PKf„6c>/v Class Book. _^J LITERARY HISTORY OF ITALY. EDINBURGH : PKIVTED BY T. CONSTABLE, I. THISTLE STREET. COMPENDIUM LITERARY HISTORY OF ITALY, UNTIL THE FORMATION OF THE MODERN ITALIAN LANGUAGE. TRANSLATED FROM THE ITALIAN COUNT F. V. BARBACOVI. EDINBURG THOMAS CLARK, 38, GEORGE STREET : LONDON, J. B. BA1LLERE ; DUBLIN, MILLIKEN ; OXFORD.. TALBOYS ■ CAMBRIDGE, DEIGHTON, NEWBY. MDCCCXXXV. >r\ * -v PREFATORY NOTES. The object attempted to be gained by the Translator of the following pages has solely been to enjoy a share, however slight that might be, in the merit of opening another source of acquaintance with the history of a literature which, whether in its ancient or modern forms, has ever stood the very highest object of admiration to the w 7 hole civilised world. And in pursuance of this design, he has deemed that the translation of a work of high literary value, of a form not extended enough to fatigue its reader, nor contracted enough to dissatisfy him, is a labor which will not go altogether unrewarded. In the course of some Prefatory Remarks by the editors of the Italian Edition (Milan, 1825), they notice, after an observation on the high literary reputation enjoyed by the author of this Work, that it is more pecu- liarly to be considered as a masterly Com- pendium or Abridgement of the early part of the great historical work by Tiraboschi on Italian Literature, as the corresponding labor of Maffei has been of its later portion. They also comment upon its value as em- bracing the literary history of a period equal to seventeen centuries in duration, closing with the eleventh age of the Christian era ; and conclude in the happy remark of Cicero, that Nihil in Historia est pura et illustri brevitate dulcius. The Preface by Barbacovi is almost ex- clusively occupied in remarks upon the great work of Tiraboschi, and by a modest exposi- Vll tion of the motives which induced him to undertake his own, and these are asserted to be an anxiety to secure for his country the advantage of its literary history in a more suitable and convenient form, as well as a hope to excite to the study of the literary history and glory * . * * * * j) e j bel paese Che Appennin parte e '1 mar circonda e l'Alpe. Though the essential spirit and matter of the original have been preserved throughout. in its form it has been partially altered, by the adoption of a different mode of division, while a few notes only, distinguished by marks of their own, and principally confined to the trifling additions of dates and particulars omitted in the original, have been added by the Translator, to the exclusion of several of greater length, gathered from corresponding works on literarv history in German, French, and Italian literature, but which he after- wards found inconsistent with the limits of the work. CONTENTS. Page Section 1 . Literature of Magna Grecia and Sicily, 1 2. The Literature of Ancient Rome, from the Sixth Century subsequent to its Foundation, to the Seventh.and Eighth, 13 3. The Literature of Ancient Rome and of Italy, continued, . . . . 23 4. The Same, continued to the- Death of Augustus, . . . . . 57 5. The Literature of Italy, from the Epoch of Augustus to that of Adrian, . 80 6. Continuation of the preceding Section, 1 05 7. The Literature of Italy, from the Epoch of Adrian to that of Constantine, 138 8. The Literature of Italy, from the Epoch of Constantine till the Fall of the Ro- man Empire in the West, . . 162 9. The Literature of Italy under the Do- minion of the Goths, and until the For- mation of the (Modern) Italian Lan- guage, 186 INTRODUCTION. It is unnecessary to speak here of the literature of the ancient Etruscan nation, of a people which possessed an extended empire in Italy ere the Romans had a name, as although it might produce its learned men, and those versed in the sciences and arts, no literary work, nor monument of them, has descended to our times, since the Greek and Latin authors alone furnish testimony to the Etruscan excellence in the arts and sciences. Italian litera- ture more properly dates from the rise of those of Magna Grecia and Sicily, as of them we find that precious memorials are yet extant ; but in noticing them here we shall employ that briefness which suits the nature of a compendium such as this. The term Magna Grecia was applied to that district of Italy which now forms part of the kingdom of Naples, and which a narrow arm of the sea alone separates from Sicily. The vicinity of the two countries naturally introduced a reciprocal commu- nication of the sciences and letters ; and both may XI 1 INTRODUCTION. be spoken of conjunctly here. It is true, that with respect to Magna Grecia, properly so called, it was taken possession of by many Greek colonies, who, driving out its previous inhabitants in making them- selves masters of the country, bestowed upon it the name of their own, but, as Tiraboschi reasonably observes, in writing the literary history of a country it becomes necessary to include that of the letters and learned men who florished there, as well as to give them that country's name, whatever might be the region from which their ancestors had arrived ; and therefore it is justifiable to notice, as belonging to this subject, the sciences and studies of a people which, though foreign in its origin, occupied part of Italy, and by a continued residence there becomes entitled to assume the Italian name. LITERARY HISTORY. SECTION I. LITERATURE OF MAGNA GRECIA AND SICILY. The Literary History of Magna Grecia and Sicily may be best commenced by a notice of their earliest schools of philosophy, as both countries displayed an equal ardor for its cultivation. Pythagoras, though not born in Italy, spent there a long portion of his life, founding the celebrated Pythagorean or Italic school, a in which all the sciences which tend to perfect the human mind were attempted to be cultivated. Cro- tona and Metapontum were the two cities in which he made the longest residence, but many of the neighbouring states or cities, on both sides the Faro, enjoyed the benefit of his knowledge and coun- sels in the regulation of their civil or political government. Pythagoras was the first, as Cicero asserts, to assume the title of Philosopher, and one of the earliest to open up new methods of thought in the study of the moral and mathemati- a Foundation of the Italic School (about) 540 b.c. 60th Olympiad. A 1 LITERARY HISTORY. oil sciences, while in pointing out to others the system he had adopted, and inviting them to fol- low in his footsteps, he studied to awake among all an ardent passion for virtue and knowledge. Thales the Milesian, founder of the Ionic sect, lived indeed previous to Pythagoras, but the latter possessed a higher name and reputation with the ancient philosophers. The list of writers is long who have treated of the investigations and disco- veries attributed to Pythagoras, relative to philoso- phy in general, arithmetic, music, geometry, astro- nomy, moral and medical science, and natural the- ology ; while Italy may be permitted the boast, that many of the opinions and discoveries of modern philosophy drew their origin from the speculations of her earliest philosophers. The astronomical system of Copernicus even is found partly developed in that of Pythagoras, together with the theory of the revo- lution of the earth round the sun or common centre, and that of the existence of animal being in all the planets. Cicero, indeed, on the authority of Theo- phrastus makes Icetas of Syracuse the discoverer of the terrestrial motion, but the latter being Italian by birth, the glory of having possessed, from the re- motest period, the knowledge of a system destined, at a later day, to receive so luminous a confirmation from modern science, must be conceded Italy. From what has been just asserted it may be con- PHILOSOPHY. -J ceived how highly the sciences flourished in Italy at a period when all Europe, Greece alone excepted, lay buried in the total darkness of ignorance and barbarism. Many of the followers of Pythagoras, in holding public schools of philosophy, maintained the knowledge, and diffused the opinions he had inculcated. The most illustrious amongst these were Empedocles of Agrigentum in Sicily ; Epichar- mus ; Ocellus, native of Lucania ; Timaeus of Locri, held by Plato in high esteem; Architas of Tarentum, and several others. Another school of philosophy founded by the celebrated Xenophanes, and, from the residence of its founder at Elea, denominated the Eleatic, a now arose, but if almost all the sciences were cultivated thus early and ardently in Italy, it was there also that its earliest abuses or corruptions had their birth. Dicaearchus, a native of Messina, celebrated for his high talent, and whom Cicero hesitated not to call a " gTeat and wonderful inan, r by an unhappy perversion of his knowledge sus- tained the doctrine of the material union of the soul and body, and consequent mortality of both.* Some * Dicaearcus autem Pberecratem quemdam disserentem inducit nihil esse omnino animum, et hoc esse nomen totum inane : frus- traque aninialia et animantes appellari ; neque in homine inesse animum vel animam, nee in bestia vimque omnem earn, qua vel agamus quid, vel sentiamus, in omnibus corporibus vivis acquabiliter esse fusam Cicero Tuscul. Quaes, lib. 1, Num. 152. a Foundation of the Eleatic School (about) 530 B.C. 4 LITERARY HISTORY. of our modern speculators cannot then claim having first asserted these doctrines, as we here find the proofs of their very high antiquity; but we need only place in opposition to such names those of many much more illustrious philosophers, such as Plato, Socrates, &c, who strongly inculcated the doctrine of the immortality of the soul. At this period also, the medical as well as musi- cal arts, were found to flourish in Sicily, as Tirabos- chi* sufficiently proves, but mathematical science was particularly and successfully cultivated. In this, Architas of Tarentum, already named, and Archimedes a of Syracuse, rendered themselves pre- eminently illustrious. The reputation of the former was, indeed, sufficiently extended to induce Plato even to desire the benefit of his instructions, and he has the merit of having been the first to re- duce geometry to practical purposes, and to form determinate laws for the mechanical arts ; but the name of Archimedes, one of the greatest minds that ever cultivated the mathematical sciences, arrests more strongly our attention. Among the many eulogies passed on him that by the celebrated Leibnitz may be cited ;*f* and the justice of this * Storia della Lett. Ital. vol 1. c. 1. •f Qui Archimedem intelliget recentiorum summorum virorum inventa parciu3 mirabitur. a Archimedes florished (about) 250 b.c. PHILOSOPHY. panegyric is amply proved not only by the testimo- nies of the various writers of his life, but also by that which the part of his works that have reached us, afford.* The study of mathematics, mechanics, and geometry, engrossed exclusively, it would ap- pear, the attention and affection of Archimedes; and though mechanics owe no less to him than geometry, of the latter science he may be truly con- sidered the inventor. Of the many practical ap- plications which the fertile and creative genius of Archimedes enabled him to make of his deep mecha- nical knowledge, several have been handed down to us in the relations of his biographers. His last days were devoted to the exercise of his vast know- ledge and deep skill in the defence of his native city against the attacks of its Roman besiegers, when, by a series of wonderful mechanical inventions, he assisted in retarding the period of its fall. The day, however, on which the besieging army achieved its successful assault on Syracuse proved fatal also to its illustrious citizen, as he perished by the brutal hands of a common soldier, to the deep regret of the Roman general even. We have now given some of the great names which Sicily and Magna Grecia produced in the * Among the works which treat of Archimedes that by the cele- brated Count G. Marruchelli is, in particular, worthy of perusal. Life of Archimedes Brescia, 1737— Barbacovi. LITERARY HISTORY. philosophic and mathematical sciences, and shall now speak of those eminent in political science. In legislation, also, it may be affirmed that Italy preceded the other nations, as the Locrians in Magna Grecia were the first people in Europe who possessed written laws ; and their citizen, the cele- brated Zaleucus, was their earliest legislator. Za- leucus a appeared prior to Solon or Lycurgus ; and from what w r e read in the pages of Diodorus Siculus, his excellence as a legislator cannot be disputed. He commenced by exacting from his fellow-citizens that above every other thing they should have a firm belief in the existence of the gods, and that by directing their regards and thoughts to the heavens, and considering their wonderful structure and dispo- sition, they should be enabled to discover the im- possibility of these having been the result of fortui- tous arrangement or human foresight, deducing thence the respect and honor due to the deities from whom every benefit and felicity were derived. He insisted also on the necessity of purifying the mind from every vice, as it was not so much by sacrifice or offering as by the honest and upright walk of life that Heaven was to be propitiated. Among the most famous in the list of these ancient legis- lators appears Charondas h of Catania, in Sicily, or, a Zaleucus legislated from 800 to 700 b.c. *> Charondas legislated from 700 to 600 b.c. POETRY. according to other authorities, of Thurium in Magna Grecia. He was selected by the people of the latter place to draw up a code of laws for that city, and its excellence may be inferred from the fact of its adoption by some of the neighbouring states, both in Sicily and Magna Grecia. One of the most remark- able provisions in the regulations of Charondas was that by which all the sons of citizens were required to study the Belles Lettres or polite literature, and that for this purpose the state should maintain public teachers at due salaries, affording thus the earliest example which history presents of schools of instruc- tion for public benefit supported by the state. Many other legislators, also, florished in these provinces of Italy, whose names, however, and those of the people for whom they legislated, have alone descended to us. If such were the excellence to which Italy had attained at the remotest times in the severer sciences, she claimed a not less honourable distinction in or- namental literature. It was in Sicily, it is known, that pastoral poetry took its rise ; and Stesichorus,* a native of Imera, in that island is alleged to have been its earliest cultivator. Stesichorus is likewise eminent as a lyric poet ; and his countrymen testi- fied their esteem for his talents by the erection of a a Stesichorus florished (about) 600 b.c. 8 LITERARY HISTORY. statue to his honor in their city, as Cicero relates,* while the people of Catania, where he died, raised a mausoleum to his memory. It may be considered a better proof of the excellence of Stesichorus as a poet that Cicero eulogises him ; and Dionysius Halicarnasseus hesitates not to place him in a rank equal with, if not higher than Pindar or Simonides. Besides taking its rise in Sicily, pastoral poetry was there also brought to that highest grade of excellence to which it ever could ascend. Syracuse produced both Theocritus a and Moschus, the former of whom was taken by Virgil as a model in this branch of poetry. - )* Posterior to Theocritus we find Moschus equally celebrated, and by many, indeed, preferred to him. The poetry of the theatre also florished in Sicily ; and Epicharmus,*> whose name has been already given, and whom Plato places first among comedians, may not only be considered the inventor of comedy, but the writer also whose productions tended principally to perfect it, as the words in the epigram of Theocritus testify, — * Lib. ii. in Ver. Num. 35. •f A very elegant translation, in Latin verse, of some of the Idylls of Theocritus has been given to Italy by the celebrated Raymond Cunich Barbacovi. a Theocritus florished (about) 250 b.c. i> Epicharmus florished (about) 450 b.c. ELOQUENCE. But Eloquence, or the oratorical art, owed to Sicily, perhaps in a greater degree than Poetry even, its origin and the subsequent splendor it attained. Aristotle and Cicero join their testimonies here, at- tributing the merits to Corax of Syracuse and his pupil Tisias. But the highest rank in oratory was reached by Lysias a of Syracuse and Gorgias of Le- ontium ; the former of whom is called by Cicero* a most eloquent and elegant writer, while Dionysius Halicarnasseus asserts, that he eclipsed the fame of all preceding orators. We still possess a part of his Orations, though the greater number have perished. *f* Gorgias b attained, however, an equal if not higher reputation than Lysias. He long held a school of rhetoric at Athens, where, according to the state- ment of his countryman, Diodorus, he so far sur- passed the other rhetoricians of his time in the sub- tility of his reasonings, the depth of his study, and the greatness of his eloquence, as to receive the highest price then ever known to have been given * De Orat. lib. 3. nom. 7, -j- With regard to Lysias, the life which J. Taylor, after Plutarch, has written of him, and prefixed to his edition of the Orations or that orator, published at London 1739, particularly merits being read Barbacovi. a Lysias florished (about) 400 B.C. b Gorgias florished (about) 450 b.c. 10 LITERARY HISTORY. for instruction in the art.