into mother, in the innocent look. Or even the piping cry of lips that brook No pain and small suspense, a joy perceives Man knows not, when from out its cradled nook She sees her little bud put forth its leaves — What may the fruit be yet ? I know not — Cain was Eve's. But here 5'-outh offers to old age the food, The milk of his own gift : it is her sire To whom she rendei-s back the debt of blood Bom with her birth. No ! he shall not e.xpire While in those warm and lovely veins the lire Of health and holy feeling can provide Great Nature's Nile, whose deep stream rises higher Than Egypt's river ; — from that gentle side Drink, drink and live, old man ! Heaven's realm holds no such tide. The starry fable of the milky-way Has not thy story's puiity ; it is A constellation of a sweeter ray. And sacred Nature triumphs more in this Reverse of her decree, than in the abyss Where sparkle distant worlds ; — 0, holiest nurse ! No drop of that clear stream its way shall miss To thy sire's heart, replenishing its source With life, as our freed souls rejoin the univeise. Byron. ROCK ME TO SLEEP. Backward, turn backward, O Time, in your flight. Make m4 a chUd again just for to-night ! Mother, comeyback from the|echolesSy^hore, Take me again to your heart as of yore ; Kiss from my forehead the fuiTows of care. Smooth the few silver threads out of my hair ¡ Over my slumbers your loving watch keep ; — Rock me to sleep, mother, — rock me to sleep ! HOME. 223 Backward, flow backward, 0 tide of the years ! I am so weary of toil and of tears, — Toil without recompense, tears all in vain, — Take them, and give me my childhood again ! I have gi'own weary of dust and decay, — Weary of flinging my soul-wealth away ; Weary of sowing for others to reap ; — Rock me to sleep, mother, — rock mo to sleep ! Tired of the hollow, the base, the untrué. Mother, O mother, my heart calls for you.l Many a summer the grass has grown green. Blossomed, and faded our faces between. Yet with sti'ong yearning and passionate pain Long I to-night for your presence again. Come from the silence so long and so deep ; — Rock me to sleep, mother, — rock me to sleep ! Over my heart, in the days that are flown, ' No love Rke mother-love ever has shone ; No other worship abides and endures, — i Faithful, unselfish, and patient, like yours s | None like a mother can charm away pain From the sick soul and the world-weary brain. Slumber's soft calms o'er my heavy lids creep ; — Rock mo to sleep, mother, — rock me to sleep ! Come, let your brown hair, just lighted with gold. Fall on your shoulders again as of old ; Let it drop over my forehead to-night. Shading my faint eyes away from the light ; For with its sunny-edged shadows once more Haply will throng the sweet visions of yore ; Lovingly, softly, its bright billows sweep ; — Rock me to sleep, mother, — rock mo to sleep I Mother, dear mother, the years have been long Since I last listened your lullaby song : Sing, then, and unto my soul it shall seem Womanhood's years have been only a dream. Clasped to your heart in a loving embrace. With your light lashes just sweeping your face. Never hereafter to wake or to weep ; — Rock mo to sleep, mother, — rock me to sleep I Elizabeth Akers Allen (Florence Percy). ) HOMESICK. Come to me, 0 my Mother ! come to me. Thine own son slowly dying far away ! Through the moist ways of the wide ocean, blown By great invisible winds, come stately ships To this calm bay for quiet anchorage ; They come, they rest awhile, they go away, But, O my Mother, never comest thou ! The snow is round thy dwelling, the white snow, That cold soft revelation pure as light. And the pine-spire is mystically fringed. Laced with incrusted silver. Here —ah me ! — The winter is decrepit, under-born, A leper with no power but his disease. Why am I from thee. Mother, far from thee ? Far from the frost enchantment, and the woods Jewelled from bough to bough? 0 home, my home ! 0 river in the valley of my homo. With mazy-winding motion intricate. Twisting thy deathless music underneath The polished ice-work, — must I nevermore Behold thee with familiar eyes, and watch Thy beauty changing with the changeful day. Thy beauty constant to the constant change ? David gray. TO AUGUSTA. his sister, augusta leigh. Mt sister ! my sweet sister ! if a name Dearer and purer were, it should be thine. Mountains and seas divide us, but I claim No tears, but tenderness to answer mine : Go where I will, to me thou art the same, — A loved regret which I would not resign. There yet are two things in my destiny, — A world to roam through, and a home with thee. The first were nothing, — had I still the last, It were the haven of my happiness ; But other claims and other ties thou hast. And mine is not the wish to make them less. A strange doom is thy father's son's, and past Recalling, as it lies beyond reilrcss ; Reversed for him our grandsire's fate of yore, — He had no rest at sea, nor I on shore. If my inheritance of storms hath been In other elements, and on the rocks Of perils, overlooked or unforeseen, I have sustained my share of worldly shocks. The fault was mine ; nor do I seek to screen My errors with defensive paradox ; I have been cunning in mine overthrow. The careful pilot of my proper woe. Mine were my faults, and mine be their reward. My whole life was a contest, since the day That gave me being gave me that which marred. The gift, —a fate, or will, that walked astray ; And I at times have found the struggle hard. And thought of shaking otf my bonds of clay : But now I fain would for a time survive. If but to see what next can well arrive. c& 224 POEMS OF THE AFFECTIONS. ©■ Kingdoms and empires in my little day 1 have outlived, and yet I am not old ; And when I look on this, the petty spray Of my own years of trouble, which have rolled Like a wild bay of breakers, melts away : Something—I know not what — does still uphold A spirit of slight patience ; — not in vain. Even for its own sake, do we purchase pain. Perhaps the workings of defiance stir Within me, — or jierhaps of cold despair. Brought on when ills habitually recur, — Perhaps a kinder clime, or purer air, (For even to this may change of soul refer. And with light armor we may learn to bear,) Have taught me a strange quiet, which was not The chief companion of a calmer lot. I feel almost at times as I have felt In