Vef^L^^/^ Jft-xL . ^tz^^, / "Tl^^ jfZL^^-^^^^^^y^^* <^^ .'(p^'^^y.^/J^ The Rise and Fall OF MARK REYNOLDS: 31 domestic flag, IN FIVE ACTS By Warken Richardson /-r^oF CONG??; BOSTON: PRINTED BY THE AUTHOR, At his Printing House, 11 Milk Street. 1868. MARK REYNOLDS, formerly a Locksmith, made $200,000 speculating in Petroleum stock. CLARENCE, his Son, a "fast" young man, developing rapidly. JACOB REYNOLDS, a New Hampshire Farmer. JERRY, his Son, only 15, but ripened to maturity. ALFRED CONINGSBY, of New Orleans. ROBERT JORDAN, a Stockbroker. UBIQUITOUS GREEN, a Master of Ceremonies — indispensable at a Fashionable Levee. HON. VARSOVIUS MILEAGE, M. C. of the Ninety-First District. ALDERMAN SANDBOY. SHARP, a Detective. PEDRO, a Servant. Gentlemen of the Levee, card players, black Waiters, hotel Servants, &c, MRS. REYNOLDS, ambitious to shine in Fashionable Society. FLORENCE, a young lady of sentiment. MADELINE,) ^ T TTCTT TV t Creole Sisters, from New Orleans. PHEBE, betrothed to Clarence, who has betrayed and deserted her. MRS. WORMLY, a votary of Fashion. MAGGIE, a Waiting Maid. Ladies of the Levee. Time — May to October, 1866. The Costumes change with the Scenes. Jerrt, in Act I, has a mixed-cloth suit, such as usually worn by boys of his age. In Act III, and thereafter, he dresses in a " nobby " style, but in goqjl taste. TMP9c-G07iiO Entered according to Act of Congress, in the year 1868, By Warben Bichakdson, In the Clerk's office of the District Court of the District of Massachusetts. THE RISE AND FALL OF MARK REYNOLDS. ACT FIRST. SCENE I. Room in Mark Reynold's House, gorgeously furnished. — In c, against the flat, is a handsome Buffet with doors, in which are several decanters of liquors, tcine-glasses, and a box of Albert biscuits. — J^asy chairs, ottoman, sofa ^c. — Door at r. — Two windows in flat, with drapery curtains. — Mirror at L. Enter Jacob Reynolds and jERiir, l. Jacob R. Ha ! we've got here with whole skins ; no thanks to the raih'oad folks. This is your uncle Mark's house, in Bos- ton. \_LooJcs around at the display.'] Whew ! Jerry, [throws himself in easy chair, c.] Awful glad, dad! Jacob R. Tired, eh? Well, 'tis a tough ride, seventy miles since six o'clock this morning. Jerry. O dad ! — it 's made me so awful hungry. Jacob R. You've done nothing but eat, eat, eat, since we left home. O Jerry — I wish you were n't such a glutton. Jerry. I'm growing, daddy. Jacob R. You ought to, a pound a day. Such an appetite would ruin a poor man. Jerry. That's why I want to get rid of it. Enter Maggie, r. Maggie, [to Jacob.) Mr. Reynolds will be with you in a few minutes. Jerry, [in chair.'] I say, Miss — can't you get a fellow some- thing to eat? Wouldn't ot)ject to a turkey drumstick, or any- thing of that sort. 4 RISE AND FALL OF MA.RK REYNOLDS. [Act I. Jacob R. Hold your tongue, Jerry ! [Exit Maggie. Jerky. I will, dad, if you '11 put something on it. Jacob R. [observing the display.'] Bless me ! — what a pile of greenbacks these 'ere must have cost ! Extravagance ! — ^just as I expected. Jerry. I tell you what, dad, I'd just like to tie up here! O crickey ! wouldn't 1 though? Jacob R. I hope your uncle Mark's sudden wealth has n't turned his head. Jerky. I'd like mine turned the same way. Jacob R. [solus.~\ Humph! this is a big jump from the snug place Mark used to live, and call his happy home. Now he 's made a powerful lot of money, speculating in oil stocks, I'd not be surprised at anything he might do. So I thought I'd just come down and take a look at him, and see how things are going on. Jerry, [in chaii-.'] I say, dad, why don't uncle Mai'k show himself? Jacob R. [turns and goes vp.] Perhaps it's genteel to make folks wait when they come to see you. Jerry. He's coming — I hear him toddle. [Turns in chair.'] Enter Mark Reynolds slowly, (r.) in dressing-gown, smoking cap, and fancy slippers. Crickey! — isn't he stunning! Mark R. Ah, Jacob — how dye do ? [Extends hand.] Jacob R. [Retreats from