* This celebrated sophist attracted the attention and received the support not only of the more youthful students of rhetoric, but that also of some of the most eminent men of the age, such as Thucidides and Pericles, both already advanced in years ; and Dionysius speaks of him as "a great and wonderful orator. " The people of Leontium, grateful for the honor which the talents of Gorgias had conferred on his native city, struck a medal to his name ;*f* but a more splendid monument of his fame was the statue of gold decreed him during his lifetime in the temple of the Delphian Apollo. f It is certainly a proud boast to Italy, that the two orators just spoken of were the first to teach to Greece the art of eloquence, and that it was upon their precepts and examples that a Socrates, a De- mosthenes, and so many of the other great orators who followed, were formed. Of the many historical writers that ancient Sicily * One hundred mine ; as one mina appears to have been equal to £3, 4s, 7d, the sum mentioned, therefore, may be calculated at £323, sterling, — Translator. -f- This medal has been published in the second volume of the " British Museum," — Barbacovi. $ Pausanias, contrary to the authority of Cicero and every other author, asserts that this statue was only gilt. The words of Cicero, relative to Gorgias, however, are " tantus honos habitus est a Gne- cia, soli ut ex omnibus Delphis non inaurata statua, sed aurea sta- tueretur.'' — Lib. 3. De Orat. No. 154 Barbacovi. FINE ARTS. 11 produced, we find an ample list in the pages of Dio- dorus, but, with the exception alone of fifteen of the forty books of history by that author, written in a style elegant and refined, and at the same time sim- ple and clear, their works have unfortunately been lost to us. We may judge, then, from what has been hither- to said, of the highly florishing condition of the sciences and letters which distinguished ancient Si- cily and that part of Italy named Magna Grecia, but we have yet to speak of the excellence attained there in the fine arts. The magnificent architectural works erected at an early period in Sicily, and am- ply described by Diodorus, have ever been famous ; while pre-eminent amid these, in unequalled gran- deur of proportion and magnificence of form, stood at Agrigentum the temple of the Olympian Jupiter. Similar in character and beauty to those of Sicily, many public buildings were found in Southern Italy, as the splendid ruins of the three temples of Pestum or Possidonia, and some of the fabrics now laid open in the disentombed cities of Pompeii and Hercula- neum yet attest. As to sculpture, we find from Pausanias that many eminent artists florished both in Sicily and Magna Grecia, and he notices them at length. In painting, though fewer remains neces- sarily reach us than of objects in the sister arts, yet we have sufficient to prove, from the researches of 12 LITERARY HISTORY. Tiraboschi,* the high degree of excellence it had reached. This happy progress in the arts, sciences, and Belles Lettres, owed its origin to the character itself and lively genius of the people of the countries whose literary history we have just sketched, and not to the patronage or munificence of any sovereign whatever ; since Southern Italy was alwaj s divided into many small and separate republics, and Sicily long possessed a republican form of government ; but to animate and carry forward the arts and sciences to that high perfection asserted of them, the ap- plauses and honors conferred by the several states on their more illustrious citizens, together with the monuments erected to perpetuate their names, were found sufficiently powerful. From the literature of ancient Sicily and Magna Grecia, we shall now proceed to that of ancient Rome and the other provinces of Italy. * Stoiiadella. Lett. Ital. lib. 1. c. 2. 13 SECTION II. THE LITERATURE OF ANCIENT ROME FROM THE SIXTH CEN- TURY SUBSEQUENT TO ITS FOUNDATION, TO THE SEVENTH AND EIGHTH. The first five centuries which followed the found- ation of Rome, found the Roman people too exclu- sively occupied in wars of aggression or defence against the neighbouring states, to permit it to as- pire to anything beyond conquest and military glory. Toward the close of the fifth century from that pe- riod, however, the conquest effected of Magna Gre- cia and Sicily, opened to the Romans sources of acquaintance with letters, such as they had never previously possessed; the constant and increasing intercourse with the conquered people ; the popula- rity that the poetry of the latter acquired among them ; the pleasure they found in frequenting their theatres ; the honors they saw conferred upon their poets, ought necessarily to have excited in the Roman mind a taste for literature hitherto unfelt ; the establishment of the theatre, and taste for poe- try, must be dated from that period, while the in- troduction of dramatic poetry commenced with Li- 14 LITERARY HISTORY. vius Andronicus, Nevius, and Ennius, a whose com- positions were however but the comparatively rude and unadorned efforts of the early muse, unworthy of the study of succeeding authors ; Ennius was indeed honored by the patronage and friendship of the elder Scipio, one of the most celebrated captains, as well as accomplished scholars, of the age, who retained him at his side even in the midst of his campaigns; and distinguished by the noble title of the " Father of Latin Song," and of the epic poem in particular ; but from the fragments that have descended to us, his writings must be charac- terised as partaking largely of the rudeness of the period. His literary character has been happily described by Ovid, in the line — Ennius ingenio maximus, arte rudis. For us Roman literature properly commences with Plautus and Terentius, from their works alone having descended to our times, and the influence they possessed on the actual state of letters. Plau- tus, 15 born at Sarsina in Umbria, composed many comedies, of which twenty have been preserved ; but the opinions of both ancient and modern authors on their merits have been various and contradictory. Cicero extols the wit, humor, and elegance of a Ennius florished from 515 to 585 a.r. b Plautus florished (about) 550 a.r. POETRY. k) Plautus ; * Horace, on the contrary, condemns him.-f* Tiraboschi ingeniously reconciles these contending opinions, by advancing that Plautus has certainly a style at once graceful, natural, and facetious, and is to be considered as a vivid and lively painter of the manners of his country, but too frequently disfigured by an intermixture of coarseness, sinking occasion- ally even into obscenity. Several other writers of comedy are mentioned by Cicero,| and Quintilian,§ as florishing in the sixth century of Rome, but of these the works of Terence* alone are yet extant. This celebrated wri- ter, a Carthaginian by birth, acquired the Latin language and style by a residence in Rome, and composed there six comedies, which were repre- sented with the highest success on the Roman stage 5 from the year 587 of Rome to 593. Modern cri- tics vary also in their judgments on the merits of Terence ; but the opinions of Cicero and Caesar may * De Offic. lib. i. num. 29. •j* In his Art of Poetry — At nostri proavi plautinos et numeros et Lauderere sales nimium patientur utrumque, Xe dicam stulte mirati si modo ego et vos Scimus inurbanum lepido seponere dicto, Legitimumque sonum digitis calamus et arte. J De Clar. Orat. num. 45. § Lib. x. c. 1. ■ Terence fiorished (about) 590 a.r. 16 LITERARY HISTORY. be preferred. Both extol highly the purity of his Latin, the sweetness of his style, and close approxi- mation to many of the beauties of the Greek poet Menander. Caesar, indeed, slightly qualifies his encomium by desiring in our author a greater strength of sentiment. Thus the Latin language and its poetry advanced mutually to perfection in the sixth, and commencement of the seventh ages of Rome. It must be confessed, however, that the Romans had not yet nearly reached the poetic ex- cellence of the Greeks. If poetry had now taken root among the former, and its students found their labors appreciated and rewarded, the art was not held in honor sufficient to induce Roman talent to devote itself exclusively to its study, and one of the causes of this may be traced in the idea entertained by the Romans of that day, that it was more properly a mere mental recreation that a conquered people might well present unto their conquerors. But the period now .approached in which it was to be held in greater honor, and consequently brought nearer its perfection ; we shall, however, proceed at pre- sent to examine the state in which philosophy, and the other sciences and letters were found in Rome at that age. The study of philosophy may be said to have been introduced into Rome by the arrival there of many of the learned men of Greece in 586, a. r. PHILOSOPHY. 17 After the defeat and capture of Perseus, King of Macedonia, who accompanied in chains the trium- phal car of his conqueror, Paulus Emilius, into Rome, the Roman senate ordered the transportation thither of many of those Greeks, who, though sub- ject to their empire, had favored the cause of the Macedonian monarch, in the view of their trial and probable condemnation. Not a few of those were persons distinguished for their learning, and fore- most among them were the celebrated historian Po- lybius, and the philosopher Panaetius. Of these, Polybius principally contributed to excite a spirit for the study of the sciences and letters ; it was from intercourse with him that the younger Scipio (Africanus) acquired those tastes which afterwards rendered him as illustrious in literary as in military reputation. Cicero assures us that Scipio made the works of Xenophon his continual study, and that, besides that of Polybius, he enjoyed the friendship of several of the most eminent of his countrymen then in Rome. Equal praise is due Caius Lelius, the faithful friend and companion of Scipio, who likewise sought the friendship of the Greek philo- sophers, and similarly also applied himself with ardor to the study of letters. Many other noble Romans followed these examples, and assisted to destroy the previous impression, that it was from 18 LITERARY HISTORY. military talent alone that fame or immortality could be acquired. Another event occurred six years after the arrival of the Greek philosophers in Rome, which further tended materially to promote the study of the sci- ences. The Athenians, on account of an attack made by them on the city of Oropus, in Boeotia, had been condemned by the Roman senate to pay a fine of 500 talents. To obtain a diminution of so heavy an impost, an embassy composed of three of the most celebrated philosophers and orators of Greece, Carneades, Diogenes, and Critolaus, was dispatched by the Athenians to Rome in 598. a. r. Having exposed the object of their mission to the Senate, the philosophers finding themselves obliged to await the determination of that body, employed their leisure in the display of their elo- quence and knowledge in public disputations on various arguments. Carneades here distinguished himself particularly ; of him Cicero asserts, that possessing an incredible force in reasoning, there was nothing that he ever undertook to sustain in his harangues of which he did not persuade, nor any- thing to combat which he did not overthrow. An eloquence then previously unheard in Rome, ne- cessarily called forth universal admiration and ap- plause, while it caused the general attention to be PHILOSOPHY. 10 directed to this philosopher and his associates ; the Roman youth eagerly crowded to listen to a grace of oratory and force of persuasion that delighted it, whilst the philosopher insinuating himself with ad- mirable art into the minds of his hearers, succeeded in raising a passion for the sciences sufficiently strong to cause the abandonment of all other pleasures or pursuits for the study of philosophy. The crowded concourse, attracted from every part to the disputa- tions of these rhetoricians, and the applause bestowed upon them, excited, however, the severe displeasure of Cato the censor. He dreaded, as Plutarch says, the influence such studies would have in causing a preference of science to arms in the Roman youth. Strongly advocating in the Senate, then, the imme- diate arrangement of the matter which had brought the Athenian ambassadors to Rome, he pointed out at the same time the dangers he anticipated from their residence there. To facilitate their departure, the fine imposed was reduced to 100 talents only, and they returned to Athens highly gratified by the success of their mission. The taste for philosophy and literature, however, awakened by these philo- sophers, departed not with them ; Panaetius and Polybius, too, remained in Rome, besides probably several others of their learned countrymen. The sect of the Stoics, to which Panaetius belonged, had a larger number of followers than any of the others 20 LITERARY HISTORY. into which the schools of Rome were divided ; but to whatever sect it might be that the Roman philo- sophers attached themselves, their studies were more peculiarly directed to moral and political than to natural and physical questions, as the former were judged more useful not only for the determi- nation of the private duties of the citizen, but for guidance in the civil and political government of the state. Cicero, in his work, De Claris Oratoribus, has given us the history of the happy progress of oratory in Rome. He bestows the highest praise in his strictures on this art, on Cato the censor, — "who," says he, "more powerful than he in con- ferring praise ? who more ingenious in ideas ? more subtile in the argument as in the exposition of a cause ?"* His orations, 150 of which he asserts having studied, are described as abounding in mag- nificent expressions, displaying in fact all the excel- lencies proper to an orator. Sergius Galba and the two illustrious friends, Scipio and Lelius, receive equally the highest encomiums. In the long and varied list of names commented on by Cicero, we find that of M. Emilius Lepidus extolled as adding new features of grace and ornament to Latin elo- quence, rendering it more harmonious by the imita- * Declar. Orat. No. 17. HISTORY. 21 tion of Grecian models. Eloquence we find thus D actually advancing to its perfection, materially assisted in its progress by the advantages it was found to secure those public men who sought to obtain the highest offices of the Republic. The decisions of the state on all the most important questions of peace or war, legislation or civil and criminal procedure, depended in great part on the talents and eloquence of the orators. In historical writing, the praise or notice due the Roman authors of that period is but slight. The study of eloquence we have spoken of, was not brought to the service of this branch of literature, but adopted solely for the purposes of the Senate and the Forum. Cicero, however, gives us the names of many writers who have treated of history, but excepts that of Cato a alone from the tone of general condemnation. Cato, directing his admira- ble genius to this study also, composed seven books of history, entitled De Originibiis, on which Cicero passes a high encomium, applying to them the terms " eloquent" aud " beautiful." Of Cato we may add, that he wrote on several subjects previously un- touched by Roman writers, such as on agriculture, in his work De Re Rustica ; on military discipline and the rhetorical art, together with some commen- - Cato born 520 a.r. 22 LITERARY HISTORY. taries on jurisprudence, which have shared the fate of the greater part of his other works. " M. Portius Cato," says T. Livy* in his glowing eulogium on that writer, " surpassed by a great way all the most illustrious both of Patricians and Plebeians. Some reach the highest honors by the study of the laws, some by eloquence, and others by military reputa- tion, but the genius of Cato was so adapted to every art, as to seem born only for that to which at the moment it devoted itself. Valiant in the field of battle, and celebrated for many important victories, he was at once a great general, a most able lawyer, and most eloquent orator." The progress of the other sciences would naturally introduce the study of jurisprudence. Among the first jurisconsults of this age, we find again the name of the great Cato just spoken of; that of M. Junius Brutus, and that of Q. Mutius Scoevola ; the one of whom composed seven, and the other ten books on Jurisprudence, none of which are however now extant. But we shall now turn to a yet more luminous epoch in the literary history of Rome — the seventh and eighth centuries. * Hist. Lib. 39. c. 2. 23 SECTION III. THE LITERATURE OF ANCIENT ROME AND OF ITALY CONTINUED. The consequences produced on Roman literature and philosophy by the conquest of Greece, have been already adverted to — the lines of Horace are well known. Graecia capta ferrum victorem cepit et artes, Intulit agresti Latio.* To Greece was Rome indebted for the masters who introduced the sciences and Belles Lettres into her walls ; to Greece all Italy turned for her artists and instructors ; altogether Grecian, in fine, was the spirit of Roman literature. To that hallowed seat of the sciences and letters, w r e find successively re- pairing all those scholars of Rome who were ambi- tious of penetrating deeply into the various branches of knowledge ; and the results of this intercourse are found first in the happy imitation, and subsequent - * Lib. ii. Ep. 1. 24 LITERARY HISTORY. ly in the equality attained by the Roman writers to their Grecian models ; and at a later era, in their even surpassing these in some departments of liter- ature. Commencing with the poetry of this period, we find C. Lucilius introducing a new species of poetical composition, in hexameter verse, of which Grecian literature furnished no example, viz: Satire, a species of composition destined afterwards to ren- der celebrated the names of Perseus, Juvenal, and Horace. The Eusebeian Chronicle places the date of the birth of Lucilius in the year 605 of Rome, and that of his death in 657. Horace, who speaks at length of this writer,* describes his satires as bitter and unsparing in their spirit, though their author enjoyed the friendship of the most consider- able personages in Rome ; his style he considers not sufficiently polished, and his verses wanting in that correction which his habit of quick composition and insufferance of fatigue permitted him not to bestow upon them ; but Quintilian, who, if he equalled not in style the first writers of his country, shows him- self finely acquainted with its theory, censuring, on the contrary, these strictures of Horace, eulogises the style of the satiric poet.-f* We are not now qualified to pronounce upon the merits of this ques- * Lib. i. Sat. 4 and .5. f Instit. Orat. Lib. x. c. 1. POETRY. 25 lion, since of the thirty books of satire by this wri- ter, a few fragments are alone extant. Latin poetry found a higher ornament in S. Lu- cretius Cams. He was born, according to the Euse- biean Chronicle, in a. r. 658, and died by the ac- count of some, in his 40th, by that of others, in his 44th year. The work of this author, entitled " De Rerum Natura" which is yet extant, has rendered his name immortal, and his merit is placed in a yet stronger light, when we consider him as the first among the writers of his country, to treat in verse of a philosophic system, as his own lines at the commencement of the fourth book boast.* Lu- cretius was unquestionably the first to bring the fancies, ornaments, graces, and sublimity of poetry, to the service of didactic and philosophic writing, and in the ground thus occupied has found no rival even among the poets of Greece. Hence, Ovid says,— Carmina divini tunc sunt moritura Lucreti, Exitio terraecum dabit una dies.