happy childhood ; trees, and flowers, and brooks. Which do remember me of where I dwelt Ere my young mind was sacrificed to books. Come as of yore upon me, and can melt My heart with recognition of their looks ; And even at moments I could think I see Some living thing to love, — but none like thee. Here are the Alpine landscapes which create A fund for contemplation ; — to admire Is a brief feeling of a trivial date ; But something worthier do such scenes inspire. Here to be lonely is not desolate. For much I view which I could most desire, And, above all, a lake I can behold Lovelier, not dearer, than our own of old. 0 that thou wert but with roe ! — but I grow ✓ O The fool of my own wishes, and forget The solitude which 1 have vaunted so Has lost its praise in this but one regret ; There may be others which I less may show ; I am not of the plaintive mood, and yet 1 feel an ebb in my philosophy. And the tide rising in my altered eye. I did remind thee of our own dear Lake, By the old Hull which may be mine no mere. Leman's is fair ? but think not I forsake The sweet remembrance of a dearer shore ; Sad havoo Time must with my memory make, Ere that or thou can fade these eyes before ; Though, like all things which I have loved, they are Resigned forever, or divided far. I The world is all before me ; I but ask Of Nature that with which she will comply, — It is but in her summer's sun to bask. To mingle with the quiet of her sky. To see her gentle face without a mask. And never gaze on it with apathy. She was my early friend, and now shall be My sister, — till I look again on thee. I can reduce all feelings but this one ; And that I would not ; for at length I see Such scenes as tho.se wherein my lile begun. The earliest, — even the oidy paths for me, — Had 1 but sooner learnt the crowd to shun, I had been better than I now can be ; The passions which have torn me would have slept : I had not suffered, and thou hadst not wept. With false Ambition what had I to d& ? Little with Love, and least of all with Fame ! And yet they came unsought, and with me grew. And made me all which they can make, — a name. Yet this was not the end I did pursue ; Surely I once beheld a nobler aim. But all is over ; I am one the more To baffled millions which have gone before. And for the future, this world's future may From me demand but little of my care ; I have outlived myself by many a day Having survived so many things that were ; My yeam have been no slumber, but the prey Of ceaseless vigils ; for I had the share Of life which might have filled a century. Before its fourth in time had passed me by. And for the remnant which may be to come, I am content ; and for the past I feel Not thankless, — for within the crowded sum Of struggles, happiness at times would steal. And for the present, I would not benumb My feelings farther. — Nor shall I conceal That with all this I still can look aroiuid. And worship Nature with a thought inofouud. For thee, my own sweet sister, in thy heart I know myself secure, as thou in mine : We were and are — I am, even as thou art — Beings who ne'er each other can resign ; It is the same, together or apart. From life's commencement to its slow decline AFe are intwined, — let death come slow or first. The tie which bound the first endures the last ! DVRON. HOME. & HOME. Oi.iNO to thy home ! if there the meanest shed Yield thee a hearth and shelter for thy head, And some poor plot, irith vegetables stored, lie all that Heaven allots thee for thy board,.— Unsavory bread, and herbs that scattered grow- Wild on the river brink or mountain brow. Yet e'en this cheerless mansion shall provide Moi-e heart's repose than all the world be.side. From the Greek of I-EoxiDAS, by Robert Bland, HOME, SWEET HOME. fro! the opera of "clari, the maid of milax." Mid pleasures and palaces though we may roam. Be it ever so humble there's no place like home I A charm fiom the sky seems to hallow us there. Which, seek through the world, is ne'er met with elsewhere. . Home ! home ! sweet, sweet home ! There's no place like home ! An exile from home, splendor dazzles in vain : 0, give me my lowly thatched cottage again ! The birds singing gayly that came at my call ; — (;ive me them, — and the peace of mind dearer than all ! Home ! home ! sweet, sweet home ! There's no place like home ! john Howard Payne. A WISH. Mine be a cot beside the hill ; A beehive's hum shall soothe my ear ; A willowy brook that turas a mill. With many a fall shall linger near. The swallow, oft, beneath my thatch Shall twitter from her clay-built nest ; Oft shall the pilgrim lift the latch. And share my meal, a welcome guest. Around my ivied porch shall spring Each fragrant flower that drinks the dew, And Lucy, at her wheel, shall sing In russet gown and apron blue. The village-church among the trees, Where first our marriage-vows were given. With merry peals shall swell the breeze And point with taper spire to heaven. Samuel rooees. ODE TO SOLITUDE. H.yppY the man, whose wish and care A few paternal acres bound. Content to breathe his native air In his own ground. Whose herds with milk, whose fields with bread, Whose flocks supply him with attire ; Wliose trees in summer yield him shade. In winter, fire. Blest, who can unconcem'dly find Honrs, days, and yeare slide soft away In health «f body, peace of mind. Quiet by day, Sound sleep by night ; study and ease Together mi.ved ; sweet recreation. And innocence, which most does please With meditation. Thus let me live, unseen, unknown ; Tims unlamented let me die ; Steal from the world, and not a stone Tell where 1 lie. Alexander Pope. A SHEPHERD'S LIFE. from "third part of henry vi.," act ii. sc. 5. Kixo Henp.y. o God ! methinks, it wore a happy life. To be no bettei than a homely swain ; To sit upon a hill, as I do now. To carve out dials quaintly, point by point, Thereby to see the minutes how they run ; How many make the hour full complete. How many hours bring about the day. How many days will finish up the year. How many years a mortal man may live. When this is known, then to divide the times : — So many hours must I tend my flock ; So many hours must 1 take my rest ; So many hours must 1 contemplate ; So many hours must 1 sport myself ; So many days my ewes have been with young ; So many weeks ere the poor fools will yean ; So many years ere 1 shall shear the