LIBRARY OF CONGRESS. ^^h - ©np^rw la Shelf ..Xr.7 5 0. ^3 UNITED STATES OF AMERICA. .ai->HS'-ftfTr,*i»^-' OUE HOMES; HOW TO BEAUTIFY THEM. ONE HUNDRED AND FIFTY ENGRAVINGS. -^ / U a D NEW YORK : 0. JUDD CO., DAVID W. JUDD, Pres't. 751 BROADWAY. 1888. \ Entered according to Act of Congress in the year 1887, by the O. JUDD CO., In the Office of the Librarian of Congress, at Washington. <^ PUBLISHER'S PREFACE. The taste for beautifying homes has steadily and rapidly developed during the past ten years. The Cen- tennial Exhibition (1876) with its exhaustless art treas- ures gave a decided impetus to this taste, while the teach- ings of Kuskin, East lake, and Morris have tended to refine and educate it. The introduction of Japanese articles of vertu has likewise among other causes given a decided impulse to decorative art in the United States. It is not alone the mansions of wealth and luxury which have experienced the results of this decorative ad- vancement, but the humble homes everywhere through the land reveal the beautifying touch of taste and skill. This volume aims to aid those who desire to ornament, decorate, and beautify their homes with the labors of their own handiwork. It contains suggestions and direc- tions for such household adornment as can be made in spare moments, requiring merely good taste and skill. TABLE OP CONTENTS. Chapter I. "p A rj,|J. Fig. 161 shows how to make the feather-stitch needed for the A and D lines. Be careful to bring out the point of the needle on the pencilline with every stitch. Mark the van dyked line (which is to be chain-stitched) with the corner of a square card. When this line is finished, mark the required dot in each point. The pattern without the scallop may be worked at the to]? of the hem. With feather-stitch, chain-stitch, and worked dots, make many pretty patterns shown in Figs. 163 and 163. A sim23le way to get the pattern of a scallojD is, to draw a FIG. 161. HINTS FOR DECORATIVE WORK. 185 circle around the spool at each end of the card (see Fig. 164), then draw straight lines from one circle to the other FIG. 163. — PATTERN FOR EMBROIDERY. at the top and bottom. Now move the spool along, let- ting it lap a little, and draw a pencil around it. At the FIG. 163. — ANOTHER PATTERN. end of the card, draw a straight line (as A in Fig. 164) near the edge, and cut up to it between the scallops, as FIG. lt»4. — HOW TO MAKE A SCALLOP. shown by the black portion in Fig. 164. Use Corticelli's embroidering silk, letter F. Linen floss (or white single 186 OUR homes; how to beautify them. zephyr worsted) looks very well, washes better, and is less expensive than silk. pattern for canvas. The pattern shown in Fig. 165 is to be worked in eross-stitch on canvas or other similar material with zephyer or Germantown yarn. The narrower stripes are worked in light blue for the ground, with dark brown, light brown and gold color for the pattern. The ■■ BKo am ■■ no 3«5i i BO-BH5! iB-DC _■ — Ba~BSO — ■■-QC ■■ SQ-BgiS — BB-r- -BO-BBa — BB-C "~BKO "BBBi^ -BBS SBBteEi^iili; — og«;;- :;BBQ~::rBBB^B^Bigr;;;gBj;::- -B'-BBa--B5SDBB"BBDDBBI-OgBfog::^ SO-BXO ■■DBBDCDBBnBB-_0«B Og2^ tssa-fEso— aaPB»paDB»aB«i.-:jaa«zaac: FIG. 165. — DESIGN FOR WORKING ON CANVAS. broad scripes have on dark-brown ground two shades of olive, two of red, and two of blue. The white star on black ground in the engraving stands for dark red; the narrow straight lines in a square for light red; the white diamond with black dot, for dark olive ; the white square with black dot for light olive; the small white square with dot on black ground for dark blue, and the black line in white square for light blue. The pattern is available for slippers, border for portiere, etc. DRAWN WORK FOR DECORATIONS. Very pretty eifects are produced by drawn work with canvas, towelling, or similar material. Fig. 166 shows HINTS FOR DECORATIVE WORK. 187 a drawn-woi"k border to be made on a coarse, plain linen towel, fringed on both ends. Commence one or two inches from the ends, and pull ont forty-two threads FIG. 166. — BORDER OF TOWEL. crosswise; then, to fasten the edges, work on each side a row of buttonhole stitches in red, each of which is to be made over three threads in height, and four threads in width. Leave above and below a space of twenty-two threads ; then, on each side, facing each other, work an- other row of buttonhole stitch- es, as seen in Fig. 166, and ornament the spaces between these with crazy stitches in blue. Then take on the thread and needle the threads between four stitches, and pull theni together tightly, as fig. 167.