IIHIMMMMMMM B 3 9015 00238 566 7 University of Michigan — BUHR J" ‘i ‘a; . .~‘§@_ ' ‘a. é I‘ “J .Waw/l» J" a" , vlwvlwz'jr/l/fl / 0* 2” 0/12,’ / _ / - ' . //1-u/ 2/’ 1110/ w [-aawwzrm'rm/ /P' . l . -..,.////k:j.4(¢//" % E PFABER My 6% MW/ JOHN L. STODDARD’S LECTURES INDIA I INDIA II THE PASSION PLAY Norwood Press 7. S. Cusbing £9’ C0.—Ber‘wick 59’ Smith Nor'wood, Mam, UHSJYC Macdanald 59’ Sons, Bookbinders, Boston JOHNL. STODDARD’S LECTURES ILLUSTRATED AND EMBELLISHED WITH VIEWS OF THE I WORLD’S FAMOUS PLACES AND PEOPLE, BEING THE IDENTICAL DISCOURSES DELIVERED DURING THE PAST EIGHTEEN YEARS UNDER THE TITLE OF THE STODDARD LECTURES COJUPLETE [N TEN VOLUMES VOL. IV BOSTON BALCH BROTHERS CO. MCMIV COPYRIGHT, 1897 BY JOHN L. STODDARD ENTERED AT STATIoNERs’ HALL, Louoon ALL RIGHTS RESERVED INDIA 196779 ' 1 1‘ f ‘P \ Rosa‘ 5 lm'a 4'»... ‘ ‘ c A as,‘ , _~ " ‘0 ._.- 'q .r q Q80 ’ ‘.P'fili'll. I i l ‘ ‘ I?" QM, - “'= ‘ ‘ ‘ . ‘i r. ~ r 4' gr’, 0‘ 4,‘, . LECTURE I NDIA is unique. It differs from all other lands in situa- tion, climate, history, and religion. Its form is that of a gigantic triangle, one thousand nine hundred miles in length, and in its broadest part as wide as from the Atlantic to the Mississippi. Yet this enormous section of our earth is a peninsula. If we com- pare the continent of Asia to a ship, the sharp- pointed wedge of India is its prow, cleaving the Indian Ocean almost to the equator and rolling one great mass of water eastward to be silvered by the dawn, and a still larger volume westward to be gilded by the setting sun. The northern side of this vast tri- angle is rightly called “The Roof of the \Vorld." It is A" mm“ mm“ a vast mountain range so high that if the Pyrenees were piled upon the Alps, it would still tower above them both by four thousand feet. Yet just below these citadels of 8 INDIA snow, upon the Indian plains, the heat at times exceeds that of almost any other place on earth. In parts of India, for example, during the prevalence of the hot winds, the mercury rises to 120° in the shade, and certain forms of vegetation wither and turn black, as from the effects of fire. At such times, in the homes of Europeans, all doors and windows facing windward are covered with thick mats, which are kept wet by buckets of water thrown on them day and THE BEACH AT COLOMBO. night by native servants. The wind, which is like a blast from a furnace, becomes thus somewhat more endurable by passing through the moistened matting. But under any circumstances foreigners in India suffer greatly during the summer months, unless they can escape to the mountains. In summer the railway authorities actually keep coffins ready at the principal stations to receive the bodies of travelers who may have succumbed to the heat, victims of a climate suited to another race. India is, therefore, a land of startling con- INDIA 9 trasts. While prostrated by the heat upon the plains, one may be gazing on eternal snow. It is a kind of meeting, in one land, of the North Pole and the Equator. But India's history is as wonderful as her geography. She is degraded now, but nothing can efface the memory of her splendid past. She is the cradle of the two most wide- spread religions of humanity, Hinduism and Buddhism—the first of which can boast of thirty centuries of existence, while even the second was ten centuries old be- fore Great Britain had emerged ism. Much of tion of China from barbar- the civiliza- and Japan originated here. The language of the ear- ly Hin— dus was , the San- skrit, which scholars like Max - Miiller call themostartis- _> tie in the true, it ceased world. It is to be spoken three before the birth of thoughts had mean- 2/ hundred years Christ, but its best STEAMER AND memo“. time crystallized into a magnificent literature whose epic poems are the Bi- ble of the Orient. Like Italy, however, India had the “fatal gift of beauty." For ages men have looked on her with longing eyes. From Alexander the Great to the Great Moguls, and even to Great Britain, this land of wealth has been the object of the world's cupidity. At first it was too distant to be easily reached, save by some Asiatic conqueror; but by a singular coincidence both India and America were discovered at practically the same time. For, only six years after Columbus landed on San Salvador, Vasco da Gama found the passage around the IO INDIA southern point of Africa, and while America lured adventurous mariners to her distant shores, in India European conquerors swung open to the commerce of the world the jeweled portals of the Orient. It is, then, this historic land, which wears the radiant Himalayas for a diadem and claims the Sanskrit- speaking heroes for her earlier inhabitants, that is the theme of this lecture. It was late in the afternoon when, on our voyage from China across the Indian Ocean, we approached Ceylon. 1 The pilot, who climbed from his little boat to the deck of our huge steamer, was the first hu- man being we had met since leaving Singa- pore. All was excitement. An irresistible de- sire prevailed “ ONLY MAN :5 vita.” among the pas_ sengers to quote Bishop Heber's familiar lines— " What though the spicy breezes Blow soft o'er Ceylon’s isle; Though every prospect pleases, And only man is vile." Two different groups were singing this at once; and every other person whom I met would say to me, “Well, I sup- pose that to-morrow we shall be where ‘every prospect pleases.’ " One solemn spinster gravely remarked that, for her part, she expected to find the Ceylon men no worse than those of other lands. At last the following notice was posted INDIA II in the companion-way: “All allusions to spicy breezes and the depravity of man are strictly prohibited." Some hours later our steamer reached Colombo, the cap- ital of Ceylon, and anchored in the bay. \Ve were asleep. A sudden flash from the lighthouse on the granite breakwater, coming through the stateroom window, fell directly on my face. I started up as if it were a conflagration. “What is it?" I cried out to my companion. “Do n’t be alarmed,” he answered; “it is the Light of Asia! ” As every traveler knows, when one arrives in port at night, sleep is no longer possible. Accordingly, at sunrise the next morning I was already on deck, eager to disembark. Although anxious to explore Ceylon, I was sorry to leave, the steamer. The voyage from China hither had been the pleasantest I had ever known. During that time, as we subsequently learned, terrific storms had raged upon the North Atlantic, but the Indian Ocean had been as smooth as glass. Day after day, and evening after evening, we sat beneath awnings on the spacious deck reading and writing, or walking and conversing, or watching for new constellations in the southern sky. Though lightly clad we felt no chill. w "I - , '1 ‘ “ ‘5' . _ _ _ 4‘.‘ _ . r - ‘*- irf'" .. ~ . ' ~ - .{TJ . if,“ : ‘ . "~ ‘5:07 " .. . il'aii'i-"i ‘ ‘ .. r; . l e __ i‘ THE HARBOR OF COLOMBO. 12 INDIA The mercury never fell below 79°. The soft caress of the breeze was perfectly delightful. It was one of those rare experiences in a life of travel which have almost made me love the sea. Even before daybreak our steamer was surrounded by a multitude of little boats, tenanted by naked boys who sought to show their skill in diving. From time to time we threw into the water small silver coins, and laughed to see the urchins dive in hot pursuit, twenty or thirty vanishing together in one tremendous splash. It seemed im- DWBRS- possible that so small an object could be found in such a crowd, but not one silver piece was ever lost or even reached the bottom of the sea. The lucky boy would hold it up in triumph as he climbed into his canoe. ON THE INDIAN OCEAN. But presently other boats arrived to take us to the land. They were the strangest looking craft I ever saw; for though about twenty feet in length and narrow as a Wherry, they INDIA 13 rose at least two feet above the water. The bottom of each was merely the hollowed trunk of a tree, to which long planks were fastened to form the sides. They would capsize upon the slightest provocation, were it not for an outrigger of bam- boo poles arching out to a log about eight feet away, which even in the roughest water will keep the slender boats from upsetting. In this respect they certainly are most ingenious, CEYLON BOATS. but the confusion and collisions occasioned by these outrig- gers in a crowd can easily be imagined. In one such boat, however, we risked our lives, and ten minutes later stepped upon the soil of Colombo. A few feet from the landing-pier stands the Grand Oriental Hotel. I recollect this now as an enormous gridiron, upon which I was broiled for several days. I have, however, no fault to find with it. The trouble was—not with the gridiron, but with the sun. A brief exposure to the solar rays, even when pro- tected by a white umbrella, produced a curious feeling in my head and spine. This was the warmest place we found in all our travels, though residents assured us that the really hot I4 INDIA THE GRAND ORIENTAL HOTEL. fans, which are essential to the comfort of Europeans in India, are called pun/tails, and the relays of perspiring coolies who pull them back and forth, day and night, bear the euphonious name of pzmka/z walla/ls, the pay of each of them being sixpence a day. Every one in Colombo seemed to be dressed in white, except the natives. They wore extremely little except black—in suits that never could be changed. Dressed in our light- est clothes we presently started out to see Colombo. A singular means of trans- portation stood at the hotel steps. It was a springless, two - wheeled cart, drawn by a bullock. Yet this was a regularly licensed vehicle of the town, with lamps which must be lighted when the sun goes down, like those weather had not yet set in. But even in Decem- ber, in the din- ing - room, gi- gantic wooden fans, covered with muslin and hanging from the ceiling, were in constant mo- tion. These ' Li, .I MY “ smcv" DRIVE. . o a i H n .00 a 0 a ".0 I. I O l f U. . .. . ' . O. Q. a 0 656.50 .53 @2524 INDIA 17 of our city cabs. The driver was a Hindu, whose only dress consisted of a handkerchief about his waist and a table-cloth around his head. I shall never forget that ride, for the bullock-cart was so extremely short that, when once in it, I found myself only two feet away from the bullock and six-and-a-half inches from the man. Accordingly, I had an admirable opportunity to study the persuasive powers of the driver, whose only modes of making the poor beast AMONG THE PALMS- advance were those of uttering incessant cries resembling the creaking of a rusty hinge, and of continually twisting its tail, long since grown hairless under his manipulations. I soon discovered also that, after the fashion of the country, the Hindu had besmeared himself from head to foot with cocoa- nut-oil to make his skin insensible to draughts. Hence, as one of the breezes of Ceylon was blowing at the time, that was the “spiciest" drive I ever took. Aside, however, from the drawbacks I have mentioned, it was a charming expedition. Only a few minutes after leav- ing the hotel, we entered a forest of stately palm-trees. This 18 INDIA was indeed the Ceylon I had read of. For seven miles we rode through a vast park of tropical vegetation. Thousands of cocoanut-palms waved above us their drooping foliage and clusters of their bulbous fruit gleamed through the leaves like balls of gold. Ten such trees sometimes form a native's wedding-present to his daughter, though few are able to fur- nish such a handsome dowry. Before visiting India I had never realized how valuable palm-trees are to the people, and in how many ways they can be util- ize'd. Thus from their bark the natives manu- facture ropes and mat- ting; from the leaves are made baskets, hats, and palm-leaf fans; while the fibre of the nut furnishes, rough clothing, sails, and fishing-nets. The sap yields sugar, the green fruit milk, the ripe fruit solid food; while from NATIVE HOUSES. the kernel they obtain rich cocoanut-oil for their lamps and hair. Surely, of all the gifts that Mother Earth bestows upon her children few are so well appreciated as the palm. We found that the native houses were built of sun-dried mud, solidified with bamboo plaiting, and had neither win- dows nor chimneys. All were exceedingly primitive and, I regret to add, not very clean. 0 Japan! Japan! As we travel through other Oriental lands, how we appreciate thy neatness! Some of the younger inmates of these structures i‘ wear the costume of Eden;'but the adults are, considering the climate, tolerably clothed; yet if it ever comes to a choice INDIA 19 between a garment and a piece of jewelry, the Hindu always takes the gem. A child, if its parents can afford it, will be adorned with bangles, anklets, and medallions before it gets a shirt or a petticoat. And, if this is the case among the poverty-stricken natives, it is easy to imagine to what an extent ornamentation is carried among those who can afford to gratify their love of it. A young girl of a wealthy family looks like a walking advertisement for a jewelry shop. Aside from the display A :ggmk of beads in her hair, A,‘ , r 7 ' £ ' i‘ ' herneck and breast 5"‘. $4‘ . are almost covered . '\,‘k x :g with medal- f lions, neck- pe n d a n ts A!’ laces, and made of brass or sil- ver;while her ears are pierc- ed, not onlyin the lobe but through the tops and sides. The ears of some are 7 pletely out of a weight of these or- \‘ ~ drawn com— shape by the naments. Usually, also, there is inserted in one nostril a flat A CEYLON FAMILY. gem like a star of tur- quoises, and in the other a gold ring; while from the cartilage above the lip, and sometimes from the lip itself, is hung a hoop of silver. Under these circumstances it is perhaps fortunate that in the Orient the art of kissing is unknown. To appreciate the full extent of an Indian woman’s decora- tions, one must behold her foot; for her toes are quite as richly ornamented as her fingers, while around her ankles are bangles of such weight as to be burdensome in walking. Yet, so clearly do Hindu women love their ornaments that they will hardly take them off at night, preferring to go about their household work clanking with bracelets and ablaze with 20 INDIA gems. Indian widows, however, are prohibited from wearing ornaments. Hence, though the days of burning them alive NOT NEAT, BUT GAUDY. upon their husband’s tombs have passed away, Hindu widows still have their trials. The residences of foreigners in Colombo are called bungalows, and are only one story high, with airy rooms and deep, broad porticoes, almost as spacious as the house itself. of palms, and, as we drove along, we saw, Around them is invariably a grove among these shafts whose fringes rustled in the breeze, attractive groups of white- robed figures, apparently enjoying life amid the most delightful conditions. The natives say that “Ceylon is only forty miles from heaven," and even the foreign residents call it “paradise. '1 In fact, the loftiest mountain on the island bears the name of “Adam's Peak," and a hollow in the summit is said to have been made by Adam's foot when he stepped from Eden. A BUNGALOW. INDIA 21 Ceylon certainly has enchanting qualities, yet here the sun must be as much avoided as the Evil One, and while the orig- inal Paradise possessed but one serpent, this lovely island has a million. A common sight, therefore, is that of natives worshiping deities in the form of snakes, in order to propiti- ate their wrath. The majority of those who die from snake-bites in India are peasants, whose naked limbs and feet are exposed to attack while working in the fields. No other country in the world affords . such opportunities for snake stories, mm W A“ ‘"D'A“ “"“CESs' but I shall confine myself to facts. They are sufficiently sensational. According to the official reports more than nineteen thousand human beings died in India in 1892 from snake-bites. When I had recovered my breath after reading this, I lost it again, on learning that during the same year nine hundred and forty-seven people were destroyed by tigers, two'hundred IN COLOMBO. 22 INDIA and sixty by leopards, one hundred and eighty-two by wolves, and that more than eightythousand head of cattle had been killed by serpents or wild beasts. Nor are these figures exceptional. In 1888, over twenty thousand deaths were caused by snakes and nine hundred and seventy-five by tigers. Rewards are offered by the Government for the de- struction of wild beasts and reptiles; and in the case of tigers the result is good. No one is disposed to trifle with a man- 0 h WORSE-I1 PING SNAKES. eater. But such is the poverty of the people that these rewards cause the natives in many districts to go into the business of breeding snakes. Hence it remains a problem whether the remedy is not worse than the disease. Notwithstanding these indisputable facts, during the win- ter months and on the regular routes of travel, the only tigers that I saw were kept in cages, and all the reptiles I beheld were those displayed by snake-charmers. These snake- charmers possessed for me'a horrible fascination. They are as numerous in Indian towns as organ-grinders are with us, .ONZOAOU H< whkdm m0 Hon-“Mm < it‘. Q . ‘e004 INDIA 25 and at the door of every large hotel one of their exhibitions is going on from morning until night. Old residents of India, however, do not like to see them. The sight recalls to them too forcibly the dreadful summer months when, every morn- ing, on account of scorpions, their shoes must be “well shaken before taken," and when (without any ground for being accused of having delirium tremens), they sometimes see a hideous reptile glide across the floor, or find, on turn- . 4., ,r 7? A MAN—EATER. ing down the sheet, a deadly cobra coiled up in the bed. Another drawback to one’s happiness in Ceylon is the mul- titude of land-leeches which not only creep upon the pedes- trian's body from the ground, but drop upon him from the trees. These frightful pests are, unless gorged with blood, only half an inch long, and so thin that they can make their way through a stocking without difficulty; but their bite is exceedingly irritating and blood flows freely from the wound. English soldiers in the Ceylon jungles have sometimes died from the bites of these diminutive but innumerable foes. 26 INDIA Hence Europeans in certain portions of the island wear what are called “ leech-gaiters," made of rubber or hard cloth. These are drawn closely over the shoe and are fastened around the knee. Fortunately citric acid is ordinarily suffi- cient to protect one from these pests, and those who are A SNAKE-CHARMER. obliged to do much walking in the lowlands, usually carry a lemon with them and moisten with its juice the parts of their bodies liable to be attacked. Another unpleasant feature of this “paradise" is the damp- ness, which during the rainy season is so great that without the constant care of a “clothes-boy” wearing-apparel, books, papers, and household linen are quickly covered with a green- A EUROPEAN'S RESIDENCE, COLOMBO. ish mould. We were told that from May to October nothing can be kept dry here, and that the walls of the houses are covered with moisture. Such humidity combined with the tropical heat would Seem to make the climate of Ceylon any- thing but paradisiacal. After a few days spent in Colombo, we made a journey of four hours by rail to a far lovelier and cooler portion of Cey- NATIVE DWELLINGS, COLOMBO. 