* W'-t 5020. The Art of Cookery, in Imitation of Horace’s Art of Poetry. With some Letters to Dr. Lister, and Others: occasion’d princi¬ pally by the Title of a Book publish’d by the Doctor, being the Works of Apicius Coelius ... To which is added, Horace’s Art of Poetry, in Latin. By the Author of the Journey to London ... 8°. Lond., B. Lin- tott, [1709]. 160 pp. ; the date is from the B. M. and Bod- || leian catals. A ‘ Second edition *, also undated [1710 ?] and with the same title, has 112 pp. The | B. M. Catal. has two eds. of the 'Art of Cookery * 1 alone, one in fol., 1708, the other in 8°, undated [1708 ?] ; both have ‘ By the author of a Tale of a Tub ' on the title-page. Lister’s Apicius is ifj no. 1823. " In Feb. 1708 Lintot paid him [King] ^32. 5. for the ‘ Art of Cookei^r ’ ... It was published the following month without date . . . Two spurious editions of this amusing poem, perhaps his best work, appeared, and it was coarsely attacked in ‘ A Letter to Dr. W. King, occasioned by his Art of Cookery V’ (D. N. B.) [W. O.] ART of COOKE R Y In Imitation of Horace* Art of Poetry. THE Art of Cookery, In Imitation of Horaces Art of Poetry. WITH SOME LETTERS TO Dr. LISTE K, and Others: Occafion’d principally by the Title of a Book publilh’d by the Doclor, being the W orks of Apicius Coelius , Concerning the Soups and Sauces of the Ant lent s. With an Extract of the greateft Curiofities contain’d in that Book. To which is added, Horace’s Art of Poetry^ in Latin. By the Author of the Journey to London. Humbly infcrib’d to the Honourable BEEF STEAK CLUB. L ON D 0 IV.- Printed for Bernard Lintott at the Crofs- Keys between the two Temple Gates in Fleet- free t. THE PUBLISHER TO THE reader: T is now a Days the hard Fate of | fuch as pretend to he Authors, that they are not permitted to he Hajiers , of their own Works for if fuch Tapers (however imperfeSi) as may he called ♦ a Copy of them, either by a Servant or any other i\leans come to the Hands of a eller, he neer conftders whether it he for the Tcrjons Reputation The Publisher to the Reader. Refutation to come into the World, whether tts agreeable to his Sentiments , whether to his Stile or CorreShiefs, or whether he has for fonte time lookd over if, nor doth he care what Name or Character he puts to it, fo he imagins he may get by it. 6 t was the Fate of the following Poem to he Jo ns and Printed with as much Imperfe¬ ction and as many Miflakes as a Bookjeller that has common Serfe con'd imagine fhondpafs upon the Town ejpeciaUy in an Age fo polite and critical as the prefent. Thefe following Letters and Poem were at the Prejs fame time before the other Paper pre- tendmg to the fame Title was crept out: And they had e/fe as,be Learned fay, groan’d under the Piejs till fuel, time as the Sheets had one by one been perus'd and correfled, no, only by the Author but bus Friends, whofe Judgment ■as he is fenfible he wants, fo he is proud to own that they fometimes condefcend to af. ford him. J For t l is G n, The Publisher to the R eader. m m »L t For man y Fml y at firji feem fmall t A] "/T u ”P“ rd ° nM e Errors, and the Nutn- nlvf,; he V 'f toy H P°>‘ •he Harfinefs of a *SyUMe, and the laying Strefs upon improper Words, will make the mojl corrett Piece ridi- klZT'r Cmcord > Ten h and Grammar, Konfenfe Impropriety and Confufion, may go 7T W ‘ th f"" Perfons, hut it ’fhould not to ■n the Power of a Bookjeller to lampoon an An - -Jnor, and tell him you did write all this l ]T S Vp a i, ym h 11 P»d ‘0 the Scan- i 1 ’ at T 1 have the Benefit : Yet this in , it tr r fm p afe f m, ffP»din £ there are above hreefcore Faults of that nature, y er fes tranf- kiZ 1) (° m a f ded > others alter'd, or rather that 4a, a jf Ve . ff” al,erd , “"ii near forty omit, d. The Author does not value himfelf upon l K hut if he/hews his E/leetn for Uo- ZZ'rrZI h y. an y r f eans provoke Perfons to I, d f "frf “ r ; re fife 5 if hr fhews his Avers f. V; f I ” ,rod ’ ,a ‘ m of Luxury, which may nd to the Corruption of Manners, and declare ' anTv 1 t Br f aX Ho fpi ,al i‘y, Chari- ’and I alour, when the Arms of the Family, the m The Publisher, to the Reader'. the old P’ht, Murker “nd 1}feeds hungup in the Hall we* the long T able and the Mat. tons Bones lay on the Floor, and Chivey Chafe and the Old Courtier of the Queens »™ plac'd over the Carv’d Mantle Piece, and hi Beef and Brown Bread were carried every Day t> the Poor, he defires little farther than thattk Reader would for the future give all fucb Book; fellers as are before fpke of no manner of E » courage went. LE I LETTER S TO Dr. Lifter , and Others. To Mr. - Dear Sir, HE Happinefs of hearing now and then from you extremely delights me j for, I muft con¬ fer, moft of my other Friends are fo much taken up with Po- liticks, or Speculations, that either their Hopes, or Fears, give them little Leifure to perufe fuch parts of Learning as lye B remote, 2 LETT E RS to 1 remote, and are fit only for the Clofets of the Curious. How bleft are you at London , where you have new Books of all forts! whilft we at a greater diftance, being deftitute of fuch Improvements, muft content our felves with the old Storey and thumb the Claflicks, as if we were never to get higher than our Tally or our Virgil. You tantalize me only, when you tell me of the Edition of a Book by the ingenious Dr. Lifter, which you fay is a Treadle De Condimenti : s & Opfoni'vs Veterum , Of the Sauces and Soaps of the Antients , as I take it. Give me leave to ufe an Exprefiion, which, tho’ vulgar, yet upon this oceafien is juft, and proper, you have made my Moudi Water, but have not fent me wherewithal to fatisfie my Appetite. I have rais’d a thoufand Notions to my felf only from the Title: Where could fuch a Treafure lye hid ? What Manufcripts have been collated ? Linder what Emperor was it wrote? Might it not have been in the Reign * ©f Dr . Lifter, and others. j I, f Heliogabalus , who, tho’vicious, and in I' . mc things fantafticaJ, yet was not incurious * n the grand Affair of Eating ? ||[ I Confider, dear Sir, in what Uncertainties i muft re main at prefent • you know my Neighbour Mr. Creatorix is a learned Antiquary l fhew’d him your Letter, which threw him s lnto fuch a Dubioufnefs, and indeed Per- A P Iexit y °f Mind, that the next Day he durft 0 J lot P ut an y Catchup in his Fifb Sauce , nor , . have ]lis beloved Pepper, Oyl and Litton with w his Partridge; left before he had feen Dr. Li- b Book he might tranfgrefs in uftng fome- ]( th,n g not common to the Antients. j Difpatch it therefore to us with all Speed for I expeft Wonders from it. Let me tell you; I hope, in the firft place, it will, in feme meafure, remove the Barbarity of our j P relent Education : For what hopes can j ther ^ be of any Progrels in Learning, whilft our Gentlemen fuffer their Sons at dVefimin- fter, Eaton , and IVinchejier to cat nothin^ but Salt with their Mutton , and Vinegar with 0 2 4 LETTERS to their Koajl Beef upon Holidays ? What Ex- tenfivenels can there be in their Souls ? Efpe- dally when upon their going thence to the Univerfity, their Knowledge in Culinary Mat¬ ters is feldom enlarg’d, and their Diet con¬ tinues very much the fame ; and as to Sauces they are in profound Ignorance. *■ It were to be wifh’d therefore, that every Family had a French Tutor • for befides his be¬ ing Groom, Gardiner, Butler, and Valet, you would fee that he is endued with a greater Accompliflimentj for according* to anantient Author, Quot Galli, totidem.Coqui, As many Frenchmen as you have, fo many Cooks you may depend upon -, which is very ufeful where there is a numerous Kfue : And I doubt not, but with fuch Tutors • and good Houie- keepers, to provide Cake and Sweet-meats} together with the terder Care of an indulgent Mother, to fee that the Children eat and drink every thing that they call for $ I doubt not, I fay, but wc may have a Warlike and Fru¬ gal Gentry, a Temperate and Aufrere Cler¬ gy } and fuch Perions of Quality, in all Sta¬ tions, Dr. Lifter, and others. 5 tions, as may beP undergo the Fatigues of out Fleet and Armies. Pardon me, Sir ^ if I break off abruptly, for I am going to Monfieur d'Avaux , a Perfon famous for eafing the Tootlj-acb by Avulfion j he has promis’d to (hew me how to ft r ike a Lancet into the Jugular of a Carp, lo as the Blood may iffue thence with the greateft Ef- fufion, and then will inftantly perform the Operation of ftewing it in its own Blood, in the prelence of my felf, and feveral more Virtuofi: But let him ufe what Claret he will in the Performance, I will lecure enough to drink your Health, and the reft of your Friends. I remain , Sir. <&*c. LETTERS to To Mr. - Sir, J Shall make bold to claim your Promile , ^ in your daft obliging Letter, to obtain the Happinefs of my Correfpondence • with Dr. Lifter ^ and to that end have Pent you the enclos’d, to be communicated to him, if you think convenient. To Dr. Lifter, prefent . Sir, I Am a plain Man, and therefore never ule Compliments • but I muft tell you, that .J have a great Ambition to hold a Correlpon- dence with you, efpecially that I may beg you to communicate your Remarks from the Antients , concerning Denti ft alps , vulgarly oil’d Tooth-picks. I take th£ u/e of them to Ci Dr. Lifter, and other r 7 to have been of great Antiquity, and the Original to come-from the lnftin£t of Na. ture, which is the bed Midrefs upon all oc¬ casions. The Egyptians were a People ex¬ cellent for their Philofophical and Mathema¬ tical Obfervations, they fearch’d into all the Springs of Action • and tho’ I mud condemn their Superdition, i cannot