' %*<: - <<:^ which it is placed, and while the heat «is kept up, adding a pound of olive oil. Scents, such as bergamot, may be added as the other ingredients cool. Varieties of perfumes are secured by the manufacturers. WASHES FOB THE FACE. We do not approve of face- washes ; but as some ladies will use them, we recommend the following as harmless : — Damp the face with glycerine, tempered with rose-water, then powder with the finest magnesia. It imparts a charming whiteness. Less harmless, but more frequently used, is the following : — Procure five cents of bismuth, of flake white, and of pow- dered chalk. Mix with five cents of rose-water. Great care must be taken to wash off this preparation before retiring to rest, as the bismuth is of a poisonous nature. LAVENDER WATER. This mildest of perfumes is a preparation of oil of lavender, two ounces ; and orris-root, half an ounce ; put it into a pint of spirits of wine, and keep for two or three weeks before it is used. It may require straining through blotting-paper of two or three thicknesses. BANDOLINE. This essential of the toilet is prepared of several materials. 1. Simmer an ounce of quince seed in a quart of water for forty minutes ; strain, cool, add a few drops of scent, and bot- tle, corking tightly. 2. Take of gum Tragacanth H drs., water, half a pint ; recti- fied spirits mixed with an equal quantity of water, three ounces, and a little scent. Let the mixture stand for a day or two, then strain. 3. It may be made of Iceland moss, a quarter of an ounce boiled in a quart of water, and a little rectified spirit added, so that it may keep. TOILET RECEIPTS. 49 HAIR CURLING FLUID. There are various fluids advertised and recommended for the purpose of giving straight hair a tendency to curl ; but the only curling fluid of any service is a very weak solution of isinglass, which will hold the curl in the position in which it is placed, if care is taken that it follows the direction in which the hair natu- rally falls. One of the fluids in use is made by dissolving a small portion of bees'-wax in an ounce of olive oil, and adding scent according to taste. LIP salve. This indispensable adjunct to the toilet may be made by melt- in a jar placed in a basin of boiling water a quarter of an ounce each of white wax and spermaceti, flour of benzoin fifteen grains, and half an ounce of oil of almonds. Stir till the mixture is cool. Color red with five cents of alkanet root. RYE TOOTH POWDER. Eye contains carbonate of lime^carbonate of magnesia, oxide of iron, manganese, and silica, all suitable for application to the teeth. Therefore a fine tooth-powder is made by burning rye, or rye bread, to ashes, and grinding it to powder by passing the rolling pin over it. Pass the powder through a sieve and use. The crumb of a French roll, though not so good, may be treat- ed in the same way. CAMPHORATED CHALK. i This favorite tooth-powder is easily made. Take a pound of prepared chalk, and with this mix two drachms of camphor very finely powdered, and moistened with spirits of wine. Thorough- ly mix. MYRRH DENTIFRICE. To a pound of finely-powdered cuttlefish add two ounces of myrrh, and mix thoroughly. WRINKLES. The pomade d'Hebe, used for the removal of wrinkles, is made in this way. Melt white wax, one ounce, to gentle heat, and add 50 TOILET KECEIPTS. juice of lily bulbs two ounces, and honey two ounces, rose water two drachms, and otto of roses a drop or two. Use twice a day. ROSE WATER. It may be made in this way : — Take half an ounce of powdered white sugar, and two drachms of magnesia. "With these mix twelve drops of otto of roses. Add a quart of water and two ounces of alcohol, mixed in a gradual manner, and filter through blotting paper. TO CLEAN KID GLOVES. By rubbing gloves with a clean cloth, dipped in milk and then rubbed on brown Windsor soap, you may restore them to a very fair state of cleanliness. TO REMOVE SUPERFLUOUS HAIRS. Depilatories are all more or less objectionable. Even when successful they are apt to produce a shiny, disagreeable appear- ance of the skin. The use of tweezers is the only satisfactory plan. Pluck out the hairs as fast as they grow, wash with warm water, and then apply milk of^oses. Hairs are aometimes re- moved by the application of muriatic acid, but it is a process hazardous to the safety of the skin. The following is one of the best depiliatories known : — Take quicklime, two ounces ; strong ashes of wormwood, two fluid ounces, and almond powder suffi- cient to make the whole into a pomatum, which is to be put on the skin whence the hairs are to be removed, and wiped off in a few seconds with a wet towel. If left on too long, the skin will be irritated. COLD CREAM. ' Put into a jar a pint of sweet oil, half an ounce of spermaceti, and two ounces of white wax. Melt in a jar by the fire ; add scent, p Another method. Melt together a pint of oil of sweet almonds, one ounce of white wax, half an ounce of spermaceti, and half a pint of rose water ; beat to a paste. TO REMOVE A TIGHT RING. When a ring happens to get tightly fixed on the finger, as it TOILET RECEIPTS. 51 will sometimes do, a piece of common twine should be well soaped, and then be wound round the finger as tightly as possible, or as can be borne. The twine should commence at the point of the finger, and be continued till the ring is reached ; the end of the twine must then be forced through the ring with the head of a needle, or anything else that may be at hand. If the string is then unwound, the ring is almost sure to come off the finger with it. CHAPPED HANDS. The simplest remedy is the camphor-ball, to be obtained at all druggist's. Powdered hemlock bark put into a piece of muslin and sprinkled on the chaps is highly recommended. Or, wash with oatmeal, and afterwards rub the hands over with dry oatmeal, so as to remove all dampness. It is a good thing to rub the hands and lips with glycerine be- fore going to bed at night. A good ointment is made by simmering in a pipkin, sweet oil one pint ; Venice turpentine, three ounces ; lard half a pound ; bees'- wax, three ounces, till the wax is melted. Rub on or apply with a rag. COLD FEET. Those who suffer much in this respect should wear woollen socks or stockings, and put the feet in mustard and water before going to bed, not forgetting to rub them with a coarse towel. SUNBURN. Milk of almonds, to be obtained at any druggist's, is as good a remedy as any in use. CHILBLAINS. The remedies are innumerable. 1. When indications of chilblain first present themselves, take vinegar 3 oz., camphorated spirits of wine 1 oz., mix and rub. 2. When they have appeared, rub with alum and water. 3. Put the hands and feet two or three times a week into warm water in which two or three handfuls of common salt have been dissolved. 4. Rub with a raw onion dipped in salt. 52 TOILET BECEIPTS. KED HANDS. Wash them frequently in warm, not hot water, using honey- soap and a soft towel. Dry with violet-powder, and again with a soft, dry handkerchief. Take exercise enough to promote cir- culation, and do no wear gloves too tight. BUENS. An application of cold, wet common whitening placed on im- mediately, is recommended as an invaluable remedy. warts. At the first appearance of these troublesome things, pare as closely as possible, and touch with lunar caustic ; if this is not effective, pare again, and give a second touch, or try acetic acid. PATENT LEATHER BOOTS. In cleaning patent leather boots, first remove all the dirt upon them, then, with a sponge or flannel, the boot should be rubbed lightly over with a paste consisting of two spoonfuls of cream and one of linseed-oil, both of which require to be warmed be- fore being mixed. Polish with a soft cloth. TO CLEAN KID BOOTS. Mix a little white of egg and ink in a bottle, so that the com* position may be well shaken up when required for use. Apply to the kid with a piece of sponge, and rub dry — the best thing to rub with is the palm of the hand. Where the kid shows symp- toms of cracking, rub in a few drops of sweet oil. The soles and heels should be polished with common blacking. IMPROVING THE COMPLEXION. To improve the complexion, some flowers of sulphur should be mixed with a small quantity of milk, and, after standing a few hours, it may be rubbed on the skin. GREASE SPOTS. French-chalk is useful for removing grease spots from clothing. TOILET RECEIPTS. 53 Spots on silk will sometimes yield' if a piece of blotting-paper is placed over them, and the blade of a knife is heated (not too much) and passed over the paper. STICKING PLASTEE. Stretch a piece of black silk on a wooden frame, and apply dis- solved isinglass to one side of it with a brush. Let it dry ; re- peat process, and then cover with a strong tincture of balsam of Peru. TO LOOSEN STOPPEES OF TOILET BOTTLES. Let a drop of pure oil flow round the stopper, and stand the bottle a foot or two from the fire. After a time, tap the stopper smartly — but not too hard — with the handle of a hair-brush ; if this is not effectual, use a fresh drop of oil, and repeat t 1 - e pro- cess ; it is pretty sure to succeed. CLEANING JEWELEY. Gold ornaments are best kept bright and clean with soap and warm water, with which they should be scrubbed, a soft nail- brush being used for the purpose. They may be dried in box sawdust, in a bed of which it is desirable to let them lie before the fire for a time. Imitation jewelry may be treated in the same way. For cleaning silver, either articles of personal wear or those pertaining to the toilet-table or dressing-case, there is nothing better than a spoonful of common whitening— carefully pounded so as to be without lumps — reduced to a paste with gin. It answers admirably. PASTE FOB EAZOE-STEOPS. Flour of emery, washed so as to be free from the coarse parti- cles, two drachms ; colcothar, commonly called crocus* or crccus martiSy washed in like manner, one drachm. To be mixed to- gether, and then worked up into a stiff paste with spermaceti ointment. This paste must be rubbed upon the razor-strop so as to cover the surface of this latter with as thin a coating as possible ; it should then be smoothed with a glass bottle. The strop should not be used during forty-eight hours after the paste has been applied. 54 TOILET RECEIPTS. ROUGE AS A SUBSTITUTE FOR THE CARMINE OF THE CARTHAMUS. There is a Brazil wood of a fine golden red color. It is called " Fernambucca Brazil wood." Take nine ounces of this wood- cut it into little bits and pound them well, in a very clean iron mortar, with a heavy pestle, so that the wood may be -bruised almast to pulp. Put it into a well tinned stewpan with a quart of the best white wine vinegar. Let there ingredients boil to- gether, after ebullition, during half an hour, keeping the stew- pan well covered. Strain the liquid through linen, pressing out everything that will pass. "Wash and wipe the stewpan, pour into it the strained liquid, and place it again on the fire. Meanwhile, dissolve in a pint of the same kind of vinegar, four ounces and a half of pounded alum. Mix the two liquids together over the fire, stir them with a wooden spoon entirely free from grease, and let them simmer. A scum will now arise, which must be removed with a clean skimmer, and after being drained from all liquid, must be placed upon sheets of clean letter-paper. This scum is the rouge. It must be very gradually dried by setting the paper on which it is placed in a slack oven, or on a stove not much heated, or at some little distance from the fire. Great care must be taken that no dust fall upon it. When dry, it is fit for use* WHITE PAINT. Talc, four ounces ; distilled vinegar, one pint. The talc must be rasped to a fine powder, but without soiling it in the slightest degree. Having carefully sifted the powder, add it to the vine- gar. Shake the bottle that contains it, three times a day during a fortnight, allowing eight or ten minutes to each shaking ; then let it settle during two days more without shaking or agitation. Now, pour off the vinegar slowly, draining every drop from the powder at the bottom of the vessel. To this add a pint of dis- tilled water, shake the bottle, and pour the whole contents into a basin, adding more distilled water to bring out any of the pow- der that remains behind. Add another quart of distilled water, and stir the whole well in the basin with a spatula of ivory or box, but not of metal. Let the powder settle and pour off the water. Wash the powder again in the same manner with dis- tilled water, five or six times, until it is very smooth and soft. Then piece it upon clean letter-paper and dry it in the manner directed for the rouge. When dry, sift it through a sieve with a bottom of silk. This powder is applied by puttiug upon a hare's foot, or the finger, a very little thin cold cream, and laying upon this a minute quantity of the powder. THE SCIENCE OR ART OF, DRESSING WELL. FEMALE DEESS. — "lis no sin to dress ; Art improves nature. " "What cannot art attain !" "A prepossessing exterior, is a perpetual letter of recom- mendation ;" and daily experience proves, that first impressions are of considerable importance, not only in conciliating the good will of others, as producing a kind of preliminary esteem at first sight, but that they also not unfrequently determine our lot on the great theatre of human life, making or marring our future success, according as they made favorable or unfavorable impres- sions on the feelings and opinions of those at the time of our in- troduction to their notice and acquaintance. This subject has been well commented on by Lavater, who properly said, that persons judiciously and habitually attentive to their attire, display the same regularity in their domestic affairs. " Young women," he adds, " who neglect their toilette, and manifest little concern about dress, indicate a general disre- gard of order ; a mind but ill-adapted to the detail of domestic affairs ; a deficiency of taste, and of the qualities that inspire love: — they will be careless in every thing. The girl at eighteen, who desires not to please, will be a slut, or a shrew, at twenty- five. Pay attention, young men, to this sign ; it never yet was known to deceive." These dicta are powerful arguments in proof of the policy and propriety of attention to dress. 