fleece ; So minutes, hours, days, weeks, months, and yeai-s. Passed over to the end they were created. Would bring white hairs unto a quiet grave. Ah, what a life were this ! how sweet ! how- lovely ! Gives not the hawthorn bush a sweeter shade To shepherds, looking on their silly sheep, Than doth a rich embroidered canopy 1 To kings that fear their subjects' treachery ? I shakespeare. a- 226 POEMS OF THE AFFECTIONS. THE MEANS TO ATTAIN HAPPY LIFE. Maktial, the things that do attain The happy life be these, I find, — The riches left, not got with pain ; The fruitful ground, the quiet mind, The equal friend ; no grudge, no strife ; No' charge of rule, nor governance ; Without disease, the healthful life ; The household of continuance ; The mean diet, no delicate fare ; True wisdom joined with simpleness ; The night discharged of all care, * Where wine the wit may not oppress ; The faithful wife, without debate ; Such sleeps as may beguile the night ; Contented with thine own estate. Ne wish for death, ne fear his might. Henry Howard, Earl of Surrey. THE FIRESIDE. Dear Chloe, while the busy crowd. The vain, the wealthy, and the proud. In folly's maze advance ; Though singularity and pride Be called our choice, we '11 step a.side. Nor join the giddy dance. From the gay world we '11 oft retire To our own family and fire. Where love our hours employs ; No noisy neighbor enters here. No intenneddling stranger near. To spoil our heartfelt joys. If solid happiness we prize. Within our breast this jewel lies. And they are fools who roam ; The world hath nothing to bestow, — From our own selves our bliss must flow. And that dear hut, our home. Of rest was Noah's dove bereft, When with impatient wing she left That safe retreat, the ark ; Oiving her vain e.xcursion o'er. The disappointed bird once more Explored the sacred bark. Though fools spurn Hymen's gentle powers. Wo, who improve his golden hours. By sweet experience know That marriage, rightly understood. Gives to the tender and the good A paradise below. Our babes shall richest comforts bring ; If tutored right, they '11 prove a spring Whence pleasures ever rise : We '11 form their minds, with studious care. To all that's manly, good, and fair. And train them for the skies. While they our wisest hours engage. They '11 joy our youth, support our .age. And crown our hoary hairs : They '11 grow in virtue every day. And thus our fondest loves repay, And recompenso our cares. No borrowed joys, they 're all our own¿ While to the world we live unknown, Or by the world forgot : Monarchs ! we envy not your state ; We look with pity on the great. And bless our humbler lot. Our portion is not large, indeed ; But then how little do we need, For nature's calls are few ; In this the art of living lies. To want no more than may suffice. And make that little do. We '11 therefore relish with content Whate'er kind Providence has sent. Nor aim beyond our power ; For, if our stock be very small, 'T is prudence to enjoy it all. Nor lose the present hour-. To be resigned when ills betide. Patient when favors are denied. And pleased with favors given, — Dear Chloe, this is wisdom's part. This is that incense of the heart. Whose fragrance smells to heaven. Wc '11 ask no long-protracted treat. Since winter-life is seldom sweet ; But when our feast is o'er. Grateful from table we '11 arise. Nor grudge our sons with envious eyes The relics of our store. Thus, hand in hand, through life we '11 go ; Its checkered paths of joy and woe With cautious steps we'll tread ; Quit its vain scenes without a tear. Without a trouble or a fear. And mingle with the dead : While Conscience, like a faithful friend. Shall through the gloomy vale attend. J fi- HOME. 227 And cheer our dying bi-cath ; Shall, when all other comforts cease, Like a kind angel whi.sper peace, " And smooth the bed of death. Nathaniel cotton. MY AIN FIRESIDE. I HAE seen great anes and sat in great ha'.s, 'Maiig lords and fine ladies a' covered wi' braws, At feasts made for princes wi' princes I've been, When the grand shine o' splendor has dazzled my een ; But a sight sae delightfu' I trow I ne'er spied As the bonny blithe blink o' my ain fireside. My ain fireside, my ain fireside, O, cheeiy's the blink o' my ain fireside ; My ain fireside, my ain fireside, O, there's naught to compare wi' ane's ain fireside. Ance mair, Gude be thankit, round my ain heart- some ingle, Wi' the friends o' my youth I cordially mingle ; Nae forms to compel me to seem wae or glad, I may laugh when I'm merry, and sigh when I'm sad. Nae falsehood to dread, and nae malice to fear, But truth to delight me, and friendship to cheer ; Of a' roads to happiness ever were tried. There's nane half so sure as ane's ain fireside. My ain fireside, my ain fireside, O, there's naught to compare wi' ane's ain fireside. When I draw in my stool on my cozy hearth- stane. My heart loups sae light I scarce ken't for my ain ; Care's down on the wind, it is clean out o' sight. Past troubles they seem but as dreams o' the night. I hear but kend voices, kend faces I see. And mark saft affection glent fond frae ilk ee ; Nae fleechings o' flattery, nae boastings o' pride, 'T is heart speaks to heart at ane's ain fireside. My ain fireside, my ain fireside, O, there's naught to compare wi' ane's ain fireside. Elizabeth Hamilto.v. m BY THE FIRESIDE What is it fades and flickers in the fire. Mutters and sighs, and yields reluctant breath. As if in the red embers some desire. Some word prophetic burned, defying death ? Loi-ds of the forest, stalwart oak and pine. Lie down for us in flames of martyrdom : A human, household wai-mth, their death-fires shine ; Yet fragi'ant with high memories they come. Bringing the mountain-winds that in their boughs Sang of the torrent, and the plashy edge Of storm-swept lakes ; and echoes that arouse The eagles from a splintered eyiie ledge ; And breath of violets sweet about their roots ; And earthy odors of the moss and fern ; And hum of rivulets ; smell of ripening fruits ; And green leaves that to gold and crimson turn. What clear Septembers fade out in a spark ! What rare Octobei-s drop with every coal ! Within these costly ashes, dumb and dark. Are hid spring's budding hope, and summer's soul. Pictures far lovelier smoulder in the firs. Visions of friends who walk ed ahiong these trees, Whose presence, like the