but applaud their Inventions. This People had a vad Didricf that wordiipp’d the Crocodile , which is an Animal, whofe Jaws being very oblong, give him the Opportunity of having a great many Teeth; and his Habitation and Bud- nels lying mod in the Water, lie, like our modern Dutcb-nhitjlers in Southwark, had a very good Stomach, and was extremely vo¬ racious. It is certain that he had the Water of Nile always ready, and conlequently the Opportunity of walking his. Mouth after Meals j yet he had farther occafion for other Inftruments to cleanfe his Teeth, which are ferrate, or like a Saw. To this end Nature has provided an Animal call’d the Ichneumon , which performs this Office, and is lb main¬ tain’d by the Product of its own Labour. $ 4 The ■ 'f ■ 3 # i 8 LETTERS to The Egypt ians feeing fuch an ufeful Sagacity in the Crocodile which they fo much reve¬ renc’d, Toon began to imitate it: Great Ex¬ amples eafily drawing the Multitude, fo that Jt became their conftant Cuftom, to pick their Teeth, and wafh their Mouths after eating. I cannot find in Marjhanis Dynajlies , nor in the Fragments of Manethon } what Year of the Moon, (for I hold the Egyptian Years to have been Lunar , that is, but of a Month’s conti¬ nuance) fo venerable an Ufage fird: began : For it is the fault of great Philologers to omit fuch things as are mod: material. Whi¬ ther Sefofiris in his large Conquefts might extend the ufe of them, is as uncertain; for the glorious A&ions of thofe Ages lie very much in the dark : It is very probable that the publick ufe of them came in about the lame time that the Egyptians made ufe of Juries. I find, in the Preface to the Third Part of Modern Reports , cc That the Chaldees iC had agreatEfteem for the number Twelve y cc becaufe there were fo many Signs of the Zodiac^ from them this Number came to ! c the Egyptiansj and fo to Greece , where Mars n Dr. Lifter, and others . 9 tC Mars himfelf was try’d for a Murther, and “ was acquitted. Now it does not appear upon Record, nor any Stone , that I have feen, whether the Jury club’d, or whether Mars treated them at Dinner, tho’it is moft likely that he did • for he was but a quarrelfome fort of Perfon, and probably, tho’ acquitted, might be as guilty as Count Coningfmark. Now the Cuftom of Juries dining at an Eating-houfe, and having Glajfes of Water brought them with Tooth-picks , ting’d with Vermillion fwimming -at the top, being ffill continued- why may we not imagine, That the Tooth-picks were as antient as the Dinner , the Dinner as the Juries, and the Juries at lead; as the Grandchildren of Mitisra 'm ? Ho¬ mer makes his Heroes feed fo grofly, that they feem to have had more occafion for Scewers than Gooj equilis. He is very tedious in defcribing a Smith’s Forge, and an Anvil; whereas he might have been more polite in letting out the Tooth-picl^-caje or painted Snuff- Box of Achilles , if that Age had not been fo barbarous as to want them. And here I can¬ not but confider, that Athens in the time of * Pericles . IO ’ LETTERS to Pericles, when it flourifh’d moft in fumptuous Buildings, and Rome in its Height of Em¬ pire from Auguffm down to Adrian , had no¬ thing that equalled the Royal or New Exchange , or Fope’s'head Alley for Curiofities and Toy- fbops • neither had their Senate any thing to alleviate their Debates concerning the Affairs of the Univerfe like Raffling fometimes at Gollonel Parfons’s. Although the Egyptians often extended their Conquefts into Africa and Ethiopia , and tho’ the Cafre Blacky have very fine Teeth • yet l cannot find that they make ufe of any fuch Inftrument; nor does Ludolfm, tho’ very exa& as to the Abyjjine Empire, give any account of a matter fo im¬ portant ; for which he is to blame, as I fiiali fhevv in my Treatife of Forks and Napkins , of which 1 fliall lend you an Effay with all Expedition. I fliall in that Treatife fully il- lufirate, or confute this Paffage of Dr. Hey- lin , in the third Book of his Cofmography , where he fays of the Chinefe , That they eat their Meat with two Sticky of Ivory , Ebony , or the like } not touching it with their Hands at all, and therefore no great Foulers of Linnen, T he II Dr. Lifter, and others The ufe of Silver Forks with us , by fome . of our fpruce Gallants taken up of late , came from hence into Italy, and from thence into England. I cannot agree with this Learned Do&or in inany of thefe Particulars. For firft the ufe of thefe Sticks is not fo much to fave Lin - nen , as out of pure Neceflity, which arifes from the length of their Nails, which Perfons of great Quality in thofe Countries w r ear at a prodigious length, to prevent all pofllhility of working, or being ferviceable to them- felves or others • and therefore if they would, they could not eafily feed themfelves with thofe Claws • and I have very good Autho¬ rity that in the Eajl^ and efpecially in Japan, the Princes have the Meat put into their Mouths by their Attendants, Bcfides, thefe Sticks are of no ufe but for their fort of Meat, which being Pilau , is all boil’d to Rags. But what would thofe Sticks fignifie to carve a Turkey-cock, or a Chine of Beef? Therefore our Forks are of quite different Shape, the Steel ones are Bidental , and the Silver generally refembling Tridents } which makes me think them to be as ancient as the Saturnian 12 LETTERS to Saturnian Race, where the former is'appro¬ priated to Pluto , and the latter to Neptune. It is certain that Pedro Della Valle , that fa¬ mous Italian Traveller, carried his Knife and Fork into the Eaji Indies , and he gives a large Account how at the Court of an Indian Prince he was admired for his Neatnefs in that par¬ ticular, and his Care in wiping that, and his Knife, before he return’d them to their refpe- £live Repofitories. I could wifh Dr. Wotton , in the next Edition of his Modern Learning, would fhew us how much we are improv’d fince Dr. Heylins time, and tell us the Ori¬ ginal of Ivory Knives , with which young Heirs are fuffer’d to mangle their own Pud¬ ding ^ as likewife of Silver and Gold Knives , brought in with the Defert for Carving Jel¬ lies and Orange-Butter and the indifpenfable Necefiity of a Silver Knife , at the Side-Board to mingle Sallads with, as is with great Learn¬ ing made out in a Treatife call’d Acetaria , concerning Drejpng of Sallads . A noble Work l But I tranfgrefs -—■— Dr. Lifter, and otherr. And yet pardon me, good Do&or, I had almoft forgot a thing that I would not have done for the World, it is fo remarkable. I think I may be pofitive from this Verfe of Juvenal , where he fpeaks of the Egyptians, Porrum ceepe nefas violare , &• frangere Morftt, That it was Sacrilege to chop a Lee\, or bite an Onion: Nay, I believe that it amounts to a Demonftration, That Pharaoh-Uecho could have no true Lenten Porridge , nor any Car¬ riers Sauce to his Mutton - the true Receipt of making which Sauce I. have from an an- tient MS. remaining at the Bull Inn in Bijhopf gate-Jlreet , which Runs thus : C£ Take feven « Spoonfuls of Spring Water, dice two £C Onions of moderate Size into a large Sau- u cer, and put. in as much Salt as you can , cc hold at thrice betwixt your Fore-finger and « thumb, if large, and ferve it up. Pro¬ batum eft , Hobfon Carrier to the Univerfity of Cambridge , 14 LETTERS to The Effigies of that worthy Perfon remains ffill at that Inn; and I dare fay, that not only Hobfon, but old Birch, and many others of that mufical and delightful Profeffion would rather have been Labourers at the Py¬ ramids with that Regale, than to have reign’d at Memphis, and have been debarred of it. I break off abruptly. Believe me an Admirer of your Worth, and a Follower of your Methods towards the encreafe of Learning and more efpecially Tour, &c. To Mr, S IR, I Am now very ferioufly employ’d in a Work that, I hope, may be ufeful to the Publick, which is a Poem of the Art of Cookery in Imitation of Horace's Art of Poetry infcrib’d to Dr. Lifter , as hoping it may be in time read Dr. Lifter,, and others. 15 read as a preliminary to his Works : blit I have not Vanity enough to think it will live fo long. I have in the mean time fent you an Imitation of Horace his Invitation of Tor¬ quatus to Supper, which is the 5th Epiftle of his firft Book. Perhaps you will find fb many Faults in this, that you may fave me the Trouble of my other Propofal, but how¬ ever take it as it is. If Bellvill can his gen’rous Soul confine 1 To afmall Room, few Diflies, and fome Wine, > I fhall exped my Happinefs at Nine. j Two Bottles of fmooth Palm, or Atijdu white. Shall give a Welcome, and prepare Delight. Then for the Bourdeaitx you may freely aft. But the Champaigne is to each Man his Flaflc. I tell you with what Force I keep the Field, And if you can exceed it, fpeak, I’ll yield. The Snow-white Damafk Enfigns are difplay’d. And glitt’ring Salvers on the Side-board laid. Thus i 6 LETTERS to Thus we’ll difperfe all bufie Thoughts and Cares, The General’s Counfels, and the Statefman’s Fears: Nor fljall Sleep reign in that precedent Night, Whofe joyful Hours lead on the glorious Light, Sacred to Britijb Worth in Blenhebtis Fight, The Blefiings of Good Fortune feem refus’d, Unlefs fometimes with generous Freedom us d. Tis Madnefs, not Frugality, prepares A vaft Excefs of Wealth for fquandring Heirs, Muft I of neither Wine, nor Mirth partake. Left the cenforious World ftiould call me Rake ? Who unacquainted with the gen’rous W ine, E’er fpoke bold Truths, or fram’d a great Defign? That makes us fancy ev’ry Face has-Charms j That gives us Courage, and then finds us Arms: Sees Care dilburthen’d, and each Tongue employ’d, The Poor grown Rich, and ev’ry Wiffi enjoy’d. This Dr. Lifter, and others. 