56 THE SCIENCE OR AET OF DRESSING WELL \ Among the most polished nations of modern times, the taste for dress is also predominant. The outcry about its folly and vanity is unheeded. Though homily after homily, and sermon after sermon have been preached and printed, the love of dress and ornament still remains predominant in the human heart, and still finds its votaries in every grade and station of life. The reign of embellishment is and has been predominant and ever will be so in the female heart. The conquests of fashion and the love of embellishment are all prevalent ; even the Quakeresses are capitulating, and the rea- son is founded on policy and good sense. Nothing conduces more to the display and heightening of female beauty and love- liness than appropriate and tasteful dress. Hence it is evident that the desire of exhibiting an amiable exterior is essentially requisite in the female sex, for the" charms of a beautiful woman are heightened and enhanced by a proper attention to the ele- gance of dress and attire, just as a beautiful painting derives ad- ditional beauty from tasteful and judicious framing. This desire is attainable by a knowledge of dress doctrines, by a due attention to an elegant simplicity and a judicious choice or disposition of dress. For dress is the natural finish of beauty ; without it, a handsome person is a gem, but a gem that is not set, and is in want of an intelligent artist to give it, by means of a brilliant chasing, all the lustre of which it is susceptible. The art, therefore, of imparting a charm to beauty, by the pro- per selection and adjustment of the various articles of attire to the female form and figure, and by the harmonious blending or agreeable contrasting together of the various articles of which it is composed, is of the highest consideration and importance in the duties of The Toilet. Nature in her grand amphitheatre of grace and beauty has ex- hibited in the female form, certain defined and settled rules and canons may be safely laid down for its graceful and fashionable display — for drawing out and heightening the graces of the form and the delicacy of the complexion, and giving expression to all the " witchery and winning, " "the charms and sweetness" of that "most replenished sweet work of Nature/' Lovely Woman? and investing her beauteous form in " a pomp of winning graces. '' Thes*e rules or canons may be reduced to the following few brief aphorisms : — THE SCIENCE OR ART OF DRESSING WELL. 57 1. However imperative the authority of fashion may be — (for in her variable nights and caprices she frequently soars beyond the reach of propriety, and is frequently the exterminating angel of beauty) — her laws ought always to be nnder the subjection of taste and in obedience to its fundamental principles. A dress may be in the first style of fashion, and yet may infringe on every rule of good taste, and altogether disfigure the lady for whom it was made. Fine figures are often destroyed by absurd arrange- ments, beautiful faces spoiled by awkward head-dresses, and com- plexions ruined by an injudicious choice of colors. General fash- ions should only be conformed to when, as Goldsmith has well said, they are not repugnant to private beauty. But unhappily the ladies do not think so. Mrs. Bustlebody has only to use these talismanic words, "It is worn so," to make the dear crea- tures put on any absurdity, and really make "frights" of them- selves. But, unhappily, the arbitrary laws of fashion and the dictation of the milliner are all-powerful in this respect. By the magic whisk of her needle, the latter can impose on her worship- pers any fashion she pleases. 2. " The Toilette," like an accompaniment in music, ought to harmonize with the person ; it ought to vary according to the figure and general contour, the features, the physiognomy, and the color of the complexion and that of the hair. Ladies, therefore, who aim at grace and symmetry in the dis- play of their forms, must consider the character of their figures, and adapt their dress to personal peculiarities, to the style and character of the features and figure, — in a word, to the bias and direction of Nature in their conformation. Fashions invented for some tall and slender arbitress of taste do not become the short, stout, or petite figure, and the contrary. The ridiculous and servile observance of that ever varying cameleon La Mode or Fashion, and "the run of the town " by ladies " of all casts, sizes, and figures," has been justly and ingeniously satirized: "If fashion gives the word, every distinction of beauty, complexion, and stature, ceases. Sweeping trains, and Russian bonnets, or bonnets with snouts as long as an elephant's proboscis, or mar- gins as broad as a coal-heaver's shovel, and trollopees, as like each other as if they had been cut from the same piece, level all to one standard. The mall, the gardens, the play-houses, are filled 58 THE SCIENCE OR ART OF DRESSING WELL. with ladies in uniform ; and their whole appearance shows as lit- tle variety of taste as if their clothes had been bespoke by the Colonel of a marching regiment, or fancied by the artist who dresses the three battalions of guards." "Mrs. Bustle body," adds another ingenious critic on female dress, "has only to use these talismanic words 'It is worn so,' to convince the dear and gentle Sex that it is really fashionable, when the dear creatures like lambs will even assume the costume of a short-coated opera figurante, or kindly condescend to sweep the streets in the character of Dorothy Draggle Tail." 3. As has just been said, the dress should be adapted to the figure, so as to harmonize with it. The same form of costume and style of dress does not become all figures. The airy form and the majestic character require very distinct varieties and de- grees of attire. The graceful figure of the first style or character of beauty should be arrayed in a corresponding style of dress, — light, tasty, and elegant; and no furbelows or heavy orna- ments or trimmings should warp or encumber its outline and simplicity. On the contrary, the dress of the majestic form should be of more substance, more ample in its folds, more abun- dant in its drapery, and be long and flowing ; gems, embroidery, and waving plumes, are her appropriate ornaments. And in either case, whether that of the airy or the majestic form, the habiliments should be neither scantily circumscribed, nor larger than is requisite ; but should be sufficiently full to fall easily in diverging folds from the waist downwards to the feet, in lightly flowing and clustering drapery. " The mantle or cottage-cloak should never," as observed by a writer, who by her own personal elegance proved the correct- ness of her taste, "be worn by females exceeding a moderate embonpoint ; and we recommend winter garbs to be formed of double sarsnet, or fine Morina cloth, rather than velvets, which (except black) give an appearance of increased size to the wear- er. In the adoption of furs, flat ermine, or fringe fur is better suited to the full-formed woman than swan's down, fox, chinchil- la, or sable ; those are graceful appendages for the more slender. Women of a spare habit, and of a tall and elegant height, will derive considerable advantage from the full flowing robe, man- tle, and Roman tunic. The fur trimming, too, gives to them an appearance of roundness which Nature has denied ; and to this THE SCIENCE OR ART OF DRESSING WELL. 59 character or style of person we can scarcely recommend an even- ing dress more chaste, elegant, and advantageous, than robes of white satin, trimmed with swan's down, with draperies of silver or gossamer net." A judicious dresser will, therefore, select attire and habiliments that harmonize with the peculiar style and character of her figure, and will never follow fashion further than becomes the cast and contour of her person ; she will adapt her dress to her complex- ion and figure, to her face and person without any regard to the prevalent fashion of the time. Dress to be becoming should be so adapted as to bring out the natural beauties of the person. To look well we must look natural. An appropriate style of dressing is no bad indication of correct taste and sound judg- ment, and is no indifferent test of the delicacy of mind of the wearer, which is one of the chief attractions of womankind. 4. But of all the secrets of "The Aet or Science of Dress- ing," the greatest lies in simplicity : — " Let art no useless ornament display, But just explain what Mature meant to say." In order that the beautiful outline of a well-proportioned form may be seen in the contour of the dress, and every symmetrical line preserved, it is not only necessary that the divisions of the dress should be few and simple, but the dress should be also free from all meretricious or redundant ornament ; for either of these defects distracts the attention of the beholder, and detracts from feminine loveliness either of form or of feature. In no particu- lar do tiremen and tirewomen display their absurdity and bad taste, and almost Gothic ignorance of the principles of drapery in painting and sculpture, than in their violation of the laws and principles of simplicity and harmony. Every lady should there- fore consult her own taste, and take care that it is properly chast- ened by the laws of Nature and the rules of the artist. The aim and design of all correct dressing is grace and propriety rather than exuberance and multiplicity. A multiplicity of ornaments always distracts the attention, and detracts from female charms and loveliness ; to over-load the person with superfluous and ill- assorted ornaments is not only destructive of female beauty, but it is ridiculous and a violation of all the rules of good taste and 60 THE SCIENCE OR ART OF DRESSING WELL. propriety. By every person of sense, they are regarded as a sort of make-weights in a scale, to supply those endowments of which Nature has been a niggard in the? dispensation of her gifts and bounties. Good looks depend more on good taste and good sense than on the milliner or the jeweler. Art to be effective in the display of the human figure must be the handmaid of Nature. Though your gown, bonnet, or shawl, be not of the most ex- pensive articles, and not of the latest fashion, yet if they be made with taste and simplicity and worn gracefully, they will be more becoming than if made in a tawdry manner, and ornamented with a heap of finery. Avoid all bushels of bustles, and the de- testable bad taste of a hundred colors of ribbons, and ends and points flying about you. "When a lady is disproportionately broad in the bust, the more plainly the shoulders are trimmed the better, as in that case a diminished effect is required. On the other hand, if the bust is disproportionately narrow, the epaulette ought to be very full, the sleeve falling off the shoulder, and the trimming to corres- pond in producing an increase of breadth to make up the defi- ciency of Nature ; or the epaulettes should be formed on the outer edge of the shoulders very full, and both the bosom and back of the dress should run in oblique folds from, the point of the shoulder to the middle of the bust. The trimmings required for a slender form ought to be fuller than for a form partaking of embonpoint. Any projection from the shoulders of the nature of tippet, spencer, frill, or trimming of any kind destroys that beautiful undulation of the figure which begins at the shoulders, by forming a kind of angle or interruption of the line of beauty, that ought never to be broken or interrupted. No ill-fitting dress should be worn, as it destroys the contour of the figure. A dress, according to the artistic treatment of drapery, should either fit closely, or be sufficiently loose to form graceful and natural folds. Short "Women destroy the symmetry of their forms, and en- cumber their charms with redundancy of ornament. "A dimin- utive woman befeathered and befurbelowed looks," says a humor- ous writer, "like a queen of the Bantam tribe, whom we dare not approach for fear of ruining her plumes." Neither do long waists and high flounces become short figures. Their trimmings THE SCIENCE OR ART OF DRESSING WELL. 61 should be placed as low and the dress be made as long as possi- ble, of a moderate width, and hang in graceful folds. Tall Women should wear wide skirts and deep flounces ; for the lines being broken by the flounces, the height of the figure will bo diminished. Where the lower posterior part of the body is too flat, an elevation may be given it, by the top of the skirt being gathered behind, and the bustle or tournure being put into re- quisition. If the anterior or front lower part of the body is too prominent, the prominency may be rendered less apparent by shortening the waist, and making a corresponding projection be- hind ; at the same time imparting an expansion to the bosom or increasing its apparent volume. Where the haunches are too narrow, care should be taken that the bottom of the dress is not too wide. Waists too long may be made to appear less by a stomacher, or something equivalent, imparting a corresponding appearance to the dress behind. The top of the dress should also be laid smooth across the shoulders, and drawn in plaits to a narrow point at the bottom of the waist. The defect of a long waist may also be concealed by the fullness of the petticoats sup- ported by a small bustle, or the tournure of the French, which consists of a handkerchief drawn up by the end through the staylace. This substitution for the bustle raises up the folds of the dress and makes them fall elegantly. By way of giving a finish to the Style and arrangement of the dress, the robe is then drawn a little to one side, passed down on the hips with the back of the hand, and the tips of the fingers are passed several times through the folds behind to make them fall tastefully. 