28 INDIA lon, fifteen hundred feet above the sea, in the mountainous interior of the island, where is its ancient capital, Kandy. The railway journey up the mountains can never be forgotten. The road itself, which is said to have cost the life of one native for every sleeper, is a triumph of engineering skill, frequently winding along the edge of cliffs from which the mountain falls away to a depth of fourteen hundred feet. Waterfalls, rushing downward to the valley, were often visible above us on the one side, or below us on the other, sweeping -7_' 1'4“ 7. _ in [II If a“. ‘ 1 '7, .p -- ,, "tan . AL- I' fll'lmv A»; THE MUSEUM. COLOMBO. beneath the bridges over which our train moved in safety. In making the ascent, we noted with the keenest interest our passage from the tropics to a temperate zone, as evidenced not only in the vegetation but in the temperature. In subse- quently descending to the coast, this experience was, of course, reversed; and leaving in the morning the health-resort of Nuwara Eliya on the summit, more than six thousand feet above the sea-level,where open fires had been appreciated, we watched the mercury gradually rise, till in the afternoon on our arrival in Colombo, we found that our thermometer indicated ninety degrees. The situation of Kandy is one of the most peculiar INDIA 29 I have ever seen; for it is built around an artificial lake three miles in circuit, and sloping up from this on every side is a vast amphitheatre of enchanting mountains, covered with semitropical vegetation. Beyond these are extensive, rarely- visited uplands, where roam in herds the celebrated elephants indigenous to Ceylon. These animals are still so valuable as TEA PLANTATION ON THE HILLS, CEYLON. beasts of burden, that a fine of twenty-five hundred dollars is imposed for killing one, and about three hundred and fifty of them are exported to India annually, just as in past centuries. An afternoon drive over the splendid English roads con- structed on these heights forms one of my most agreeable memories of the island. I Ceylon is only fifty miles or so from India, and is about the size of Ireland. It has the form of a pear, detached from the great tree of which it formed a part by some 3o INDIA geological action of remote an- tiquity. That tree was India. The heart of this delicious pear, concealed from all external view and touch, was the old capital, Kandy. In the same year that saw Napoleon defeated on the field of Waterloo (1815), the Eng- lish conquered the last king of Kandy, and set this additional jewel in the British crown. Since then the population has ON THE HEIGHTS. increased from seven hundred and fifty thousand to nearly three million, and instead of sandy paths, twenty-five hun- INDIA 31 THE LAKE AT HANDY. dred miles of well-made roads and nearly two hundred miles of railway have been built. The period of British rule is, however, only a small frac- tion of the island’s history. Amid the dense and dangerous forests of Ceylon are remnants of pagodas, palaces, and tem- ples constructed centuries before the Christian era. Yet of the race which built them we know almost nothing. They hint to us of an antiquity as silent and trackless as the jungle which has smothered them. One thing, however, is certain: the race that flourished here when the popu- lation of Ceylon was probably twice as large as at the present time, must have been very intelli- gent; for on this island are the ruins of enor- A LOVELY VIEW- mous reservoirs, former usefulness. RUIN AND jUNGLE. seven miles square, from which a net- work of canals brought water to the thirsty plains. Infact, the present gov- ernor of Ceylon is trying, after a lapse of twenty centuries, to re- store these res- ervoirs to their But the most famous object here, and that which makes of Kandy a religious centre, is the old Buddhist Temple of the Sacred Tooth. It is an insignificant-looking building, grimy with age; yet the kings of Burma and Siam send yearly contributions for its maintenance, and Buddhist priests, even in far-away Japan, speak of it with the utmost reverence. This sanctity is due to the fact that it contains a relic said to be the left eye- tooth of Bud- dha, taken from the ashes of his funeral pyre, two thousand five hundred years ago. On INNER TEMPLE OF THE SACRED TOOTH. I . are“. I as " a TEMPLE OF THE SACRED TOOTH. I Q . . I o 0. one s‘ '. I .‘ ‘ a Q .0 . Q . . O‘. .0 Q ~. . . 0 ‘ ..'. e‘. c O’. ..'I Q 6.!- INDIA 35 rare occasions this is publicly exhibited—at a safe distance. Only a few distinguished foreigners, like the Prince of \Vales, have been allowed to inspect it; but though it has been revered for more than two thousand years, it is well known that no human mouth could ever have contained it, for it is two inches long, and an inch in thickness, being. apparently, a piece of ivory from an elephant’s tusk. Yet every year, in the month of july, a grand procession takes place here in honor of this wonderful tooth, reverenced by a third of the human race. Passing through the outer gate of this temple, we found ourselves in a kind of courtyard. Around it were some unattract- ive buildings, inhabited by Bud- dhist priests. ‘We were ad- mitted into the small struc~ ture in the centre of this area, and saw behind a gilded grating, on a richly decorated altar, a golden bell three feet in height, and adorned with rubies, emeralds, and other -0. precious stones. Be- neath this outer bell are several smaller .'/>'///n ///_//x/ ones, and, underneath the last of all, resting upon a golden lotus, isthe tooth itself. But that we were not per~ a mitted to see. Re- turning to the outer gate, we confessed to PILLARS IN THE PALACE OF THE KANDIAN' KINGS. 36 INDIA each other that we were somewhat disappointed. \Ve had expected a great deal of this Buddhist shrine, having just read Sir Edwin Arnold's “India Revisited,” in which he A BUDDHIST SHRINE, CEYLON. speaks of the reception given him here by the priests, and even quotes verbatim the flowery speech they made to him, beginning, “O Poet!" Hence, though we had talked with one of the priests who had conversed with him, and though we had beheld a present from Sir Edwin to the temple, still we were far from satisfied, and could not bring ourselves to leave till we had witnessed the approaching “ evening service.’ ' Presently the evening worshipers began to assemble; and one of them, the most persistent beggar I have ever seen, followed us about for more than an hour with outstretched hands. When finally the “service" began, I found, to my astonishment, that it consisted chiefly in blowing discordant INDIA 37 horns, beating drums, and marching round an altar loaded with sweet- scented flowers. This horrible or- chestra led a procession of forty or fifty devotees, many of whom were blear-eyed and half-naked. Sir Ed- win was more fortunate than I. Can- dor compels me to say that I would not have come in contact with a single one of these priests or laymen for even a glimpse of the sacred tooth. In saying this, I would not be misunderstood. I yield to none in admiration for the self-sacrificing life and beautiful moral precepts of Gau- V tama Buddha. I reverence, too, the “Km Fm‘ mm‘ marvelous power of a man whose gentle deeds and noble words still hold in one religion, after twenty-five hundred years, nearly a third of the human race. But admiration for A WAC-ON 0F COLOMBO- 38 INDIA the teachings of its founder cannot conceal the fact that between Buddha and the ordinary Buddhism of to-day there is a heaven-wide difference. Of this the Buddhistic Holy of Holies in Kandy is a proof; and, since this has for its con- spicuous features the gross imposture of the “Sacred Tooth," I ‘I I. ‘ .l ‘. i 1 A BUDDHIST ALTAR, a half-barbaric style of worship, and an environment of dirt and beggars, we realize how polluted has become the stream which issued from so pure a spring. It is a remarkable fact that, however powerful Buddhism may be in Ceylon, in India itself it holds at present a very unimportant place. Under the inspiration of its founder, twenty-five centuries ago, it was a grand revolt against the tyranny of Hinduism, and at first seemed likely to replace it. But Hinduism rose again, vanquished its youthful conqueror, and finally drove it out of India. It found indeed a strong- INDIA 39 hold in the island of Ceylon, where it is still the dominant faith. But India is practically held to-day by Hinduism and Mohammedanism, the Buddhists, Parsees, Jews, and Chris- tians being insignificant in comparison. Thus, in 1891, there were in India, in round numbers, two hundred and seven mil- lion Hindus, fifty-seven million Mohammedans, and only seven million Buddhists. Strange to say, both Buddhism and Christianity are outcasts from the lands where they origin- ated—the one from India, the other from Judea; and both are flourishing best in countries far beyond the seas—Chris- THE PROCESSION OF THE SACRED TOOTH. tianity in Europe and America, Buddhism in Burma, China, and Japan. Kandy possesses what is, undoubtedly, so far as arboreal cultivation is concerned, the finest botanical garden in the world. Its floral display is somewhat limited; but its vast 4o INDIA park of one hundred and fifty acres contains more rare and in- teresting trees than I have elsewhere seen. Everything here is admirably arranged. Intelligent English-speaking guides, appointed by the Government, accompany travelers through the park and thoroughly explain its treasures. Perhaps the ENTRANCE TO THE GARDENS. loveliest of its large variety of palms is that which has the shape of a gigantic fan; but there are also here the Palmyra palms, sometimes a hundred feet in height, and cocoanut and sago-palms, and one that always calls forth a romantic inter- est,—-the talipat-palm, which blooms but once after a prepar- ation lasting from fifty to eighty years. Then, having gained the object of its whole existence, it gradually dies,-—resembling ‘ .0 0 ‘... Q 1 ~ . t- . n . ..u. I . .. a .. 1.. D . . - ._ .0 .. . 0| . . . a - l 0. . O . I . . - . _ . Z a . .p . . . . \ .. . .\ . . . .. . . ~ - - , a: < . .- a. . u » . A . v a . ..._. . u . ... . a a . . -. . a . . 's _ _ i _ . _ a . I . v < > . a . . .. ... . . . .. . .. . , ._. ._ . a . . i i v - . : s . A .. . . . .. . f .. . -. . . . . . . . t. . . . . . .. _ . .. .. . s. A . .... u. . . . . . l .a 1 _ v . I o . . v a . . . . a .. ... . . I <. a I . Q n . .. . _ . < _ I .. E Q .1. .. . F . . (Q. . .. n _ .. - . . r . . . l c . . Q n . 4 n .. . I_ . 4 . l . . . a. . .. .. a \ . ~ .4 . . v . . I . .. I . . i . . . . - it \ . . . s ‘ ._ . t 4 1 ... . v . . . . - v a. i. . .. w . t 1 i . _ i . - 7.. I a v . I . r t . . .u I Q 1 Q I r . . . i . ...... . ... . ... ........ .....rnofwouto 0 one‘ Q .ZOHwmU Z- s>OJ i i if thg Moslems rmmonor some”. hastened eastward into Persia,—giving the populace, as usual, their choice between the sword and the Koran. The most, of course, accepted the Koran. But some, intensely loyal to their fathers’ faith, left Persia and fled into India. The de- scendants of those exiles are the Parsees of to-day. As they marry only among themselves, the purity of their race is pre- served, and, like the Jews, they can be easily recognized by certain char- acteristics common to them all. Like H e brew s, i also, they are sagacious merchants and shrewd financiers, and often accumulate large fortunes. It is a lovely drive along the bay to the promontory " “ where the wealthy Parsees chiefly reside, the ' famous Malabar Hill. Frequently, W... 3*“. _.._ _-_;.___»..__Vr,.._ THE HIGH COURT AND OTHER PUBLIC BUILDINGS. 50 INDIA ‘ lifeless and de- at the close of day, just as the sun was sinking into the blue Arabian sea, I beheld Parsees standing on the shore, facing the west, and ap- parently send- ing forth their evening prayer to the depart- ing luminary over a rippling path of gold. Parsees are called“ Fire- ,9 worshipers; AGROL'P or masses. but that is a name which they themselves repudiate. They are devout believers in one God, the symbol of whose glorious majesty is the sun,— that radiant, never-failing source of heat and light, without which our re- volving planet, frozen to the h e a rt , w o u l d soonrollthrough its gloomy orbit, serted. But this grand emblem of divinity is far too dazzling for mortal gaze; hence its imme- diate substitute on earth is fire. Who cannot understand this silent adoration THE ELPHINSTONE HIGH SCHOOL. of the Infinite, awakened by the contemplation of our own 0......" a .. .125 < o". I.‘ 1.\\ no.‘ INDIA 53 and countless other suns, strewn broad- cast through the shoreless ocean we call space? Com- pared with the sickening idol- atry of Hindu- ism the Parsee faith is purity itself. It toler- ates no images, and even its ALONG THE SHORE. temples are entirely empty, save for the altar on which burns the sacred fire. This flame, which the attendants never suffer to expire, is really a continuation of the fire brought hither by the exiled Persians centuries ago. The Parsees are in some re- spects the best inhabitants of England’s In- dian Empire. They consti— tute, numeri- cally, only about one-tenth of the popula- tion of Bom- THE DRIVE 10 MALABAR HILL. bay, but their 54 INDIA intelligence and enterprise have made their influence supreme. Some of them have been knighted for services rendered to the British Government. They are Bombay’s wealthiest citi- zens and most important merchants; their deeds of charity are unsurpassed; they are all finely educated, and speak the PUBLIC BUILDING, BOMBAY. English language fluently; they are thoroughly loyal to Great Britain; and (being a small minority, which under native rule might easily be crushed between the upper and nether mill- stones of Hinduism and Mohammedanism) they gain from England's liberal rule religious toleration and protection for their property. One of the most interesting objects in Bombay, connected INDIA 55 with the Parsees, is the place in which they leave their dead. Nothing offends the senses in the Parsee cemetery. Its situa- tion is delightful. It occupies the summit of a hill in the most beautiful suburb of Bombay, and overlooks the calm Arabian Sea. On entering it, we first saw only a spacious well-kept garden, where blossoms filled the air with perfume. Amid these beautiful surroundings is a modest edifice where is preserved the Sacred Fire. Passing by this, we per- ceived five cir- cular structures, which we knew to be the cele- brated “Towers of Silence.’ In view of the great wealth of the Parsees in Bom- bay, I had ex— pected in these buildings some- ‘ ’ , m thing elegant or imposing. Q But here, as in their temples, everything is plain. In each jcase, only a curving wall was visible, twenty-five feet in height and ninety in diameter, covered with white cement and smooth as porcelain. The only decoration each possessed was seen along its rounded parapet, and even that was'ifrequently disturbed. For all the figures there, so motionless and statuesque, were not in stone or bronze. They were alive,—a row of vultures waiting for their prey! After about an hour's time, we saw a funeral procession approach. The body was conveyed by venerable priests, 56 INDIA arrayed in pure white robes. Slowly they bore their burden through flower-bordered paths toward one of the abodes of silence. There FF...‘ - , ~ .4 a ,l (i. . , a . ‘xi was no pageant 7 MI I ~ ‘ I o “" l - 4. " ‘ .57‘ ordlsplay. None is permitted mm.’ 5‘ " ' here. Within . - s - . ‘l ‘__ _ ; ’%5'i,”' I l ‘ . . I this area, rich and poor, noble 4a” and serf, mingle alike in absolute am; .e... “~‘l‘i‘i?s......__ . equality- Death A ‘POWER or SILENCE. is the only who must be recognized. After some prayers had been re- cited, the mourners turned sadly away. When they had dis- appeared, the priests again took up the body, and, at the sight, the keen-eyed vultures left their perch and circled slowly through the air. Within the circular wall of each of the towers, near the top, is an iron grating. On this the lifeless form is reverently laid. Then,with averted face, the chief priest draws away the pure white bur- ia l - r o b e a n (:1 passes from the scene. At once the air is dark- ened by a bun- dred birds, swooping down WAITING FOR THEIR PREV. to the grim feast before them. In fifteen minutes only the bones are left. These soon fall through the grating to a INDIA 57 crypt below which is entirely open to the sun and sky. Hor- rible, do we say? It certainly seems so, and yet ideas in this respect are largely matters of education; and the intelligent Parsee thinks that burial in the earth or sea is far more dread- ful in its consequences than to consign the body at once to the birds of the air. One of the most extraordinary features of Bombay is its hospital for animals. Here, in a large and fairly well-kept area, we saw a multitude of emaciated horses; diseased cows; mangy dogs, apparently howling for liberty or death; hair- less cats; dys- peptic looking monkeys; lame sheep; broken- winged birds; and even cer- tain insects and reptiles—all of which here find shelter, food, water, and at- tention, till they i THE HOSPITAL m ANIMALS. recover or die. Both Hinduism and Buddhism strenuously inculcate kindness to animals, and the result is to make one- half of the human race vegetarian from principle, and merciful toward all dumb creatures. It is a question, however, whether it would not be better to put sick animals out of misery at once; but to the believer in the transmigration of souls, such conduct would seem little less than murder. In contrast to the cruelties inflicted upon beasts of burden in the Occident, the Buddhist way of treating “our dumb friends" is surely a rebuke to Christian nations. Like many religious tenets, however, this has been carried to an absurd extreme. Thus, millions in India will not even kill the parasites which infest 58 INDIA their bodies, but will remove them carefully and lay them to one side, as if to say: “'Please try another pasture for a while; I need a little rest." There can be no doubt also that this extreme respect for animal life has enabled tigers, wolves, and venomous snakes to multiply in India, till they together cause a terrible mortality annually. On the island of Elephanta, six miles distant from Bom- bay, we visited one of the many rock-hewn temples for which ROCK-HE\\‘.\' TEMPLE OF ELEPHANT-Q. Hindustan is famous. There are about a thousand shrines in India excavated from the solid rock, in the form of caves, gigantic columns being left to support the overhanging clifl. These shafts are often fluted and elaborately carved, and on the walls huge figures were once sculptured in relief; In the cave of Elephanta, however, we found most of the statues terribly mutilated; for the Portuguese planted cannon before the entrance to the temple, and amused themselves by bom- barding the forms of Brahma, Vishnu, and Siva. Although ‘slit .0010 .0’) A FORMER RULER. ‘off ‘\I e INDIA 61 this temple is not the largest specimen of such rock-hewn architecture, its main hall extends into the cliff to a depth of one hundred and thirty feet, while the roof is upheld by twenty-six massive columns, and the statues cut from the cliff are from twelve to twen- ty-five feet high. The origin of this place of Hindu worship is lost in ob- scurity, but there seems to be little doubt that it ‘is at least seven centuries old, and some . .. of India's excavated shrines, A “WW DANCING GIRL- the majority of which belong to the Buddhist faith, are be- lieved to antedate the Christian era. To one who has seen the temples and tombs of Egypt, the resemblance between these structures is extraordinary; and it is possible that the idea was borrowed by the inhabitants of India from the dwel- lers in the valley of the Nile. At all events, it is not strange that this style of architecture became popular in India, for although involving immense labor, such temples cannot be destroyed by fire, nor will they crumble away with age, and in this torrid climate the temperature in such caves is always cool, since the fierce solar rays are totally excluded. Though mutilated, they have at least survived the terrible violence of CONVEYANCES IN INDIA. 