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 COPYRIGHT DEPOSrr 
 
1 
 
Completion of Coleridge's 
 
 CHRISTABEL 
 
 BY 
 
 EDNA WAHLERT 
 
 A Story of Destiny and Peace 
 
 *** # * ^YiSit there is no thought, no power, no 
 spell, no craft, wherewith to turn aside the feet of 
 Destiny, — * * * the Destiny where the soul is deaf 
 and blind.*' 
 
 Cochrane Publishing Company 
 
 Tribune Building 
 
 New York 
 
 1909 
 

 Copyright, 1950, by 
 Cochrane Publishing Co. 
 
 ©C(,A:e6i837 
 
To 
 DAVID 
 
 And All His Million Brothers. 
 
Completion of Coleridge's 
 
 CHRISTABEL 
 
CONTENTS 
 
 Foreword 9 
 
 Synopsis op Parts One and Two of Coleridge's 
 ''Christabel*' 11 
 
 Part the Third 15 
 
 Conclusion to Part the Third .... 25 
 
 Part the Fourth 29 
 
 Conclusion to Part the Fourth .... 36 
 
 Part the Fifth 41 
 
 Conclusion to Part the Fifth , , , , 5^ 
 
FOREWORD. 
 
 To venture a "Completion*' of the Cliristabel of 
 Coleridge is, in truth, a bold undertaking. And yet, 
 it was but love for the beginning of it, for its medieval 
 atmosphere of beauty and horror, for the poignantly 
 vague suggestiveness of its simplicity, for the primitive 
 dread of the Unknown in its elusive melody, that, 
 rather than any boldness, has called it forth. 
 
 I have endeavored to preserve the popular ballad 
 tone and diction of the original, and to keep to the 
 four-time accented line. Otherwise, the Completion 
 does not follow along definitely laid plans of Cole- 
 ridge's design, nor even partly so. For what Coleridge 
 himself has told us of the entire work is not wholly 
 illuminating. I mean this Completion to be the com- 
 pletion of a story and not the completion of an alle- 
 gory with moral and philosophy previously mapped by 
 Coleridge, — a completion of a story of Destiny and 
 Peace, 
 
Synopsis of Parts One and Tivo of Coleridge ^s 
 ''ChristaheV 
 
 Christabel, a young girl of noble birth, leaves her 
 father's castle late one April night to pray, in the 
 forest, for her lover, far away in the Holy Land. There 
 she hears a low moan, and, turning, beholds a woman, 
 wondrously fair — a woman who begs for succor, and 
 tells how she has been torn from her father's hall by 
 a band of wicked men, tied upon a white palfrey, and 
 driven like the wind until released at this place. Chris- 
 tabel gladly takes this maiden, Geraldine, to her 
 father's home, but as her sire, Sir Leoline, is not well, 
 and all her household sleeps, she asks Geraldine to 
 share her own couch for the night. At the threshold of 
 the castle, Geraldine sinks upon the ground from weari- 
 ness, and Christabel carries her across. 
 
 When they are at length alone in Christabel 's own 
 chamber, Christabel suddenly becomes seized with an 
 unholy fear. For the woman, who had seemed so beau- 
 tiful to her in the forest, now appears to possess a form 
 and shape fearsome and hideous as that of a serpent. 
 
 Yet in the morning she seems again the beautiful 
 Lady Geraldine. And when Christabel leads her to 
 her father, Geraldine reveals herself as the daughter of 
 his oldest friend, Roland (\f> Vaux, of Tryermaine. Be- 
 ll 
 
tween Ledline and Tryermaine there had heen a quarrel, 
 but Leoline now sends his bard, Bracy, to the home of 
 Tryermaine to bid him come to fetch his daughter and 
 to renew the old friendship. 
 
 Christabel continues to know, at intervals, an awful 
 fear of this (to all other eyes) beauteous maiden, while 
 Leoline becomes infatuated with her, and seems as if 
 fallen under a spell. 
 
 12 
 
PART THE THIRD 
 
Part the Third. 
 