5. But among all the " Secrets of the Toilette," none requires more taste and skill in being called into action than the proper selection and combination of colors — (the copying of the beau- ties of Nature's creation in lovely Woman's dress;) for either Agreeable harmonies, or excruciating discords, may be produced from the juxtaposition of hues. To those who have paid no at- tention to this subject, it is inconceivable how much the choice of colors contributes to heighten the beauty of the skin and the general cast of tho features. Though a color may appear beau- tiful in itself, it may not be favorable for the display of the beau- ty of all Women. Often the color, which the tyranny of fashion has introduced into vogue, is injurious to the most beautiful 62 THE SCIENCE OR ART OF DRESSING WELL. countenance. It can scarcely be conceived, by those who have paid little or no attention to these matters, how much the color of a dress, or of a shawl, may heighten or destroy the beauty of a complexion, and how much the Sex in general neglect these (to them) important particulars. The truth is, few Women have any correct ideas of the harmony or the agreeable assemblage and contrast of colors. As the object of the employment of colors is to heighten the lustre of the skin, or to disguise the want of that quality, when ill-assorted or injudiciously adopted they de- stroy female loveliness; where tastefully assorted or selected, they materially contribute to enhance it, and even improve plain features. By the proper adjustment of colors to the complexion of the wearer, and their harmonious blending or agreeably con- trasting with the attire, beauty is materially assisted or marred. Harmony must therefore be maintained between the complex- ion and the colors of the dress ; for it is not sufficient for the skin to be actually beautiful, but it must likewise appear so. This object is attained by the proper choice or tasteful selection and harmonious assortment of colors employed in dress. Colors, as has been said, when ill-assorted, may totally eclipse the charms of the most beautiful face ; on the contrary, when used with taste, they may enhance the attractions of a very inferior complexion. The adaptation of colors, and the harmonizing and properly con trasting of them, so as to produce the desired effect, are points therefore of great importance, and require a very nice discrim- ination in their assortment, and accurate judgment in their ap- plication. The general rule for the attainment of this object is to consider to which of the primary colors (yellow, red, and blue) the complexion of the wearer bears the affinity ; by attending to this simple rule, we can be enabled to pronounce which best har- monizes with the complexion, and which will offend by apposi- tion or an ill-accommodated contrast. The particular rules are : It is an important point, before a fashionable color is adopted, to determine how far it will harmonize with the complexion ; whether it will tend rather to injure than to improve its beauty ; for different colors produce different effects on the female com- plexion. Those colors which seem most appropriate to beauty, are the milder of every sort — light greens, soft blues, weak whites, pink reds, and violets. If they are strong and bright, they must THE SCIENCE OR ART OF DRESSING AYELL. 63 be diversified, and never of one strong predominant color. Bril- liant colors, or flaming reds, bright blues, and yellows, should be cautiously employed. Delicate and subdued colors are, as has just been stated, the most chaste and pleasing. The pre- dominant principle of the colors employed in dress should con- trast or harmonize as much as possible with the complexion ; and the color of the trimmings ought in the same way to harmonize tastefully with the dress, and form a pleasing contrast with it. Generally speaking, however, trimmings and embellishments will bear a greater richness of colors than the ground-work or principal material of the dress. "Where the lily predominates in the complexion, (indeed, it may be said in the case of all fair females,) light and brilliant colors, as rose, azure, light yellow, &c. , should prevail in their dress. These colors heighten the lustre of the fair complexion, which, if accompanied with darker colors, would frequently have the appearance of alabaster, without life and without expression. On the contrary, women of a dark complexion who dress in these colors, cause their skin to appear of a dull blackish hue. They should therefore avoid wearing linen or laces of too brilliant a white, or white robes, and rose-colored or light-blue ribbons, as those colors will produce a disagreeable contrast with their coun- tenances. The colors best suited to dark complexions are green, violet, puce, blue, purple, and some of the varieties of yellow ; and then that dark hue, which was only the effect of too harsh a contrast, will appear to great advantage, and become lively and animated. In more abstract language, the fair complexion should have its paleness corrected by light colors ; and the dark coun- tenance, by the stronger colors. Azure is best suited to a pale tint, and the tender color of the queen of flowers perfectly harmonizes with the roses of the cheeks ; but if the face displays too lively a carnation, then the beautiful livery of Nature is best adapted to the female countenance. In complexions where neither the rose nor the lily predominates, the harmonizing colors are rose or a fine white, and the contrasting colors pink, pale green, and lilac. The principal part of the dress should therefore consist of the harmonizing color, while the con- trasting color should compose the ornaments or trimmings. Whatever its gaudy or glaring, has an injurious effect on a com- 64: THE SCIENCE OR ART OF DRESSING WELL. plexion partaking of a fine carnation. When black or any other dark color is worn by a lady of delicate complexion, the dull ef- fect produced on the countenance should be enlivened by trim- mings of some of the contrasting colors. In florid complexions, where the carnation is too high and obtrusive, such colors must be chosen as will tend to diminish it by contrast or comparison, and the ornaments and trimmings should always be of a brighter and more attractive hue than the color of the complexion. Complexions distinguished for the delicacy and transparency of the skin, should be set off by comparison or contrast. In the first case, delicate greens and lilacs will produce the necessary effect; and in the second, dark- colors, provided they are not too deep and harsh, may be worn with advantage. For the pale complexion, the colors best adapted are the dif- ferent shades of grey, pale yellows, puce and lilac. Black, trim- med with pale roce or pink, is well suited to this complexion. When females of this complexion wear white garments they should animate them with draperies mantles, scarfs, ribbons, &c, of pale pink, blossom color, celestial blue, lilac, dove color, or prim- rose. The colors that harmonize best with the sallow countenance are the several shades of green, blue, red, and purple. W T hite, grey, and black colors increase the shade of sallowness, and light colored ribbons are far from producing an agreeable effect. The bright colors, especially yellow and orange, in all their shades, form the best contrast with the dark and pleasing tint of the brunette. But it is not only necessary to adopt such colors as are best suited to the complexion, but care should be taken that the dif- ferent colors admitted into the various parts of the dress should perfectly harmonize or agree together ; for nothing is more harsh than the contrast of colors of the same kind. Thus, a rose col- ored hat and a crimson shawl are at variance with all the laws of contrast or harmony. Attention is also necassary to be paid to the effect produced by the " tout ensemble " of the colors em- ployed in the dress ; for a particular color which alone, or assort- ed with suitable colors, would appear pleasing, is often rendered ridiculous, unbecoming, or ungraceful, by the contrast with others. Thus, the exhibition of a light blue robe, with either THE SCIENCE OR ART OF DRESSING WELL. 65 the colored hat or shawl above-mentioned, makes tjie caricature complete. Another rule in the employment of colors in dress is deserving of equal attention. It is of importance to observe, that you do not overstep the boundaries of good taste in the number and variety of colors which you may employ. You may display the greatest taste and judgment in the contrast and harmony of colors ; and yet, owing to their profusion, they may obtrude themselves too glaringly on the eye, drawing the attention more to the dress than to the countenance and figure of the person, an error which ought to be carefully avoided ; the fewer the colors are which are used, the more simple and graceful will be the effect. In the canons of the laws of harmony and contrast, size, or the magnitude of objects, has also its rules to be observed in re- gard of colors ; large objects appear to greater advantage in sober colors than smaller ones. Lightly graceful figures appear most advantageously in light colors ; and when white is not the color of their attire, the most tender shades of green, yellow, pink, blue, and lilac, are the hues most friendly to the display of their charms ; whereas the more sober shades are adapted to the ma- jestic forms. Black, however, not only suits the complexion of all forms, and is becoming to all figures, but is at once piquant and elegant ; it has & surprising effect in imparting grace and elegance to a well-turned form. In costume, nothing is more common than to see tints em- ployed together which are discordant ; for example, purple and green. Now, be the dress or bonnet ever so well made, and the wearer ever so beautiful, the effect of such ignorance will be un- pleasant in the extreme. Every color has its perfect harmnoy, which is called its con- trast, and also other colors which harmonize with it indifferent degrees. When two colors are associated which do not accord, the addition of a third may make a harmonious group. The same rule holds good with three or more colors. There are two kinds of harmony acknowledged in the group- ing of colors, namely, the harmony of contrast and the harmony of analogy. When two colors which are dissimilar are associated agreeably, such as blue and orange, or lilac and cherry, they form a har- 66 THE SCIENCE OR ART OF DRESSING WELL. mony of contrast. And when two distant tones of one color are associated, such as very light and very dark blue, they harmonize by contrast. Of course, in the latter instance the harmony is neither so striking nor so perfect. "When two colors are grouped which are similar to each other in disposition, such as orange and scarlet, crimson and crimson- brown, or orange and orange-brown, they form a harmony of analogy. And if two or more tones of one color be associated, closely aproximating in intensity, they harmonize by analogy. The harmonies of contrast are more effective, although not more important, than those of analogy ; the former are charac- terized by brilliancy and decision, while the latter are peculiar for their quiet, retiring, and undemonstrative nature. In affairs of dress both hold equal positions ; and in arranging colors in costume, care must be taken to adopt the proper species of har- mony. The simplest rules to be observed are the following: 1. When a color is selected which is favorable to the complexion, it is ad- visable to associate with it tints which will harmonize by analogy, because the adoption of contrasting colors would diminish its favorable effect. 2. When a color is employed in dress which is injurious to the complexion, contrasting colors must be associated with it, as they have the power to neutralize its objectionable in- fluence. We will take an example illustrative of the first rule. Green suits the blonde, and, when worn by her, its associated colors should be tones of itself (slightly lighter or darker,) which will rather enhance than reduce its effect. As an example of the second rule, we may take violet, which, although unsuitable to brunettes, may be rendered agreeable by having tones of yellow or orange grouped with it. Colors of similar power which contrast with each other mutual- ly intensify each other's brilliancy, as blue and orange, scarlet and green. When dark and very light colors are associated, they do not intensify each other in the same manner ; the dark color is made to appear deeper, and the light to appear lighter, as dark blue and straw-color, or any dark color and the light tints of the complexion. Colors which harmonize with each other by analogy reduce THE SCIENCE OR ART OP DRESSING WEL£. 67 each other's brilliancy to a greater or less degree ; as white and yellow, blue and purple, black and brown. In dress it is objectionable to associate together different hues of one color ; for instance, yellow-green, and blue-green, or orange-brown, and purple-brown. Care must therefore be taken in selecting different tones of a color to see that they belong to the same scale. There is another fact we wish to bring before our readers ere we close our remarks on the harmony of color, namely, that tints which accord by daylight may appear unharmonious by artificial light, and vice versa ; thus, purple and orange harmonize by day, but are disagreeable by gaslight; and white and yellow, w T hich are unsatisfactory by daylight, are suitable for evening dress. There are many colors which lose much of their brilliancy and hue by gaslight, and are therefore unserviceable for evening cos- tume ; of this class we may enumerate all the shades of purple and lilac, and dark blues and greens. Others gain brilliancy in artificial light, as orange, scarlet, crimson, and the light browns and greens. It is advisable that all these circumstances should be considered, in the selection of colors for morning and even- ing costume. Our readers will find the following list of harmonious groups of service in the arrangement of colors in dress ; we have given the most useful as well as the most agreeable combinations. Blue and gold (or gold-color), a rich harmony. Blue and orange, a perfect harmony. Blue and crimson harmonize, but imperfectly. Blue and pink, a poor harmony. Blue and salmon-color, an agreeable harmony. Blue and lilac, a weak harmony. Blue and drab harmonize. Blue and stone-color harmonize. Blue and fawn-color, a weak harmony. Blue and whitB (or gray) harmonize. Blue and straw-color harmonize. Blue and maize harmonize. Blue and chestnut (or chocolate) harmonize. Blue and brown, an agreeable harmony. Blue and black harmonize. 