1 7 This I’ll perform, and promife you fhall fee, A Cleanlinefs, from Affe&ation free: No Noife, no Hurry, when the Meat’s fet on. Or when the Diih is chang’d, the Servants gone : For all things ready, nothing more to fetch. What e’er you want is in the Mailer’s Reach. Then for the Company I’ll fee it chofe. Their Emblematick Signal is the Rofe. If you of Freemans Raillery approve, Of Cotton's Laugh, and Winners Tales of Love,’ And Bellairs charming Voice may be allow’d. What can you hope for better from a Crowd > But I fhall not prefcribe, confult your Eafe, Write back your Men, and number as you pleafe: Try yOur Back-flairs, and let the Lobby wait, A Stratagem in War is no Deceit. J am. Sir , yours , <5cc. C To i8 LETTERS to To Mr. T Here fend you what I promts d, a Uif J courje of Cookery} after the Method which Horace has taken in his Art of Yoetry , which I have ali along kept in my View r } for Ho¬ race certainly is an Author to be imitated in the Delivery of Precepts , for any Art or Science : He is indeed fevere upon our fort of Learning in fome of his Satyrs } but even there he inftru&s., as in the fourth Satyr of the I I fecond Book} [ * Tonga quibus facies o When all the. World knows that Queen Elizabeth was the firfi: that had her Coach, or wore Silk- Stockings: Neither can a Poet put Hops in an Engl if LETTERS to Englijhmans Drinh^ before Herefy came in: Nor can he ferve him with a Difti of Carps before that time: He might as well give King James the Firft a Difli of Afparagus upon his firft coming to London, which Were not brought into England till many Years after: Or make Owen Tudor prefent Queen Catherine with a Sugar-Loaf \ whereas he might as eafily have given her a Diamond as large: Seeing the Iceing of Cakes at Woodjireet Corner, and the Refining of Sugar , was but an Invention of Two hundred Years ftanding, and before that time our Anceftors fweetened and garnidl’d all with Honey, of which there are fome Remains : In Wind for Bowls , Baron Bracks and large Simnels fent for Prefents from Litchfeld. But now on the contrary it would {hew his Reading, if the Poet put a Hen-Turkey upon the Table in a Tragedy • and therefore I would advife it in Hamlet , inftead of their painted Trifles$ and I believe it would give more Sa¬ tisfaction to the ABors. For Diodorus Siculus reports, how the Sifters of Meleager , or Dio- r Dr. Lifter, and others. 3 3 medes mourning for their Brother , were turn’d into Hen-Turkeys -, from whence pro¬ ceeds their Statelinefs of Gate, Refervednefs in Converfation, and melancholy in the Tone of their Voice, and all their Actions. But this would be the moft improper Meat in the World for a Comedy •, for Melancholy, and Diftrefs require a different fort of Diet, as well as Language: and I have heard of a fair Lady, that was pleas’d to fay, that if fhe was upon a ftrange Road, and driven to great Neceffity, (he believ’d flie might for once, be able to fup upon a Sacl\ Pojfet and a fat Capon. I am fare Poets , as well as Coohy, are for having all Words nicely chofen, and pro¬ perly adapted; and therefore I believe they would faew the fame Regret that I do , to hear Perfons of fame Rank, and Quality, lay. Pray cut up that Goofe : Help me to jome of that Chicken^ Hen , or Capon , or half that Plo¬ ver , not confidering how indifcrcetly they talk, b fore Men of Art, whofe proper Terms are,' Bredl ^ that Goofe , frujl that Chicken: D fpoit LETTERS to fpoil that Hen : fauce that Capon : mince that Plover : If they are fo much out in common things , how much more will they be with Bitterns, Herons, Cranes , and Peacocks ? But Plover : If they are fo much out in common it is vain for us to complain of the Faults and Errors of the Worlds unlefs we lend our help¬ ing Hand to retrieve them. To conclude, our greateft Author of Dra- matick Poetry, Mr. Dryden , has made ufe of the Myfteries of this Art in the Prologues to two of his Plays, one a Tragedy, the other a Comedy, in which he has fliew’d his great- eft Art, and prov’d moft fuccefsful. I had not feen the Play for fome Years, before I hit upon almoft the fame Words that he has in the following Prologue to All for Love. Fops may have leave to level all they can, »• j As Pigmies wou’d be glad to top a Man. Half-Wits are Fleas, fo little and fo light. We fcarce cou’d know they live, but that they bite. Dr, Lifter, ani others. 5 5 But, as the Rich, when tir’d with daily Feafts, For change become their next poor Tenant’s Guefts: Drink hearty Draughts of Ale from plain brown Bowls , And fnatch the homely Rajher from the Coals: So you retiring from much better Cheer, For once may venture to do Penance here. And fince that plenteous Autumn now is paft, Whofe Grapes and Peaches have indulg'd your Taft, Take in good part from our poor Poet’s Board, Such fhrivel’d Fruit as Winter can afford. How Fops and Fleas fliou’d come together I cannot eafily account for • but I doubt not but his Ale, Rafher, Grapes, Peaches, and (hrivel’d Apples might Pit—- Box—and Gal- lery-it well enough. His Prologue to Sir Mar¬ tin Mar-all is fuch an exquifite Poem, taken from the fame Art, that l could wifti it tran- flated into Latin ^ to be prcfixt to Dr. Lifters Work : The whole is as follows. D a PRO. LETTERS to PROLOGVE. Fools which each Man meets in his DHh each Day, Are yet the great Regalia’s of a Play : In which to Poets you but juft appear. To prize that higheft which coft them fo dear. Fops in the Town more eafily will pafs, One Story makes a ftatutable Afs : But fuch in Plays muft be much thicker fown, Like Yolks of Eggs, a dozen beat to one. Obferving Poets all their Walks invade. As Men watch Woodcocks gliding through a Glade. And when they have enough for Comedy, They ’flow their feveral Bodies in a Pye. The Poet’s but the Cook to fafhion it. For, Gallants, you your felves have found the Wit. To bid you welcome would your Bounty wrong. None welcome thofe who bring their * Cheer along. * Some Criticks read it Chair. f The Z)>\ Lifter, and others. 37 The Image (which is the great Perfe&ion of a Poet) is fo extreme lively,and well painted, that methinks I fee the whole Audience with a Diih of Butter’d Eggs in one hand, and a Woodcock Pye in the other. I hope I may be excus’d after fo great an Example) for I declare I have no Defign but to encourage Learning, and am very far from any Defigns againft it. And therefore I hope the worthy Gentleman who faid that the Journey to Lon- drought to be burnt by the common Hang¬ man, as a Book, that if receiv’d,, would difcou- rage Ingenuity, would be pleas’d not to make his Burnfire at the upper end of Lkdgate-Jlreet, for fear of endangering the Bookfellers Shops and the Cathedral. I have abundance more to fay upon thefe Subje&s, but I am afraid my firft Courfe is fo tedious, that you will excufe me both the fecond Courfe and the Defert, and call for Pipes, and a Candle; but confider the Papers came from an old Friend, and fpare them out pf Compaffion to, Sir, &r. D? To 3 8 LETTERS to To Mr. - Sir, I Am no great Lover of Writing more than I am forc’d to, and therefore have not troubl'd you with my Letters to congratulate your good Fortune in London , or to bemoan our Unhappinefs in the lofs of you here. The occafion of this is to defire your Afliftance in , a matter that I am fallen into by the Advice of fome Friends^ but unlefs they help me, it will be impoflible for me to get out of it. I have had the Misfortune to——write ; but what is worfe, I have never confider’d whe¬ ther any one would read : Nay, I have been fo very bad as to defign to print, but then a wicked Thought came acrofs me with Who will buy ? For if I tell you the Title , you will be of my Mind, that the very Name will deftroy it: T he Art of Cookery , in buita - lion of Horaces Art of Vociry ) with fome fa¬ miliar Letters to Dr. Lifter and others , occa- jjon’d principally by the Title of a Book publish'd Dr. Lifter, and others, 39 publifh’d by the Do&or, concerning the Soups and Sauces of the Antients. To this a Beau will cry, Though l what have I to do with Kitchin-ftuf P To which I anfwer, Buy it and then give it to your Servants ; For I hope to live to fee the Day when every Miftrefs of a Family, and every Steward (hall call up their Children and Servants with, Come Mifs Betty , how much have you got of your Art of Cookery ? Where did you leave off, Mils j Isbel P Mifs Katty , are you no farther than t King Henry and the Miller P Yes, Madam, I am come to * it u: - Hk Name Jhall be enroll'd k In EftcourtY Booh 0 whofe Gridirons Frame a of Gold. fl I Pray Mother, is that our Maher Ejlcourt ? g Well, Child, if you mind this you fhan’t be t put to your Affemblies Catechifm next Sa¬ if,. turday: What a glorious fight it will be, and j. how becoming a great Family, to fee the u Butler out-learning the Steward, and the jl pinful Skullery Maid exerting her Memory ’J D 4 far 1 4 o LETTERS to ^ far beyond the mumping Houfe-keeper. I am told that if a Book is any thing ufeful, the Printers have a way of pirating one ano¬ ther^ and printing other Perfons Copies, which is very barbarous : And i then .