him.] Eh ! you aint brother Mark ! He 'd never rig himself like you. No, no. Mark R. [chuckling.] Come, Jacob, if I've changed my dress, my heart is n't changed. I'm glad to see you. Jacob R. [Shaking hands ivarmly.] How's this, eh? [Looks him all over, and going round him.] Well, Mark — you 're the curiousest sight I've ever seen ! It's worth a quarter of any body's money to see you now ! Ha! ha ! [Pokes Markjollily.] Jerry, [in chair.] Hurrah, dad ! — hit him again ! Mark R. [turns in surprise.] Who's that ? Jacob R. That's Jerry. Come here, you rascal! Jkkry. [hounds out of chair and front of Mark ; bobs to him.] How are you, uncle Mark ? Makic R. [amused.] So, so. How are you ? Jerry. Tolerably well, considering age and infirmities. Mark R. How that boy has grown ! Jerry. Had nothing else to do. Jacob R. It is going on to six years since you saw him. Scene 1.] rise and fall of mark Reynolds. 5 Mark R. He had just then donned his first jacket and trow- sers, and was trying hard to fill them. Jerry. I remember 'em, — pepper-and-salt color, and thun- dering big behind, to keep 'em from splitting out. \_All lcn(gh.'\ I say, uncle — got a good cigar ? Real Havana ; nothing else. Makk R. Jacob, you allow that boy to smoke? Jacob R. I wink at it. Jerry. I bet he does ! \_Swaggcrs up the stage.~\ Mark R. Talk about city lite hastening the development of boys ! — your town is the rankest of places, if he's a specimen. [Jerry amuses himself in examining everything ; goes to buffet, opens the doors, discovers several decanters of liquors, expresses pantomimic delight, takes out each decanter and tastes, tiien Jills a wineglass, takes out the can of Albert biscuit, helps him- self liberally, sits in chair and eats and drinks while the follow- ing proceeds.^ Well, Jacob, how are you getting on ? — prospering, of course — you always did. Jacob R. I get a living. Mark R. That's all any one gets. Jacob R. But then some live darned well! JNIark R. They are smartly taxed for it. Jacob R. So you 've made a lucky stroke, eh ? Mark R. [ With indifference.^ Yes, I've " struck ile," as the saying is. Jacob R. To the tune of a hundred thousand or so — eh ? Mark R. Somewhere near that figure, perhaps. [Crosses,] Jacob R. [^aside.^ He do n't like to talk 'about it, I see. — [a^oMc?.] Well, brother, I hope 't will be a good thing for you ; and no doubt it will, if you take good care of it. Mark R. [cZri"(y.] I'll take good care of it — no fear of that. Jacob R. Salt it down in real estate and mortgages; and perhaps some government stock. Mark R. Brother Jacob — for morfe than thirty years I have been a hard-working man, at the trade of a locksmith. Early and late, from Monday morning to Saturday night, and practis- ing a self-denial which allowed no luxury or amusement. During that time I accumulated a few thousand dollars — every cent of which was earned by the sweat of honest labor. I saw around me men living in luxury, increasing their gains by thousands faster than I could single dollars. A good friend persuaded me to put my little fortune in the favorite speculation of the day. " Nothing venture nothing have," is a good old maxim. My five thousand dollars soon became fifty thousand. Perhaps 1* 6 RISE AND FALL OF MARK REYNOLDS. l_Act I. you, brother, would have been satisfied with that, and quietly settled down. Jacob R. Think I should ; can't say. Fifty thousand dol- lars is a pretty sum. Mark R. I ventured ray fifty thousand, and it soon brought me fifty more — and kept increasing from day to day. Then I made up my mind I'd take a little recreation, and see if I could not enjoy myself; and let me tell you, I do enjoy myself. \_Slaps Jacob on (he shoulder.'] Jacob R. Glad to hear it, brother Mark. Mark R. But never fear that any amount of money will change my affection for you. No, Jacob. \^T hey shake hands. ~\ Jacob R. To tell the truth — I rather feared it might. It often does, you know, even between brothers. Mark R. If you