 All day long Sir Leoline 
 Talked with, the Lady Geraldine, 
 And led her through the high dark halls 
 Of the castle's space, and through the rooms 
 Hung with olden tapestries 
 From Turkish and Italian looms. 
 In some there hung upon the walls 
 Rare paintings from a master's brush, 
 Corinthian brass, and coats of mail, 
 Trophies of war from long years' sail. 
 As of a forest's depth, a hush 
 The vast castle hems; 
 And through the quiet Sir Leoline 
 Led the fair lady, Geraldine, 
 Showing her all the beauties rare 
 Of his stately home. Here and there, 
 In some quaint nook, or on the stair 
 They stopped to talk. With never a care 
 Or thought for Lady Christabel, 
 The Baron has many a story to tell 
 Of wonderful deeds that at home or abroad, 
 In war and peace. 
 Were connected with this mace or that shining sword; 
 
 15 
 
Of bronzes, mosaics, and rare embossed plate, 
 Of vessels and cameos, helmet and shield, 
 Banners and cross-bow, javelins and gems, 
 And lances that long lines of barons wield. 
 
 And when from relating he would cease 
 He gazed then enrapt on the lady fair. 
 Drinking the gold of her vivified hair, 
 The snow of her skin, her deep eye's fire, 
 Her body's slim. Filled with desire 
 To protect her, the sire of Christabel 
 Became, and he vowed, again and again. 
 That she, the daughter of Tryermaine, 
 His former and always dearest friend. 
 Would, so long as his head could bend, 
 Find in him a faithful friend, 
 A helper in woe or in distress 
 Who would joy at her least happiness. 
 
 He led her through his whole estate 
 While all the vassals stood agape. 
 Had anyone thought Sir Leoline, 
 Who long in years was past his prime, 
 
 16 
 
Possessed the strength to wander so 
 
 Through myriad avenues, high and low, 
 
 Even though it chanced to be 
 
 His lot to walk with such a bright lady? 
 
 For he was old and had long not been well, 
 
 The aged sire of Christabel. 
 
 — Jesu Maria, shield her well ! 
 
 And what of Lady Geraldine ? 
 Holding up her train so fine 
 She glided beside the knightly man 
 As a swaying flower. Tell who can 
 Why such beauty e'er was fashioned 
 To dwell upon one woman — 
 Such beauty, hardly human, 
 Fired as from magic — yet not impassioned 
 More than a sweet pure woman should be. 
 Her wine-red lips in half-parted smile 
 Breathed faint thanks every little while 
 To her kind host 
 For serving thus a maiden lost 
 In a strange land at the dead of night. 
 And she rebreathed her sorry plight 
 While the aged Knight dropped many a tear 
 To think that any maid so fair 
 Should have suffered as had this lady here. 
 
 17 
 
He touched the moving tresses of her hair, 
 And while she blushed with charming grace, 
 A blush that mantled her creamed white face 
 As a dawn-flushed mountain peak is flamed 
 Into magic by the colors of the sun. 
 All her charms he named, and named 
 With courtly courtesy. They shun 
 All talk or thought of Christabel. 
 — Jesu Maria, guard her well- 
 
 But where is the daughter of Leoline? 
 The Baron gave no thought. 
 The Baron had not sought. 
 All things now were to him as naught 
 Save Lady Geraldine, 
 Swaying near him as a zephyr's rhyme. 
 
 Then where is Lady Christabel ? 
 The hardest heart had need to swell 
 To look upon that fair lady 
 Who but yesternight knew naught put peace 
 And joy of living, and youth's beauty. 
 Now peace seems made of ropes of sands, 
 And the loom of life of shadows' bands. 
 
 18 
 
Her throat is dry as an Autumn leaf; 
 Her pulse is tense with an awful fear, 
 And down her cheek there falls a tear 
 Of desire holy (with pious belief!) 
 To cleanse her soul from all sin, 
 So that no evil might dwell therein. 
 ''For surely," so did reason she, 
 "I must be wicked. Or else He 
 Would never send this fear to me." 
 
 Then down upon her knees she fell. 
 The lovely Lady Christabel. 
 She gazed upon the cross — the cross 
 
 — Jesu Maria, shield her well! 
 She kissed her beads, she kissed the cross, 
 While her trembling lips low murmured then 
 A prayer so soft as soft still rain. 
 — Mary, Mary, Mother of men, 
 Mother, all that is pure and mild, 
 Mary, Mary, Mother of men, 
 Protect thy child! 
 