{hall I be forc’d to come out with 7 he true Art of Cookery is only to be had at Mr. Pindar s a Pat- ten-Mahgr s under Sf. Dunftan.r Churchy w'ith the Author’s Seal at the Title Page, be¬ ing Three Sauce Pans in a Bend Proper on a Cooks Apron Argent : Bew T are of Counter¬ feits. And be forc’d to put out Advertife- ments wjlth Strops for Razors. And the beft Speckicles are to be had only at the Archi■ medes 0 &c. I defign Propofals which I mu ft get deli¬ ver’d to the Cooks Company, for the making an Order that every Prentice fhall have the Art of Cookery when he is bound, which he fhall fay by Heart before he is made free 5 and then he fhall have Dr. Lifters Book of Soups and Sauces deliver’d to him for his fu¬ ture Praftice. But you know better what I am to do than I. For the Kindnefs you may fhew Dr. Lifter, and others . 41 (hew me I (hall always endeavour to make what Returns lye in my Power. I am Tour, &c. To Mr. - Dear Sir, I Cannot but recommend to your Perufal a late exquifite Comedy call’d The Law - yers Fortune , or, Love in a Hollow iree } which Piece has its peculiar Embelifhments, and is a Poem carefully fram’d according to the niceft Rules of the Art of Cookery : For the Play opens with a Scene of good Hut- wifry, where Favourite the Houfe-keeper makes this Complaint to the Lady Bonona. Fav. The laft Mutton kill’d was lean, Madam, fhould not forne fat Sheep be bought in } Bon. What 42 LETTERS to Bon. What fay you, Let-Acre to it > Let. This is the world time of the Year for Sheep, the frefli Grafs makes ’em fall away, and they begin to tafte of the Wool j they muft be fpar’ti a while, and Favourite muft caft to fpe-nd fome fait Meat, and Fifh • I hope we fhall have fome fat Calves fhortly. What can be more agreeable than this to the Art of Cookery, where the Author fays. But tho’ my Edge be not too nicely fet. Yet I another’s Appetite may whet May teach him when to buy, when Seafon part:, * What’s dale, what-’s choice, what’s plentiful, what 6 waft, C And lead him through the various maze of Taft. In the fecond A61 Vdentine , Mrs. Bonona’s Son, the confummate Chara$er of the Play, having in the Firft A61 loft: his Hawk, and confcquently his Way, benighted and loji , and Dr. Lifter, and others. 43 and feeing a Light in a diftant Houfe, comes to the thrifty Widow FuriofaV, [which is exaCtly according to the Rule , A Prince who in a Foreft rides aftray] Where he fnds the old Gentlewoman carding, the fair Florida, her Daughter, working on a Parch - went, whilft the Maid is [pinning. Peg reaches a Chair, Sack, n call'd for, and in the mean time the good old Gentlewoman complains fo of Rogues, that fhe can fcarce keep a Goofe or a Turkey in S a f et y f or the™- Then Florida enters with a little white Bottle about a Pint, and an old Fafbiond Glafs, fils and gives her Mother, jbe drinks to Valentine, he to Flori¬ da, fhe to him again, he to Furiofa, who fets it down on the Table. After a (mail time the old Lady cries, Well tis my Bed-time, but my Daughter will [hew yon the way to yours, for [ know you would willingly be in it. This was extremely kind! Now upon her Retirement • fee the great Judgment of the Poets, fhe be¬ ing an old Gentlewoman that went to bed, he {hits the following Regale according to the Age of the Perfon *, had Boys been put to bed it had been proper to have laid the Goofe to 'ZJ LETTERS to 44 to the Fire, but here ’tis other wife : For af¬ ter Tome intermediate Difcourfe he is invited to a Repaft, when he modeftly excufes him- felf with. Truly , Madam ^ I have no Stomach to any Meat } but to comply with you. You have , Madam , entertain d me with all that's deferable already. The Lady tells him a cold Supper is better than none , fo he fits at the Table , offers to eat but can't. I am fure Horace himfelf could not have prepar’d himtelf more exa&ly, for [ac¬ cording to the Rule, A Widow has cold Pye ,] tho’ Valentine being Love-fick could not eat, yet it was his Fault and not the Poets. But when Valentine is to return the Civility, and to invite Madam Furio fa and Madam Flori- da , with other good Company, to his Mo- ther the hofpitable Lady Bonona'Sj ["who by the by had call’d for two Bottles of Wine for Latitat her Attorney,] then Affluence and Dainties are to appear [according to this Verfe, Mangoes , Potargo , Champignons , C avear ef\ And Mrs. Favourite the Houfe-keeper makes thefe mod important Enquiries. Fav. Mi- Dr. Lifter, and others. 45 Fav. Miftrefs, fhall I put any Muflirooms, Mangoes, or Bamboons into the Sallad ? Bon. Yes, I prithee, the beft thou haft. Fav. Shall I ufe Ketchop or Anchovies in the Gravy ? Bon. What you will. But however magnificent the Dinner might be, yet Mrs. Bonona , as the manner of fome Perfons is, makes her Excufe for it with, IVell y Gentlemen , can ye fpare a little time to take a jbort Dinner ? 1 promi fe you it fbarit be long. It is very probable, tho’ the Author does not make any of the Guefts give a relation of it, that Valentine being a great Sportfman, might furnifh the Table with Game and Wildfowl. There was at leaft one Phefant in the Koufe, which Valentine told his Mother of the Morn¬ ing before. tc Madam, I had a good Flight t Credite^ 53 The Art of Cookery In Imitation of * S % * HO RACEs Art of Poetry. To Dr. Lifter. Ngenious L -were a Picture drawn With Cynthia s Face, but with a Neck like Brawn j With Wings of Turkey, and with Feet of Calf, Tho’ drawn by Kneller , it would make you laugh ! Such is (good Sir) the Figure of a Feaft, By fome rich Farmer’s Wife and Sifter dreft. E 3 Which i H ft 1 ii De Arte Poetica. 54 Credite, Pifones, ifti tabui* fore librum Perfimilem, cujus, velit aegri fomnia, van* Fingentur fpecies: ut nec pes, nec caput uni Reddatur form*. Pi&oribus atque poetis Quidlibet audendi femper fuit *qua poteftas. Scimus, & hanc veniam petimufque damufque vi- ciflim: , Sed non ut placidis coeant immitia *, non ut Serpentes avibus gemmentur, tigribus agni. Incoeptis gravibus plerumque <3C magna profeffis. Purpureus, late qui fplendeat, unus <5e alter A (Tuitur pannus •, cum lucus, & ara Dian*, Et properantis aqu* per amoenos ambitus agros^ Aut flumen Rhenum, aut pluvius defcribitur arcus. SeJ nunc non erat his locus: &i fortafle cupreffum Scis fimulare : quid hoc, fi fractis enatat exfpes Navibus, *re dato qui pingitur ? amphora coepit Infiitui - - The Art of Cookery. 55 Which, were it not for Plenty and for Steam, Might be refembled to a lick Mans Dream, Where all Ideas hudling run fo faft, That Syllibubs come firft, and Soups the laid. Not but that Cooks and Poets (till were free. To ufe their Pow’r in nice Variety ^ Hence Mac’rel feem delightful to the Eyes, Tho’ drefs’d with incoherent Goofeberries. Crabs, Salmon, Lobfters ares, with Fennel fpread. Who never touch’d that Herb till they were dead j Yet no Man lards fait Pork with Orange Peel, Or garnilhes his Lamb with Spitchcockt Eel. A Cook perhaps has mighty things profeft, Then fent up but two Difhes nicely dreft, What fignifie Scotcht-Collops to a Feaft ? Or you can make whip’d Cream! Pray what Will that be to a Saylor who wants Beef ? E 4 Who, Inftitui: currente rota cur^urceus exit ? Denique fit quod vis fimplex duntaxat & unum. De Arte Poetica. Maxima pars vatum (pater, &C juvenes patre digni) Decipimur fpecie redi. Brevis efle laboro, Obfcurus fio : fedantem laevia, nervi Deficiunt animique: profeffus grandia, turget ? Serpit humi, tutus nimium, timidufque procellae ; Qui variare cupit rem prodigialiter unam. Delphinum filvis appingit, fludibus aprum. ' In vitium ducit culpae fuga, fi caret arte. wn iEmilium circa ludum faber imus <3t ungues Exprimet, 8t molles imitabitur aere capillos *, Infelix operis fumma, quia ponere totum Nefciet, Hunc ego me, fi quid componere curem. Non The Art of Cookery. 57 Who, lately, fliip-wreckt, never can haveEafe, Till re-eftablifh'd in his Pork and Peafe. When once begun let Induftry ne’er ceafe Till it has render’d all things of one Piece : At your Defert bright Pewter comes too late. When your firft Courfe was all ferv’d up in Plate. Moft knowing Sir! the greateft part of Cooks Searching for Truth, are couzen’d by its Looks. One wou’d have all things little, hence has try’d Turkey Poults frelh, from th’ Egg in Batter fry’d: Others, to {hew the largenefs of their Soul, Prepare you Muttons fwol’d, and Oxen whole. To vary the fame things fome think is Art. By larding of Hogs-feet and Bacon Tart, The Taft is now to that Perfe&ion brought. That Care, when wanting Skill, creates the f ault. In r 58 De Arte Poetica. Non magis eifq velim, quam pravo vivere nafo, Spedandum nigris oculis, nigroque capillo. Sumite materiam veftris, qui fcribitis, sequam Viribus 3 & verfate diu, quid ferre recufent. Quid valeant humeri. Cui leda potenter erit res. Nec facundia deferet hunc, nec lucJdus ordo. Ordinis hasc virtus erit, venus, aut ego fallor. Ut jam nunc dicat, jam nunc debentia dici Pleraque differat, & prasfens in tempus omittat j Hoc amat, hoc fpernat, promifli carminis audor. In verbis etiam tenuis cautufque ferendis, Dixeris egregie, notum fi callida verbum Reddiderit jundura novum. Si forte neceife eft Indiciis monftrare recentibus abdita rerum j Fingere cindutis non exaudita Cethegis Continget, The Art of Cookery. 5 9 In Covent-Gardon did a Taylor dwell. Who might deferve a place in his own Hell: Give him a Angle Coat to make, he’d do’tj A Veil, or Breeches fingly, but the Brute Cou’d ne’er contrive all three to make a Suit: Rather than frame a Supper like fuch Cloaths, I’d have fine Eyes and Teeth without my Nofe. You that from pliant Pafte wou’d Fabricks raife, Expe&ing thence to gain immortal Praife, jp Your Knuckles try, and let your Sinews know Their Power to knead, and give the Form to Dough, Chufe your Materials right, your feas’ning fix, V And with your Fruit refpfendent Sugar mix : From thence of courfe the Figure will arife. And Elegance adorn the Surface of your Pies. Beauty 60 De Arte Poetica. 