want any favor of me, you 've only to ask it, and I'm your man. Jacob R. Brother, that's kindly said. As you 've spoken out so freely, perhaps I would like to take advantage of it. There's a nice farm that adjoins mine, which I can buy for half its value, if I had five thousand cash. Mark R. You shall buy it; I'll give you my cheque for the amount to-morrow morning. Jacob R. Will you? \_yrasps Mark's hand.] Now that's what I call practical generosity, and no going round Uncle Ebenezer's barn, neither. Mark R. The avenues of my heart will always be open to you, brother. I shall never forget your kindness when I lost everything by my partner's rascality. Jacob R. That was twenty-five years ago. How time goes ! Mark R. I have not forgotten it. I'm glad of this opportu- nity to repay you. Enter Mrs. Reynolds, (r.) very showily dressed. Jacob R. Sarah — how dye do ! Mrs. R. \_curtseys stiffly.'] Mr. Jacob Reynolds ! Jacob R. [bows awkwardly, with mock politeness.] Of Clare- mont, New Hampshire — a plain country farmer. Mark R. Ha ! ha ! ha ! Come, Sarah, that '11 do. Jacob is n't a fool, nor a dandy. Mrs. R. I am glad to see you. Jacob R. [shaking hands ivith her.] Thank you; glad to hear you say so. [Mrs. R. moves to c. [During last minute Jerry has shown signs of intoxication. When Mrs. R. enters, he staggers toward her.] Scene 1.] rise and pall of mark Reynolds. 7 Jerry. Hullo, aunt Sarah ! [7'nes to shake hands with her ; Mrs. R. turns from him.'] Jacob R. Jerry — behave yourself ! Jerry. Cert'ngly I will. I say, uncle Mark — firs-rate liquor you got, 'ticu'ly (he w-w-hiskey. Never thought I sh'd like whis- key, but it's b-b-ully. Ha! ha ! [^Pukes Mark in the ribs.'] Jacob R. \indig71ant.] Jerry — sit down ! You're drunk ! [Mark pulls bell-cord.] Jerry. Look here, dad — that's personal. Take care, old chap ! [^staggers.] Enter Maggie, r. Mark R. Show that boy to a bed-room. Jerry, go with her. Jerry. O yes — I go jes' where she say. [Zeers a/ Maggie, then tries to embrace her, but she dodges him.] Don't be skeered ; only want to kiss you. Jacob R. Go with her, instantly! Jerry. Of course I'll go. Lead the way, young lady. \_Exit Maggie, (r. d.) followed by Jerry. Jacob R. Your liquors are too handy, Mark. The boy never drank anything stronger than new cider. You'll excuse him. Mark R. Certainly, certainly. [Mrs. R. has seated herself in easy chair, and adjusted her dress so as to display the same to best advantage.] Mrs. R. Jacob, you little thought to see us so inoproved in circumstances. Jacob R. I did not — that's a fact. Mrs. R. Mark has sold his shop, and I hope has washed his hands at his old trade for good and all. Mark R. I won't say that, Sarah. Mrs. R. To tell the truth, Jacob, he does find the time hang rather heavily ; he is not fully reconciled to the change. Only last week he got up very early one morning and left the house, without saying a word ; and when he returned, sometime in the afternoon, he was a sight to behold ! [Mark laughs boisterously.] Covered with dirt and crock and grease, from head to foot ! — and smelling so horribly of boiled oil, as to make us all sick for three days afterward. [^All laugh heartily.] Mark R. That's true, Jacob. The fact is, for more than a week I'd had the blues horribly, and I thought that perhaps a few hours' smart work might drive them away. Jacob R. And did it? Mark R. So far off they've never returned. 