- *- . . ~~ .* * | ~ ---->º2. 2- º- & : % º* #:# * 4 & 5 .7° 32& w • * = '• w • *r * * ~4 r * * .* : * * , wº - 1 * , , - 3. º - it." • ‘sy - & - § ** e * - - * - . ... • - & f * . s : f ---.” * * * **: ſ * * * * à § * 2 4 ^ - * gº . - _º *. º - * * - - º - - ; : * & * - sº * = 2 t º s - - * - ºf * * - * * - & e * - k & wº. ë . & e * & - s" - * - - * . º - - & # e - - - § * ſº - * - - * * - - } • * & 2 - º g ~s. .. • * y * * - -- - - jº - - - º - - º - º * … / / / Ż º º, TRAVELS GEORGIA, PERSIA, ARMENIA, ANCIENT BABYLONIA, &c. &c. puniso the years 1817, 1818, 1819, AND 1820. By Sir ROBERT KER PORTER, WITH NUMEROUS ENGRAVINGS OF PORTRAITS, coSTUMEs, ANTIQUITIES, &c. IN Two VoI. UM Es. ſ: - LONDON: PRINTED FOR LONGMAN, HURST, REES, ORME, AND BRowN, PATERNOSTER-ROW, 1821. sº 'TO HIS MOST EXCELLENT MAJESTY GEORGE THE FOURTH. SIRE, WITH those principles of devoted duty to Your Majesty's Royal Person, which must belong to every true Englishman, these Travels are laid at the foot of the British Throne. They describe countries of the East, to which British arts and learning lent their light three hun- dred years ago; and they would show that the still more munificent stream of essential knowledge which has been dispensed thither from this kingdom, since - - A 2 iv. DEDICATION. Your Majesty's accession to its government, is of a nature to attach, as well as to enlighten; to prove that the most extended sceptre rests in the mind and in the heart; and by such means the King of England's empire is the globe. With this proud feeling of a British subject, the narrator of these Travels brings back from all lands the unalienable principles of affection and duty to the august Sovereign of his country; for whose most gracious acceptance of this humble tribute of devoted loyalty, the writer has not terms suf- ficiently to express the deep gratitude with which through life he is, - SIRE, Your Majesty's - Most Dutiful Subject, and Servant, ROBERT KER PORTER. May, 1821. - PR E FA C E. *9 IN offering this narrative to the public, the writer is conscious of no personal vanity as an author; that being a character, in its usual important sense, to which he forms no pretension. During three years' travelling in the East, he kept a regular journal of all he saw worthy observation; and he wrote his re- marks with the impression of the moment. From this Diary, sanctioned by opportunities of comparing his own remarks with others, and first with second impressions, he collected the matter of these two volumes; arranging their subjects, without altering their language to give it literary grace; a task that might have been more than difficult to a man who has passed the chief part of his life in foreign countries. Hence, as he lays claim to nothing of what is commonly called style, in writing, he trusts in the candour of his reader to judge him by his pretensions alone; truth, in what he relates, and fidelity in what he copies. A few extracts from a letter with which he was honoured by His Excellency Mons. Olinen, the Russian Imperial Secretary of State, President of the Academy of Fine Arts, &c., a short time previous to the commencement of his journey, may be deemed the text on which he has proceeded: Translation of part of a Letter to Sir Robert Ker Porter, &c. 4; “I hasten to communicate to you the result of my observ- ations on the different travels, given to the world on the subject of Persia. My remarks have for their object a distinct illustration of those precious monuments of antiquity which yet remain at Chehel-minar, or Persepolis; at Mourg-aub, which, according to the felicitous explanation of Mr. Morier, should be Pasargadae, with the tomb of Cyrus; and, finally, the beautiful relics at Nakshi-Roustam, Be-Sitoon, &c. “ When comparing the engravings in the Travels of Chardin, Le Brun, and Niebuhr, which represent the same subject, we find them so utterly contradictory to each other, as not to bear the smallest pretensions to fidelity; being rather vague memo- randums, than any thing of veritable outline. I made an accurate copy of one of these subjects, as it is represented by these three several travellers; and you may see, by casting your eye on the specimen from each, how little dependance is to be placed in the pencil of any of the trio. Here, you may observe the same figures of the same Persepolitan bas-relief, transmitted to us in three perfectly different forms of outline. The bas- relief was cut in very hard stone, which I have had an oppor- tunity of knowing from a fragment that was brought to St. z// // & / 2. ' 7% | ſ', ''),| | ' | '#' , |||||||||||||| Ē, \=R ſ-№.2> > } (R /^°) ş: Š , ! ! !: , } } | | || 4| ·I ' {, ! ! !|„ !| I, '|, !, ¡i'ſ ? !'''|''„,|||||||||||||||||||||||||||||||||||||| : ●& § 5\ - ~ą | ſ № & & & £3 & T. Z) & 3 & 3 & , Z/2Z / 237//// §; S § . <, > ^º ș ș Q sì ș <) ~ PREFACE. vii. Petersburgh; and the same personages which Le Brun represents in the year 1704, with their noses, mouths, and beards mutilated, re-appear, quite whole in every feature, in the drawings of Niebuhr from Persia, in the year 1765. You will confess, that without some miracle, both these accounts cannot be true; yet this phenomenon actually presents itself on the plates of these two travellers; and Chardin shews the like inaccuracy to so great an extent, that I know not to which to yield any belief. * In short, I cannot but repeat the old French proverb, * A beau mentir qui vient de loin.” “In this great perplexity to a lover of antiquity, I place my confidence in your plain dealing; that you will decide the con- troversy, by taking the trouble to make your drawings on the spot, and with scrupulous exactness copying the object before you line by line. Inideed, I conjure you, in the name of the Holy Antiquity, to mark down nothing but what you actually See ; nothing suppose; nothing repair. I only beg you to re- present the original ancient remains “tali quali, in statu quo.” “By this simple matter-of-fact representation, we shall at last obtain a true idea of the progress which the arts made amongst the Persians; and may become better acquainted with the forms of their ancient writing; whether they did, or did not divide their letters with stops, and each word with a cuneiform character placed obliquely. Besides, I hope through your ob- * See Sir Robert Ker Porter's copy of the same bas-relief, Plate XXXVII. viii PREFACE. servations, to be put in possession of an accurate description of the ancient Persian bow, its shape, and the manner of attaching its string; and, indeed, from your remarks and sketches, to be enabled to judge which of the three above-mentioned travellers are, on the whole, most correct in their drawings of the remains at Persepolis and Mourg-aub. By looking at my next plate, you will perceive the errors which appear to have crept into the copy given of the inscription in Persepolitan letters, found amidst the ruins at Mourg-aub.” I also anticipate your shewing us the precise form of the Pehlivi and Zend characters; and, perhaps, you may find it in your power to give a true explanation of the Persian beit or distich, engraved on the gold ring that was found in the ancient city of Torjok, in the great road from St. Peters- burgh to Moscow. The ring is in the possession of His Imperial Majesty; and you will find it represented on my fifth plate. “In conclusion, I repeat, draw only what you see Correct nothing; and preserve, in your copies, the true character of the originals. Do not give to Persian figures a French tournure, like Chardin; nor a Dutch, like Van Bruyn, (Le Brun;) nor a Ger- man, or rather Danish, like Niebuhr ; nor an English grace, like some of your countrymen; in your portraits of the frag- ments at Nakshi-Roustam. Adieu. * - “Your faithful Friend and Cousin, “A. OLINEN.” * See Sir R. K. Porter's copy of the same inscription, Plate XIII. It may be useful to my general readers, to mention here, that the appellations “Persepolitan,” “ cuneiform,” “arrow-headed,”“nail-headed’ characters, all mean the same style of writing; mostly found at Persepolis and Babylon. PREFACE. ix What refinement of taste in some of Sir Robert Ker Porter's predecessors may have caused them to change, almost uncon- sciously, a scrupulous curiosity in observing the progress of the art, determined him to copy line by line, defect or beauty; whatever he saw, to pourtray; transcribing shape of person, character of feature, and fashion of apparel, to the minutest particle. An ardent lover and sedulous practiser of the arts, from childhood to the present time, his eye and his hand being alike familiar to every detail of the pencil or the chisel, precision in these respects is as natural to him, as embellishment to those, who may be amateurs of the arts, without having actually studied the principle of its schools. Therefore, to such an undeviating fidelity of portraiture, the writer of this work avows his claim. A similar experience in military objects, assisted his observa- tions on the arms of the people, ancient and modern, of the nations through which he travelled, and greatly facilitated his measurements and plans of the sites and elevations of certain cities and places of renown and interest. He also wishes to state, that the large map of the Persian empire, &c. is laid down by himself; chiefly from his own personal observations, assisted by those of Major Monteith, of the Madras engineers, who is now a resident in Persia; and where their joint personal inform- ation did not reach, both published and MSS. geographical observations were consulted, while the writer was in the East, and, subsequently, every thing useful that could be found in the Depôt Imperial des Cartes at St. Petersburgh. The smaller routes are entirely from his own remarks; and should they, with the preceding, meet the attention of Major Rennell, the vener- VOL. I. al X PREFACE. able father of this branch of geography in England, his approval would be one of the highest gratifications the compiler of these maps could receive; while he hopes their minute details may smooth the way to future travellers. This volume ends at the termination of the author's journey through Persia Proper. The next will comprise Babylonia, Kourdistan, and those other countries of the empire, which formed the subject of so many pages of deep interest in the old histories of the East, whether by classic or native writers. Specimens of the antiquities which the author brought from those countries, he has deposited in different museums; but chiefly in those of the united kingdoms under the sceptre of his own sovereign; the British Museum, Edinburgh, and Dublin. All his coins, which are numerous, though rare, are yet in his own possession. It were an endless task to make his acknowledgments to every person, who, from his first setting out, till his return to his country, facilitated his pursuits, and was hospitable to him in his travels. A few names he has mentioned in this way, in the course of his journal; and even those, a friend, in casting his eye over the MSS., pronounced to be too many; adding, that a succession of encomiums might be deemed more than natural. But, if the reader will recollect that these persons are mostly stationed in new establishments, where power must be main- tained by the best talents; and that such ministers, when found, PREFACE. xi must be so described; no surprise need be excited at a word of gratitude; and patience at least, may be granted to the tribute which is paid to the contemporary worth that makes a brother- hood of every nation. To clear away a little the maze of eastern and classic names which generally presents itself whenever an ancient king of Persia occurs in these pages, a list of the sovereigns of the empire, Medes and Persians, is here subjoined. The table of contents of the volume is added, something between the copiousness of an index, and the brevity of a mere head of chapters. P. S. The author of these Travels being abroad, the transcri- ber takes this opportunity of apologizing to the public for some errors in the orthography of proper names, which have crept into the work from the difficulty of decyphering the hand, or rather character, of the MS. transcribed. L IS T OF THE PERSIAN MON ARCHS, ACCORDING TO NATIVE AND FOREIGN AUTHORS. THE DYNASTY OF MAH-ABAD, Recorded in the Dabistan, a work compiled from ancient Gueber fragments. This line is considered fabulous, or antediluvian, and begins with, MAH-ABAD. - He had thirteen descendants, who reigned monarch and high-priest, till the last prince of his race, AZERABAD, Abdicated the throne, and retired into solitude. A time of terrible anarchy succeeded, until the rise of a new succession of kings, which are registered in the pages of Ferdousi and others, under the name of the PAISHDADIAN DYNASTY, OR DISTRIBUTORS OF J USTICE. KAIOMURS, - - The founder of the line, has been supposed to represent Noah, or one of his immediate descendants. He is also called GIL-SHAH, or King of the Earth. Hous HUNG, - The first worshipper of the element of fire, under the name of the Light of God. xiv LIST OF THE PERSIAN MONARCHs. TAHAMURS Introduces the worship of images. JEMSHEED, * e Recorded as the founder of Persepolis, and contemporary with Zohawk tyrant of Assyria, supposed to be the NIMRoD of Scripture. FERIDoon. ERIG. MANUCHEBER. NouzER. ZooH,-KERSHAP, ARBACEs of the Greeks, and TIGLATH PILESER of the Scriptures. & With him closes the Paishdadian race, according to the native historians. More regular and authentic accounts, Greek and native, record the next line, called the Began to reign, KAIANIAN DYNASTY. B. C. - * 709. ............KAI-KOBAD,-DEJoces of the Greeks, and ARPHAXAD of the Bible. During his reign, and those of his immediate descendants, the celebrated Persian chief, Rustam, or Roostam, distinguished himself in the service of Persia. 656.............PHRAontes, The son of the preceding. He is omitted by the Persian historians; and his reign may probably be included in the very long one they ascribe to Kai-Kobad. Their dates are very inaccurate, and the confusion of places and persons, often as much so. - 634. ............KAI KAoos,-CYAXARES I. of the Greeks. In his time Nineveh was destroyed by the king of Babylon and himself, who had united their forces against it. 594. ............ASTYAGES, The son of the preceding, is omitted by the Persians, and so is his son, - 559. ............CYAXARES II.—DARIUS, the Mede, of the Bible, Both these reigns being included, by the native writers, in that of the succeeding one. - \ - * 586. ............KAI KHOSRoo,-CYRUs of the Greeks, and of the Scriptures. The Persians make his reign commence B.C. 599, by their omission of his immediate predecessor. He is succeeded by his son, LIST OF THE PERSIAN MONARCHS. XV B. C. 529. ............CAMBYSEs, Who is omitted by the Persians; as is also Smerdis, the Magian, who usurped the kingdom, B. C. 522, if he is not intended by LoRHASP, . Whose supposed reign includes the two preceding; and who appears a confused personage, between Smerdis the Magian, and Hystaspes the patron of Zoroaster, and the father of 521. ............GUSTASP,-DARIUS HYSTASPEs of the Greeks. He new-modelled the ancient Mithratic religion, under the auspices of Zoroaster; and is said to have been the first coiner of gold in Persia, hence the name of Darics. 485. ............ISFUNDEER,-XERXES of the Greeks. He commanded the famous expedition into Greece; and was one of the most favourite heroes of the Persians. 465.............BAHMAN, ARDASHIR DIRODASTE,--ARTAXERXES LONGIMANUs of the Greeks, (and AHASUERUs of the Book of ESTHER,) suc- ceeded by his son, 424. e e º O C C C C & ...XERXES, Who was murdered by his brother Sogdianus, who was slain by his brother Ochus, who, taking the name of 423.............DARAB I.-DARIUS NoTHUS of the Greeks, Was the husband of the celebrated Parysatis, the mother of Cyrus the Younger, the prince whose fortunes Xenophon followed into Persia. The character of this ambitious queen appears to identify her with Homai, to whom the building of one of the palaces at Persepolis has been attributed. Darius Nothus was succeeded by his son, 405. ............ARTAXERXES MNEMON, So called from his extraordinary memory. His brother Cyrus, at the instigation of his mother Parysatis, rebelled against him; and perishing in the contest, gave rise to Xenophon's ever memorable retreat of the Ten Thousand. Artaxerxes reigned forty-six years, sharing his power one year with his eldest son Darius, (B. C. 361.) but who was cut off in the same. On the death of the old king, he was succeeded by his son Ochus, who took the name of . • , 353. ............ARTAXERXES OCHUS, This most barbarous of all the Persian native princes, was succeeded by his son, e xvi B. C. 337. 335. LIST OF THE PERSIAN MONARCHS. ............Anses, or ARSEMUs. - Neither this prince, nor any of his predecessors, until Darius Nothus, the Darab I. of the Persians, are mentioned by the native historians; who pass at once from Darab I. to Darab II.; the latter being the great-grand- son of the former. Arses reigned only two years, and was succeeded by ............DARAB II.-DARIUS Codom ANUs of the Greeks. Alexander the Great invaded Persia, in this reign, and seized the empire. DYNASTY OF THE GREEKs. 33 1. 250. ............IscANDEER,-ALEXANDER THE GREAT. From this period the empire was governed by the descendants of his generals, till, about eighty years after they had divided the empire amongst them, Ashk or Arsaces, a Parthian chief, wrested it from their hands, and established a line of kings, of which himself was the first. ARSACEDIAN DYNASTY, OR PARTHIAN EMPIRE. ............ASHK. I.-ARSACEs. AsHK II. —ARSACEs. SHAHPoor, or SAPOR. This monarch was contemporary with Antiochus the Great. Amongst the native historians there is a lapse of two hundred years, between Shahpoor and a Parthian prince called Baharam-Gudurz; and in this blotted page, we miss the great names of Phrahates, Orodes, and above all that of Mithridates, which form such brilliant passages in the Roman accounts of the Parthian empire; and which, when marshalled according to the accession of the princes who bore them, would fill the gap till after the commence- ment of the Christian era, and to within a few years of BAHARAM GUDURz. VoIAs, -VoI.AGESEs I. of the Romans. HoRMUz, — ARTABANES IV. of the Romans. NARs1. . FERoz1. KHosroo,-VoI.AGESEs II. of the Romans. Volas,—VoIAGESEs III. of the Romans. VoIASIN. - - - ARDUAN, or ARDAVAN,-ARTABANUs W. of the Romans. He was the last of the Parthian race, being slain by the founder of the / LIST OF THE PERSIAN MONARCHS. . . xvii SASSANIAN DYNASTY, OR REVIVED KAIANIAN LINE. A. D., - 223. . . . . . . . . . . . . ARDASHIR BABIGAN,-ARTAXERXES of the Western Historians. He derived his descent from Isfundeer (Xerxes), the son of Darius Hystaspes, by a daughter of the Great Cyrus. He resigned his crown to his son, - - 240.............SHAPoor, −SAPort I. of the Romans. This monarch defeated and made prisoner Valerian, the Roman emperor. 271. ............HoRMUz I.-HoRMISDAs of the Greeks. 272, ............BAHARAM. I.-VARANES I. of the Romans. 276. ............BAHARAM II. —VARANES II. of the Romans. 293.............BAHARAM III.-VARANEs III. of the Romans. 293. ............NARSI,- NARSEs of the Romans. . This king defeated the Emperor Galerius, and made himself master of Armenia. 303. . . . . . . . . . . . . HoRMUz II.-HoRMISDAs II. of the Romans. 3.10.............SHAHPOOR II.-SAPOR II. of the Romans. This monarch, surnamed Zoolaktaf, was contemporary with the emperors Julian, Constantius, Jovian, &c., and achieved great successes over them all. He reigned nearly seventy years. 380. ............ARDASHIR II.-ALTAXERXES II. of the Romans. 385. ............SHAHPOOR III.—SAPOR III. of the Romans. 390. ............BAHARAM IV.-VARANES IV. of the Romans. This prince founded the city of Kermanshah. He was the brother of his immediate predecessor SHAHPoon III., and both were the sons of the great Shahpoor Zoolaktaſ, whose exploits are celebrated in the sculptures of Takt-i- Bostan. 404. ............YEZD1jind ULATHIM.–Izdejin TEs of the Greeks. 420. . . . . . . . . . . . . BAHARAM. V., surnamed Gour. This prince was educated by Arab chiefs, and is celebrated as one of the best monarchs of Persia. He was drowned in hunting the wild ass. 438.............YezdiginD II, surnamed SIPAHDost, —IzdBJIRTEs II. of the Ro- tºp mans. • ? 456. ............HoRMUz. - 458. ............FIRozE,—PEROSEs of the Greeks. 484. . . . . . . . . . . . . PALLASCH,-VALENs of the Romans. 488. ............KoBAD,-CABADEs of the Greeks. 531. ............ Noush IRVAN, -CHosroes THE GREAT of the Romans. This sovereign gained many victories over the generals of the Emperor VOL. I. b xviii LIST OF THE PERSIAN MONARCHS. A. D. Justinian. Mahomed the Arch-impostor was born about ten years before the death of this truly great monarch. 579.............HoRMUz III.; dethroned, A. D. 590. 590. ............BAHARAM CHOUBAN, a usurper. 591. ............KHOSROO PURVIZ, The son of Hormuz III. This prince made himself master of Jerusalem. The celebrated beauty, Shereen, or Shirene, was his queen, who sacrificed herself on his grave. 628.............SCHIROUCH, GHUBAD, or KobAD, reigned eight months. ARDASHIR, reigned seven months. Poor AN-DokHT, or TooHAN-DokHT. This princess was raised to the throne on the death of all her brothers, being the daughter of Khosroo Purviz. She reigned sixteen months, and was succeeded by her cousin, or lover, SHAH SHENENDAH, who reigned only one month, succeeded by ARZEM-DOKHT. This princess was another daughter of Khosroo Purviz; and, after some confusion, the throne was filled by 632. ............YEZDIJIRD,-ISDEJIRTES III. of the Greeks. The son of Schirouch, grandson of Khosroo Purviz, and the last of the Sassanian race. He lost his kingdom to the Arabs, or Saracens under Omar, A. D. 641; and his life shortly after, by the hands of a treacherous peasant, with whom he had sought shelter. His family, from the time of Ardashir Babigan to himself, had ruled Persia four hundred and fifteen years; and in his overthrow it thus became subject to the 651. ............CALIPHS of BAGDAD, - Who governed Persia, by means of viziers, or rather different lines of independent princes, under that inferior title. To these succeeded the StJLTANs of GHIZNI, A Turkoman race; of whom Mahmoud's name is particularly illustrious, having gathered together the fragments of ancient Persian history which had escaped destruction by the caliphs. After the sultans came the SELJOOKEE DYNASTY, A Tartar tribe, who, with their Attabeg followers, governed Persia above two hundred years; until Halukoo, the son of Zingis, or Ghengis Khan, established the LIST OF THE PERSIAN MONARCHS. xix A. D. 1206. MOGUL DYNASTY, Which continued till the sons of Timour-lung, or Tamerlane, with 20,000 Tartars, over-ran Persia, A. D. 1387, and seated their posterity on the throne. They reigned until A. D. 1505, when the Usbeg tribes of the Black and White Sheep wrested it from their hands. And these again, gave place to the founder of the * SEFI DYNASTY. SHAH ISMAIL. This sovereign proclaimed himself of the race of the Caliph Ali, and gave a new explication of the Koran. He was succeeded by his son, 1523. ............TAMASP. Elizabeth, queen of England, sent out Anthony Jenkinson as embassador to this prince, he was succeeded by his son, 1576. ............ISMAIL II.