1 Continget, dabiturque licentia fumta pudenter : Et nova fidaque nuper habebunt verba fidem, fi Graeco fonte cadent, parce detorta. Quid autem Csci lio Plautoque dabit Romanus, ademtum Virgilio Varioque ? ego cur, acquirere pauca Si poffum, invideor:, cum lingua Catonis & Enni Sermonem patrium ditaverit, & nova rerum Nomina protulerit ? licuit, femperque licebit Signatum praefente nota producere nomen. Ut filvse foliis pronos mutantur in annos. ^ Prima cadunt: ita verborum vetus interit aetas, Et juvenum ritu florent modo nata, vigentque. Debemur morti nos noftraque : live receptus Terra Neptunus claffes Aquilonibus arcet. Regis opus \ fterilifque diu palus, aptaque remis Vicinas urbes alit, & grave fentit aratrum : Seu curfum mutavit iniquum frugibus amnis, Dodus iter melius, mortalia fada peribunt: Nedum The Art of Cookery. 61 Beauty from Order fprings, the judging Eye Will tell you if one Angle Plates awry. The Cook muft ftill regard the prefent time, T’omit what’s juft in Seafon is a Crime. Your infant Peafe to Sparrrowgrafs prefer. Which to the Supper you may belt defer. Be cautious how you change old Bills of Fare, Such Alterations Ihou’d at leaft be rare \ Yet Credit to the Artift will accrue, Who in known things ftill makes th’ appearance new* Frelh Dainties are by Britain *s Traffick known. And now by conftant Ufe familiar grown y What Lord of old wou’d bid his Cook prepare. Mangoes, Potargo, Champignons, Cavare > Or wou’d our thrum-cap’d Anceftors find fault For want of Sugar-Tongs, v or Spoons for Salt. * 3 * 6 2 De y^/e Poetica. 1 Nedum fermonum ftet honos, & gratia vivax. Multa renafcentur, quas jam cecidere •, cadentque, Qiiae nunc funt in honore vocabula, li volet ufus j Quem penes arbitrium eil, <5v jus, norma lo¬ quendi. Res gefte regumque ducumque, & triflia bella. Quo fcribi polient numero monftravit Homerus. Verlibus impariter jun&is querimonia primum, Poll etiam inclufa eft voti fententia compos. Quis tamen exiguos elegos emiferit auftor. Grammatici certant, & adhuc fub judice lis eft. Archilochum proprio rabies armavit iambo. Hunc focci cepere pedem grandefque cothurni. Alternis aptum fermonibus, &i populares Vincentem ftrepitus, <3c natum rebus agendis. Mufa The Art of Cookery. New things produce new words, and thus Monteth Has by one Veffel fav’d his Name from Death. The Seafons change us all, by Autumn’s Froft The fhady Leaves of Trees and Fruit are loft. But then the Spring breaks forth with frefh Supplies, Aud from the teeming Earth new Buds arife. So Hubble Geefe at Michaelmas are feen Upon the Spit, next May produces green. The Fate of things lies always in the dark. What Cavalier wou’d know St- James 's Park ? For Locket's, Hands where Garden’s once did fpring, And Wild-Ducks quack where Grafs-hoppers did ling. A Princely Palace on that Space does rife. Where Sidleys, noble Mufe found Mulberries. Since Places alter thus, what confiant Thought Of filling various Diihes can be taught } For he pretends too much, or is a Fcol, Who’d fix thofe things where Falhion is the Rule. 64 ^17 De Arte Poetica . 11 Mufa dedit fidibus Divos, puerorque Deorum, Et pugilem vi&orem, & equum certamine primum, Et juvenum curas, & libera vina referre. Defcriptos fervare vices operumque colores. Cur ego, fi nequeo ignoroque, poeta falutor > Cur nefcire, pudens prave, quam difeere malo ? I ] ♦ Verfibus exponi tragicis res comica non vult: ? Indignatnr item privatis ac prope focco Dignis carminibus narrari caena Thyefta?. Singula quaque locum teneant fortita decenter. Interdum tamen 5c vocem comoedia tollit, Iratufque Chremes tumido delitigat ore : Et tragicus plerumque dolet fermone pedeftri, Telephus St Peleus, cum pauper St exui uterque, Projicit ampullas St fefquipedalia verba j The Art of Cookery . 6 King Hardicnute mitlft Danes and Saxons flout. Carous’d in nut-brown Ale, and din’d on Grout : Which Dilh its prifline Honour flill retains, And when each Prince is crown’d, in Splendor reigns. By Northern Cuftom, Duty was expreft To Friends departed by their Fun’ral Feafl. Tho’ I’ve confulted Hollingfhead and Stow, I find it very difficult to know Who to refrefh th’ Attendants to a Grave, Burnt-Claret firft, or Naples -Bifket gave. Trotter from Quince, and Apples firft did frame A Pye which ftill retains his proper Name, Tho’ common grown, yet with white Sugar ftrow’d, And butter’d right, its Goodnefs is allow’d. F As 1 The Art of Cookery . As Wealth flow’d in, and Plenty fprang from Peace, Good Humour reign’d, and Pleafures found encreafe, Twas ufual then the Banquet to prolong. By Mufick’s Charm, and fome delightful Song; Where ev’ry Youth in pleafing Accents ft rove, To tell the Stratagems and Cares of Love. How fome fuccefsful were, how others croft; Then to the fparkling Glafs wou’d give his Toft; Whofe Bloom did moft in his Opinion ftiine, To relifh both the Mufick and the Wine. Why am I ftil’d a Cook, if Pm fo loth To marinate my Fifh, or feafon Broth, Or fend up what I roll with pleafing Froth: If I my Mafter’s Gufto won’t difcern. But thro’ my balhful Folly fcorn to learn > F 2 When . ii I»V7 * A ■ • > ■ • r . • : -J ' J i M ' ' . ' • . : “:v : .. - The Art of Cookerj. When among Friends good Humour takes its Birth, *Tis not a tedious Feaft prolongs the Mirth *, But ’tis not reafon therefore you (hou’d fpare, When as their future Burghefs you prepare, > For a fat Corporation and their Mayor. j All things fhou’d find their room in proper place. And what adorns this Treat, wou’d that difgrace. Sometimes the Vulgar will of Mirth partake. And have exceflive Doings at their Wake : Ev’n Taylors at their yearly Feafts look great. And all their Cucumbers are turn’d to Meat. A Prince who in a Foreft rides a if ray. And weary to fome Cottage finds the way. Talks of no Pyramids of Fowl or Bilks of Fiflb, But hungry fups his Cream ferv’d up in Earthen Difh: Quenches his Third: with Ale in nut-brown Bowls, And takes the hafty Radier from the Coals: F 3 Pleas’d 70 De Arte Poetica, Si curat cor fpe&antis tetigiffe querela* Non fatis eft pulchra elle poemata *, dulcia funto, Et quocunque volent, animum auditoris agunto. Ut ridentibus arrideflt, ita flentibus adfunt Humani vultus. Si vis me flere, dolendum eft Primum ipli tibi 3 tunc tua me infortunia lasdent* Telephe, vel Peleu: male fi mandata loqueris. Aut dormitabo, aut ridebo, triftia masftum Vultum verba decent ^ iratum, plena minarum 5 Ludentem, lafciva ^ feverum, feria diclu. Format enim natura prius nos intus ad omnem Fortunarum habitum j juvat, aut impellit ad iram, Aut ad humum moerore gravi deducit, & angit: Poft effert animi motus interprete lingua, Si dicentis erunt fortunis abfona difta, Romani The Art of Cookery . Pleas’d as King Henry with the Miller free. Who thought himfelf as good a Man as He. Unlefs fome Sweetnefs at the Bottom lye* Who Cares for all the crinkling of the Pye ? If you wou’d have me merry with your Cheery Be fo your felf, or fo at leaft appear. The things we eat by various Juice controtii. The Narrownefs or Largenefs of our Soul. Onions will make ev’n Heirs or Widows weep, The tender Lettice brings on fofter Sleep. Eat Beef or Pye-cruft if you’d ferious be: Your Shell-fifh raifes Venus from the Sea i For Nature that inclines to Ill or Good, Still nouriflies our Paflions by our Food. t 4 Happy’ f 72 De Arte Poetica . Romani tollent equites peditefque cachinnum. Intererit multum, Davufne loquatur, an heros } Maturufne fenex, an adhuc florente juventa Fervidus j an matrona potens, an fedula nutrix *, Mercatorne vagus, cultorne virentis agelli Colchus, an Aflyrius 5 Thebis nutritus, an Argis. Aut The Art of Cookery. 73 Happy the Man that has each Fortune try’d. To whom (he much has giv'n, and much deny’d: With Abftinence all Delicates he fees. And can regale himfelf with Toaft and Cheefe. Your Betters will defpife you if they fee, Things that are far furpafling your degree Therefore beyond your Subftance never treat, ’Tis Plenty in fmall Fortune to be neat. Tis certain that a Steward can't afford An Entertainment equal with his Lord. Old Age is frugal, gay Youth will abound With Heat, and fee the flowing Cup go round. A Widow has cold Pye, Nurfe gives you Cake, From gen’rous Merchants Ham or Sturgeon take. The Farmer has brown Bread as frelh as Day, And Butter fragrant as the Dew of May. CornvpA 74 De Arte Poetica. Aut famam fequere, aut fibi convenientia finge Scriptor. Honoratum fi forte reponis Achillem ^ Impiger, iracundus, inexorabilis, acer, Jura neget fibi nata, nihil non arroget armis* Sit Medea ferox invi&aque, flebilis Ino, Perfidus Ixion, Io vaga, tfiftis Orefte 9 .' Si quid inexpertum fcens committis, &C audes Perfonam formare novam ; fervetur ad imum The Art of Cookery . 75 Cornwal Squab-Pye, and Devon White-Pot brings. And Leijier Beans and Bacon, Food of Kings ! At Chriftmas time be careful of your Fame, See the old Tenants Table be the fame \ Then if you wou’d fend up the Brawner’s Head, Sweet Rofemary and Bays around it fpread: His foaming Tufts let fome large Pippin grace. Or midfl: thofe thundering Spears an Orange place* Sauce like himfelf, offenfive to its Foes, The Roguilh Muftard, dang’rous to the Nofe. Sack and the well-fpic’d Hippo eras the Wine ‘1 Waffail the Bowl with antient Ribbands fine, > Porridge with Plumbs, and Turkeys with the Chine.) If you perhaps wou’d try fome Diili unknown, Which more peculiarly you’d make your own. Like De Arte Poetica. Qualis ab incoepto procefferit, & libi condet. Difficile eft proprie communia dicere: tuque Redius Iliacum carmen deducis in adus, Quam fi proferres ignota indidaque primus. Publica materies, privati juris erit, fi Non circa vilem patulumque moraberis orbem ^ Nec verbum verbo curabis reddere fidus Interpres 5 nec defilies imitator in ardum, Unde pedem proferre pudor veter, aut operis lex. Nec fic incipies, ut fcriptor cyclicus olim : fortunam Priami cantabo , & nobile bellum. Quid dignum tanto feret hic promifTor hiatu ? Parturient Montes: nafcetur ridiculus mus. Quanto redius hic, qui nil molitur inepte : 4 Dic The Art of Coohery. 