 And this is the prayer the Lady prayed 
 As to her breast the cross she laid. 
 
 19 
 
Once I dreamed of a Garden, 
 
 I, the Lady Christabel. 
 
 I came upon the Warden 
 
 Of the flowery, shadowed dell. 
 
 He was tall and straight and mild. 
 
 His eyes shown as angels^ eyes. 
 
 His robe was white as memories 
 
 Of a little, little child. 
 
 I asked him for a flower, as I stood beside his gate, 
 
 And silently he took my hand 
 
 And led me through his garden land. 
 
 And there were roses and lilies tall, 
 
 And colored blossoms low and small 
 
 That made me think of angels' faces 
 
 Or quiet peaceful altar-places. 
 
 He held my hand, the keeper tall, 
 
 And through the paths and along the wall 
 
 He led me tenderly. 
 
 — Mary, Mother, have pity on me! — 
 
 When we came to the gate again 
 I asked once more 
 
 Of the Beautiful One in angel's white 
 For a flower from his garden store. 
 He smiled — he smiled then. 
 'Which wouldst thou have?' he said to me. 
 But I vaguely thought he looked pityingly. 
 As were I in some sorry plight. 
 
 I saw the flower I wanted most, 
 
 20 
 
Saw it through all the rainbow host 
 
 Peeping from a lowly bed. 
 
 My eye and desire were to it led. 
 
 Twas a pansy, velvet white, 
 
 Velvet as a child's soft lips, 
 
 Quiet as a loved one's lips. 
 
 As a bird that dips through twilight gray 
 
 I saw it sway 
 
 In a golden shadow, Mary, Mother. 
 
 'That I wish'; I showed it him; 
 
 'That soft white thing; that, and no other.' 
 
 Over the face of the Gardener passed 
 
 A film as gray as a far ship's mast 
 
 At evening. His eyes wellf^d dark 
 
 With a sadness it seemed; 
 
 There was a tear in his eye, I dreamed. 
 
 Mary, Mary, Mother of men, 
 
 He put out his hand — when hark! 
 
 There come from without the garden a moan 
 
 As I have heard but once since then, 
 
 Mary, Mary, Mother of men, 
 
 But once — last night — 
 
 When it moaned near as near could be. 
 
 And I saw beside the old oak tree 
 
 The fairest, fairest, fair lady. 
 
 The gardener's lips trembled at the tone. 
 
 He held my hand tight. 
 
 'That is a flower of Peace,' he said, 
 
 21 
 
' That pansy white in its rainbow bed, 
 That is a flower of Peace/ he said; 
 And Mary, Mother, he shook his head. 
 
 But only a short time did I fear 
 After I awoke, prayed Chistabel. 
 Mother of Christ, have I been too glad. 
 Too happy? Not once did leer 
 Before my mind a haunting fell 
 To mar my joy and make me sad. 
 Was it an omen, my flower dream? 
 Mary, Mother, it did not seem 
 That woe could come. I had my love — 
 My love — my love — How could I fear, 
 Or doubt God's kindness then, 
 Mary, Mary, Mother of men? 
 My life shone bright as the stars above. 
 Never a woe — never a tear, 
 Save such as was bright 
 With dreams of a future of love's delight. 
 Only joy — joy for many a year 
 In which to help my lord and lover, 
 To make life sweet as could no other ; 
 To bear him children, to smile on him. 
 To brighten moments that might else be dim. 
 
 22 
 
Could one wee little dream — say how — 
 
 Could it make me know that there 
 
 Would come to me in my still home's air 
 
 This gray — cold lair 
 
 Of dread that I know now — know now? 
 Mary, Mother, send me Peace, 
 Send me strength to love the best, 
 Think the beautiful. And leave the rest 
 To thee. Send me peace! 
 Or, if my dream was a prophetic dream 
 And my future's joy doth only seem 
 (As my brain and body now dimly see) 
 Then Mary, Mother, I trust in thee. 
 
 When she rose with finished prayer 
 She felt a strange deep quiet where 
 Before had been but heavy care. 
 ''I will go to Sir Leoline, 
 My father dear, and Geraldine. 
 The day is almost done, and I 
 Have not with fitting coui*tesy 
 Attended on my own guest's fare. 
 What she will think I cannot tell 
 Of the rudeness of Lady Christabel." 
 