-Succeeded by his brother, 1577.............MAHOMED KHODABUND. Humza Mirza, died by assassination, A. D. 1585. He was the son of Mahomed Khodabund, but never was king; and was the father of 1585.............SHAH ABBAS THE GREAT. Sefi Mirza, his eldest son, died by murder; and his son Sam succeeded his grandfather Abbas. The new monarch took the name 1627. ............SHAH SEFI;—succeeded by his son. 1641. ............ABBAS II. 1666. ............SHAH SoLIMAN. 1694. ............SHAH SULTAN HousSEIN. With this prince, it may be said, closed the line of Sefi kings. The AFGHANs having conquered Persia under 1722. ............MAHMOUD, THE AFGHAN. 1725 ............Ash Roof. The celebrated Kooli Khan recovered Persia from the Afghans, and, for a brief time, restored to the throne of his ancestors, 1727. ............SHAH THAMAS, or TAMASP. This prince was the son of the murdered Shah Sultan Houssein, of the house of Sefi; and who was himself deposed, and afterwards assassinated by the rebel and usurper Kooli Khan; who, mounting the throne, assumed the name 1736. C e o O C C C C Q ...NADIR SHAH ; After whose death a period of wretched confusion ensued, under different, b 2 XX LIST OF THE PERSIAN MONARCHS. rival chiefs, till the elevation of the head of the Zund tribe, under the title of Vakeel, or lieutenant of the empire, but the real sovereign, 1753.............KERIM. KHAN. He was succeeded.successively by his three sons, and family, 1779.............ABBUL FUTTEH KHAN. 1780. ............ALI MoURAD KHAN. 1784. ............JAFFIER KHAN. O' 1788. ............LOOFT ALI KHAN. On the defeat and death of this last prince of the Zund family, the suc- cession gave place to the KAJUR DYNASTY. 1788. ............AGA MAHOMED KHAN, Who was succeeded by his nephew, the present King of Persia, 1798. ............FUTTEH ALI SHAH. C O N TENTS. BANKs of the Dwina and Dneiper.......' PAGE 1 Mskett, ancient Capital of Georgia...... The Kur, or Cyrus of Georgia........... Tiflis.............................. Mount Elborus................... Georgians.................................... Circassians.................................... Avalanches in the Caucasus............... Range of the Caucasus..................... Banks of the Bambek...................... Branch of the Mosschian Hills........... Turkish Frontier on the Arpatchia...... Armenia “.................................... Ruins of Anni................................ Monastery of Kotchivan................... Depopulated Armenia...................... Mount Ararat............................... Monastery of Eitch-mai-Adzen........... Plain of Ararat.............................. Erivan.—Frontier of Persia............... The Sardar of Erivan...................... Ruins of Ardashir........................... Villages and Villagers...................... Mountain of Serpents....................... Nackshivan................................... The Araxes of Armenia.................... Azerbijan, part of Ancient Media......... Marande...................................... Tabreez....................................... Palace at Tabreez........................... Royal Baths................................. Saloons of the Palace....................... PAGE 103 11 I 1 14 127 I 30 131 138 145 150 158 167 170 171 172 176 179 182 186 191 195 2OO 203 208 21 I 212 212 2I 6 21 7 22() 229 The Steppe, or Russian Desert........... Odessa......................... Nicolaieff..................................... Grave of Howard, near Kherson......... Steppe Tumuli............................... Taurida....................................... Sea of Azoff.................................. Banks of the Don........................... Count Platoff................................. New Tcherkask.............................. Cossacks...................................... Grand Duke Michael...................... Old Tcherkask............ Government of the Caucasus............. First View of the Caucasus............... Banditti of the Caucasus.................. Enters Asia, at Mozdock.................. Banks of the Terek........................ Carayan to Tiflis............................ General Del Pozzo......................... Tchetchinzi Tribe of the Caucasus...... Wlady Caucasus, the Pass into Georgia Road through the Mountains............. Ancient Castle at Derial................... Passes of the Caucasus..................... Ossi Tribe, near the Kasibeck Mountain Night Travelling in the Mountains...... Kristawaja, or Mountain of the Cross... Good Gara................................... Quarantine at Annanour.................. 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Subterraneous aqueducts filled it with water; and as another of these channels runs in a parallel line to the west, it is probable that a corresponding reservoir may have been in that direction. On drawing near the Chehel-minar, or Palace of Forty Pillars, which is the name given to this splendid division of ruins, the eye is riveted by the grandeur and beautiful decorations of the flights of steps which lead up to them. This superb approach consists of a double staircase, projecting considerably before the northern face of the terrace, the whole length of which is two hundred and twelve feet; and at each extremity, east and west, rises another range of steps: again, about the middle, projecting from it eighteen feet, appear two smaller flights rising from the same points. Here the extent of the range, including a landing-place of twenty feet, amounts to eighty-six. The ascent, like that of the great entrance from the plain, is ex- tremely gradual; each flight containing only thirty low steps, none exceeding four inches in height, in breadth fourteen inches, and in length sixteen feet. The whole front of the advanced range is covered with sculpture. The eye, at first, roves over it, lost in the multitude of figures, and bewildered by the thronging ideas instantly associated with the crowd of various interesting objects before it. But I took time to distinguish every figure, to examine all its peculiarities, and to copy them as distinctly as I could; (Plate XXXIV.) and this drawing being done to a regular scale, with a description in explanation, will, I hope, give some just impression of the general aspect of so magnificent a piece of work. - The space immediately under the landing-place is divided into three compartments. The centre one has a plain surface, as THE PALACE OF FORTY PILLARS. 595 if intended for an inscription : probably, writing may have been there, which is now obliterated. To the left of it, are four standing figures about five feet six inches high, habited in long robes, with brogue-like buskins on their feet. They each hold a short spear in an upright position, in both hands. The fluted, flat-topped cap, before described on other bas-reliefs, is on their heads ; and from the left shoulder hangs their bow and quiver. The nicety with which all the details are executed, render these sculptures particularly interesting to the historian, and to the historical painter; they mark the costume of the time and the people, and their progress in the form, variety, and use of arms; and in the latter instance, I cannot omit no- ticing the clearness with which they show the ancient method of stringing the bow, and the manner of attaching the leather cover to the quiver, which protects the feathers of the arrows from damage. Being an old bowman myself, these peculiarities of archery were more readily observed by me. - On the right of the vacant tablet are three figures only. They look towards the opposite four, and differ in no way with respect to their robes and fluted helmet; but they have neither bows nor quiver; carrying the spear only; with the addition of a large shield on the left arm, something in the shape of the body of a violincello; or rather, I should say, exactly in the form of a Boeotian buckler. It appears extraordinary, that none of these armed figures wear any thing like a sword or dagger; but on ex- amining all the sculptures throughout, I did not find the represent- ation of what we call a sword, on any one of them. As this seems to have been the grand approach to the entrance of the palace above, doubtless the spearmen just described must have been intended to pourtray the royal guards; the fashion of whose 4 G 2 596 ANCIENT ROYAL GUARDS, IN dress accords perfectly with the account given of it by Herodotus, (b. v. c. xlix.) who states that “they were armed with a bow and a short spear, and habited in long robes, with their hair flowing full behind.” When describing the army of Xerxes, he writes, – “The Persians defend their heads with a small helmet called a tiara ; their bodies are covered with sleeved tunics of various colours: upon these are plates of steel, like the scales of a fish ; their thighs are protected in the same way. They are armed with large bows and arrows, the shafts of which are reeds. They carry a short spear; and for defence use a shield denominated gerra : beneath it is the quiver; and on their right side is a dagger hung from a belt.” — In neither of these descriptions do we find a sword mentioned; but Xe- nophon, in his Cyropedia, particularly names it, whenever the arms of the Persians are noticed. From all this, and never finding the vestige of a sword on any of these most ancient bas- reliefs, I am led to think that when the authors of greatest anti- quity speak of the Persian sword, they can only intend this dagger-like weapon, the 2xiv.ºwn; of the Greeks, and the acinaces of the Romans, the poniard, so accurately delineated by Hero- dotus, being invariably worn on the right side. We find another sort of weapon of the kind, mentioned by writers as having been in use amongst the Persians; such as the copis of Q. Curtius. (b. viii. c. xiv.) But I should regard this latter, as the short falchion peculiar to certain tribes immediately bordering on the shores of the Euphrates, and the Persian gulf, who would, at times, serve in the Persian armies. . It is described as curved, like the dagger of the present day, which is in use amongst their descendants. * “ . . . Before I proceed farther in describing these memorials of THE PALACE OF FORTY PILLARS. 597 perhaps, the most interesting empire of the earth, I shall sub- join what Xenophon narrates of the change of dress which Cyrus introduced amongst the leading people of his native Persia, when he united that kingdom with the realm of Media. “Cyrus was of opinion that princes should not only excel those under their dominion in virtues, but in appearance also. Hence he chose to wear the Median robe, and persuaded the companions of his exploits to do the same; urging, that if a man had a defect in his person, the flowing drapery concealed it; and if he were of fine proportions, the nobleness of the dress added to the dignity of his stature. With this habit, they adopt a sort of buskin, between the sole of which and the foot, a small substance may be introduced to elevate the wearer to any increase of height he pleases. - “Cyrus also allowed his associates to colour their eyes, that they might seem to have finer eyes than the rest of the people, and gain respect from their beauty. He was careful however to keep their manners as severe and decent as before, exhorting them never to be seen to spit, or blow the nose, or to commit any other sort of irreverence before the people. When he made his first grand procession from his palace, he called around him all those, both Persians and others, who were high in command under. him, and distributed to them Median robes: it was then that the Persians first assumed that dress; and when he had given the finest robes to the greatest men, he produced others of a less costly sort; but they were sufficiently gorgeous in colour, being scarlet, and purple, and crimson; and presenting them to the chiefs he had already adorned, bade them dispose these as they pleased amongst their friends. So these men, going their ways, and sending for those most dear to them, arrayed them as 598 COMBAT OF A LION AND A BULL, AT THE the king had said. And afterwards, when the day of procession came, Cyrus appeared without the gates, in a vesture of purple mixed with white, (a union of colours which no one else is allowed to wear;) yellow stockings, or buskins, were on his legs; a robe, wholly of purple, on his shoulders, and a high turban on his head, bound with a diadem or wreath. His kinsmen wore the like mark of distinction, and they have it to this day. His hands he kept out of their coverings. When his chariot advanced, four thousand of the guards led the way, and the chiefs about his person, to the number of three hundred, finely clothed, and with javelins in their hands, followed after on horseback.” (Cyrop. b. viii.) Thus much of the description is sufficient for my present purpose. Two angular spaces on each side of the corresponding groups of spearmen, described on the surface of the staircase, are filled with duplicate representations of a fight between a lion and a bull, (Plate XXXV.) a most spirited and admirable performance. The bull is decorated with the same kind of curled hair over its chest, back, and tail, which ornaments his similitude at the gate of the first portal; but with this difference in the additional ornaments, the collar of the animal in the combat is perfectly plain, and there is no radiated form on his breast; here, the head is perfect, and we find a single horn projecting over his forehead. From the circumstance of a collar round the neck of the bull, it proves him to be no wild one, and that we are not to understand the combat as accidental. But whether it may be received as a proof, that such conflicts were brought forward before the Persian people, is another question. That wild animals of the untameable sort were not merely hunted by the bold spirits of these Eastern princes, but preserved near their ſº : º § | ſº | % Ps § §§s sº - º > \ - Ø - KN § s . i PALACE OF FORTY PILLARs. 599 palaces, is evident, from the lion's den which we find at Babylon after its conquest by Cyrus; but by no accounts that I can recollect, does it appear that the beasts so immured were ever used for sport of any kind after their first capture. Every historian of these countries, and all remains of the principles of their religion, bear one testimony to their tenderness for the brute creation; and the fondness of the people for the chase no way contradicts it; for it certainly is one thing to the humane feelings of a man, whether he engage in the open sports of the field, often putting his own life as much to hazard as the animal's he hunts, or sits at his ease to see two noble creatures pent in an arena, tearing out each other's brave hearts for his amusement. Had any thing of this sort been customary with the Persians prior to the time of Cyrus, we should have found some trace of it in the games he established after his accession to the empire; but we read only of horse and chariot races, and similar exercises, calculated “to raise emulation in men to perform great and intrepid actions.” - Hence, as we are not to consider the bas-relief under discus- sion, as representing a combat between two animals in any thing like the Roman fashion; the question remains, are they, like the bulls on the portals, allegorical figures? Were we to regard this, group in a point of view analogous to the mysteries of the Zend- avesta, it might be supposed to allude to the conquest of Ahriman, the power of darkness and of evil, over Ormuzd, the power of light and goodness, in the person of his creature the bull, or bull-man, which the Zend-avesta represents as having been so subdued; but I cannot imagine that the devout Persians would have any gratification in thus celebrating the defeat of the power whom they worshipped. Besides, there is one 600 ANCIENT BAS-RELIEFS AT THE argument conclusive against the idea. Ahriman is invariably described, when assuming a visible appearance, as under the form of a serpent or a dragon, clearly pourtraying the subtilty and fierceness of the character. But in this bas-relief, we find the bull is in the grasp of a lion, the usual symbol for only the most royal virtues: and as Cyrus himself was typified in the East, under the form of “a lion with a man's heart;” and the Assyrian empire under the form of an ox, or a bull; it does not seem improbable that the conquest of Cyrus over the two great empires of Assyria and Babylonia, united at Babylon, should be typified on each side of this ingress to his palace, by the lion's seizure of the one-horned bull; the single horn being so large and twisted, as very well to symbolise the union of a double power. But to return to the description of the subject as a piece of art. The more it is examined, the more distinctly we see that the sculptor, whether native or foreign, was master of his business. With an admirable ingenuity, he has adapted his group to the form of the space, by placing the bull in a rearing posture, as if from the pain occasioned by his antagonist's double grasp ; the lion having seized him by the back and loins, not only with his teeth, but by his claws. The fire, beauty, and truth, with which these quadrupeds are hewn, may appear hardly credible to one who has not beheld them on the spot; for no artist of Greece or Rome could have been more faithful to the proportions of nature, or shewn more knowledge of the anatomy of their forms. But it must be remarked, that wherever any of the brute creation are represented amongst these relics, we always find their limbs, muscles, and actions, given in a more perfect style than when the same sculptor attempts the human form. The same ob- servation will be found to hold good with regard to the ſººſ '7/ --- - sºsºvº --~ - [tº ful PALACE OF FORTY PILLARs. e 601 antiquities of Egypt, Syria, and India; and my only way of accounting for the consummate knowledge in one respect, and as conspicuous ignorance in the other, is, that the frequency of seeing the most minute dissections of the brute creation in the daily sacrifices; also the variety of their actions under seizure, of the tame; and of the wild, when hunting; would give to these sculptors of old, advantages that our artists can hardly attain ; while the superstition that universally prevailed against putting the hand on a dead man, prevented all insight into the laws of the human frame. . - * * - On the inclined planes, corresponding with the slope of the stairs, runs a kind of frieze, on which is cut a line of figures, one foot nine inches in height, (Plate XXXVI.) answering in number with the steps, each one of which appears to form a pedestal for its relative figure. The figures themselves ap- pear a lengthened rank of those already described on each side of the blank tablet ; and a similar range runs up the oppo- site slope. As the lines of figures are so disposed as to face each other, both looking towards one center-point, those on the right present their left sides to the spectator, by which the whole of the bow and quiver they carry, are more accurately seen. A narrow border of open roses, closely set, finishes the upper edge of the frieze, while an equal number of figures ornament the interior face of the same staircase. We can have no doubt, in casting our eyes over the numbers, the uniform dresses, arms, and positions of these men, that they are the stone effigies of the vast body guard, the Doryphores, which once held an actual station on these very spots. Cyrus, after the conquest of Babylon, chose ten thousand spearmen from amongst his faithful Persians, for this very purpose; and VOL. I. 4 H - 602 ANCIENT BAS-RELIEFS AT THE Xenophon adds, that in his day, the royal guard was still kept on the same footing. These men had already received the distinguishing mark of honour, the Median robe, (the Kaliaut of that time, and probably the origin of the custom ;) and also the high cap worn by Cyrus himself. This description of the great King's munificence, and equalizing his general appearance with that of his immediate followers, fully accounts for the similitude of the caps and robes, in these ranges of figures, to the head-dress and raiment of the royal personage in the bas- reliefs which express himself. But with regard to the high cap, or tiara, when mentioned as a universal costume with the Persians, we should recollect it was of many varieties, and not always to be considered as resembling the royal turban, or tiara. On examining the bas-reliefs, it will be found that none of the figures wear the same-shaped high cap with the sovereign's, but those who are distinguished by the same full robe; hence, all who appear in that garb, though stationed where modern refinement would only place a guard of rank and file, may be esteemed the kinsmen and friends of the king, to whom alone he gave the privilege of wearing the form of the royal tiara. The diadem of Cyrus is described by Xenophon, in two parts; the turban or high cap, and the wreath or cydaris; but the materials alone, seemed what he held sacred to the kingly dignity. Mons. Favine describes the eydaris as “round, yet - pointed above like a sugar-loaf,” quoting several authorities to that effect; and indeed the ancient writers, to whom alone we can look for information on the subject, speak so confusedly of the forms and fashions of the royal Persian head-dress, that it is almost impossible to obtain any clear notion about the matter. Probably that which they so frequently name the curved tiara, PALACE OF FORTY PILLARs. 