77 Like antient Sailors Hill regard the Coaft, By ven’tring out too far you may be loft. By rolling that which our Forefathers boil’d. And boiling what they rolled much is fpoil’d. That Cook to Britifo Palates is complete Whofe fav’ry Hand gives Turns to common Meat. Tho’ Cooks are often Men of pregnant Wit, Through Nicenefs of their Subject, few have writ. In what an awkard Sound that antient Ballad ran. Which with this bluft’ring Paragraph began ? Cbetc toag a $ztnce of Hubbetf an&, SI potentate of fjfgb Command, Cen tboufanb 23afie^ Did attend btm> Con tboufanb defter# did befriend btnr, Cliefe biongijt l)im fetflmg Crufts, anb tbofc fought btm fnxali 25ecr, before be vofe. Ths fe T ” 7 1 78 De Arte Poetica . Dic mihi, Mufa , virum ., capta pojl tempora Troja, Qui mores hominum multorum vidit, & urbes. Non fumum ex fulgore, fed ex fumo dare lucem Cogitat, ut fpeciofa dehinc miracula promat, Antiphaten, Scyllamque, & cum Cyclope Cha- rybdim. Nec reditum Diomedis ab interitu Meleagri, Nec • ^ \ iliifl: 79 The Art of Cookery . The Author raifes Mountains feeming full. But all the Cry produces little Wool; So if you fue a Beggar for a Houfe, And have a Verdid, what d’ye gain? a Loufe, Homer more modeft, if we fearch his Books, Will fliew us that his Heroes all were Cooks; How lov’d P atrocius with Achilles joins. To quarter out the Ox, and fpit the Loins, Oh cou’d that Poet live ! cou’d he rehearfe Thy Journey, L -—• in immortal Verfe! Mufe, fmg the Man that did to Paris go. That he might tajle their Soups, and Mujhrooms know . Oh how would Homer praife their Dancing Dogs, Their {linking Cheefe, and Fricafy of Frogs! He'd 8 o De Arte Foetica. Nec gemino bellum Trojanum orditur ab ovo: Semper ad eventum feftinat j & in medias res. Non fecus ac notas, auditorem rapit: & quas Defperat tra&ata nitefcere poffe, relinquit: Atque ita mentitur, fic veris falfa remifcet. Primo ne medium, medio ne difcrepet imum. Tu, quid ego <3C populus mecum defideret, audi. Si plauforis eges aulasa manentis, Sc ufque CeiTuri, donec cantor. Vos plaudite, dicat j jEtatis cujufque notandi funt tibi mores, Mobilibufque decor naturis dandus, Sc annis. Reddere qui voces jam fcit puer, & pede certo Signat humum •, geftit paribus colludere, Sc iram Colligit ac ponit temere, Sc mutatur in horas. Imberbis The Art of Cookery. 81 He’d raife no Fables, ling no flagrant Lye, Of Boys with Cuftard choak’d at Newberry^ But their whole Courfes you’d entirely fee. How all their Parts from firft to laft agree. If you all forts of Perfons wou’d engage, Suit well your Eatables to ev’ry Age* The Fav’rite Child that juft begins to prattle. And throws away his Silver Bells and Rattle, Is very humorfome, and makes great clutter, Till he has Windows on his Bread and Butter: He for repeated Supper-Meat will cry. But won’t tell Mammy what he’d have, or why> G The 82 De Arte Poetica . Imberbis juvenis, tandem cuftode remoto. Gaudet equis, canibufque, St aprici gramine campi \ Cereus in vitium fle£ti, monitoribus afper. Utilium tardus provifor, prodigus aeris. Sublimis, cupidufque, St amata relinquere pernix. \ Converfis (ludiis, zetas animufque virilis Quaerit opes St amicitias, infervit honori j Commifille cavet quod mox mutare laboret. Multa fenem circumveniunt incommoda *, vel quod Qiiaerit, St inventis mifer abftinet, ac timet uti *, Vel Tbe Art of Cookery. 83 The fmooth fac'd Youth that has new Guardians chofe. From Play-Houfe fteps to Supper at the Rofe t Where he a Main or two at Random throws: Squan’dring of Wealth, impatient of Advice, His eating muft be Little, Coftly, Nice. Maturer Age to this Delight grown flrange. Each Night frequents his Club behind the Change . Expecting there Frugality and Health, And Honour rifing from a Sheriff’s Wealth: Unlefs he fome Infurance Dinner lacks, Tis very rarely he frequents Pontacks. But then old Age, by flill intruding Years, Torments the feeble Heart with anxious Fears: G a Morofe, 8 4 De Arte Poetica. Vel quod res omnes timide gelideque miniftrat, Dilator, fpe longus, iners, avidufque futuri, Difficilis, querulus, laudator temporis adi Se puero, caftigator cenforque minorum. Multa ferunt anni venientes commoda fecum, Multa recedentes adimunt, Ne forte feniles Mandentur juveni partes, pueroque viriles j Semper in adjundis, aevoque morabimur aptis. Aut agitur res in fcenis, aut ada refertur. Segnius irritant animos demiila per aurem. Quam quas funt oculis fubjeda fidelibus, & quas Ipfe fibi tradit fpedator. Non tamen intus Digna geri, promes in fcenam: multaque tolles Ex oculis, quas mox narret facundia praefens. Nec pueros coram populo Medea trucidet 5 The Art of Cookery. 85 | Morofe, perverfe in Humor, diffident. The more he Hill abounds, the lefs content. His Larder and his Kitchin too obferves. And now, left he ffiou’d want hereafter, ftarves ; Thinks Scorn of all the prefent Age can give. And none thefe threefcore Years knew how to live. But now the Cook muft pafs thro’* all degrees. And by his Art difcordant Tempers pleafe. And minifter to Health and to Difeafe. Far from the Parlor have your Kitchin plac’d. Dainties may in their working be difgrac’d. In private draw your Poultry, clean your Tripe, And from your Eels their flimy Subftance wipe. Let cruel Offices be done by Night, For they who like the Thing abhor the Sight. 86 Ve Arte Poetica. Aut humana palam coquat exta nefarius Atreus *, Aut in avem Progne vertatur, Cadmus in anguem. Quodcunque oftendis mihi fic, incredulus odi. Neve minor, neu fit quinto produ&ior actu Fabula, quae pofci vult, & fpe&ata reponi. Nec Deus interfit, nifi dignus vindice nodus Inciderit: nec quarta loqui perfona laboret. Aftoris The Art of Cookery . Next let Difcretion moderate your Coll, And when you treat, three Courfes be the mod. Let never frefti Machines your Paftry try, Unlefs Grandees or Magiftrates are by. Then you may put a Dwarf into a Pye. Or if you’d fright an Alderman and Mayor, Within a Pally lodge a living Hare 5 Then midll their graved; Furs fhall Mirth arife. And all the Guild purfue with joyful Cries. Crowd not your Table, let your Number* be Not more than fev’n, and never lefs than three. 88 De Arte Poetica. Adoris partes chorus, officiumque virile Defendat: neu quid medios intercinat adus. Quod non propofito conducat, &C hasreat apte. Ille bonis faveatque & confilietur amice. Et regat iratos, & amet peccare timentes Ille dapes laudet menfe brevis, ille falubrem Juftitiam, legefque, & apertis otia portis: Ille tegat commifla, Deofque precetur, < 3 c oret, Ut redeat miferis, abeat fortuna fuperbis. Tibia The Art of Cookery. 89 Tis the Defert that graces all the Feaft, For an ill end difparages the reft: A thoufand things well done, and one forgot, • Defaces Obligation by that Blot. Make your tranfparent Sweet-meats truly nice, With Indian Sugar and Arabian Spice : And let your various Creams incircl’d be With fwelling Fruit juft ravifh’d from the Tree. Let Plates and Difhes be from China brought. With lively Paint and Earth tranfparent wrought. The Feaft now done Difcourfes are renew’d. And witty Arguments with Mirth purfu’d : The cheerful Mafter midft his jovial Friends, His Glafs to their beft Willies recommends. The Grace Cup follows to his Sovereign s Health, And to his Country Plenty, Peace and Wealth. Perform- 9 ° De Arte Poetica. Tibia non, ut nunc, orichalco vinda, tubaeque jEmula *, fed tenuis, limplexque foramine pauco Afpirare, 6c adeffe choris erat utilis, atque Nondum fpifla nimis complere fedilia flatu : Quo fane populus numerabilis, utpote parvus. Et frugi, caftufque, verecundufque coibat. Poftquam coepit agros extendere victor, 6c urbem Latior a tripled i murus, vinoque diurno Placari Genius feftis impune diebus ^ Accedit numerifque modifque licentia major. Indodus quid enim faperet liber que laborum Rufticus urbano confufus, turpis honefto ? Sic prifcas motumque & luxuriam addidit arti Tibicen, 9 1 The Art of Cookery. Performing then the Piety of Grace, Each Man that pleafes reaifumes his place: • * While at his Gate from fuch abundant Store, He ffiow’rs his God-like Bleffings on the Poor. In Days of old our Fathers went to War, Expe&ing fturdy Blows, and hardy Fare: Their Beef they often in their Murrions ftew’d. And in their Balket-Hilts their Bev’rage brew d. Some Officer perhaps might give Confent, To a large cover’d Pipkin in his Tent, Where ev’ry thing that ev’ry Soldier got, 1 Fowl, Bacon, Cabbage, Mutton, and what not, > Was all thrown into Bank, and went to Pot. ) But when our Conquefts were extenfive grown. And thro’ the World our Britijh Worth was known. Wealth on Commanders then flow’d in a '% Their Champaign fparkl'd equal with the De Arte Poetica. 9 2 Tibicen, traxitque vagus per pulpita veftem : Sic etiam fidibus voces crevere feveris, V • ' / •- Et tulit eloquium infolitum facundia praeceps: Utiliumque fagax rerum, Se divina futuri. Sortilegis non difcrepuit fententia Delphis. Carmine qui tragico vilem certavit ob hircum, Mox etiam agreftes Satyros nudavit, Se afper Incolumi gravitate jocum tentavit: eo quod Illecebris erat Se grata novitate morandus Spedator, fundufque facris, Se potus. Se exlex. Veriim ita rifores, ita commendare dicaces Conveniet Satyros, ita vertere feria ludo. Ne, quicunque Deus, quicunque adhibebitur heros. Regali confpedus in auro nuper Se oftro, ’ Migret in obfcuras humili fermone tabernas Aut, dum vitat humum, nubes Se inania captet. Effutire leves indigna tragoedia verfus: Ut feftis matrona moveri juffa diebus. Intererit The Art of Cookery. 