-f- It is only to be lamented that Lucretius has un- * A via Pieridum peragro loca nullius ante Trita solo : juvat integros accedere fontes Atque haurire, juvatque novos decerpere flores, Insignemque meo capiti petere inde coronam, Unde prius nulli vellarint tempora Musa?. f Lib. Amor. El. 15. B 26 LITERARY HISTORY. dertaken to display a system, the Epicurean, the lowest of all in its moral tone ; in which, besides the denial of a Divine Providence, in the pleasures of this life human felicity is sought for alone. It must be confessed, indeed, that we find scattered through his pages the very best maxims and moral principles, but these avail but little when the founda- tion of all, religion, is undermined, Without the belief of a Deity to reward the virtuous, and punish the vicious, in a future life, true happiness, or any enduring society among men can never exist ; whence they who labor to overthrow religion, as Cicero well observes, attempt the destruction of all human soci- ety. We possess many editions of Lucretius, and have likewise several translations of his work into the modern languages ; of these, the very elegant Italian version, in blank verse, by the celebrated Marchetti, * is to be considered the most successful. Following the order of time, we arrive at the name of Cicero, who, ambitious of distinction as a poet also, undertook at an early age a versified * A. Marchc-tti was bom at Pantormo, in Tuscany, in 1633, of a distinguished family, and died 1714. He was professor of ma- thematics in Pisa, and composed many learned works ; in his trans- lation of Lucretius, a stricter attention to religion and morality should have been desired, along with a less prominent display of the more dangerous and seducing passages of his author, or at least some commentary to counteract their tendency. Barbacovi. POETRY. 27 translation of the Greek poem of Aratus, on Astro- nomy, besides one of the " Prognostics" of the same author. An epic poem, on the life of Marios, and one of greater length, divided into three books, on the events of his own consulship, with a few pieces of minor importance, complete the list of hia poetic efforts. The few verses of these works which have been preserved to us, may be considered as almost equal to any within the range of Latin poe- try, should we except those of Virgil from the com- parison ; and modern critics of authority have ex- tolled the poetic worth of Cicero. He, however, requires not to be invested with any crown in poetry, as one greater and more splendid, that of eloquence and philosophy, binds gloriously his brow. % The learned Varro ought also to be noticed among the poets of this time, as he, in addition to his many other celebrated works, composed a number of satires of mixed prose and poetry in various metres, entitled Menippean, from Menippus, a Greek lyric poet, who first set the example in this species of com- position. Julius Caesar, also, in the midst of the tumults of war, composed a poem while on a journey from Rome to Spain. A tragedy of his, too, is mentioned by Suetonius as the production of his early age. But as all those works have been destroyed by the in- juries of time, we shall proceed to speak of these LITERARY HISTORY. that are yet extant, commencing with the poetry of Catullus. C. Valerius Catullus was born, not at Sirmione, as has been asserted, but in Verona itself, as has been proved by Maftei,* who adds several notices of his family and condition. He was the first of the Latin poets to adopt the great variety of measures we find employed in his pages ; and many of these were probably first introduced by himself. From the grace and beauty of his style he is pointed to as a fine model of poetic elegance ; and Ovid acquaints us with his opinion of his merits in one simple line, — " Mantua Virgilio gaudet, Verona Catullo.*"-f- And Martial — Tantum magna suo debet Verona CatuIIo, Quantum parva suo Mantua Virgilio. J We may remark, however, on these lines, that though Mantua may be admitted inferior to Verona, the expression poor is unjustly applied by the poet to the former ; and its fame, as the birth-place of Virgil, is undoubtedly higher than that of Verona for having given birth to Catullus. The three great poets, Tibullus, Horace, and Virgil, introduce us more peculiarly to the golden age of Roman literature. Of Albius Tibullus we Verona Illustrate. -f Lib. 3. Amor. El. 15. J Ep. lib. xiv. Ep. 195. POETRY. 2 { J know at least that he was a patrician by birth, but the dates of his birth and death are both uncertain. We gather, indeed, from the lines of Domitius,* that he died in the same year as Virgil, viz. in 735, a. r. He appears to have enjoyed the strict friend- ship of Horace, who, in addressing to him an ode and epistle, calls him a sincere judge of his verses, and introduces several other remarks to his praise. The attention of Tibullus was almost solely directed to elegiac poetry, in which Quintilian-f* prefers him to Propertius, Ovid, and every other writer of that class. His verses are finely characterised by their union of the sweetness, elegance, harmony, tender- ness, and all the other ornaments of elegiac poetry — in expression always happy and clear — always tender and passionate, — always elegant and refined. When painting sentiments and feelings he ever follows nature as his gmide. Q. Horatius Flaccus was born in the year 688 of Rome, at Venusia, a city of Lucania. His father was a freedman only by condition, but made the most laudable efforts to have his son instructed in the sciences and letters at Rome. His early years having thus been past in study, he now embraced the military profession, and obtained the rank of * Te quoque Virgilio comitem non aequa Tibulle, Mors juvenem campos misit ad Elysios. f Instit. Orat. lib. x. c. 1. 30 LITERARY HISTORY. tribune. It does not appear, however, that great courage formed one of the characteristics of our poet, as we learn, from his own confession, that, at the battle of Philippi he threw away his shield and took to flight. Returning to Rome, he devoted himself entirely to the study of poetry, and so suc- cessfully as to acquire, in a short time, a distinguished name, and an introduction, through the favor of Virgil and Varius, to the friendship of Mecaenas. The patronage of this great protector of literature seems to have continued stedfast and constant to the poet, and in some of his lines he endeavours to repay the obligations he lay under.* The friend- ship of Mecaenas introduced Horace next to the notice of Augustus, who held him equally in regard ; and the most lively expressions of gratitude are em- ployed to mark his sense of the favor and counte- nance bestowed upon him. A tender friendship also subsisted between Virgil and Horace, as the latter proves, by that ode, (among others of his effusions,) written when the former was about to depart for Athens.*^ Horace died, a. r. 745, in the * Among these Mecaenas atavis edite Regibus, O et praesidium, et dulce decus meum. •j- Navis, quae tibi creditum Debes Virgilium, finibus Atticis Reddas incolumen, prsecor, et serves Animae dimidium meae. POETRY. 57th year of his age, following, at a very short interval, his great patron, Mecaenas. In judging of his cha- racter we gather from his own writings that he was a man addicted to pleasure, and fond of tranquillity. In these we also find, mingled with others having license of expression, and indelicacy of thought, very many passages eminent for a tone of the finest and m< i rf sublime morality. He boasts, with reason, of having been the first of Roman poets who dared to treat lyric poetry ; and his success places him on a level with the highest Greek writers of this species of verse. Though an imitator of Pindar, the enthu- siasm, emphasis, and force, that reign in his odes, and the flights to which he abandons his fancy, prove him inspired with that fire which alone can form a great poet; but there still is a propriety ever preserved in his verses, which renders them perfect. Seeking inspiration in the pages of the prince of lyric poets for his more elevated subjects, Horace disdained not the imitation of Anacreon in his more light and playful. But his peculiar gift is an impassioned tenderness which pervades his odes ; thus, in that on the illness of Mecaenas, and many others may similarly be instanced, he forms his verses not merely as a poet, or as other poets would do, but employs them as the organ of an impassioned feeling that expresses his deepest and truest senti- ments. The feature of morality forms also an OZ LITERARY HISTORY. ennobling characteristic in the poetry of Horace; he moves and bears away with him the mind of his reader, when in a lofty and imposing tone he incul- cates maxims and truths of the most important nature. But we find Horace using a different style in his satires, epistles, and " Art of Poetry." If in his odes he displays a style the highest and most exalted, in these he affords a model of the more simple and familiar ; it is a simplicity, however, possessing an unequalled elegance and grace ; the " Art of Poetry,"" containing the finest and most judicious instructions for guidance, whether in prose or poetic composition, has justly been denominated the code of the laws of good taste. But we must now proceed to the great- est of Roman poets, Publius Virgilius Maro. Virgil was born at a small village called at that period Andes, in the territory of Mantua, in a. r. 683. He commenced the study of philosophy at Cremona, pursued it subsequently at Milan, and finally studied it jointly with poetry at Naples. When the division of lands to the soldiers of Octa- vius and Anthony occurred, Virgil finding himself deprived of his patrimonial farm, which lay near Mantua, repaired to Rome to effect the recovery of his property, and succeeded in his object. The verses he produced after coming to the capital procured him the acquaintance of Mecaenas and Augustus, POETRY. 33 whose favor he continued ever after to enjoy in the highest degree. The Eclogues, in imitation of Theo- critus, may be considered his first productions ; to these succeeded the Georgics, in which Hesiod was his model ; and the great epic poem of the ^Eneid was his last undertaking. Unsatisfied, however, with the merits of this work, he designed proceeding to Greece, in the hope of enjoying there that tran- quillity and repose he deemed essential to its final correction and completion ; but while on the way, meeting Augustus then on his return from Greece to Rome, at his request he prepared to join him and retrace his steps to Italy. Falling unwell, however, on arrival at Brundusium, he died there in Septem- ber, b. c. 19, in the 51st year of his age. One of his last injunctions was, that the ./Eneid should be committed to the flames, as being yet unfinished and imperfect ; but the asseveration of his confidential friends, Lucca and Varius, that Augustus would never give his assent to such a step, induced him to yield the manuscript into their hands, on condition that nothing should be added to it ; and thus the passages, left unfinished by their author, remained imperfect in the publication of the poem. In cha- racter Virgil was of a mild disposition, unassuming in conversation, rather timid than bold, and sincere in his friendships. He possessed the affectionate regard not only of Mecaenas and Augustus, but of 34 LITERARY HISTORY. all the most illustrious persons of the age. But the great poet enioyed not the esteem and respect of his own gifted circle alone ; we have a happy proof of the honor universally rendered him in the fact rela- ted of his being one day present at the theatre dur- ing the recitation of some of his own verses, when the whole audience rose up in token of their reve- rence for the poet ; a mark of respect which, by the way, they were wont to render only to the Emperor. In his Bucolics, Virgil has been the disciple of Theocritus, and the greater part of his Eclogues are also imitated from the Greek poet, but meliorated and enriched with new beauties of his own. Various faults and defects have been noticed in the Eclogues of both these poets ; but, as the learned Andres* observes, in speaking to this point, all these disap- pear before the purity and elegance, feeling of nature and truth, and thousand other graces of both wri- ters. But the Georgics of Virgil are more admira- ble still. To these it was reserved to give didactic poetry that ornament and elevation that relieve the tedium of instruction by the allurement of verse. In preserving that clearness and simplicity that the didactic form demands, the poet had the art to add the spirit, the fire, the grace, and other attractions * On the origin, progress, and actual state of every literature,- Vol. ii. chap. 6. POETRY. characteristic of the most highly wrought and po- lished poetry. If such then be the high qualities to be admired in these works, in what terms are we to speak of the iEneid ? It may be here asserted, however, that even in the conception of this epic, Virgil was indebted to Grecian literature, chiefly, indeed, to the Iliad and Odyssy of Homer, models, nevertheless, which the Latin poet surpassed in many parts. Andres* institutes a long comparison between these t\vo great bards, and points out why and where the Roman poet is to be preferred to the Greek ; the argument of the iEneid he asserts grander and more worthy the song of the muses ; its fable better conducted ; in its whole more ample and more ani- mated also ; but the most striking superiority of Virgil, adds he, is displayed in the dramatic parts, and in the tender and pathetic scenes. Homer rarely moves the feelings ; but how animated are the passages of the Loves and Death of Dido, and an infinity of others that, like brilliant and precious diamonds, form the inestimable gem of the divine ^Eneid ? " I cannot read," continues Andres, "the poems of Homer without a feeling of astonishment and wonder at that amazing genius. But in open- ing any page of the iEneid there are presented to * Origin, Progress, Sic. Vol. ii. c. 2. 36 LITERARY HISTORY. me at once passages so touching as to affect the deepest feelings of my heart, and strongly move my mind. Where shall we find displayed an equal delicacy and grace, united to a tone so full of nature and dignity, in sounding the praises of Rome and Augustus ? Its decorum, its discrimination, sub- lime simplicity, and majestic naturalness make the -Eneid of Virgil the most perfect work that human genius can form." In spite of so many excellences, however, critics find in the iEneid ground for rea- sonable censure, as the writer just cited observes ; but as he also adds, " we may assert that human nature cannot produce a work altogether perfect, and that some defects are necessarily inseparable from humanity ; but in lifting the ^Eneid and read- ing some of its verses, we find all its blemishes dis- appear, and what is noble, pathetic, sublime, great, and divine, alone remain. " During the fortunate age of Augustus, many other poets florished in the various walks of poetry. Aurelius Propertius, in his elegies, tells us little of himself, but speaks almost solely of his loves. He enjoyed the friendship of Augustus and Mecaenas, both of whom he took occasion to flatter in his verses. His exact birth-place is unknown, but him- self informs us that it lay in Umbria. His style — neither that of Catullus nor Tibullus — is superior to both in vivacity of fancy and force of expression. POETRY. '57 but inferior in grace to the former, and in passion and feeling to the latter. To these poets belonging to the times of Augustus, and whose works are yet extant, several others might be added whose pro- ductions are partly lost. Among these, the most deserving of notice appears to be C. Cornelius Gal- lus, called by S. Jerome in the Eusebian Chronicle, Forulian. The name of Forum Julii applied not so much to the Friuli in general as to a town there now called Cividal del Friuli, and there C. Gallus was born. He died in the year 728 of Rome, in the 43d year of his age. He was on terms of the strictest friendship with Virgil, who mentions him honorably in his tenth eclogue. We find him praised also by Propertius and Martial, besides by others. Varius and Lucca, the two bosom friends of Horace and Virgil, possessed probably some re- putation as poets. Horace certainly eulogises the latter in warm terms.* Tiraboschi enumerates several other less distinguished poets, but a more detailed notice is due P. Ovidius Naso, who be- longs also to the age of Augustus. In the last elegy of his Fourth Book, written during the period of his exile, Ovid has partly furnished us himself with the relation of his life. He there informs us that his birth-place was Sulmona, a city now belonging to the Abruzzi, in the year 710 of Rome — that he * Lib. i. Od. 6. 38 LITERARY HISTORY. was of an ancient equestrian family ; that he was sent along with a brother to Rome, and there placed under the tuition of the most celebrated preceptors of the time. Exiled by Augustus in the year a. r. 760 to Samoa in Scythia, he died there, according to the Eusebian Chronicle, in a. r. 770, in the 60th year of his age. The cause of this exile, and the crime which brought upon Ovid the displeasure of the emperor, remain equally unknown, as no con- temporary author throws any light upon them, nor does the poet himself speak upon the subject but in an obscure and mysterious tone. Many modern writers have, how r ever, given us lengthened disser- tations on the motives which they variously attri- bute for the punishment of the poet, but these still only aiFord us simple conjectures, nor can they in- terest much the student of literary history. As to the character of the poetry of Ovid, beautiful and impassioned are the various descriptions and narra- tions frequently met with in his Metamorphoses. Many of his letters called Heroides possess also a great degree of tenderness and grace. Two opposite defects are, however, found in this poet. These are, a want of study in his expression, and a super- fluous refinement. He pleads guilty himself to the former charge.* * Stepe piget (quid enim dubitem tibi vera fateri ?) Corrigere, et longi ferre laboris opus. Lib. iii. De Ponto, El. 9. POETRY. His Metamorphoses, liis Heroides, and his Books of the Fasti, are the best works of Ovid. The elegies entitled Tristia, and the Letters from Pon- tus, possess also some beautiful passages ; but the distance from his friends, the barbarism of the peo- ple among whom he found himself, and the depres- sion occasioned by his exile, all necessarily conspired to extinguish the native vivacity of his genius in the unhappy poet.* These were the most illustrious poets who adorned the brilliant epoch of which we speak. Should it be wished to trace the causes effecting the rise of Latin poetry to so high a degree of splendor, we shall find the one of principal force in the remarkable encouragement conferred on the study of poetry by the munificent patronage of Augustus and Mecaenas. Horace and Virgil afford sufficient proof of this by the frequent repetition, through every part of their works, of the praises bestowed on these their great patrons. Augustus himself appears in the character of a diligent student, as Suetonius^ mentions several productions of his both in prose and verse ; he ap- plied himself earnestly, it would also appear, to the * Romini, in his Life of Ovid, has sketched with a na hand the biography of this author, and given an accurate analysis of his poetry Barbacovi. ■f In Aug. c. 85. 