8 RISE AND FALL OF MARK REYNOLDS. \^Act I. Jacob R. I'd try it again, if necessary ; manual labor is a darned sight better than physic, for nine-tenths of the afflictions men and women groan under. [^Door bell heard.'] Mark R. Come, Jacob — wife has got a caller ; — some of her new acquaintances, probably. We shall be in the way here. \_Exeunt Mark and Jacob, r. Re-enter Maggie, l. Maggie. Mrs. Wormly, ma'am. Are you at home? Mrs. R. Certainly — to her. \^Exit Maggie, l.] A very desirable acquaintance ; \_goes to mirror and adjusts her dress,] knows all the aristocracy ; husband got rich during the war — \_pulls folds out of her skirt] — held all the pork and hams in his own hands. \_Returns to c.J Enter Mrs. AVormly, l., dressed in extreme of fashion. Mrs. W. My dear Mrs. Reynolds — I'm delighted to see you ! How charmingly you look ! — what admirable taste ! [^admires Mrs. R.'s dress.] Elegant! [Mrs. R. motions her to easy chair.] No, not for a moment. I only called to say " how do," and fetch you tlie names I promised. \_Takes out paper and hands to Mrs. R.] You must certainly invite these to your Levee. Mrs. R. [unruUs tlie paper — a yard long.] So kind in you! Ah — I fear we shall be rather crowded with all these. Mrs. W. a jam is always fashionable. When people are inconvenienced, they generally express themselves freely. It's sure to bring out all the secret scandal of the day. By the way — you know Mrs. Violet ? Mrs. R. Whose husband is in California ? Mhs. W. For California substitute Sing Sing. Mrs. R. The penitentiary ! Mrs. W. Yes. — Sent there a year ago, for — I really don't know what to call it Mrs. R. Stealing.^ Mrs. W. No indeed! . . . Breach of trust. He was cashier of a bank, and one day was missing, Seventy or eighty thou- sand dollars were missing too. They easily found him — but not the money. His wife received a legacy from a deceased uncle just at that time. A three years' sentence to Sing Sing was the sequel. But the dear man took his confinement so seriously, his friends coaxed the Governor to pardon him, and he has just returned to his wife, in splendid health and spirits. . . I must go ; I've so many calls to make. Good morning. \_Exit l. Scene 1.] rise and fall op mark Reynolds. 9 [Mrs. R. sits in chair and loohs over the list of names. — Clar- ence cautiously enters at L., looks round, then moves to C. JBis dress is disordered, and he looks dissipated.^ Clarence. [_aside.'] She's alone ; devilish glad the governor is n't here, [goes towards Mrs. R.] Ahem ! Mrs. R. [looks up.'] Clarence ! . . . How you startled me. Clarence, [throws himself on sofa.'] I'm used up ! Mrs. R. We've not seen you for a week. Where have you been ? Clarence, [coarse laiiffh.] Been on a "time." Mrs. R. a very sad time you must have had. Clarence. Glorious ! Mrs. R. [reprovingly.] I'm astonished. Clarence. Don't be ; 't is n't genteel. Mrs. R. Where have you been ? Clarence, [yawns.] Um — the most I know is — here I am ! Mrs. R. What a sight you are ! — I shouldn't have known you. Clarence. Then I ought to have introduced myself. Ex- cuse my neglect. Mrs. R. Tell me — where have you been ? Clarence. Well, I've been to New York. Several of our Club felt their periodical attack of the *' blues " coming on ; our doctor recommended change of scene. We went to New York. The effect was miraculous — the " blues " disappeared — or rather took another shape. " Like cures like," the homoeopaths say. But unfortunately, not knowing how to graduate the dose, we are "now suffering the allopathic effect of the treatment pre- scribed Where's father ? Mrs. R. In the smoking-room. Go and see him. Clarence. Not now. Mrs. R. Your uncle Jacob and his son Jerry are here. Clarence. That's bad. — What the deuce did they come for ! Hang country uncles and cousins ! They heard we'd got rich, and have come to see if they can't profit by the relation- ship. Mrs. R. Go and see them, if only a few minutes. Clarence. Uncle Jacob isn't iny style — he's too old fogy — wants everyone to travel on the square — makes no allowance for peculiarity of tastes By the way, got any money about you ? [Mrs. R. looks in her purse.] New York 's the crudest place to use up the greenbacks ! Never could see how poor folks afford to live there. Mrs. R. Here's forty dollars. [ Gives to him ; he thrusts it in his pocket without looking at it.] I fear you are very extrava- gant. 10 illSE AND FALL OF MARK REYNOLDS. [_Act I. Clarence. O hang it, mother — you're always harping on that string! Do vary it a little, for the sake of harmony \_Rises from sofa, yawns.'