 23 
 
Forgetting the awe she had known before, 
 And the neglect her father had shown to her, 
 She passed through the house and out the door 
 Until she came to where they were — 
 Her aged sire, Sir Leoline, 
 Sitting beside fair Geraldine. 
 
 24 
 
Conclusion to Part Third. 
 
 The bud would be a flaming rose 
 And flash its perfume to the sun's gold fire, 
 Gleam soft with beauty that no gods can tire 
 Or winds destroy with swift desire. 
 
 Poor little bud — never to be that rose. 
 The lark would soar to the blue of the sky, 
 And know the trembling peace of dizzy heights, 
 The glory of farness from world-flashed lights, 
 The songs that mad greed of hope excites. 
 
 Poor little lark — never to reach the sky. 
 The heart would love its fellow-soul, 
 And weave its world to understanding peace 
 Of kindliness, where all strifes cease 
 That hunger for our woe's release. 
 
 Poor, sad, small heart — never to reach thy goal! 
 
 25 
 
PART THE FOURTH 
 
Part the Fourth, 
 
 The setting sun streamed shadows short 
 From the yellowing west, dimming the court 
 And the water *s edge where sat they two 
 Under a tree of drooping yew — 
 The aged Baron, Sir Leoline, 
 And the fair bright Geraldine, 
 Ere twilight changed and died. 
 As she drew near, 
 
 **How could I,** thought then Christabel, 
 **Have been otherwise than pleased most well 
 That such a lady fair and sweet 
 Should sit at my dear father's feet 
 And make him happy and forget 
 The pains of age and time's dull fret?'* 
 Christabel drew near. 
 She stood quite still, and smiled a smile 
 Full of joy for a little while 
 That her dear father, Sir Leoline, 
 Should be so happy with Geraldine. 
 *' Father, dear," she softly said — 
 Her father did not turn his head — 
 **And lady fair — our welcome guest, 
 More welcome because of your distress — 
 I have come here but to tell 
 That I, the Lady Chistabel" 
 
 Not one word more came from her throat ; 
 
 29 
 
Her voice grew hoarse as a jangled note, 
 And her heart within her loud did swell. 
 — Jesu Maria, shield her well! 
 
 For all she had spoken, her father ne 'er stirred ; 
 For all she addressed him he heard not a word, 
 But continued to talk to Geraldine. 
 Oh, what has befallen Sir Leoline? 
 
 The lady guest, ah, she has heard, 
 And she turns on Christabel her eyes cold-wild 
 (Oh, Mary, Mother, protect thy child!) — 
 Turned her eyes on the lady fair. 
 While slowly fell back her livid hair; 
 Her eyes where gleamed the gleam 
 ( That since Christabel's prayer had seemed only a 
 
 dream — ) 
 The gleam that made them narrow and green. 
 Narrow and green as ne'er was seen 
 But in a serpent's head, I ween. 
 No word more came to the sweet maid's mouth; 
 She stood there silent and parched as drought. 
 Held with that small and glittering eye, 
 A knowledge seizes Christabel, 
 
 30 
 
That turned her weak till she almost fell 
 
 In a swoon on the ground at her father's feet, 
 
 On the sward beside the marble seat. 
 
 See \ look at the white of the lady 's arm ! 
 
 — Mary, Mother, keep us from harm! 
 
 Christabel sees the lady's white skin, 
 
 And with a shudder her breath draws in. 
 
 For the skin that was white and of samite's sheen, 
 
 The skin of the lady's soft left arm. 
 
 That lies quite close to the Baron's arm, 
 
 It seems to shrink, it seems to quiver 
 
 Like a shadowed black in some still river! 
 
 It shriveled up like a dead thing's skin, 
 
 Like a demon's skin, like a devil's skin. 
 
 See how it quivers — yellow — thin — 
 
 While Christabel's gladness flew from within 
 
 Her heart that prayer had come to relieve. 
 
 That now had strength not even to grieve. 
 
 All she could do was to stand there still, 
 
 In the twilight gloom. A whip-poor-will 
 
 Gave one low cry. 
 
 That hideous glistening eye! 
 
 Christabel could not move or think. 
 