68 THE SCIENCE OR ART OF DRESSING WELL. Blue, scarlet, and purple (or lilac) harmonize. Blue, orange, and black harmonize. Blue, orange, and green, harmonize. Blue, brown, crimson, and gold (or yellow) harmonize. Blue, orange, black and white, harmonize. Red and gold (or gold-color) harmonize. Red and white (or gray) harmonize. Red, orange, and green, harmonize. Red, yellow (or gold-color,) and black, harmonize. Red, gold-color, black and white, harmonize. Scarlet and blue harmonize.. Scarlet and orange harmonize. Scarlet and slate-color harmonize. Scarlet, black, and white harmonize. Scarlet, blue and white harmonize. Scarlet, blue and gray harmonize. Scarlet, blue and yellow harmonize. Scarlet, blue, black, and yellow harmonize. Crimson and gold (or gold-color,) a rich harmony. Crimson and orange, a rich harmony. Crimson and maize harmonize. Crimson and purple harmonize. Crimson and black, a dull harmony. Crimson and drab harmonize. Crimson and brown, a dull harmony. Yellow and purple, an agreeable harmony. Yellow and blue harmonize, but cold. Yellow and violet harmonize. Yellow and lilac, a weak harmony. Yellow and chestnut (or chocolate) harmonize. Yellow and brown harmonize. Yellow and red harmonize. Yellow and crimson harmonize. Yellow and white, a poor harmony. Yellow and black harmonize. Yellow, purple, and crimson harmonize. Yellow, purple, scarlet, and blue harmonize. Green and gold, or gold-color, a rich harmony. Green and yellow harmonize. Green and orange harmonize. THE SCIENCE OR ART OF PRESSING WELL. 69 Green and scarlet harmonize. Green, scarlet, and blue harmonize. Green, crimson, blue, and gold, or yellow, harmonize. Orange and chestnut harmonize. Orange and brown, an agreeable harmony. Orange, lilac, and crimson, harmonize. Orange, red, and green harmonize. Orange, blue, and crimson harmonize. Orange, purple, and scarlet harmonize. Orange, blue, scarlet, and purple harmonize. Orange, blue, scarlet, and claret harmonize. Orange, blue, scarlet, white, and green harmonize. * Purple and gold, or gold-color, a rich harmony. ** Purple and orange, a rich harmony. Purple and maize harmonize. Purple and blue harmonize. Purple and black, a heavy harmony. Purple and white, a cold harmony. Purple, scarlet, and gold-color harmonize. Purple, scarlet, and white harmonize. Purple, scarlet, blue, and orange harmonize. Purple, scarlet, blue, yellow, and black harmonize. Lilac and gold, or gold-color, harmonize. Lilac and white, a poor harmony. Lilac and gray, a poor harmony. Lilac and maize harmonize. Lilac and cherry, an agreeable harmony. Lilac and scarlet harmonize. Lilac and crimson harmonize. Lilac, scarlet, and white, or black, harmonize. ' Lilac, gold-color, and crimson harmonize. Lilac, yellow, or gold, scarlet, and white harmonize. * White and gold-color, a poor harmony. White and scarlet harmonize. White and crimson harmonize. White and cherry harmonize. White and pink harmonize. White and brown harmonize. Black and white, a perfect harmony. Black and orange, a rich harmony. 70 THE SCIENCE OK ART OF DRESSING WELL. Black and maize harmonize. Black and scarlet harmonize. Black and lilac harmonize. Black and pink harmonize. Black and slate-color harmonize. Black and brown, a dull harmony. Black and drab, or buff, harmonize. Black, white, or yellow, and crimson harmonize. Black, orange, blue, and scarlet harmonize. Flounces should be made of such materials namely : muslin, gauze, or barege, as are calculated to be flexible and impart to the wearer the appearance of a receding angel or a dissolving view ; they should not flop or be stifl, and break the flowing lines of the petticoat, or throw light and shade where they ought not naturally to appear. Of all the arcana or mysteries of the Science of Dressing, in few do American ladies offend more against the rules of artistic skill, than in the tasteful and becoming manner of wearing a shawl. Shawls, instead of being worn uniform on both sides, and the patterns straight up and down, should be worn up one shoulder and down the other, or in some way drawn irregularly, so as to break the uniformity. Nothing is more picturesque than a line across the bust. On this account the long scarf shawl is as picturesque an appendage as a lady can wear, with the broad pattern sweeping over one shoulder, and a narrow one, or none at all, on the other. It supplies the eye with that irregularity which drapery requires ; while the slanting form and color of the border, lying carelessly round the figure, gives that eastern idea which every shawl more or less implies. With respect to the choice and form of bonnets, the rules may be thus briefly stated. A narrow face should have a bonnet with the front well exhibit- ing the lower part of the cheeks. On the other hand, a broad face should have a closer front ; if the jaw is wide, the appearance may be diminished by bringing the corners of the bonnet sloping to the point of the chin. Bound faces should have the bonnet brought forward so as to cover part of the cheek. When the neck of a party is long, the neck of the bonnet should descend, and the neck of the dress rise. A short neck should have the whole of the bonnet short and close in the perpendicular direc- THE SCIENCE OR ART OF DRESSING WELL. 71 tion, and the neck of the dress should be neither high nor wide. When the complexion is too yellow, yellow round the face re- moves it by contrast, and causes the red or blue tinges that may have been introduced, to predominate ; lilac or any shade of pur- ple around the face would increase the yellow cast. "When too much red predominates red round the face removes it, and causes the yellow or blue appendages to predominate. "When too much yellow and red predominate, then bjue removes it by contrast, and the yellow and red predominate. "When too much yellow and red predominate, then orange is to be used by way of contrast. When too much red and blue, then purple. When too much blue and yellow, then green. As the linings of bonnets reflect their their color on the face, and transparent bonnets transmit their color, and tinge the countenance, fair complexions are aided by the contrast produced by light colors, and dark faces by darker colors. To pale faces, the application of yellow would by con- trast produce a livid hue ; that of red, a green hue ; and that of blue, a sallow hue. White and black best suit pale complexions. We must not omit a very important observation respecting the change of colors by the light. A female may be dressed with exquisite taste, and appear charming in the daytime ; but, at night, the effect is totally different, and this enchanting dress is totally eclipsed at the theatre or the ball. Another is charming at night, her taste is extolled. Delighted with these praises, she resolves to show herself abroad, and her toilette is detestable. To what is this owing ? To the choice or the assortment of the colors ? Thus crimson is extremely handsome at night ; but if it bo substituted for rose-color, all its charms are lost by gaslight ; but this crimson, seen by day, spoils the most beautiful complex- ion ; no color whatever so completely strips it of all its attrac- tions. Pale yellow, on the contrary, is often very handsome by day, but at night it appears dirty, and tarnishes the lustre of the complexion. At gas-light, those colors should always be chosen which are adapted to add brilliancy to the complexion. Jewelry and ornamental flowers are not only elegant but at- tractive. Pearls are specially adapted for fair complexions, as are also turquoises ; sapphires, emeralds, or rubies are more fa- vorable to dark skins. Jewelry, however, should not adorn the 72 THE SCIENCE OB ART OF DRESSING WELL. neck and the bosom, or even the hands that are defective either in color or symmetry ; as instead of imparting an additional charm, they draw the attention of the beholder to the defects, and though the simple wreath of roses, the jessamine, the snow- drop, the lily of the valley, the violet, the primrose, the myrtle, the ranunculus, and a long train of Nature's sweets, offer them- selves at the shrine of Female Beauty, and gracefully harmonize with its charms and loveliness, and that a single rose or flower disposed in tasteful ambush is often very effective — wreaths of flowers should not be interwoven with teiir of a bad color. Feath- ers sparingly employed produce a good effect when they harmon- ize with the dress. Furs should never be worn unless richly ; shabby economical cat's furs look like all poor affectations, very contemptible. Such are the rules and canons for the tasteful display and ad- justment of dress. But though taste and judgment in the choice and adjustment of dress, and a correct knowledge of the princi- ples which ought to guide the adaptation of the various parts of the female costumes to the style and character of the wearer, are necessary for the full and effective display of beauty, it should be recollected, that too studied an attention to dress — too formal a display of its attractions — tend to weaken and impair its effect, and to leave but an indifferent impression on the mind of the beholder of the judgment of the wearer. Showy or exaggerate dressing and a multiplicity or a tasteless assortment of artificial decorations, and tinsel and trumpery of all kinds, destroy the Poetry of Beauty, and have the effect of inducing the belief, that the wardrobe of the body is of more valne in the estimation of the wearer than the wardrobe of the mind and heart. " A sweet disorder," or in prosaic language an apparent inattention "in the dress," often produces a much higher effect than the most studied and scrupulous conformity to rule and fashion. DRESS FOR ELDERLY LADIES. Dress, to be appropriate and becoming, should be suited to the age of the wearer ; nothing is more unbecoming than anach- ronism in the adornment of the person. How often has the de- sire to enjoy perpetual youth and beauty betrayed a sensible woman into a ridiculous assumption of the dress ancTdecorations THE SCIENCE OR ART OF DRESSING WELL. 73 becoming only females in the morning of life, or the spring of youth. But how destructive of all feminine influence and at- tractions are pretentions so ill-judged. They are like putting wretched daubs of pictures in rich and magnificent frames- The seasons of life should be arranged like those of the year ; that is, an appropriate style of dress, — a harmony between the ma- terials and the fashion of the apparel and the age of the wearer, is as necessary as that spring-tide should be decked in all the gayety and loveliness of Nature, while autumn is clad in a more sober and less dazzling livery. It has been well said, that anach- ronism in as destructive of all female grace and dignity, as an- achronism in date is destructive of all reliance on historical au- thority. Can there be a more ridiculous exhibition of character, than to see the wrinkled and waning fair one bedecked in the light and lucid apparel, the lightly-flowing drapery, and the ten- der or the bright and brilliant colors of the youthful or the bridal beauty ? or concealing those indiscreet witnesses of the rapid progress of years — those outward and visible signs of the cruel ravages of unsparing Time and "the crime of old age" — grey hair, and wrinkles, under the cloak and mantle of tendrilled locks and the flowing and undulating tresses of the youthful beauty, in which Love delights to sport and revel ? Luxuriant ringlets gracefully waving over the wrinkles of age and decrepi- tude, serve any purpose than to impart an interest to the " worse- for-wear ladies " in appearance. At that season of life it is nat- ural to prefer seeming maidenly to seeming matronly. Lastly, though it is becoming in Women to attend to the em- bellishment of their persons, yet an inordinate degree of care is unbecoming, if not reprehensible. Instead of giving an unre- strained indulgence to her "passion for dress," every sensible and well disposed Woman will endeavor to curb the excesses of " each revolving mode of fashion," with which she is, from her statio^. in life, obliged to comply, and will so contrive to abbreviate the duties of The Toilette, that they should not trench on the time that should be devoted to the useful and necessary avoca- tions of life, and the cultivation and embellishment of the mind, — pursuits that constitute " the genuine charms " of womankind, and which are the best calculated of all the Sex's "magazine of arms" to " win the castle of the heart." 74 THE SCIENCE OR ART OF DRESSING "WELL. gentlemen's DEESS. Some years ago a lady thus discanted upon the outward ap- pearance of the Lords of Creation. " The male costume," " is reduced to a mysterious combination of the inconvenient and the unpicturesque, which, except in the light of a retribution, it is puzzling to account for. Hot in sum- mer, cold in winter, useless either for keeping off rain or sun — stiff without being plain — base without being simple — not dur- able, not becoming, and not cheap. Man is like a corrupt bor- ough ; the only way to stop the evil, has been to deprive him of his franchise. He is no longer even allowed the option of mak- ing himself ridiculous. Not a single article is left in his ward- robe with which he can make an impression — a conquest is out of the question. Each, taken separately, is as absurd as the emptiest fop could have devised, as ugly as the staunchest Puri- tan could have desired. The hat is a machine to which an im- partial stranger might impute a variety of useful culinary pur- poses, but would never dream of putting on his head. His stock looks like a manacle with which he has escaped from prison, or his cravat like a lasso with which he has been caught in the act. His shirt collars are execrable and entitled to the German appel- lation of water-moderin (father-murderers or cut- throats.) His coat is a contrivance which only covers half his person, and does not fit that ; while his waistcoat, if a straight one, would be an excellent restraint for one who can contentedly wear the rest of the costume. Each article, in addition, being under such strict laws, that whoever attempts to alter, or embellish, only gets credit for more vanity than his fellows, and not for more taste." The above applies, with perhaps less force to male costume now than it did then. But materially we are still the same. The trousers, how#ver fitted for bustling and quick motion, are un- graceful, and serve only to expose an ill- formed leg, or«to con- ceal a good one. Nevertheless, certain rules and maxims may be of service to our readers, even in this ungraceful age. Let us begin with hats. Of these we have little to say, and that little is not in their favor. The " section of a funnel," as it has been called, which, covers our heads, is both inconvenient and ugly. We beg all our male and female readers to endeavor THE SCIENCE OR ART OF DRESSING WELL. 75 as far as possible to remedy this injury, by voting in favor of some other head dress. The slouch felt hats which are worn in the country are infinitely to be referred. The hat covers the forehead, which in all cases adorns the face* People who observe, know that when actors wish to represent a villain, they let fall a mass of hair over the forehead, which at once gives them a hang-dog look. The hat should, on the con- trary, cover little of the forehead ; yet, if worn at the back of the head — it gives a feeble expression. The hat should not be too tall, and should not be thrust too far over the eyes. Men with thin faces should choose hats with somewhat narrow brims. Those with fat round faces, those with broad brims. Little men should never, (though unfortunately they always do so,) wear tall coverings for the head ; the effect being, that their faces seem almost in the centre, midway betwixt the top of the hat and the ground. Of the color of the hat little can be said, black being prevalent, and used for "dress." White hats only suit men of very bril- liant fair, or dark brown complexions. To surroand a white hat with a black band, seems to us to set at defiance good taste, and to approximate to the " black-guard." In shape, hats should be near the prevailing fashion ; anything outre, or new in shape, draws the attention of the crowd, and makes a man remarkable. The coat may be of every variety of color, the quieter the bet- ter. In morning dress, those rather elegant, and certainly com- fortable coats which are like shooting-jackets, may be also worn. For the evening, however, only the ugly "dress" coat can be put on in society. In choosing the colors of ordinary and walking costume, the same rules should be adhered to which are given for the ladies. Thus a stout man will inevitably increase his apparent size by a light coat and waistcoat ; and a small man will diminish his size by wearing black. The rule to be deduced from this is plain. Checks, cross-bars, and other large patterns, should naver be used. If indulged in they should be adapted to the motion of the wearer's person. Horizontal stripes crossing the person are not admissible in garment fabrics, — the pattern quarrels with all the motions of the human figure, as well as with the form of the long folds in the skirt of the garment. 