93 Quails, Beccoficos, Ortelans were fent To grace the Levee of a Gen’ral’s Tent. In their gilt Plate all Delicates were feen. And what was Earth before became a rich Terrene. When the young Players get to IJlington , They fondly think that all the World’s their own : Prentices, Parilh-Clerks, and He&ors meet, He that is drunk, or bullied, pays the Treat. Their Talk is loofe, and o’er their bouncing Ale, At Conftables and Juftices they rail.r Not thinking Cuftard fuch a ferious thing. That Common Council Men ’twill thither bring, Where many a Man at variance with his Wife, With foft’ning Mead and Cheefe-Cake ends the Strife. O' Be Arte Poetica. Intererit Satyris pauliim pudibunda protervis. Non ego inornata, & dominantia nomina foliim. Verbaque, Pifones, Satyrorum fcriptor atnabo: Nec fic enitar tragico differre eoiori, Ut nihil interfit, Davufne loquatur, & audax Pythias, emundo lucrata Simone talentum j An cuftos famulufque Dei Silenus alumni. Ex noto fidum carmen fequar : ut fibi quivis Speret idem j fudet multum, fruflraque laboret Aufus idem. Tantum feries junduraque pollet : Tantum de medio fumtis accedit honoris. Silvis dedudi caveant, me .judice, Fauni, Ne velut innati triviis, ac pene forenfes. Aut nimium teneris juvenentur verfibus unquam. Aut immunda erepent, ignominiofaque dida. Offenduntur enim, quibus eft equus, & pater, «Stres: Nec, fi quid fridi ciceris probat &C nucis emtor, jEquis accipiunt animis, donantve corona. 4 Syllaba The Art of Cookery. Ev’n Squires come there, and with their mean Difcourfe, Render the Kitchin, which they fit in, worfe. Midwives demure, and Chamber-Maids moft gay. Foremen that pick the Box and come to play, * Here find their Entertainment at the Height, In Cream and Codlings rev’ling with Delight. What thefe approve the great Men will diflike. But here’s the Art, if you the Palate ftrike By Management of common things fo well. That what was thought the meaneft, fhall excel ^ While others drive in vain, all Perfons own Such Dilhes cou’d be dreft by you alone. When * < J V De Arte Poetica . Syllaba longa brevi fubjefla, vocatur jambus, Pes citus: unde etiam trimetris accrefcere juffit Nomen iambeis, cum fenos redderet ictus, Primus ad extremum fimilis fibi. Non ita pridem, Tardior ut paulo graviorque veniret ad aures. Spondeos flabiles in jura paterna recepit Commodus & patiens-, non ut de fede fecunda Cederet aut quarta focialiter. Hic & in Acci Nobilibus trimetris apparet rarus, & Enni: In fcenam miffos magno cum pondere verfus. Aut operae celetis nimium, curaque carentis. Aut ignoratae premit artis crimine turpi. Non quivis videt immodulata poemata judex . Et data Romanis venia eft indigna poetis. Idcircone vager, fcribamque licenter ? an omnes Vifaros peccata putem mea, tutus, 6c intra Spem veniae cautus? vitavi denique culpam, Non - 'w , The Art of Cookery . When ftraiterid in your time, and Servants few. You’ll rightly then compofe an Ambigue : Where firft and fecond Courfe, and your Defert All in our (ingle Table have their part ; From fuch a vaft Confufion ’tis Delight, To find the jarring Elements unite, . And raife a Structure grateful to (he Sight, A * ' \ ‘ *' Be not too far by old Example led. With Caution now we in their Footfteps tread i The French our Relifh help, and well fupply The want of things too grofs by Decency. H bixs - 98 De Arte Poetica. Non laudem merui. Vos exemplaria Graeca Nodurna verfate manu, verfate diurna. At noflri proavi Plautinos & numeros &C Laudavere fales •, nimium patienter utrumque. Ne dicam fluite, mirati ^ fi modo ego & vos Scimus inurbanum lepido feponere dido, Legitimumque fonum digitis callemus, Sc aure. Ignotum tragicae genus invenifTe camenae Dicitur, & plauflris vexiffe poemata Thefpis, Quae canerent agerentque perundi fascibus ora. Pofl hunc perfonas Palisque repertor honefbe JEfchylus, modicis inftravit pulpita tignis. Et docuit magnumque loqui, nitique cothurno. Succeffit vetus his Comoedia, non fine multi Laude: fed in vitium libertas excidit, 6c vim Dignam lege regi: lex efl accepta, chorufque Turpiter obticuit, fublato jure nocendi. ^ , • ", ' The Art of Cookery. gy Our Fathers moft admir’d their Sauces fweet, And often alk’d for Sugar with their Meat * 5 They butter’d Currants on fat Veal bellow’d, And Rumps of Beef with Virgin Honey ftrew’d. Inlipid Taft, old Friend, to them who Paris know. Where Rocombole, Shallot, and the rank Garlick grow. » Tom Bold did firft begin the Strolling Mart, And drove about his Turnips in a Cart: Sometimes his Wife the Citizens wou’d pleafe. And from the fame Machine fell Pecks of Peafe. Then Pippins did in Wheel-barrows abound. And Oranges in Whimfey-boards went round. Befs Hoy firft found it troublefome to bawl. And therefore plac’d her Cherries on a Stall } Her Currants there and Goofeberries were fpread, With the enticing Gold of Ginger-bread : H 2 But lOO O' De Arte Poetica . Nil intentatum noftri liquere poetic, Nec minimum meruere decus, veftigia Grasca Aufi deferere. Si celebrare domeftica fafta, Vel qui pretext as, vel qui docuere rogatas. Nec virtute foret clarifve potentius armis. Quam lingua, Latium, fi non offenderet un um - Quemque poetarum limas labor. Si mora, vos, 6 Pompilius fanguis, carmen reprehendite, quod non Multa dies Si multa litura coercuit, atque Perfedum decies non caftigavit ad unguem. Ingenium The Art of Cookery. i o i But Flounders, Sprats, and Cucumbers were cry’d, And ev’ry Sound, and ev’ry Voice was try’d. At lafl the Law this hideous Din fuppreft, And order’d that the Sunday fhould have red. And that no Nymph her noify Food fhould fell. Except it were new Milk or Maccarel. There is no Difh but what our Cooks have made, And merited a Charter by their Trade. Not French Kick-fhaws, or Oglio’s brought from Spain, Alone have found Improvement from their Brain \ But Pudding, Brawn, and White-pots own’d to be Th’ Effeds of Native Ingenuity. * Our Britijh Fleet which now commands the Main Might glorious Wreaths of Vidory obtain ) . H 3 Wou’d 102 O' Ve Arte Poetica. Ingenium mifera quia fortunatius arte Credit, & excludit fanos Helicone poetas Democritus 3 bona pars non ungues ponere curat. Non barbam : fecreta petit loca, balnea vitat. Nancifcetur enim precium nomenque poeta?, Si tribus Antyciris caput infanabile, nunquam Tonfori Licino commiferit. O ego lasvus. Qui purgo bilem, fub verni temporis horam! Non alius faceret meliora poemata : verum Nil tanti eft. Ergo fungar vice cotis, acutum Reddere quas ferrum valet, exfors ipfa fecandi: 4 Munus. The Art of Cookery. 103 } Wou’d they take time : Wou’d they with Leifure work. With Care wou’d fait their Beef, and cure their Pork •, Wou’d boil their Liquor well whene’er they brew, Their Conqueft half is to the Victualler due. Becaufe that Thrift and Abftinence are good, As many things if rightly underftood, Old Crofs condemns all Perfons to be Fops That can’t regale themfelves with Mutton-Chops. He often for ftuft Beef to Bedlam runs, And the clean Rummer, as thePeft Houfe, Hi tins. Sometimes poor Jack and Onions are his Difh, And then he faints thofe Fryars who ftink of Fifli. As for my felf I take him to abftain. Who has good Meat, with Decency, tho’ plain : But tho* my Edge be not too nicely fet. Yet I another’s Appetite may whet •, May 104 Arte Poetica . Munus & Officium, nil fcribens ipfe, docebo Unde parentur opes *, quid alat formetque poetam } Quid deceat, quid non *, quo virtus, quo ferat error. Scribendi rede, fapere eft & principium Sc fons. Rem tibi Socraticae poterunt oftendere cliart$ ; Verbaque provifam rem non invita fequentur. Qui didicit patrias'quid debeat, & quid amicis. Quo (it amore parens, quo frater amandus, <3c hofpes, Quod fit confcripti, quod judicis officium, quas Partes in bellum rniffi ducis j ille profedo Reddere perfonas fcit convenientia cuique. Refpicere exemplar vitas morumque jubebo Dodum imitatorem, & veras hinc ducere voces. Interdum fpeciofa locis, morataque rede Fabula, nullius veneris, fine pondere & arte. Valdius The Art of Cookery. 105 May teach him when to buy, when Seafon’s paft, What’s ftale, what’s choice, what plentiful, what/ waft, V And lead him thro’ the various Maze of Tafte. The fundamental Principle of all Is what ingenious Cooks the Relifli call ^ For when the Market fends in Loads of Food, They all are taftelefs till that makes them good. Belides ’tis no ignoble piece of Care, To know for whom it is you wou’d prepare : You’d pleafe a Friend, or reconcile a Brother, A telly Father, or a haughty Mother: Wou’d mollifie a Judge, wou’d cram a Squire, Or elfe fome Smiles from Court you may defire; Or wou’d perhaps fome hafty Supper give. To Ihew the fplendid State in which you live. v r.rx Purfuant 106 De Arte Poetica . Valdius oble&at populum, meliufque moratur. Quam verfus inopes rerum nugasque canora. Graiis ingenium, Graiis dedit ore rotundo Mufa loqui, praster laudem nullius avaris. Romani pueri longis rationibus aflem Difcunt in partes centum diducere. Dicat. Filius Albini, fi de quincunce remota eft Uncia, quid fuperat> poteras dixiffe—Triens. Eu! Rem poteris fervare tuam. Redit uncia : quid fit? Semis. Ad hasc animos asrugo Sc cura peculi Cum The Art of Cookery . 