603 cyrbasia, originated with Darius Hystaspes, when he, as well as his six associates in the death of Smerdis the Magian, bent forward their high caps, to distinguish each other by that mark in the confusion of the fray. When he mounted the vacant throne, he privileged his six coadjutors, with their families and descend- ants, to wear their caps in that fashion; thus, in the manner of Cyrus, distinguishing by a badge similar to that on his own brow, an especial band, attached to his person by the strongest motives, affection or self-interest. In the course of time, these sorts of particular distinctions became so general, by the multitude of real descendants from such privileged families, or pretenders to that honour, that they ceased to be badges at all; as we see in the green turban of the Islamites, which used to be the mark of the Prophet's race, and is now become as common as the grass of the field, by the false pretensions of a multitude of wearers. This may very naturally account for the confusing appearance of all these respective styles of tiara in the bas-reliefs of the later kings, where they are of every form, and apparently dispersed amongst all ranks of people. Before I quit this range of guards, I must not omit mentioning, that at the extremity of the spears of the least mutilated, I observed an ornamented ball, which recalled to my mind the Melophores, or thousand guards of Xerxes, who bore at the end of their lances, apples or pome- granates of gold. (Herodotus, vii. c. 61.) - I now proceed to the objects on the face of the next flight of stairs, first taking the left wing, which stretches to the east. Here again, in the triangular space formed by the slope of the steps, we find a repetition of the contest between the lion and the bull, occupying a length of twenty-three feet. It is divided by a tablet, on which may be traced an almost obliterated 4 H 2 604 ANCIENT BAS-RELIEFS AT THE inscription, which reaches nearly from top to bottom, at present six feet ten inches deep, and in width four feet ten inches; from whence begin the lines of three rows of sculpture, all sadly defaced, but covering an expanse of sixty-eight feet, and ter- minating at the top of the steps of the outward approach. Of the upper row of figures, their lower extremities alone remain, appearing no deeper down the surface of the wall than twelve inches; the rest having risen above the level of the terrace to form a kind of parapet, but it is now totally broken away, and vestiges of it may be seen thickly scattered over the ground below. - - - - This deplorably mutilated row of figures, commences with a chariot drawn by two bulls; a second follows it; then comes a horse, with the feet of a man appearing on its opposite side, as if in attendance on the animal; again, two others in succession ; then five figures habited in short vests; and after them comes an uninterrupted suite of forty-four long-robed spearmen. It is curious to observe how the rotation in this procession resembles that of Cyrus to his first great royal sacrifice; the chariots and the bulls, and the led horses for sacrifice to the sun, the spearmen, &c. &c. A border carved with roses, divides each row of bas-relief from the one below it. By the frequency of these ornaments, we see how indigenous the rose has ever been in this country, and how admired from the earliest times. - The next begins with a range of thirty-two figures, (Plate XXXVII.) of which every alternate one is clothed in along robe, its full loose sleeves reaching to the wrists, and its flowing skirts to the ankles. In front, about the center of the waist, the robe appears gathered up, both for convenience and grace of drapery ; for there, connected with a girdle, it falls in regular folds over - % / m \ --- - | W. | zzº \ | | ||||| ſº - --> ſ | ſº ºf gºggº - ſººººº. |- º : ºš Q |Ill # - - 2/zºo.º. /8% º aggº §§§3% - § º % --- §§§ § 2. - º - C - º - - I §º § cºm/ Sººſ" -- - () rx § \\ Q N § &=3 London, Aaº'ed by Zorºman & Cº. /93/. PALACE OF FORTY PILLARS, 605 each thigh; and where the knots of the belt are tied, is stuck a dagger, the handle of which exactly resembles that worn by the Persian of the present day. What is discoverable of the upper part of the sheath, shews a very singular form, not unlike that of the Malay Creesse. These figures in the flowing robes, always have earings, and collars, and some, the addition of bracelets. On their heads they wear the high fluted tiara, covering a bushy fulness of hair, profusely curled upon the neck, and combed up from the forehead, with a termination of curls there also. The beard partakes of the same taste, and is not long, but ending rather square. The feet are enveloped in the sandal buskin. ...And in this range, we find the figures so habited always holding the hand of the person immediately before them, or the one as immediately behind ; a circumstance which would imply their belonging to the establishment of the king; and so leading forward persons, comparatively strangers, to the presence. With the exception of one or two, they all hold in their right hands a flower, resembling the lotos; and several of them have a cased bow hanging on the left hip. The other alternate figure is attired in a short tunic, reaching to the knees, with long tight sleeves ; indeed, the whole of the dress seems so close, that not a fold appears. His lower ex- tremities are covered by trowsers, meeting at the ankles a high shoe, at the top of which they seem to be tied ; and yet there is something in their form and smoothness that gives one the idea of jack-boots. On his head is a round-topped cap, projecting at the top a little over the brow. This style of coiffure differs entirely from the fluted cap or tiara, and resembles what we call the Phrygian bonnet. I should be led to suppose, from its simplicity, and the corresponding plainness of the habit 606 ANCIENT BAS-RELIEFS AT THE almost invariably worn with it, that the entire dress presented by the figure who wears it, is the genuine Persian habit; I mean the dress of the people of Persia Proper, not of the empire in general. The robe and tiara described above, are evidently the Median fashions. The strap which binds the body of this ancient Persian is very distinctly marked. He wears a second, to which depends, on the right side, a dagger of a quite different shape from that of the robed courtier. This is very broad in the blade, and the point of its sheath seems fastened to the right thigh, near the knee, by a thong. Though not much larger than the common dagger of the time, used by other nations, still I look upon this stout little weapon to have been the actual Persian sword of that early age; which all the ancient accounts describe as “extremely short, and worn on the right side.” Some of these figures carry the cased bow, some are decorated with ear-rings, collars, and bracelets, and others have a long cloak hanging from their shoulders, and attached by strings to the breast. All carry the lotos. Twenty-eight robed Persians, armed with spears, and every one in the same attitude, close this line. These do not wear the fluted cap, but have each a fillet round his head, on which are the traces of leaves. Ten or a dozen sculptured cypress-trees, complete this bas-relief, and terminate near the stairs. The height occupied by the line of figures is only two feet ten inches. - $º - The third and lowest bas-relief presents the same procession of robed and tiara-capped Persians, alternately arranged with their tunicked brethren, to the number of thirty-two; and, in like manner as above, followed by a train of twenty-one guards, in the same uniform as those in the upper bas-relief. Time, assisted by the destroying mallets to which I have referred PALACE OF FORTY PILLARS. 607 before, has cruelly defaced the middle series, after having entirely demolished the best part of the row above; but this lowest range, happily for the antiquarian, has till very lately been concealed, probably for ages, under heaps of ruins at its base. In Le Bruyn's time, the heads only of the figures were visible; but some of the gentlemen belonging to one of our late embassies in Persia, set men to work, and were successful in bringing this more perfect specimen to the eye of observation. * I made a drawing of nine of the figures that are in the second row, and another of seven, which belong to the lowest; they are both engraved on the same plate, where each particular that I have mentioned may be seen in the copy. I now proceed to describe the opposite wing of this magnificent approach, and shall defer any remarks on the subjects of its decorations until I have gone through the details of the whole. This wing, like the other, is divided into three lines of bas- relief, but each is subdivided into compartments, by a large cypress-tree. Vast fragments of this also lie on the ground beneath; the higher range of figures, like those opposite, presenting no more than twelve inches of their original surface, but enough is left to shew, at the commencement of the pro- cession, the lower parts of men and horses. The number of groups which occupy the spaces in this range between the cypresses, are six. The figures are exceedingly broken, but still I could discern that every man carried something in his hand like an offering, and that almost all the parties had a horse in their train. From most eastern historians we learn, that animal was as valuable a present to the monarchs of Persia in those days, as it is considered at present. A continuation of these remnants, becoming more explicable, but not increasing in 608 ANCIENT BAS-RELIEFS AT THE height, completes the line along the slope of the stairs, forming its parapet till it meets the ground, and the figures appear to be as follows. The feet of several men are traceable, and the last leads a bull; then intervenes a tree; five more men follow, the fifth leading another bull ; then comes the cypress; again five men appear, one bearing a round shield, the remainder carrying spears; then come a couple more ; after whom are two bulls drawing a kind of chariot, covered with lozenge ornaments; the suite is closed by a figure leading an animal resembling the Ibex. - The row on the second line (Plates XXXVIII. XXXIX. XL.) begins with a robed Persian armed with a dagger at his belt. In his right hand he carries a staff, apparently the ensign of his office, whilst his left holds the hand of a person behind him, whom he appears to be leading forward. This person precedes four others, as being their chief; three of them bear on both their hands different articles of dress; the fourth, in a similar way, carries a couple of large cups. The style of carrying any thing, as well as presenting it, to a superior, appears to have been the same then as it is now ; the most trifling offering being always given with both hands. The whole of this group of five behind the robed Persian, are uniformly habited in short tunics, bound round the waist with a simple buckle and belt. Their legs and feet are covered with a sort of hose, of the jack-boot appearance I mentioned before; and, as a long pair of stockings are amongst the raiment borne, we may conclude that this under-garment is of that character. The upper parts of the figures are too much defaced to shew any thing of a head-dress. A tree divides these from the second group. ... In this, the leading personage is habited in the old Persian tunic, with the same simple belt as P/.33. ^ , ~ ©s №27/№ § 2 ¿№ ŠŇ/№ÑØJ, ĒNØYT ) … // ĢĒ\ …2€, º Z//. / º, (2 ///º. ~ . . ` ( , %, º 2 º' - - - | - , ( 27. -- - & ºy >~ ſº slº-Sº'ſ, Zondon, Published ºr Zongman & CºA. PALACE OF FORTY PILLARS. 609 belongs to the dress in the opposite wing, and without a dagger. He bears a staff, though not so long a one as the robed personage of the same apparent office in the preceding group; he has a collar also, to mark his consequence. With his left hand he leads forward the first figure in a group of six. This suite are habited in a sort of wrapping surtout, the arms naked from the hand to the elbow, where they meet a short sleeve; a kind of cape with a tasseled end hangs over the shoulder, down on the breast. A helmet-like cap covers the head, from which depends a bag, very similar to what is worn in some parts of Kourdistan at the present day: shoes are on the feet. The little that is left unbroken away of the hair, appears in the bushy style of the Medes. Two of these men carry basins, and a third, something like a piece of stuff; the fourth, holds a staff in his right hand, and the end of a halter in his left, by which he leads a large bull; the fifth, walks by the side of the animal, with his left arm over the back, carefully guiding it; he also holds a staff, The bull is admirably sculptured, and the usual heavy sullen step of the animal is shewn to perfection. In this, the artist has displayed the earthly creature, having copied his original of the pasture with the most masterly fidelity; while the colossal bulls, at the portals, present a contrast which fully shews his design in each. A glance at them conveys to the mind an image of the same animal, but of some supernatural order; making the like distinction between them and the natural bull, as the Greeks accomplished, when the gigantic Hercules was hewn from the quarry, giving more than mortal dignity to the common proportions of man. The same beau idéal is displayed in the forms of the lions; and this very distinction, so happily shewn on the same platform, may be another argument for WOL. I. 4 I - 610 ANCIENT BAS-RELIEFS IN THE supposing a symbolical meaning is couched under all the animals exhibiting such supernatural elevation of character. The third group in rotation, is preceded by a robed Persian, leading by the left hand the first man of six in suite; the heads of the whole are totally demolished, but in other respects they are not much damaged. A tight gabardine sort of dress, with short sleeves, reaches below the calves of the legs; on their feet are short boots, neatly tied upon the instep. Their waists are bound with sashes, with fringed ends tastefully disposed on the left side. The second man carries a couple of basins; he is followed by one bearing in each hand two regular-shaped forms, evidently the skins of some small animal; the third holds a piece of stuff. Two others come forward, attending a couple of sheep with very huge horns, and fine curled coats; which corroborates the idea of the foregoing skins being probably the beautiful fleeces of the young lambs. Such fleeces, from a peculiar breed, are still in great request in these countries; particularly the grey curled lamb of Bochara, which, both in Persia and Russia, bring the greatest prices. - . - * , The introducer, in the fourth group, is one of the tunic-dressed Persians. The person he leads by the hand, seems in all things habited like himself, if we except his staff and collar of office; and the appearance of a cap falling low in the pole of the neck of the led personage. The cap has a peculiarity of curving backwards at its high top, instead of forwards, as we have usually seen on figures wearing the short tunic. On the left side of this man, hangs a cased bow, the only one in the group. The next person, dressed in the same way in all respects excepting the bow, appears walking by the side of a horse, which he holdsby its bridle; the mane and tail are nicely tied i § - . 'ſ PALACE OF FORTY PILLARs. . 611 up, and the peculiarity of its form, no doubt marks the par- ticularity of its breed. The succeeding four figures carry articles, apparently of horse-furniture; one of them holding a sort of saddle-cloth and stirrup attached. The usual intervening cypress separates this last group from the fifth, and here we find a robed conductor, (indeed, throughout these bas-reliefs, this duty seems to be alternately exercised by the Median-robed Persian, and the Persian in the genuine habit of his country,) leading a person in a different costume from any of the former, The hair, as we may judge by his followers in the same general raiment, is bound by a fillet, and projects a little behind in small neat curls: the beard is very short. Both arms and legs are naked, the feet being defended by a sandal. A short tunic comes to the knee, and is open at the side, being bound at the waist by a very broad belt. A tight mantle, through which passes the arms, hangs almost like a modern European coat, to near the calf of the leg. A tasseled end falls between the arm and the vest. Two persons in this garb conduct a bull, not at all inferior in spirit and beauty to the former ; and he, likewise, is meant for a beast of earthly pastures. He is followed by three spearmen, dressed precisely like their three preceding unarmed compeers; but the foremost of these warriors carries a spear in his right hand, and a large round shield on his left arm, covering his person from the chin almost to the knee. His two followers have no shield, but each carries a spear in either hand. The cypress concludes the group. Along this line may be seen the extent of the native artist's skill in pourtraying the un- covered parts of the human figure; and I have copied his delineation with all the accuracy in my power, to shew the correctness of his chisel, even to the most difficult parts of the 4 I 2 612 ANCIENT BAS-RELIEFS IN THE extremities. The fine management of these naked limbs, the truth of the muscles, and the spirit of their action, might lead one to think, that the same hand that executed them, did not touch the stiff, wooden-like legs belonging to some of the figures more completely covered ; and, probably, this was really the case; the master-chisel only applying itself to the general sketch and perfecting finish of the most scientific parts of the art. The sixth group is led forward by one of the old tunicked Persians, with his staff and collar of consequence. The front of his cap has been a little knocked off, else his head might be called in excellent preservation; the face is perfect, and shews a fine physiognomy. The man in his charge has not been so for- tunate; the whole of his face is gone, having left only the beard; which is much larger than any I had seen in the other bas- reliefs, excepting those which represent royalty; but the hair in this beard is perfectly straight, and cut square at the end. The hair of the head behind, appears to be turned up smooth over a roll, surmounted by a kind of skull-cap helmet, bending forward in the Phrygian point over the forehead; two flaps proceed from the helmet, guarding the ears. The dress of this man, and his five followers, is exactly alike; and all sharing the same progress, more or less, towards decapitation. Their upper garments are tight, with sleeves to the wrist, and flying off slopingly behind the thighs, in a point still more like a modern coat than the one I mentioned before. . 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Nº. y º Nº. - | - CA/eº REMARKS ON THE BAS-RELIEFs. 657 the monarch I believe there can be no doubt; the peculiarity of his beard, and the employment of his servants, attest his dig- nity; the use of the umbrella being regarded in Persia as the prerogative of royalty alone. One large stone, sixteen feet high, and between eight and nine feet wide, contains the group. Another block of smaller dimensions surmounts it, on which is seen a figure whose dress and outline of form resemble those of the personage below. The only difference is, that his left hand holds a ring, and his right is raised and open. He issues from a circle, whence diverge two floating forms, something like ser- pents with their heads hidden behind the figure. A pair of immense wings spread themselves on each side of the circle; in that differing from the radiated vehicle of the aerial being so often seen on the tombs of Nakshi-Roustam. r If this be the Ferwer, or spiritual prototype of the king, which, according to the Zendavesta, always hovers near him, its wings may be attributes of the duties of a living monarch, activity and fostering care of his people; while the Intelligence, whom we see on the tombs, supported by clouds and sun-beams, shews that the prince who was his divided self, has now nothing more to do with the business of earth but to appear once in the glorified substance into the essence of which his shade is absorbed, to his royal successor while performing the established rites at his tomb. * * Perhaps this doctrine of Zoroaster may be more clearly seen in an extract from the Desatir, a work of the old Pehlivi, and which, amongst other subjects, attempts an explanation of the above mystery. - “Verse 35. Whatever is on earth, is the resemblance and shadow of something that is in the sphere. VOL. I. 4 P 658 THE FERWER, OR SECOND SELF. “36. While that resplendent thing [the prototype] remaineth in good condition, it is well also with its shadow. “37. When that resplendent object removeth far from its shadow, life fadeth away. - “38. Again, that resplendent thing is the shadow of a light more resplendent than itself. - “39. And so on, up to Mez, [Ormuzd] who is the light of lights.” — Desatir, Book of Zerdusht. With the exception of the figure in the centre, the symbol of the wings and circle is precisely that which so often occurs over almost all the ancient temples of the East, designating Pro- vidence, and which is worshipped in Egypt under the name of the god Cneph. The circle of entwined serpents, bespeak Eter- nity and Wisdom, and the expanded wings, Ubiquity and pro- tective Goodness. Doubtless, the pride of many Persian mo- narchs would be flattered by the association of such lofty attributes of divinity, with their Ferwer, or second self; and believing themselves already half gods, they would disdain their duties as men. But there were others who might read a salutary lesson in this sublime emblem. Besides the sovereign properties of wisdom, omnipresence, and eternity, there was another, of ministration — protecting goodness, which was the most con- spicuous symbol of the whole; and therefore, only in its exer- cise, could a king prove his claim to the high attributes of wisdom and ubiquity, by a general watchfulness, through up- right ministers, over the welfare of his subjects; by the enacting of just laws, and their impartial fulfilment; and by that univer- sal paternal conduct which gave Cyrus the name of “Father of his People,” rendering it immortal on earth, while, with “the spirits of the just made perfect,” we cannot doubt that he who / BAS-RELIEFS. - 659 “was called by name the Shepherd of the Lord, to do all his pleasure,” would himself be enjoying the eternity of heaven. It does not, however, appear from any thing we read, (whatever might be the belief from the earliest ages in Persia, of guardian angels,) that the idea of a Ferwer or presiding second-self, was ever thought of there before the time of Zoroaster; and that was some years after the death of Cyrus. And if this aerial figure is meant to represent that extraordinary being, it at once decides that the bas-reliefs where it forms a part, must have been the work of a subsequent reign ; and none so likely as that of Darius Hystaspes, who was the patron of Zoroaster, and the zealous assertor of his doctrines and religious rites. Indeed, according to the hyperbolical calculations of the East, we are told that the regulations of the prophet were so numerous, and the reverence in which they were held by the monarch so de- voted, that they filled “twelve thousand skins of parchment, of a cow-hide each,” and were deposited, by the royal order, in spacious vaults dug in the bosom of the rock at Persepolis, “Holy men were appointed to guard them; and it was com- manded that the profane should never approach the sacred records.” (Zeenut-ul-Tuarkh.) But it appears that the sword of the caliphs, like that of Alexander, cut the cord of mystery: the sanctuary of the sacred archives was violated by the followers of Mahomed; and the originals of the Zendavesta were heard of no more. We now return to the bas-reliefs of the structure (O). On the portals (b b) are duplicates of the same royal personage I have just described as walking forth under his umbrella; but here he is represented seated on a chair of state, holding a staff in one hand and a lotos in the other. An attendant stands 4 P 2 660 - REMARKS ON THE RUINS. behind, waving the usual fly-chaser over his head; and the aerial figure we have been discussing, in his winged car, hovers near him. These four portals(a a bb) open opposite to each other in the four sides of this quadrangular building; in the centre of which I found the plinths of four columns, standing equidistant ten feet, and each in diameter four feet. From the form, and the immense materials of this place, the latter so much beyond any common proportion with its present apparent dimensions, it seems very likely to have been dedicated to religious uses; and, probably, was the private oratory of the king, where he offered up his daily adorations to Mezdan, (Ormuzd): such solidity of structure being a reverence to the name to which it was inscribed. From the smoothness of these four large central stones, it does not appear that they had formerly been con- nected with any crowning material, neither a platform, nor statues; and so far from there being any probability of images occupying this, or any other temple in Persia, from the reign of Cyrus, to that of the last Darius, we learn from historians, that Cambyses, the son of Cyrus, destroyed Apis, the idolatrous object of the Egyptians' worship, in his indignation at likening the Supreme Power to a brute beast; and that Xerxes, the son of Darius Hystaspes, and the pupil of Zoroaster, broke in pieces . the statues of the Greeks, from the same sense of what was due to Deity. Hence, I should suppose, that between these four pillars stood the altar that contained the sacred fire; the only visible image of the Divinity, which his followers admitted into their temples. This edifice, like most of the others, rose on its own distinct little terrace; and though all its entrances seem to have been distinguished by the royal effigy, yet here we find no representations of guards to protect his sacred person; which seems to declare, that the place is sanctuary sufficient; and its REMARKS ON THE RUINS. 