62 INDIA religious hatred, which again and again, under the names of Buddhism, Brahminism, and Mohammedanism, entirely de- stroyed most of the ancient temples in the north of India. The shrines of southern India were more fortunate, and although a little more difficult of access, will repay a visit, if only to remind one, by their wonderful dimensions and elab- Rt » .. .. = ' ‘mm-wt‘ __ a, ’ a 11. "-1.. . ,‘i-F i MARKET- PLACE, IEYPORE. orate carving, of the old vanished shrines of Delhi and Benares. From Bombay we journeyed northward to the still more picturesque and Asiatic city of Jeypore. On entering its principal square, I at once exclaimed: “This is, at last, the India of my imagination; not Anglicized by foreign associa- tions, like Bombay, but a bright, animated picture of the Orient, gleaming with all the colors of the rainbow, both in dress and architecture, and thronged with an astonishing vari- ety of races, costumes, and complexions.” We lingered for an hour in the busy market-place, absorb- ing, with the keenest interest, the gay and novel sights INDIA 63 around us; and yet so rapidly did they pour in upon this stage from north, south, east, and west, that no one brain or memory could graspthemall. In one place the .4 great square 5 e e m e d \i: paved with pi geo n s, which flew about us with per- fectfear- lessness born of the cer- tainty _ of never b e i n g - I harmed; foranimal life is sa- cred in In- ' 7 . dia. Oc- casional~ - . g; 1y camels stalked by I ,\ #Qife with stealthy tread, a leer up- _ on their scowl- ing faces, as if SACRED ANIMAL ura- they would say, if they could, “What have you in the Occident to equal this?” On the roofs of many of the neighboring buildings sat wild peacocks, resembling sculptured birds of paradise; and amid curi- ‘ ous Oriental ve- hicles, Arabian horses frequent- ly pranced by, ridden by offi- cers of the Ma- harajah. But most as- tonishing of all were the huge elephants,which W ASCENEINIEYPORE- frequently appeared with loads of people on their backs, as naturally as London omnibuses. It seemed as if a part 64 INDIA of Barnum’ 5 “Greatest Show on Earth” had suddenly broken loose. Some of these animals were as large as Jumbo, others were tattooed in various colors, and not a few were gorgeously caparisonedwith A TRAVELING 1mm gold and velvet. Moreover, as their cushioned feet give forth no sound, most of these elephants wore rows of tinkling bells about their necks, in order to give warning to people in the streets. A sudden desire seized us to mount one of these beasts and take a ride; but to climb to the high-perched seat, even While the ele- phant stood still for a moment, seemed quite as difficult as for a pilot to ascend the rope-ladder at the side of an ocean steamer. Seeing our per- plexity, the driver uttered a command, and the intelligent monster gradu- '7 I — whrrmc, FOR mssznosas. INDIA 65 ally knelt until his back came within reasonable distance. Then, clambering up the steps, we took our seats. The earthquake shock which followed, as the ungainly pachyderm rose to his feet with two convulsive efforts, fore and aft, will always be connected in my memory with a storm at sea. A love for elephant-riding must be an acquired taste. Until I rode upon-the back of one, I never knew that when these huge beasts walk, they move both legs on one side at .‘J the same time. Seen from the ground, this seems a trifle; but on that un- dulating hill-top such a gait com- municates itself without delay to the nerve- centres of your inmost being. \Vhile, there- fore, I am glad . - . . to THE HALL OF THE ‘WINDS. this to a long list of curious sensations, I shall be satisfied henceforth to see some other man enjoy it. The architecture of Jeypore appears as strange as the bright waves of Oriental life which flow between its walls. One singular structure filled me with astonishment. It is well named the “Hall of the Winds,” for, in respect to architec- tural design, no one could tell “whence it cometh and whither it goeth." It is a wild, fantastic edifice, nine stories high, covered with pink and cream-colored stucco. One might compare it to a huge shell-cameo, beautifully tinted and deli- cately carved. I thought at first that it was ornamented here 66 INDIA and there with bits of special color, but in reality what looked like points of emerald and pearl were living paroquets and pigeons, their brilliant plumage literally dovetailed into all the dainty pin- nacles. The Mahara- jah's palace also, though not re- markably sub- stantial, is, nevertheless, ex- ceedingly bril- liant in appear- ance. In this respect it har- monizes with the situation of the man who lives in it. His so-called “ power" is quite as showy and THE MAHARAJAH‘S PALACE. ephemeral as this painted stucco, and his entire kingdom is only about as large as the State of Massachusetts. England has various ways of dealing with these Indian potentates. If they resist and show themselves ungrateful for her gifts of civ- ilization and Christianity, she quietly dethrones and pensions them. If they are quiet and appreciative, she sometimes let them play at royalty. There is always at their courts, how- ever, an English resident, who acts as an “ adviser." Nevertheless, this kind of government has been of great advantage to Jeypore; for this bright town is as Oriental as an Asiatic prince would be, who, though retaining Eastern dress, had nevertheless been educated in Europe and had adopted many of its customs. Thus, all these streets, thronged with Arab horses, elephants, and camels, are lighted now by electricity. INDIA 67 jeypore has also nearly fifty schools, in three of which eight hundred girls receive instruction,—a wonderful fact in native India. The Museum of Jeypore, which would do honor to any capital of Europe, stands in a public garden, seventy acres in extent. On this the Maharajah annually expends about fifteen thousand dollars. I saw no modern structure in the entire East which pleased me more; for its style of architecture is symmetrical and beautiful, and, after seeing so many stuccoed buildings, this noble edifice, con- structed of variegated marble, delighted me with its solidity and genuine worth. Moreover, its treasures are of priceless value, portraying as they do most of the famous industries of India, from the brass-work of Benares to the shawls of Cash- mere. On leaving the Museum, our attention was directed to the Maharajah's fort, far up on the hill. There seemed to be a large inscription cut upon the cliff below its wall. By means of a field-glass, I found that this consisted of the one word “ \IVelcome,”—-a pretty compliment paid to one of the sons of Queen Vic- toria during a recent visit. But, being chis- eled in the solid rock, the word remains there like a per- petual invita- tion. I won- dered, there- fore, whether, if some other conqueror should ever come, with promises to all these Maharajahs of a partial restoration of their territory, they would help him to drive the English out of India, and, THE MUSEUM OF JEVPORE. 68 INDIA if so, whether the inviting le- gend on the cliff would still read as it does to- day? Would such a conqueror be really “ wel- come?" Many in India an- swer “No,” but others whisper " Yes." Saying fare- well at last to “Em”- Jeypore, we made our way to one of the oldest and most interesting cities in the world.—Benares. This holy city of the Hindus was at the height of its prosperity at least a thousand years before the birth of Christ, and was already old when Plato taught in Athens and when the earli- est Roman for- tress rose upon the Palatine. The first view that I gained of Benares from across the Gan- ges quickened my pulse and made me catch my breath, not merely from its 7 _ if I i- f Bananas. m @525. 255.: 24. ‘III. INDIA 71 great antiquity, but from the fact that to a vast proportion of the human race this is the holiest situation upon earth, raised spiritually as far above the ordinary abodes of man as the unrivaled summits of the Himalayas soar above the plains of Hindustan. AMONG THE TEMPLES- As the Hebrew still fondly turns to jerusalem, as the Christian kneels adoringly at Bethlehem or at Rome, and as the Moslem crosses the scorching desert to prostrate himself at Mecca, so the Hindu makes his pilgrimage to Benares. Aye, more than this, since here it was, twenty-five centuries ago, that Buddha spoke those words of love which have so 72 INDIA transformed the Eastern world, another great religion also claims Benares as its own; and since the Buddhists and the A Hindus, com- bined, form fully seven hun- dred millions of the human race, this an- cient, temple- burdened city exceeds all oth- ers in the world in the vast num- bers of its de- ma canoes. vgtefis, The principal feature of Benares is the river Ganges, which surpasses all others in sanctity. Here, it is not the town that makes the river sacred—the river sanctifies the town. In Hindu courts of justice wit- nesses take their oaths upon the water of the Ganges, as those who testify in our courts do upon the Bible. To the thought- ful traveler it is a memorable epoch in his life THE SACR ED RIVER. when he first stands beside the Ganges. Other great rivers have, perhaps, more fame; some, like the Tiber and the Rhine, have been INDIA 73 politically more important; others again, like the Nile, have been deified and worshiped; but none has ever gained the place which this mysterious river holds, and for three thou- sand years has held, in the estimation of countless millions. Its source is in the Himalayas, the awful habitation of the Hindu Trinity. At their command it issues forth, to call to life and verdure the vast Indian plains which otherwise would wither beneath the scorching sun. Then, after a course of fifteen hundred miles, having fulfilled its mission, its waters mingle with the boundless sea. But even this is not the end, for all its precious drops are thence drawn upward by the sun, THE DWELLING-PLACE OF BRAHMA- and brought once more in clouds of gold to the resplendent dwelling-place of Brahma. Thus is the river emblematic of the Indian idea, that every human soul is in reality a tiny part of the divine, which, passing through existence as the Ganges passes through these burning plains, completes at last its mighty cycle from infinite to infinite, from God to God. It is a remarkable fact that, though the Ganges itself is so sacred, the two banks which it divides here are as unlike as Paradise and Hades. One holds a stately city, three miles long, revered and visited by millions. The other is a sandy waste, shunned by the natives like a place of pestilence. Upon the northern shore the Hindus long to die, for thence they go at once to heaven; but they believe that any one who expires on the southern bank will, in the subsequent stage of his 74 INDIA existence, be a donkey. The priests, however, have a ready device for this calamity: they issue a kind of accident policy against the chance of death on the unlucky shore, by saying that those who make a pilgrimage once a year to a shrine some miles away, and above all give it a little money, will be exempt from asinine transmigration. Engaging a boat, with natives to row us, we floated slowly down the Ganges. The sights here on its northern bank are almost inde- scribable. Im- agine a pano- ramathreemiles long, which, as your boat glides down the cur- rent, seems to unroll itself be- fore you. Put up your hands like opera-glass- es to your eyes and look at any portion of it singly, and you might fancy it to be an elaborate theatre-curtain; for the background is a THE BATHERS IN THE GANGES. long, high cliff, covered with turreted walls and strangely pointed domes, ascending tier above tier from the broad river ‘to the bright blue sky. Along the river-bank, in one unbroken line, descend broad staircases of stone, and on these steps stand, literally, thou- sands of Hindus, praying, conversing, meditating, bathing, or carrying away in jars the water of the hallowed stream. As early as an hour after sunrise, I found these stairways I .mHAQZMQ. ZZMIIMUGM mkJQv: b0 MZD . 54...... . . . .12.. as. it... . . .. I. . . I . - (III. I242! .._. . ... , mg... 4.171.»... J... ... . p. . . _ . , . -. . . . i. . .1..- I I’. i‘ n. I i . . I . .7.’ I I n . . .A . I . . I . I-rl - . . n .| .. I . . .. .I I s - ,- ‘ .r- . a . I . . . I H I. 4 I ~ . I v. .- i .. a . I. I a . . l I .\ thronged with men, women, and children, clad merely in a wisp of cotton, yet mindful only of one thing, be- side which all else in the uni- verse was for a moment worth- less,—their bath in the Holy Gan- ges; for they be- CARRVING AWAY THE GANGES WATER. lieve that its thrice-sacred flood will purify their souls, if not their bodies, and wash away all taint of sin. I speak reservedly of the effect which bathing here may have upon their bodies, for at Benares the Ganges is filthy ON THE NORTHERN BANK. in the extreme. Happily for the reputation of the Hindus this is not caused entirely by the blackness of theirsins. Other more practical causes can be found. Sewers discharge their contents into the midst of all these bathers. Bushels of faded 78 INDIA flowers, which have served as offerings in the temples, are cast into the river here and float in fetid masses on its slug- gish surface. Moreover, among these rotting and offensive weeds are the remains of human bodies, which have been par- tially cremated on the shore. Add to this the fact that, all day long, thousands here cleanse their bodies and their cloth- ing, and one can faintly comprehend the condition of the water. Yet every bather takes up in his hands some of this filthy, mucilag- inous fluid, and drinks it. Even worse than this, beasts of burden carry away into the Country gal- lons of this riv- er-water, which finds ready pur- Chasers; for, thoughtheEng- lish Govern- ment provides here a good sup- TH’E PIERS AT BENARES. ply of filtered water, the people of Benares prefer to use the unadulterated “Holy Ganges," and come long distances to fill their jars with it and take it home. \Vhat wonder, then, that there is always cholera at Benares, and that this valley of the Ganges is a perfect laboratory of infection,—a paradise of microbes, —a constant source of danger to the Western world? In almost every instance where cholera has ravaged Europe, Asia, or America, its origin has been distinctly traced back to a starting-point in India, where it first appeared among the crowds of filthy, half-starved pilgrims to the Ganges. INDIA 79 Though there are miles of stone steps on this sacred shore, open to all comers, they do not at times afford sufficient space for the pilgrims, and wooden piers have in addition been built out into the stream. Selecting one man on the spot for observation, I saw him dip himself completely three or four times; then he took up a little of the water in his hands and drank it; and, finally, pinching his nose between his thumb and forefinger, he held his breath as long as possible while mentally repeat- ing the name of God. The only part of this per- formance that I could really un- derstand was the necessity of holding his nose! Most of the men, and many of the w o m e n h e re, had their heads closely shaved, for they are told I, that for every CREMATION AT BENARES. hair thus sacrificed they will secure a million years in Paradise. Conspicuous among these places for ablution was a mud- hole at the foot of a steep bank, between two broken flights of steps. So filthy and neglected did this spot appear, that I could hardly believe the statement that here are burned the bodies of all Hindus—rich and poor alike—who have the happiness of dying at Benares. “Happiness," I say; for to expire beside the Ganges is considered a sure passport to eternal bliss. After minute inspection of these scenes during several 80 INDIA hours, we landed at one point to see the so-called “Well of Purification." It is a tank, about thirty feet in depth, sup- posed to have been dug originally by the Hindu deity, Vishnu, and to be, even now, partially filled with his perspi- ration. After inhaling one good whiff from it, I was quite THE WELL OF PURIFICATION. ready to believe the statement; for it absolutely reeks with the effiuvia of rotten flowers and the impurities of dirty mill- ions who bathe themselves in the well before they step into the sacred stream itself. Yet I saw at least a dozen people drink this loathsome liquid. Priests serve it out by the ladle- ful in exchange for money. A single swallow of that putrid SMQZHUm Z<~QZ~ I ‘O '0. -,5\’.‘l Q ~u ‘.I‘ a.» . O Q‘. -0'5 O INDIA 83 mixture, it is affirmed, is warranted to drive out every par- ticle of sin from the vilest criminal on earth; and I must say, it appeared to me strong enough to do so. I do not wish to make these facts unnecessarily revolting, but one must describe them in order to give a truthful picture of Benares. They are precisely what I saw, and what every tourist will see, if he explores this capital of Hinduism. Nor are these excep- lig ' .-I“ tional features, to be found with difficulty; they are the princi- pal sights,—the important char- acteristics of Benares and its worshipers. All of the idols on the banks of the river are hide- ous; some are obscene; while a few are distin- A PARADISE OF MICROBES. guished by the expression which one is apt to assume when the photographer asks one “to look pleasant." In all the narrow streets of Benares, one sees on sale thousands of idols, made of brass or stone. some of which are said to be manufactured in Birming- ham, England. Many of those that have their origin in India are too disgusting to be illustrated, and some of the carvings on the temples of Benares are too vile to be described. Pic- tured and read of on the other side of the globe, viewed through the long perspective of a score of centuries, discussed in a transcendental way in a “Parliament of Religions,” and 84 INDIA ‘ judged of merely by its original sacred writings, the Hindu faith appears to some a fine and wonderful religion. Like all relig- ions, it certainly has some fundamental truths. But scruti- nize it practically, face to face, in India, and it becomes the most repulsive exhibition of idolatry, fanaticism, and filth that one can well imagine; while the incessant demands for money made by the insatiable priests fill one with unspeak- able pity for their deluded victims. The superiority of Par- seeism to Hinduism has already been noted; and in a similar way the religion of Mohammed, compared with that of Siva and Vish- nu,ispur- ity itself; for Is- lamism, despite its sen- sual Par- adise and creed of conquest, is at least free from all idolatry and images and teaches five countless minarets the worship of one * ""‘D" 5”“ God alone. of any kind, _ times daily from its “But how,” the reader naturally asks, “can educated Brahmins, such as have recently been in this country, uphold and defend such a religion as Hinduism?" They do so by dwelling on its philosophical and metaphysical characteristics. Some of its sacred books, written thirty-five hundred years ago, are noble aspirations. Moreover, that early faith was free from the idolatry and caste which are its curse to-day. But how refined, intelligent men can have the slightest sympathy with the Hindu religion, as it now exists, is more than I can understand; for it should be carefully remembered that mem- bers of the very small society of the Brahmo-Somaj (which INDIA 85 may be called a party of Unitarian, free-thinking Hindus) are not fair representatives of that great religion of Siva, Vishnu, Kali, and a thousand othergods,which holds within its cruel grasp two hundred mill- ions of the hu- man race. One of the most famous temples at Be- naresistheshrine of Arnapurna, the patroness of A" m0" 0" "'5 SHORE beggars. No wonder she is popular in India! We could not, with any consideration for ourselves or our clothing, advance three feet beyond the threshold of this sacred shrine. Why? Because a multi- tude of sacred bulls and cows were wandering over the marble pavement, and most of the en- closure was filth- ier than a pig- sty. Nor is this loathsome state 7 of things con- A SACRED Co‘“ fined to this one edifice. I walked repeatedly among the most revered and celebrated temples here, and these or similar disgusting 86 INDIA features characterized nearly all of them. The singular part of the matter is, that to the assembled pilgrims we were spiritu- ally just as vile as they were physically vile to us. Even the most repulsive of them shrank from us, as much as we from him; since, if a Christian or a Moham- medan touches a Hindu while engaged in his sacred duties, he must return immedi- ately to the Ganges and take another bath. The sacred bulls and cows that roam about the temples of Benares are the luck- iest animals in the world. They are petted, as well as worshiped, all day long, their appetites being tempted constantly with every dainty dear to bovine taste, from fruit and clover up to rose- leaves and confectionery. They even stroll about the bazaar and eat what- ever they fancy in the traders’ stalls. Around their necks and horns gar- lands. of fragrant flowers are often hung. Some of these creatures, how- ever, are diseased; yet, since it is a crime to kill them, they wander about here with the rest. But in these narrow streets, forever crowded with humanity, such ani- mals are horribly obnoxious, and the bulls are often dangerous. So true is this that, some years ago, the British authorities hit ONE OF THE MAN“. upon the scheme of kidnaping a few of them at a time and turning them loose into the jungle. Once there, they never returned; for Indian tigers, so far as heard from, have no religious scruples about eating meat. It is not enough, however, to let sacred animals stroll through the streets and temples of Benares at their own sweet will—some ".