107 Purfuant to that Int’reft you propofe, Muft all your Wines, and all your Meat be chofe. Let Men and Manners ev’ry Difh adapt, Who’d force his Pepper where his Guefts are clapt? A Caldron of fat Beef and Stoop of Ale, On the huzzaing Mob fliall more prevail. Than if you give them with the niceft Art Ragoufts of Peacocks Brains, or Filbert Tart. The French by Soups and Haut-goufts Glory raife. And their Defires all terminate in Praife. The thrifty Maxim of the wary Dutch, Is to fave all the Money they can touch : Hans, crys the Father, fee a Fin lies there, A Pin a Day will fetch a Groat a Tear. To your five Farthings join three Farthings more, And they, if added, make your half Pence four. 108 De Arte Poetica . Ciun femel imbuerit, fperamus carmina fingi Polle linenda cedro, & levi fervanda cupreiTo } Aut prodelfe volunt, aut delectare poetae; Aut fimul &C jucunda & idonea dicere vitae. Quidquid prscipies, efto brevis: ut cito dicla Percipiant animi dociles, teneantque fideles. Omne fupervacuum pleno de pedore manat. Fida voluptatis caufa, fint proxima veris: Nec quodcunque volet, pofcat libi fabula credi: Neu pranfae Lamiae vivum puerum extrahat alvo. Centuriae feniorum agitant expertia frugis: Celfi praetereunt auftera poemata Rhamnes. Omne tulit pundum, qui mifcuit utile dulci, Ledorem deledando, pariterque monendo. Hic meret asra liber Soliis} hic & mare tranlit. Et The Art of Cookery. 109 Thus may your Stock by Management encreafe. Your Wars {hall gain you more than Britain s Peace, Where Love of Wealth and rufty Coin prevail, What hopes of fugar’d Cakes or butter’d Ale? Cooks garnilh out fome Tables, forne they fill. Or in a prudent Mixture (hew their Skill: Clog not your confiant Meals, for Difhes few Encreafe the Appetite, when choice and new. Ev’n they who will Extravagance profefs, Have ftill an inward Hatred for Excefs. * Meat forc’d too much, untouch’d at Table lies, 1 Few care for carving Trifles in Difguife, > Or that fantaftick Difti, fome call Surprise. ) When Pleafures to the Eye and Palate meet, That Cook has rendred his great Work complete: His glory far, like Sir-Loins, Knighthood flies. Immortal made as Kit-cat by his Pies. Good no O' De Arte Poetica . Et longum' noto fcriptori prorogat asvum. Sunt delida tamen, quibus ignoviffe .velimus: Nam neque corda fonum reddit quem vult manus dc mens, Pofcentique gravem perfaepe remittit acutum } Nec femper feriet quodcunque minabitur arcus. Verum ubi plura nitent in carmine, non ego paucis Offendar maculis, quas aut incuria fudit. Aut humana parum cavit natura. Quid ergo > Ut fcriptor fi peccat idem librarius ufque. Quamvis eft monitus, venia caret 3 & citharoedus Ridetur, corda qui femper oberrat ddem : Sic mihi qui multum ceffat, fit Choerilus ille. Quem bis terque bonum, cum rifu miror*, &c idem Indignor, quandoque bonus dormitat Homerus. Verum opere in longo fas eft obrepere fomnum. Ut Ill The Art of Cookery , Good Nature muft fome Failings overlook. Not Wilfulnefs, but Errors of the Cook. A String won’t always give the Sound defign’d By the Mufitian’s Touch, and Heav’nly Mind : Nor will an Arrow from the Parthian Bow Still to the deftin’d Point dire&ly go. Perhaps no Salt is thrown about the Difli, Or no fry’d Parlley fcatter’d on the Fifli j Shall I in Paflion from my Dinner fly, And hopes of Pardon to my Cook deny. For things which Carelefsnefs might overfee. And all Mankind commit as well as he ? I with Compaflion once may overlook A Scewer fent to Table by my Cook : But 112 Ve Arte Poetica Ut pi&ura, poefis: erit, qux, fi propius fies. Te capiat magis ; 5t quasdam, fi longius abites: Hasc amat obfcurum j volet haec fub luce videri. Judicis argutum qua; non formidat acumen : j. Haec . The Art of Cookery. 1 1 But think not therefore tamely I’ll permit That he fhou’d daily the fame Fault commit. For fear the Rafcal fend me up the Spit. Poor Roger Fowler had a gen’rous Mind Nor would fubmit to have his Hand confin’d. But aim’d at all, yet never cou’d excel In any thing but fluffing of his Veal: But when that Difh was in Perfection feen, And that alone, wou’d it not move your Spleen ? >Tis true, in a long Work foft Slumbers creep, And gently fink the Artifl into Sleep. Even Lamb himfelf, at the mod folemn Feafl Might have fome Chargers not exaftly dreft. Tables fhou’d be like Pictures to the Sight, Some Difhes caft in Shade, fome fpread in Light, Some at a diflance brighten, fome near hand. Where Eafe may all their Delicace command: I Some ii4 De Arte Poetica . Haec placuit femel j hxc decies repetita placebit* O major juvenum, quamvis 6c voce paterni Fingeris ad re&um, & per te fapis j hoc tibi di&um Tolle memor : certis medium & tolerabile rebus Rede concedi: confultus juris, ador Caufarum mediocris, abeft virtute diferti Melfalae, nec fcit quantum Cadellius Aulus *, Sed tamen in precio eft : mediocribus ede poetis, Non homines, non Di, nem concedere columns. Ut gratas inter menfas fymphonia difeors, Et craffum unguentum, & Sardo cum meile papaver Offendunt ^ poterat duci quia coena fine iftis: Sic animis natum inventumque poema juvandis. Si paulum fummo decefiit, vergit ad imum. f Ludere The Art of Cookery. 1 15 Some fhou’d be mov’d when broken, others la ft Thro’ the whole Treat, incentive to the Tafte. Locket by many Labours feeble grown. Up from the Kitchin call’d his eldeft Son : “ Tho’ wife thy felf (fays hcj tho’ taught by me, “ Yet fix this Sentence in thy Memory, “ There are fome certain things that don’t excel, “ And yet we fay are tolerably well; “ There’s many worthy Men a Lawyer prize, “ Whom they diftinguifh as of middle fize, “ For pleading well at Bar, or turning Books, “ But this is not (my Soin) the Fate of Cooks, “ From whofe myflerious Art true Pleafure fprings, * To Stall of Garter , and to Throne of Kings, “ A Ample Scene, a difobliging Song, “ Which no way to the main Defign belong. Be Arte Poetica. 1 1 6 O' Ludere qui nefcit, campeftribus abftinet armis : Indoctufque pilas, difcive, trochive, quiefcit j Ne fpifTag rifum tollant impune corona : Qui nefcit, verfus tamen audet fingere. Quid ni > Liber & ingenuus, ptaferticn. cenfus equeftrem Summam nummorum, vkioq.ue remotus ab omni. f Tu nihil invita dices faciefv.e Minervd : Id tibi judicium eft, ea mens. Si quid tamen olim Scripferis, in Meti defcendat judicis aures. Et patris, &i noliras, nonumque prematur in annum. Membranis intus politis, delere licebit Quod non edideris: nefcit vos milia reverti. Sylveftre The Art Cookery. j j 7 “ 0r were they abfent never wou’d be mifs’d, “ Have made a well-wrought Comedy be hifs’d: So in a Feaft, no intermediate Fault Will be allow d, but if not belt ’tis naught. He that of feeble Nerves and Joints complains From Nine-pins, Coits, and from Trap-ball abftains Cudgels avoids, and Ihuns the wreftling place. Left Vinegar refounds his loud Difgrace. But ev’ry one to Cookery pretends, Nor Maid, or Miftrefs e’er confult their Friends. But, Sir, if you wou’d roll a Pig, be free; Why not with Brawn , with Locket , or with me > We’ll fee when ’tis enough, when both Eyes out. Or if it wants the nice concluding bout. But if it lies too long the Crackling’s pall’d. Not by the drudging Box to be recall’d. ^ Our u8 Pe Arte Poetica. Sjlveftres homines facer interprefque Deorum Caedibus & victu foedo deterruit Orpheus •, Didus ob hoc lenire tigres rabidofque leones j Didus & Amphion, Thebanae conditor arcis. Saxa movere fono teftudinis, 6C prece blanda Ducere quo vellet. Fuit haec fapientia quondam. Publica privatis fecernere, facra profanis ^ Concubitu prohibere vago j dare jura maritis j Oppida moliri*, leges incidere ligno. Sic honor & nomen divinis vatibus atque Carminibus venit. Poft hos infignis Homerus, Tyrtaeufque Mares animos in Martia bella Verfibus exacuit. Didas per Carmina fortes. Et vita; monftrata via eft, & gratia regum l ' - v ' , * Pieriis tentata modis, ludufque repertus, Et longorum operum finis: ne forte pudori, Sit tibi mufa lyrae folers, & cantor Apollo. Natura ^ The Art of Cookery . 119 Our Cambrian Fathers fparing in their Food, Firft broil’d their hunted Goats on Bars of Wood, Sharp Hunger was their Seas’ning, or they took Such Salt as iffu’d from the native Rock, Their fallading was never far to feek. The poynant Water-grafs or fav’ry Leek *, Until the Britijh Bards adorn’d this I He, And taught them how to rofl, and how to boil : Then ThalieJJen rofe and fweetly ftrung His Britijh Harp, inftruding whilft he fung: Taught them that Honefty they ftill poifefs. Their Truth, their open Heart, their modeft Drefs, Duty to Kindred, Conftancy to Friends, And inward Worth, which always recommends. Contempt of Wealth and Pleafure to appear To all Mankind with hofpitable Cheer. 121 The Art of Cookery. In after Ages Arthur taught his Knights At his round Table to record their. Fights, Cities eraz’d, Encampments forc’d in Field, Monfters fubdu’d, and hideous Tyrants quell’d, > Infpir’d that Cambrian Soul which ne’er can yield. ) Then Guy , the Pride of Warwick, truly great. To future Heroes due Example fet. By his capacious Cauldron made appear. From whence the Spirits rife, and Strength of War. The prefent Age to Gallantry enclin’d. Is pleas’d with vaft Improvements of the Mind. He that of Honour, Wit and Mirth partakes, May be a fit Companion o’er Beef-fteaks j His Name may be to future Times enroll’d In Eflcourt 's Book, whofe Gridir n’s fram d of Gold. Scorn not thefe Lines defign’d to let you know Profits that from a well-plac’d Table flow. 122 O' De Arte Poetica . Natura fieret laudabile carmen, an arte, Quasfitum eft. Ego nec ftudium fine divite veni. Nec rude quid profit video ingenium : alterius fie Altera pofcit opem res,