661 proximity to the part of the palace which now lies under the mound, further inclines me to believe that this was the retiring place of the monarch, to perform his morning and evening adorations. - - - -- At about a hundred and sixty feet to the south-east of this little building of the four pillars, and down upon the level of the great platform, (u) appears another pile of ruins. (P) On draw- ing near, I found not only foundations and scattered fragments, but the frames of doors and windows, and niches in the walls; SOIſle upright, and all distinctly traceable. A quadrangular building, (P) of forty-eight feet, constitutes its chief structure; and another, separated from it by only the intermediate wall, extends towards the south thirty feet, where it is completely open. These two apartments would appear to comprehend the whole edifice, did we not see a continuation of the foundation . of walls along the southern front, with the fragments of columns, - architraves, and other architectural adjuncts to the support of a roof. At the extremities of the walls which point to the south, leaving the open space between, (b b) are two single stones, in height about eighteen feet, five in thickness, and three and a half in width. Their inward faces, near the top, are excavated with large square holes, as if for the reception of a connecting beam. A couple of door-ways at (c c) have bas-reliefs of the double guard on their sides, and another portal of considerable expansion opens from the middle of the southern apartment into the inclosed quadrangle. On this passage we found the walking figure of the king, attended by one person only, carrying a parasol. The square to which it conducted us, has received its principal light from a range of lofty windows; the casements of three are yet tolerably perfect, as well as are several niches cut 662 REMARKS ON THE RUINS. in the solid wall. Two entrances open into it from the east and west, ornamented with repetition bas-reliefs of a combat between a man and a lion. Two others perforate the wall to the north, (all the walls are five feet thick,) but one only of its portals is standing, and its sides are sculptured with the spearmen. The interior ground of these apartments, as well as that without, is raised, and rendered very uneven by the fallen fragments of their more ruined parts. No trace of an inscription is to be found in the building ; neither does it appear to stand, like those to the west, on any terrace of its own. At one hundred and ninety feet to the north, stands a structure (q) next in extent as a single building, to that of the Chehel- minar. It is a perfect square, of two hundred and ten feet along each face. Two doors enter it from every side, but those from the north have been the grand portals, being thirteen feet in width, whereas all the others are only seven. Between every two of the latter is an immense niche, while the former are divided by seven large windows, whose side-blocks measure ten feet, the original depth of the walls. At forty feet distant. from the northern front, and almost parallel with its east and west corners, rise the mutilated forms of two colossal bulls, (a a) standing on pedestals of eighteen feet in length, by five in height. They are the remains of statues, not bas-reliefs, and clearly shew by their position on each side of an area of entrance, that they were meant for ornament, not idolatry. These two face the north ; and at two hundred and seventy feet from them, in the same direction, (R) appear two others looking due south. This latter twain have formed the sides of a grand gate-way, the style and dimensions of which are much like those of the great portal (D) on the first platform. The one I am now describing. Sºlº of |- |- . |- ‘…ºººººº/, /|- |-|- |-- - - -- ()-|- |-- |-|-- -(7297), º aevºz 4% /ºº/,7 |-|-, ,, - ^^^^^^ ~^ |-|- -|-|- |-|- |-|- |-|- |- | |- |- ſ) --- # * * * * * * * * * * * * * * * * * * * * º 3; # # # - # # # # # 3 # # 35 ; # # }}| |-| |-|||| ||- | | 1| ||| 1 ||rº || |-^ _~~~~TT!:-) TT - tºº^ ~--~~~~-----------------------------------------------) ---------------_aeae --------__ || …:…!!!!!!-------------------------№ !!!!!!!!!!!!!!!!!!ſae |-|-|- · '6/, ‘Zae |-********/:/;t. - - ių. § : X, | {z_ö Q © √ '/2 ºz. 3.2-?ſuvuzºwo,ſą???????????) ( º ſ ( s (ſ {{ 30000003333330 JGG ----La| 0 |© |-} | |× | } | || ! 17 • || |-//~\\!.| ·%%AC}-|-----><^^ |įº#§Ź)[70]ſūUJU|-ſ.§§ º, ¿ŠĶĶĹĹĻĻĶī£{{{|}}}|{{{ſ{{{{ſ{{!}}{{{4\;{}{}}}}}}}}}}}}}|- |-|OUJuJT7ŪŌ}Ť № | (($%$&#%$§$%UrſaeĮ JĮ ĮſiſūņȘIŅĶſ! ) ſſſſſſſ!!!!!JūſųÇ7-7-7, 777¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡wt-r, -º… ŅĶXXXXXXXXXXXXXXXÉ.Ķķ%»3 №Sººs ºſae © ®S, «№ ©ZS |SŇ�£3322222 Ñ Ñ£32: ~~) ----* |§©®ģș№ſſº|| || }(£§ 5(3) ·§ → · §§ @$ $ $}} ،!, -:-, --~~~~∞ )---- =-se- BAS-RELIEFS. 668 forms the vertex of a triangle, of which the north front of the square building is the base; henee it faces neither of the doors, but probably was the entrance into some spacious outer court: its noble remains are cruelly defaced, but enough is left to shew both its purpose and ornaments. At S a little further to the north, we see an enormous insulated column terribly broken, but still I was enabled to make a copy of its fine capital. (Plate XLV. fig, E.) But to return to the square building itself. The sides of the principal doors (cc) are richly adorned with sculp- ture; and in the most elevated compartment of the whole, we find the kingly personage mentioned before, seated on his chair of state, (Plate XLIX) with both feet resting on a footstool. Over his head, are the bas-relief remains of a canopy supported by slender pillars, the whole profusely decorated with fret-work, fringes, and borders of lions and bulls. After what we had seen before, there can be little doubt that the attendant spirit had, as usual, surmounted the group, but it was now entirely broken away. The seat of the royal personage answers exactly to the description given by Brisson in one of the passages he has selected as illustrative of Persian antiquities and customs, and which states, that the throne of the king of Persia was a chair gorgeously inlaid with gold, covered with a splendid carpet or cushion, and so high from the ground, that a stool was always placed at its feet. This description is not unlike that of the throne of Solomon, in the second book of Chronicles: —“ Moreover, the king made a great throne of ivory, and overlaid it with pure gold; and there was a footstool of gold, and stays on each side of the sitting-place.”—So far, the chair, or throne: the platform, or pedestal, or either one or the other, on which it might stand, are totally distinct from the idea of the throne itself. That such 664 BAS-RELIEFS. was the only form of seat regarded by the ancients as that of sovereignty, may be gathered from a variety of authorities; and amongst others, several Grecian coins, where we see Jupiter placed in a similar chair; and nearly all the Parthian money that has fallen in my way, bears the same sort of throne, though very rudely represented. But what is more curious still, so long has the fashion of this chair lasted, and so widely has it travelled, that there is hardly perhaps one of my English readers who has not seen, in the old hall of some family mansion in England, almost a fac-simile of the great high carved chair in which the king of Persia sits here enthroned. In this, the two favourite symbolical animals of the east form part of the ornaments; we find the feet of the lion in the legs of the chair, and those of the bull in the feet of the footstool. In this representation of the royal personage, his dress is particularly simple, having neither collar nor bracelets; in his right hand he holds the long staff, or sceptre, and in his left the lotos. He is evidently sitting in state. Behind him stands the usual at- tendant with the fan and handkerchief, and his face muffled, for probably the same reason as mentioned before. A second figure in the short Persian tunic follows, bearing the royal bow and battle-axe. Sword, or arms bearers, of whatever sort the king might use, were appendages of state all over the East, and the custom exists in the court of Persia to this day. The battle- axe which presents itself here, is in all probability the sagaris. We are told that it resembled the double axe of the Amazons. This before us, though a double-headed instrument, wants one essential feature of an axe, the pointed or sharp edge on the two extremities; but it is not unlikely, that, borne here only as a weapon of state, its hostile ends would be blunted, emblematic BAS-RELIEFS. 665 of the peace and security near the throne. Under the same idea, we find the bow cased that accompanies it; and having a handle, which the bearer grasps, I should suppose it to be something of a cross-bow. A third person stands behind, on the other side of the sort of pillared recess which incloses the immediate group round the king. His dress is the Median robe and fluted tiara ; and he holds a long wand in both hands: it has Il O appearance of ever having been pointed with a spear-head; hence, I suppose him an officer of purely court occupation, and probably, from being so near the person of the monarch, of the highest rank. Just before the foot of the throne, two gracefully shaped vessels present themselves, similar to those which are carried by the figure in Plate XLVII., but with the addition of connecting chains to their covers. I have no doubt they contain burnt perfumes, and their situation between the king and his appli- cants warrants the idea. A muffled attendant approaches from without the pillared frame on that side, bringing a small metal- like pail, (as seen in the former plate,) which probably contains the prepared aromatics to supply them. Immediately behind the censers, and in front of the sovereign, appears a man in the short tunic and plain bonnet, with his left hand grasping the short staff which marks the court-ushers on the great stair-case, and his right held to his mouth, to prevent his breath exhaling towards the august personage to whom he bends as he addresses himself. Lowliness of attitude on approaching superiors, is yet sufficiently a mark of good breeding in Persia; but this personal delicacy (so necessary indeed to mutual personal respect) seems to have expired with the courtiers of the Kaianian dynasty. Beneath the royal group, and divided from it by a long ho- rizontal border studded with roses, are five ranges of attendants, WOL. I. - 4 Q 666 - BAS-RELIEFS. each row, separated in the same way by a similar border. Indeed, a frame of this rose-work incloses the whole bas-relief, like that of a picture. The first row, under the king, contains ten figures, all in the Median robe and fluted tiara, and grasping spears. The three first on the right hand of the sculpture, carry also the Boeotian-shaped shield on their left arms; and as they are marching towards the middle of the ground on which they appear to move, their spear-hands are towards the spectator. Before them are two with the spears, but no shields, and the foremost of them, standing in the center of the bas-relief, just under the feet of the king, faces another guard armed in the same way, who is the leader of four more spearmen resembling those on the opposite side. The shields of these three are consequently towards the spectator. The second row, is also a rank of ten figures. All here, excepting two, are in the Persian tunic, and plain curved bonnet, with spears in their hands, and the cased bow, and short sword at their sides. They are divided into two parties like the row above them, meeting in the center, where their two leaders face each other, in the Median robe and tiara, spears in their hands, and open bows with quivers over their shoulders. The third range is also of ten, in two divisions, marching to the same point. The men are in the tunic and plain cap, with the short sword on the right side, and cased cross-bows held over their shoulders; their leaders in the Median dress, and armed as the two above them. The fourth rank is precisely like the second, and the fifth like the fourth. But there may appear a distinction between the military array of the two files of robed leaders who bear the insignia of archery; the quivers of all those up the right side of the center seeming to be of a different shape at the top from that of the quivers on the SCULPTURED PORTALS, 667 opposite side; but the apparent variation arises wholly from our seeing the same arrow-hood in different views; and I cannot pass it without drawing my reader's attention to the nicety with which it closes over the feathers. These five ranges of guards, evidently placed in regular rotation over each other, some way to represent their lines of station near the person of the king in the real scene, give me an impression that the platform on which the royal chair stood, was placed on an elevation of five steps, with the same number of ranks in the guards which stood before it; and who, probably, might occasionally leave a space between the files of leaders for an approach to the throne. Just beyond the great northern front of this building, are two portals, (d d) pointing to the east and west; their sides are sculptured with the double guard, (Plate XLVI.) in so gigantic a style, that were the earth cleared away that encumbers their base, the figures would be twelve feet high. They are visible from a little below the knee, from which to the top of the head, they measure ten feet ten inches. The length of each face is two feet seven inches, of a beautiful contour, and admirably executed. I have attempted to copy its character with the strictest accuracy. The spear, as far as is seen, measures fourteen feet seven inches; and if we allow three feet to be hidden in the ruins, it will extend to seventeen feet seven inches. When we reduce the guard who holds it to the common size of nature, and proportion the spear to that reduction, we then find it no more than seven feet eight inches long; a weapon of no extraordinary dimensions, and which agrees perfectly with Herodotus, “ wiyuo.; 36 GF23:32; xov.” Indeed, every other in the various bas-reliefs appear no longer. The whole way between these portals is thickly scattered over with fragments of columns, 4 Q 2 668 SYMBOLICAL FIGURES OVER architraves, &c. which leave no doubt of a covered colonnade having overshadowed this principal face of the building. The doors that open from the southern side, (ee) are the same in depth, and in the subject of their sculptures, as those on the north. Here, also, on the higher compartments, (Plate L.) sits the royal figure in the usual garb, but attended by the fly-chaser alone. The canopy over his head is quite entire, displaying the most exquisite workmanship in its fretted fringe, roses, and other ornaments. Lions, and the unicorn-bull, fill two rows of it; the range of the first being separated by the serpent-winged emblem, in like manner as in the mutilated canopy on the other side of the building. The aerial figure surmounts the whole, occupying an exact fac-simile of the symbol below; the universality of its appear- ance in the most ancient structures of the East, prevents me from giving it the appellation Egyptian, though it was on the temples of that country I first saw it, and we are apt to attribute the primary use of things to the places where we first notice them. Instead of a ring in his hand, the Ferwer, in this bas-relief, holds the lotos, an emblem of even more extensive adoption than the other. But that ideas of divine, or angelic attributes, have been connected from the earliest times with these em- blematic wings, circles, and radiated ethereal cars, we find in the most ancient of all books, divine in its origin; and so well attested by nature, that witnesses to its veracity, even as a history of the East, rise up every day in the persons of successive travellers. In a former part of this volume, I have already remarked on the symbolical wings given to angels, so early as the time of Moses, when, by the divine appointment, he spread them over the mercy-seat of the ark of the law. De- scriptions of the like ministers and messengers of the Most High, THE ROYAL PERSONAGE. 669 are given in all the Prophets, and most of them with the same attributes more or less ; but in Ezekiel, we find a vision of seraphic forms, who appear in something like the radiated car of the Persian Ferwer, as it is seen on the tombs. - “And I looked, and behold a great cloud, and a fire infolding itself, and a brightness was about it; and out of the midst thereof, as the colour of amber, came the likeness of four living creatures; and this was their appearance, they had the likeness of a man. As for their rings, they were so high that they were dreadful; and their rings were full of eyes, round about them four. And when the living creatures went, the wheels went by them: and when the living creatures were lifted up from the earth, the wheels were lifted up. Whithersoever the spirit was to go, they went; for the spirit of the living creature was in the wheels.” (Chap. i. part of verses 4, 5, 18, 19, 20.) Though the further context of these verses is universally accepted as symbolical prophecies of the four great empires in that part of the world, which succeeded the Jewish captivity; yet the imagery is quoted here, to shew whence Zoroaster drew the attributes, and even the general ideas of his Ferwer; that which the Prophet presents as symbolical, the impostor advancing as reality. Ezekiel wrote about a century before the appearance of Zoroaster, who did not promulgate his reformation, as he called it, of the Mithratic religion, till nearly fifty years after the restoration of the Jews to their country; and, indeed, we may trace a second more in- sidious plunder of the temple, its ordinances, and mysteries of the law and the prophets, in many of the perverted doctrines and rites of the Persian sage. But to return to the bas-relief of the king, his winged prototype having carried me so far away. Three rows of figures, with a 670 THE ROYAL CANOPY. broad frieze between each row, fill the space between theroyal seat and the ground. The first row consists of four persons, supporting the upper frieze, or rather platform on which the throne is placed, with their uplifted hands, in the manner of caryates': the second row exhibits five men, upholding the intermediate frieze in the same way: while one figure only, and that an Ethiopian, is visible of the third range, which is so overgrown with earth, that a few strokes of the pick-axe were necessary to arrive at a distinct sight of this solitary Atlas. The rest of the figures on the two upper rows, are all in dresses I had seen in the pro- cession on the great stairs; some in the Persian tunic and short sword, but more in the Median garb. The whole is inclosed in a sort of frame-work of double pillars, to which the canopy is attached at the top; while their nether extremities rest on each side of the royal platform, meeting the summits of two immense horizontally fluted columns; the lower ends of which are huge lion limbs, on a base something like that of the pedestal under the same-formed legs of the chair. These two columns support the platform on which the king sits, on each side of the caryatided front; the whole bearing a close resemblance to the royal eleva- tion on the tombs at Nakshi-Roustam, and therefore a no in- considerable argument of both being the work of nearly the same age. - - Some of the niches, in the interior of the building, are still entire; and present a simple and beautiful effect, whether seen singly, or, viewed in a range together. That which I have drawn, (Plate L.) stands about fifteen feet above the accumulated earth on the floor, and is composed of four stones. The upper one forms the pediment, which is carved with three rows of the lotos-leaf, exquisitely cut, and rising from a beaded cornice, AZ. AZ. r zo L-I-I-II Z, CZazzº re. Jºz-AE25erº Aarzer Zº A. zzzz. Zzz%ZZzzzve over Z/he Greezz Z2oor. Š ، | ș § } | § } § ~ � } § § INTERIOR ARCHITECTURE. 671 The second stone constitutes the top of the niche; the third the niche itself, being hollowed into that form; and the fourth makes the foundation. Two feet six inches of this mether stone, remain above ground; and I do not think that more than an additional eight inches is buried in the ruins. It is not easy to form any conjecture respecting the use of these gigantic recesses; but they certainly have the effect of lightening, by the symmetry of their forms, the broad, and otherwise heavy flat of the walls. They do not appear to have been intended for statues, the bot- tom stones being perfectly smooth, and of the most brilliant polish. In all the modern palaces of Persia we find similar ex- cavations, though not of such large dimensions. Like these, they usually commence a few feet from the ground, still bearing traces of the ancient style of architecture, and are almost always appropriated to holding pots of roses or other flowers; while these in the palace of Persepolis, are tall enough to hold trees, would their breadth admit them. The forms of the several great door- ways have the same outline as the niches, and are crowned with a similar pediment. (Plate LI. A.) Fragments of several, lay on the ground; one of which I measured, and found it four feet six inches in depth, and luxuriantly decorated with lotos-leaves. In my account of the building quite to the west, (k) where several bas-reliefs occur, representing single combats between a human figure and a variety of animals, I then mentioned that I should defer a more particular description of their design, till I could compare what I saw there, with those which would present themselves to my notice in the great structure to the east; and I now find, that in outline, if not in dimensions, they are fac- similies of those I see here. On the four portals (ffff) point- ing east and west, these extraordinary encounters are displayed. 