— details. shown in the first row of open-work in Fig. 167. Make the line at one third of the distance below the edges, and at an equal distance work a second row across, tak- 188 OUR HOxMES; HOW TO BEAUTIFY THEM. ing care that the knots are placed alternately, as seen in the engraving. To make the wheels for filling out the spaces formed by the drawing together of the threads, fasten the thread in the needle under a buttonhole stitch, and draw it under the opposite knot above, and FIG. 168.— CONGRESS CATTVAS. FIG. 169.— SIMTLAR CANVAS. returning form the wdieels by running the needle above and under the crossing thread, round and round, until the desired size is obtained; then fasten it underneath. In Figs. 168 and 169 are seen patterns on Congress canvas in which the threads are simply drawn together. These have to be worked with embroidery silk, and al- though very pretty in one color only, may be made still ^ — ...^ more handsome and showy if I -^t^^^^^L J * iS. I ^ each row is worked a differ- ^Jk>c:icx> s( %. gj^^ shade, the colors being well blended, and here and there a row of tinsel cord may be interspersed. FIG. 170. — CAKE BASKET COVER. A pretty and inexpensive cake-basket cover, made in a square, with fringed sides, is shown in Fig. 170. DESIGI^S FOR SCROLL SAWING. A simple method of making designs for scroll work is as follows : procure several sheets of thin plain white HINTS FOR DECORATIVE WORK. 189 paper of any suitable size, a common pen, ink, pencil, rubber, a square and dividers. Determine what article to design, and its size. Every part must be supported. 1 FIG. 171. — THE BEGINNING. FIG. 172. — THE DESIGN. to prevent splitting off. Make as few openings as pos- sible, consistent with beauty and fitness for the purpose intended. An example : To design the back of a comb - case twelve inches wide and seventeen inches long, with but three openings in the pattern, place a sufficiently large sheet of paper on a board or table, its narrow side tow- ards you, and draw a line across its middle the longest way. Mark on this line two points seventeen inches apart. Through these points draw two very light parallel pencil lines across the paper. Three inches above the lowest point draw a line across the paper at right angles to the first long line. Four inches above this draw another line parallel to it. Then six inches on each side of the long line draw lines parallel to it. There will be a space twelve inches wide and four inches fig. 173. high, the place of the comb-box; the drawing will ap- -COMB-CASE. 190 OUR homes; how to beautify them. pear like Fig. 171. Now study the whole space^ twelve by seventeen inches, to invent the design. All above and below the box space (of twelve by four inches) is to be made ornamental. With a pencil lightly sketch the pattern. It may be composed wholly of curves, or of curves and straight lines combined. After making a sketch of a suitable design, re-mark half of it (on one side of the long middle line), retouching here and there to perfect the pattern, erasing all unnecessary lines. The drawing will now appear as in Fig. 172. In the half pattern finish the lines carefully with pen and ink. Fold the paper exactly on the centre line first drawn, so that the inked lines will be on the outside. Place the paper against a pane of glass through which strong light is shining. Press the two folds close together. The ink lines of the drawing will show plainly through. Care- fully trace with a pencil all the ink lines, and both sides of the design will be alike in every detail and part. The front of the case will of course be like the back, after sawing through; in this instance the ends of the box will be three and three-quarters inches long by three inches wide. The front is made plain, two and three- quarters by twelve inches, the bottom three and a quarter by twelve inches. The front may be line-carved in any appropriate design, and then the completed comb- case will appear as in Fig. 173. The right and left sides of all scroll designs may be duplicated in like manner. Designs with large openings like this may be pasted on medium thick cardboard. Tack the cardboard to the wood to be made up. FolloAving the pattern lines, saw through cardboard and wood; preserving the card care- fully. This card pattern may be used as long as required, by marking around it and sawing to the lead -pencil lines. Printed patterns may be bought by those who do not care to make their own designs. HINTS FOR DECOIIATIVE WORK. 191 LINE CARVING IN WOOD. An improved tool for line carving a veining tool or smallest fluting gouge. Heat the end red over a spirit lamp or in the fire care- fully, not to overheat or rust it. Bend it under and back like Fig with a draw motion. Do not from FIG. 174. — A TOOL FOR LINE CARVING. 