 But swayed as a flower o'er a river's brink, 
 
 And saw, without able to utter a moan 
 
 Or even the faintest, lowest tone, 
 
 That her father had fallen under a spell. 
 
 He had no ear for anyone but the lady here. 
 
 31 
 
**Ladyf — Mary, what is she? 
 
 Mary, Mother, have pity on me!" 
 
 Breathed the heart of Christabel 
 
 As she watched the shriveled, ugly skin, 
 
 And the eye now bright and now snake-dim, 
 
 That her father did not, or could not, see; 
 
 *'Mary, Mother have pity on me!'* 
 
 Tu-whit — tu-whoo, 
 The first owl screeched — tu-whoo. 
 A black cloud flaunts long ribbons o'er 
 The duly colored heaven. 
 What cry is that! — The owl wails more 
 Then were it midnight even. 
 
 Who comes running here so swift t 
 
 A sudden peace comes over her. 
 Tis a child that comes — one of the vassal's boys- 
 A dreamer child of no child joys. 
 Often when alone he had been known 
 To lift to the tall trees or the far-off skies 
 His seeing dreamer's eyes, 
 
 32 
 
And seem to see what lies beyond — 
 Things that few men e'er have found. 
 
 Now his eyes are wild. His lips tremble. 
 No fears dissemble 
 That Lady Christabel knew before! 
 Down at the Baron's feet he fell. 
 He paid no heed to Geraldine 
 Nor even glanced at Christabel, 
 But cried as with a heart full sore: 
 **I must tell you, Sir Leoline! ^ 
 
 There has come a fearful woe 
 To your good house. Ah, do you know? 
 Feel the awful hush that now 
 Fills the trees! On that bough — 
 See — hear — the owl calls dismally. 
 All the gold sun's dying fire 
 Is gray — gray — gray — sire 
 Of Lady Christabel, not I 
 
 Should come to you, but a Voice came — a Voice, 
 All within me urged — I had no choice. 
 Last night the river leaped its bank, 
 And flooded the meadows till the grain all sank 
 In the watery lines that drank it up 
 As if 'twere a pebble in a cup. 
 This morning the milk that the white goats gave 
 Killed all who drank it save 
 
 Myself. Of Yesterday's living now serfs are dead. 
 Oh, Lord Baron, turn your head! 
 
 33 
 
But the worst I have not yet said, 
 Though I would tell you so you can know 
 That to your house has come this woe. 
 Help it! This is worst, 
 What I tell you now. 
 Hear the owl screech — That bough — 
 That one, beneath the long, black cloud' — 
 Oh, I cannot bear to turn ! 
 Is it, is it my Lady's shroud? 
 It gnaws me like a burning worm! 
 I have a garden behind the wall, 
 A little one, but filled with flowers 
 That are not great and are not small. 
 Pure white flowers, white as snow. 
 Listen! When your house is happy they gleam whiter. 
 I have always felt that, when they seemed brighter. 
 Now — they — are — dead, the flowers; 
 The hearts of my white flowers, too. 
 Oh, Lord Baron, what shall I do?" 
 
 ''Crazy boy," the Baron said, 
 ''Get you home and to your bed 
 What can mean this folly, pray. 
 Come to trouble my bright day?" 
 Then from the shaded marble seat 
 The Baron rose upon his feet. 
 
 34 
 
''Come with me," to Geraldine; 
 
 ''I wish naught, but my talk and thine, 
 
 And leave to gaze in your eyes of wine. 
 
 Come." He took her hand so fair. 
 
 He led her with a stately air, 
 
 Not seeing the mystic, glittering glint 
 
 Of her bead eyes that like cold flint 
 
 Made the child cringe low, as Christabel weak; 
 
 Made all the color leave his cheek 
 
 As he, too, saw the shriveled skin 
 
 Ugly as his young dreams of sin. 
 
 The aged Baron Sir Leoline 
 And the lovely Lady Geraldine 
 Passed from beneath the shade of the yew 
 And left there — cold' — the trembling two. 
 
 S6 
 
Conclusion to Part Fourth. 
 