672 - COMBATS OF THE Their scale is colossal, and the sculpture in a style of answering magnificence. The man who contends with the animals, is usually called the Pontiff-king; a title which, in my mind, forms a clear text for the explanation of the whole. The first bas- relief in which we find him on these walls, is on one of the door-ways in the western face of the building. (Plate LII.) He is represented as a personage of a singularly dignified mien, clad in long draperied robes, but with the arms perfectly bare. His hair, which is full and curled, is bound with a circlet or low diadem; and his sweeping, pointed beard, is curled at different heights, in the style that was worn by majesty alone. He is in the act of grasping with his left hand, the strong single horn that grows out of the forehead of his antagonist, while he thrusts his short sword, or dagger, composedly, but firmly, into the animal’s body. The creature is a monstrous combination of a lion, in body and limbs, with the head and neck of an eagle; and is covered with immense plumage, lying like scale-armour, half-way down its back; representing something like our com- mon ideas of a griffin. Though struck in a vital part, the beast appears to be rampantly opposing the death his adversary seems so calmly inflicting. - The corresponding sculpture of the same hero, on the portal to the east, differs in nothing but the quadruped ; which pre- sents a union of forms completely strange to a European, our most abstruse allegorising heralds, never having invented any thing like its image to charge our shields or support them. (Plate LIII.) The head seems to be that of a wolf; the fore- legs and body, those of a lion; the hinder legs, from their joints, are certainly those of an eagle; the neck is scaled, or feathered, with a prickly mane, and it has wings which stretch nearly to ~ | 2^ ^\\ſ, - §º a \\ S. º - Z. ~ R ( 'º, S-ºº: 2. 2. \\ º º %2% 2 - % Ž% § % - - N % - % 2% Ø % 27 *. - - --> % º % \ % g//46; _º º G. % agº %% £º; º º §4% º §º. Čº § . § M ſº 2. % º T - Af: W - - - - - -- - Zºndon, Zºed by Zongman & Cº. /º/, - - A/...53. ~~~~ º * \t º%º W W will M º 2. ſº // - Z - - 1% º ſ N y - <> - º * | | |R A ſº NY \*Yº ºº \ ##$º Q \\ * \º N Q) --~~~~ - - ww.zºº. º - N \\ - ºg ~s J 2% 2% 22 ** * º ~ Vº 22 - y^ N \ 2- = \ ºr * = § ^s - - { o / / Zondon, Zººed ºr Zongman & Cº Zó2/. - ( ºf / Z / */ ./. -- ^ Meaz/...º. - - - - - ~ N *DN of " PONTIFF KING. - 6'73 its tail. This latter appendage is extremely long, and formed of a chain of bones, like the vertebrae of the back, and cut with the most correct knowledge of anatomy. A crooked horn pro- jects from the head of this monster, which is clasped as before by the hero, while he strikes his dagger into its body. His re- maining adversaries, exhibited on the other two doors, are of a more natural appearance, being a horned lion, and a unicorn- bull, which he slays with the same composed action. The calm- ness of his air, contrasted with the firmness with which he grasps the animals, and strikes to his aim, gives a certainty to his object, and a sublimity to his figure, beyond anything that would have been in the power of more elaborate action, or ornament, to effect. From the unchanged appearance of the hero, his un- varied mode of attack, its success, and the unaltered style of opposition adopted by every one of the animals in the contest, I can have no doubt that they all mean different achievements towards one great end; and under the figure of the pontiff-king, represent the ease with which the united powers of religion and regal authority, may vanquish the enemies of the true faith. The true faith, from a dateless epoch in Persian annals, until the º conquest of the Arabs, was the Mithratic mystery; and from the period of its belief to the present times, a similar supersti- tion has existed with regard to enchantments and evil spirits; an unremitted contest between Ormuzd, the light of the universe, and Ahriman, the origin of darkness. These two emanations acted on the mind and body of their respective followers; hence the worshippers of the sun denounced the Sabians, or adorers of images, to be a reprobate race, lost in darkness, and slaves to the evil power. Under this idea, the native writers of Persia are full of wars between their ancient kings and the deevs, or VOL. I. 4 R 674 COMBATS BETWEEN daemons, of the vast regions beyond the terrible heights of Elborz ; who, in fact, were no other than the Sabian kings of eastern Scythia, and the neighbouring princes of the same faith. Jealous of the ambition of Darius, and abhorring the tenets of the man he upheld as a prophet, they made constant devastating inroads into the empire, and with merciless zeal sacrificed all they found to their offended deities. The celebrated Deev Sufeed, whom Roostam, the Hercules of Persia, slew, was no other than a loyal prince of Hyrcania, whose spells of enchant- ment were his good sword and dauntless heart; but meeting an equal arm in that of his invincible adversary, one daemon, at least, was proved to be vulnerable. Not content with at- tributing to these nations the minds of evil spirits, the followers of Zoroaster represented their persons under the imagery of dragons, griffins, and supernatural monsters of every description; through whole armies of which, we are told, Roostam fought his way, before he could storm the castle of their magician master. In after-times, when the caliphs introduced a new creed into this part of the East, and the bulk of the people embraced it, still their superstitions remained the same, only changing their objects. The tribes amongst them who adhered to the worship of the sun, became transformed in their eyes; and to their imaginations, filled the long-vacated places of the deevs and devils. When they were mouldered away, buried under the ashes of their extinguished altars, the fiercer schisma- tic found a sanctuary in their deserted caves; and deriving the name with the station, in the person of Hassan Saheb, we find a second Deev Sufeed inhabiting the fastnesses of Elborz. On recollecting all these several accounts, we cannot be sur- prised when a Persian, standing by our sides at Persepolis, points THE PONTIFF KING AND WARIOUS MONSTERS. 675 to these bas-relief combats on the walls, and with all the poetical enthusiasm of his country, declares them to be representations of actual contests between Jemsheed, or Roostam, or Isfundeer, and the emissaries of evil, in those hideous forms. Indeed, I agree with him in every particular of his explanation, excepting the existence of the daemon animals in “veritable substance,” to be seen and slain. The hero of the combats, I suppose to be intended for Darius Hystaspes, or his son and successor, Xerxes; but the beasts he encounters, purely allegorical. In consequence of the death of Zoroaster, who had been massacred in the great sacerdotal city of Balk, by Argasp the Scythian king, Darius took on himself the title of Archimagus ; and after avenging the murder of his prophet, on the Scythian nation, we are told by . Porphyry, that the Persian monarch commanded that the name of that sacred distinction should be inscribed on his tomb. Here, then, we find the pontiff-king. And in the firm grasp with which he holds the horn of power on the heads of all the animals, while his sword is in their hearts, we may read his conquest over the monsters of Sabianism in Scythia, Egypt, India, and in Babylonia, which had revolted; and whose gods, and whose towers, he and his son reduced to “a perpetual desolation.” Xerxes, who was thus associated with his father's warlike achievements, had more than his own share of fame. The Persian poets call him Isfundeer; and regarding him as one of their darling heroes, decorate him with all the virtues that he — did not possess. But he was a prince of daring enterprise; he had carried the arms of Persia to more distant regions than any of his predecessors; and glare being mistaken for glory, the writers of the East represent him as a hero sans peur, sans re- proche. In the midst of his victories, and the multitude of his 4 R 2 676 COMBATS OF THE vices, for he had a sufficient number of both, he so far followed the track of Darius, as to declare war against image-worship; and not only the shrines of Babylonia felt his indignation, but every country through which his conquering eagles flew. Greece, above all, writhed under the load of her temples levelled with the dust; while the orphans of the slain, clasping the broken swords of their fathers in the smoking ruins, swore a signal vengeance on the violater of their hearths and their altars. After-times saw the voy fulfilled on the banks of the Granicus; the blood of Xerxes flowed from the bosom of his descendant Darius Codamanus; and Thais the Athenian, terribly visited the devastation of her native city on the imperial walls of the capital; before whose relics so many pilgrim footsteps have stood, pon- dering the terrible event. Nevertheless, the Persian poets forget all these calamities, while dwelling on the splendour of the actions to which they were a retribution ; and ambitious of equalling their idol Isfundeer, with his predecessors Roostam and Kai Khoosroo, they describe even his unfortunate enterprises in the same figurative style of vain-glory, with which we find his progress towards the capture of the great strong-hold of Scythia, emblazoned and recounted. He approached the city through seven enchanted gates. The first was defended by two savage wolves, the second by two enormous lions, the third by a dragon, the fourth by a ghoul, or daemon-devourer of the dead, the fifth by a griffin, the sixth by an ever-flowing catafact, the seventh by a lake and boundless mountains: all of which marvellous succession of impediments he overcame and surmounted, gained the city, and killed Argasp the king. I do not doubt, that the contemplation of the bas-relief combats in these ruins, has assisted the romance-writers of Persia % º %/ %f- № №i §),SNS) ---- "/º/, 2 ºr wºoz Az Zºzzy”07 ºr”// 2 . ** 77. PONTIFF KING. * 677 in these fables; but the one throws light on the other; and though apparently of different hues, by a mingling of beams, a ray of truth is produced, which points clearly to the fact, that whether this august figure of the four encounters be intended for Darius Hystaspes or his son, the story it tells is the same; representing a sovereign, who united in his own person the regal with the sacerdotal influence, and who exerted both to the destruction of impiety, in the subjugation of the powers to which it was allied. A single horn being the emblem of national empire, in all these combats he clutches that symbol; shewing that he holds its still existing strength, whilst his sword strikes at the vital principle of religious schism, whether in men or in empires. Throughout the legends of Persia, the countries north of Elborz are typified under the figures of the simurgh, eagle, or griffin; and it is not improbable that the monster we see here with the skeleton-tail, and which is very like the martichorus of Ctesias, may be the ghoul, or flesh-eating daemon of Isfundeer. What particular nation it may represent, I do not pretend to guess ; though no doubt remains in my mind that all the four beasts in these bas-reliefs are symbols of certain Sabian countries subdued by Darius or Xerxes; and that, as the pontiff-king, the descendant of Mithra, and the successor of his prophet Zoroaster, the great victor is sculptured on the stone in everlasting monument. The structure to which these co- lossal combats are attached, appears to have been intended for a place of public duties, next in rank to the more spacious Chehel-minar, or hall of chief ceremonies. The symbolical encounters just described, set forth the heroic acts of the monarch in quelling the corrupters and disturbers of his empire; and the bas-reliefs on the high compartments of the doors, shew the 678 SUMMARY OF THE AUTHOR'S same royal pontiff seated in his chair of state, enjoying the security of peace, and surrounded by a throng of people pressing to uphold his throne. In this building I completed the catalogue of sculptures immediately connected with the objects on the platform ; and, going out at the eastern portal where the king and the tailed monster keep their unwearied guard, the mountain itself was before me. The slope commences at two hundred feet from the side of the edifice, rising out of the surface of the platform which had been cut from its base. . I went forward, and ascending the height for about six hundred feet, arrived at one of the excavated tombs, (X) which stands in a direct line with the great building of the pontiff-king. To describe it, would be a repetition of what I saw in the sepulchre at Nakshi-Roustam, with only one difference, a range of small lions running along the frieze, which crowns the bull-headed pilasters. I have made a sketch of these animals in Plate XLIII. (a) to shew they are not dogs; a mistake that has prevailed, from the hasty observation of some former travellers. Another excavation is seen more to the south, and higher up the moun- tain. But an illness, induced by the heat and fatigue, and which I vainly fought against, had made such progress by the time I would have visited the second tomb, my diminished strength was not sufficient to climb the steeper rocks. I viewed it, however, from the distance at which I stood, and was reconciled to my disappointment; nothing appearing different in it, from the one I had been so fortunate as to reach. 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A NºA|\\^ YMAA|}}>=-ÅÅ Å ||I/M|| ||All>–!!!!A|>−|−−|−−>− þ~ || >)|>−| ''''...>. --º-º>>-]*>-Vv, ÅkA AŞ,>^IAA!|\|\|\|\|\|\\,|\,\-^ſī|\ \A P–b) >= |A| A |*| * ſº Ķ-№-IN:|, |~||\\„Z №ſſ– * . % - 4.7% anarared & Jºº - Zondon. /*ublished Av Zonoman & Cº A&3/. &TN S -- LABOURS ON THE PLATforM. *. 6'79 channels through the body of the platform to the cistern, (y) and diverging thence again, supplied the buildings on the several terraces. The directions of these aqueducts may be seen in the plan, by the dotted lines. As I looked from side to side, and up the rocks, to objects now beyond my compass, I felt the deepest regret in being obliged to abandon my labours. My fever increased rapidly upon me, and I found it absolutely necessary to seek some place where I might be ill within reach of medical assistance, and near comforts not in the power of a poor village, or a horde of wandering Eelauts, however kind, to afford me. Shiraz was to be our object; and, however reluctantly, I gave orders to prepare our immediate departure. In collecting the produce of my many days' sojourn on this most interesting spot, I had the satisfaction of finding that I had drawn nearly every bas-relief of consequence, had taken a faithful plan of the place, and copied several of the cuneiform inscriptions. Those on Plates LV., LVI. in four compartments are complete, all but a very few lines of the last, which the state of my disorder would not allow me to finish. My own circumstances in this respect, may be that of many future travellers curious in ancient in- scriptions, and, to spare them more than necessary exposure to the sun, which is here reflected to an almost insufferable heat by the rock and the mountain, I mention the inscriptions that yet remain uncopied. Twelve small tablets covered with arrow- headed characters, which are seen over the colossal animals on the two great portals immediately after ascending the platform stair-case from the plain. Also the lines round the niches, in the edifice behind the Chehel-minar, and the much mutilated writing on the stair-case (e) to the east of the building (N) on Plate XXXII. 680 REMAINS OF THE CITY. Ill as I was, a kind of loadstone influence attracted me to this inexhaustible treasury of deep interest; and before I took my final leave, I rode over the ground round the base of the great platform, to search for relics of the city beyond its lines. Few remain ; and the first that presented itself was a stately door-way, or porch, standing singly on the plain to the north of the platform, and at a short distance from the rocks. Its form resembles the niche in Plate LI., and the inner faces of its sides are sculptured with figures in long robes, now nearly broken away. The second object is to the south-west of the platform, and consists of a heap of beautiful fragments, apparently the ruins of a temple, or some structure of architectural consequence; which the views of Chardin and Le Brun have distinguished by a noble and solitary column standing up from amidst its fallen companions, like a hero over his mighty dead. But it is now laid beside them, and the long grass alone, “waves its green banner” above the prostrate pillars of greatness. The last stroke which levelled this beautiful relic, was struck about fifteen years ago by a party of the natives, for the sake of the iron which united the stones together. My informant was the peasant who daily attended me in my researches, and who confessed to have been one in the act of depredation. He likewise added, that nothing of the kind was likely to happen again, the danger of such sacrilege being now perfectly understood. On my inquiring what he meant, he related, that a man of their village had lately thrown down a pillar on the great terrace, and died the following day: but that was not all; for so many dreams had foreshewn his fate, and so many had since warned others of the same punishment for the same offence, from Solomon or the devil, that no man henceforward would ever dare put a TOMB AT THE BASE OF THE MOUNTAIN. 681 finger on the fabrics, which one or other, or both of those potent personages had so largely assisted to erect. I was not a little pleased with the effect of this superstition, and felt that he would be no friend to the memorable past, who should attempt to dispel the protecting cloud. The next object I visited, and indeed the last of any con- sideration, is an unfinished tomb in the base of the mountain southward of the platform, and not far from the ruin just described. The architectural character of this sepulchre is precisely the same as the others above, but its situation is singular in being so near the ground: had its lower divisions been completed, they would have risen hardly more than four feet from the level of the plain. I found some difficulty in approaching it, scattered masses of rock blocking up the way; and when I surmounted them, and stood by the half-hewn work, which appeared as if the sculptor had just taken away his tools to come again to-morrow, I could scarcely believe that what I looked upon had been so left nearly two thousand years ago. The upper compartment alone was finished, which contained the bas-relief king, altar, and hovering figure. Magnificent as these sepultures are, both from station and ornament, they do not give that sublime idea of undisturbed repose, which the huge and simple mounds of ancient Scythia impress upon the mind. Most of them have remained from age to age, without a stone being removed from the gigantic heaps since it was first piled there; and, indeed, the labour of such violation must be like dig- ging for a mine to the bottom of a hill. But a constructed wall of a tomb, of whatever strength, whether it be cut out of the side of a mountain, or erected on the surface of the ground, a few feet thick, like that of Cyrus at Mourg-aub, or as many WOL. I. 4 s 682 REMARKS ON THE TOMB. fathom, like the Pyramids of Egypt, all have been accessible to the ingress of avarice; and seen the remains of their illustrious dead thrown abroad, when the riches in which they lay were made the spoil of the violator. The account which Q. Curtius gives of certain consecrated deposits in the tomb of Cyrus, affords some knowledge of the temptations with which these last dwellings of the great in those countries were stored. He relates, that “on Alexander's return from India, he halted at Pasargadae, where he ordered the tomb of the Persian monarch to be opened, that he might render due honours to the ashes of so great a man. What then was the Conqueror's surprise, when on entering he found nothing but an old shield, and a sword, and a simple urn ; for he had expected to see treasures of gold and of silver; it having been reported to him, that such were the deposits in the royal tomb. But, placing a golden crown upon the urn, and covering it with his own mantle, he expressed his amazement that a king so renowned should have been buried with such bare simplicity; upon which Bagoas the eunuch, who accompanied him, made reply: – “It is not surprising that the sepulchres of kings should be found empty, when we behold the houses of Satrapes glittering with treasures stolen thence As for me, I never before saw the tomb of Cyrus; but I have often heard it said in the presence of Darius, that it possessed wealth to the value of a thousand talents.” At first sight, this does not appear to agree with the gorgeous representation given us by Strabo and Arrian, of its contents; but when we recollect that this votive homage was paid to the tomb, on the return of Alexander from India, at the very time when, Plutarch tells us, Polymachus had rifled it of its treasures, we need not be surprised either at the apparent contradiction of VIEW FROM THE PLATFORM. 