40 LITERARY HISTORY. study of Greek literature. To estimate, again, the merits of Mecaenas, as the generous protector of the learned, and of poets peculiarly, it is sufficient to reflect that the recollection of that liberality has been strong enough to induce posterity to make his name the property of all who have since followed his ex- ample. But we may now pass from poetry to the other branches of literature, which at this time florished no less wonderfully in Rome. Poetry was cultivated by the Romans previous to eloquence ; but the latter attained perfection first. We have already traced the happy progress this art had made in the sixth century of the Republic. The honor in which orators were held, the power they enjoyed in the state, the riches and high offices the possession of eloquence enabled them to obtain, necessarily induced the first minds to devote them- selves to its study with increasing ardor. When, in addition to this, the conquest of Greece had in- troduced to the Romans a free and uninterrupted intercourse with that country the displays of her orators heard with pleasure, and their productions studied with admiration, a happy spirit of emulation was excited. We have already spoken of the w r ork of Cicero, De claris Oratoribus, in which he has left us the history of Roman eloquence, enumerating all the orators of any distinction. His highest eulo- gium is there reserved for the two famous popular ELOQUENCE. 41 tribunes, Tiberius and Caius Gracchus, (who both afterwards perished in the seditions raised by the opposite party,) whose oratorical talents stood the highest of their times. Caius, Cicero tells us, was a person of the highest abilities, powerful in expres- sion, brilliant in ideas, and impressive in delivery. Cornelia, again, the mother of these two celebrated brothers, merits a place in literary history, both on account of her own acquirements, and those with which she studied to adorn her sons. This illustrious Roman matron, daughter to Scipio Africanus the Great, after losing her husband, Tiberius Gracchus, the father of the two tribunes, though courted by Ptolemy King of Egypt, nobly declined the offer in order to devote herself wholely to the education of her sons ; and in fact, as Cicero relates,* the most eminent masters of Greece were employed for this purpose. Eloquent herself and skilled in different sciences, she was the authoress of several letters highly praised by Cicerof and Quintilian.^ She enjoyed the satisfaction of seeing her sons become, by means of their rhetorical talents, the arbiters, so to say, of the Roman people, and had the honor of a statue raised to her by the people in the Portico De Clar. Orat. No. 27. + Do. do. No. 5G ± Instit. Oral. lib. 1. c. 1. 42 LTEEAEY HISTORY. of Metellus, with this glorious inscription : — " To Cornelia, the Mother of the Gracchi."* Of the many other more or less eminent orators that Rome possessed, Cicero speaks but slightly till he reaches the names of L. Crassus and M. Anto- nius, whom he characterises as very distinguished orators, and states this as the period when his coun- trymen first commenced to rival the oratorical glory of the Greeks. Antonius held the consulship in the year 654 of Rome ; Crassus in 658. All that Cicero has written in their praise, in the work we have cited, is well worthy of perusal, particularly where in the exordium or introduction to the third book of the Orator, in celebrating the eloquence of Crassus, he displays so beautifully his own. He also speaks in the highest terms of M. Antonius, and remarks the wonderful power he possessed in moving the feelings. Next to these, there is Quintus Horten- sius, at once the friend" and rival of Cicero, and only eight years older. Even in the twentieth year of his age, Hortensius gave proof in the Forum of that eminence as an orator he was destined to attain , his talents, in their first displays, daz- zled the eyes of all, and, to adopt the expression of Cicero, like a statue of Phidias scarcely yet Pliny Hist, lib, 34, c, G. ELOQUENCE 4«'3 even fully seen, excited admiration and applause. Cicero, who, as has been already observed, was younger than his rival, confesses that the example afforded him at that early age, of the general admi- ration acquired by Hortensius, was a strong motive to himself in causing his determination to pursue the same career. His first attempt, in fact, contributed to throw his distinguished rival into the shade, and deprived him of that superiority previously possessed in the Forum. Though we have lost in the long course of time, some of his orations, those which remain are sufficient to qualify Cicero, without com- parison, with the title of " Prince of Orators ;" and as long as good taste shall endure in any part of the world, he will be read, admired, and as much as possible imitated. Eloquence never shone so triumphant as when uttered by the mouth of Cicero ; his power in carrying conviction to the intellect was no less overpowering than his force in moving the feelings ; to turn, to direct, and to conduct at his will the minds of the judges, the senate, and the people, were the secure effects of his all powerful oratory. Who can study his orations without feel- ing himself deeply penetrated by those feelings which the incomparable orator inspires ? How strong is not the feeling of odium excited in us by the ora- tion against Verres, against Cataline, or Antony ? And who, on the other hand, can withhold his tears 44 LITERARY HISTORY. in perusing the defence of Milo ? There is not, in fact, an oration of Cicero, in which the lofty quali- ties of his eloquence are not happily displayed ; nor was the art of exciting the sensibilities and affec- tions, or commanding by the force of his talent the minds of an audience, ever equally possessed by any other orator. A comparison has been instituted by many ancient, as well as modern authors, between the eloquence of Cicero and that of Demosthenes, some asserting the superiority of the Greek to the Roman, others that of the Roman orator to the Greek ; but the disquisitions of Tiraboschi * and Andres, "f* have clearly established where, and in which characteristics, the oratory of the Roman ex- cels considerably that of Demosthenes. Cicero was the first, but not the only orator, that his age produced in Rome ; he gives himself praise to Marcellus, as distinguished in the art, and extols yet higher the oratorial merits of Julius Caesar. His panegyric on the latter is indeed highly wrought, asserting him as the most elegant of Latin orators ; the encomium of Quintilian on Caesar is also beau- tiful. " Had he," says Quintilian, " only devoted himself to the Forum, he should have proved the only one among us fitted to rival Cicero. Such • Hist, of Ital. Lit. vol. ii. c. 2. f Origin, &c. vol. iii. c. "2. ELOQUENCE. 45 force has he, such talent, and such vivacity in argu- ment, that the same abilities evidently directed him in the Rostrum as on the field of battle.'" Latin eloquence had now attained that highest degree of glory and perfection to which, in any language, it can be brought ; but, as frequently hap- pens, it did not long maintain the high position it had reached. The golden age of Roman litera- ture is usually considered as extending to the death of Augustus, and does so in fact when viewed in relation to its branches of poetry and history ; but the eloquence of the Forum commenced to be viti- ated after the death of Cicero, while Augustus was yet alive ; continued its decay in the subsequent times, and became finally completely corrupted. There is yet extant a dialogue, attributed by some to Tacitus, by others to Quintilian, or some other writer, entitled, " On the Causes of the Corrup- tion of Eloquence" in which many reasons are adduced as effecting this vitiation. One of the most powerful of these is stated to be the change intro- duced into the government of the state, by its pass- ing from the republican to the monarchic form. In the time of freedom, eloquence, as has been already observed, was one of the surest paths to the highest offices and dignities of the Republic. It must be recollected, too, that the arguments which then served as the vehicles of its display were 46 LITERARY HISTORY. very frequently of the highest importance. To pro- tect a subject province from the oppression under which it might be placed ; to combat and overturn the designs of the ambitious and innovating en- deavouring changes inimical to the general weal ; to persuade to or dissuade from the introduction of new laws; to induce or avert peace or war, as cir- cumstances might demand, — were frequently the momentous objects of the exertions of the Roman orator. But when, with the loss of liberty, the sovereign authority had passed into a single hand, the decision of all causes having a public, as well as of the most important of those having merely a private interest, depended no longer upon the eloquence of the orator, nor the determination of the senate or the people, but upon the arbitrary will of the emperors alone. The favor of the prince, in whom all the supreme power resided, now became the only avenue to the acquisition of the honors and employments of the state. It is not then astonishing that eloquence, having now become comparatively useless — no longer animated to exertion by the presence of a great audience, nor by the hope of reward in dignities and honors — felt itself deprived of that strength previously so much admired in Roman oratory. From the eloquence of the Forum, we may now proceed to that of historical writing. HISTORY. 47 The study of history was one of the latest to which the attention of the literati of Rome was directed. Some writers had, indeed, undertaken the narration of the wars and vicissitudes of the Republic, executed in a dry and unattractive style ; but a history woven with elegance, art, and elo- quence, had not appeared till the times of Cicero. That great writer beheld with displeasure the evi- dent inferiority here of his countrymen to the Greeks. He was well aware of the great advantages to be derived from the study of history, the great instruc- tress to human life. With this view, he speaks in several parts of his works in high terms of this study, prescribing, at the same time, the laws and rules which ought to serve for the guidance of the his- torian. His remarks principally contributed per- haps to attract the attention of some contemporary writers to the compilation of Historical Notices of Rome ; but no remains of their works are now ex- tant. Those of the orator Hortensius, of whom we. have already spoken, and of Pomponius Atticus, merit, however, a more particular notice. The ** Annals" of Hortensius are found honorably men- tioned in the pages of Velleius Patereulus;* but there is much greater reason to lament the loss of the work of Pomponius. This, as Cornelius Neposf* * Hist. lib. 2. f In Vita Attici. 48 LITERARY HISTORY. attests, comprised a brief relation of the most me- morable events in the history of Rome, from its foundation down to his own times. Besides this, he composed a history, in Greek, of the consulship of Cicero. But Cicero wished not, it would appear, to intrust this subject to another's pen, as he wrote not only a similar work, in Greek likewise, but dedicated a Latin poem to the same subject. All these works, however, are unfortunately lost. One, indeed, of the historical works of Cicero has reached us, and that too belonging to a class of which he had been the first to set the example in Roman literature, viz. Literary history, as his w r ork, De Claris Oratoribus, which has been already referred to several times, comes probably under this head, — a work worthy of being proposed as a model to every one treating of a similar subject. We shall now proceed to speak briefly of those historians of whose works, if not entire, at least a part, has been preserved. Julius Caesar may reasonably be included among the most eminent writers of history. We have already seen that he alone was capable perhaps of combating Cicero in the eloquence of the Forum. Himself highly polished in style, he undertook the exposition of its precepts in his two books, De Analogic — books in which the principal circum- HISTORY. 4!) stance to admire is the fact, as Suetonius* relate-, of their having been composed while their author was travelling- across the Alps on his route from the Cisalpine to Transalpine Gaul. Other treatises of his are enumerated, but the commentaries entitled De Bello Gallico, et de Bello Civilly are now alone extant. However, these suffice to prove to us the grace, clearness, and force which marked the style of Caesar. Easy, perspicuous, and eloquent, he employs an elegance the more admirable from the perfect absence of all studied effort to attain it. The judgment pronounced by Cicero on these com- mentaries merits being quoted. *f* After Caesar, Sallust and Cornelius Nepos deserve the next place. C. Sallustius Crispus was born at Amiternum, in the territory of the Sabines, in the year of Rome 668, and died in 719. He rendered liimself celebrated by his historical works, among which the most valuable was a History of the Roman Republic from the death of Sylla to the conspiracy * In Jul. c. 56. ■f Commentaries, quosdam scripsit Caesar rerum suarum, valde qui dam probandos : nudi enim sunt, recti et venusti, omni ornatu orationis, tanquam veste, detracto ; sed dum voluit alios habere parata, unde sumerent, qui vellent scribere historiam, ineptis gra- tum fortasse fecit, qui volunt ilia calamistris inurere ; sanos quidem homines a scribendo deterruit : nihil enim est in historia puia et illustri brevitate dulcius De Oar. Orat. num. 73. C 50 LITERARY HISTORY. of Cat aline. This is, however, lost, and two other brief histories are now alone extant, — one the nar- ration of the wars of the Romans against Jugurtha, the other, that of the conspiracy of Cataline ; and in the merits of the latter, we find reason to lament the loss of the former. The characteristics of the style of Sallust are conciseness and effect. His re- marks could be expressed neither with greater purity nor force. By a few strokes of his pen, he sketches sufficiently the characters of the persons his narra- tive presents to him, to leave nothing essential which a more copious diction could supply. Sallust is in fact justly reputed one of the best writers of all antiquity ; and Quintilian, after eulogising him in the highest terms, hesitates not to place him on a level with the Greek historian, Thucydides. The dates of the birth and death of Nepos are uncertain. It can alone be affirmed, that after having long enjoyed the strict friendship of Pomponius Atticus, he survived that writer, as he informs us himself in his biography of him, and that he was also on equally friendly terms with Cicero, whose life, indeed, he had written in a work extending to several books. From his pen we have the lives of the great captains, — of Cato Uticensis, and that of Pomponius Atticus, which yield not, in purity and elegance of style, to the works of any other writer, but, in force and vivacity, are much inferior to the HISTORY. 51 liistories of Sallust and Coesar. Nepos had com- posed several other historical works that are, how- ever, no longer extant, particularly that compen- dium of universal history to which Catullus alludes.* These were the principal historians who florished in the times of Cicero and Caesar. The reign of Augustus, indeed, produced an equal number, but a portion of the works of Titus Living have alone es- caped that general destruction which has involved them all. Augustus himself wished, it should ap- pear, to be included in the list, as Suetonius relates that he had drawn up a memoir, in thirteen books, of a part of his life. The custom of writing the relation of their own actions seems, in fact, to have been common, at that period, to all persons of cele- brity. Emilius Scaurus, L. Catullus, and C. Sylla had set the example ; but their memoirs, along with several others, are lost to us. It remains then to notice T. Livius, born at Padua, or, as some assert, at Abano, a village of that district. We are scarcely acquainted with any of the cir- cumstances of his life, a but the absence of such in- * . . . . Cum ausus es unus Italorum Omne aevum tribus explicare chartis Doctis, Jupiter ! et laboriosis Carm 1 , a Born, according to some classic authorities, in 42 b.c. and died 17 A.C. 52 LITERARY HISTORY. formation should have been little to be lamented had the whole of his copious Roman History, ex- tending from the foundation of the city to the death of Drusus, and comprised in a hundred and forty- two books, been at least preserved to us. No one had, as yet, undertaken or completed a work of equal magnitude, and all the ancient writers con- cur in eulogising it. Seneca the philosopher calls Livy " a most eloquent mail, 11 * — Pliny the elder de- clares him " a most celebrated author. ""J* Quin- tilian, in particular, bestows the highest encomiums on Livy, besides calling him a man of " a wonderful fluency," and in expression, especially, " eloquent beyond belief," he observes, that as to the feelings, and particularly the more tender, no historian has ever been known to equal him.t A. Pollio has accused Livy of having employed a certain Paduan provincialism in his composition ; but he alone has been able to discover it. This eminent writer has, however, been accused of other defects ; of too great a credulity, for example, in recounting the pro- digies and miraculous circumstances said to have occurred, but in this he only repeats those relations of more ancient writers, a traditional belief of which * De Ira i. c. 16. f Prsefat. ad Hist. Nat. X Quintil. Instit. Orat. lib. 10. c. 1. HISTORY. 53 existed among the people, without asserting his own persuasion of their truth, and sometimes insinuating. in fact, his utter disbelief of them. Nor, indeed, ought the historian to be censured for the relation of those improbable and unnatural events we find recorded in his pages, as it is to be recollected that the belief of these, influencing deeply certain public events, they could not be omitted without failing in the complete narration of the facts. The ha- rangues that Livy attributes to the generals of armies, and other celebrated persons, are next con- demned by some as mere fabrications of his own, only founded upon their probable originals ; but all the most accredited annalists of antiquity share tins fault in common with him ; and it is the more readily to be excused, as thereby we possess many orations and harangues of the highest eloquence, which may serve as perfect models for such compo- sition. Livy died, at his native pla#e, in the fourth year of the reign of Tiberius ; but before quitting him we cannot refrain from quoting, in addition to what has been already said to his praise, the judg- ment which the Abbe Andres has pronounced upon his merits as an historian. " But let us leave aside," says he, u all these, and all the ancient and modern Greek, as well as Roman historians, and yield the first place to the prince of all annalists, Livy. Charmed by the beauty of the parts, and nobleness 54 LITERARY HISTORY. of the characteristics of the annals of Livy, I cannot refuse the historic crown to the brow of the Paduan. What an acute talent, and what a vast mind dis- played in the disposition of so many facts in so fine a method, and so wise an arrangement, leaving every thing in its own place, nothing to interrupt or des- troy the course of the narrative, nothing made obscure or confused; everywhere clearness, excellent method, and due arrangement reign. What philo- sophy, without the ostentation of idle sentences or studied reflections ! I know not whether there is most to be admired in Livy, the vastness of his mind, the acuteness of his genius, the maturity of his judgment, the immensity of his knowledge, or his sobriety, prudence, moderation, and simplicity."