 There is in all the world of men 
 Nothing that cuts with the aching ken — 
 Nothing that hurts with the throes of hell 
 As the woe just come to Christabel 
 And to the little dreamer child : — 
 Aloneness as a stretch 
 Of naked, barren trees; 
 
 Aloneness as the moon on a star-cleared night-sky 
 Through the \^ash of space emptily infinite gliding, 
 With never a shadow even 
 To veer the monotony of heaven; 
 As the fire-fly 
 
 In a world of night-black pines. 
 Awakening to find but darkness, 
 To flit, then, in desolating search 
 From place to place. 
 In the light of its fire, 
 For thing of its kind, or a solace. 
 As the fire-fly, alone — 
 Alone as the last flower left in the garden, 
 As the wind ere it reaches the world 
 And the clouds to tear with its passion, 
 To lull with its songs — 
 
 Alone, as the last, lingering light-streak of day, 
 So alone, with a woe so wild 
 Are Christabel and the little child. 
 
 36 
 
Because of this — 
 
 This is the pain they came to know, 
 Old as traditionary lores of men, 
 The doubt that there is Good, 
 All-wise, all-ruling, all-knowing Good, 
 Good to all, for all, in spite of all — Good. 
 This doubt came into their ken. 
 This is the pain they came to know. 
 It cometh always — to all men. 
 
 37 
 
PART THE FIFTH 
 
Part the Fifth. 
 
 The sacristan has pulled the bell, 
 The heavy bell, the matin bell; 
 But the peal can scarcely cut through 
 The shadowy fog that webs the castle 
 Of the sire of Lady Christabel. 
 The fog is thick, the morning gray, 
 And the hills that are not far away 
 Can not be seen upon this day. 
 The sacristan tolls a warning knell 
 That sounds through the house like a ghost's low knell. 
 
 Jesu Maria, shield us well! 
 
 The gates are thrown open! Trumpets are blown! 
 For Bracy the bard has now returned home! 
 And soon the Baron will press again 
 To his heart his dearest, truest friend, 
 Roland de Vaux of Tryermaine 
 The Baron stands at the castle door 
 And beside him Sir Roland's daughter fair 
 With a blood-red jewel in her hair. 
 And her deep eyes, grave as never before, 
 With desire to embrace her father again, 
 Her beloved sire of Tryermaine. 
 And Christabel — oh, where is she? 
 
 41 
 
Pale as the flowers of an elder tree, 
 Again she sees the bosom old, 
 Nearly feels the bosom cold, 
 Sees the flesh of the lady quivering 
 Like the deadened flesh of an old snake's skin. 
 She stands there as some carven mould 
 And presses her hand to her bosom cold, 
 Trying to stifle her aching dread 
 And the low, dull throbbing in her head. 
 O tired grieving of Christabel! 
 
 The castle gates are opened wide. 
 Swiftly bard Bracy doth through them ride, 
 And singeth loudly with music sweet. 
 More loud than his horse 's echoing feet : 
 "Across the Irthing flood we come. 
 From Knorren Moor, through Halegarth wood, 
 From the Baron's Scottish home. 
 And cometh here that Baron good! 
 With stately steeds and hawks for fray 
 With knights and esquires and men-at-arms, 
 With archers and all preparations to stay 
 At the castle here to taste its charms — 
 To the castle of Sir Leoline, 
 To fetch his daughter Geraldine ! ' ' 
 
 i2 
 
The castle gates are open wide; 
 Through the thick fog doth ride 
 Lord Roland de Vaux of Tryermaine 
 With a great array at his side — 
 Palfreys panting and waving plume 
 Are faintly seen through fog's gray gloom. 
 Sir Leoline goes to the foot of the stair 
 And holds out his hand to his old friends there. 
 ' ' Welcome ! ' * he cried, ' ' Roland Tryermaine ! 
 Welcome, dear friend, to my arms again ! 
 And by my honor let me say 
 That I repent me of the day 
 When I spoke words of fierce disdain 
 To Roland de Vaux of Tryermaine. 
 You forgive me, I know well. 
 For my daughter, Christabel, 
 Can give you what you love full well — 
 A precious gift, a prize more fine 
 Than all the Empire's fairest wine." 
 
 Lord Roland grasped his friend's hand. 
 **I have come at thy command," 
 Said he. *'No happier, gladder day 
 Than this has come to me since long, 
 My friend. More, I will not say. 
 