683 the descriptions, nor at the reply of Bagoas, whose shrewd answer reconciles both, and probably gave the first hint to the monarch of his officer's delinquency. The homely urn which Q. Curtius mentions, must have been the stone soros, that formerly contained the golden coffin of Cyrus, and into which the sacred relics would be cast after their more superb covering was rent away. - - With a head full of these recollections, of Cyrus who had planted this empire, and of Alexander who had torn it from its rock, I turned from the tenantless tombs, and as desolated metropolis. All were equally silent ; all were alike the monu- ments of a race of heroes, whose spirits live in their actions; and of two princes at least, whose existence was foreshewn, and their names stampt on the imperishable tablets of Holy Writ. The line of mountains, which rise behind the platform of Persepolis, divide the celebrated plain of Merdasht, and stretching nearly three farsangs to the south-east, terminate in that part of the vale which I noticed soon after my leaving Sewan-pa-ine as opening magnificently towards the rising sun. The left branch of the Kur-aub (whose stream, in some of its channels, had accom- panied us all the way from Mourg-aub,) flows through the Persepo- litan plain, affording ample sources of irrigation to the peasantry for many miles; till it makes its escape by falling into the Araxes, not far from the close of the Rahmet chain of hills. Con- sequently, the vale of Merdasht may be said to describe an oval, pointing east and west, lying between the western and eastern branches of the Kur-aub, and the Araxes flowing to the south. . . . . . . On viewing the opposite country from the great platform, the mountains to the south-west do not appear more elevated than 4 S 2 684 DEPARTURE FROM PERSEPOLIS. the hills immediately behind the ruins, which, though rocky, assume rather gentle forms; but on following the chain of southern mountains as they curve round to the north-west, they rise into abrupt, bold, and singular shapes, some pointed, others with table summits, and a countless succession of jagged and rugged forms shooting up above and beyond them again, seeming like the barriers of the world. These terrific heights are connected westward with the great branch of the Bactiari mountains, amongst which lie the passes Alexander found so difficult to force, being not more bulwarked in rocks, than defended by a resolution unto death, of their brave tribes the Uxii. From the depths of these mountains rises the Araxes of the south, which, after traversing their valleys, and winding through the heart of ancient Persis, meets the Kur, or southern Cyrus; and thence flowing onwards some farsangs, throws its aug- mented waters into the small salt lake Bactigan, at a short distance south-east of Shiraz. Some of the Persian writers, and amongst others Khondemir, preserve the name of the Kur to the united streams, till they are lost in the lake. But after-ages have given them a second immersion, by swallowing up both the classic titles of Araxes and Cyrus after their junction, in the Asiatic appellation Bund–Emir. About the year 1000, the Emir Azud-u-Doulah, vizier-governor of Persia under the caliphs of Bagdad, amongst other beneficial acts raised a dyke on the river near Persepolis, for the purpose of yielding water to fertilize the land. The new work was called Bund-Emir, the dyke of the emir, and thence the river itself gradually acquired the same designation. July 1st, 1818. This day I bade adieu to Persepolis, and to a little band of hospitable Eelauts, whom I left encamped on the BRIDGE OF KANARAH. 685 low ground before the great terrace: they had supplied me daily with moss, a beverage of acidulated milk, during my labours there; and the wild groups they formed, with their black tents, simple garbs, and pastoral occupations, made a striking contrast with the finely composed and deserted magnificence in their rear. On leaving our lodgings in the village of Kanarah, we took our way westward across the plain. The ground was in excellent cultivation wherever water was procurable, and kanaughts were sunk in a variety of places for that purpose. Considerable tracts lay in natural pasturage, which afforded nourishment to the numerous flocks and herds belonging to the various parties of Eelauts who were scattered over the whole plain. The number of villages we passed in our day's march, is hardly credible. In some we found inhabitants, but most of them were entirely deserted; yet, wherever the trace of a human dwelling presented itself, the evidence of past agriculture was also discernible in the shape of kanaughts, and the ground being in more luxuriant produce than in other places. These vil- lages so innumerably overspread the valley in every direction, they must have been erected at different periods; successions of them rising and falling with the prince or his race, who ordered their foundation : and this seems to explain why so little of what formed the ancient capital remains on the ground below the platform. At about a couple of farsangs from Kanarah, we reached the banks of the river, not having met even the smallest stream in our way, and crossed by a stone bridge called the Pool-Khan. It has been a fine structure of three arches, but that to the west has fallen into such ruin, we found only a sort of ledge to pass along, and that so narrow as to threaten our slipping off every moment. However, I had now 686 STREAM OF ROCKNABAD. been sufficiently accustomed to such perilous paths, not to find them dangerous, repairs being so seldom attended to in this country, that hardly a bridge presents itself without some gap of dilapidation or decay. The river in this quarter, is exceedingly rapid, pouring along through steep and rocky banks, and making so tremendous a noise in its passage, that hearing it at a great distance, I anticipated the sight of an immense flood, instead of a stream hardly twenty yards across. From the bridge to Zergoon, we at first travelled over a barren valley, bounded by mountains of the same description; but towards the close of our day's journey, our road turned sud- denly due west, and soon after entered the gorge of a deep and close dell, which led us to Zergoon, the place of our rest. The distance from Kanarah is only seventeen measured British miles, though estimated at six farsangs. . July 2d. We left our menzil at four o'clock this morning, over a bad and stony road, twisting amongst rugged hills, in a generally south-western direction. About mid-way of our day's journey we reached the Radarri, or custom-house, near which we crossed an inconsiderable pass, along even worse ground than before. Four miles further, brought us to the celebrated stream of Rocknabad, which, half a century ago, flowed through the paradise of Fars. It is now diminished to a mere rivulet, still, however, retaining its singular transparency, and softness to the taste; but the Arcadian scenery which embanked it, is vanished away; nothing now distinguishes the spot, so often the theme of Hafiz, but the name of the river, and the brilliancy of its wave. In his time it ran nearer Shiraz, but neglect has choaked its channel in that quarter. A little onward, and through an opening in the mountains, the city itself appeared. HENRY MARTYN. — PERSIAN BIBLE. 687 It stood in an extensive plain, at the foot of the height we were descending, and seemed a place of great consequence and extent, from the mosques and other lofty buildings which towered above the flat roofs of the vast expanse of dwelling-houses. Gardens stretched on all sides of the fortified walls; and, faint with sickness and fatigue, I felt a momentary reviving pleasure in the sight of a hospitable city, and the cheerful beauty of the view. As I drew near, the image of my exemplary countryman, Henry Martyn, rose in my thoughts, seeming to sanctify the shelter to which I was hastening. He had approached Shiraz much about the same season of the year, A. D. 1811, and like myself, was gasping for life under the double pressure of an inward fire, and outward burning sun. He dwelt there nearly a year; and on leaving its walls, the apostle of Christianity found no cause for “shaking off the dust of his feet” against the Mahomedan city. The inhabitants had received, cherished, and listened to him; and he departed thence amidst the blessings and tears of many a Per- sian friend. Through his means, the Gospel had then found its way into Persia; and as it appears to have been sown in kindly hearts, the gradual effect hereafter, may be like the harvest to the seedling. But, whatever be the issue, the liberality with which his doctrines were permitted to be discussed, and the hospitality with which their promulgator was received by the learned, the nobles, and persons of all ranks, cannot but reflect lasting honour on the government, and command our respect for the people at large. Besides, to a person who thinks at all on these subjects, the circumstances of the first correct Persian translation of the Holy Scriptures being made at Shiraz, and thence put into the royal hands, and disseminated through the empire, cannot but give an almost prophetic emphasis to the transaction, 688 CORDIAL RECEPTION AT SHIRAZ. as arising from the very native country, Persia Proper, of the founder of the empire, who first bade the temple of Jerusalem be rebuilt, who returned her sons from captivity, and who was called by name to the divine commission. As we descended the mountain, the bold and steep fore- ground through which we approached the city, increased the picturesque of its situation; and guiding our horses carefully down the narrow and romantic path, we soon found ourselves on the broad road of the low ground, which leads direct to the great northern gate. The son of the late Jaffier Ali Khan came out to meet me: he hailed me, more like an old friend than a frangeh stranger; and received myself and people into his house with every cordial hospitality our situation needed. My fever had gained an alarming height; and one of my European servants, a Russian, was in an unmanageable state, having become delirious. Repose seemed the first point, to give some check, if possible, to the advance of our disorder; and when too ill almost to thank our kind host, I found cool apartments prepared, and every comfort he could command, even to a physician, if . I would have trusted myself and faithful follower, to Asiatic me- dical skill. From general observation, and a little particular instruction on the subject before I left Europe, I had gained some knowledge of the disorders incidental to this climate, and the safest mode of treating them; hence, I took myself and ser- vant into my own hands, and did not spare our travelling phar- macopeia. The nummud on which I lay, spread in a shaded corner of my room ; with the air breathing in at the open win- dow, and the sweet refreshment of rose-water sprinkled over my clothes, while the flowers themselves scattered on the floor, or gathered in pots near me, exhaled a fuller fragrance;—these BENEVOLENCE OF JAFFIER ALI KHAN. 689 were all that I saw of Shiraz for several days after my arrival. But the attentions of my host were so unwearied, that I never could forget I was in the house of the near kinsman of the two noble Persians, Jaffier Ali Khan, and Mirza Seid Ali, who had shewn the warmest personal friendship to our “Man of God!” for so they designated Henry Martyn. When the weather be- came too intense for his enfeebled frame to bear the extreme heat of the city, Jaffier Ali Khan pitched a tent for him in a most delightful garden beyond the walls, where he pursued his Asiatic translations of the Scriptures; or sometimes in the cool of the evening, he sat under the shade of an orange-tree, by the side of a clear stream, holding that style of conversation with the two admirable brothers, which caused their pious guest to say, “That the bed of roses on which he reclined, and the notes of the nightingales which warbled above him, were not so sweet as such discourse from Persian lips.” The land in which he so expressed himself, is indeed that of the “bulbul and the rose;” the poet Hafiz having sung of their charms till he identified their names with that of his native city. . . - To Shiraz, like most other towns of the empire, many dif- ferent periods are assigned for its foundation. Some Asiatic authors date it so far back as to the Mahabad kings; a race so sunk in the depths of time, that if they existed at all, it must have been before the flood. Others say, it was built by Kaiomurs, the beginner of the Paishdadian line, a grandson of Noah; and in that case, Shiraz would have been one generation anterior to Babel itself. But these are dreams, which have literally no foundation; and though it be highly probable that so fine a situation for a city would not be left long unoccupied, after that part of the East became spread with inhabitants; yet, as no VOL. I. 4 T 690 - SHIRAZ. remains can be traced in or near its site, like those of Babylon or Nineveh, so early an origin must be denied ; though, possibly, we might find it to have been the Corra of Ptolemy. It is situated in latitude 29° 33' 55", and is now the capital of the province of Fars, formerly the kingdom of Persia-Proper; but which, in earliest time, bore the name of Elam, from the eldest son of Shem, whose descendants were its first people. It was also called Paras: hence the Persis, and Persia, of the classic authors; but the natives themselves do not recognise it by any of those appellations; and in the time of Cyrus it was known by that of Iran ; which name was afterwards extended to the whole empire when he became its master. This latter circumstance might support Xenophon's account of the royal birth of Cyrus, against the legend of Herodotus, who represents him as the son of a mere Persian nobleman. Had his paternal origin been so comparatively low, it seems hardly probable that when he be- came sovereign of the more extensive country of the Medes through the bequeathment of his mother's brother, he would not rather have distinguished his maternal descent, by giving its nobler name to the united kingdoms, than swallow up the greater in the less; and also bestow an appellation, which could only remind the proud monarchs of the East, that their for- midable rival was the son of a petty lord in an only minor king- dom. But when we regard Cambyses as the king of Iran, and his son, the mighty conqueror who endowed his royal ally of Media with territories on all sides; then Iran becomes of conse- quence in its prince, and the kingdom of his natural inheritance very properly gives its name to the empire of which he is the , acknowledged founder. - Shiraz, which has now usurped the station of Persepolis, as SHIRAZ. 691 capital of this part of the country, bears a proportionate in- feriority to the grandeur of the ancient metropolis, with the difference in national rank between a kingdom and a province, It stands in a fine valley, about ten or twelve miles wide, and twenty-four in length, and has rather a pleasant than an imposing appearance. . - Several native writers of less ambition than those lately referred to, arrogate no higher antiquity for the foundation of the town, than the first century of the Hegira; and Aben Haukel, who decidedly calls it a “modern city,” dates its origin to Mahmed ben al Cassem Okail. It did not receive walls of strength till several hundred years afterwards, when we find that Azud-u- Doulah, the magnificent vizier who erected the dyke on the Araxes, rendered Shiraz a station of important consequence. But its time of greatest aggrandizement was under the celebrated Kerim Khan, who made it the seat of his empire about the middle of the last century, embellished it with public buildings and gardens, filled his courts with learned men, and girded the city with increased fortifications. But after the struggle for empire, between his descendants and the ancestors of the present royal family, came to an end in favour of the latter, when Aga Mahomed Khan took possession of the town, he levelled its walls with the ground; and committed so many extended ravages, that little now remains there of the Arcadia, whose shade blooms in the page of Hafiz; and which, a few centuries before, even Timour the Tartar had spared for the sake of the poet and his song. It is related, that when that conqueror entered Shiraz, red with the blood of Ispahan, in the sweeping fury of his humour he sent for Hafiz, who was in the town, and demanded how he dared to dispose of two of the Tartar's richest cities, 4 T 2 692 - SHIRAZ. Samarcand and Bakhorah; which, in an amatory stanza, he had said he would give for the mole on his mistress's cheek. —“Can the gifts of Hafiz ever impoverish Timour !” was the reply; which changed the monarch's indignation into favour, and pro- duced reward instead of punishment. About three hundred years after this event, Kerim Khan raised tombs over the remains of this poet, who was considered the Anacreon of Persia, and those of Sadi, its Socrates in verse. They were planted with trees, and a college of holy men lodged in the boundary to protect the honoured shrines. But a solitary cypress or two, are now all that mark the inclosure of the poet; and scarce a tree of any height shows itself in the immediate vicinity of the town. At some little distance, the Bagh-i-Jehun, or garden of Kerim Khan, and the more modern plantations of Tackt-i- Kujar, vary the shadeless monotony of the plain. The city itself differs little from most other capitals of provinces in the empire. The old walls, which conquest threw down, were ten feet in thickness, of a corresponding height, and protected by a ditch of thirty feet in depth: but the new ones, with which Aga Mahomed Khan replaced them, boast neither the breadth nor elevation of those which are no more. These are of brick, with towers, and five or six gates opening into the plain. - The present governor, Hassan Ali Mirza, is a son of the king, and a very young man. His jurisdiction extends northward to Yezdikhast, and southward, along the shores of the gulf to Bushire; but its influence is not very powerful in either of these places, nor even at Shiraz itself. His youth inclines him more to the pleasures of his anderoon than to the toils of state; and when the prince sleeps in the arms of luxury, it can be no subject of wonder, that his ministers should only wake to similar enjoyment. GOVERNMENT OF SHIRAZ. 693 Every thing within the town seems neglected: the bazars and maidans falling into ruins ; the streets choaked with dirt, and mouldered heaps of unrepaired houses, and the lower orders who infest them, squalid and insolent; while the actual poor crawl out of their dens in a state of rags and wretchedness which no pen can describe. How different is this scene from one that occurred in the same province many centuries ago “And his friend said to Cyrus, But when will you adorn yourself? and he answered, I am already adorned in adorning my people !” - One of the most material instances of public neglect, and which presses immediately on the attention, is the state of the water; which is so foul as to injure the health of the in- habitants, and so loathsome as to stink with putrefaction. No excuse can be offered on the part of the magistrates for the sufferance of so intolerable a beverage for the people; the same sources remaining, which in former years provided wholesome and beautiful water for every use. The spring at the tomb of Sadi is still ready to pour its stream through proper channels into the town ; and the limpid rills of the Rocknabad, once more collected from the scattering offices of irrigation, might again visit the walls of Shiraz, and sparkle on the boards of its people. I.enquired whether the water which at present supplies the town, is always in so bad a state; and was answered in the affirmative; cooler weather producing it more plentifully, but making no change in the quality. Notwithstanding this information, I cannot believe that the excessive heat of the summer does not increase its cor- ruption. Since my arrival, the thermometer, at any time of the day, has seldom fallen below 96° in the shade, or under 80° at night. But while Captain Franklin was here, he had the 694 TOMB OF HAFIz. advantage of a milder atmosphere, the average of the thermo- meter being then at 78° during the day, and 62° at night. - At little more than a mile from the Ispahan gate, appears a square inclosure, within which stands the tomb of Hafiz, and in whose vicinity, in the days of the Persian Anacreon, rose the gay and romantic suburb of Mosella. From the delightful descrip- tions given of the spot by Koempfer, Franklin, and others, I expected to find more than vestiges of the deep shade of tributary trees, which for so many years had hung an unseared leaf over his urn, seeming to brighten in the unfading fame they so beautifully emblemed. Whatever might have been the ravages of war elsewhere, or the depredations of cupidity, or the ruinous effects of neglect, I could not doubt that the national pride of the Persians, uniting with their known enthusiasm for poetry, would preserve the spot in all its honours, which contained the remains of their favourite bard. But how was I disappointed — The ground, which former reverence had devoted to his ashes alone, is covered with promiscuous graves; and the tomb of white marble erected by Kerim Khan, and closely written over with extracts from the works of the poet, as his noblest in- scription, stands otherwise unmarked in the midst of them. The fine copy of his poems, which were fastened to the shrine, is no longer to be seen ; and the trees, so luxuriant a few years ago, and whose ancient boughs had so often dropped the tears of Spring on the cold bosom of her lover beneath, – they too were gone. No creature attended, to point out the sacred grave to the enquiring stranger; no parties of enthusiasts now appeared, as heretofore, to boast the birth-place of their poet, while they sung his praises in the words of his own unequalled verse. A SHEIK SADI. 695 few lines from that song will shew what this side of the city was in the day of his veneration. . “Boy, give me wine, for Paradise does not boast such lovely banks as those of Rocknabad, nor such groves as the high- scented fragrance of the bowers.of Mosella.” But another poet has said, “Though the bowers of Love grew on its banks, and the sweet song of Hafiz kept time with the nightingale in the rose, the summer is past, and all things are changed. The pleasant arbour is sought, but not found; the voice of the bird and of the minstrel have ceased ; a burning sum beats on the unsheltered stream, which runs sobbing away; like a misused orphan, not only deprived of the home of its parent, but driven from its weeping position near his grave.” The change is, indeed, what these lines describe; the clear and refreshing stream of Rocknabad, impeded by the accumu- lated consequences of utter neglect, has abandoned its wonted course; and all else, which before marked the place, being in like manner rent or mouldered away; in a short time even the stone that tells the poet's name must be defaced, and nothing remain to distinguish his grave, from that of the rudest clod of earth encumbering his invaded cemetery. - The last resting-place of Sheik Sadi, the second boast of Shiraz, was my next object. The import of his verses particularly com- mand reverence to the character of the poet; though some writers of the noblest strains, in our own country, put “so strange a face on their own perfection,” as to profess that the purpose of poetry is to amuse rather than to instruct. But nei- ther Homer, nor Virgil, Dante, Tasso, Milton, nor any of that glorious school of the lyre, shewed themselves of this opinion. They speak the language of the gods, because the words they use 696 GRAVE OF SHEIK SADI. are not more mellifluous than the spirit they breathe is powerful to inspire virtue, and render it delightful. I am happy to be supported in this conviction