\ What 's that paper ? Mrs. R. a list of those I shall invite to the Levee. Clarence. O yes, the Levee. Don't let me forget that, for I'm bound to shine on that occasion. Have music, pretty girls, dancing, — " we'll trip it on the light, fantastic toe !" Heiglio ! — [^ Cuts a pirouette and brings up against the sofa.~\ Confound it — barked my shin ! All out of practice ; must furbish up with an evening at Ma'am Folderols. \_Goes through a pantomimic polka and waltz, humming ^' Champagne Charlie."'] Whewl [^He drops on sofa.] Mrs. R. By the way, Clarence — where is Phebe ? We have not seen her lately. Clarence. \_Ri.ses from sofa, much disturbed.] JNIother, don't mention her name again. Mrs. R. \_goes forward.] How now? — what has happened? You used to be so fond of her, and she of you. Clarence. Say no more. Mrs. R. So you have left her, and broken your engagement? .... Clarence ! — Phebe is a noble girl, and worthy of any man's love ; and no sacrifice would have been too great to have retained her. Ah, you reckless boy ! — you have parted with a jewel of priceless value ! [ Crosses.] Clarence. \^aside.] If she knew all, how she would despise me ! [agitated.] Mrs. R. Some careless word that .passed, which caused offence, I'll warrant. Go to her, Clarence, and ask her forgive- ness, and bring her here again. Clarence. I cannot. Mrs. R. [Her hand on Clarence's arm — his face is averted.] Cannot?. . , . Is the oftence so irreparable that forgiveness is im- possible ? Ah, Clarence — it is pride that stands a barrier be- tween your love and duty ! . . . , Many a man and woman have sacrificed their life's happiness, and gone down to their graves broken-hearted, because their pride would not pardon some imaginary offence in those they loved ! [Exit through u. d. [Clarence slowly moves off h. Scene 2. kise and fall of mark Reynolds. 11 SCENE II. Chester Park, with Washington Street in the distance. Enter Phebe, l. Phebe. (l.) I have been walking back and forth a long while, for I must see Clarence once more, and make a last appeal, to save me from impending disgrace and shame. Oh! what have I not suffered for him! But now he spurns my love, and leaves me to meet my sorrow and trouble as best I can. [ Weeps — moves to c] Enter Clarence, r. Clarence. Phebe ! Phebe. [looks at him imploringly ; he turns aside.'] Clarence! Clarence. So you lay in wait for me in the public street ! Phebe. (c.) Clarence Reynolds — look at me ! — Observe me well. Think how soon the time will come when I may, perhaps, yield up my life a sacrifice to the weakness of loving you too well ! Clarence, I implore you, make me the reparation you owe to my love for you. It is not too late. Think of the shame, the disgrace that must await me, if you refuse me that justice I have a right to demand of you ! Clarence. Phebe, I am willing to provide for you in any way you ask. Phebe. Make me your wife. Less you cannot do. Clarence. Impossible! Phebe. Why impossible? Did you not solemnly promise it? I ask you on your honor. Clarence, [wweosy.] Lovers often promise more than they can fulfil. Phebe. Not when their love is pure, and their purpose hon- orable. Clarence. I am willing to comply with any reasonable proposition for your comfort, but I cannot marry you. Phebe. And why not ?. . . . Clarence. Because I — I — do n't choose to. Phebe. Then there is but one other way for me to turn, — and that is self-destruction. Clarence. O Phebe, don't do that. I tell you I am willing to do all I can for you ; but, really, you ask too much. 12 RISE AND FALL OF MARK RETNOLDS. \^Act 1. Phebe. Too much ! Is not my honor superior to all else ? Clarence. You know I have but a small allowance — ^just enough to keep me decently in a few enjoyments — father is so devilish close-fisted Phebe. Oh, do but save me, and I will work — work — from morning till night. My hands shall have no rest ; I will slave as never woman slaved, if