76 THE SCIENCE OR ART OF DRESSING WELL. For the same reason, also, " large and pronounced checks, are, however fashionable, in bad taste, and interfere with the grace- ful arrangement of drapery." These hints "upon stripes and bars apply more especially to trousers, where bars across the leg seem to hinder a free motion, and bars running down the leg at once discover any unfortunate curve which it may possess. Trousers have one advantage, they hide large feet. Those who have such, can easily take away the appearance resulting from it, by having the bottom of the trousers enlarged- Small feet are, if too small, as much a deformity as when too large. The cravat and collar should be within the fashion, not to the extreme of it. The collars which are now worn by some young men are ridiculous, and must be very uncomfortable. The cra- vat should be, for evening dress, black or white ; in the morn- ing, of a color, which although subdued, suits the complexion of the wearer. It should be loosely tied, for nothing is moue in- jurious than keeping the throat heavily wrapped up. The few maxims which follow, partly original and partly modi- fied from other writers, are general. Some of them apply to either sex: — The shirt of a gentleman should be of fine linen. The front plain, not worked, nor ornamented in any way. Studs may be worn ; they should be very good or very plain — fine brilliants or plain ivory or pearl. Colored stones in studs are vulgar. It is not economical to have the dresses or garments made in the extremity of fashion, because such are remarkable, and soon fall out of date. The fashion should, however, be followed at such a distance that the wearer may not attract the epithet of old-fashioned. The style of dress should be adapted to the age of the wearer. As a general rule, in youth the dress should be simple and ele- gant. In middle age, the dress should be of richer materials, and more splendid in character. In the decline ©f life, the ma- terial may be rich, but the colors should be subdued, and the whole costume simple, quiet, and dignified. Nothing can be more mistaken than a passion for what is called " finery." "A persons manner," says Shenstone, "is never easy whilst he feels a consciousness that he is fine. The young THE SCIENCE OR ART OF DRESSING WELL. 77 farmer, considered in some lights, appears genteel ; but it is not when he is dressed on Sundays, with a large nosegay in his bosom . it is when he is reaping, making hay, or when he is hedging in his burden frock, — it is then he acts with ease, and thinks him- self equal to his apparel." Dress should never appear the effect of too much study or ap- plication. "When the labor to produce the effect is seen in a marked manner, the wearer is a fop. A man's dress, in the former part of his life, should tend to set off his person, rather than to express riches or rank. In the latter, the reverse. Shakespere, whose authority on almost every point is of the highest value, gives the following terse and concise rule for style and quality of dress, from the mouth of a wise counsellor and courtier — " Costly thy habit, as thy purso can "buy, But not expressed in fancy ; rich, not gaudy." Nothing is more distinctive of a vulgar mind; than finerytout of place, or ignorantly chosen. Therefore, the habit is to be cost- ly "as thy purse can buy," that is, as one can afford, but not gaudy or remarkable, A man of a moderate and denned income, is not only guilty of folly, but also of dishonesty, if he wears finer and more expen- sive clothes than he can afford. Although far from recommend- ing a distinctive dress for each class — the age being too far ad- vanced for that barbarism — yet we would particularly caution the poor man from aping, beyond his means, the dress of the rich. Foppery is not confined to the youth of man, but also extends itself to that of nations. No fops or dandies of Paris, or London, are more particular about their dress, than the Sioux Indian about the disposition and brilliancy of his war-paint ; so both ancient and modern travelers assure us. Foppery may therefore be taken as a sure sign of weakness or vacuity of mind. " We cannot," says Chesterfield, M help forming some opinion of a man's sense and character, from his dress. All affectation in dress implies a flaw of the understanding. Men of sense care- fully avoid any particular character in their dress ; they are ac- curately clean for their own sake, but all the rest is for the sake of other people." 78 THE SCIENCE OB ART OF DRESSING WELL. A man should dress in the same style as the society in which ho moves. If he dress more than they, he is a fop ; if he dress less, he is unpardonably negligent. "Of the two," says Ches- terfield, "a young fellow should be rather too much than too lit- tle dressed; the excess of that side will wear off with a little age and reflection." Women are the best judges of men's dress, and generally men (of sense) of women's. A negligence of dress is an impertinence which society will not tolerate. When once dressed for the day, we should think no more of it afterwards ; and, without any stiffness for fear of discomposing that dress, we should be as easy and natural as if we had no clothes on at all. Lastly, the end of dressing is to be considered not to be the foolish adornment of the body, for the purpose of vanity or dis- play of greater riches than our neighbors possess. It has for its purpose our defence against the elements, and the inclemencies the seasons, and our comforts. It is capable of much beauty, and also of the elevation of the mind even, when properly used. The dignified dress of a Portia, or a Lucretia, must always have been widely distinguished from that of a Lais or a Phryne. Of old times the philosopher was distinguished by his cloak and beard, the warrior by his martial surcoat, the senator and the citizen by their toga and flowing mantles. With us these dis- tinctions, injurious to Christianity and subversive of brotherly unity, have been done away with, and to a large extent we ail dress alike. Let it therefore be our care, since that alone re- mains for us, to express that outwardly in our garments, which we should wear inwardly in our minds, — calmness, gentleness, and quiet feeling, mixed with no violent contrasts or foolish fan- cies. Let us as m en be manly ; as women, be womanly and grace- ful, let each garment be suitable to its purpose, and when we have achieved this, let us rest satisfied that our actions do not belie our dress, and then we shall have attained that which so many strive after, and be attired as Ladies and Gentlemen. THE SCIENCE OR ART OF DRESSING WELL. 79 HOW TO ACQUIRE THE PROPER AND GRACEFUL CARRIAGE OF THE PERSON. If it be true, as Lord Bacon tells us, that the principal part of beauty consists in graceful motion and carriage of the person, it is certainly worth attention to ascertain the best methods of attaining a graceful and becoming air, gait, and deportment. Even all the value and interest that intellectual attainments and the most consummate beauty can impart to character are in- calculably heightened by ease and gracefulness of deportment ; but how often are the most consummate attractions marked by an awkward and an inelegant deportment : a want of graceful ease of movement and manner. A severe air and a haughty or majestic demeanor injure the effect of womanly beauty. Lucian represents the God of Love frightened at the masculine air of Minerva. Consistent disposition or deportment of the person is at least as important to the concerns of life as consistency and propriety of language ; indeed, it is more than questionable whether the former has not been found more generally successful in making favorable impressions : a well regulated, pleasing, and interest- ing gesticulation and demeanor tending to accomplish suddenly what would require time and a more intimate acquaintance to effect by the medium or intervention of language. But the first thing to be considered, in endeavoring to acquire the best disposition in the deportment or carriage of the person, is the original intention and bias of Nature in the conformation and pliancy of the form : " First follow Mature, and your judgment frame, "By her just standard, which is still the same." Each style of personal beauty has a distinct character : the deportment and carriage must therefore be adapted and bear af- finity to the character of the form and figure. The air and de- meanor becoming a "Woman of delicate proportions — of a nymph- like ethereal form, and in the spring of life, would ill-become a woman in the meridian of life — of a dignified and majestic mien, and of large propoitions. In ancient sculpture and painting, the forms and proportions of the features and the gesture and carriage differ according to the character represented and the 80 THE SCIENCE OR ART OF DRESSING WELL. emotion wished to be excited. The form and proportions in the features of Juno, and her bearing and demeanor, are very differ- ent from those of Venus ; those of Minerva from those of Diana ; those of Niobe from those of the Graces. All, however, are beautiful, because they are all adapted with exquisite taste to the character the artists wished the countenance to express. Beauties of an undetermined character must regulate their deportment according to the rules of good taste and the peculiarity of their figures. Another rule of importance to be observed is, that the carriage or deportment should not be overcharged ; for as simplicity is the perfection of dressing, and the opposite style causes a de- traction from personal appearance, so it is in the case of the car- riage and demeanor. Neither should the deportment be stiff or constrained ; the most graceful motions are of a flexible undu- lating description. The gracefulness of the serpentine and curved line of motion is well illustrated in the following line of Shak- speare, the poet of the finest taste in female charms . ''"WTien you dance, I wish you aware o' the sea." . Indispensable to the Success of the Public SpeaKer and Debater. Klocution Made Easy. This is a book that cannot bo too highly recommended to those who are ambitious to appear in public, whether in the Legislature, Church, Town Meeting, Lecture Room, Lodge, or Social and Festive Occasions. It is just the book needed by the young beginner, being a reliable guide to guard him from errors and false habits, and point out the best and proper methods to attain a good delivery, with ease, elegance, and fluency of speech. Among the matters treated of are the following; How to acquire the Orotund. The Guttural and Aspirate Qualities* Management of the Mouth and Nose. Practicing the Voice, Loudnessi Diet. Management of the Breath. Parsing, Pitch. Time or Movement. Articulation. Stammering and Stuttering, Pronunciation, the Aspirate. Letter B, Accent, Emphasis. Tone, Blank Verse. Rhymed Verse. Dramatic Beading. Action. Facial Expression. Silent Practice. Recitation, Imitation. AH that is necessary for teaching any one to become a proficient orator is plainly and clearly expressed. PRICE-20 CENTS. MANNERS MAKE THE MAN." Bashfulness Cured. EASE AND ELEGANCE OP MANNER QUICKLY GAINED. A book thousands of our young men will welcome with joy. It tells them just what they want to know: That diffidence — that peace-destroying want of confidence — that bo annoys them, can now be removed. This work will enable them to appear with advantage to the fair sex at all times and under all circumstances. It tells how to overcome natural diffidence. It tells how to cure bashfulness in all its forms, whether caused by lack of education, ignorance of the ways of society, ill dress, or ill health. It tells how to acquire elegance and fluency of expression; Ease and polish of manner ; A graceful, pleasing, and dignified bearing; A handsome and well-developed chest; A deep, rich voice; It tells how to dress cheaply and elegantly. How to be attractive by attention to personal habits. How to please greatly, by delicate flattery of eye and manner. How to easily train, brighten, and sharpen the intellect. How to be well informed and well cultivated. How to be popular with the ladies. Also, to the debilitated it tells what to use to become strong and vigorous. PRICE, ONLY 20 CENTS. Sent to any address on receipt of price. 