of “the high purposes” of poetry, by Sir William Malcolm, who, in writing on the same subject, describes the Sheik Sadi as a rare union of genius, learning, heroic principle, and tender sentiment. “His tales,” our author observes, “are appropriate to almost every event that can occur, conveying the most useful lessons; and his maxims have acquired an authority over his countrymen that render them almost equal to laws; for instance, — - “Alas! for him who is gone, and has done no work: the trumpet of march has sounded, and his burthen was not bound on 1’’ º And again : — . “Be merciful, and thou shalt conquer without an army : Seize the hearts of the world, and be acknowledged its legitimate sovereign ſ” • , For my part, I should call these as true trumpets of the god, as that which Tyrtaeus blew to the same end. But whatever in- fluence the strains of the poet may yet have on the minds of his countrymen, it certainly does not point to care of his remains. In following the line of mountains that bound the valley of Shiraz to the north-east, and riding along their base for an ex- tent of three miles, the country presented many lovely views, worthy the pen of him, whose grave I was journeying to visit. At the end of three miles we approached a narrow opening into the hills, which leads to a variety of little romantic dells, partially cultivated, and studded with villages. At a short distance from the entrance of the opening stands the object I came to seek: but it presented even a more forlorn appearance than the burying- TOMB OF. S.H.EIK SADI. 697 place of Hafiz. There, a cypress or two lingered near the spot, and the decaying towers of the mosque of Shah Mirza Hamza, in its neighbourhood, bespoke some fellowship in neglect, as well as in former reverence. Here, a solitary square structure, per- fectly bare without, and within planted with a few low shrubs and vegetables, was opened to me as the garden and sepulchre of the venerable Sadi. Three or four miserable wretches, who crept out from the adjacent rocks, are the owners of this humble sub- stitute for “the olive and the bay,” planted by Kerim Khan. In one corner of the quadrangle, in a sort of vaulted chamber, they shewed me a small marble sarcophagus, which covered the bones of the poet. Neither the world's pomps nor contempts could sweeten nor imbitter his repose; but, to the spectator, the desolation that reigned there would have been more than melan- choly, if “the surcease of this life trammelled up the conse- quence; and the be all, was to end all.” The volume of his works, which had been fastened to his tomb like those of Hafiz, was not even to be heard of; and, so deserted is the spot, no public burying-ground calling people towards it, few others than strangers, and those foreigners, ever think of visiting the shrine of Sadi. - º When returned to the outside of the building, I was shewn into a vaulted apartment, under the level of the ground; and descending again, about twenty or thirty steps, they led me to the brink of a stream, clear as crystal; and so contrived as to flow over a deepened basin in the rock, yet containing some of the finny race, whose ancestors the poet of tenderest humanities had protected in this his grotto of meditation. It was his fa- vourite spot of retirement; and, reclining by the cool wave, he vo L. I. 4 U * * * 698 REMAINS NEAR SHIRAZ. is said to have composed some of his most beautiful poems. Starving as the poor people look who shelter near his remains, they hold the fish his name has appropriated, in too sacred a light ever to draw one from its native fountain. And this, perhaps, is all the respect still shewn to the memory of Sheik Sadi. On the summit of the mountain, near the tomb, we see the ruins of a fortress, called Kala Bendar. It is said to have been the work of one of the Seljukian kings of Persia; many of whom, though of Tartar origin, shewed an extraordinary respect to liter- ature; and governed by its proper consequents, justice and mercy. g The only remarkable object amongst the ruins is a well of an amazing depth, which formerly supplied the castle with water. Continuing along the same side of the valley, to the distance of nearly four miles, we arrived at the jutting points of several lofty rocks, and found the remains of another edifice; but this claimed the age, with the classic elegance, of those at Persepolis. It appears to have been a square of thirty feet, with a portal in each face, three of which are standing. Their sides are sculptured with figures similar to those I have already drawn (Plate XLVII.) in Median robes; some carrying small vessels in one hand, and a piece of linen in the other; and the rest bearing little pails of aromatic gums for the incense- stands. The lintels of the doors are the same with those of Chehel-minar, charged with lotos-leaves, and worked with an admirable skill. The whole fabric is of Persepolitan stone; very beautiful fragments of which lay all over the ground, in the broken shapes of architraves, friezes, &c. A little onward, on the same height, the remains of several very strong walls and ANCIENT STRUCTURE NEAR SHIRAZ. 699 towers stretch a considerable way along the rocks, evidently the relics of some old bulwark, but of a much posterior age to the graceful edifice in its neighbourhood. - Some Europeans have thought, and many of the Persians assert, that the finely sculptured remains just described, with the principal parts of Shiraz, and all structures of consequence in its vicinity, have been built out of the ruins of the ancient capital. During all my searches within and without the new city, I could not find any thing to impress me with this idea: not a fragment of Persepolitan work, or its marble, presented itself in wall or tower, or any where else, excepting the sculptured edifice on the height; and that is too perfect in plan, construction, and finishing, to have been a compilation of old materials, or the erection of any other than the master-hands which raised the palaces of Darius. It appears to have been always insulated. Whilst its own form and extent are distinctly marked by the closely-set slabs of marble which form the floor, and the still ex- isting foundations of all its four walls, there is no trace whatever of any other building of the same age having been in its neigh- bourhood. The people about give it the same title which the natives of Mourg-aub have bestowed on the tomb of Cyrus, calling it the tomb of Madré-i-Sulieman; a presumptive proof, in my mind, even if this were a sepulchre, that the royal lady lies in neither of them. But this building has no resemblance to any style of tomb in this country. It is too small for a dwelling-place answerable to the splendour of its architecture; and, from the character of its bas-reliefs, I should be inclined to suppose it the remains of a little temple. The figures on the portals are all bearing objects connected with religious oblation; the chalice, and the vessel of choice gums for the incense. 4 U 2 700 | THE STRUCTURE PROBABLY A TEMPLE. That such has always been considered by the natives, the design of these groups, may be seen from an account which the author of the Zeenut-ul-Mujalis gives of similar bas-reliefs at Persepolis. He says, “There are several figures on the sculpture, carrying urns, in which the worshipper burnt benjamin while adoring the sun.” This, then, might have been a place of prayer for the in- habitants of villages; the priest officiating within, on his altar of fire, while the people worshipped without, before the large open portals, in the manner that Prideaux describes to have been a custom adopted by the Jews on their return to the Holy Land after the Babylonian captivity. He mentions, supported by a nu- merous list of authorities, that the people who lived at too great a distance from Jerusalem to resort thither for ordinary worship, built courts for themselves, in imitation of that in the temple, where the laity prayed, while the priest in the sanctum performed his oblations; and to these, in after-times, was given the name of Proseuchae. Synagogues appear to have been the churches of cities; while these were the oratories of some extensive country district; and, being open at the top, surrounded with trees, and usually erected on hills, it is probable they were the high places, which we sometimes find mentioned in the Old Testament without terms of disapprobation; the high place, or grove, In Ot making an offence, unless an idol be worshipped there. It is more than curious to trace, in these resembling customs, the original affinity of these earliest nations of mankind; to see, that however some, like the Prodigal Son, had strayed from their fathers' house and altars, a memory was yet left in every bosom, of the parent land; of the Sanctuary in which they worshipped; of the God whom they adored. Though both Herodotus and Strabo, as I have noticed before, in some parts of FHISTORICAL REMARKS. '701 their writings, do not allow that temples or altars were in use with the Persians, yet, in other places, they so completely contradict themselves in this assertion, I can have no doubt that what is received as a general remark, was intended by them to represent only a very distant anterior period. Strabo, in particular, gives the details of a sacrifice performed by the Pyrethi (the Magi) in Cappadocia, then a province of Persia, where both an altar and a temple are described; and the ques- tion is, whence would they derive such rites, if not from the Sovereign Pontiff of the empire? Indeed, it seems altogether absurd to ascribe the first temples in Persia to the introduction of Zoroaster; the situation of the country, between nations which, even now, shew the remains of religious structures, built from the earliest records of mankind, makes the proposition absolutely untenable. That he altered, and improved, may easily be credited; but it does not appear reasonably possible that three successive princes, who had reigned over the whole of known Asia, and were men of enterprise and ambitious taste besides, should not have appreciated the use and grandeur of al, temple, till a religious recluse from the caves of Alborz brought forth plans to rival Greece and Egypt. That there was a progress in the style of these erections, is not to be doubted; but, according to circumstances, the customs of every age might be retained, and at times exhibited; whether to sacrifice on the high platform of the unsheltered mountain, like Cyrus at Pasargadae, when the empire was his temple, and a whole people its congregation; or on the pillared altars of the Magi, where sometimes a sculptured wall veiled the sacred element from profane gaze, or a beamed roof guarded it from the casualties of the weather. All may fairly be supposed to 702 ARCHITECTURE OF PERSIA. have existed in very early days; man gradually assimilating the places of his worship to the progressive stages of his own abode; from the open plain to the covert of trees, to the tent and taber- nacle, to the house of stone, and the temple of God. We have seen sufficient in the architectural remains of ancient Persia, to discern some distant resemblances between the style and taste of their structures, with those of Egypt, India, and Judea; but we have to lament, that the utter demolition of all outline of building, or fragment of ornament, on the heaps of Nineveh and Babylon, totally deprives us, not only of the foundation- stone of architecture, but of those after-links which would have formed a perfect chain in the history of the art, from the building of Babel to the temples of the East, and thence onward to those of Greece and Rome. f Some writers attribute the first introduction of the semicir- cular arch into the architecture of Persia by Zoroaster; but it certainly is not to be found in any of the apparently most ancient edifices, if I except the two stone altars at Nakshi- Roustam. Neither does it occur in any of the colossal struc- tures of Upper Egypt; the roofs of the buildings, and the lintels of the doors, being all perfectly straight. Hence, if the information respecting the adoption of the arch by the Magian sage be correct, the absence of it in all these Persepolitan buildings must prove their greater antiquity. But I do not think that the semicircle was used in Persian edifices, till after the Macedonian invasion ; it then gradually gained ground, till the accession of the Sassanian dynasty spread it out into domes for palaces and temples. The conquest of the Arabs changed its form again, and run it up into all the pyramidal undulations of the Saracenic arch. Then appeared arcades, like avenues of trees cut in © , ARCHITECTURE OF PERSIA, '703 Stone, or elevated in fantastic brick-work; and rich varieties of arabesque friezes, with cupolas raised high into the air, without the aid of frames, or almost any scaffolding. The dome at Sultanea is one of the most perfect specimens of this superb Asiatic taste. Besides the lightness of its forms, the usual paintings and gilding which decorate their parts, give it an ex- tremely gay effect; very different from the heavy Saxon arch of our ancestors, or the sober grace of the simple Gothic; both of which, in our cathedrals, fill the spectator with gravity and awe. Any attempt to analyse the ancient Persian architecture, from the relics that exist, and thence deduce its origin, would now be a vain task. I observed, in a former part of my journal, that in some particulars it resembles the styles of Egypt and India; but in most respects its character is so totally dissimilar, that the ruins of Persepolis, as long as they stand, are likely to remain an unique specimen of a beautiful stage in the art, the foundations of which can no longer be traced. And the oblivion which has fallen over every monument of the Assyrian empire seems to me to have formed this impassable chasm in the analysis of the subject. But while following the track wherever it is visible, one remark forcibly recurs; the prodigious inequality between the moral and political progress of all these nations, and the exquisite degree of refinement to which they brought the arts. With regard to masonry and sculpture, we only imitate what they invented; no chaptrel combinations modern times have attempted, ever having equalled the beautiful order of Corinth. And what the acanthus did for Greece, when it met the eye of genius, the lotos of the Nile and the Euphrates had produced, ages before, for Egypt and Assyria. By what we have already seen of its use in the capitals and friezes of Persepolis, we may '704 ARCHITECTURE OF PERSIA. venture to conclude that it was the germ whence, were the means extant, we might trace every ramification of that branch of the art, throughout the earliest nations of Cush and Elam. To the former, we might even ascribe the architectural glories of the temple of Jerusalem, Solomon ** having received his chief workmen from Tyre; and the Tyrians being a people bordering on the ancient Assyrian empire, probably they learnt their art of the masters in Nineveh ; in the same way that “Hiram, the widow's son of the tribe of Naphtali,” acquired his knowledge in the capital of the Phoenician king. From this very school of Hiram, Cadmus and his followers emigrated; and we can hardly doubt, that with the letters and sciences of his country, he would bestow some principles of its architecture on the people of Greece. Herodotus, speaking of Ecbatana, the capital of the Medes, while he gives an interesting detail of its splendour, ascribes its foundation to Dejoces, the Arphaxad of Scripture, who reigned about seven hundred years before the Christian era. Other writers honour that city with a little older date, sup- posing it to have been a work of Arbaces, who, about a century antecedent to the election of Dejoces, had assisted to overthrow the great Assyrian empire; and dividing it betwixt himself and Belesis, governor of Babylon, so far from doing any thing extra- ordinary at that time for Ecbatana, (where, doubtless, he had resided during his delegated power,) as soon as he took posses- sion of his moiety of the spoil, and thence became king of Assyria, he removed to Nineveh; and the provincial capital, of course, fell into comparative neglect. This Arbaces is Sup- posed to be the Tiglath-Pileser of Scripture, who first carried the tribes into captivity, and scattered them amongst the cities of Media. When that country was released from the yoke of WALLEY OF SHIRAZ. f '705 Assyria, and became a distinct kingdom of itself under Dejoces, Ecbatana revived; the new sovereign repaired, and so enlarged it, as almost to merit the title of its founder, and fixed his re- sidence there during a reign of half a century. But when We. recollect, that upwards of four hundred years before the exist- ence of these two princes, Solomon's temple and palaces were erected under the auspices of a people dependent on the As- syrians, who had then been lords of Asia for nearly ten cen- turies, can we doubt Ecbatana having been a city of much older date than either Dejoces or Arbaces. Media, as a province of Assyria, would always need a governor; and here, probably, was his capital from the earliest times. These reflections stimu- lated my desire to visit Ecbatana, to compare what I might see there with the objects of my observation at Persepolis. In drawing a parallel between the architectural plans and ornaments of the latter place, with those so particularly noted in the book of Kings, of Solomon's temple and palace, their pillars, double capitals, carved knops, open flowers, and palm-trees, chapiters of lily-work, and supports of various sorts in the shapes of lions, oxen, and winged figures, the resemblance appears so striking, I cannot but assign them the same origin; and believe, in addition, that were the mounds of Babylon and Nineveh to yield up their buried treasures, we should not only recover the lost links in the descent of architecture, but find even a nearer affinity be- tween their principles and the remains at Persepolis, than that which connects the buildings of modern Europe with the taste of ancient Greece and Rome. - . . On leaving the little Persepolitan temple, which commands a beautiful view over the adjacent country, we descended into the - . . . . . . . . . . 4 x * * 706 BAS-RELIEFS. valley; and following the foot of the mountain for two miles farther, arrived at a clear and copious spring, the ripple and lucidity of which, refreshing the parched and exhausted senses after so unsheltered a heat, might well excuse the dream of a ce- k-stial nymph in the fountain, and that her smile shone in the glancing waters. Just over this delightful spring, a range of sculptures presented themselves, cut in the rock. On drawing near, I found them to have been works of the Sassanian age, but much inferior to those at Nakshi-Roustam. Some of these are little more than commencements of their subjects. The most finished stands first for observation, (Plate LVII.) and consists of two figures; one is a woman of a graceful outline, clothed in drapery of peculiar lightness and delicacy; a large veil, modestly held by her left hand, envelops her figure, while she stretches out the right towards her companion. He is dressed in the royal style of the formerly described Sassanian bas-reliefs, but without the customary flowing badges of kingly rank: and presents her with something like a flower. The remainder of the range comprises two more sculptures, both containing effigies of a king with a profusion of curls, the globular crown, a collar, and ear-rings; but the whole so ill executed, I did not deem them worth the further risk of stop- ping, under the fierce sun, to sketch their contents. My guides told me there were no more bas-reliefs in the valley; and turning from these with some disappointment, my attention was next,” engaged by the valley itself; the country appeared in higher cultivation here than nearer Shiraz; stretching on to the east, in vineyard, harvest, and village scenery. The grapes grow to a size and fulness hardly to be matched in other climates; and the juice expressed from them produces the celebrated wine of s. TS º Sºss sº (2-º - ~~ * > —S /2 *~~~~ § - ~~~2. -- ( 2) s Sº SNs, \ * - SN N. º SN/2 - - s Lºlº Elu /lu' \\ 0 & Lºlo / ſ.683. L 22J (H (o - - \\})\oln celle - Hu ou ~ ſo ~ 12,001, nº V/71 Cº- C - c. Co L ºl) \\- oiſoop). , , y \vº (z,\-Jºn-22) º … 2)) y’ % ºveºvue. lwl 22222* - - wooice cºstuarium ºver ºf wºo - J butz Jr., (viºll L ( 1 J / L. _1 / L. Co */? ().2//Joº. 2... 