free air, could inspire A wingèd life and boundless sympathies. Eyes with a glow like that in the brown beech. When sunset through itsautumn beauty shines ; Or the blue gentian's look of silent speech. To heaven appealing as earth's light declines ; Voices and steps forever fled away From the familiar glens, the haunted hills, — Most pitiful and strange it is to stay Without you in a world your lost love fiUs. Do you forget us, — under Eden trees. Or in full sunshine on the hills of God, —; Who miss you from the shadow and the breeze. And tints and perfumes of the woodland sod ?. Dear for your sake the fireside-where we sit Watching these sad, bright pictures come and go ; That waning years are with your memory lit Is the one lonely comfort that we know. Is it all memory ? Lo, these forest-boughs Burst on the hearth into fi-esh leaf and bloom ; Waft a vague, far-off sweetness through the houso^ And give close walls the hillside's breathing- A second life, more spiritual than thé first. They find, — a life won only out of dèatb. O sainted souls, within you still is nursed For us a flame not fed by mottal breath I 228 POEMS OF THE AFFECTIONS. -a Unseen, ye bting to us, who love and vrnt. Wafts from the heavenl}' hills, immortal air ; No flood can quench your hearts' wamith, or abate ; Ye are our gladness, here and everywhere. lucy Larcom. cq- A WINTER-EVENING HYMN TO MY FIRE. 0 Tiiou of home the guardian Lar, And, when our earth hath wandered far Into the cold, and deep snow covei-s The walks of our New England lovers. Their sweet secluded evening-star ! 'T was with thy rays the English Muse Ripened her mild domestic hues ; 'T was by thy flicker that she conned The fireside wisdom that enrings With light from heaven familiar things ; By thee she found the homely faith In whose mild eyes thy comfort stay'th. When Death, extinguishing his torch. Gropes for the latch-string in the porch ; The love that wandeis not beyond His earliest nest, but sits and sings While children smooth his patient wings : Therefore with thee 1 love to read Our brave old poets : at thy touch how stirs Life in the withered words ! how swift recede Time's shadows ! and how glows again Through its dead mass the incandescent verse, As when upon the anvils of the brain It glittering lay, cyclopically wrought By the fast-throbbing hammers of the poet's thought ! Thou murmurest, too, divinely stirred, The aspirations unattained, The rhythms so rathe and delicate. They bent and strained And broke, beneath the sombre weight Of any airiest mortal word. What warm protection dost thou bend Round curtained talk of friend with friend. While the gray snow-storm, held aloof, To softest outline rounds the roof. Or the rude North with baffled strain Shoulder's the frost-starred window-pane ! Now the kind nymph to Bacchus borne By Morpheus' daughter, she that seems Gifted upon her natal morn By him with fire, by her with dreams, Nicotia, dearer to the Muse Than all the grapes' bewildering juice. We worship, unforbid of thee ; And, as her incense floats and curls In airy spires and wayward whirls. Or poises on its ti'emulous stalk A flower of frailest revery. So winds and loiters, idly fi-ee. The current of unguided talk. Now laughter-rippled, and now caught In smooth dark pools of deeper thouglit. Meanwhile thou mellowest every wm-d, A sweetly unobtrusive third ; For thou hast magic beyond wine. To unlock natures each to each ; The unspoken thought thou canst divine ; Thou fill'st the pauses of the speech With whispers that to dream-land reach. And frozen fancy-springs unchain In Arctic outskirts of the brain ; Sun of all inmost confidences. To thy rays doth the heart unclose Its formal calyx of pretences, That close against rude day's offences. And open its shy midnight rose ! wj james russell lowell I KNEAV BY THE SMOKE THAT SO GRACEFULLY CURLED. I K.NFVk liy the smoke that so gracefully curled . Above the green elms, that a cottage was near. And I .said, " If there's peace to be ibimd in the world, A heart that is humble might hope for it here ! " It was noon, and on flowers that languished around In silence reposed the voluptuous bee ; Every leaf was at rest, and I he.urd not a sound But the woodpecker tapping the hollow beech- tree. And " Here in this lone little wood," I ex¬ claimed, "AVith a maid who was lovely to soul and to eye, Who would blush when I praised her, and weep if 1 blamed. How blest could I live, and how calm could 1 die ! " By the shade of yon sumach, whose red berry dips In the gush of the fomrtain, how sweet to re¬ cline. And to know that I sighed upon innocent lips, • Which had never been sighed on by any but mine ! " Thomas Moore. I& HOME. 229 HEART-REST. from " philip van artf.velde." The heart of man, walk it which way it will, Seque-stered or frequented, smooth or rough, Down the deep valley among.st tinkling flocks. Or mid the clang of trumpets and the march Of clattering ordnance, still must have its halt. Its hour of truce, its instant of repose. Its inn of rest ; and craving still must seek The food of its affections, — still must slake Its con.stant thirst of what is fresh and pure. And pleasant to behold. Henry Taylor. TWO PICTURES. An old farm-house with meadows wide. And sweet with clover on each side ; A bright-eyed boy, who looks from out The door with woodbine wreathed about, And wishes his one thought all day : " O, if I could but fly away From this dull spot, the world to see. How happy, happy, happy. How happy I should be ! " Amid the city's constant din, man who round the world has been. Who, mid the tumult and the throng, Is thinking, thinking all day long : " 0, could I only tread once more The field-path to the farm-house door. The old, gieen meadow could I see. How happy, happy, happy. How happy 1 should be ! " Annie D. green (Marian Dottslas). u HOME. prom "the traveller." But where to find that happiest spot below. Who can direct, when all pretend to know '/ The shuddering tenant of the frigid zone Boldly proclaims that happiest spot his own ; Extols the treasures of his stormy seas. And his long nights of revelry and ease : The naked negro, panting at the line. Boasts of his golden sands and palmy wine. Basks in the glare, or stcnis the tepid wave, And thanks his gods for all the good they gave. Such is the imtriot's boast, where'er we roam, His first, best eountry, ever