91 A MAN'S MAXNFES MAKE HIS FOKTTTmE» THE HANDBOOK OF GOOD MANNERS. No work yet issued presents in so clear and intelligible a manner tne whole philosophy of etiquette. As its name implies, it is a Complete Handbook on all matters relating to behavior, and a guide in everything appertaining to so- cial intercourse of every kind or form. Ajsang the matters treated of are — DRESS, INTRODUCTIONS, CARDS, SHAKING- HANDS, # LETTERS AND PRESENTS, CONVERSATION, MORNING CALLS, DINNER, CARVING, BAZXS AND EVENING PARTIES, LOVE, COURTSHIP, AND MARRIAGE, RIDING AND DRIVING, THE PROMENADE, PUBLIC MEETINGS, PICNICS, BOATING, STAYING WITH FRIENDS, HINTS, &c, &c. With this book, no one need be at a loss how to act in any emergency that may arise, or hesitate to enter into any society without being subject to confusion or discomfort. Price, 20 Cents. Sent to any address on receipt of pric*. HOW TO WETH ' ELES1I 0E MB EASE. A valuable little Manual for the use of Headers, Writers, and Talkers. It shows the most prevalent errors that the inexperienced fall into. The ex- amples are made extremely plain and clear. In every case the correct forms are given It should be the companion of every person, young or old, who desires to Speak, Write, or Read with Precision and Correctness. PRICK 15 GENTS. HOW TO PRONOUNCE DIFFICULT WORDS. There are few persons who have not, at times, been in doubt respecting the true pronunciation of a word they desired to use. Even those who have had the advantages of a liberal education are frequently confused and con- founded by uncertainty ot the correct sounding of words they need to express their views. This uncertainty can now be avoided. By the aid of this book the hardest words or most difficult terms in the English language can be pro- nounced with absolute ease and accuracy. It contains also much useful in- formation relating to the choice of words, and gives rules for pronouncing French, Italian, German, Russian, Danish, Norwegian, and other foreign words that are constantly occurring in the current literature of the day. PUICE 15 LEVI'S. SLANG AMD VULGAR PHRASES AND FORMS. A COLLECTION OF Objectional Words, Inaccurate Terms, ISarbarisnis.? Col- loquiums, Quaint- Expressions, Cant Phrases, Provincialisms, Perversions and I?I is application of Terms, As used in the various States of the Union. As a Dictionary of local peculiarities and State idiosyncrasies it is a curi- osity, and deserves 'a place in every library. The whole collection is arranged, explained and corrected. PRICE 15 CENTS. *r^=» flfen* by mail, to any address, on receipt of price. A SURE GUIDE TO AUTHORSHIP ! KEY TO COMPOSITION ; OR, HOW TO WRITE A BOOK. As the title indicates, this book is A COMPLETE GUK>E TO AUTHORSHIP, AND PRACTICAL INSTRUCTOR %N ALL KINDS OF LITERARY LABOR. Books heretofore published on these matters have taken it for granted that the learner has had some knowledge of the essentials of composition, and have given advice and instructions suitable only to those of some experi- ence in Literary Composition. Other works have entirely neglected to give any Information Eclating 1 to Publishing, Proof-Reading 1 , and other important matters relating to the getting up of books and placing them before the public. This book has carefully avoided these errors. It presumes, at the commencement, that the literary aspirant is totally ignorant of the construction of a composition, and commences at the first rudiments of the art, taking the learner from the construction of the most simple sentences gradually, but surely, to The Most Elaborate Composition, suitable fo* the highest kind of literary effort. The information given regard- ing Publishing, and the COUNSELS TO YOUNG AUTHORS, is valuable, and has never been given to the public before. As an Aid and In- structor to those who desire to follow literary pursuits permanently for profit, or to those who write for recreation and pleasure, the book is indispensable. PRICE 30 CENTS. Sent by mail, to any address, on receipt of price. The Most Desirable Work for Home Amusement Yet Issued. TRICKS AND DIVERSIONS WITH CARDS, An entirely New Work, containing all the Tricks and Deceptions -with Cards ever invented, including the latest Tricks of the most celebrated Conjurors. Magicians, and Prestidigitators, popularly explained, simplified, and Adapted for Home Amusement and Social Entertain- ments. To lovers of the marvelous and ingenious this book will be a perpetual source of delight. There are Tricks Performed by Sleight-of-Hand ; Tricks by Mental Calculation; Tricks by Memory; Tricks by the Arrangement of the Cards ; Tricks by the aid of Confederates ; and Tricks Performed by the aid of Mechanical Contrivances; the whole so elucidated that any one can, with a little practice, perform the most difficult feats, to his own satisfaction and to the wonder and admiration of his friends. There is also added A Complete Exposure of all the Card Tricks * MADE USE OF BY PROFESSIONAL CARD-PLAYERS, BLACKLEGS, AND GAMBLERS, to guard the unwary from being cheated by these professional fcharpers. It contains also THE AKT OF FORTUNE TELLING BY CARDS. These features make it the best work ever published on Card Tricks. It is handsomely gotten up, and illustrated witi- nu- merous engravings. PRICE— THIRTY CENTS. Sent by mail to any address on receipt of price. Hand-Book of Business, AND Complete Guide to ail Kinds and Forms of Commercial an&'ider* cantile Transactions, including a Dictionary of all the Terms and Technicalities used in Commerce and Business Houses. There are also added many new and valuable methods of finding the cost of merchandise, and getting the correct solution of many matters constantly occurring in trade. Correct legal forms are given of Bills, Deeds, Notes, Drafts, Cheques, Agreements, Receipts, Contracts, and other instruments of writing constantly necessary to every one, no matter in what calling he follows. Not only does it tell how to do Business, but it is a complete Book of Legal Knowledge. Its use will save many a dollar in lawyers' fees, and save much uncertainty and embarrassment to all who have occasion to give or receive any article of writing. "What the book tells : It tells How to do Business-How to Conduct Mercantile Transactions oy Sea or Land, at Home or in Foreign Countries— How to Keep a Bank Account-How to make out Notes of all Ki uds— Slow to Write an Agree- ment—How to Draw up Articles of Copartnership- How to Write a Bond-How to find out Profit and Loss on Goods-How to Make Out a Deed-llow to Mark Goods (Private)— How to Write a Contract for Building*— How to Write a Lease for Lands or Goods —How to Make Reports for all Kinds of Associations' Concerns and Business. The book is indispensable to everybody, including— • Agents, Clerks, Lawyers. Peddlers, Book-Keepers, Assessors. Farmers, Merchants, Magistrates. Mechanics, Storekeepers, Brokers. Justices of the Peace. Laborers, Etc,, etc. All will find matter especially suited and needed by them. To the young man desirous of bettering his condition in life by engaging- in merchandise, this book is worth its weight in gold. It is just what he needs. Its instruc- tions will enable him to become proficient in the language of mercantile men, and also render him thoroughly competent to perform any duties that may de- volve upon him in the Banking House, the Store, or the Office. PRICE 25 CENTS. Sent ly mail, to any address, on receipt of price. The Book of Knowledge, AND Sure Quid© to Rapid Wealth. Fortunes are made every day by the manufacturing and selling of some of the articles here given. Directions are given for making all kinds of Cosmetics, Lotions, Ointments, Patent Medicines, Soaps, Cements, etc. The secrets used by Metal workers, how to make Gold, Silver and the various precious stones, with many practical directions for working and using the commoner metals. The secrets of the Liquor trade are fully detailed, and the choicest receipts and formulas are given for the making of different kinds of liquors, including the new method of making Cider without Apples, all without the use of poisons or poisonous drugs. It is arranged and divided into departments for the use of Liquor Dealers, The Household, Druggists, Confectioners, Manufacturers, Hunters & Trappers, Farmers, Perfumers, Medical Men, Artists. No one, whatever be his position in life, can fail to find some- thing in this book that will repay a hundredfold its price. Many of the receipts have been advertised and sold for sums ranging from 25 cents to ten dollars. We send the whole book, postage free, for 23 cents. Singing Made Easy. This book shows how any one with an ordinary voice con, by proper management, as here indicated, become proficient in singing. It«explains the pure Italian method of producing and cultivating the voice, the management of the breath and voice organs, the best way of improving the ear, how to sing a ballad, with much other valuable information equally useful to Profes- sional Singers and Amateurs. Price 20 cents. RIDDLES, CONUNDRUMS AND PUZZLES. The choicest, newest and best collection of Riddles, Conun- drums, Charades, Enigmas, Anagrams, Kebusses, Transpositions, Puzzles, Problems, Paradoxes and other entertaining matter, ever published. Here is Fun for the Mirthful, Food for the Curious, and Matter for the Thoughtful. Price 20 cents. GRAMMAR MADE EASI A VERY INTERESTING BOOK On c a Proverbially Drj and Uninteresting Sub] act. The author has, with a tact and skill which shows hira to be a thorough master of the subject, stripped the language of all unnecessary \ erbjage and gone right to the point, and used such matter only that is absolutely needed. It is, in fact, the golden grains of Grammar, sifted from the" useless mass of chaff that it is usually invested with. The book is especially adapted for those who have arrived to years of understanding but who have never had the op- portunity of acquiring grammatical knowledge, and also for those who have, in early years, had some knowledge of it, but who have neglected or forgotten to practice it. By a perusal of this small manual, a person gets, with small effort, that which takes with the ordinary Grammars now m use, months of dry, tedious drudgery to get anything like a fair knowledge of the .English language. It is a complete Manual of Instruction for Correct Speaking, Writing, and Spelling, ior Adults. PRICE 20 CENTS. HOW TO BE AI ORATOR. At no period of our country's history was public speaking more in demand than at the present time. The speaker everywhere i3 welcomed, and his call- ing honored. A man, however extensive his knowledge, or brilliant his at- tainments, if he lias not the power of communicating them in public, is doomed to mediocrity, and oft-times obscurity, whilst a man wfth moderate attainments, who has cultivated the art of public speaking, will always be a man of influence, and looked upon as an authority* on any point at issue. New questions are arising every day, relating to Politics, Social and Sanitary matters and morals, which, unless their true meaning and importance are placed before the people, will cause much trouble in the future, and even threaten the safety of our republican institutions. The Book gives complete directions for composing a speech, illustrated bythe various kinds of oratory. It should be in the hands of every person who is desirous of becoming profit cient in the supremely useful and noble art of oratory. COITTEITTS Importance of the Orator-Powerof tlie Orator— Vara ovs Kinds of Oratory— Prepared. Speech— Constructing a Speech— Short Speeches- Command of Eang-ua?re— Steading and Thanking*— Style— Hasty Composition —Forming" a Style— Copiousness aaad Precisene&s— Diction and Specific Terms— Variety of Eangruug-e — Too Great Care Aboftt Words— Epithets— Precision —Synonyms— Perspicuity— Eongraaid Short Sentences —Tropes and Figures— Metaphor— Simile, etc., etc- The instruction given will enable any one to appear with dignity an/ dis- tinction before any audience. PRICE 15 CENTS. Sent by mail, to any address, en receipt of price. The only Book Published that really teaches the Art of Magic. THE MAGICIAN'S GUIDE; OR, CONJURING- MADE EASY. Numerous books have been published professing to teach the Art of Magic, but without exception they have proved a delusion, being merely a compilation of disconnected experiments, often to the discouragtment and disgust of the aspirant. This work is written by a celebrated Magician, prompted with the honest desire to instruct those who wish to be initiated in the depths and mysteries of his art. In this he has been eminently successful. By a series of lessons, aided by illustrations, he has thoroughly explained and elucidated the principles of the science, and takes the learner through the whole field of MAGIC, LEGERDEMAIN, and PRESTIDIGITATION, INCLUDING TRICKS IN Galvanism, Magnetism, and Electricity. It gives also full and explicit directions for conducting an evening's entertain- ment, with a series of tricks and performances especially adapted for the amateur. Any one who desires to be the sought and honored guest at every party, amusement, or entertainment, should not fail to possess this book, by which he can become in a short time as marvelous and mysterious as any of the great magicians and conjurors of the day. Illustrated by Many First-Class Engravings, PR8CE-25 CEMTS. THE BLACK ART EXPOSED! THE GREAT CHINESE WIZARD'S HAND-BOOK OF MAGIC, A BOOK OF WONDERS AND MYSTERIES UNVEILED. It tells how to perform the most wonderful tricks, experiments and feats that have always and will ever continue to excite wonder, admiration, and awe in those who behold them. Among the wonders disclosed is the celebrated trick, never before published, viz : "How to Swallow an Unlimited Number of Needles and Thread," as performed by TUSANG, the great Chinese Ma- gician. Also, the most celebrated tricks and arts as practiced by the most wonderful Magicians, Enchanters, and Conjurors of the day. This work ex- hibits the Wonders of Nature Magic Wonders of Coin-handlingWonders of Sleight of hand Wonders of Chemistry Wonders of White Magic Wonders of Jugglery Wonders of Electricity Wonders of Galvanism Wonders of Mechanics Card Manipulation Wonders of Magnetism Wonders of Figures Wonders of Legerdemain. All adapted and explained for the amusement and delight of the homo circle. It also contains THE ART OF MAKING FIREWORKS. Printed on good paper, in a handsome illuminated cover. PR8CE-20 CENTS. Sent by mail to any addross on receipt of price. Indispensable to the Success of the Public Speaker and Debater. m Klocution Made Kasy. This is a book that cannot bo too highly recommended to those who are ambitious to appear iu public, whether in the Legislature, Church, Town Meeting, Lecture Room, Lodge, or Social and Festive Occasions. It is just the book needed by the young beginner, being a reliable guide to guard him from errors and false habits, and point out the best and proper methods t attaiu a good delivery, with ease, elegance, and fluency of speech. Among the matters treated of are the following; How to acquire the Orotund. Th8 Guttural and Aspirate Qualities. Management of the Mouth and Nose, Practicing the