‘O 00. .1... )‘B SENSATION ROCK. 1P4’! ‘Iv I’ fear INDIA 89 of them even have sanctuaries of their own. We visited, for example, what is called the Monkey Temple. It is a rather handsome building of red sandstone, situated in a grove of stately trees; yet this is the home and playground of five hundred monkeys, all thought to be divine, since they are representative of Hanuman, the monkey god. Attendants sold us cakes and nuts with which to feed these apes, and soon a mob of long-tailed, simian deities were gathered round us. Whole families at a time were represented,-from old asthmatic grand- fathers, who looked suffi- ciently wise to be the ancestors of Darwin, down to the younger generations.who seemed horribly human as they blinked their eyes, fought and chatter-ed for the A BRAHMIN AND HIS ATTENDANT. sweetmeats, and pulled each other’s tails in a most ungodly manner. The Hindus worship monkeys, and the Chinese eat them. I hardly know, if I had to choose, which I should prefer to do! Heart-sick from an inspection of these temples we turned to study a few of those who came to worship here. Despite their personal unattractiveness, these people rivet attention and awaken thought. They are a part of that vast caravan which for at least thirty centuries has been marching with unbroken ranks toward this mysterious river and its hallowed shrines. It has been estimated that from three to five hun- dred thousand people assemble annually at certain localities 90 IINIJICL on the Ganges. The long procession never stops. Its com- ing is as certain as the stream itself. Its individuals disappear like bubbles on its neither the ani- sacred waves, but mate nor the in- animate cur’ h rent ever fails, —one sweep- itself in the ing on to lose boundless sea, the other has- tening to- ward that shoreless oceanwhich we call Eter- nity. These pilgrims come from every part of India, and include the old and young, the .. rich and poor, the strong and the infirm. ’‘ “N‘T‘c' Some, in this age of progress, come by rail, packed, cattle-like, in third-class cars. but many must still make the pilgrimage on foot, toiling for months on dusty roads beneath a burning sun, and begging by the way for sufficient rice and water to sustain them. Some poor fanatics actually cover spaces of from five hundred to seven hundred miles by marking off the distance with their bodies on the dusty ground, as we would meas- ure it with a five- foot pole. Thou- sands of aged men and women who start upon this pilgrimage, , V _ never see their A FEW mourns TO THE canons. hom es agai n ; but this to them is nothing, if they can only hold out long enough to bathe their trembling limbs in the hallowed Ganges. INDIA 91 Then they are satisfied to die. Formerly Hindu parents used to throw their children into the river to propitiate its deity; but this is now forbidden by the British Government. \Ne saw at Benares one of the old cars of juggernaut. I was surprised to find it a comparatively light vehicle; but I was told that, when loaded with heavy idols and numerous priests, it would quickly crush the life out of any victim who cast himself beneath its wheels,—-a mode of suicide now pro- hibited by the English. The one redeeming feature in these scenes of super- stition and idol- atry is the ter- rible sincerity behind themall. Of course, there are among these people many impostors, and Hindu priests are always trad_ A can 0F JL‘GGERNAUT. ing on the fears and the ignorance of their deluded victims. But where the hypocrites may number perhaps fifty thousand, there are in India to-day one hundred and ninety million Hindus, striving by tears and sweat and blood to win the favor of their gods. Life is to them a desperate struggle to escape from future suffering—a struggle as intense and agon- izing as that by which a man, imprisoned in a railroad wreck, endeavors to free himself from the approaching flames. Nowhere on earth are such appalling sacrifices made by religious devotees as in this valley of the Ganges. Some stand for months and years with an extended arm until it 92 INDIA withers and becomes immovable; others will clench the hand until the nails grow through the flesh; some hang from hooks inserted in their backs, or leap through sacrificial fires, while others still live destitute and naked like wild beasts. A relig- ious faith which can inspire forti- tude to endure sufferings like t h e s e , is , n o doubt, cruel and degrading; but it is at least sin- cere. Hence, Hinduism is the most important fact the Govern- ment of India has to deal with; v\ ~ ‘I?’ w - ./ "I "In "'1' "I “5 > . .- ‘ ' ‘\Mfiwfil "(m - ‘M for It controls SLAVBS OF SUPERSTITION. , dred million people in the most minute details of life. I do not know of any race on earth which fills me with such pity as this race of India. One hundred and fifty mill- ions of them live in hovels. Thousands, no doubt, are always suffering from the pangs of hunger. \Vith either too much or too little rain, the lives of millions are endangered. In 1876, in spite of the expenditure by the British Government of fifty-five million dollars, five million natives died in India from famine, or more than the entire population of the State of Pennsylvania. From carefully prepared statistics it is estimated that in the district of Bengal thirteen millions are always half-starved; and that in the whole of British India, two-fifths of the people are fairly well off, two-fifths have to struggle constantly for an existence, while the remaining one- INDIA 95 fifth (at least fifty millions) are in a condition of chronic hun- ger. But even worse than this appalling poverty of the body is the thraldom of the soul. Nowhere else on earth does there prevail such social tyranny as has existed here for more than three thousand years, under the name of Caste. This is a system so gigantic in extent, and so deeply rooted in the prejudices of mankind, that now its code appears as insur- mountable as the Himalayas and the dividing lines between the various castes as pitiless as walls of fire. If there were no other reason why the Hindu religion, as it exists, should be condemned, the fact that it has created and maintains to- day this monstrous system of oppression would be enough to make it utterly alien to all the noblest instincts of the human heart. There are four principal castes in India, though these have countless sub- divisions. The inventors of this social despotism were naturally the highest in the scale, - the Brahmins. They coolly tell the rest of the world that they sprang originally from the mouth of Brahma, the Su- . ~ - e -. ;-~ ‘ Preme Bemg- ~.-.w1fb-i.;.-.sv>ea. Accordingly, no A PEAS-ANT. matter whether they are rich or poor, no matter what may be their occupation, the members of all other castes must yield them homage and obedience. Formerly, whatever crimes 96 INDIA they might commit, their personal property could not be seized. Even now their persons are sacred. The Hindus believe that if any one strikes a Brahmin, even with a blade of grass, he will be punished by being an inferior animal for the next twenty-one generations. The other Hindu castes are, in the order of their rank, the warrior class, the merchant class, and the servile class, spring- ing respectively from Brahma's arms, thighs, and feet. Below A VILLAGE SCENE- them all are the degraded Pariahs, who are casteless, and are regarded as almost too vile to belong to humanity. Can any- thing be more discouraging than the hopelessness of this? As one is born in India, so he dies. These class distinctions are hereditary and inexorably fixed. No one can rise into a higher rank. Once a Brahmin, one is always a Brahmin; once a Pariah, always a Pariah. Few foreigners have any idea how extremely rigid and severe the rules of Indian caste can be. Nothing, for example, would induce the poorest Hindu to eat roast beef with the ONE OF THE LOWLY. 97 Empress of India her‘ self. He would believe that by partaking of it he would defile himself for time and for eter- nity. It is said that a European, from motives of revenge, once seized and bound a wealthy Brahmin, and, after a desperate struggle, forced some beef and brandy down his throat. As a result, although the Hindu had been clearly overpowered and made incapable of resistance, he was con- sidered to be defiled, and lost his caste. Every effort was made to reinstate him, but for years in vain. Finally, after the payment of one hundred thousand dollars, the unfortunate man regained his caste, although, in addition to the fortune thus expended, he was obliged to submit to physical penalties too revolting to be men- tioned. Lying, steal- ing, fraud, and adul- tery can be atoned for in India without loss of caste, but to eat of the “ sacred cow” is for the Hindu the ONE OF THE BXAL'I'ED. 98 INDIA unpardonable sin. Imagine, therefore, what would be the feelings of a Hindu who visited the stock-yards in Chicago, and saw an ox or a cow, to say nothing of other animals slaughtered every minute! Nor will a high-caste person allow one of low caste even to obtain water from his well. He thinks that thus the well would be defiled. If he saw a Pariah dying of starvation he would not go to his relief for fear of contamination. The penalties for being thus contam- inated are terrible. A man who has lost caste is the most wretched of human beings. Even a Pariah is less pitiable. His property is confiscated to the caste from which he has been ostracized; 7 his children no longer ac- knowledge himas their "i r r. it, I. ‘f UPWARD TO THE MOUNTAINS. o r a O on. on H...“ .H. . U n . .. . . 623mm§<4<25 was . m . ... ......af .. . 5 1 ‘ . \ .’.. .. v 1 . 0M... 4 . I . 0 w. ......4 .I ..w... “swam... .. Q qua O 1'“ to.‘ .\‘Q. Q. .Qu. .I'I‘ 1-‘ ‘.0! 04¢. INDIA IOI father; his wife is freed from all her conjugal obligations; and even his father and mother would refuse to eat with him or to give him a morsel of food. Though the offense should have been accidental, the penalty is just the same; for the defilement has taken place, and cannot be effaced. Can we, then, wonder that this system of caste has broken the spirit of the people? The servile class will often ask a Brahmin to wash his feet in the water of the street, that they may then UP IN THE CLOUDS- drink it. They take the ofttimes brutal treatment of Euro- peans without resentment; and instances are known of natives coming to their English masters, when they had a special favor to ask, with grass in their mouths, saying that they were their beasts. ' Only a few miles from Benares stands a ruined tower, which marks the spot where twenty-five hundred years ago Gautama Buddha led a revolt against this tyranny of the Brahmins. He welcomed his disciples from all classes, ex- claiming: “As the four rivers which flow into the Ganges lose their names so soon as they have mingled with that holy stream, so all who believe in Buddhism cease to be Brahmins, 102 INDIA Pariahs, or Sudras, and become brothers.‘ He made religion to consist of love and kindness to all living beings. All tests of rank were merged by him into the one test of character. Here, then, upon these plains of India, was fought out the MARKET- PLACE, ‘DARJEELING. great conflict between selfishness and love. Alas! the old, deep-rooted despotism proved the stronger, and Buddha's Christlike doctrine of the brotherhood of man was driven into other lands. _ But interesting as all Indian cities are historically and religiously, there came to us a time when we were glad to say farewell to their tumultuous life and picturesque pageant of idolatry; for we were eager to behold something as far re- moved from all such scenes as heaven is high above the earth. In fact, to go from the polluted Ganges at Benares up to its crystal source in the Himalayan glaciers is to turn from INDIA 103 pestilence to purity, from degradation to sublimity, from man to God. The Himalayas, as all know, are the loftiest range of mountains on our globe, their name being derived from the two Sanskrit words, Ilium, snow, and alaya, a house. Hence the appropriate translation of their title is “The Halls of Snow." On one of their foot-hills, three hundred and fifty miles from Calcutta, and more than seven thousand feet above the sea, is a grand point of observation, called Darjeel- This is a pretty ing, which signifies “Up in the clouds.’ little mountain Sanitarium, with many charming villas and a good hotel. It is never entirely “out of season," for travel- ers come to it in winter, as residents of Calcutta do in sum- Bl'DDHIST PRIESTS WITH PRAYER-BELLS. mer-the former to enjoy the wonderful view of the Hima- layas, the latter to escape the fearful heat upon the Indian plains; for here the temperature never rises above 78°, and sometimes falls as low as 30°. The proximity to Thibet, 104 INDIA which in an air-line is only one hundred and fifty miles away, is shown by the Mongolian types of faces seen in the streets and market-place. We noticed several Buddhist lamas from Thibet, turning a kind of hand-bell, Within which is a roll GOING TO DARJEELING- of printed prayers. The revolution of the machine reels off the prayers, without interfering in the least with the holder's thoughts. Even this is deemed too laborious by some Buddhists, and enormous cylinders, containing prayers enough for a whole community, have been ingeniously con- structed, so as to revolve by means of water-wheels or wind- mills. One of these automatic prayer-barrels may be seen A PEAK OF THE I-IIMALAYAS. 18414 . -' :d. a’); t INDIA 107 at Darjeeling, and a bell marks each revolution, as it turns upon its axis. The means of reaching Darjeeling is a tiny railroad, so small as to be almost ludicrous. It is, in fact, but two feet wide. Yet, narrow though it be, its length is more than fifty miles and it winds up the mountain side in such a multitude of twists and turns that the engineer in the locomotive can sometimes hold a conversation with passengers in the rear car, as across a narrow street. In one place, it describes the figure eight within a length of about five hundred feet; and several times, where loops are quite impossible, the engine TH E LOOP. has to draw the train up one incline and then push it back- ward up another, thus working up the cliff in zigzags. The railway carriages in which one makes this trip are as extraordinary as the road itself. They are only nine feet 108 INDIA ROUNDING A CURVE. long and six feet high, and come to within nine inches of the ground. Seated in one of these small boxes, while wriggling up the mountain side and shaken violently every other minute on the innumerable curves, I felt as I should suppose an insect might feel riding on one of the rings of a rattlesnake’s tail. To pull us up this steep ascent, our baby locomotive, weighing only nine-and-a-half tons, toiled constantly for seven hours; now straining every nerve in short, quick, agonizing puffs, now halting as if breathless and exhausted; but finally, conquering every obstacle, and glistening with oil, as if drenched with perspiration, it turned triumphantly the last and loftiest of countless corners, and reached the terminus— Darjeeling. This is the spur of a mountain, which juts out into space, as the promontory of Monaco projects into the Mediterranean. One walks around it on a level path, as on the parapet of an enormous citadel. On three sides, INDIA 109 the bluff falls sharply off, much as it does around the city of jerusalem; save that in this case the descent is more precipi- tous, and the surrounding chasms are two thousand feet in depth. Beyond the deep ravines, however, is a range of mountains, nine, ten, and eleven thousand feet in height, rolling away like monstrous billows, which in- crease in size until the wall of the huge amphitheatre is complete. It was shortly before sunrise on the morning of the seventeenth of De- cember, that I stood here waiting for the couriers of the dawn to rouse from dreams the sleeping Orient. For me the moment was as full of THE WITCH 0F DARJEELING. promise as when I stood upon the North Cape, far above the Arctic Ocean, and gazed out over the rounded shoulder of the globe, to see the Midnight Sun. At length, a hidden hand seemed to draw back the misty 110 INDIA curtain of the night, permitting me to see what was beyond the highest circle of the amphitheatre. Merciful God! was this a revelation of the gates of pearl, the gleaming battle- ments of the celestial city? Assuredly it seemed so; for toward the north, dwarfing all lesser peaks into insignificance, rose a stupen— dous barrier ‘* Q 1&5)» against the sky, as if to indi- cate the limits of the world. Though forty IQ . i - 1. “A, ~ > ' é‘ \ ,_ a‘ ‘c -- v- Q], miles away, we nevertheless had to gaze up- ward to behold it. At first this wall seem ed ghostlike, in- definable, and mysterious; but as I watched, its crystal edge was gradually changed from white togold. A BUDDHIST PRIEST AND memes FROM mm. moment m Ore’ and as a blush overspreads a snow-white cheek, neck, and breast, so did that roseate hue move swiftly downward to the right and left, until the mighty form of Kinchinjinga, twenty- nine thousand feet in height, stood absolutely rosy in the morning glow. Then peak after peak, in the majestic order of their heights, repeated this magnificent greeting to the god of day. For more than a hundred miles, a line of walls, INDIA III towers, and buttresses-“yes, every form of architecture that the mind can possibly conceive—stood out in gold and silver on a sky of sapphire; while lower still, and leading upward to the Halls of Snow, a host of glaciers rose like jeweled high- ways of the gods. The highest of these peaks is . .- ' - -. Kinchinjinga, for many years sup- the loftiest globe. It is now posed to be A STUPENDOUS BARRIER. mountain on our known to be surpassed by one more distant summit—Mount Everest. which rears its icy crest eight hundred and forty- six feet higher than its rival. This is, however, difficult to see, and practically impossible to illustrate, being one hun- dred and twenty miles away. But Kinchinjinga is the glory of Darjeeling, the representative of the Himalayas, the viceroy of Mount Everest, the chosen form in which these mountains 112 INDIA show themselves to man. No life exists upon these awful heights. No human voice disturbs their solemn stillness. No foot of man has ever pressed these pure and radiant summits. The highest pass by which men go at times from India to Thibet is only eighteen thousand feet in height, leaving two miles of ice and snow still towering toward the sun and stars. Forever virgin to the touch of man, these highest points of our re- volving globe re- main as chaste and unapproach- able as the moon, nearer than and yet as inaccessible as the North Pole. That evening, about six o'clock, I stood again on the promontory of Darjeeling. A CELESTIAI. VISION. Enormous clouds (themselves as large as mountains changed to mist) were drift- ing through the amphitheatre. But far above the lesser moun- tains which they half concealed, we could gaze upward into the empyrean itself,—calm, cloudless, and eternal. There in ineffable glory rose the vast chain of the Himalayas, illumined INDIA II3 by the setting sun. This in itself was wonderful. But, grad- ually, as the shades of coming night crept upward from the valleys, these wondrous peaks appeared detached from earth, _belonging to another world,—holding communication with another sphere. We gazed on them with bated breath. Silence was golden; speech would have been sacrilege. For more than an hour did this celestial vision linger, so high did these transcendent summits rise toward heaven, and so far- reaching were their glances toward the radiant west. Even when Darjeeling and its ramparts were completely lost in darkness, the benediction of departing day still rested lovingly upon that loftiest crest—a cloud of roseate fire in the dome of Night—until the ultimate farewell was given,—the veil was drawn,-—and I awoke as from a dream. INDIA l . I'I‘l‘ ‘ ‘Ii a’ ‘ 'l “1,3 . . . ., _“_— " I I: I .' I LECTURE II NDIA is in some respects the most difficult country in the world to understand. One thinks of it at times as one great nation, governed, it is true, by England, but still constituting one homo- geneous people. Nothing is further from the truth. It is a vast conglomeration of principalities and races, in some instances as different from each other as is France from Germany. The natives do not even speak a com- mon tongue. There are in India no less than two hun- dred distinct dialects, each unintelligible to speakers of any of the others; while, as if this were not enough, the people of the same commun- ity are subdivided into castes which will not even eat with one another. A MOHAMMEDAN. And how appalling is their number—three hundred millions,—nearly one-fifth of the entire race, and I18 INDIA double the population of the .Roman Empire when its extent was greatest! The amount of territory occupied by these millions is enormous. The province of Lower Bengal is as large as France; that of Madras exceeds Great Britain and Ireland; that of Bombay equals Germany in area; and the size of the Punjab rivals that of Italy. To comprehend the heterogeneous mass inhabiting India appears at first as difficult as to explore an Indian jungle; but 9‘ ' T i ' P 77,-’: THE HUGLI RIVER. there is one trusty clue to guide us through the labyrinth,— Religion. This will explain to us the customs of that land as nothing else can; for all these millions are so superstitious and fanatical that feelings of incredible intensity control their con- duct from the cradle to the grave. After Hinduism, the sec- ond great religion which prevails in India is Mohammedanism. Nineteen out of every twenty people in India are either Hin- dus or Mohammedans. Victoria, Empress of India, has more Moslem subjects than the Sultan himself. There are no less than fifty-seven millions of them, or more than the entire Japanese nation. Their wealth and power,‘it is true, have INDIA n9 largely disappeared; but in the places where the Moslem crescent reached the zenith of its glory their splendid archi- tectural remains rival in elegance and grace the finest forms of Gothic or of Grecian art, and in themselves repay a journey around the world. The gateway to India on its eastern coast is Calcutta, the rival of Bombay. As we approached it, the multitude of ships and steamers on the river Hugli exceeded anything that I had ever seen. For several miles we sailed past vessels of the largest size, frequently anchored five abreast. I was in- formed that one of these ships had just brought from England a hundred and twenty tons of gin and forty tons of Bibles. If this proportion is maintained on all of them, we may dis- cover why the advent here of Christian nations is not regarded by the natives as an unmixed blessing. It is, however, probable that the gin is chiefly intended for the Europeans, while the poor heathen have to take the Bibles. Unlike most Indian cities, Calcutta offers very little of his- toric interest. Two hundred years ago it was a cluster of mud huts. To-day, by reason of some handsome structures, such as its Post-office, it is proudly called- the “City of Pal- A NATIVE PALACE. 