I may only have the name of wife ! Clarence. \affecled'\ Phebe, you work me all up! Phebe. O say you will — you will — dear Clarence. It was love for you that brought me to this ! Clarence. Damn it, Phebe, why did we ever meet? Phebe. Alas — I was happy once. Before — before — \y)eepf\ Clarence. There — there — I'll not desert you. Phebe. O Clarence! \looks «/).] Clarence. That is — unless you compel me to. Phebe. Dear Clarence, \_approaches to his side'\ my love for you has been warm and true, and always will be. Show me but the opportunity, and you will then see how deep my love has taken root, and how great the sacrifice I will make for your sake. Clarence. I don't know what to do. I — I — hang it, I never so thought of it before. Any way, you must take this — you '11 need it ; and perhaps — but I won't say sure [takes crumpled bills from vest pocket and hajids to her.'] Phebe. Clarence! Clarence, [returns hills to pocket.] O well — but you see I'm willing to do all I can for you. Phebe. Then you refuse me justice I Clarence. I certainly cannot marry you. Phebe. [with calmness.] Be it so. I have appealed to your love, your honor, your humanity, to justice only — but all in vain ! and never more will I cross your path, or ask a single favor at your hands. But mark me! — Whether I die in my approaching trial, or by the suicide's death — or go from hence branded with shame — it is you that will be held account- able, at the bar of a tribunal from which there is no appeal ! [Her hand is raised. — Clarence bows his head in shame.] [Curtain slowly falls to sad music. END OF ACT FIRST. Scene 1.] rise and fall of mark Reynolds. ACT SECOND. 13 SCENE I. Same as Scene 1 , Act I. Mrs. Reynolds and Florence discovered. Mrs. R. Now that you have returned from New York, with the dresses we had ordered for the Levee,— t t* Florence. -Made by the celebrated Madame La Bou- nueti^re, formerly modiste to the Empress Eugenie. Mrs R -We have decided it shall take place Wednesday nex I expect Mr. Green, the celebrated Master of Ceremo- "ies, will call this morning, to confer wUh me m regard to the nroc^ramme of the evening's entertamment. ^Florence. With his well-known skill and experience, we may feel sure that everything will pass off with splendid success^ Mrs R. Yes ; some men have a genius for one thing, and some for another,-Mr. Green's genius is in managing levees, weddings, and funerals. Enter Pedro, l. Pedro. Mr. Jordan, l^^^^-^' '''''^' ""''^''''''^''^xUY^.^^^ Florence. Come to congratulate me on. my return, and my escape from the dreadful accident that was to befall me Mrs. R. Mr. Jordan is a promising man-shrewd, shaip and far-seeing-he '11 soon be a millionaire. Your father and I have often hoped that you . ^ Florence! [interrupting.-] How provoking you are!- Yoa know Pve decided to accept Colonel Coningsby. Mrs. R. Nevertheless, Mr. Jordan has our preference. Enter Jordan, l. Jordan, [bowing-] Good morning, ladies. I c^gratulate vouMi.sRevnolds, on your safe return from New York. To ^rih';: and' back with'out accident, in these days of reckles. railway management, is almost a miracle. 2 14 RISE AND FALL OF MARK REYNOLDS. \^Act II. Mrs. R. It is indeed. Jordan. We pride ourselves on being " fast." If we can save ten minutes' time in a journey of two hundred miles, we '11 risk our chance of being drowned, roasted, or mutilated out of all semblance to humanity. Re-enter Pedro, l. ; gives huge card to Mrs. R. Mrs. R. [reading the card"] " Ubiquitous Green, Master of Ceremonies." I will see him. \_Exit Pedro. Jordan. Ubiquitous Green ! — general major-domo and chief factotum to the glittering frivolities of fashionable life ! [Jordan and Florence go up the stage and converse, while the following proceeds.^ Enter Ubiquitous Green, l. Green, [hows low.'