 43 
 
Lead me to thy house. All wrong 
 Was forgot, when I heard thy bard's song.'* 
 They ascend the stairs to the Baron's hall, 
 Where stand the two ladies, fair and tall. 
 But what is wrong with Lord Roland, pray? 
 He only sees fair Christabel. 
 — Jesu Maria, shield her well! 
 Geraldine standeth close to the maid, 
 With a smile that none can see 
 But Christabel, whose heart prayed. 
 Lord Roland does not see the shade 
 Of her who claims to him to be 
 A daughter and his name's lady. 
 
 ^'Welcome," breathes Christabel, *' my father's friend.** 
 (Oh, will her deep dread never end?) 
 Sir Leoline, with much surprise 
 Gathering in his kind old eyes. 
 Is about to speak to Roland, then, 
 And ask how he, he of all men, 
 Can pass by his daughter when 
 jl^e had not seen her for many sun's rise. 
 She speaks! Ah me, ah me, 
 Nothing hears Lord Tryermaine. 
 He can not see the lady fell ; 
 Thinks none is near but Christabel. 
 Yet the Baron hears her softly say, 
 **0h, dear father, look my way.'* 
 She touches Lord Roland with her milk-white hand. 
 
 44 
 
Her fingers close about his throat. 
 Over his face falls a long, gold strand 
 Of hair. That wailing note! — 
 Christabel shrieks with a heart-sick groan 
 As if the hurt had been her own. 
 
 The heralds cry! — ^Bard Bracy and all. 
 Why, oh why should this woe befall 
 The house of asred Sir Leoline? 
 Oh, rescue, quick! — fair Geraldine! 
 She moans — low, low — with sobbing pain. 
 For, see, Lord Roland of Tryermaine! 
 Dead he lies in his daughter's arm. 
 (Mary, Mother, keep us from harm.) 
 She, blood red and bosom white. 
 Holds him tight. 
 
 Christabel stands like a thing of stone. 
 Christabers throat is dry as a bone. 
 Christabel's lips give never a moan. 
 She only sees on Lord Roland's neck 
 Two dark green spots, 
 Two dark, dark spots, 
 (No one else sees even a speck), 
 
 45 
 
Dark green spots that swell and swell. 
 — Jesu Maria, shield us well ! 
 
 Ah, but see Sir Leoline! 
 He gazes on the corpse with Lady Geraldine 
 Then trembled as a withered leaf, suddenly, 
 And all the light goes from his eye. 
 
 Through the gray fog 
 The lightning, like a saber's whiz, 
 Cuts the thick air. 
 Christabel the lady fair 
 
 Sees naught but her father's friend lying there 
 With two dark spots upon his throat. 
 Her voice can utter not one note. 
 Through the gray fog 
 The lightning like a saber's whiz 
 Cuts the thick air. 
 Christabel, the lady fair 
 Sees only a bosom shriveled and old, 
 Only a bosom dried and cold, 
 Only a gleam of a glittering snake-eye 
 Turned upon her meaningly. 
 
 46 
 
The aged Leoline 
 Has sunken upon a chair 
 
 And passes his hand o'er his white, white hair. 
 His old hands tremble like a leaf, 
 As if he were drunk with wine. 
 Christabel comes to his relief. 
 Sinks upon her knees at his side. 
 Her dry lips utter not a word. 
 What matters that? — He would not have heard. 
 She presses her hands to his cold, cold lips, 
 She lays her head upon his hips, 
 And he looks down at his own sweet maid 
 With eyes that thick with grief are laid. 
 His lips moved. Could she but have prayed ! 
 *'To think that it should be my home 
 Where he should die — 
 Do for Geraldine all you can — 
 Poor child — oh, what a man 
 Is dead ! Oh, what a friend had I ! 
 And now the lady is all alone. 
 Love her as a sister, child. 
 With all your dear heart sweet and mild." 
 
 Sir Leoline 's head sinks on his arm. 
 His hand — it is no longer warm. 
 No sire has now fair Christabel 
 To love her dearly and shield her well. 
 
 47 
 
All those present make low moan. 
 Hark to the thunder's rumbling tone! 
 List to the murmur of the vassals fear; 
 See the fair Geraldine's falling tear. 
 