* From the Belles Lettres and lighter literature we shall now pass to the graver sciences, but while at the confines between both, may speak of one of the most learned men that Rome possessed at that time, and whose reputation stood equally high in each, namely, M. T. Varro. He continued to write until an extreme old age ; and Pliny relates,*}* that in his 88th year Varro still employed himself in literary composition. He died at 90 years of age nearly, in the year 727 of Rome. He was honored * Dell. Orig. Prog. &c. d'ogni Lett. torn. iii. lib. 3. c. L •J- Lib. xix. c. 4. VARRO. 55 by the most ample eulogiums of Seneca and Quin- tilian, but more particularly of Cicero. At the period when he had reached his 78th year, Yarro was already the author of 490 books, in which, adding those afterwards produced, there was not a science of which he had not treated ; grammar, elo- quence, poetry, the drama, history, antiquities, phi- losophy, political science, agriculture, religion, archi- tecture, nautical science even ; and, in fine, all the sciences and liberal arts, were illustrated by his pen ; but of this great list six books of the seventy-four which he had written on the Latin language, and even these imperfect, — the three books on agricul- ture, and some few fragments of the others, have alone descended to our times. Oi SECTION IV. THE LITERATURE OF ROME AND ITALY CONTINUED, TO THE DEATH OF AUGUSTUS. The study of philosophy had already been intro- duced to Rome at the period of the arrival of Pane- zius and Polybius there, and assumed additional vigor in the presence of the Athenian ambassadors, Carneas, Diogenes, and Critolaus, as has been re- marked in a preceding section ; but its most striking development occurred after the conquest of Greece by the Roman arms. That country was then divided into a multitude of philosophic sects ; among these were the stoical, epicurean, peripatetic, and acade- mic, this latter, too, subdivided into three, or, as others assert, into five different sects or branches. Many of the Greek philosophers followed their con- querors to Rome, in the hope of acquiring fame, or ameliorating their condition there ; and among the auditors they attracted, some embraced the opinions of one, some of another sect. Of those among the Romans who illustrated philosophy by their writings. 58 LITERARY HISTORY. Cicero a occupies the most conspicuous place, the same Cicero who stood not only unequalled in the elo- quence of the forum, but enjoyed also the highest name in philosophy and didactic eloquence. He had eagerly attended the instructions of the most eminent philosophers Rome then possessed ; and after having witnessed the republic torn by dissensions, and con- vulsed by civil wars, finally fallen under the domi- nion of Caesar, the last two years of his life were principally devoted to the ardent study of philosophy, in a quiet and solitary repose. None of his country- men had yet undertaken the illustration of philo- sophic subjects in the Latin language ; the very learned Varro, even though versed in all the sciences, and touching upon this ground at some points, had only excited others to the study of philosophy, with- out himself affording any material instruction there. Cicero's own words in his Academic Questions are to that effect.* Actuated, then, by motives of the purest patriotism, he undertook the mighty task of rendering Latin, so to say, the great body of Greek philosophy, and executed it, too, in so masterly a manner, that the merits of his transla- tions even surpassed those of his great originals ; * Philosophiam multis locis inchoasti ad impellendum satis, ad edocendum parum, lib. 1. num. 3. a Born in 106, b.c. at Arpinum in Latium, PHILOSOPHY. 50 nor did his inquiries leave any subject unembraced. In his works of the Nature of the Gods, of Di- vination, and of Fate, there is found comprised all that the most illustrious philosophers had conceived till that day in natural theology. In his books, De Finibus Bonorurn et Malorum, De Legibus, De Ojficiis, and the Tusculan Disputations, also in the Dialogues on Old Age, On Friendship, and the Paradoxes, very many and most important questions in moral philosophy are admirably discus- sed. The morality which Cicero peculiarly incul- cated in his treatise De Ojficiis, escaped not indeed every sensure, although generally admired and ex- tolled ; while the celebrated Barbeyrac, in the pre- face prefixed to the work of Puffendorf, remarks, that " this excellent work is known to all as the best treatise on morals which we have from all anti- quity, the most regular, the most methodical, and the one which approaches nearest to a perfect system.' 1 " To those branches of philosophy which are employed in the study of natural objects, we find from various passages of his works, that Cicero had also devoted a most attentive study. The second book of the treatise on the Nature of the Gods, bears noble evidence to the knowledge which he had ac- quired in natural history, astronomy, anatomy, and all the sciences pertaining to the study of nature. A finer description cannot be read than that which (50 LITERARY HISTORY. lie has given us of the human frame, without adduc- ing others of equal merit. His treatises relative to the oratorical art, in which he has exposed in an admirable style, the most just and accurate rules for the formation of a perfect orator, ought also to be included among his philosophic or didactic works. In the number of the many philosophic writings of Cicero that have unfortunately perished, are the books De Gloria, that entitled Hortensius, or a Panegyric on Philosophy, and those called De Re- publica, one of his greatest productions, and which shall be alluded to again. Other illustrious cultiva- tors of philosophy existed at this time, whose works are mentioned at length by Tiraboschi,* but none of which are at this day extant. We may now sketch the progress that the Ro- mans made at this time in the mathematical sciences. The celebrated M. Vitruvius Pollio, whose work on architecture still exists,*f* has left us most con- spicuous proofs of his eminence in these sciences, particularly in Geometry. We are, however, but slightly acquainted with the circumstances of his * Storia dell. Let. Ital. vol. ii. c. 14. •f The Life of Vitruvius has been carefully written by the Mar- quis Bernardo Galliano, in his magnificent edition of the works of this author by him translated and commented. Naples 1758 — Barbacovi. MATHEMATICS. 91 life, except that lie certainly florished during the reign of Augustus, to whom he dedicated his work, and by whom he was charged with the superintend- ance of the military machines, as his own assertion proves.* But among the most illustrious mathe- maticians of Rome, Caesar especially merits notice. The wonderful bridge constructed by him across the Rhine ; the admirable military engines employed in sieges, and the descriptions he has left of these, prove how profoundly versed he was in those sciences ; but a yet more noble monument to his fame is the re- form which he effected on the Roman calendar. Among the many studies to which Caesar, amid his various military and political occupations, applied himself, was also that of Astronomy. Macrobius*f" informs us that he left written learned treatises on the course of the stars, which are also more than once referred to by the elder Pliny. J His know- ledge of Astronomy, then, rendering him acquainted with the disorder and confusion in which the calen- dar of that time lay, he undertook, with the assist- ance of Sosigenes, a celebrated Alexandrian astro- nomer, and several other philosophers of fame, the task of its reformation, reducing the year to 365 days : a calendar which, from the circumstances * Prooem. lib. 1. f Lib. i. Saturn, c. 16. J Lib. xviii. c. 16, 17, 10. 02 LITERARY HISTORY. of its origin, has since been denominated the Julian. Caesar cultivated successfully almost all the sciences, and there scarcely remained one to which he had not directed the powers of his amazing genius. One of the greatest men that ever lived, in his character was exhibited the very rarest example of the com- bination in one person of all the qualities which unite to form a great prince, a great captain, a great man of letters, and philosopher. He appears even not to have been a stranger to the study of Juris- prudence, as Suetonius* relates that he had in- tended the reformation of the Civil Law, in giving to it a new form, and from the immense and con- fused mass of laws then existing, in selecting the most desirable and appropriate, to form them into a fixed and regular system. Suetonius"!* further re- lates, that he had contemplated the formation of magnificent collections of ancient monuments and books of every kind ; but this, as well as all his other great designs, perished in the violent death by which he fell at the Senate House, in the year 709 of Rome, and 56th of his age 4 * C. 64. In vita Julii. + C. 67. In vita Julii. X Caesar was not only, as has been asserted, a great captain, but one of the most wonderful that ever lived. He had subjugated all Gaul, as well as a portion of Britain ; defeated the forces of his rival, Pompey the Great ; overcome King Ptolemy and subjugated Egypt ; CICERO. 81 We may now return to Cicero, the other most splendid ornament of the epoch of which we speak. To find any private person who had written as ex- tensively as he, should naturally be to us an object of astonishment, but what shall we say of one who, though finding himself almost forced to appear as a speaker in every cause of moment, having a principal charge in every public affair, who sustained all the most important and weighty offices of the Republic, maintained an uninterrupted correspondence with all the most distinguished of his cotemporaries, and vanquished Pharnaces, son to Mithradates ; together with Scipio and Juba in Africa, and the sons of Pompey in Spain. Remaining master and arbiter of the Republic on the death of that rival, he displayed a magnanimity and clemency, astonishing beyond belief, toward the followers of the opposite party. In a tragedy attributed to Seneca, there occurs the following passage relative to his death : Invictus acie, gentium domitor, Jovi aequatus Infando civium scelere occidit. — Traged. Octav. In the celebrated Grand Ducal Gallery of Florence, there is a head of Brutus, commenced, but left unfinished, by Michael An- gelo, the motive for which is given in a distich sculptured below, — Dum Bruti effigiem sculptor de marmore ducit, In mentem Caesar venit, et abstinuit. — Barbacovi. These remarks, as well as a few which precede them on the same subject, are inserted by Barbacovi in the text, but here transferred to a note, as the military talents and exploits of one who, though a great captain, has found a place in those pages only as a literary man, have but a remote interest to the student of literary history Translator. 04 LITERARY HISTORY. who, though unhappily forced to yield for some time to the envy and fury of his enemies, and retire from Rome, was able, notwithstanding, to compose so many works that have unshaken remained the ad- miration of all ages. It is unnecessary here to give any detail of his life. Several authors have written it, among whom the work of the celebrated Mid- dleton, in his excellent Memoir of Cicero, has ex- hibited the great and brilliant virtues of the orator ; successfully defending his character, at the same time, from the injurious and unworthy calumnies of the Greek historian, Dio Cassius, who lived, in fact, more than two centuries after the death of the great philosopher. His eloquence and patriotism proved fatal to him in the end. Anthony, against whom, in his anxiety for the salvation of the Republic, he had composed his Philippics, remaining victorious in the civil wars which followed the death of Caesar, and associating to himself Octavius and Lepidus, placed him first in the unhappy list of citizens condemned to death by the triumvirate, on account of their enmity to its power. Rome then exhibited a spec- tacle more atrocious than had ever previously been witnessed within her walls, in the head and hands of that orator, who had saved so many of her citi- zens, and the Republic itself, suspended on the very rostrum whence he had so frequently displayed his CICERO. 63 divine eloquence.* All Rome, horror-struck at such a sight, proved with a universal groan the grief which it experienced from the inhuman slaughter of so great a man.* During the lifetime of Augustus, the writers of that period appear to have scarcely dared to speak of Cicero in terms of praise, as that of course implied a censure of the former, who had at least permitted his death. Livy, as we gather from Seneca the Rhetorf* who has preserved some fragments of his lost books, though not mentioning Cicero with that esteem due to such a man, in the lifetime of Augus- tus, felt himself, however, obliged to acknowledge his merits in high terms.* It should exceed our limits to enumerate the equally warm eulogies of * All ancient writers, after the death of Augustus, in speaking of Cicero, seem carried away by their feeling of enthusiasm in cele- brating his merits. Velleius Paterculus, though writing in the time of the cruel and suspicious Tiberius, transported by indignation against Anthony, exclaims, — Nihil tamen egisti, M. Antoni . . . ni- hil, inquam, egisti . . rapuisti tu M. Ciceroni lucem solicitam, et aetatem senilem . . famam vero, gloriamque factorum atque dicto- rum adeo non abstulisti, ut auxeris. Vivit, vivetque per omnium saeculorum memoriam . . omnisque posteritas illius in te scripta mirabitur tuum in eum factum execrabitur, citiusque in mundo ge- nus humanum quam Ciceronis nomen cadet Histor. lib. 2. •f Suasor. 4. £ Vir magnus et acer et memorabilis fait in cujus laudes se- quendas Cicerone ipso laudatore opus fuerit. — Livy. a Cicero perished in 43 b. c. in the 63d year of his age. 66 LITERARY HISTORY. modern writers on the gTeat Roman. The religious opinions of Cicero have formed a subject of enquiry to many authors; a mind of such powers as his must necessarily have discerned the falsehood of the religion of his country, and internally smiled at its mythology, although, when addressing the people, he might speak of the Gods in terms of the highest respect, as his words in a passage of the treatise, De Divinitate, infer.* The learned -f* Tiraboschi, whose remarks on this point are worthy of attention, demonstrates that Cicero had embraced a true and solid philosophy in religion, viz. that which the clear light of Nature teaches us. His treatise, in six books, De Republican appears to have been of all his works the dearest to its author, and the one in which his opinions are most freely expressed. Here then we have in that most beautiful fragment enti- tled the Dream of Scipio, the doctrine of the im- mortality of the soul advanced and asserted with so much force, that it may be assumed as a secure in- dex to the real sentiments of its author. Some other passages have been preserved by Lactantius Firmianus and St. Augustine, which might be at- tributed even to the wisest of Christian philosophers. * Majorum instituta tueri, sacra, cerimoniasque retinere, sapientis est De Divin. lib. ii. § ult. •f Stor. vol. ii. c. 4. (HERO. 83 The books, De Republican that had been unfortu- nately lost, were not long since, as is known, in part discovered and brought to light by the celebrated Mai in Rome,* and there the passage or fragment of the Dream of Scipio is equally found. In this work the lines of Cicero, relative to the above-men- tioned law of natural reason, cannot be sufficiently admired ; but the remarks contained in his treatise on the Laws ought chiefly to be attended to, where, in addressing his most intimate friend Pomponius Atticus, and Quintus his brother, he would not ne- cessarily hold his real sentiments concealed. In the second book of that work, then, he places the laws relative to religion before all others. The manner in which he speaks against those who are called Atheists, and whose tenets involve a denial of the Deity, ought also be observed : as may his demon- * The existence of the treatise, De Republic^ during the early part of the middle ages, is made probable, though not proved, by the circumstance of a copy for perusal being made an object of re- quest at that period. It may not be universally known, that the practice adopted, as early as the period spoken of in the text, of erasing the writing on MSS. to give place for the insertion of new matter, had occasioned the obliteration of a MS. containing a considerable portion of the treatise, De Republican for the substitution of a commentary on the Psalms, by St. Augustine. Palimpsest was the name given to this species of MS. and it is to the circumstance of the discovery of that containing part of the Republican that allu- sion is made in the text Translator. (J8 LITERARY HISTORY. stration that no nation ever had existed in which the idea of a Supreme Being did not obtain ; and speaking again of the Atheists who, denying the operation of either Mind or Intelligence in the crea- tion of things, urge, as sufficient for this effect, the operation of chance alone, there are two passages in which his sentiments are strongly expressed.* But enough may have now been said relative to the re- ligious opinions of Cicero. We have seen the elegance, refinement, and elo- quence attained by the Roman writers of the happy age of which we speak ; equally in historical and didactic eloquence as in that of the Forum : but another species remains, in which an equal excellence had been reached, viz. the Epistolary. The Letters of Cicero yet extant, afford us many examples of the epistolary style of a great part of the most eminent men of that time, and acquaint us with the excellence of the taste which then reigned in such composition. A refined and happy style, adorned by a tone at once natural and simple, united to a noble and agreeable gravity, are not characteristics peculiar to the letters * What greater absurdity, says he, than his who — in se rationem et mentem putet inesse, in coelo mundoque non putet, au tea, quae vix summa ingenii ratione moveri putet ? — Cicer. de leg. ii. c. 17. And again : si quis dubitet, an sit Deus, haud sane intelligo, cur non idem sol sit, an nullus sit, dubitet De Nat. Deor. ii. c. 2. MEDICINE. 