Voice, Loudness, Diet. Management of the Breath. Parsing, Pitch. Time or Movement. Articulation. Stammering and Stuttering, Pronunciation, the Aspirate, Letter B, Accent, Emphasis. Tone> Blank Verse. Rhymed Verse, Dramatic Reading, Action. Facial Expression. Silent Practice. Recitation, Imitation, All that is necessary for teaching any one to become a proficient orator is plainly and cleariy expressed. PRSCE-20 CEBITS. JL^i "MANNERS MAKE THE MAN." Bashfulness Cured. EASE AND ELEGANCE OF MANNER QUICKLY GAINED. A book thousands of our young men will welcome with joy. It tells them just wh^it they want to know: That diffidence — that peace-destroying want of confidence— that so annoys them, can now be removed. This work will enable them to appear with advantago to the fair sex at all times and under all circumstances. It tel\3 how to overcome natural diffidence. It tells how to cure bashfulness in ail its forms, whether caused by lack of education, ignorance of the ways of society, ill dress, or ill health. It tells how to acquire elegance and fluency of expression; Ease and polish of manner ; A graceful, pleasing, and dignified bearing; A handsome and well-developed chest; A deep, rich voice ; It tells how to dress cheaply and elegantly. How to be attractive by attention to personal habits. How to please greatly, by delicate flattery of eye and manner. How to easily train, brighten, and sharpen the intellect. How to bo well informed and well cultivated. How to be popular with the ladies. Also, to the debilitated it tells what to use to become strong and vigorous. PRSCE, OftSLY 20 CEMTS. Sent to any address on receipt of price. A DOLLAR BOOK FOB TWENTY CENTS. OF , FICTIOI, AID MIME A RARE TREAT FOR Lovers of the Romantic, the Marvellous, and the Astounding Each one is full of absorbing interest. There is not a dull or ineipid line in the whole five books. Every page gleams -with incidents of love and pas- sion, showing some of the highest aud grandest qualities of the human soul ; exhibiting also some of its worst and most degraded conditions. The scenes and characters are animated and varied. Wonderful exploits are narrated both on land and water ; the terrifically grand though deadly battle strife on the ocean are described, as well as the more peaceful adventures among moun- tains, lakes, and rivers. PRICE 20 CENTS EACH. No. 1. TERENCE TIERNEY , ADMIRAL This work, by the celebrated HANOI, has received the endorsement of both press and people as the best delineation of Irish character, in its brighter phases, ever published. We know this is saying a great deal, but we are backed in the assertion by over 30,000 intelligent readers, who have bought and read the work. Keep the ball rolling, until 100,000 hearts will be made glad, and 100,000 mouths will expand in hearty guffaws over the pages of *'Ould Terence Tierney." . ... THE CABIN BOY: A TALE OF THE WIDE OCEAN. BY CAPTAIN L. C. KINGSTON. Since the advent of *' Hobinson Crusoe," we will venture to say that no more startling narrative has been issued from the press than this Tale of the Wide Ocean, by a well-known and highly popular author. From the first leaf to the last, incident, adventure, and tun crowd each other so rapidly, and yet so naturally, that it is impossible, once you have dipped into its pages, to put it aside until you have followed the fortunes of its principal characters to the end. It would be impossible to give 'a synopsis of this gem of stories, from the fact that it is so wonderfully condensed that there is not a line in the entire one hundred pages which could be dispensed with. It is charming, fresh, and vigorous, and written only as an old salt could write. Sent by matt, to any address, on receipt of prices. No. 3. THE PEEP O'DAY BOYS; Or, Wild Life on the Mountains BY M. BANIM. To those who have been so fortunate as to secure the first number of £his series—and their name is legion— the mere announcement of Banim's name, as the author of this story, will be a sufficient inducement to them to purchase and read it. Banim's stories require no puffery or elaborate advertising to in- troduce them to the public notice— tbay carry a convincing weight in them- selves, and charm the reader no less by their startling situations and thrilling episodes — always true to nature, however — than by the tissue of quiet humor, artistically woven through even the darker lines of his productions. In this he has excelled himself. Every page teems with fun, fights, and frolic of such a character as none but the light hearted sons of Erin can indulge in. Whoever fails to read the " Peep O'Day Boys," will miss a great literary luxury. No. 4. CAPTAIN DOE, The Mountain Chief. BY JOHN BANIM. This is a novel which for entrancing interest has never been surpassed. The thrilling incidents and romantic adventures, the heroic deeds and das- tardly actions, interspersed with some tender love scenes, show a keen insight into the Irish character. The marvellous adventures of Captain Doe, at once the terror and pride of the mountains, are detailed in Banim's most charming language. By all means get this book. No. 5. • Clerk Barfon's Crime; Or, THE MYSTERIES OF A NIGHT. A Tale of New York Life, High and Low. BY STEELE PENN. In an experience of over twenty-five years as reader for the weekly press, and gleaner of manuscripts for eminent publishing houses, the writer of this announcement honestly asserts that no story equal in power and originality to Clebk Barton's Chime has ever passed through his hands. The plot is well laid, and our hero carried through numberless striking scenes, exemplifying the old adage that " True love never did run smooth." There are mysteries of this great city exposed that, to those who are unacquainted with city life, would never dream of such things existing. Bemember, these are all new books, by well-known talented authors, men who have made themselves a name and reputation in the world of letters. They are the efforts of gifted writers, " tried and true." For 20 Cents you can procure a book worth one dollar, both as regards quality an quantity. - Sent by mail, to any address, on receipt of price. The Best "Work ca th3 Horse Ever Published. THE HORSE-OWNER'S GUIDE, AND COMPLETE HOUSE-DOCTOK. This is a book that should be in the hands of every one who owns, works, or cares for a horse. It is a book that is needed — simple, concise, comprehensive, reliable, and practical — giving the fullest and best information on all matters that relate to this useful animal. Among its contents may be mentioned ; How to Select and Purchase a Horse. Stable Management. Condition. General Arrangement of Stables. Simple Rules for Shoeing. Management of the Fest cf Horses. Causes of Disease, and it3 Prevention. Breaking and Training of Horses. Physiology of the Horse. Breeding. Care of Sucking Colts. The Mare for a Farmer. Diseases of Horses, Etc., Etc., Etc. In preparing this work, the writer has provided for every pos- sible exigency that may occur in the horse's career. The part devoted to the Diseases of the Horse is especially worthy of admiration, from its clearness, pointedness, and absence of un- necessary technicalities. More practical knowledge can be ob- tained oi' the anatomical structure, the cause and cure of dis- ease, and the laws that govern and regulate health, by an hour's study, than months of reading through a dozen volumes, each costing three times the price of this. The book is handsomely printed on good paper, illustrated with two very fine double-page engravings, representing the points of a horse and the diseases of the horse. PRICE— FIFTY CENTS. Sent by mail to any address on receipt of prioe. THE AMATEffB PAINTER. A MANUAL OP INSTTJCTION IN THE ARTS OP PAINTING, VARNISHING, AND GILDING "With plain Rules for the practice of every department of House and Sign Painting. Colors, and How to Mix Them— Compound Colors— Oils— Varnishes— Polishes —Gilding Materials— Miscellaneous Materials — Grinding and "Washing Colors — Cleanliness in Working— Practice of Painting — Practice of Varn- ishing and Polishing — Practice of Gilding— Instructions of Sign "Writing —Harmony of Colors— Birds-Eye Maple in Distemper— Satin Wood— Ma- hogany in Distemper— Mahogany in Oil— Rose W^ood. This book is thorough in detail in every branch of Painting. By its aid every man can become his own Painter, in whatever kind of work he desires to undertake. Price 25 Cents, THE AM ATEUR PRINTER. A work that should be in the hands of every one who desires to know anything about the art of Printing. It gives full instructions in all matters relating to the Setting of Type, enabling any one to become a proficient Printer. Fully Illustrated, rrice 25 Centi, THE ART~Q F VEfT JILOqUIgM. Containing simple and full directions by which any one can acquire this amusing art. With numerous examples for practice. Also, instructions for making the Ma^ic Whistle, for imitating birds, animals, and peculiar sounds of various kinds. Any boy who wishes to obtain an art by which he can develop a wonderful amount of astonishment, mystery and fun, should learn Ventriloquism, as he easily can, by following the simple secrets given in this book. The Magic Whistle is the same as is widely advertised and sold for Twenty-five Cents, while we will mail the book and method of making the Magic Whistle for only 1 5 Cents# ORACULUM AND COMPLET E BOOK OF FATE. This is the celebrated Oracle of Human Destiny consulted by Napoleon the First previous to any of his undertakings, and by which he was so success- ful in war, business and love. It is the only authentic and complete copy ex- tant, being translated into English from a German translation of an ancient Egyptian manuscript, found in 1801, by M. Sonnini, in one of the royal tombs near Mount Lybicus, in Upper Egypt. A curious work. Mailed for 15 Cts. THE COMPLETE Fortune-Teller and Dream Book. This book contains a Complete Dictionary of dreams alphabetically ar- ranged, with a clear interpretation of each dream, and the Lucky Numbers that belong to it. It includes Palmistry, or Telling Fortunes by the Lines of the Hand ; Fortune-Tellmg by the Grounds in a Tea or Coffee Cup ; How to Read your Future Life by the White of an Egg ; tells How to Know who your Future Husband will be, and how Soon You will be Married ; Fortune-Telling by Cards; Hymen's Lottery; Good and Bad Omens. Mailed for 15 Cents, HOW TO TALK AND DEBATE. A really valuable book, and one that every man anS woman, boy and girl, ■ihould possess. Mailed for 1 5 Cents. An Invaluable Work on Practical rnd Amateur Taxidermy. THE TAXIDERMIST'S GUIDE; OR, THE ART OF COLLECTING, PREPARING, MOUNTING, AND PRESERVING ALL KINDS OF ANIMALS, BIRDS FISHES, REPTILES, INSECTS, Etc. This is a truly valuable and indispensable work for the use of the Naturalist, Traveler, and Amateur, or any one who delights in observing the interesting and multifarious products of Na- ture. It gives plain directions for skinning, stuffing and mount- ing all animals, from a mouse to an elephant. Also how to Catch, Skin, Preserve, and Mount all kinds of Birds, both land and water. Also The Best Method of Preserving Birds' Nests and Eggs. IT TEACHES THE ART OF SKINNING, PRESERVING, AND SETTING UP REP- TILES, FISHES, AND MOLLUSCOUS ANIMALS, including Tortoises, Turtles, Crocodiles, Lizards, Serpents of all kinds, Frogs, and Toads. It also gives the best methods of Col- lecting, Preserving, and Polishing all kinds of Land, Marine and Fresh Water Shells ; the art of Breeding and Bearing Insects, and Preparing Skeletons, including a number of the best receipts used by the most emi- nent Taxidermists of Europe for various articles used in the preservation and setting up of animals. Illustrated by Many Pirst-Olass Engravings. PRICE— 30 CENTS. Sent by mail to any address on receipt of price. / THE BEST WORK ON DOMESTIC MEDICINE EVER GIVEN T3 THE WORLD. OUR Q X7C 1ST FAMILY DOOTOE, AND COMPLETE MEDICAL ADVISER. Containing every known fact that can PROMOTE HEALTH, CURE DISEASE and PROLONG LIFE. "We claim — nay, we are certain, that we can present you with a Book, that will prevent your falling into ill Health, if you are now well; ond restore you to entire Health, if unfortunately Disease lias already fixed, her Tangs into your system. There is nothing per- taining to the body but what is explained and laid bare, so that the most illiterate can easily understand every line. There is not an Ailment whether a slight headache or a raging fever — "that flesh is heir to" — but what is treated of in a plain but philo- sophical manner ; the CAUSES are clearly traced— the CURE as plainly indicated. THE SKIN. •' An immense amount of advice is given in the portion of this work that is devoted to an exposition of the nature, qualities and action of the SKIN, in health and disease. Every important point in relation to all and every disease that the epidermis is liable to, will be found fully and clearly explained here. THE HEAD, BRAIN AND NERTES. Unusual pains have been taken by the author, to lay before the intel- ligent reader, every item of information that the faculty is in possession of, in regard to the formation, the use, and the abuse of this noble portion of the human body. THE EYE. It is of immense importance that each person in the world should be able to "see for himself," how the organs of vision are constructed, what their powers are, what their defects, and how these powers can be preserved, and these defects repaired. Accordingly, in this work, we furnish the reader with all the information known to the best instructed oculists of the present day. THE EAR. The Ears possess much beauty naturally and can bo improved some in appearance, by care and attention. They are subject to many diseases, near- ly all of which are susceptible of alleviation, some of them of complete cure. This work goes thoroughly into the subject of the various complaints, and their cures. THE NOSE. Nothing makes or mars <: the human face divine'' so much as the beauty or deformity of the NOSE. But apart from the appearanceof this feature, it has important functions to perform in the human economy. It is a great auxiliary to the mouth, in the act of respiration, and contributes largely to our pleasure by giving us the faculty of smelling. Nothing is so offensive as many complaints to which the nasal organs are liable. But, fortunately nearly everyone of these complaints CAN be cured, and this book shows how. THE FACE, LIPS, MOUTH, JAWS, TEETH and GUMS. How absolutely necessary that everything appertaining to the face should be carefully studied aud closely examined. While the external appearanco of each organ should be a subject of care and attention, still greater care and attention should be bestowed upon the insidious diseases that so often cor- rode the teeth, canker the mouth, chap the lips, and render the breath — which should be scented ' 'like new-mown hay" — foul and offensive to all who come in contact with it. THE THROAT, NECK and WINDPIPE. Probably one-third of the deaths, in the United States are occasioned, di- rectly or indirectly, by diseases of respiratory organs. A slight hoarseness, or soreness of the throat or nostrils, occasions a little uneasiness; but these are too often the avant couriers of bronchitis, dyptheria or consumption. A careful study of this division of " Our Own Family Doctor " will enable tho OUR OWN FAMILY DOCTOR— Continued. 