2) / ( ) ) o LI I 1 - J - two ju?! O ~ : 1 - " - " ... I (J) --~~ J & - | o # ". %.” ( /////, /. Zº º or * - Zondon, /*b/, whº Av Zongman & Cº. /93/. - - \ºc - C//eath, sc. - SHIRAZ WINE. 707 the East, called Shiraz; the Pierian spring of Hafiz, the dele. terious draught which maddened so many native princes to the most horrible crimes, and probably the very wine which inflamed the wild passions of Alexander to set fire to the metropolis of the empire he had so lately won. But whatever may have been the properties of the juice in those days, and the skill of the vintner in succeeding ones, since the accession of the present royal family, who are particularly strict in obeying the ordinances of their prophet, the whole manufacture has fallen into dis- repute. The culture of the vine itself is comparatively neglected; the sorting of the fruit, a delicacy seldom attended to ; and the apparatus used in the compression, fermentation, &c. of the juice, is on so confined a scale that only small quantities of the esteemed flavour are obtained. Indeed no wine, under one name, possesses such variety of quality; every gradation, from a liquid clear as the most brilliant topaz, to a sour and muddy syrup. When good, the taste should be a little sweet, accom- panied with the flavour of dry Madeira, to which, when old, it is not at all inferior. The Armenians of the district are the only persons who venture the manufacture; but it is always done in secret, sold in secret, and drank so secretly, that a man can hardly retire to any place alone, without being suspected of going to taste the forbidden cup. For these violations of the law, no dispensing power exists amongst the indulgences of the Koran; but with regard to breaches of the fasts, the Prophet has been more gracious; and it is curious to observe how some of his disciples insinuate themselves within the letter of his grant, while in their hearts they are conscious of having no real claim on the spirit of its indulgence. - 4 x 2 ’708 FAST OF RAMAZAN. The fast of Ramazan occurred during my visit to Shiraz, which afforded me several instances amongst my own Persian attendants of the laxity of principle just described. A strict observance of this month of abstinence, is enjoined as a most sacred duty, in commemoration of God having sent down the Koran from heaven to earth at that season of the year; during its continuance, every true believer must refrain, from day-break till sunset, from eating or drinking; none being in any way ex- empted from this obligation, excepting sick persons, women who are nurses, and persons encountering the extraordinary fatigue of necessary travelling. Some observe the fast so religiously as never to touch their lips with any liquid from sunrise to sunset; an abstinence amounting to almost intolerable pain, in this ex- tremely hot weather. Persons employed in laborious works are permitted to bathe their parched mouths with a little water; but if a drop glides into their throats, the fast is broken for that day, and an answering vigil must repair the breach. The indul- gence to travellers allows them to defer the rite till the journey is completed, and some of my attendants were not backward in seizing the privilege. They chose to construe the shortest morn- ing excursion into the travel of a day; and, accordingly, lost no time in regaling themselves with bread, water-melons, and ka- liouns. Those who so promptly find excuses for slipping the bonds which gall them, are not likely to volunteer a re-entrance, while there is risk of much pain in the yoke; but scrupulous observers of the fast frequently endure the utmost personal misery. The day, at present, (about the middle of July,) is fif- teen hours long, and the atmosphere like a furnace. Nourish- ment of no kind must touch the devotees' lips during all that FERTILITY OF COUNTRY NEAR SHIRAZ. *709 while; and before the whole month is past, many fall sacrifices to the rigour of their faith; when this happens, the surviving relations rejoice over them, believing that so dying they go directly into the presence of the Prophet, and have a place at his side. According to the Mahomedan regulation of the year, the Ramazan is a movable fast; and besides its general sanctifi- cation to Mahomed himself, the twenty-first of the month is held here with peculiar severity, watching, and prayer, in memory of the death of their favourite Ali. The twenty-third, par- ticularly, is noted as the anniversary of the very day in which the angel Gabriel brought the sacred book to the founder of the faith; and, when the month closes, joy breaks out “like the full moon;” feasting, revelling, and mutual congratulations filling the whole country. - The present summer has been unusually hot, and the feverish state of my frame made me feel it more so; but the inhabitants of this beautiful vale told me, that Shiraz is generally esteemed the most moderate climate in the southern division of the em- pire; that its summer noons may be warmer than is pleasant, but the mornings and evenings are delightful; but when Sep- tember commences, the weather becomes heavenly; and continues, until the end of November, with a perfectly serene atmosphere, of a most balmy and agreeable temperature; and a sky whose soft hues are reflected from every object. The earth is covered with the gathered harvest, flowers, and fruits; melons, peaches, pears, nectarines, cherries, grapes, pomegranates; in short, all is a garden abundant in sweets and refreshment. The vales of Ouroomia, and of Salmos, which lie north-west of Tabreez, are the only places in the empire that compare with Shiraz and its autumnal bounties. And, thus fortunate in the fruits of the 710 - LUXURIANCE OF SHIRAZ. earth, it possesses the additional attraction of giving birth to the most beautiful women in Persia; damsels, who are described with eyes brighter than the antelope's; hair clustering like their own dark grapes; and forms fairer and sweeter than the virgin rose. Indeed, all here seems to partake of their musky breath; the place being celebrated for the growth of every flower that yields perfume by extract. The rose-water of Shiraz is particularly fine and abundant; and so profusely scattered are every species of the most costly scents, the otto of rose is scarcely deemed a perfume of any value. This luxuriant account of the valley of Hafiz may appear con- tradictory to my first impression, on approaching it from the hills; but anticipating the umbrageous avenues, which, in former years, led in different directions to the city, and seeing only a wide unshaded expanse immediately around its walls, the dis- appointment struck me with an idea of comparative nakedness. But though the groves of chenar, cypress, and other lofty trees, have disappeared ; the humbler, and not less useful fruit-trees, with thickets of flowering shrubs, canopy the earth in abundance. On this bed of delicious verdure, the eye may revel all along the valley,’ when looking down from the adjacent heights. But it was long before I enjoyed it, or any part of the scenes I have been describing. The intensity of my fever had confined me to my quarters a tedious time after my arrival; and some of my people were in even a worse state than myself. The disorder was bilious, and for many days bore a very alarming aspect; however, at the end of three weeks, I ventured to remount my horse, to make the excursions I have lately described, and to pay my personal compliments to his Royal Highness the Prince- governor of the province, Hassan Ali Mirza. Like all the sons, HASSAN ALI MIRZA. 711 I have yet seen of Futteh Ali Shah, he is extremely handsome, with a similar grace of manner, and the affability which so par- ticularly charms in princes. Perhaps there is no other class of human beings in the world, who can possess that charm; it belongs so entirely to their pre-eminent station when filled by an amiable mind. Conscious of holding the highest rank by an unassailable right, there is no motive for assuming a reserved loftiness of air, to secure the respect which no person has it in his power to dispute. The dignity of a mere nobleman is generally a little more or less stately, accordingly as he feels it to be on the defensive ; but the dignity of a prince, needing no factitious lines of separation, is shown in the frankness of an affability too graciously and gracefully managed to be felt as designed conde- scension. On these principles, the manners of a usurper of any kind have always the general character of haughtiness, reserve, and rigour; right of possession, right conduct, and the right side of an argument, all naturally bearing the same aspect of openness, gentleness, and liberality. The birth-right of Hassan Ali Mirza gave him this ineffable dignity, in common with his brothers; and a similar courtesy of disposition made it equally amiable. The ceremony of my presentation here, was much the same as that which conducted me to the presence at Tabreez and Teheran; the most conspicuous difference being the introduction of coffee and kaliouns. When compared with those two courts, the grandeur of this falls much in shadow ; or, probably, my eyes had been too lately filled with the dazzling splendours of the Hesht-beheste at Ispahan, and the remains of classic magnificence at Persepolis, to discern the pretensions of the palace at Shiraz. The room of audience is on the customary plan, decorated with white marble, gilding, and fantastic orna- 712 ... 'COURT OF SHIRAZ. ments, intermixed with royal portraits and hunting-pieces; and being as usual open in front, from the ceiling to the floor, commands a pleasant view of some fine chenar-trees, yet left of those which so abundantly adorned the courts of Kerim Khan. The ground beneath them is agreeably cooled by several marble fountains, standing amidst all the varied flowers which “weave the rich mantle of resplendent June.” Indeed, where this loveliest tapestry of nature is present, the refreshed and delighted eye wishes no other from the hand of man. . The palace was built by Kerim Khan ; and being surrounded by an extensive embattled enclosure, forms the citadel, also, of the place. On passing into the great gate of the enclosure, we enter a square, or maidan, planted with a range of efficient artillery, manned and served by a party of Russian soldiers, who, together with their officer, have held this post many years; presenting the only specimen of novel military display to be found in the province. The cavalry and infantry of the young prince wear just the same rough accoutrements, and perform just the same wild evolutions, they did fifty years ago; but a considerable change having commenced in these things by the higher members of his family, it must, in course, spread to him. The more simple uniform, and certain tactics of western Europe, are brought into the camps of the king and Abbas Mirza by British and Russian officers; and the same organization has been adopted by the Prince-Governor of Kermanshah, under the auspices of Frenchmen. To carry modes of warfare into a country may seem a paradoxical way of being a harbinger of mercy; but with the tactics of Europe, we have every reason to hope the laws of its battle will be received; and that the im- perishable pillar of a hero's glory, erected in the minds of his GOVERNMENT OF KERIM. KHAN. '713 people and the vanquished, may succeed to the corruptible pyramid of human heads, severed from bodies to whom resist- ance was no more. Their own great moral poet Sadi has furnished a motto for that renewed standard. “The happy conqueror was not an angel; neither was he cased in enchanted armour. It was by his valour, justice, and mercy, that he attained great and happy ends. Be thou brave, just, and merciful, and thou shalt be this hero !” - • * The palace and its dependencies, far from magnificent in themselves, are proofs of the parental care with which Kerim Khan provided for the more substantial grandeur of the country over which he was the actual sovereign, while bearing no prouder "title than that of wakeel, or lieutenant of the reigning monarch. The king, whose duties he performed, was a poor child of eight years old, the last of the race of Sefī; and who had been nominally placed in the vacant throne by the destroyers of Nadir Shah. The happy government of Kerim Khan, Malcolm beauti- fully observes, when contrasted with the tyrants who preceded him, “affords to the historian that description of mixed pleasure and repose which a traveller enjoys, who arrives at a lovely and fertile valley in the midst of an arduous journey over barren and rugged wastes; for it is pleasing to recount the actions of a chief, who, though born in a subordinate rank, obtained power without a crime, and who exercised it with a moderation that was, in the times in which he lived, as singular as his humanity and justice.” All the cities of Persia flourished under his juris- diction, but none with such marks of personal attachment as Shiraz. Sprung from one of the native tribes himself, he pre- ferred that city from its vicinity to the simple people from whom he derived his descent; strengthened its works, enriched it with VOL. I. 4 Y 714 GOVERNMENT OF KERIM. KHAN. manufactories, adorned it with buildings, and planted the pleasant environs with the most delightful gardens. But he was often heard to say, “he was more desirous of promoting the comfort and prosperity of the people under his care, than to encrease the magnitude, or add to the splendour of his capital.” This virtuous prince died at an extreme old age, in the bosom of peace, regretted by the nation at large ; and even now remembered with tributes of ingenuous encomium by the royal descendants of the personal enemies of his race. Amongst other public works, he erected a commodious bazar, nearly a quarter of a mile long, arched above, and furnished with openings at judicious distances for the admission of air artd light; and yet so disposed, as to be rarely accessible to the disagreeable effects of excessive heat or rain. This is now in a very falling state, too well harmonizing with the remains of a large unfinished mosque, which still goes by his name. • With the death of its protector, expired many of the advantages which, during his life, the place of his residence possessed over other cities of the empire; and the civil wars that followed the event, ending in removing the seat of royal government, gave a mortal blow to the prosperity of Shiraz. Its commerce was diverted into other channels, and its numerous manufactories perished for want of purchasers; two, however, have survived the wreck, and are prosecuted with sufficient diligence and success; one is making glass for windows, bottles, and goblets, which, though not of the most elegant sort, are vendable all over the kingdom ; the second is the formation of sword-blades and daggers, which are deemed excellent for general use. But nothing done here by even the best workmen, can equal the old. manufacture of Kerman and Khorasan, called the Kermanry FOUNDERY OF SHIRAZ. '715 and Karkorasany; the wave orgishor of the latter, particularly, being large and black, on a steel so tempered as never to break, and to keep an unbluntable edge. Some of these most precious weapons were offered to me at a price from fifty to a hundred tomauns; that is, from fifty pounds sterling to twenty-five each. The art of founding the metal in the superlative way that formed these ancient swords, poignards, knives, &c. is now lost; which occasions so very high a value being set on them, when they are proved to be genuine; a fact of some difficulty to ascertain, modern artificers so well counterfeiting the appearance of the antique blades, it requires no little experience to detect the cheat at sight. The manufactures in most esteem next to those already mentioned, which includes that of Shiraz, are those of Dishy, Lahory, and Kom Lindy. The foundery at Shiraz has entirely superseded that at Kom, or Koom ; and the workmen have a method of renewing the damask or water-mark on the blade by the application of zagh, which they explained to me to be the black alum. Georgia too boasts an excellent manufacture of this kind; and there are two native workmen at Tiflis, whose swords, daggers, &c. bring the most extravagant prices. There were not many more objects of ingenuity to detain my attention, in a city which half a century ago commanded the home-traffic to the East; and, having made my purchase of a sword and dagger, with the regret of a man quitting a place, perhaps for ever, where he had experienced the most disinterested kindness, I found the time of my sojourn at Shiraz was drawing near a close. If any circumstance more than another is calculated to try the disposi- tions of men, it is when a stranger of a different faith, as well as of a different country, is thrown on their sympathy and care. 4 Y 2 '716 PUNISHMENT OF THE BASTINADO. Hence I can never forget the more than hospitable roof of the son of Jaffier Khan. - Just before I took leave of my friendly host and his city, an opportunity occurred of my seeing the execution of the punish- ment which we call the bastinado, and the Persians mention by the familiar term of “turning up the heels.” It is adjudged to them all, from the highest khan to the lowest peasant, when de- linquency demands chastisement; and bein g so common, unhap- pily it is hardly considered a disgrace. The present scene was to be enacted on the demand of the British chargé-d'affaires, who had sent directions for that purpose to Dr. Sharpe, a countryman of our own, who came to Shiraz in his way from Bushire to Teheran, where he was to replace my friend the late Dr. Campbell, as physician to the king. This circumstance rendered the com- mission doubly disagreeable; and, besides having to require the act from the son of his future patron, he was enjoined to witness its being done. The delinquents were three natives of the place, and moreover servants of the prince; the alleged crime (which had been committed several months before) was having grossly insulted one of our civilians from India, at that time residing in the environs of Shiraz for his health. As soon as the outrage had become known, the British diplomatic agent at the court of the Shah, with a promptitude honourable to himself, and due to the nation he represents, required the apprehension and punishment of the offenders; but it was a difficult task to discover them; and two unfortunate persons, seized on suspicion, were bas- tinadoed for the crime, and afterwards discovered to be innocent. The offenders being yet to be sought, it was supposed that British honour could not be satisfied till they were actually brought to the scourge; and after much search, they were at last found. INFLICTION OF THE BASTINADO. 717 On this intimation, Dr. Sharpe had received his commission, The day being fixed for the infliction of the punishment, which must always be performed in the presence of the royal go- vernor, I availed myself of the circumstance to be a spectator of so ancient an Asiatic mode of correction. The time ap- pointed by the prince being about an hour after sunset, Dr. Sharpe and myself repaired to the palace; and were received by his Royal Highness with a good humour I hardly anticipated on an occasion which might have been galling to the feelings of a prince and a master. - - We were to look from the open side of the saloon upon the scene of punishment, which the gloom of the evening threw rather into shade. The saloon itself was lit by half a dozen most uncourtly tallow-candles, set on the carpet under glass protectors, which shielded the flame from the outward air. But the usual veils for this purpose are upright octagon frames of stained wood, covered with white, or prettily painted muslin, the transparency of which, dispensing, yet softening the rays it diffuses, gives a moonlight, or varied picturesque hue to all the objects around. * After a short conversation with Hassan Ali Mirza, we saw the delinquents make their appearance below ; and being ceremoni- ously identified as the real objects of justice, they were ordered to retire some paces to the left, in view of the prince, and there re- ceive the meed of their crime. The word and the action seemed almost one, for in a few moments the court re-echoed with the sound of the flail-like sticks of the ferroches, the lictors of this part of the world. The process is simple, and the natives are so accustomed to the sight or the sufferance, they make the neces- sary preparations with unaffected sang froid. Having stripped ’718 INFLICTION OF THE BASTINADO. off their shoes, they place themselves flat on their backs in a row on the ground, then raise their legs high enough to rest them, near the ankles, on a strong pole, the ends of which are held by two men. Three loose nooses had been previously attached to the apparatus we saw, through which the feet of the culprits were thrust, and the pole twisted till it drew the nooses close, and fixed the limb firmly to the pole. Thus prostrate and secured, the flagellation was inflicted by two of the ferroches, who were stationed on each side of their victims, who, notwith- standing the coolness with which they prepared for the stroke, the moment it was given, set up the most horrible shrieks and howlings, and so continued, as if every lash entered their souls, though I believe more sticks were broken against the pole than touched their feet. However, so unpleasant a scene was not allowed to endure long: Dr. Sharpe was soon satisfied that his commission needed no more, and he and myself united in beg- ging the prince-governor to put an end to the punishment. His Royal Highness did not require persuasion, since the object of the chargé d'affaires was now acknowledged to be accomplished, namely, that no insult offered to a British subject should pass with impunity. And having commanded the men to be withdrawn from the place, he requested that we would put our names to a paper to the same effect, adding, “It being neces- sary to have such a voucher, that these men, or others, might not be punished a third time for the same offence.” If all the punishments of the East equalled the gentleness of this, there would be no reason to complain of oriental severity; the ordinary style of the infliction seldom producing more inconve- nience than a few days’ extraordinary tenderness in the parts that sustained the stroke. ...” ILLNESS OF THE AUTHOR AND HIS SERVANT. 719 Much as my stay at Shiraz had been protracted by the state of my own health, and that of my poor Russian servant, it was likely to have lasted much longer, had not Dr. Sharpe arrived at the very time of our greatest extremity, and, under the goodness of Providence, certainly raised us both from the grave. I soon regained strength sufficient to meditate the farther prosecution of my tour; but my servant, though re- covered from the fever, continued in a fearful state of mental derangement. It being impossible to take him with me under such circumstances, I made arrangements with a worthy Arme- nian priest, to leave him under his care till cooler weather, and his restored faculties, should enable him to follow me in safety. My own plan was to proceed to Darabgurd, Firoozabad, &c., and thence, by Bushire, to places of interest still farther east- ward. But when I discussed it with my medical friend, he told me at once, that from the extreme heat of the season, and my debilitated state, should I persist in my resolution of travelling in that direction, through a region which is empha- tically called the gurmseer, or quarter of heat, there was every chance I should never see Europe again. My object now, he added, must be to entirely recover my health, before I could dare to attempt any distant journeyings whatever; and a retrograde movement was what he strongly urged. Indeed, my own personal feelings seconded his advice; and finding by such a change I must relinquish the more eastern expe- dition altogether, I resolved to return to Ispahan without de- lay, having the double inducement of my kind physician's care, and his society; and when it should please Heaven to re-brace me to my usual strength, it now became my intention to pro- ceed to Hamadan, the ancient Ecbatana, to satisfy my wish of 720 . RETURN TO ISPAHAN. . comparing its relics with those I had so lately seen in the province of Fars, the ancient Persis ; and thence take my course along the shores of the Tigris and Euphrates, to search into the remains of the oldest city of the world, and with my own eyes behold the stupendous pile of Babylon; the awful wit- ness of the sure word of prophecy, the great city, which covered so many leagues, reduced to a heap, and a pool, and a wilder- ness: not a man dwelling there, nor a roof remaining to show that there ever was a dwelling for man; and yet, after more than two thousand years of this utter desolation, neither time, nor warring nations in its neighbourhood, have been able to level the imperishable heap; which stands a mountain in the desert, the monument alike of its great existence and signal overthrow. ... With this object now possessing my mind, I took my leave of all at Shiraz; and, adding my own people to the suite of Dr. Sharpe, on the 30th of July, 1818, set forth on my return to Ispahan. END OF THE FIRST volumE. . LoNDoN : Printed by A. and R. Spottiswoode, New-Street-Square. THE UNIVERSITY OF MICHIGAN - GRADUATE LIBRARY DATE DUE —-arº, : ------sº - l t * ... -- -- –4- 2-’ -º-º- ==TT- re- °. { 3. 4. . . 3. #16, NOV 2007 . 4. * : * : *3 J. 3.; , J ,” “. Wºº : , . .) N- * kºzzºe::sº O34 |||| 01469 7 ||| ||||| 3 9015 TTT--——--— a DD NOT REMOVE []R MUTILATE CARD C 375941