69 of Cicero alone, but belong equally to all his cotem- poraries, and remain the finest models to this species of eloquence. Something may now be said upon Medical Science. Pliny the Elder asserts, that for a space of upwards of 600 years no physicians had been found in Rome. Ti- raboschi gives a learned history of the progress and vicissitudes that the medical art experienced there, from the period of its introduction, and of the various foreign physicians who were attracted to its walls ; speaking at length of Asclepiades, a native of Bithynia, whose fame became great ; of Themiso and of An- tonius Musa, whose chief boast was his having saved the life of Augustus. Suetonius* affirms, that as a reward for this cure, a statue was raised to the phy- sician, and placed by the side of that of Esculapius. The gratitude of Augustus and the Roman Senate was not, however, confined to Musa alone, but ex- tended on his account even to all the other members of the profession, to whom the privilege of Roman citizenship, first granted by Julius Caesar, was con- firmed in perpetuity. Aulus Cornelius Celsus also undertook at this epoch the illustration of the medi- cal art by his writings. Theprecise country of this writer is unknown, but, In Aug. c. 59. 70 LITERARY HISTORY. from his own words, it is at least certain that he was Italian by birth. He lived in the last years of the reign of Augustus, and under some of the succeeding em- perors. Celsus confined not himself to the medical sciences alone, but cultivated, with reputation, almost every kind, as Quintilian and Pliny the elder assert in several places, both writers honoring him at the same time with their warmest commendations ; but of all the works of Celsus, his eight books de Medica have alone reached us. His style is such as might be expected in a writer of that age, generally re- fined and neat. As to the merits of his doctrines he is by some condemned as but a superficial writer, deficient and unexact, while others, on the contrary, entertaining a very different opinion, hesitate not to honor him with the title of the Latin Hippocrates.* It may be here remarked, that no Roman citizen of those times ever deigned to exercise the medical profession, and that it consequently was from the other cities of Italy, or from neighbouring countries, that Rome drew her physicians, to whom the right of Roman citizenship was granted solely from the favor of the princes. * Among those who have eulogised the works of Celsus in the highest strains, the letters concerning him, written by the learned Professor G. Morgagni of Padua, and whom every one must admit a very competent judge on this subject, merit being read. — Ante Celsi Libros, edit. Patav. 1750. — Barbacovi. JURISPRUDENCE. ~\ The study of jurisprudence was esteemed much nobler, and held in far higher repute at Rome. The most illustrious and distinguished citizens applied themselves to this science, as one not less useful than honorable to its professors ; a learned jurisconsult having a continual concourse of persons attracted to him, some to obtain his counsel, others to acquire a knowledge of the laws. The manner, too, in which the jurists gave their replies partook of the majesty and gravity of the Roman character ; seated on a species of throne, they heard the statements of their clients, and delivered to them the suitable replies. We may quote what Cicero says on this point when speaking of himself;* but his eloquent treatise in praise of this science, where he illustrates the honor, authority, and kindly feeling it acquired for its professors, ought particularly to be looked to.~f* He remarks, at the same time, that no one could enjoy a sweeter or more honorable consolation in his old age than he who, after having borne the most im- portant charges of the republic, saw crowded around him his fellow-citizens demanding his opinion and advice, rendering thus the house of a learned jurist, * Ego aetatis potius vacationi confidebam, cum prsesertim non recusarem, quominus more patrio sedens in solio consul entibus responderem senectutisque non inertis grato atque honestojungerer munere — De. Leg. lib. i. num. 3. + De Orat lib. i. num. 45. 72 LITERARY HISTORY. in fact, the oracle of the city.* Among the most eminent of the jurisconsults who distinguished them- selves in the epoch of which we speak, the first who presents himself to us is Quintus Mutius Scaevola, who united a strong and powerful eloquence to a profound knowledge of the laws. He was eminent, at the same time, for his signal probity, and for the example he set to all the republic of every virtue. He was, besides, the first to reduce to some order and arrangement the civil law, relative to which he composed eighteen books of commentary; and these we find frequently referred to by the ancient juris- consults. Servius Sulpicius Rusus succeeded to the reputation of Scaevola. All writers on ancient juris- prudence concur in regarding him as one of the greatest men that Rome ever possessed ; but the eulogium with which Cicero honors him in his book de Claris Oratoribus need only be quoted here, — " I know not of one," says he " who ever applied with greater ardor to the study of jurisprudence, and of all the liberal arts." And in reply to the inter- rogatory of Brutus at this point, if he preferred him * Many authors have illustrated the history of this science, among those the very learned work of the French advocate Terra- son, entitled the History of Roman Jurisprudence, merits particularly being read, and equally so the treatise of the celebrated Heneccius on the History of Roman Law Barbacovi. JURISPRUDENCE. (6 BcaeTola even, — " Certainly,* answers the orator ; " Scaevola, and some others, had great experience in civil law, but Sulpitius alone knew also the art of it." But another more favorable occasion presented itself to Cicero of proving the* esteem he entertained for Sulpitius. In the commencement of the civil Mar, which arose after the death of Caesar, whilst Anthony besieged Modena, Sulpitius having been dispatched by the senate to demand the abandon- ment of the siege, but dying immediately after his arrival at the camp, Cicero, when information of this had reached Rome, delivered then his ninth Phi- lippic, which is nought, in fact, but a funeral oration of his friend, that cannot be read without a tender sensation of feeling ; one passage is there also met with that may particularly be noticed : — w r here the orator repeats his praise of the admirable skill in jurisprudence possessed by Sulpitius, but the whole of this pathetically eloquent oration is worthy of being read. It concluded with the proposal of a decree for the erection, in the Forum, at the public expense, of a bronze statue to that great lawyer.* The advice of the orator was fully adopted by the senate. * The jurist Pomponius, who lived in the second century of the Christian era, affirms, that this statue still stood in Rome at that date, beside the rostrum of Augustus Barbacovi. D / 4 LITERARY HISTORY. Sulpitius had written largely on civil law ; and Pomponius informs us that he had left behind him to the extent of 180 books on that subject, various fragments of which have been preserved in the body of the Roman laws. Another celebrated jurist of that age was Publius Alfenus Varus, a Cremonese by birth, who florished in the times of Augustus. He formed a large col- lection of legal decisions, divided into forty books, entitled Digesta, which are frequently quoted by the early writers on jurisprudence ; and such was, in fact, the esteem his learning had acquired for him in Rome, that after death funeral honors were celebrated to him at the public expense. After having related in detail the progress made by the Romans in every science, Tiraboschi proceeds to acquaint us with the means of instruction which they enjoyed, the public schools that were opened for the tuition of the youth, and the grammarians and rhetoricians who florished in' them, whose ex- ertions contributed to increase the love of letters, and to facilitate their study. Speaking of the latter art, Suetonius relates, that some Romans, in imi- tation of the Greeks, opened schools of eloquence, and thence assumed the name of Latin rhetoricians, their principal exercise being declamation, in which they not only instructed their disciples, but also frequently exercised themselves, proposing some LIBRARIES. JO argument analogous to those more usually treated of in the Forum. These intellectual contests were certainly in the highest degree serviceable to those engaging in them, as feigned combats are useful to soldiers, by preparing them for the real, whence persons even of an advanced age, and engrossed with public affairs, used frequently to practise declama- tion ; and Cicero himself delighted in that exercise. It was at this period, too, that Rome saw opened, for the first time, private, and afterwards public libraries, institutions of which, for the course of several centuries previous, it had had no conception, but which tended very materially to assist and in- crease the study of the sciences and letters. One T yrannio, a native of Amysa in Pontus, brought as a slave to Rome, and afterwards freed, had col- lected a library of 30,000 volumes ; but that of Lucullus, one of the greatest men Rome then pos- sessed, was much more celebrated ; a person of the highest talents, as Cicero attests, and gifted, in his language also, with a memory, as it were, divine, devoted to continual study, and amazingly versed in all the fine arts, Lucullus, after a close applica- tion for many years to the study of the sciences and government of the republic, elected suddenly to the supreme command of the army destined against Mithradates, proved himself one of the greatest captains Rome had ever known ; and after 7C) LITERARY HISTORY. having borne, both in a civil and military capacity, the principal offices of the republic, retiring into private life, he offered a new spectacle to the eyes of his countrymen, in displaying to them the extent to which the luxury and magnificence of a private individual could reach. Delightful villas, ample and spacious porticoes, some situated on the sea, others on the slopes of hills, baths, theatres, pictures, and sta- tues, — the display, in short, of a grandeur and luxury more than royal, was exhibited to Rome. But what relates more immediately to our subject, is the exten- sive collection of books which he formed, and the free access to them which he permitted all to enjoy. Viewed in this point, Lucullus may reasonably be considered the chief protector of letters and the literati Rome had hitherto known ; for although Scipio and others had honored some poets and philosophers with their favor, no one had yet equalled Lucullus in the extent and regal munifi- cence of his encouragement to the sciences. He befriended equally all the learned, and peculiarly the Greek philosophers, in every means, entertaining them at his own table, and offering them the most unrestrained access to his house. From the many letters that mutually passed between Cicero and his intimate friend Pomponius Atticus, relative to their libraries, it is ascertained that the latter possessed one both copious and LIBRARIES. ( i nelect, whilst that of the former appears not to have been inferior. Cicero, however, did not confine his attention to his books alone, bnt eagerly introduced objects of antiquity to serve as decorations to his porticoes and libraries, and this may be inferred from the eleven letters, written probably in succession, and addressed to Atticus,* in which he reiterates his request for certain antique statues that were due him by his friend. Cicero also speaks of other private libraries ; nor is it singular that, at a time when the sciences were cultivated with so great an ardor, there were many who contended even in this point, as indeed usually happens, for the superiority in magnificence and luxury. All these, however, being strictly private, could not be of service to the public, save in so far as the courtesy or friendship of their proprietors permitted. Julius Caesar was the first, as Suetonius "(* asserts, to design the introduc- tion of extensive public libraries of Greek and Latin works to Rome ; and, well aware of the great learn- ing which the selection and arrangement of books demanded, had made choice of the famous Varro to the task, though that, equally with the other great measures for the public advantage he had meditated, perished in the conspiracy by which he fell. That. * Lib. i. Ep. 3. 4. 0. &c. + In Jul. c. 44. 78 LITERARY HISTORY. however, which Caesar could not effect, A. Pollio, a person of great learning, and one of the most distinguished Roman patricians, accomplished, by means of the spoil he had acquired in the Dalma- tian war. His library was placed in a magnificent atrium, which he erected near the Temple of Liberty. It was rich in Greek and Latin works, and open to the public. The example, thus set by a private citizen was afterwards followed by Augus- tus, who added a very copious library to the mag- nificent temple, which he dedicated to Apollo, on the Palatine Hill. This library, from the circumstance pf its position, was then called that of Apollo ; and it is taken notice of by Horace. * Augustus founded also another library in the Portico, named from Octavia, his sister. The period which has been now described be- longs to the happy and florishing state of Roman or Italian literature, during the times of Caesar and Augustus. It remains to speak of the fine arts, viz. of the sculpture, painting, and architecture of the same age ; but as regards the first of these arts, it would appear that it was but partially familiar to the Roman people. It might be that the hands which had subjugated and governed nations, and * Lib. ii. Ep. 1. FIXE ARTS. 79 which dictated laws to the world, considered them- selves debased by handling the chisel, or other mean manual instrument. But if the Romans deigned not themselves to exercise the art, they failed not to value and seek for the productions of its artists, and certainly their constant habit of transporting to Rome, and preserving there the finest monuments of the arts of conquered countries, proves that they could appreciate their value. The art -of painting was esteemed, however, less derogatory to the Roman citizen ; and some celebrated painters, even of distinguished family, are noticed by Pliny.* Archi- tecture was also studied among the Romans, but Pliny, contenting himself with the description of the superb and regal edifices of every kind that the latter years of the republic, and the times of Caesar and Augustus saw raised in Rome, has left us but little distinct information on this subject. The latter of those periods witnessed the magnificence of the public as well as private edifices of Rome brought to a higher degree of splendor and of grandeur than it had ever previously reached, or ever shall again probably attain. * Hist. Nat. c. 10. 80 SECTION V. THE LITERATURE OF ITALY FROM THE EPOCH OF AUGUSTUS TO THAT OF ADRIAN. We have seen, in a preceding section, that eloquence had reached in Rome the climax of its excellence and perfection, but that from the epoch of the subjection of the republic to the dominion of Augustus, and consequent decay of its freedom, the reasons previously adduced operated, even during the lifetime of that prince, to deprive the eloquence of the Forum of all its ancient strength. After his period every other species of the art, whether philosophical, didactic, or historical, partook of the decay, and a miserable corruption pervaded every branch of literature. When in letters, or the fine arts, that point which may be considered as con- stituting perfection is attained, the very desire to go beyond this bound becomes the source of decline, and the attempt to add new ornaments and graces to these, spoils, but not improves, by removing them ELOQUENCE. 81 from that standard of excellence or perfection which had been reached. It happened thus, first, to elo- quence, which had been brought, by the genius of Cicero, to that highest point which it ever could attain. Succeeding orators, however, imagining that they could improve upon his excellencies, attempted improvements that were impossible, and consequently introduced its first corruptions and decay into the art. The style of that great orator was now cen- sured as too free and diffuse, and another at once abrupt and harsh, full of subtile conceits, affected and obscure, commenced to be introduced. The earliest or principal author of this corruption was Asinius Pollio, though otherwise a person, as has been already said, of deep learning, and one to whom Roman literature owed much on account of the public library which he was the first to institute at Rome ; but his endeavour seems to have been to establish a reputation for himself on the ruin of that of others. The Commentaries of Caesar he censured as negligently written,* — wrote a book against Sal- lust, accusing him of many blemishes and defects: — remarked upon the Paduan Provincialism, the quam- dam patavinitatem of the style of Livy; but his most bitter and invidious remarks were reserved for Cicero. * Sueton. in Jul. c. 56. 82 LITERARY HISTORY. With the view of surpassing the oratorical fame of the latter, he undertook, as Quintilian relates,* a criticism on his eloquence and style. His son, Asinius Gallus, also assisted in the task. The in- fluence and esteem enjoyed by Pollio at Rome being great, it is not astonishing that many were induced to follow his example, and pursue the path pointed out by him, and always the more, too, as the grace and elegance of Cicero became by degrees forgotten. The circumstances of the times also assisted strongly to this result ; as, for any one to avow himself a follower or imitator of a person whose name neces- sarily carried reproach to Augustus for the supreme authority he had usurped — of one whose death he had permitted, or perhaps desired, — was not a thing, as has already been observed, which could be es- teemed grateful to that Prince. Such considera- tions, then, induced the writers of that period to avoid an imitation of Cicero, or an avowal of his merits, preferring instead the example of Pollio and others, his followers. But the other sciences par- took not of the decay which affected the eloquence of the Forum during the lifetime of Augustus. These, as has been illustrated in the preceding sections, had now arrived at a perfection to which they had never previously been brought. After * Lib. xii. c. 1. AUGUSTUS. 