is at home. And yet, perhaps, if countiies we compare. And estimate the blessings which they share. Though patriots flatter, still shall wisdom find An equal portion dealt to all mankind ; As different good, by art or nature given. To different nations makes their blessing even. oliver Goldsmith. THE HOMES OF ENGLAND. The stately Homes of England, How beautiful they stand ! Amidst their tall ance.stral trees. O'er all the pleasant land ; The deer across their gi'eensward bound Through shade and sunny gleam. And the swan glides past them with the sound Of some rejoicing stream. The merry Homes of England ! Around their hearths by night. What gladsome looks of household love Meet in the ruddy light. There woman's voice flows forth in song. Or childish tale is told ; Or lips move tunefully along Some glorious page of old. The blcssèd Homes of England ! How softly on their bowers Is laid the holy quietne.ss That breathes from Sabbath hours ! Solemn, yet sweet, the church-bell's chime Floats through their woods at mom ; All other sounds, in that still time. Of breeze and leaf are bom. The cottage Homes of England ! By thousands on her plains. They are smiling o'er the silvery brooks. And round the hamlct-fanes. Through glorving orchards forth they peep, Each from its nook of leaves ; And fearless there the lowly sleep. As the bird beneath their eaves. The free, fair Homes of England ! Long, long in hut and h.all. May hearts of native proof be reared To guard each hallowed wall ! And green forever be the groves. And bright the flowery sod, AVhere first the child's glad spirit loves Its country and its God. Felicia Hemans A PICTURE. THEjiarmer sat in his easy-chair. Smoking his pipe of clay. While his hale old wife, with busy care, Was clearing the dinner away ; A sweet little girl, witli fine blue eyes. On her gi'andfather's knee was catching flics. S íD- '230 POEMS OF THE AFFECTIONS. ft The old man laid his hand on her head, With a tear on his wrinkled face ; He thought how often her mother, dead. Had sat in the self-same place. As the tear stole down from his half-shut eye, " Don't smoke ! " said the child ; " how it makes you cry ! " The house-dog lay stretched out on the floor. Where the shade after noon used to steal ; The busy old wife, by the open door. Was turning the spinning-wheel ; And the old brass clock on the mantel-tree Had plodded along to almost three. Still the farmer sat in his easy-chair. While close to his heaving breast The moistened brow and the cheek so fair Of his sweet grandchild were pressed ; His head, bent down, on her soft hair lay : Fast asleep were they both, that summer day ! charles gamace east.max, e- NOT ONE TO SPARE. " Which shall it be ? Which shall it Ire ? " I looked at John —John looked at me (Dear, |raticnt John, who loves me yet As well as though my locks were jet) ; And when 1 found that I must speak. My voice seemed strangely low and weak ; •' Tell me again what Robert said." And then 1, listening, bent my head. " This is his letter : ' 1 will give A house and land while you shall live. If, in return, from out your seven. One child to me for aye is given.' " 1 looked at John's old gannents worn, I tliought of all that John had home Of poverty and work and care. Which 1, though, willing, could not share ; 1 thought of seven mouths to feed. Of seven little children's need. And then of this. " Come, John," said 1, "We '11 choose among them as they lie ■ Asleep ; " so, walking hand in hand. Dear John and 1 surveyed our baud. First to the ci-adle lightly stepped. Where Lilian, the baby, slept, A glory 'gainst the pillow white. Softly the father stooped to lay His rough hand down in a gentle waj', AVhen dream or whisper made her stir. And huskily he said, " Not her, not her ! " We stopped beside the trundle-bed, . And one long ray of lamplight shed Athwart the boyish faces there, In sleep so pitiful and fair ; I saw on Jamie's rough, red cheek A tear undried. Ere John could speak, " He's but a baby, too," said 1, And kissed him as we hurried by. Pale, patient Robbie's angel face Still in his sleep bore suffering's trace. " No, for a thousand crowns, not him ! " He whispered, while our eyes were dim. Poor Dick ! bad Dick ! our wayward son, Turbulent, reckless, idle one — Could he be spared ? Nay ; Ho who gave. Bid us befriend him to his grave ; Only a mother's heart can be Patient enough for such as he ; " And so," said John, " 1 would not dare To send him from our bedside prayer." Then stole we softly up above And knelt by Mary, child of love. " Perhaps for her't would better be," 1 said to John. Quite silently He lifted up a curl that lay Across her check in wilful way. And shook his head : " Nay, love ; not thee," The while my heart beat audibly. Only one more, our eldest lad, Trusty and truthful, good and glad — So like his father. " No, John, no - I cannot, will not, let him go." And so we wrote, in courteous way, We could not drive one chUd away ; And afterward toil lighter seemed. Thinking of that of which we dreamed, Happy in trath that not one face Was missed from its accustomed place ; Thankful to work for all the seven, Tru-stiug the rest to One in heaven. Anonymous. THE CHILDREN. When the lessons and tasks are all ended. And the school for the day is disniissetl. And the little ones gather around mc. To bid mc good night and be kissed ¡ 0 the little white arms tliat encircle My neck in their tender embrace ! O the smiles that are halos of heaven. Shedding sunshine of love on my face I And when they are gone, 1 sit dreaming Of my childhood, too lovelj' to last ; Of love that my heart will remember AVheu it wakes to the pulse of thé past. 4 HOME. 231 fe Ere the world and its wickedness made tne A partner of sorrow and sin, — When the glory of God was about me. And the glory of gladness within. All my heart grows weak as a woman's. And the fountains of feeling will How, When I think of the paths steep and stony, Where the feet of the dear ones must go ; Of the mountains of sin hanging o'er them, Of the tempest of Fate blowing wild ; 0, there's nothing on earth half so holy As the innocent heai't of a child ! They are idols of hearts and of households ; They arc angels of God in disguise ; His sunlight still sleeps in their tresses. His glory still gleams in their eyes ; O, these truants from home and from heaven, — They have