120 INDIA aces." Unfortunately, however, hovels are still so numer- ous that I believe no other town in India reveals in such immediate con- trast the two extremes of British wealth and native deg- radation. In what may be called Angli- cized Calcutta are broad streets lined with stat- 0N1: MAID. V T I’ T if ues and impos- ing buildings. The latter, being constructed of brick cov- ered with painted stucco, are as a rule inferior to the public edifices of Bombay which are built of stone; nevertheless their size often ,, renders them " quite palatial in appearance. The favorite promenade of Calcutta, known as Maidan, ex- tends for more than two miles on the river- bank, and is as level as a parlor floor. Broad ANGUCIZED CALCU'ITA . carriage-roads wind over it between expanses of soft turf and through a multitude of tropical plants. During the day its famous INDIA 121 driveways are almost deserted. For while the sun retains it in his fiery grasp all Europeans shun it like a heated oven. Occasional stat- ues of distin- guished Eng- lishmen then seem to be its only occupants. But when the solar shafts fall on this prome- nade obliquely, and pierce with difficulty, if at all, the droop- A CALCUTTA STREET. ing fringes of the palms, the British colony appears as if by magic, invading the vast area from all directions, much as the chorus of an opera troupe pours in upon an empty stage. Between five and seven o'clock the spectacle here displayed is rarely, if ever, equaled in the world. While military music stirs the balmy air, one sees along these avenues the most astonishing varieties of cos- tumes and com- plexions. Even the simplest car- A CALCUT'I'A "mznmc." riage of an Eng- lish family will have its native coachman robed in white from head to foot and a dark groom resplendent in huge colored 122 INDIA turban and gold-embroidered jacket; and these, with Indian princes, wealthy Parsees, and rich Hindus, give to the scene a touch of Oriental splendor. But, while the English in India are prudent r enough to avoid the parks in the middle of the day, they have decided, absurdly enough, that the fashionable time for making calls shall be from twelve to two. One wretched victim of this social tyranny recently de- fined these Indian morning-calls as "The destruction that wasteth at noonday." We could not won- der that the English who reside in India look on Calcutta in the winter as an Eastern Paradise. It is, indeed, the centre of the Govern- DRESSED FOR WORK . ment, and here the Governor-general of India holds a court, said to surpass in brilliancy that of most European sovereigns. At Christmas time, especially, the town is thronged with offi- cers of the army and navy and all the notable men in Eng- land’s Indian service. Then, also, hundreds of visitors from Europe, America, and Australia constitute a most distinguished and enjoyable society. But this is only one side of Calcutta. The native side is very different. The former is, of course, more agree- able to the English, and is the one more frequently de- scribed by travelers. But we all know what Europeans are like. The question is, what do the natives resemble? For, in India, where the foreigners number about one hundred thousand, the natives reach a population of three hundred INDIA 123 millions. They are very easily studied at Calcutta, for at almost any point a short walk brings one from public build- ings and spacious thoroughfares to the disgusting filth and poverty of the common Hindus. Most of the native streets are dirty alleys; most of their dwellings, hovels made of sun- dried mud or of bamboo poles covered with coarse matting. The occupants, in many instances, have their well-nigh naked bodies greased with rancid butter (which they consume inter- nally as well), and even their hair is smeared with the same mixture. The pungent odor of this lubricant, combined with the smoke of burned manure, which is the fuel of India, gave to the atmosphere a peculiar quality which I shall always associate with Hindustan. Some of the natives—tailors and Cobblers—we found hard at work, seated in holes in a plastered wall, like dogs in their kennels. Even the splendor of the Mogul pal- aces which we afterward beheld could not make me forget this misery and deg- radation. India is a land of ter- rible extremes. Whatever is good there is superla- tively good, and what is bad can __ THE NATIVE QUARTER. ined worse. Thus, in the matter of hotels, the very best in Calcutta is the Great Eastern; but it is my deliberate convic- tion, based upon an experience of many never-to-be-forgotten 124 INDIA days and nights, that, whereas, all the hotels in India are' bad, those of Calcutta are worse than those of any city of its size and prominence in any country of the civilized world. It is true, the Great Eastern is well situated, and covers a great area; but in this case, “O, what a goodly outside false- hood hath!H My traveling companion and myself, having telegraphed in advance, were assigned to a room on the best floor of the hotel. We reached it by a long, dark corridor about four feet wide. This space was made still smaller by a line of Hindu servants who were lying on the floor—one in front of each door. Through these we picked our way to room 54- I give the num- V _ ber, not that the LIKE DOGS IN THEIR KENNELS. Header may Spe_ I‘ " number cially avoid it when he goes there (since most of the other rooms are equally bad), but that, on seeing it, he may remember me and murmur: “There was a man who told the truth." The walls of this room did not come within two feet of the ceiling, and, as most 'of ‘the other apartments were equally well ventilated, we assisted by day at half a dozen family quarrels, and at night could hear the whole brigade of Hindus snoring in the corridor. The Oriental way of calling servants is by clapping the hands. This is occasionally inconvenient; for in a room next to mine was a refractory INDIA 127 child, and every time his mother spanked him all the servants in the entry responded to the call. v Number “ 54" was a whitewashed cell with very primitive furniture, and with the filthiest piece of straw matting that I ever saw, until, on a subsequent visit to Calcutta, I had room number “77,” in which was a still worse specimen. I picked my way about on both of them, much as a lady crosses a muddy street. Summoning our Indian servant, we asked him to unpack the sheets, wad- ded quilts, pil- low-cases, and towels which every traveler who respects himself will carry with him through the In- dian Empire; but, on turning to inspect my bed, I found that two black crows were perched u p O n it , l k 3 THE GREAT EASTERN HOTEL. Poe’s raven on the “ bust of Pallas, just above my chamber 1 door.’ Apparently, too, they were determined to leave it “nevermore; " for they were as tenacious of their temporary home as Irish peasants resisting an eviction. \Vhen they had finally flown away through an open window, I requested that the solitary piece of linen which adorned the couch be re- moved. Presently, hearing a cooing noise, I looked up toward the ceiling and saw a nest of pigeons in a hole in the wall. Dirt and straw had fallen from this upon my coat 128 INDIA hanging on a chair beneath; and an indifferent servant, sum- moned in hot haste, at length deliberately climbed a ladder, removed the nest, and stuffed the hole with a newspaper! Such was my room in the best hotel in the capital of Eng- land’s Indian Empire. NATIVE LIFE. On entering the dining-room of the Great Eastern, we found that behind the chair of each guest stood his private servant or “boy.” The sight of these bare-footed, white- robed Hindus running about in quest of food, suggested to me a panic-stricken crowd of colored people rushing from INDIA 129 their beds at night. When coffee was served at dinner, we could at first obtain no sugar with it, for sugar is not served in bowls upon the table, lest the famished natives empty it into their pock- ets. A little of it is brought in a wine-glass to each guest, who is also allowed _ p but one spoon. “no. 54-“ I As each servant is responsible for his master's spoon, I saw my attendant, between each course, wipe mine on a napkin when he thought he was observed—otherwise, on his clothing! Even then, there were not F spoons enough to go around, and we amused ourselves by watching three or four Hindus struggle for one, and we made bets as to which would carry off the prize. Where the imposing Post- - THE POST-OFFICE, CALCL'TI'A. cutta now stands took place, in 1756, the tragedy of the “Black Hole of Calcutta.” The prison itself, known as the “Black Hole,H together with the fort of which it formed a part, has long since disappeared; but throughout the English- speaking world, its name is still suggestive of atrocious cruel- ty. When the fortress of Cal- A MOUNTAIN SANITARI'UM, NORTH OF CALCUTI‘A. Cutta was cap- tured from the English by the Indian prince, Suraj-al-Dowlah, and a horde of natives, the survivors of the garrison, num- bering one hundred and forty-six men, were locked up for the night in a room only eighteen feet square and containing but one small win- dow. It was the month of June, when in Calcutta the heat is, under the most favor- able circum- stances, almost unendurable for Europeans. In VEIIII the SIIHCF- RELIGIOUS ABLUTION. INDIA I31 ers, who were crowded so closely together that they could scarcely move, implored their jailers to release them, promis- ing them any amount of money in return for liberty. The natives, jeering at their anguish, remained obdurate, and when the dawn revealed the terrible result of those long hours of maddening heat, intolerable thirst, and slow asphyxiation, ' .55 > {)6 f“ ' THE KING OF BEASTS IN INDIA. one hundred and twenty-three were dead, and twenty-three pale, haggard men stood raving with delirium or faintly gasp- ing at the window, standing, as on a mound, upon the corpses of their comrades. One of our first walks in Calcutta was to the river Hugli, in whose waters a multitude of Hindus were bathing, much as we had seen them at Benares. Here, as there, bath- ing is a religious duty, and prayers are uttered after each I32 INDIA ablution. On the bank were many individuals who had been brought here to die; for this river, being one of the mouths of the Ganges, is sacred, and to expire here insures one’s en- trance into heaven. I was astonished and saddened to find that many of the disgusting features of Hindu idolatry and superstition are as prevalent in Calcutta as in the cities of the interior. We visited, for exam- ple, close by the river, a Hindu temple, known as Kalighat, and A RETIRED THUG- there beheld more loathsome sights than any which we had witnessed at Benares. The Goddess Kali, who is worshiped here by hundreds of thousands of people yearly, is repre- sented by a hideous idol, with human skulls around her neck and with a mouth apparently reeking with clots of blood. A draught of warm human blood is be- lieved to make her happy for a thousand years. Here in a court_ yard, slippery with gore, we saw a sacrifice of kid s a n d goats which are slain every day t0 aPP€ElS€ thfi KALIGHAT. INDIA 133 deity. The victims’ heads lay about the altar like croquet balls round a finishing stake, and priests, degraded in appear- ance, offered for a fee to make more sacrifices merely as a spectacle. It should be remembered that this is not an obscure and unimportant temple of Calcutta: on the con- trary, it is the most popular Hindu shrine in the city, and the very name Calcutta is derived from Kalighat. A GROUP OF HINDUS. Moreover, the goddess Kali was the special patroness of the Thugs, the professional Stranglers of India, who for many years committed murders here in the name of religion. These fanatical assassins used to roam about the country in bands of from ten to two hundred. Each man had a special duty to perform; one was the leader; others were scouts; some were pick-bearers; others were grave-diggers. Dis- guised as pilgrims or merchants, they would associate them- selves with their intended victims in the most friendly style until a favorable opportunity presented itself. Then they 134 INDIA would suddenly seize and strangle the doomed men, and hide their bodies in graves dug with pickaxes which had been previously blessed by the priests, and were symbolical of the teeth of Kali. Two-thirds of the booty thus obtained was divided among the murderers, and the remainder given to the goddess. Even now, although the British Government has suppressed the Thugs, the Temple of Kali is as popular as ever, and hundreds of thousands still worship at her shrine. Within the precincts of this temple we beheld several specimens of In- dian fakirs, each of whom seemed a combination of beggar, fanatic, im- postor,and political spy. Ina disgust- ing area, resem- bling a garbage heap, a score of these men I were seat- ed,entirely if naked, up- - f7 of ashes, in _/ rolled repeat- on a mound which they \ . edly. Not con- 1. \_ .___ j" tent with the re- \ I __ sults thus gained, they even rubbed the dirt all over their A “*“R- bodies, which had been previously greased in order to retain it. Their hair, matted with filth, reached nearly to their waists, and was painted yellow, and on this they threw occasional handfuls of dust and ashes. Yet when a few of them followed us into the street asking for money, they seemed to attract no attention, although they ran along beside our horse-car, in which were several European women and children. A sickening feeling, similar to that which I had felt in Canton, came over me at the sight of this human degradation; especially when I re- membered that there are in India more than a million of ..~ .. .. .. - .ozfiiw .Eeoo @507: INDIA I37 these half-crazed mendicants and frauds, who are revered and almost worshiped by multitudes of men and women, who will actually stoop and kiss their feet. It is no wonder, therefore, that after such experiences. for- getful for a moment of the agreeable features of India, the following lines were, in an hour of reaction, inscribed in the author's diary: THE GREAT BANYAN TREE. A WAIL FROM INDIA’S CORAL STRAND. I 'm weary of the loin-cloth, And tired of naked skins; I‘m sick of filthy, knarish priests Who trade in human sins: These millions of the great unwashed Offend both eye and nose; I long for legs in pantaloons And feet concealed in hose. A wail of human misery ls ringing in my ears; The sight of utter wretchedness Has filled my eyes with tears; The myriad huts of mud and straw Where millions toil and die Are blots upon this fertile land Beneath an Orient sky. 138 INDIA I’m weary of the nasal rings And juice-discolored lips; I cannot bear these brown-skinned brats Astride their mothers’ hips; I loathe the spindling Hindu shanks With dirt encrusted hard; I’m nauseated by the hair That reeks of rancid lard. I’ll ride no more in little cabs That serve as railroad-cars, Each barely twenty feet in length And swayed by countless jars; My bones are racked by traveling In India’s jerky way: Far better weeks in Pullman cars Than one night in Cathay! I ’m sick at heart (and stomach too) Of lndia’s vile hotels, . Whose rooms are drearier and less clean Than many prison cells; Where servants swarm like cockroaches Yet nothing can be bad, And where your private “boy” alone Prevents your going mad. I ’m weary of the sun-hats too Like toad-stools made of pith; I ’m sick of Buddha’s “sacred tooth” And every other myth. Good-bye to whining mendicants Who show their loathsome sores!— I ’m glad to take the steamer now, And sail for other shores. It was with great relief that we left Kalighat and its hor- rors, and made our way to the Botanical Garden, in the suburbs of Calcutta, to view its celebrated banyan tree, the largest in the world. Who can forget this marvelous phe- nomenon, which furnished one of the illustrations in our school-books twenty-five years ago? It looked larger than I expected; though I should have remembered that it is steadily INDIA I39 increasing, year by year, for its vitality seems to rival that of the earth itself. The circumference of its outer tendrils now sweeps through a cir- cuit of one thousand , 0-‘ ‘ CY I feet! ‘o’ - ~ . ‘J'ry'i' 1 Not without awe = . , I" a 1-".18‘3 . I I ..' ’_ "be .- I'I * r: Clld e a oa h and 'I < I I?" ,~ .14. “ fib- ‘ <- W PPr C h..- i- Y‘ W . -, .J . ' — -.' ‘l “is _r 7} LP‘- I‘ stand beneath its e'i"*"x'Y"'-A ' i ' - I ' “i‘i ‘, ,1 r III II VT I I"_ @ mighty roof. Though * s ,iifit’ . a??? the main trunk is f i1» _ a A...‘ I I I "I ‘."I ,‘ :_\_ , ‘ ‘ ‘ . ri- Y '2.‘ "" 1* i . - .j 4-’ D. ~' l4. 2! / fifty feet In CII’CUm- v , I‘, w _ __ ' Jam-3;‘; g,‘ _'_- . 4 Q.‘ Q ,~ I’ r " _. ' ' ference, It was not a 'i‘ 7 wii ‘Me’ that which most as- A mum BAM'AN' tonished me. What filled me with amazement was its hori- zontal branches, stretching out on every side for more than one hundred and fifty feet. These drop to the ground hun- dreds of tiny filaments, which, taking root, become themselves subordinate trees, send up nourishment to the parent stock, hold up its sturdy limbs, and allow them to advance till they can let fall other grappling-irons to the earth and put forth L L3: new leaves to ' the sun. We v ..-..-.-- I walked beneath my- I‘; ~ '- . "r. h ~_ “In-‘w; '5—-»-_-__-_-’_-_ E? I‘ ' I‘ , II ) I _' - I. ‘a - - _, ' ,- > - - I .' ‘I ' ’- h ' “ ‘_ ' ' : ... I . ’ I l i , ,y ' I I ‘ ' .I .i .