 The serfs nor vessels know what to do. 
 And all is wailing and murmuring low, 
 And a strange and sombre fear runs through 
 The men there. What to do? 
 Geraldine weeps like one forlorn. 
 Christabel is silent as one outworn. 
 Bard Bracy lifts her to her feet 
 And tries to comfort the lady sweet. 
 Lord Roland's knights would attend their dead, 
 But what to say to that strange lady 
 "Who mourneth o'er him moaningly 
 And weepeth loud and hides her head? 
 
 Then, from the crowd in the Baron's hall 
 There steps from near the farthest wall 
 From Christabel, a pilgrim form. 
 He is old and bent and gray. 
 He is sad and strangely worn; 
 This pilgrim, come from far away, 
 
 48 
 
Approacheth Lady Christabel, 
 
 And says what he but fain would tell. 
 
 As he neareth the lady, pale 
 
 And faint as a dying sunbeam's ray, 
 
 And as a broken reed so frail, 
 
 Lady Geraldine's body slim 
 
 Curls toward her with the curling motion 
 
 Of a crawling thing; 
 
 And her eye gleamed like a treacherous ocean. 
 
 Christabel utters a low, low moan. 
 
 The pilgrim speaks in saddened tone. 
 
 **Lady, I fain, fain would not say 
 
 What I must speak. 
 
 But swift as I can I must away 
 
 Or else I would not make thy cheek 
 
 Whiter still with pain today. 
 
 Thou hadst a lover — a goodly knight. 
 
 This I must tell thee who mourneth now. 
 
 Thy lover dwells with a fair lady 
 
 In a far distant hot country. 
 
 He thinketh now no more on thee. 
 
 I promised the Master to tell thee this, 
 
 So thou waitest no longer for his false kiss. 
 
 Nor thy dream's fulfillment — dreams of bliss. 
 
 Forgive me. Now I must away.' 
 
 49 
 
 }} 
 
A grave smile gleamed on the lady's face. 
 She rose in all her wearied grace, 
 And steadied herself a moment's space. 
 "But one woe more," she murmured then; 
 "Dust behind and mist before. 
 Woe cometh to the best of men. ' ' 
 
 One lightning-streak cuts through the gray, 
 One streak that cleaveth sword-swift through. 
 It enters in the Baron's hall, 
 A light to make Orion thrall, 
 A mad gold light and blue. 
 It blazes in the great doorway, 
 And there is One within the flame 
 Tall and grave and clothed in white. 
 And no one there does know his name 
 And none before have seen his sight 
 Save Christabel, 
 
 (In a dream-sweet flower garden, 
 He had been the angel-warden). 
 Yea, she knows, doth Christabel. 
 And as she stands there in the fires, 
 All the fog with golden lyres 
 Sings to her of lost desires. 
 
 All the place sings with the rings of the lyres. 
 All the place flames with the shames of dead fires. 
 All her heart swells with the knells from desires. 
 
 Then — gone the flame and the warden 
 Of fair Christabel's dream-garden. 
 
 50 
 
And where the light erstwhile did glow 
 Lies a flower, white as snow — 
 Velvet- white and shy and small, 
 There on the floor in the Baron's hall, 
 One small white flower for Christabel — 
 The flower of Peace she knows full well. 
 
 A laugh — Hark — 
 Cruel as a dark, 
 Dead hand upon a brow ! 
 Geraldine laughs a low, cold sneer — 
 Christabel is too calm to fear. 
 She gazes now 
 On the wondrous fair lady 
 Who had moaned near the old oak tree 
 And been brought home from pure pity. 
 There is only a hideous sound, 
 Of a laughing, sneering demon-sound 
 Christabel gazes — 
 And as she gazes, fixed, where 
 Had stood the Thing that had seemed so fair. 
 There was only the laugh — 
 Only the laugh, 
 And the cold, fog air. 
 
 51 
 
Conclusion to part the Fifth, 
 
 Why did that rose, that tall, white rose, 
 
 Of all the roses, die to-day ? 
 
 Why has that mother striven in vain 
 
 To rear her children and not lay 
 
 Them under the sod, where worm and rain 
 
 Strive ever over? 
 
 Why is it sin for these lovers two, and not the rest, 
 
 To live their lives on each other's breast ? 
 
 Why did this strange fate befall 
 
 The lovely Lady Cliristabel ? 
 
 Who, ah, who can tell ? 
 
 The Gods will all ! 
 
 58 
 
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