made me more manly and mild ; And I know no^^ how Jesus could liken The kingdom of God to a child ! I ask not a life for the dear ones. All radiant, as others have done. But that life may have just enough shadow To temper the glare of the sun ; I would pray God to guard them from evil, But my prayer would bound back to myself ; Ah ! a seraph may pray for a sinner. But a sinner must pray for himself. The twig is so easily bended, I have banished the rule and the rod ; I have taught them the goodness of knowledge. They have taught me the goodness of God. My heart is the dungeon of darkness. Where I shut them for breaking a rule ; My frown is sufficient con'ection ; My love is the law of the school. I shall leave the old house in the autumn. To traverse its threshcdd no more ; Ah ! how shall I sigh for the dear ones That meet me each morn at the door ! I shall miss the "good nights" and the kisses. And the gush of their innocent glee, ' The group on its green, and the flowei-s That are brought every morning to me. I shall miss them at mom and at even, Tlieir song in the school and the street ; I shall miss the low hum of their voices. And the tread of their delicate feet. When the lessons of life are all ended. And death says, " The school is dismissed ! " May the little ones gather around me. To bid me good night and be kissed ! Charles M. Dickiksoh. FAITH AND HOPE. O, don't be sorrowful, darling 1 Now, don't be sorrowful, pray ; For, taking the year together, my dear. There is n't more night than day. It's rainy weather, my loved one ; Time's wheels they heavily run ; But taking the year together, my dear. There is n't more cloud than sun. We 're old folks now, companion, — Our heads they are growing gray ; But taking the year all round, my dear. You always will find the May. We've had our May, my darling, And our roses, long ago ; And the time of the year is come, my dear. For the long dark nights, and the snow. But God is God, my faithful. Of night as well as of day ; And we feel and know that we can go Wherever he leads the way. Ay, God of night, my darling ! Of the night of death so grim ; And the gate that from life leads out, good wife, Is the gate tliat leads to Him. Rembrandt itale. FEAGMENTS. The Wife. To cheer thy sickness, watch thy health. Partake, but never waste thy wealth. Or stand with smile unmuiuiuring by. And lighten half thy poverty. Bride o/Abydos, CanUx, Byro.N. She gave me eyes, she gave me ears ; And humble cares, and delicate fears, A heart, the fountain of sweet teai'S ; And love, and thought, and joy. The Sparrow's Nest. "wordsworth. This flour of wifly patience. The Clerkes Tale, Pars v. ChauCek. And mistress of herself, though china fall. Moral Essays : Epistle II. pope. The Mauried State. Wedlock, indeed, hath oft compared been To public feasts, where meet a public rout, Where they that are without would fain go in. And they that are within would fain go out. Contenfiott betwixt a IVife, etc» SIR J. DAVIi'.á. -ff 232 POEMS OP THE AFFECTIONS. O fie lipon this single life ! forego it. Ducluss 0/Mal/y. J.WEBSTER. 1. That man must lead a happy life' 2. Who is directed by a wife ; 3. Who's free from matrimonial chains 4. Is sure to suffer for his pains. 5. Adam could find no solid peace 6. Till he beheld a woman's face ; 7. When Eve was given for a mate, 8. Adam was in a happy state. Bpigram on Mairitnony : Read altérnate lines, — x, 3, a, 4; 5. 7. 6, 8, Incoxst.ixcy. Trust not a man : we are by nature false, Dissembling, subtle, cruel and inconstant; Wlien a man talks of love, with caution hear him ; But if he swears, he '11 ceitainly deceive thee. The Orfhan. t. otwav. Nay, women are frail too ; Ay, as the glasses where tiiey view themselves ; Which arc as easy broke as they make forms. Mc^tsnrj/orMeasure, ^ct\\.Sc. 4. SHAKESPEARE. In part to blame is she, Which hath without consent bin only tride : He comes to neere that comes to be denide. ./ ITi/e. Sir t. overdurv. Virtue she finds too painful an endeavor. Content to dwell in decencies forever. Moral Essays : UpistU II. POPE. Completion. JIan is but half without woman ; and As do idolatera their heavenly gods, AVe deify the things that wo adore. FestHS. P. J. BAILEV. Ho is the half part of a blessed man, Left to be finished by such as she ; And she a fair divided excellence. Whose fulness of perfection lies in him. King yohn. Act il. Sc» 2, SHAKESPEARE. Home Life. Domestic happiness, thou only bliss Of paradise that has suiwived the fall ! The Task. COWPBR. The first sure symptom of a mind in health Ts i-est of heart, and pleasure felt at home. Night Thoughts, ' li. VoUNC. And hie him Home, at evening's close. To sweet repast and calm repose. Ode OH the Pleasure arising from Vicissitude, T. GR AV. The social smile, the sympathetie tear. Education and Government, T. ClCAY. Oh ! blessed with temper, whose unclouded ray Cau make to-morrow cheerful as to-day. Moral Essays : Epistle II, POPE. Why left you wife and children, — Those precious motives, those strong knots of love ? Macbeth, Acl 're.Sc. SHAKESPÉARE. Motheh-Love. The only love which, on this teeming earth, Asks no return for passion's wayward birth. The Dream. HON. MRS. NORTON. A mother's love, — how sweet the name ! What is a mother's love ? — A noble, pure, and tender flame. Enkindled from above. To bless a heart of earthly mould ; The warmest love that can grow cold ; — This is a mother's love. A Mother's Love. J. MONTGOMERY. Hath he set bounds between their love and me ? I am their mother ; who shall bar me from them Richard III,, ActVi,Sc, x. SHAKESPEARE. Tlie poor wren, The most diminutive of birds, will fight. The young ones in her nest against the owl. Macbeth, Act i». Sc. ». SHAKESPEARE. Where yet was ever found a mother Who'd give her booby for another ? Eaàles : The Mother, the Nurse, and the fairy. J. gav. Home Pleasures. At Christmas play, and make good cheer. For Christmas comes but once a year. T/ie Farmers Daily Diet. ï. tusser; So saying, with despatchful looks in haste She turns, on hospitable thoughts intent. Paradise Lost, Book v* MlLTON. Alike all ages : dames of ancient days Have led their "children through the miithful maze ; And the gay grandsire, skilled in gestic lore. Has fiisked beneath the burden of threescort. The Traveller, COEbsulTH. rh (&■ PARTING. -•ü 233 PARTING. GOOD BY. " Fap.ewell ! farewell ! " is