\ At your service, madam. Mrs. R. Mr. Green, I presume. Green. Christian name — Ubiquitous, which happily signifies here, there, and everywhere. It's not often a man owes any thanks to his parents for his name, but I do. There my grati- tude ends, however, for it's all they ever did for me. Mrs. R. [hands paper to Green.] A list of those I intend to invite to the Levee. Green. [taJces the paper.'] Oh — ah — [looks at it, his counte- nance alternating with disgust and approval, as he glances down the list.] Um — um — u — u — m — m! [folds the paper.] Excuse me, madam, — may I ask who gave you this list ? Mrs. R. My friend Mrs. Wormly. Green. Ah — indeed, [as he returjis paper to Mrs. R.] All highly respectable people, 1 've no doubt. Mrs. R. I want none other at my house. Green, [shrugs his shoulders.] Too respectable, madam. — Quite too respectable, if I may be allowed the expression. Mrs. R. [aside.] What a singular man ! Green, [at his ease.] The fact is, madam — society is — society ; and fashion is — fashion. If you will pardon me, I will take the liberty to enlighten you in regard to certain essential requisites for success at one's entrance into fashionable society. [Mrs. R. nods acquiescence.] Thank you, madam. The first requisite is — money. That you have. The next is — the selec- tion of your acquaintance. Fashion is an arbitrary tyrant, and sanctions some peculiarities that moralists would not approve. To jump to the point: — If you want a popular levee, you must invite popular people. Scene 1.] rise and fall of mark Reynolds. 15 Mrs. R. Very true. Green. So far so good. Now, madam, in fashionable society, popular people are — popular persons — who are as follows : ^^Illustrates with gestures, as he proceeds.l^ A member of Con- gress who has sold himself and his constituents for a valuable consideration. [Mrs. R. nods approval.^ An Alderman who has enriched himself at the expense of the tax-payers. [Mrs. R. scDue play.^ One or two genteel swindlers, including a bank president or cashier, or a railroad president. [Mrs. R. as before.^ A speculator in breadstulFs, who has got rich by hoarding flour till it rose to famine prices ; a successful gambler — either in gold or at the green table. [Mrs. R. as before.'] A well-selected assort- ment of gay young men, who are famous lady-killers, [^aside'j — Immense favorites with sentimental girls! [uffs-~\ Last night I gave them their second lesson, and relieved thera of a thousand apiece — which makes about four thousand that has changed from th«ir pockets to mine, — a slight difference of locality that raises my spirits while it does not depress theirs. \_pi'ffs.'\ Another stroke of good luck: have become intimate with a pretty girl whose father has just slid into a fortune of half a million, through the lubricating power of Petroleum. She 's full of love and sentiment, and has an immense stock of affection seeking a good investment. \yyffs.'\ Haven't fully decided whether to take another wife before I get rid of the present Mrs. C, or play the ardent lover, propose, get accepted, make all pi'eparations for marriage, borrow a hand- some sura of the old gent., and take French leave, the devil only knows where. \_S)nokes. — A knock is heard.^ Come in ! Enter Clarence, l. Ha! — good morning, Clarence. Glad to see you. \_gets up and shakes hands.^ Take a cigar, [^resutnes his seat.^ Clarence, \_ivhile taking a cigar and lighting it.^ Thought I should find you in at this early hour. Folks expected you at the house last evening, [^sits in chair in easy position.^ Coningsby. Bad headache. Turned in early and slept it off. All right this morning. Florence is well? Clarence. \^nods acquiescence after a fexo pt(ffs.~\ Colonel, I've just bought a new horse — paid fifteen hundred for him — or agreed to — and I'm going to try him this morning, on the Brigh- ton road. Won't you take a seat with me behind him ? Coningsby. Yes ; what time are you going ? 2* 18 RISE AND FALL OF MARK REYNOLDS. [^Act II. Clarence. [/??<^«] By the way — I want your advice about a little atFair I have in hand. CoNiNGSBY. Well : . . . . I'll wager a V there's a la