83 the Roman Republic, debilitated by the sanguinary civil wars that had desolated it, so long happily sub- mitted to the salutary dominion of Augustus, his first care, and the object he kept most constantly in view, was to cause peace, justice, and the laws everywhere to reign, and, at the same time, to pro- mote by every means the common felicity and pro- sperity. His reign happily endured 57 years, and was a season of order and general prosperity to the whole Roman empire ; whence, it is not astonishing that the sciences and letters also florished so highly, as these necessarily depend on the public prosperity for theirs ; and had the successors of Augustus pur- sued a course similar to his, this happy state of letters w r ould have continued ; but after his death unhappily a very different scene was opened. Four emperors successively ascended the throne, of whom it is only difficult to define winch was the most de- praved. Augustus had always left free the mind, nor had the freedom of his writings ever proved fatal to any one ; but the scene changed under Tiberius and his successors ; and we may here inquire into their feelings and disposition towards literature. Tiberius, the adopted son and successor of August us. ascended the throne in the year 766 of Rome, cor- responding to the 14th of the Christian era, in the 55th year of his age. In early life part of his time had been carefully employed in study, and the elo- 84 LITERARY HISTORY. quence displayed in several of his harangues before the senate and judges, in various causes, had acquired for him more than ordinary applause. A lyric poem of his, on the subject of the death of Julius Caesar, and some composed by him in the Greek language, are also mentioned by Suetonius.* All this contributed to induce a reasonable hope that the reign of this prince should prove equally favor- able to literature as to the republic ; but those happy expectations speedily vanished, and Rome only found in Tiberius a merciless tyrant, abandoned besides to the most execrable and enormous vices - Literature or science proved but a useless shelter against his cruelty, and many dreadful examples were exhibited of learned men unjustly condemned by him to death on the slightest pretexts, under cir- cumstances of the most cruel injustice. Caius, surnamed Caligula, a youth of twenty-five years of age, succeeded" Tiberius in the year a. d. 37- He was son to the celebrated Germanicus, and had cultivated much his oratorical talents, for which Nature had endowed him both with a copious flu- ency and an excellent memory, along with a voice at once powerful and harmonious. The reign of In Lib. c. 70. CLAUDIUS, 85 Caligula proved, however, not less disastrous to literature than that of his predecessor, and the cru- elties he exercised on those who professed the sci- ences or letters, were unhappily but of too frequent occurrence. His death in the year 41 a. c. by the hands of the tribune of the Pretorian guards, had occasioned an universal jubilee in Rome, from the expectation then entertained of a return to the for- mer freedom of government ; but those hopes were destroyed by the election of Claudius, uncle of Ca- ligula, and brother to Germanicus, whom the Pre- torian band now saluted Emperor. Imbecile and incapable himself of government, Claudius transfer- red the weight of it to others, and unfortunately, too, for Rome, to the very worst persons that their times could furnish ; but what may excite surprise is, that he showed not a little inclination for the Belles Let- tres. A Greek comedy of his, written after his elec- tion to the empire, he caused to be represented at Naples ; and composed also several books on Roman history, as Suetonius relates, besides a very learned apology for Cicero, against the criticisms of Asinius Gallus. His other compositions were two histories in the Greek Language ; the one of the Etruscans, divided into twenty books ; the other of the Cartha- ginians, divided into eight. Had talent been united to his learning, his reign might have proved one of the most favorable for the sciences and letters, but 8(j LITERARY HISTORY. imbecile as lie was, they derived no advantage thence, nor was it, in fact, less cruel and tyrannic than those of either of his predecessors. Nero, the adopted son of Claudius, succeeded him on the throne in the year a. d. 54. With the ex- ception of some praise-worthy actions, performed at the commencement of his reign, it again left not a single example of cruelty or barbarity unperformed. In early life Nero had, however, acquired the ele- ments of almost all the sciences, and some orations of his, composed at that period, partly in Latin, and partly in Greek, are mentioned by Suetonius as well as by Tacitus;* but it was to Poetry in peculiar that his taste seemed directed, and Suetonius affirms, that he really possessed the talent of quickness and facility in poetical composition. His efforts in poetry only served, however, to render the tyrant yet more detestable to his subjects. What spectacle could be more unworthy of the majesty and gravity of the Roman character, than that of an emperor boasting as loudly of his presumed excellence in versification, and performance on the lyre, as of the most solemn triumph ? Commanding that his verses should be studied and exposed as models of perfect poetry in the public schools ; employing men to recite them f Annal. lib. xii. c. 58. VESPASIAN'. 87 throughout Rome, and treating as guilty of treason all those who testified any disapprobation of them ; and, finally, mounting himself the stage to assist in the representation of tragedy and comedy? His institution of quinquennial combats in Oratory and Poetry, celebrated on the Capitoline Hill, and call- ed thence the Capitoline, might appear at first sight advantageous to letters : but the only apparent fruit thence derived, was the prostitution of their time and talents by all the competitors, whether orators or poets, to the adulation of the emperor, and to yielding him the preference. After thirteen years of reign, Nero finally perished by his own hand, in the year a. d.68, and 32d of his age, on intelligence of the insurrection of Galba and decree of the Senate, which had denounced him as a public enemy ; and in his person ended the family of the Caesars. The brief reigns of the three succeeding emperors, Galba, Otho, and Vitellius, could influence but slightly, either favorably or unfavorably, the litera- ture of the time ; they were accompanied, besides, by the scourge of sanguinary civil wars. But after the dreadful reigns of Tiberius and his successors, the empire finally obtained, under Vespasian, an interval of repose. This prince, born in a village of the Sabines, at a short distance from Rome, of a respectable but not illustrious family, had already proved himself an able general, and in every respect 88 LITERARY HISTORY. worthy of the throne, when raised to the empire.* Placing before his eyes the enormous vices of his predecessors, he set himself the example of all the opposite virtues, and extended the most liberal pro- tection to the arts and sciences. The short reign of his son, Titus, who succeeded him on the throne in 70. was equally propitious to letters. The admirable virtues with which this prince, called the love and delight of the human race, was adorned, cannot yet be contemplated without a tender feeling of regard. Naturally gifted with excellent abilities, he had di- rected them to an assiduous study of the Greek and Latin Languages, composing not less elegantly in verse than prose. From one, then, who, when elevated to the throne, suffered himself not to be dazzled by the splendor of his station, but appeared placed there solely to study the happiness of his fellow-men, Literature had naturally looked for great protection and encouragement, but, unhappily, after two years of reign alone, Titus expired amidst the universal plaint and sorrow, cut off, as was generally believed, through means of poison, administered by Domitian, his brother and successor. Domitian proved himself a new monster, more cruel, even, or at least more implacable than any of his predeces- * In 69, a. d. TRAJAN. 88 rs, and that was sufficient to cause the arts and sciences to lie neglected. We find, however, two things effected by him for their advantage ; the one the renewal of the literary contests of the Campi- doglio, previously instituted by Nero, and the esta- blishment at the same time of similar, annual, games at Alba ; the other the re-construction of the libra- ries which had been burnt or dispersed, and collect- ing thence a large number of books ; but aids such as these availed but little where the cruelty and tyranny of the government held enslaved and op- pressed the mind. It continued thus until the slaughter of Domitian in 96, finally introduced, after so many barbarities and horrors, a new and happier order of things to Rome, by the elevation of Nerva to the empire. The successor to Domitian, a prince endowed with all the finest qualities of the mind, enjoyed but a brief rule, dying sixteen months only after his ascen- sion to the throne. Happily, however, he had pre- viously adopted Trajan as his successor ; and the character of this prince united all the qualities essen- tial to a great sovereign and a great general. Every historian concurs in celebrating the military as well as political virtues of Trajan ; nor ought it to be omitted that the arts and sciences stood in a great degree indebted to him. Though not versed him- self in letters or the fine arts, he perfectly compre- 90 LITERARY HISTORY. hended the duty imposed on every wise monarch to favor in every mode literature and the learned ; for his conduct in this respect he is highly extolled by Pliny in his Panegyric, and commended for the kindness conferred upon the learned, and the pro- tection bestowed on the sciences, which, under him, seemed to have retaken their ancient life and spirit. The wars, however, in which he was involved in Dacium and the east, and which retained him so long absent from the seat of empire, permitted him not to afford that encouragement to letters which more peaceful times might have allowed. Adrian, who, adopted by Trajan, succeeded him in 117, cultivated successfully himself the sciences and general literature. That of Greece he held in peculiar esteem, but also made an assiduous study of the Latin language, not resting until he had become in it an eloquent as well as fluent speaker. He studied almost every science, and acquired fame in the composition both of verse and prose. This ardor of the emperor for literary study caused the highest hopes to be conceived for the increasing advancement of literature ; but those expectations were frustrated by the circumstance that Adrian, proud of his own knowledge, tolerated unwillingly any one who bore the reputation of being superior to himself. Apparently, indeed, he befriended litera- ture and the sciences, but his favor only served to POETRY. 91 allure adulators, and, besides, the constant joum he undertook, visiting almost every province of the empire, permitted him not to bestow much encour- agement on the letters or arts of Italy or Rome, where he resided but for a very limited period. He died in a.d. 138. Such were the rulers who occupied the throne of the Roman empire down to the period of which we now speak. The ardor for the study of the sciences, excited in the times of Augustus, had gradually decreased under succeeding emperors, but had not yet altogether disappeared, and still in some measure survived ; those, in fact, who lived at this era had been born in the Augustan age of Roman lite- rature, and received their earliest instructions from the great men who florished then, and had derived thence that noble zeal for general studies which yet prevailed in Rome. There existed, also, at this period, many who cultivated ornamental literature not less than severer sciences. But we may now proceed to a detail of all those who florished from the epoch of Augustus down to that of Adrian, in each department of literature separately, and adher- ing to the same arrangement that has been previously observed. Among the poets who florished after the death of Augustus, the first notice is due to one whose birth, virtues, and perhaps also knowledge, entitle 92 LITERARY HISTORY. him to the very highest rank in the list, though but little of his poetry has descended to our age. This is the celebrated Germanicus, who had been des- tined to ascend the throne, but whose premature death had excited the universal regret of the Roman people, on account of the virtues by which his character was so exalted. He was son to Drusus, the brother of Tiberius, and consequently nephew to the latter, by whom he had been adopted. He was elder brother to Claudius, the father of Caligula, and uncle to Nero, all three emperors, but all as unworthy of the empire as Germanicus, who never reached the sceptre, merited to hold it. The character which ancient writers have ascribed to Germanicus, occasions even yet a fond feeling of regard at the mention of his name. His military services in Germany and the east proved his merits as a great general. "It is known to every one, 11 says Suetonius,* " that he possessed all the gifts, both personal and mental, to an equal extent, per- haps, to what any other ever has enjoyed, a more than ordinary share of personal beauty and worth, excellent talents for the study of Greek, not less than of Latin, eloquence, singular affability, and the highest success in acquiring the love and esteem of all. 11 * In Calig. c. 3. POETRY Not lees warm are the encomiums of Tacitus.* The death by which he was carried off, at the early age of 34, at Antioch, in the year a.d.20, was gene- rally ascribed to the jealousy of the cruel Tiberius The universal grief and consternation which the in- telligence of this event occasioned in Rome is, per- haps, unequalled within the whole range of ancient history. Of the orations and Greek comedies of Germanicus nothing is now extant, but we may learn from Tacitus*f* that his character, as an orator, stood high, since that annalist relates that it had been determined in Rome, upon information of his death, to place his portrait, of a more than usual size, and highly adorned, among those of the most illus- trious orators ; but the envious Tiberius would not permit the execution of the project. Some Greek epigrams, attributed to Germanicus, are found in the Greek Anthology ; and some to which his name is affixed are published in the collections of the ancient Latin poets, and particularly in that of Piteus. The best and most ample labor of Germa- nicus which has reached us, though greatly defective and curtailed, is his translation into Latin verse of the Oa/vo/xsva of Aratus, and of the Prognostics, drawn from the same author, and other Greek poets ; * Annal. lib. ii. c. 72. + Annal. lib. ii. c 83. 94 LITERARY HISTORY. but some fragments alone are now extant of the latter. His poetry does not exhibit that species of bombast and overwrought refinement which is per- ceived in the later poets, and on that account he is placed by many among the writers of the golden age, although his time touched upon that of Tiberius. Lucan was the first to exhibit the degeneracy of style which has been adverted to. He was a Spa- niard by birth, born at Corduba, a buc brought at only eight months of age to Rome, where he passed the remainder of his life, and may thus, from the circumstances of having always lived in Italy, and dying there, be justly classed among Italian writers. Lucan first acquired celebrity in Rome by his poe- tic talents during the reign of Nero, who, as has been already detailed, instituted those solemn lite- rary combats, called the Campidoglian, celebrated quinquennially; in which, after the recitation of their verses or orations in the public theatre, by the poets or orators who entered the lists, the crown was awarded to the successful competitor by judges selected for the purpose. On one such celebration, Nero, who eagerly coveted a great fame as poet, and superiority to Ins competitors, recited his verses in opposition to those of Lucan, and had the palm of victory adjudged him. Indignant, however, that a The modern Cordova. POET in , 9H Rome should contain one bold enough to com- pete with him in poetic merit, the tyrant forbade Lucan the future publication of his poetry. Irritated by such a prohibition, and unable to repress his feelings, the poet entered into the conspiracy which Piso was then forming against the Emperor ; this conspiracy, however, being discovered, Lucan was condemned to suffer along with the other conspi- rators. The unhappy poet thus finished his career in 65, when only in his 27th year. Of the many poetical works attributed to Lucan, his Pharsalia is now alone extant. There are not a few writers, ancient as well as modern, who have extolled this epic in the warmest terms ; but there are also many who have there detected most conspicuous vices and defects. That its author was a poet of verv great genius remains unquestionable ; but, besides that, his poem was produced at an early period of his life, and before his talents were matured, it oc- curred to him as it had done to the orators who succeeded Cicero ; in their ambition to surpass the great orator, they spoiled and corrupted the art of eloquence. Virgil, again, had produced the most perfect epic poem of which Latin literature could ever boast, but Lucan, urged by the vivacity of his talent, in undertaking a similar work, attempted to surpass his model, and from that very ambition fell into a style not only inflated and bombastic, but 96 LITERARY HISTORY. partaking of many additional blemishes and defects ; forgetting that he should have proved a better poet had lie sought to imitate rather than surpass the iEneid. Three other epic poets now succeeded Lucan, viz. Valerius Flaccus, Statius, and Silius Italicus. From the pen of the first we have a poem on the cele- brated Argonautic expedition ; but not entire, as either the poet had been unable ta complete the work, or the last part of it has been lost ; but who- ever turns from the pages of the ^Eneid to those of the epic of Flaccus, seems to pass from an embel- lished and luxuriant garden into a sterile and de- serted field ; and Flaccus may be included in the list of those who have attempted to become poets in spite of Nature. Statius, a Neapolitan by birth, had derived from Nature a happier talent for poetry. He received, at an early age ? the crown in the poetic games or combats at Naples, and afterwards three times en- joyed a similar triumph in the games celebrated at Alba. In those also instituted by Nero in Rome, and at a later period renewed by Domitian, Sta- tius again obtained the crown through the merit of his verses, and enjoyed the honor, at the same time, of sitting at the supper-table of that Emperor. He died in 96, aged only 35. From his pen we have the Five Books of the Silvae, otherwise dif- POETRY. J)7 ferent poems on various occasions, and some of them in fact composed extempore ; the Thebaic!, an epic poem, and the three first books of another work, entitled Achilleis, which, however, he found himself unable to complete. Statius was a poet of great talent, but infected with the vice common to that age, of wishing to ascend too high, and it has been remarked of him, that Statius would have approached nearer Virgil had he not attempted to surpass him. Grace, tenderness, and sweetness, are properties un- known to him.