often heard From the lips of those who part : 'T is a whispered tone, — 't is a gentle word, But it springs not from the heart. It may serve for the lover's closing lay. To be sung 'neath a summer sky ; But give to me the lips that say The honest words, " Good by ! " "Adieu ! adieu ! " may greet the ear, In the guise of courtly speech ; But when we leave the kind and dear, 'T is not what the soul would teach. Whene'er we grasp the hands of those We would have forever nigh, The flame of Friendship bursts and glows In the warm, frank words, " Good by." The mother, sending forth her child To meet with cares and strife. Breathes through her tears her doubts and fears For the loved one's future life. No cold "adieu," no "farewell," lives Within her choking sigh. But the deepest sob of anguish gives, "God bless thee, boy ! Good by !" Go, watch the pale and dying one. When the glance has lost its beam ; When the brow Ls cold as the marble .stone. And the world a passing dream ; And the latest pressure of the hand. The look of the closing eye. Yield what the heart must understand, A long, a last Good-by. anonvmol's. QUA CURSUM VENTUS, As ships, becalmed át eve, fhat lay With canvas drooping, side by side. Two towers of sail at dawn of day Ai •e scarce long leagues apart descried. When fell the night, up sprang the breeze. And all the darkling hours they plied. Nor dreamt but each the selfsame seas By each was cleaving, side by side : E'en so, — but why the tale reveal Of those whom, year by year unchanged. Brief absence joined anew to feel, Astounded, soul from soul estranged ? At dead of night their sails were fllled. And onward each rejoicing steered ; — Ah ! neither blame, for neither willed Or wist what flrst with dawn appeared. To veer, how vain Î On, onward strain. Brave barks! In light, in darkness too, Through winds and tides one compass guides : To that and your own selves be tfne. But O blithe breeze ! and 0 great seas I Though ne'er, that earliest parting past. On your wide plain they join again, — Together lead them home at last. One port, methought, alike they sought,— One purpose hold where'er they fare ; 0 bounding breeze, O rushing seas. At last, at last, unite them there ! Arthur Hugh Clough. AE FOND KISS BEFORE WE PART. Ae fond kiss, and then we sever ; Ae fareweel, alas, forever ! Deep in heart-wrung tears I '11 pledge thee ; Warring sighs and groans I'll wage thee. Who shall say that fortune grieves him, While the star of hope she leaves him f Me, nae cheerfu' twinkle lights me ; Dark despair around benights me. I '11 ne'er blame my partial fancy— Naething could resist my Nancy ; But to see her was to love her. Love but her, and love forever. Had we never loved sae kindly. Had we never loved sae blindly. Never met — or never parted. We had ne'er been broken-hearted. Fare thee weel, thou flrst and fairest ! Fare thee weel, thou best and dearest f Thine be ilka joy and treasure. Peace, enjoyment, love, a.nd pleasure 1 ■S e 234 rOEMS OF THE AFFECTIONS. ■a Ae fond kiss, and then we sever ; Ae fareweel, alas, foi'ever ! Deep in heart-wrung tears I '11 pledge thee, Waning sighs and groans 1 '11 wage thee ! Robert Burns. O, MY LUVE'S LIKE A RED, RED ROSE. O, MY Luve 's like a red, red rose That's newly sprung in June : O, jny Luve 's like the melodie That's sweetly played in tune. As fair art thou, my bonnie lass. So deep in luve am I : And I will luve thee still, my dear. Till a' the seas gang dry : ; Till a'the seas gang dry, my dear. And the rocks melt wi' the sun : And 1 will luve thee still, my dear, WhUc the sands o' life shall run. And fare thee weel, my only Luve ! And fare thee weel awhile ! And 1 will come again, my Luve, 'Xho' it were ten thousand mile. Robert Burns. THE KISS, DEAR MAID. The kiss, dear maid ! thy lip has left Shall never part from mine. Till happier hours restore the gift Untainted back to thine. Tliy parting glance, which fondly beams. An equal love may see : The tear that from thine eyelid streams Can weep no ehange in me. I ask no idedge to make me blest In gazing when alone ; Nor one memorial for a breast Wliose thoughts are all thine own. Nor need I write — to tell the talo My pen were doubly weak : O, what can idle words avail, Unless the heart could speak ? By day or night, in weal or woe. That heart, no longer free. Must bear the love it cannot show, And silent, ache for thee. c:Î- MAID OF ATHENS, ERE WE PART. Z<¿7) /iov aás àyairû.* Maid of Athens, ere we part. Give, O, give me back my heart ! Or, since that has left my breast. Keep it now, and take the rest ! Hear my vow before 1 go, Z¿r) fiov There's nae luck at a' ; There's little pleasm-e in the house When our gudeman's awa'. i And gie to me my bigonet, ' My bishop's-satin gown ; For 1 maun tell the baillie's wife That Colin's in the town. My Turkey slippere maun gae on. My stockin's pearly blue ; It's a' to pleasure our gudeman. For he's baith leal and tme. Rise, lass, and mak a clean fireside. Put on the muckle pot ; Gie little Kate her button gown. And Jock his Sunday coat ; And mak their shoon as black as slaes. Their hose as white as snaw ; It's a' to please my ain girdeman. For he's been long awa'. There's twa fat hens upo' the coop Been fed this month and inair ; Mak haste and thraw their necks about. That Colin weel may fare ; And spread the table neat and clean. Gar ilka thing look braw. For wha can tell how Colin fared When he was far awa' ? • Bartlett. in his Familiar Quotations, has the followin(t î " The Mariner's Wife is now ^ven. 'by couuuoa cousciit/ says Sarah Tytler, to Jean Adam, 17IO»j76s." ABSENCE. 247 Sae true his heart, sae smooth his speech, His breath like caller air ; His very foot has music in't As he comes up the stair, — And will I see his face again ? And will I hear him speak ? 