- - H, . g .. I,‘ .1 , 'I “ ‘- I ‘ ' I i ‘ \ i I a 1' v i I "I ' i r i i I) ~ ‘ p ,I { I j V i this banyan tree as in a grove, and,sittingwith- in its shade on benches placed for weary trav- elers, admired v _ j g _ this marvelous i growth, which, nevertheless, seems here so natural and easy that we invol- untarily asked ourselves why other trees do not adopt this 140 INDIA system of indefinite expansion,—this secret of arboreal im- mortality. As we were returning from the Botanical Garden, we met two natives carrying, in a kind of sling suspended from a pole, the body of a man. “Where are they taking him?" I asked. “To the river Hugli,” was the reply. “Is he dead?" “Not yet; but he will die soon, and they are anxious that he may expire beside the sacred stream.H “What will become of his body then?" “It will be cremated at the Burning Ghat." “Let us go thither! ” I exclaimed. On reaching it, we were introduced to its Hindu superin- tendent, who is appointed by the English Government to examine all bodies brought there, to ascertain the cause of death and to in- form the police if he has reason to suspect a murder. Cremation is one of the characteristic features, not only of Calcutta, but of the whole of India, and in such an over‘ .. r populated and un- UNDER THE BANYAN men. healthy land it is almost a necessity. What I object to, therefore, is not the act itself, but the coarse, brutal way in which it is usually performed. The enclosure of the Burning Ghat is an ill-kept, dirty INDIA 141 area, bounded on one side by a grimy portico. In this we stood to watch the ceremonies. At one end was a kind of cattle-pen, where mourners wait until a vacant space for burn- ing can be given them. I think I can say without much ex- aggeration that any respectable dog would, after taking one look at that wait- ing-room, have walked out im- mediately. Three cool- ies, whose oily skin glistened in the sun, at IN THE BURNING GHAT. length brought in a body on a bamboo litter. This they let fall upon the ground with the same care that an American “baggage- smasher" shows in handling a trunk. By walking ten feet ‘farther, they could, at least, have laid it in the shade: instead of that they left it in the broiling sun. The superintendent asked some questions, and then informed us that the corpse was that of a man who had died half an hour before of rheumatism. We did not have to wait long for the cremation. \Nithout delay the coolies brought in ten or a dozen logs of wood about four feet in length, and threw them down close to the body. So roughly was this done that some of the sticks bounded six inches from the ground, and I fully expected to see them strike the corpse. Wood is the most expensive factor in this system of cremation. A funeral with the amount of kindling here described costs a dollar; children half-price. Yet even this is not the cheapest method. Sometimes less wood is 142 INDIA used. In such cases the body is not entirely consumed, and the remnants must be buried. Formerly they were thrown into the river among the bath- ers, but this is now prohibited. The funeral- pyre, when con- structed, formed a pile of logs, ar- WAITING FOR WOOD- ranged in cross- tiers. On this the body was laid, its only covering being a bit of cotton. I could see plainly that the limbs were not yet rigid, nor had the eyes been closed. To make up for the shortness of the pyre the legs were bent back at the knees. Another layer of sticks was then placed upon the body to keep it in position. All was now ready for the burning. It is the Hindu custom for the nearest male relative to light the fire, and in this DEW >91] instance a son of the deceased, about sixteen ' ,1‘; ,' ,‘é‘ ( .‘l l , .l ' ~,__L.'.l T' years of age, took up some wisps of straw, and aided by his lit- tle brother six years old, walked around the pile of wood, lighting the kindling on READY TO LIGHT THE WRE- every side. This was not done, however, with solemnity or the least emotion. The other relatives looked on as listlessly as if they were $492— OZ< QZ7 _~ . .Q ‘\Q“ Q ‘'4 ‘Ci. 5'. " O O~O ‘O'- p ' IQ:- INDIA 151 '- The tomb of Akbar, strength and captivating manners. He was affectionate and loyal to his friends, and ready to forgive his enemies; yet was a most successful warrior and a determined ruler. His breadth of mind was extraordinary. Although born and bred a Moslem, he nevertheless employed, without distinc- tion, both Hindus and Mohammedans, and had among his friends the followers of Brahma. Buddha, Zoroaster, and Jesus. His motto was: “There is good in every creed. Let us adopt what is good and discard the remainder. When he was dead, men realized with astonishment that 7! during his long reign of forty- nine years India had been exempt from foreign invasions, that uni- versal peace had been established, and that the men of every sect had lived and wor- shiped in security. fifteen miles from Agra, is a noble edifice of richly - tinted sandstone and white marble, com~ bining beauty, strength, and majesty. This was, in fact, the style of archi- tecture that Akbar loved . For, in addition to all else, this emperor built the most imposing struc- tures to be found in In- dia. Not the most beau- tiful structures: that was the work of Shah Jehan, the builder of the Taj OLD INDIAN SHRINES, 152 INDIA Mahal. The warlike Akbar built gigantic fortresses. His grandson reared within them the most elaborate palaces this earth has seen. One worked in granite, the other in alabaster;— ‘4"’. the genius of the first was akin to that of Michelangelo; that of the sec- ond possessed ,u .l >._... the inspiration of a Raphael. On the fifth and loftiest story of this mausoleum stands the cen-‘ otaph of Akbar, his body being as usual buried in the crypt mm or THE APPROACHES TO AKBAR'S MAUSOLEUM. b 61 O w. T h is upper story is a courtyard of white marble. In the centre (its only canopy the sapphire sky) is a sarcophagus of alabaster, richly carved and bearing an appropriate epitaph. Three feet from this rises a marble pedestal, in the top of which is a slight cavity. It gave me an idea of the magnificence of those old days that I had never grasped before, to learn that here, so far above the usual sight of men, once rested that most famous jewel in the world,— the Kohinoor diamond; now in the possession of one, who, though she has never set foot in India, is, nevertheless, the present Empress of the Mogul Empire — Queen Victoria. To appreciate the third great monarch of the Mogul INDIA [53 Empire, Shah Jehan. one must inspect the palace built by him at Delhi. \Vhen I first stepped within the audience- chamber of the Grand Moguls, it seemed to me that all I had read and heard of it had given me no idea of its amazing richness. It so exceeded all my expectations that the result was just the same as if I had not known that such enchanting dreams of Eastern architects had ever been materialized in stone. Here are long corridors and rooms which are not merely paved, roofed, and lined with purest marble; that marble itself is covered with sculptures in relief until each block becomes a masterpiece of art. Nor is this all, for, spreading over the pave- ment, twined about the col- umns, and sparkling on the ceilings, are variously col- ored vines, leaves, and flowers. “Are these walls painted, then?" one natural- ly inquires. Far from it. This decoration is obtained by means of precious stones, inlaid like Florentine mosaic. Yes, in this palace there are miles of garlands, wreaths, and tendrils, growing appar- ently in great luxuriance, yet actually composed of jasper, agate, onyx, goldstone, and carnelian, with here and THE C ENOTAPH. there inscriptions from the Koran, all outlined in mosaic on a background as white as snow. Set in the walls are graceful pockets, such as we see in 154 INDIA the courts of the Alhambra, in which the veiled and jeweled ladies of the palace kept their slippers or their gems. Here in the softened light I could have easily fancied that my out- stretched hand might pluck bouquets of roses and camellias. But in reality, the trellises on which they grew were marble screens, and the green leaves and ruby petals of the flowers on these walls glowed in precious stones. THE MOGUL PALACE AT DELHI. No words are adequate to portray this sculptured loveli- ness. Hence, let me ask you to assist me. You have, perhaps a piece of Florentine mosaic which you treasure as a brooch or paper-weight. Expand that into a panel set in an alabaster wall, or into a stately column brilliant as a prism. In your home there is, perhaps, a Persian rug whose colors you admire. Transform that into a mosaic, and with it pave the floor or decorate the roof. Again, you have a bit of Chi- nese ivory elaborately carved. Magnify that till it forms a mile of marble balustrades. Now multiply these panels, prisms, N .mbomoz .25; ‘ . .t ,. F3. . I ,. L. J. , i r . U 1. l i \ , . s r vi _ | MIME“ , J .,. .1 w! _i. I i .. a HA. q 1 \r_ .. n .l. P i \ ‘7 W _ . INDIA I57 rugs, and screens and having made of them a fairy palace, delicate as frost-work, insert within its walls a million glittering gems; then, as you gaze enraptured at your workman- ship, murmur to yourself, HThis is a little like the palace of the Grand Moguls!" Yet what once existed here was vastly richer and more elegant jEIWELED WALLS. than what is visible to-day. We saw, for example, the corner of an alabaster pedestal,—all that is left now of the famous“Pea- cock Throne, on which the Mogul emperor 9| sat in majesty. That throne was one of the mar- vels of the world. It was made by order of Shah Jehan, whose jewelers labored FLOWERS IN PRECIOUS STONES. for S6V€n y€3IS 158 INDIA in its decoration. Its value was no less than thirty million Its framework was of solid gold, encrusted with innumerable precious stones. dollars. Above it stretched a golden canopy fringed with pearls. The back was made to represent two jeweled peacocks with expanded tails, whose colors were reproduced by means of rubies, sapphires, emeralds, and dia- monds; while, to crown all, upon the top of this imperial seat was perched a parrot carved from a single emerald. _J.a’.n'J.\'A.-,ul¢’.l‘.-.u3\.a , . r 7 ‘$176.; ‘f- "Mfr ‘an n I u-bjh-iu'l'qu “no 5,. I t p,’ n of- '1.)- vRslvlvlvtv‘xiv v. miraaasoamstaeme... . i" as. 1 . "MINE; . ' w- x . ’ ’ ' . ‘P ‘I, 1 (w. I ~ . “I I I» 135333;”)- ydff'l'i v - a r .7‘ >1 7 V\ ._ ‘i J . ' , Assesses; AN IVORY MANUSCRIPT—HOLDER. We cannot wonder, therefore, that upon these walls was traced in exquisite mosaic a Persian verse whose meaning is as follows:— “ If there be a paradise on earth, it is here.” One is, of course, reminded by this of Moore's rendition of it in his poem, “ Lalla Rookh," when he causes one of the inmates of this palace to sing:—- “ Come hither, come hither—by night and by day We linger in pleasures that never are gone; Like the waves of the summer, as one dies away Another as sweet and as shining comes on. And the love that is o'er, in expiring, gives birth To a new one as warm, as unequall’d in bliss; And oh! if there be an Elysium on earth, It is this, it is this." .\ v. t I P w \ * ' 3 y _ .- ‘f I"? . , " if‘ 5.‘, a; sitih a 0.1.1 - I59 But, alas! there is no Elysium on earth. This certainly was far from being one. Even its build- er, Shah Jehan (dethroned by his ungrateful son), was not allowed to oc- cupy it; and after he, the last of the i1- lustrious three, PEDESTAL OF THE PEACOCK THRONE. was gone, the end was near. Sooner or later, fate invariably scatters ac- cumulated wealth. The very richness of this Mogul capital attracted the despoiler. Tempt- ed by such a dazzling prize, in 1738, a Shah of Persia captured Delhi and its contents, plundered this gorgeous edifice, and carried off to Teheran the Peacock Throne and more than a thousand camel-loads of gems and precious ornaments,valued, it is said, at four hundred million dollars. Thirty years ago, after the Indian mutiny, the last of the Moguls, heir to the throne of Akbar and Shah Jehan, was tried by English officers in this FAST AND PRESENT. 160 INDIA TRAVELING AS F REIGHT. glorious palace of his ancestors for treason to Great Britain. Judgment was found against him, and, having been banished forever from India, he died a few years later in the British settlement of Burma. Ironical indeed, therefore, seems the inscription on these glittering walls. The Mogul dynasty is gone forever, and in these voiceless corridors of vanished Oriental splendor our echoing footsteps seemed to murmur sadly, “Sic transit glorz'a mzma'z'." The morning after our visit to the Mogul palace, we drove far out upon the plain surrounding Delhi. The object of this expedition was to behold a minaret built in honor of the Mos- lem general, Kutub, who conquered Delhi seven hundred years ago. It is called after him the Kutub Minar. I gazed IN THE DAYS OF THE MOGULS. r 5.22.12. _. Io. . PH ....‘ JR‘ME‘iUF-QWM Jaw-ADM .ECHRZ < m0 mDOrrmflm mDO~U~4m~M < 1 ‘r ‘a 1., ‘a , '0. v \ '1 ‘If ....filr. .. A”? v\ w. . \ r .-....“uflgr a" . u \ s Q ..I D I v . v ‘g u “ .nll’l’l Ii » O ' x" | N 11! I.‘ I INDIA 199 Brahmins or Pariahs, can have their rights defended by the grand old'principles of English law. The city which, more than all the rest of India, delights and satisfies the traveler, lies in the heart of the old Mo- gul Empire and is known as Agra. It sur- passes even Del- hi in its mag- nificent me- morials of the Mogul dynasty. Three struc- tures are espe- cially remark- able in this old capital of Ak- bar: the Mau- soleum of the Prince Itmad- ud-Daulat, the Mogul Palace, and the Taj Ma- hal. It is true, the first of these lies across the river Jumna, at a little distance 5mm cARvmGs 0? AN mums TEMPLE. from the city, and many tourists fail to visit it. But were it not for its proximity to the incomparable Taj, this tomb would be regarded as one of the marvels of India and would 200 INDIA AN INDIAN RAILWAY STATION- of itself repay a lengthy pil- grimage. Itmad-ud- Daulat was the father-in-law and prime min- ister of the Mo- gul emperor, Jahangir, who succeeded his father Akbar in 1605. Hismau- soleum stands, as is usually the case in India, in a beautiful garden, whose foliage and flowers form a lovely framework for the pure white marble of the edifice. The Oriental architects who worked for the Moguls thoroughly understood the value of perspective and the solemnity and dignity imparted to such structures by a gradual approach on TOMB OF ITMAD-UD-DAULAT, AGRA- INDIA 20[ marble pavements framed in verdure. This building is so perfectly proportioned that it is a constant pleasure to behold it, even from a distance, and when one comes to its threshold and examines it in detail, his admiration is unbounded. For the entire edifice without and within, in its windows, doors, walls, and graceful towers is a masterpiece of carved and per- A GORGEOUS MAUSOLEUM- forated marble, inlaid with precious stones. On the outside, the walls are beautiful expanses of the mosaic work called pz'dra dura, arranged in rectangles, diagonals, diamonds, cubes, stars, and other geometrical designs. While the arches are adorned with flowers carved in marble, the inner walls and niches are embellished with flowers in mosaic, whose colors, set in jewels, never fade. In the place of windows also are placed alabaster screens, so exquisitely cut and perforated that they appear like white lace curtains, through whose fine apertures the sunbeams filter to a dust of gold. 202 INDIA This tomb is not a rival of the Taj Mahal. It could not be, for the Taj is the most beautiful structure in the world. But, being smaller, this can perhaps be studied to better advantage, and, since the style of decoration in both build- THE FORT AT AGRA. ings is very similar, this can explain some features of the greater edifice, which might, in the confused emotions there awakened, escape our notice. Moreover, the Taj appeals to us as an expression of man’s love for woman. This tomb has no such sentiment connected with it, and merely marks the resting-place of one almost unknown to history, and whose very name is spelled in half a dozen ways. Nevertheless, it is one of the most beautifully proportioned and richly deco— rated buildings in the world; and as I turned at the entrance of the lovely garden to take a farewell view of its enameled walls and jeweled towers, I thought the scene a perfect illuss tration of the well known lines: “A palace lifting to eternal summer Its marble balls from out a glossy bower Of coolest foliage, musical with birds." (‘vet's I GROUP OF FEMALE TEACHERS. INDIA 20; In Agra as in Delhi, stands a mighty fortress, built by Akbar. I could not think of this as a mere citadel. It seemed rather a city in itself; for it is nearly two miles in circumference, and is entirely enclosed by ramparts seventy feet in height. Around it winds a moat a hundred feet in breadth, from which at frequent intervals rise massive towers, like mediaeval castles on the Rhine. The color of this belt of masonry is a deep red, which in the glow of sunset is sug- gestive of the sanguinary scenes it has so often looked upon. At such a time one easily fancies that the moat itself is filled with blood, whose horrible reflection paints itself upon the stone. Its massive gateway, guarded constantly by sentinels, is a reminder that the primary object of this structure is defense. At all events, a large amount of arms and ammu- nition is now stored within its walls; and in the event of an- other mutiny, this would be- come invaluable as a place of refuge. In the days of the Mo- gul emperors this fortress was a kind of strong THE GATEWAY- box, containing the palace and the sacred treasures of the empire. To some extent it is so still. For, though the throne of the Moguls has fallen, and their resplendent diadems and diamond-hilted swords have all passed into other hands, 206 INDIA yet even now this beautifully sculptured casket holds some architectural jewels that have few equals in the world. The first of these to greet the tourist as soon as he has passed the portal, is called the Pearl Mosque, and from its spotless purity and beauty it deserves the name; for every- where in its enclosure,—roof, columns, walls, and pavement are as white as alabaster. No other sanctuary on earth exhibits such simplicity and purity. Here are no images or paintings, A CORNER OF THE FORT, AGRA. or even gilding; one is surrounded only by the chaste white marble, with vines and flowers carved upon it in relief. Oh, the immeasurable superiority of this immaculate pearl of Ori- ental architecture over the sickening idolatry and filth of Hin- duism! No furniture, not even a rug, profanes this beautiful expanse; but the marble pavement is carefully divided by the sculptor’s chisel into rectangular spaces, on each of which a follower of Mahomet may kneel in prayer. ‘What an exam- ple is this of the restraining power of the Mohammedan religion! For, more than twelve hundred years ago, the Koran forbade the followers of the Prophet to make any . ,o .a ".1, .v <- .... .. u H .5532 52mm 5:. t5 moEmhxu Anew"! .I. II. III INDIA 209 likeness of animal life, lest it should lead to idolatry; and during all these centuries that rule has been obeyed. The Moslems, it is true, have thus been kept from cultivating painting and sculpture, but what have they not accomplished . rif- ,.;a. .s-.-.,. ' ;.:“~s'../f*&.aesos ,P a n ‘g .8- in architecture, from Granada to Damascus, and from these Mogul palaces to the Taj Mahal! THE PEARL MOSQUE. At a little distance from this mosque, but still within the fort, stands the palace in which the Mogul emperors resided when at Agra. It seems as if the inmates of such glorious halls should have led lives as full of joy as their apartments were of beauty. Yet sculptured stone, however exquisite, can never satisfy the heart, and even jeweled walls cannot 210 INDIA atone for loss of liberty. So it was here. Its builder was the lavish Shah jehan, who also built the equally magnificent palace at Delhi and the incomparable Taj Mahal. And yet he spent the last seven years of his life here, a hopeless captive, imprisoned by his rebellious son; experienc- ing thus that bitterest of sor- rows,—-ill-treatment and ingrat- itude from a heartless child. One thing, however, gave Shah Jehan some consolation; for, ’‘ *“WL'C’N' "GR" when all others had abandoned him, his faithful daughter would not leave him. She volun- tarily shared his long imprisonment, striving to make her i‘ J Q‘wvfi‘a“ .1?" ' e + 3. ‘w @ E?‘ a} 53m ?* A MARBLE SCREEN. INDIA 2II love atone for all that he had lost. Her very name, “ Jehanara, ’ ’ was but the softened echo of his own, and it was in giving birth to this child that the Emperor's idolized wife had died. Re- I'lOWIIGd f0!