174, so that it will cut forget to retemper it. Two sizes of this shape, one-eighth and three-sixteenth inches wide, with a straight one-quarter inch fluting gouge and a three-eight inch flat sweep gouge, are all the tools necessary for quite elaborate patterns. A boy can learn to carve ornamental lines in a few minutes with this tool, without danger of running away from the pattern. FIG. 175. — A DESIGN FOR LINE CARVING. Suppose it is required to line carve a design like Fig. 175 for the front of a wall-pocket. Witli pencil and ruler mark the centre of the piece to be ornamented, and other guide-lines if necessary. Sketch the pattern with pencil lines on the surface. Fasten the piece to be carved so that it can easily be turned about if desired. 192 OUR homes; how to beautify them:. Carve the principal lines of tlie pattern^ after which the details can be cut with the tool best adapted to the de- sign. Full-sized designs on paper can be easily trans- ferred to the wood by pricking through the paper with a needle. Line carving, as a means of decorating sur- faces, offers an infinite variety of designs, and is easily learned. Artistic designs suitable for the purpose have long been used by the book-binders and ornamental painters. A little study of any figure will enable the carver to reproduce it off-hand at will. Then with chisel in hand, beautiful decorations can be produced in a few minutes, when the surface of the w^ood is of a color to strongly contrast with the lines cut through it. When the surface is the same as the under part, as in solid walnut, the lines may be gilded or painted. EMBROIDERED MONOGRAMS. There is no more durable and neater way of marking table linen, towels, etc., than by embroidering the ini- FIG. 176. — EMBROIDERED MONOGRAMS. tials of one's name in a corner of each piece. The let- ters shown in Fig. 176 are worked in cross-stitch with crewels or embroidery cotton, either in two shades of HINTS FOR DECORATIVE WORK. 193 one color, or in two entirely different colors, as may be preferred, over ordinary canvas, which, for this purpose, is basted on the article. The stitches have to be drawn perfectly tight, but care has to be taken that the threads of the canvas are not caught fast, as in drawing them out after the monogram is completed the work would be pulled and the letters become misshaped. LAVA WORK OR VESUVIUM. Transforming earthenware and similar plain articles into something beautiful by the process called Lava AVork, is simple as well as fascinating. By it, any bot- tle, jar, or vase may be made into an ornamental ob- ject. Care should be taken to have it of graceful out- line, for much of the beauty when finished depends on this. The material used for this purpose is a paste or cement, known as Vesuvium, It is soft and sticky when first exposed to the air, al- lowing the worker to display taste in placing it. The hardening prbcess soon begins, though not as rapidly as with plaster of Paris ; and, in a day or two, it becomes hard without being brittle. A palette knife is required for applying the paste, which is put on about one-half inch thick, without any effort at smoothness or regularity; and afterwards the knife is used to pull and push it around into odd and fantastic shapes — the more varied the better — such as caves, rocks, peaks, points, etc. Buttons having colored centres, or 13 FIG. 177.— ORNAMENTED BUCKET. 194 OUR homes; how to beautify them. FIG. 178. — JAR DECORATED WITH LAVA WORK. FIG. 179.— ORNAMENTED PAIL. HINTS FOR DECORATIVE WORK. 195 stones, can be inserted, while the cement is soft, where- ever desired, or where they will improve the general ap- pearance. This cement is free from oil or turpentine and has no unpleasant odor, nor does it require mixing, for it is ah-eady prepared, which makes it convenient for home use. It also adheres firmly to wood, and a com- mon pine frame can be made into one of real beauty, Avhich would .adorn any parlor. At Fig. 177 is seen an ornamented bucket, Fig. 178 represents a jar to which a bow of ribbon is tied, and in Fig. 179 is shown an orna- mented water-pail. DECORATED BASKETS. The small wicker baskets made to hold newspapers may be made highly decorative by a little trimming. Tlie square basket shown in Fig. 180 has pads made of Fia. 180.— ORNAMENTED SQUARE WICKER BASKET. muslin to fit the sides. These are 4iiAK1>E:i^. Allen, R. L. and L. F. 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