1 'm downright dizzy wi' the thought, In troth 1 'm like to greet ! If Colin's weel, and weel content, I hae nae mair to crave : And gin I live to keep him sae • I'm blest aboon the lave : And will I see his face again ? And will I hear him speak ? I'm downright dizzy wi' the thought. In troth I'm like to greet. For there's nae luck about the house, There's nae luck at a' ; There's little pleasure in the house ^ When our gudeman's awa'. William James Mickle. ABSENCE. When I think on the happy days I spent wi' you, my dearie ; And now what lands between us lie, ' How can I bo but eerie ! How slow ye move, ye heavy hours. As ye were wae and weary ! It was na sae ye glinted by When I was wi' my dearie. Anonymous. h ON A PICTURE. When summer o'er her native hills A veil of beauty spread. She sat and watched her gentle flocks And twined her flaxen thread. The mountain daisies kissed her feet ; The moss sprung greenest there ; The breath of summer fanned her cheek And tossed her wavy hair. The heather and the yellow gorse Bloomed over hill and wold. And clothed them in a royal lobe Of pui-ple and of gold. There rose the skylark's gushing song. There hummed the laboring bee ; And merrily the mountain stream Ran singing to the sea. But while she missed from those sweet sounds The voice she sighed to hear. The song of hee and bird and stream Was discord to her ear. Nor could the bright green world around A joy to her impart. For still she missed the eyes that made The summer of her heart. a.nne c. Lynch (Mrs. botta). COME TO ME, DEAREST. Come to me, dearest, I'm lonely without thee. Daytime and night-timej I'm thinking about thee ; Night-time and daytime, in dreams I behold thee ; , Unwelcome the waking which ceases to fold thee. Come to me, darling, my sorrows to lighten. Come in thy beauty to bless and to brighten ; Come in thy womanhood, meekly and lowly. Come in thy lovingness, queenly and holy. Swallows will flit round the desolate ruin. Telling of spring and its joyous renewing ; And thoughts of thy love, and its manifold treas¬ ure. Are circling my heart with a promise of pleasure. 0 Spring of my spirit, 0 May of my bosom. Shine out on my soul, till it bourgeon and blos¬ som ; The waste of my life has a rose-root within it. And thy fondness alone to the sunshine can win it. Figure that moves like a song through the even ; Features lit up by a reflex of heaven ; Eyes like the skies of poor Erin, our mother. Where shadow and simshine are chasing each other ; Smiles coming seldom, but childlike and simple. Planting in each rosy cheek a sweet dimple ; — 0, thanks to the Saviour, that even thy seeming Is left to the exile to brighten his dreaming. You have been glad when you knew I was glad¬ dened ; Dear, are you sad now to hear I am saddened ? Our heaits ever answer in tune and in time, love. As octave to octave, and rhyme unto rhyme, love : 1 cannot weej) but your tears will be flowing. You cannot smile but my cheek will be glowing ; I would not die without you at my side, love. You will not linger when I shall have died, love. ■S • -a 248 POEMS OF THE AFFECTIONS. Come to me, dear, ere I die of my sorrow, Eise on my gloom like the sun of to-morrow ; Strong, swift, and fond as the words which I speak, love. With a song on your lip and a smile on your cheek, love. Come, for my heart in your absence is weary, — Haste, for my spirit is sickened and dreary, — Come to the arms which alone should caress thee. Come to the heart that is throbbing to press thee ! JOSEPH BRENNAK. FEAGMENTS. Memokt in Absence. And memory, like a drop that night and day Falls cold and ceaseless, wore my heart away ! Lalla Rookk, MOORE. Where'er I roam, whatever realms to see. My heart untravelled fondly turns to thee ; Still to my brother turns, with ceaseless pain. And drags at each remove a lengthening chain. Tht TravcUcr. GOLDSUITH. Of all affliction taught the lover yet, "r is sure the hardest science to forget. Sioisa to Abelard. POPEi Ere such a soul regains its peaceful state. How often must it love/how often hate. How often hope, despair, resent, regret. Conceal, disdain, — do all things but forget. Eloísa to Abelard, POPE. Though absent, present in desires they be ; Our souls much further than our eyes can see. M. dravton. When, musing on companions gone. We doubly feel ourselves alone. Marmion, Cant. ii. Introd. SCOTT. To live with them is far less sweet Than to remember thee ! I saw thy form, MOORE. Hope Defep.red. Long did his wife. Suckling her babe, her only one, look out The way he went at parting, — but he came not ! Ua(y, KOCBRS. Absence strengthens Lovf There's not a wind but whispers of thy name. Mirándola. B. W. PROCTER. Short absence hurt him more. And made his wound far greater than before ; Absence not long enough to root out quite All love, increases love at second sight. Henry II, T. MAY. 'T is distance lends enchantment to the view. And robes the mountain in its azure hue. Pleasures o/Hope, Part i. T. CAMPBELL. Absence makes the heart grow fonder ; Isle of Beauty, fare thee well ! Isle of Beauty. t. h. bayly. Time in Absence. Love reckons hours for months, and days for years ; And every little absence is an age. Amphictrion. DRYDEN. What ! keep a week away ? Seven days and nights ? Eightscore eight hours ? And lovers' absent hours More tedious than the dial eightscore times 0, weary reckoning ! Olhello, Act iii. Sc. 4. SHAKESPEARE. The Unwelcome Lover. I dote on his very absence. Merchant of Venice, Act i. Sc. 2. SHAKESPEARE* Presence in Absence. Our two souls, therefore, which are one, Though I must go, endure not yet A breach, but an expansion. Like gold to airy thinness beat. If they be two, they are two so As stiff twin compasses are two ; Thy soul, the fixt foot, makes no show To move, but doth if the other do. And though it in the centre sit. Yet when the other far doth roam. It leans and hearkens after it. And grows erect, as that comes home. Such wilt thou be to me, who must. Like the other foot, obliquely run. Thy firmness makes my circle just. And makes me end where I begun. A Valediction Jorbidding Mourning, DR. J. DONNE. ■Ö a- DISAPPOINTMENT AND ESTRANGEMENT. 249 ■a DISAPPOINTMENT AND ESTRANGEMENT. SONNET. "With how sad steps, 0 Moon ! thou climb'st the skies, How silently, and with how wan a face ! What may it be, that even in heavenly place That busy Archer his shai'p arrows tries ? Sure, if that long with love acquainted eyes C.an judge of love, thoir feel'st a lover's case ; I read it in thy looks, thy languished grace To me that feel the like thy state descries. Then, even of fellowship, 0 Moon, tell me. Is constant love deemed there but want of wit ? Are beauties there as proud as here they be ? Do they above love to be loved, and yet Those lovers scorn whom that love doth possess ? Do they call virtue there ungratefulness ? Sir Philip Sidney. ¡ THE BANKS 0' DOON. Ye banks and braes o' bonnie Doon, How can ye bloom sae fresh and