2 reader to at once arrest tlie progress of these insidious ministers of death. We do not only show the Disease, but we disclose the Cures. THE LUNGS. Nothing upon the face of the earth so well repays investigation as the Lungs. Upon the more or less perfect manner in which they perform their duties, depends whether life is a source of happiness or misery, a curse or a blessing. Hence the necessity of warding off disease, if possible, and repairing its dire and often rapid ravages, when once it has become seated. In this work, wo have given much space and great attention to this branch of physiology and anatomy. THE HEART. HEART DISEASE is, unfortunately, dreadfully prevalent in our country. Not a little of its frequency is to be attributed to the fact that so few really understand the nature and intent of the heart's action. But, after reading what this work has to say upon the subject of the formation, actiona and functions of the HEART, no one can remain without a thorough knowledge of the grand part performed dy this divine piece of machinery. Iti3 to the body, what the sun is to our universe, the source of heat and life. THE ABDOMINAL CATITY. Of course no person can guard against inflammations, colics, and the varied complaints caused to these organs by colds, bad or illy cooked food, unless he or she thoroughly understands the formation and duties to be performed by the various organs situated in the Abdominal Cavity. THE URINARY and GENITAL ORGANS. Upon the healthy working of these very important organs, depend not only the existence- of life, but much of its pleasures. Consequently there has been the most careful digest made of the opinions of all the great au- thorities ; and every alleviative or remedial measure is clearly explained. THE GENERAL SYSTEM. To gain a full and perfect acquaintance with the form and structure of the human body, is a prime necessity to every intelligent individual. It has been the aim in this portion of "Our Own Family Physician," to describe every part of the GEJVERAIi SYSTEM, that persons of both sexes and every condition of health may easily understand for themselves the first insidious approaches of disease of any and every kind. DISEASES OF WOM^N. "In pain and sorrow shalt thou bring forth children." Since this mandate was uttered, terrible, indeed, have been the sufferings of woman, and the greatest minds have devoted years of study in earnest endeavors to alleviate and lessen these intense pains. Other, and numerous, ills combine to rob woman's cheek of its bloom, and her heart of happiness. "Our Own Family Doctor" goes thoroughly into an examination of every species of disease that afflicts girlhood and womanhood. CHILDREN AND THEIR CARE. In this division of "Our Own Family Doctor," are given clear, concise* plain directions for the management of infants, from the moment that they draw their first breath. Nothing is omitted that can possibly enlighten and inform the mother or the nurse as to the prompt and right method of pro- ceeding in every possible emergency. DISEASES OF CHILDREN. From whatever causes, it is, unfortunately, but too true, that our country —blessed in so many ways— is not a fortunate one for babes. That much of the mortality is preventable is known, well known, and it is the design of this section of "Our Own Family Physician," to teach those having the care of children, how they can bring them up free from illness or deformity; or, if negligence or ignorance have already sown the dreadful seeds of sickness or malformation, it is our mission to cure the one and counteract the other. ACCIDENTS AND EMERGENCIES. . Hovr to Treat Them at a Moment's Notice. These are events occurring daily, nay almost hourly, in every family, that «' '1 for instant and efficient precautions cr remedies to prevent very injur- ious, if not fatal, consequences. In the portion cf this book devoted to thi.* OUR OWN FAMILY DOCTOR— Continued. 3 class of cases, will be found the fullest and most reliable information that has ever been collected. It includes everything relating to prompt and effi- cient action. HYGIENE. Instructions to Preserve Health, Vigor, and Ensure Long Life. Much of the contents of this division is entirely new. It is hardly too much to say that any individual who promx^tly and persistently follows out the directions given in this invaluable treatise on HYGIENE, may pass from youth to extreme old age, exempt from all the * 'thousand ills which flesh is heir to." YOUTH OF BOTH SEXES. General Observations Regarding the Young, and the Duty of Parents and Guardians. This department is the most important of what we believe to be a very important work. The author has approached the subject here treated of. with a full consciousness of the vital necessity of telling everything in a plain but delicate manner. Very many of the wretched marriages, that lead so often to hasty divorces, are caused by the fact, that neither the husband or wife, have ever been properly trained or instructed as to the duties and rational enjoy- ments of the state into which they had so rashly ventured. Many— alas, how many — of the poor wrecks, mental and physical, that drift through life aim- less, purposeless, miserable, owe all their troubles to the fact, that their nat- ural guardians never took the slightest trouble to warn them of the rocks and whirlpools, that so thickly beset the voyage of life. Habits are contracted during the plastic period of life, that become in after years as firm as marble. If parents and other guardians of the young, of both sexes, will but care- fully read this portion of "Our Own Family Doctor," they will at once see how neglectful of the best interests of their growing families they have been ; at the same time they will learn the most judicious methods of arresting the course of pernicious habits that leads as certainly to destruction and death, as frost leads to ice. FOR THE ESPECIAL PERUSAL. Of Youth of Understanding, as well as for that of Parents and Guardians. It is our aim in this section to open the eyes of both the guardian and the guarded, so that they can clearly see what are the besetting sins of youth; and at the same time learn how to prevent the formation of evil and destruc- tive habits, and how to conquer and cure them. COLDS. How to Avoid and How to Cure. As the mightiest oaks spring from the tiny acorn, and the vast river from the smallest rill, so do the most serious and fatal diseases originate from the slightest cold. Hence the absolute necessity of being able to discover ; by the first symptoms, the nature and extent of the complaint, and the remedies most simple and yet certain to effect a speedy and permanent cure. COMMON QUESTIONS ANSWERED. Eating, Sleeping, Occupations, Baths, The Passions, Dress, Drinking, and Personal Beauty. In this latter department are introduced not only all the well-known recipes and information, but all the very important new discoveries, which have ren- dered the toilet so powerful in increasing female loveliness and beauty. Not only has the Author dwelt at length upon all the greater brandies of the subject, but he has shown the effects, beneficial or hurtful, of man3 r seemingly minor habits and indulgences that go far to make or mar physical health and vigor, and to produce ugliness or beauty of face and form. MISCELLANEOUS. INVALUABLE INFORMATION. Consumption, Cod Liver Oil, Fatty Pood. TAider this heading will be found a vast amount of information, such as could not be otherwise obtained if one were to search through an hundred "wordy" books on medical subjects. The result of all this careful and per- sistent research is rendered into plain common sense, so that any individual can make himself complete master of the whole subject, and takfi the proper means to prevent or arrest that fearful scourge of our race— Consumption. 4 OUR OWN FAMILY DOCTOR— Continued. COOKERY FOR THE SICK ROOM. There will be found plainly set forth the very best method of preparing every kind of appetizing and strength- giving food. INDICATIONS OF DISEASE. This is one of the most vitally important parts of this great book. It shows how the presence of any serious disease may be immediately detected. It is impossible to carefully study this division of our book without becoming qual- ified to decide instanter as to whether the patient is threatened with dropsy, pneumonia, bronchitis, ci oup, apoplexy, mania, delirium tremens, or any other complaint. To have such an infallible monitor in the house is worth ten times more than the price of this work. MEDICINES. Their Preparations and Doses, Prescriptions, Receipts. This portion of the book conveys to the intelligent reader the most approved methods of extracting the active principle of every description of herb, root, gums, minerals, that are employed as remedial or alterative agents. The natures, powers and effects are all set forth ; and the proper doses and modes of prescribing are given so plainly that mistakes are impossible. PRESCRIPTIONS. In this part of the work will be found the most extensive as well as the most correct collection of Prescriptions that have ever been gathered in one volume. This unequalled lot of Prescriptions is taken from the most reliable works devoted to this subject, collected from the recipes of our most cele- brated chemists, or such as have been handed down in families noted for the possession of private recipes that have proved very valuable. BOTANICAL MEDICAL PRACTICE. This section we devote to the exposition of that important branch of the healing art known as the Botanical or Herbal. Certain it is that*many very wonderful cures are daily made by the use of some of the most simple herbs. Any intelligent person knows how useful, how absolutely necessary it is to have a work of this kind in the house. Accidents, Sickness and Death, are constant visitors at every household. This work tells what to do at the instant all through the long catalogue of human accidents and sick- nesses. It is emphatically a medical guide fer the Million. M OUR OWN FAMILY DOCTOR » Is so unique and handsome, that merely as an ornament for a fine book- case or a parlor table, it i« surpassed by no work published. It is printed on fine spotless, glossy, calendered paper, made expressly for it. The Binding is exceedingly fine, noticeable alike for its strength, durability and great beauty ; it contains over 600 large octavo pages, and is illustrated with one hundred and thirty-one engravings, most accurately exe- cuted from Drawiugs of unusual fidelity and excellence. TERMS OF • « OUR OWN FAMILY DOCTOR. " Elegantly Bound in English Cloth, Beveled Boards, S3. 50. " *• Fine Leather, Library Style,. . $4.50. The work is sold exclusively by agents, to whom we offer the most liberal terms, old agents state it is the fastest selling book they ever handled, and with our large inducements, money can be more rapidly made than at any ether thing offered. If an agency is desired, send stamp for our confiden- tial circulars with the towns or county you want. To introduce the book, a. sample copy will be sent postage free to any address on receipt of the price, $3,50. Address, HURST & CO., 746 BROADWAY, N. F. New and Popular Books. Tricks and Diversions with Cards. An entirely new work, containing all the Tricks and Deceptions with Cards ever invented, including the latest tricks of the most celebrated Conjurors, Magi- cians and Prestidigitators, popularly explained, simplified and adapted for Home Amusement and Social Entertainments. They aro so elucidated that any one with a littlo practice, can perform the most difficult tricks, to his own sat- isfaction and to the wonder and admiration of his friends. There is also a com- plete exposuro of all tho Card Tricks made use of by Professional Card Players, Blacklegs and Gamblers. It also contains tho art of Fortune Telling by Cards. Illustrated by many engravings. Price, 30 cents. , The Magician's Guide, or Conjuring Made Easy. A complete Manual of Instruction in the art of Magic, by a celebrated Profes- sional. This book will bo largely sought for by all who desire to becomo ac- quainted with the Mysteries of Magic, and to make their mark in social amuse- ments or public entertainments. This book is not a compilation of discon- nected experiments, but a regular systematic course of instruction, beginning at the simplest feats of Legerdemain, and by a series of progressive lessons takes the learner into the moro complicated operations of Natural Magic, Chem- istry, Galvanism, Magnetism and Electricity. It is the only work published that really teaches the Conjuror's Art. Illustrated by numerous engravings. Price, 25 cents. The Great Chinese Wizard's Hand-Book of Magic. A Book of Marvels. The Mysteries of the Black Art are now exposed. The mysterious and awe-inspiring feats and performances of the most celebrated Magicians, Enchanters and Wizards are here explained, including the operations of Conjurors of Ancient and Modern Times. The most amazing and apparently most wonderful impossibilities in Natural Magic, Chemistry, Galvanism, Elec- tricity, Cards, Jugglery, Coins, Legerdemain, White Magic, &c, are made quite clear, so that any one can perform them. It also contains the art of making Fire Works. Price, 20 cents. [Sent by mail to any address on receipt of price. ^ ; 3£ > :^ 53^ >> SS>. >>1>3 :n> ^»^>Ufe w> > :: > }€> ■£3 3D ">•■ • %&:> ... . » . > > •3> j i2>3 >£^eoo> 3 2> i2> 3 >"> s>:jS> » >> > > > > > :2>| 1 » szfe> >>S>; ^^>^ >»3~ »>x>» > SO >> > > ffgiffir'^J 3^^ > >>J> »>_:>;-> .»-> ^>> o^2> > »2>> >>^ x> ^>3j> » • , » >3>J> » 3> > 3>>2X> » >> ^._r>> ; D'"» . 1> \>J> >3 .T» ;> ^ J> 3l> o* v Z2> ^» > >> > ^>^>^ > » > s>> >> >:> » :> » > >^a> *> >> 13> > » > » J>^ >>^P3> =>» < >» > ) X>» 3 1 ! > W3> > • > • * »i> » >> >x> >> > J i>i ?> » > j^> > j> J2> >>