* The applause which the Thebaid acquired at that day in Rome, acquaints us suffi- ciently with the universal corruption which then prevailed. The Silvae, composed with less effort, and therefore more consonant to Nature, are equal to the best productions of Statius. The last of the epic poets of that age is Silius Italicus.*)* From the copious notice which Pliny the younger has given of him, we learn that he was consul the year in which Nero died ; had been with great credit proconsul in Asia ; was very friendly to studies of every kind; possessed many villas, adorned with books, statues, and pictures ; had a great vene- * The very beautiful translation into Italian, which the Cardi- nal Bentvoglio has given us of the Thebaid, under the name of Selvaggio Porpora, has rendered that poem more delightful to study, as by the elegance and clearness of the Italian idiom, he has cor- rected the bombast and obscurity of the Latin, Barbacovi. + Born about a. d. 15, but whether in Italy or Spain, is disputed. E 98 LITERARY HISTORY. ration for Virgil, whose natal day lie was wont to celebrate with greater splendor than his own ; and that, finally arrived at his 75th year, and tormented by incurably bad health, in abstaining from all food, he voluntarily destroyed himself at one of his villas near Naples, in the early part of the reign of Tra- jan. From him we have the poem on the second Carthaginian war ; a work, however, both weak and languid, and no one has expressed thetrue character of Italicus better than Pliny, when asserting that he formed his verses with greater labor than talent.*" Nothing grand, pathetic, or imaginative, is to be met with in his pages ; but from the epic we may pass to the other poets, and commence with Petro- nius Arbiter. The satires of Petronius belong to the Menippean class ; in other words, they are prose intermixed occasionally with verses of various metres. A small part only of his compositions are now extant, and even those so mangled and curtailed, that the rela- tion frequently fails, and the sense is vainly to be sought for in several places. These compositions, though they have found some ardent admirers, are throughout scarcely anything but a coarse and dis- gusting picture of vileness and obscenity, but such vices sometimes are exactly what gratify a certain * Epist. lib. 3. POETRY. 99 dan of readers. Tlie country of Petronius, the pre- S age in which he lived, and many other qm tions relative to him have been disensfted among the learned, and are diffusely treated of by Tiraboschi,* but on these it is probably unnecessary to dwell. The name of Aulus Persius Flaccus is more worthy of being commemorated. From the life of this poet, found in the works of Suetonius, we learn that he was born in Yolterra, 3, of an illustrious family ; that he enjoyed the friendship of the most celebrated men of his time ; was a person of ami- able manners, and endowed with all the most inte- resting qualities of the heart ; but died while yet only in his 30th year. Besides some other compo- sitions mentioned by the writer of his life, he di- rected his attention peculiarly to the study of satire, and his productions in this class are now alone ex- tant. Quintiliairf- highly commends our author ; but of modern writers, while some not only assent to his opinion, but, going farther, assert that Persius may dispute the crown of satiric poetry with Horace, and the more so on account of the briefness of his career, — others again censure him for obscurity. In this diversity of opinion, it is at least certain that Per- >iu< is viciously obscure, and much inferior to Ho- • Storia del. Lett. Ital. vol. iii. c. 2. + Instit. Orat. lib. 10, c. 1. e In a.d. 32. 100 LITERARY HISTORY. race, precisely on account of his effort to be superior. In his endeavour to imitate the latter, however, he betrays a desire to be more pointed and precise, and consequently becomes, on the contrary, obscure. It is notwithstanding certain, that the satires of Per- sius abound with the finest sentiments, and these, too, frequently very forcibly expressed. In succession to Persius, Juvenal may be noticed, not on account of equality of date, but of uniformity in their class of poetry. This satirist was born in Aquinum, recognised by himself as his birthplace. Modern writers there are who prefer him to Persius, and even to Horace ; but others, in a very different opinion, prefer much the grace and delicacy of the latter to the impetuous and passionate declamation of Juvenal. To the epic and satiric poets of whom we have hitherto spoken, now succeeds the only epigram- matic writer of that age whose poetry has reached us, — this is M. Valerius Martialis, born in Spain, a but, from a residence of thirty-five years in Italy, where he composed and published his epi- grams, included among Italian w r riters. In his own age, Martial enjoyed at Rome a high reputation as a poet ; but in the 16th century, when good taste reigned in Italy, he was held but in slight estima- tion, and considered totally unworthy of comparison a About 30. a.d. POETRY. 101 to Catullus.* It canuot be denied, that he has some epigrams of a singular beauty, and free from those overdrawn conceits and dull plays on words his pages too frequently exhibit ; but no one has better decided on the character of his verses than Martial himself in a well known line.i* These were the poets of the times to which we are now confined, whose poetry has descended to us ; there were many more of the same period, whose productions are either entirely lost or very partially preserved ; but it is unnecessary, as well as annoy- ing, to give a mere catalogue of names. It only now remains to enquire into the theatric poetry of that epoch. Even when Roman literature had reached its per- fection in the preceding age, the theatre of Rome had continued very inferior to that of Greece. A* theatric spectacles were, however, frequent in Rome, there were necessarily many writers of dramatic poetry, but the only remains of the Latin theatre now extant are the ten tragedies which we have under the name of Seneca ; though, whether this were the rhetorician of that name or the philosopher. * There is the noted 6tory of the sacrifice that the celebrated Andrea Xavagero annually made of some copies of this poet, by consigning them to the flames Barbacovi. + Sunt bona, sunt quaedam mediocria, sunt mala plunk 102 LITERARY HISTORY. his son, or some one of the same name different from both, is disputed among the learned. But, whoever the author may be, many are the faults for which he is condemned. He wants nature, probability, uniformity of character, tenderness of feeling, con- trast of passion, and management of accident, and is besides justly blamed for that declamatory style, that pedantic air, that superfluity of words and ex- pressions, and vain ostentation of wit in which he so frequently indulges. But his tragedies, notwith- standing, and particularly the Medea, Hippolytus. and Troas, exhibit also tragic situations, strokes of ingenious dialogue, elevated and sublime thoughts, truly profound sentences, and really beautiful verses; and should they not merit being considered models of tragic poetry, on account of the vices and defects they exhibit, they possess at least many redeeming qualities. Quintilian has pronounced a very accu- rate judgment on this author.* Besides tragedy, the ancient theatre had other poetic compositions, with which to vary its perform- ances, — the Mimes obtained a very favorable re- ception at Rome, but a true taste in theatric poetry never prevailed there, and this occasioned the inferior- ity of the Roman to the Greek tragic muse in this de- * Multa probanda in eo, multa etiam admiranda sunt : eligere modo curse sit, quod utiram ipse fecisset. Lib. x. c. 1. POETRY. 103 partment, both as respected the number and quality of itsproductions. At Rome external pomp and splendid show were preferred to the beauties of dramatic poetry . Even in the age of Augustus, Horace laments that the Romans often caused the stage representations to be interrupted, to enjoy the combats of bears or wrestlers.* Caesar and Augustus, both princes of excellent talent, might have effected the introduction of a better taste into the theatre, but neither deemed it expedient to interfere with the popular taste, and were indifferent to reform in the dramatic art. Horace seems to hint that at his time even the cor- ruption in theatric taste was every day advancing ;-f* and, in proceeding to describe the theatric spectacles of refined Rome, he acquaints us with the great corruption which prevailed in this very interesting branch of literature. In the time of Augustus, pantomimes also were introduced, and continued even afterwards to maintain their ground. Delight- ful odors, the richest decorations, ingenious machines, and whatever could satisfy the senses and introduce agreeable surprise to an idle people, were all em- Media inter carmina poscunt Aut ursum, aut pugiles : his nam plebecula gaudet. Ep. 1. lib. 2. + Verum equitis quoque jam migravit ab aure voluptas, Omnis ad incertos oculos et gaudia vana Ep. 1. lib. 2. 104 LITERARY HISTORY. ployed with the most studious care and greatest luxury on the Roman stage. The dances, music, dresses, scenery, and machinery of the stage, with its richness of display, were the objects of attraction to the Roman audience, while the beauties of the drama or the fineness of its art were held but as secondary objects, and this may be assumed as the reason why Rome, which in every other species of poetry rivalled the glory of Greece, remained so far inferior in the dramatic, and why the country which re-produced a Homer and a Pindar, could reckon neither an Eschylus, Sophocles, nor Euripides. 105 SECTION VI. TIXUATIOX OF THE PRECEDING SECTION. The eloquence of the Forum, carried by Cicero to its highest point of excellence, has been already remarked to have commenced its decay from the epoch of Augustus, and the causes of this decline e been adduced in a preceding section. A new form of eloquence was introduced, the value of which consisted in an aftected refinement of thought, an immoderate use of subtilties, and an air of the mar- vellous, under which even the most ordinary ideas were disguised. Its very novelty, however, assisted to insure it a favorable reception ; all were delight- ed to travel in the new path they saw opened be- fore them, and the more so that it appeared of a more difficult character, and consequently more ho- norable to excel in than that which their predecessor- had trodden. That tin- was the >tate of eloquence in Rome at the time of which we speak, is sufficiently proved 100 LITERARY HISTORY. to us by the writings of that date which are yet extant, and especially those of Seneca the rhetori- cian. Seneca was a native of Cordova in Spain, but spent the greatest part of his life in Rome. He acquired the title of Rhetorician from the works which lie published, and to distinguish him from his son and namesake the philosopher. He has left us the treatise Suasorie, otherwise orations, so to say, of a deliberative kind, where an argument being taken from some historical or fabulous fact, some one is introduced to deliberate as to the course proper to be pursued in it. We have besides from him the fragments of ten books of Controversies five of which alone have reached us entire. In this work, causes on the model of those treated of in the Forum, or before the tribu- nals, are discussed, and the sentiments and ideas pro- per to them are exhibited ; but these works afford a striking example of the declining and corrupted taste which then prevailed. Some expressions pos- sessing both dignity and force are certainly met with, but overladen by the subtilties and conceits that continually recur. There is scarcely a single stroke of true or sound eloquence, nor a single free or natu- ral description or relation, nor one passage calcu- lated to excite feeling of any kind. Less censurable, and even entitled to praise, is Quintilian, although not altogether exempt from the ELOQUENT!,. 107 reigning vices of the time, which he knew not to avoid. It is disputed among the learned whether hv were a Spaniard or Italian by birth, but as it is at least certain that he passed the greatest part of his life in Rome, it becomes allowable to include him in the list of Italian writers. He opened a public school of rhetoric at Rome towards the year 68, and con- tinued this laborious employment, as he assure- lnmself, for upwards of twenty years, when, having retired from public teaching, he undertook the pub- lication of those rides and precepts he had inculcated in the school, producing the great work Institu- tiones Oratorice. He appears to have been a person of the most excellent character, gifted with all the moral virtues ; and the onlv stain which can be attached to his name is that of having basely adulated Domitian, and lavished praises on an emperor who had rendered himself the object of general execration ; but this was a fault from which scarcely any writer of that time was exempt. In his style, he possesses not the purity and clear- ness of Cicero, and the writers of the August age ; and although, being himself finely acquainted with its true beauty, he studied to avoid that cur- tailed and affected style which prevailed so exten- sively in the writings of the authors of his age, he sometimes fell into the same bad taste, and tails to 108 LITERARY HISTORY. give to his orations that charm, dignity, or flow which he so often commends himself in Cicero. Quintilian, notwithstanding, may be considered as the most truly Roman writer of his age, and the one possessing most peculiarly the characteristics of the authors of the golden age of Roman literature. As regards, too, the didactic part of his work, it has ever stood the admiration of the learned for a fulness and perfection which leave nothing to be desired, — for the order and method that reign throughout — the justness and utility of the precepts, and the strength and perspicuity of the reasoning. It is from the combination of all those qualities that the Oratorical Institutions of Quintilian will main- tain its authority in all ages as the most complete code ever published of the laws of good taste, and of sound and true eloquence. C. Plinius Cecilius Secundus, a pupil of Quin- tilian's, was son to Lucius Cecilius by a sister of Pliny the elder, and Como was his birth-place.* Born in a.d. 62, he was transferred, at an early age, to Rome ; and being adopted by his maternal uncle Pliny, he thence assumed that name. In his 21st * The lake near that city still preserves an illustrious monu- ment of its celebrated countryman, in the villa now called Plinmna. situated on the shores of the lake Barbacovi. ELOQUENCE. 109 year, he commenced to plead in the Forum, but ceased not, at the same time, according to Roman custom, to continue his military exercises, and held, at an early age, the rank of military tribune in Syria. Returning to Rome, he obtained there all the most honorable stations, being successively made Questor, Tribune of the People, Pretor, Consul, Superintendant of the Military Treasury, and that of Saturn, and finally governor of Bithynia and Pontus. For these honors he was principally in- debted to the friendship of the emperor Trajan, who highly prized his virtues, and endeavoured to re- ward them. Retiring afterwards to one of his villas, he passed there the remainder of his days in tranquillity, and died in his fifty-second year. His letters inform us that he lived on friendly terms with the most learned and celebrated men of his age, and acquaint us, at the same time, with the rare and eminent qualities which adorned him. It is at least impossible to read them without con- ceiving a strong affection and esteem for their author, and a certain secret desire to resemble him. They present a picture of sincerity, disinterested feeling, gratitude, frugality, modesty, fidelity to friendships, detestation of vice, and ardent love of virtue. Their author, too, was at once an un- wearied student and a generous patron of literature. The proof of this is found in those letters where he 110 LITERARY HISTORY. incessantly exhorts and stimulates others to study, exhibiting the advantages and honors derivable from it. His liberality in this respect was peculi- arly beneficial to his countrymen of Como, in in- ducing them to bestow an annual salary, of which he promised to contribute a third part, for the sup- port of a public professor. Nor did his liberality toward his birth-place pause here, as we find him next instituting a public library there. Pliny had written poetry, both in Latin and Greek, to a large extent ; he had besides delivered several orations in the causes on which he pleaded, as he mentions him- self; but all that we have now of his are the ten books of letters and the celebrated panegyric on Trajan. In the letters he uses a refined and elegant style, but still remote from the graceful natural- ness of Cicero. Pliny is more than necessarily concise and forced, the fault, indeed, common to that age, in which, as has been already frequently observed, it was wished to carry things to a greater perfection than they could suitably bear. In the Panegyric there are not a few noble thoughts, grand ideas, and sublime expressions, to be admired ; but it is almost throughout infested by the then pre- vailing disease of a love of emphasis, subtilty, and novelty. The tones of nature and simplicity are altogether banished from his style ; point and conceit are substituted instead. There is a studied HISTORY. Ill display of wit, and an air of the marvellous and surprising attempted to be thrown over all, whence the majesty and force of the oration are lost in its affectation. As the Panegyric of Pliny, however, still possesses an elegance and polish of language, and is aided by the real greatness which the hero of whom it treats assists to invest it with, besides that of the deeds celebrated in its pages, and con- tains passages having sentiments and ideas of an elevated character, and admirable force, it cannot be read without a feeling of admiration and delight. These are the only samples of the eloquence of those times that have reached us, though many other orators, more or less celebrated, florished in the