‘ Wit TOMB 0F IEHANARA. and beauty, she might have held a brilliant place at her brother's court; but she preferred the prison of her father, displaying thus the noble traits of character that have immor- talized her memory. Nothing in India is more pathetic than her burial-place. Having seen the hollowness of royal luxury, she begged, A PORTION OF THE PALACE AT AGRA. 212 INDIA when on her death-bed, that grass and flowers should be her only covering. Her wish has been respected. It is true an alabaster screen now forms a frame-work for her couch of death, but the space thus enclosed is covered merely with green turf. Up- on the marble headstone are inscribed these Words : “ Let no rich canopy adorn my grave. These simple flowers are most appropriate for one who was poor in spir- it, though the daughterofShah Jehan.” The pavilion in which the Mo- gul sovereign was imprisoned was, like all the "Kn ,,,.. rest of the palace, I’) ‘In’: It I‘! I ‘a’ II) __ " g V . __ I, .. replete with lux- ury and beauty; THE PRISON OF SHAH JEHAN. yet its inmate was a broken-hearted man. He had enjoyed unlimited power: it was his no more. He had erected buildings which even to-day astonish and delight the world: this he could do no longer. He had so dearly loved his wife, that when she died he reared for her the fairest mausoleum which this earth has ever seen; yet when it was completed he could not enter it ...‘ m SMHZMUm Z<>._:'~V- ‘ Lil-=9 AUDIENCE HALL AND TERRACE, AGRA. who have not even souls to insure them immortality?" Undoubtedly; and this, indeed, is the mystery and marvel of it all, that such a man (the sovereign of an Eastern court, with all material pleasures open to his choice) should have so idolized his lawful wife that when she died he vowed to build for her the grandest tomb that man could frame, and kept his promise, too, although the work required twenty years. Yet this woman, who was the joy and light of his life, was no young bride, whose early death had made her seem to him 216 INDIA an ideal character. She was the mother of his children; and when at last she died in his arms, he had been wedded to her fourteen years. We stood with reverence beside the window of his room, and saw in the distance, as he so often did, the peerless monu- THE ENTRANCE TO THE GARDEN OF THE TA]. ment of love he reared to hers—the Taj Mahal. Toward those white domes, whose soft reflection lay like pearls within the adjacent stream, his dying eyes were turned as over them crept the film of death. Within that wonderful edifice he is buried with the one he loved. For, far more merciful in death than he had been in life, his son allowed the body of the deposed emperor to be borne thither to repose beside that wife whom this majestic structure will make famous to the end of time. Leaving the Mogul palace, we drove along the river to the beautiful park of forty acres that surrounds the Taj. This INDIA 217 garden, which is to the Taj what the setting is to the jewel, is entirely enclosed by a lofty wall. Grandeur and beauty here go hand in hand, for the gateway to this area is no less than one hundred and forty feet in height and a hundred feet in breadth, and its red sandstone frame is exquisitely decor- ated with mosaic in white marble. Impatient, however, to behold a still greater treasure, we passed beneath this portal and gazed upon the Taj itself. It was still distant. Be- tween us and its pure white form we saw a garden of great beauty. Down through the centre led a stately avenue with marble pavement white as snow. Beside it was a canal of water, from which at times a score of fountains rose like silver trees. \Vithin its limpid flood a thousand goldfish gleamed like jewels in the sunlight. On the right and left stood rows of cypress trees, like funeral plumes; while farther still were groves of palms and orange trees, whose foliage is swayed by LOOKING TOWARD THE TA]. breezes fragrant with the breath of flowers. Thousands of roses bloom here during the entire year, sacred to death and to a deathless love. Speechless, as in a dream, we walked on through this flowery paradise, and drew still nearer to the Taj. Letting our gaze move slowly from its base to its 218 INDIA summit, two hundred and ninety—six feet, above our heads, we noted, first, a massive platform of red sandstone, measuring on each side a thousand feet. From this a marble terrace rises to serve as a pedestal for the Taj itself. As for the structure in the centre, the first bewildering glance revealed what seemed to be a delicately sculptured mountain of pure alabaster, supporting on its crest a sparkling dome, light as a radiant bubble, which might at any moment float away and vanish intoair. After one rapturous look at its sublime pro- portions the last doubt was dis- pelled forever. The conquest was complete; and I became a wor- shiper of the Taj, like all the mill- ions who had gone before me. The fundamental secret of this charm, like that of most things A MOUNTAIN 0F ALABASTER. that are truly great, is its simplicity. It is not complicated in design. It has the purity and simple majesty of the Jung- frau. It is to Saracenic, what the Athenian Parthenon was to Grecian art. The mind can grasp it Without effort. Its perfect harmony recalls the phrase of Madame de Stael, that “ architecture is frozen music." One part balances another, the platform is proportioned to the pedestal, the smaller domes to the great central one, and the minarets to the entire structure. It is the one completely faultless edifice that man " ‘._.- ’ TEX‘I '.-' ~ THE TA] FROM THE GARDEN. INDIA 22! has reared. Pass- ing slowly around it, we viewed the Taj from the bank of the river Jum- na. At each of the four corners of its pedestal a marble minaret springs heaven- ward, like a silver arrow, piercing the air one hun- dred and forty feet above the pave- GATEWAV SEEN PROM THE GARDEN. ment, and on the eastern as well as on the western side of the huge platform stands a graceful mosque. No doubt these mosques and minarets were deemed essential, lest this majestic edifice should Ez'i" //f ‘e i, 11;" vi u _i t u r n m e n's fr'ofiisniz'nvfwfiiwfimw I‘ a q a ‘I’ I‘ was-$.91:- v'.'.-:.j._-_'..gi_.;g._.".;§._.; ' ‘ J ‘ -'.'l§,!a.".' b thoughts from heaven. At all events, from l\ one of these v.7‘?! thaw four marble shafts, uplift- ed toward the sky, there floats u". I’ ~ inn‘; #0:‘: out on the air, . ‘I I. . ,0 o ,‘Afibéa lg‘. n. 4 “14!: In‘.- umil v!» 02m five times a day, the muezzin’s musical remind- er of the only LACEWORK 1N MARBLE. Our admira- tion of the Taj was still further increased, when we examined its marvelous decorations. Around each archway, inlaid in black mar- ble, are delicate arabesques and A SECTION OF THE TA]. countless verses from the Koran,—the graceful Oriental char- acters mingling and intertwining like the finest scroll-work or the slender stems and tendrils of a creeping vine. The “ 933;; *3” l: a’? Kiifyfifl’s'félfi‘; pl / I . _ a \ ' s ‘In-‘arr fir» .s’ewoe ‘ HE%QP ‘i lo 4-! 5;’ glfvfe‘ei'L' ‘as THE SCREEN OF ALABASTBR. ""9 l1. e <1 L I iiaep ;— _ \Q _-<—. J INDIA 223 walls appear almost as massive as the eternal hills, yet on their milk-white surface thousands of roses, tulips, hya- cinths, and daisies are sculptured in relief, as though real gar- lands had been hung here once with such consummate skill that some delighted gnzz'r of the Arabian Nights had, by a stroke of the enchanter's wand, transformed them into stone. As I surveyed them with delight, I caught my breath to think of all the labor represented here, and of the patient fingers (long since turned to dust), which planted all these jeweled flowers in their snow-white beds, and made them bloom unchanged from cen- g tury to century. The Taj, which was begun in the year 1630, is said to have occupied twenty thousand men for twenty years. All India furnished its materials. The marble came from one province, the sandstone from another. The Punjab sent it jasper; Ceylon gave sapphires and lapis-lazuli; and agate, onyx, tur- quoises, and carnelians came from Thibet, Persia, and Arabia. A twi- light gloom pervades the interior of this wonderful mausoleum; but if electric light could suddenly be in- troduced here, one could believe himself within Aladdin’s cave. For then the walls would show with daz- zling effect their inlaid agate, jasper, bloodstone, and carnelian. It seems as if the emperor, in madness at his loss, and counting earthly wealth as nothing, had thrust his arms repeat- edly into the glittering coffers of the Mogul treasury, and, drawing forth A TOWER AT AGRA. 224 INDIA great handfuls of rare gems, had scattered them upon this tomb, as ordinary men would lay upon a grave bouquets of flowers. In the very centre of the mausoleum I saw what seemed to be a circular frame of lace suspended from the roof by unseen cords. It is, in reality, a screen of alabaster, six feet in height and sixty in circumference. Each panel is a single piece of alabaster several inches thick, yet carved . ; ‘kale? \‘A'r. ‘.l " IL...‘- !~ THE TOMBS OF SHAH JEHAN AND HIS WIFE. with so much elegance and skill that one must touch it to believe it stone. \Vithin this exquisite enclosure are two marble cenotaphs, completely covered with mosaic-work in precious stones, one hundred being sometimes used to repre- sent a single flower; and through this mass of floral decor- ations runs a delicate Persian script, telling the story of these royal lovers in lines of which each letter is a gem. Appropriately enough the sweetest echo in the world dwells in this jeweled cavern. The dome receives all sounds within its silvery crucible, transforms them into purest har- INDIA 225 mony, and sends them down again as if the upper space were tenanted by a celestial choir, chanting an endless requiem to this ideal union both in life and death. It is particularly sensitive to gentle sounds, and a few notes, sung softly here, float up in rhythmic waves to break upon the concave of the marble arch again, and yet again, until they tremblingly die away like whispered accents of impassioned love. Can any- thing be more beautiful than this—a building dedicated to the memory of a beloved wife, and at the same time the most perfect structure in the world? It is the grandest yet most delicate homage that man has ever paid to womankind. There are at least two places in this world where moonlight is essential to complete our happiness—they are Venice and Agra. I had arranged the date of my arrival here with this in view, and hence it was my inestimable privilege to stand here at midnight on the thirty-first of December. Then, gazing on this miracle of beauty, I watched the Old Year take its flight and the New Year steal in with noiseless footsteps, as if to pay its first devotions to the Taj. And as I saw the moonlight gild the slender minarets, till they appeared like beautiful wax tapers lighting this abode of death, and then beheld the Taj itself, one glorified expression of immortal genius, it seemed too wonderful to be reality. It was, in truth, a dream in marble, and, sweetest of all dreams—a dream of love. THE PASSION PLAY OME centuries ago, within the sphere of Christendom, the modern drama was anticipated by numerous sym- bolical representations of religious subjects. These were at different times called “Miracle," “Mystery,” and “Passion” plays. In a remote Bavarian valley the last of all these medizeval dramas still exists. It has, for special reasons, long outlived its kindred, and now upon a solitary altar burns this sacred fire, still kept alive by the breath of simple piety. In 1880 I saw this play for the first time. I went to it, expecting very little. I left it in astonishment and admiration. ‘ ‘ In 1890 I beheld it again, and all my first impressions were confirmed. The world is wide, but it contains no sight like that of Ober-Ammergau.* The best proof of this is the fact that, although now no novelty, during the summer months of the decennial periods when the play is given, this great religious drama is wit- nessed every Sunday and almost every new OF CHRIST. (Ho/Yuma”) Monday, by a multitude of visitors ap- proximating, in all, a quarter of a million people, who from all corners of the earth make their way, often at serious per- *Ober-Ammergau, as its name indicates, is the upper of two villages situated in the gnu, or district adjacent to the river Ammer. 230 THE PASSION PLAY sonal inconvenience, up the steep mountains of Tyrol, merely to see this wonderful performance. In any other place the Passion Play would be offensive. Like a wild mountain flower, it would not bear transplanting to another soil. But\ in Ober-Ammergau, with an historical background as striking and unique as that of its encircling mountains, it seems appropriate and nat- ural. As early as the thirteenth century some drama of the life of Christ was here per- formed, but it became an established in- stitution of the place two hundred and fifty years ago. At that time a plague was raging in Bavaria. In _ - a _ ON THE WAY TO OBER-AMMERGAU- alone nearly one hundred people had perished. Accordingly, the terrified survivors made a vow, that if their town were spared all further ravages of the disease, they would thereafter. every ten years, portray in a dramatic form, for the instruc- tion of mankind, the story of Christ’s life and sufferings. Apparently this vow was heard ;, for the plague at once abated, and. ever since, the villagers of Ober-Am'nergau have felt it to be both a duty and a privilege to carry out the THE PASSION PLAY 4- é3r promise of their ancestors, bequeathing it from generation to generation as a sacred obligation. 'In the year 1870, when the Franco-Prussian war broke out, the Passion Play was being performed, and forty of the Ober-Ammergau villagers were drafted for service in the Bavarian army. 'Among those who were thus called to take up arms was joseph Maier, who was then portraying the character of Christ, as he subsequently did in 1880 and 1890. The performances of the Passion Play in that year were, therefore, rudely interrupted; but fortunately Ludwig II, King of Bavaria, was a great admirer and patron of this his- toric play. He therefore commanded that Maier, instead of serving in the field, should perform his duties as a soldier in the garrison at Munich. In 1871, however, the Play was resumed, and from that time on has been far more widely known throughout the Christian world. It was late in the afternoon of the fourteenth of May, 1890, when, leaving the train which in three hours had con- veyed us from Munich to Murnau, we started on a six-mile drive to Ober-Ammergau, hidden away among the Tyrolese Alps. CHARACI’ERISTIC SCENERV. 232 THE PASSION PLAY We soon discovered that great improvements had been made within the last ten years. In place of the old carriage- road, which was positively dangerous at certain points, we saw that with sublime audacity a highway had been cut for miles out of the very cliffs themselves, and wound in mighty coils about the mountain sides, above ravines a thousand feet in depth, protected along its course by iron railings sunk in the massive rocks. In fact, this new route rivals, alike in labor and in engineering skill, the best made roads of Switz- erland. At every turn the scenery was enchanting. From valleys, beautifully fresh and green, rose sharp-pointed moun- tains, nine or ten thousand feet in height, their sides in many cases, and their summits always, silver-white with snow. Ten years before, by the old road, we had seen nothing of all this, and therefore could now better understand why the late King of Bavaria found in this region a delightful rest- ing-place, and spent here a large portion of his time. In- deed, so fond was that eccentric monarch of this retired sec- tion of his kingdom, that he constructed here a palace, and MONASTERY OF E‘I'I‘AL. THE. PASSION PLAY 233 laid out a park, upon which were expended several millions. To both park and palace the public has now unrestricted access, and tourists find here an impressive contrast between the rude sur- roundings of the people of Ober- Ammergau,only an hour’s drive away, and the magnificence of a king, whose madness took the form of measureless ex- travagance, to end at last in vio- lent insanity and a tragic death. Not far from the road leading from the high- way to the pal- ace, we came in sight of an im- THE PALACE OF LINDERHOP- posing structure, which proved to be the old Benedictine monastery of Etta], founded in 1332. For years this institution exercised a great religious and intellectual influence over the entire valley. The villagers of Ober-Ammergau received instruction in its school, while the library of the monastery, which numbered one hun- 234 THE PASSION PLAY dred thousand volumes, offered to all a rare opportunity for intellectual improvement. It was, in fact, the monks of Ettal who taught the people of this region wood-carving, trained them in music and the representation of religious dramas, and in many‘ other ways made them superior to the average moun- tain peasantry of Bavaria. But this is now no longer a religious stronghold. True‘, its buildings still remain as witnesses to its former wealth and power; but many years ago the monastery was suppressed by the Government, and all its in- mates went forth into distant lands. A part of the old edifice is now used as the summer home of the owner of the property; but other por- tions of it serve as a brewery, 11m cmrrumon's nonsn. and over one of the doors we read with some surprise the legend, “God bless the beer of Ettal.” Not far from this historic structure we came upon a peas- ant, watering his horses at a wayside spring. “There,” said our coachman, “is one of the characters in the Passion Play." “Who is he?" I exclaimed. “ He! " said the driver, with a laugh. “I am not speaking of the man, but of one of those horses. It is the one on which the Roman centurion rides in the scene of the Crucifixion." I glanced at one of my companions. There was a look of .mw~Dw QZ< 2 Another less STREAM "rr-moucn ‘rm: VILLAGE. Poe t C ’ b u t equally characteristic, feature, was the collection of stones on the house-tops, which keep in place the loosely fastened shin- gles. On one such roof alone we counted one hundred and ninety-seven of these ornaments. Every such structure, therefore, if severely shaken, would yield a good-sized ava- lanche of miniature mountain boulders; and any Ober-Am- mergau peasant who happened to be passing at the time would probably be forced against his will to enact the role of the martyr ‘Stephen. Some of the more pretentious houses are even startling in their external appearance. With the exception of ‘their THE PASSION PLAY 239 wooden roofs, they are usually made of cement, covered with whitewashed plaster, and on these pure white walls we saw a strange variety of frescoes, some pretty, others grotesque, but most of them re- ligious in their sen- timent. There is in these decora- tions, as we have hinted, a curious blending of the sacred and the secular. Thus, while on one hotel we saw portrayed in rainbow hues FRESCOED WALLS. some Bible scenes, together with incidents in the lives of saints, upon another we found depicted, as a most seductive object-lesson, a jovial peasant with a glass of beer, apparently “ GESUNDHEIT! " calling out, “Gesundheit !’ ’—“your health! "—to the passer—by. “You see," I said to a com- panion who was paying his first visit to the place, “these people have artistic tastes, which are sometimes thus crudely shown in frescoes, but are displayed with excellent judg- ment in the costumes used by them in the Play.” “Costumes?” echoed my friend; “what have these peas- ants to do with the costumes, except to wear them? Of course they are made in Munich or Vienna. Y’ 240 THE PASSION PLAY “Only the bare material is bought there," I replied. “The costumes for this year, valued at several thousand dollars, were all made by the villagers themselves, in imitation of old paintings and engravings, and under the di- rection of the teacher in their school of sculp- ture—which, by the way, is the very building we are now ap- proaching. ” “The school of sculpture! " re- peated my com- THE SCHOOL OF SCULPTURE. panion, “What do you mean by that, in such a place as this? Am I losing my senses, or have you lost yours?” “Incredible as it may seem," I answered, “there is in this secluded spot a permanent school where wood-carving is taught. It has long been supported by the villagers at no little pecuniary sacrifice. It has had at times as many as two hundred and fifty pupils. For recollect that sculpture in wood is still the chief occupation of these people; and Joseph Maier, who enacts the part of Christ, and the Judas, the Peter, the Pilate, and many of the other leading characters, are really artists, their productions being now sent (of course, mainly from their associations with the Passion Play) to every part of Europe and America, and even to Australia.” While I was thus speaking, there had emerged from a neighboring house a young man about nineteen years of age. “That," said our Coachman, in a whisper, “is St. John." HEROD. ANNAS. SAMUEL. MOSES. THE PASSION PLAY 243 I made a sign to my photographer, and pulled the driver's coat-tail, as a hint for him to stop. The youth approached. His face was an agreeable one. His hair was parted in the middle and fell to the right and left upon his shoulders. “Pardon me," said one of our party, “but I am told that you will assume this year the part of St. John." “Yes," he replied, his face flushing with pleasure. “But,” I continued, “the programme states that your name is Rendl. Are you the son of Thomas Rendl, who acted the part of Pilate so admirably ten years ago?" “I am," was the reply; “and he will personate that char- acter again this season.” “Some of us had the pleasure of meeting your father in I880,H I rejoined, “and, if agreeable, we should like to call on him to-morrow." Meantime I glanced inquiringly at the photographer. “All right," he mur- mured. This signified that “St. John's" portrait had been taken unawares, and in a moment more we were driv- ing on. Soon after this conver- sation I paused to note the ._ - little house which, I was i i told, was the home of Pilate and St. john—in other words, of Thomas Rendl and his son. 51'. JOHN- “V‘I/ell," exclaimed my friend, who had been looking about him with a dazed expres- sion, “I see that I have thus far been making a mistake. Up to this time I had supposed that Ober-Ammergau was an 244 THE PASSION PLAY ordinary mountain village. But I now perceive that in many respects it is unique." “By the way," he presently resumed, “what has become of the man who took the part of St. John ten years ago?H “He is now playing the role of Judas Iscariot," was the reply. My friend shuddered. “Furthermore," I added, “either through accident or design, ‘Judas’ is the agent here this year for several parties of excursion tourists." My friend took out his handkerchief and mopped his brow. “The trouble with you,H I said to him, as we drove through the'main street of the town, “is that you have not yet adapted THE HOME OF PILATE AND ST. JOHN. yourself to your environment. You secretly expect to see these actors of the Passion Play, clad in their Oriental robes, standing around the streets in picturesque positions. St. John in shirt-sleeves startles you. The Roman centurion's horse drawing a load of wood inspires you with horror; and Herod playing with his babies seems entirely out of place. You are experiencing in a higher degree the disenchantment that you feel in seeing on the street, in citizen's dress, with his wife leaning on his arm, the actor who an hour before had electrified you as Othello. Of course, one way to see the Passion Play would be to come here on Sunday morning, and leave directly after the perform- THE PASSION PLAY 245 ance. But in this way one would see nothing of the village; and to view the Passion Play without the village would be like seeing a diamond without its setting. The great marvel of the Ober-Ammergau spectacle is to behold these pious mountain- eers faithfully carrying out the vow of their forefathers, and under that great inspiration rising from the farm and workshop worthily to portray the historic characters connected with the life of Christ." Thus speaking, we had approached the village church,—a weather-beaten structure, above which glittered in the sun- light a richly gilded cross. !, “ Stop for a moment, exclaimed my friend, “till in the shadow of this sacred edifice you answer me one question: What is done with all the money gained by these perform- ances? Are not these people merce- I . j.- nary in this busi- ‘ " ~ ', ness.?" 246 THE PASSION PLAY “That is easily and satisfactorily explained," was the answer. “The money received is divided into four parts. The first, and much the largest, share, is used to defray the expenses of building the theatre, and of providing suitable stage appliances and costumes for the performers; another part is laid aside as a permanent village-improvement fund; a third share is devoted to the church and to the poor of the community; while the remainder is apportioned among some _ \ seven hundred ' actors. In 1880, \ Joseph Maier re- ,, - I; ceived for his ' whole summer's work, from May to October, about two hundred dol- lars. Certainly these villagers are not actuated by mercenary mo- tives; for re- peated offers of THE CHURCH. large sums of money have been made them to perform their drama in vari- ous parts of Europe, and even in America; but these have always been emphatically declined." While this explanation was being given, we had approached the churchyard, where we beheld a fine bronze bust erected to the memory of the pastor of the village, Father Daisen- berger, who died in 1883. This worthy priest devoted his whole life to the mental and spiritual elevation of his people. It was he who persuaded them to leave the churchyard where, until then, the Play had been performed, and to build an open-air theatre with a suitable stage. Not only did he VERONICA. PHILIP. THADDIEUS. BARTHOLOMEW. SIMON THE CYRENIAN. THE PASSION PLAY 249 carefully revise the text of the original Passion Play, but he also composed for his parishioners some ad- mirable dramas on religious subjects, and carefully adapted to their use a num- ber of the plays of Schiller, and even the Antigone of Sophocles, that they might thus acquire greater dra- matic training and rise to a high standard of apprecia- tion. CHRIST AND THE BELOVED 0156111141. (A ry Sclu’fl'er) True, therefore, is his simple epitaph: “His works do fol- low him” ; for not alone do the inhabitants of Ober-Ammer- gau, every ten years, enact the Passion Play; but, at frequent intervals, winter and summer, on a perma- lines: FATHER DAISBNBERGBR. nent stage, they still perform the secular plays adapted for them by their pastor. The spirit of this worthy priest, and his belief in the peculiar duty which this village had been set apart to do for Christ and for His church are well exemplified in his own “ Praise be to God! He hath this vale created To show to man the glory of His name; And these wide bills the Lord hath consecrated, Where He His love eternal may proclaim." The oldest text-book of the Passion Play now extant bears the date 1662 and is in the possession of the Biirgermeister of the vil- lage. It shows that the performances in those early days must have been very crude and realistic, for the Devil was 250 THE PASSION PLAY then one of the prominent actors, and would dance about Judas while the latter was being tempted, and finally rush upon Iscariot’s body, attended by a retinue of imps when the betrayer had hanged himself. In those days also, just before the play com- menced, a mes- senger would rush upon the stage with a let- ter from Luci- fer, “the Prince of Hell," re- questing the audience not to be affected by the Play, but to make all the disturbance they could during the performance, promising to reward them well when they CHA RACTERISTIC DWELLINGS. should subsequently make him a visit! But those grotesque features of the Passion Play have gradually disappeared, as priest after priest revised the text and adapted the old drama to the tastes and ideas of modern times. Turning at length from the churchyard, we fell at once from the ideal to the practical. We were the earliest visitors of the season of 1890—a small advance-guard of the approach- ing army—the first drops of the expected shower. True, hundreds of tickets had been bought and rooms engaged for weeks in advance. Thousands, it was said, were on the way. But we had arrived. For ten long years the little hamlet had been almost lifeless and forgotten. Now it was once more quivering with excitement, and, like a comet at its periodic visitation, was sweeping from its long obscurity into the .mqmgma. NIH. OZ_MM,HZM .HwHmIO I. I ‘o-|¢"‘ t .l'bv.‘ ‘M... H THE PASSION PLAY 253 vision of mankind. The villagers, therefore, looked on us as the first tangible proofs of the great change. Accordingly, our entry almost equalled that of royalty. Nothing was too good for us. Our host and hostess were especially elated at having the first visitors assigned to them. Hence it was with considerable difficulty that we avoided being “killed by kindness. I! The utmost tact, for example, was necessary to escape being overwhelmed with gifts of hot sausages, served like Huyler's caramels, “fresh every hour.H Moreover, at the least sign from us that we were thirsty, Bavarian beer would flow ad lz'bz'l‘zmz. “Welcomel" exclaimed our landlady, her round face wreathed in smiles; “our one room with a carpet shall be the jig—Q Z .hdliirin llrslaumnl. '1 ; I: in: n“ lullgllrlsl‘llflwfiilltlllllt'. I ' . _, & i , 5i 1‘ I 53;‘ 1 I l' 1» .. A STREET IN’ OBER-AMMERGAU. lecturer's; the lawyer shall be sandwiched between our warm- est feather-beds; and as for the photographer, he shall have a room, whose nearness to the stable has for its compensation 254 THE PASSION PLAY a view of a four-footed actor in the Passion Play,--the ass, used in the entry into Jerusalem." Next morning (we had come here several days before the first performance) I strolled out through the town for new impressions. My steps first led me to a colossal group of statuary placed on a hillside just above the village. This was presented to the people of Ober-Ammergau by the King of Bavaria in 1875, as a token of his appreciation of their piety. r i 3 John, which forms part of the group, 5» n" l t ' The history of this work of art is singularly tragic. As the statue of St. >... \\*>\ e‘ _ U was being drawn up the old mountain- road, in places perilously steep, it toppled over from the wagon, and fell upon the sculptor and his assist- ant, crushing the former to death instantly, while the latter died the next day in great agony. There seemed to me, therefore, some- thing almost repulsive in this fig- ure of the favorite disciple. Not- withstanding its beauty I felt as if the insensate stone had been a A ROYAL GIFI'. moral agent, and had committed parricide in thus taking the life of the author of its being. Descending once more into the town. I seated myself at the door of our little inn and looked about me at the village life. Before me was a wooden trough, above which rose a spout in the form of a pump. No handle to this was neces- sary, for from it flowed a constant stream of cool, pure moun- tain water. Thither, at intervals of five or ten minutes, all day long, came the people of the neighborhood: a woman with an empty pitcher, a laborer to quench his thirst, a boy to rinse some beer-mugs, or else a little maiden on her way THE PASSION PLAY 255 to school, to wet the sponge suspended from her slate. Al- most invariably these people bowed, and wished me “Gutmz Tag. Their courtesy and kind-heartedness were very pleasing. It is a remarkable fact, that, notwithstanding ‘the crowds that come weekly all summer long from every land to witness EN FRONT OF THE HOTEL. something done nowhere else but here, these villagers of Ober-Ammergau have not become self-conceited and extor~ tionate. There are but few exceptions to the rule that they are unspoiled, honest, and obliging. No doubt, if the great influx of rich tourists continued long, the character of the vil- lage would soon change; but nine years’ enforced seclusion from the world affords an antidote to such short-lived and amazing fame. Across the street, beyond the fountain, was a frescoed 256 THE PASSION PLAY house, which, although built two hundred years ago, has still a substantial appearance. It is the home of Johann Lang, who, aside from his official rank as Biirgermeister, is one of the leading men I , . in Ober-Ammer- i‘ _ -~ :5. ‘- gau. In 1890, not only were the finances of the Passion Play con- trolled by him, but he shared with Maier the care of issuing tickets and assign- ing rooms to all the thousands who applied for them. At every hour of the day UNDER THE KOPEL- we saw a stream of letters, telegrams, or messages pouring in upon him. Some one appeared to be always going into or out of his house; and frequently a group of ten or twenty persons would assem- ble there, dissatisfied with the rooms assigned to them and clamorous for a change. The strain upon him must at times have been severe enough to ruffle the most serene of men; but he seemed able to reconcile all the discordant elements and at the same time to control himself. Upon his shoulders, too, in 1890, rested the responsibility of keeping harmony in the ranks of the performers. How difficult that must have been! Imagine what jealousies and bickerings there must be in such a little mountain village. It is true, the principal act- ors are selected by the people; but even after that is settled, the lesser troubles and minor annoyances must be endless. NATHAN. MARY MAGDALENE. MARTHA. NICODEMUS. BARABBAS. THE PASSION PLAY 259 The assignment of the parts is made by a committee of forty-five villagers presided over by the priest, and the elec- tion day is in the last week in December of the year preceding the decennial performance. Before making their choice the members of the committee attend mass in the church, thereby indicating, and no doubt realizing, that what they do will be done under the influence of the purest motives and for the good of their religion. Each player is then required to rehearse his part at least four times a week, and the final rehearsal begins months before the opening of the dramatic season. In the year of my second visit, the Btirgermeister was himself stage-manager, and had trained a number of subordinate actors in their parts nearly every day for at least six months before the Passion Play was presented, and was in all matters of dispute the ultimate authority. Yet, it is not to be won- dered at that he should have been appointed to the post; for he first acted in the Passion Play when only four years old, and the representation of 1890 marked the fourth decennial festival in which he took the part of the high priest, Caiaphas. One day, while strolling through the village, I "rm: Bijncizmvrms‘rsn's RESIDENCE. stopped before a house upon whose wall was an artistic decoration of unusual beauty. It was the residence of the Lechners—father and son. Both are prominent personages in Ober-Ammergau. 260 THE PASSION PLAY The son is considered the best artist in the village, and is one of the principal singers in the Passion Play; while the father is the famous George Lechner, whose role of Judas in 1880 was one of the most remarkable in the drama. I had a great desire to talk with this retired veteran, for ten years before I had deemed him, with the exception of Maier, the most talented of all the actors. Stepping, therefore, to his door, I asked if I might see him. He presently appeared. Though more than seventy years of age, he had not changed materially during the past ten years. I recognized him, therefore, at a glance, and telling him in a few words of the pleasure he had given me ten years before, I asked him if he would appear this season. VILLAGE HOUSES. THE PASSION PLAY 261 “Yes,” he replied; “I shall appear, and that is about all. The ‘Judas,’ of four decades has now become the insig- nificant ‘ Simeon of Bethany! ' Of course," he added, “I do not com- plain. Es kamz nz'c/zr auders 362'”. Only I feel like an old crippled soldier within sound of battle. I have in the house a portrait of myself taken in l880, in the character of Judas. \Vould you . like to see it?” GEM“ LECHNER' Of course I assured him that it would afford me great pleasure. “Can you bear to see the part played now by your successor?" I presently inquired. “No,” he answered quickly; “it recalls to me too vividly the days when I was young and strong." “Ten years ago," I remind- ; ed him, “you told me that you did not like the role of the Be- trayer, and did not wish your son to follow in your footsteps." “True," he replied, ‘ ‘ it was a thankless part; . , but now that I ""2 "(m “HUD” no longer have the strength to act, I see that I took pride and pleasure in portraying it." On Saturday, the day before the performance, the church bell awoke me at an early hour, and I beheld the people in , ‘ , i ) . I \ 262 THE PASSION PLAY great numbers on their way to mass. I followed them into the richly decorated church. Perfect order prevailed. In the front pews were seated all the children, the boys on the right, the girls on the left; and at the end of the service they marched out to- ' gether, two by two, with folded hands, preceding the adults. Music was rendered by an orches- tra consisting of a comet, violin, and organ. I noticed that Joseph Maier and the Bi'irgermeister sat ma jUDAS or 1880. in the same pew; and when the priest passed down the aisle, dispensing from his moistened brush the consecrated water, he paused a moment before Maier, appar- _" in‘ ently offering up for him a special J prayer. \, Having re- turned from the church, as I was seated at the window writing, I suddenly heard t h e d i s t a n t strains of a band of music, and saw the people point- . RAISING THE CROSS ON THE KOFEL- ing toward the summit of the Kofel. At first I could not understand the cause of the excitement, but by the aid of a field-glass I soon ' t I l I s JAMES THE YOUNGER. CHRIST. JAMES THE ELDER. (joszra MAI an) SIMON. MATTH EW. THE PASSION PLAY 265 perceived that men were raising on the mountain the new cross, in place of the one blown down some months before. The mammoth emblem was fully forty feet in height, and was covered with zinc, so that, when the sun shone upon it, it was visible for miles down the valley. When the new cross was firmly secured, the sound of a small can- non, fired on the summit, pro- claimed the fact to the villagers. I was not surprised to see the satisfaction that beamed from every face at sight of that most welcome restora- tion; for the people of Ober-Ammergau are almost superstitious in their belief concerning the influence of that cross upon the Kofel. The dress of the young mountaineers who had per- formed this task was pecul- far. They wore no stockings, their feet being thrust, uncov- NATHANIEL. ered, into heavy shoes. But over the lower part of the leg was drawn a thick woolen sock, leaving the knee and ankle bare. The trousers, usually green in color, did not reach the knee. The vest and jacket were adorned with silver buttons, while their green Tyrolese hats were decorated with feathers or bright flowers. In fact, stalwart and handsome men were these young villagers of Ober-Ammergau, and on their return from the mountain they were welcomed not only by the band of music which I had 266 THE PASSION PLAY heard, but also by a company of village maidens, dressed in picturesque costumes. Thus escorted by melody and beauty they re-entered their hamlet in triumph. On the Friday afternoon before the performance, in re- sponse to an invitation, I made my way to the house of the “Christus' '— Joseph ‘' Maier. In 1880 1 i had made this man’s acquaintance, and had been profoundly impressed with his modest manner and unfeigned piety. In 1890 I saw no cause V to alter my opinion of him. Yet, if per- ‘ sistent flattery could spoil a man like Maier, he would long ago have been spoiled. Fornotonly have multitudes gath- ered about his house merely to gain a glimpse of him, but he has received in- THE YOUNG MOUNTAINEERS. numerable letters, expressing lavish adulation of his genius. One of these I had the privi- lege of reading. It was‘ from a distinguished actor in Munich, who assured the peasant of Ober-Ammergau that the hour when he took his arm and walked him through his mountain village was one of the proudest of his life. It is said (and it is not improbable) that Maier has sometimes had to seclude himself after the Play, to avoid being almost worshiped by some of the Bavarian peasants who have been so wrought THE PASSION PLAY 267 upon that they well-nigh identify him with Christ himself. What is it, therefore, that has kept him always modest and retiring? It is undoubtedly the way in which he looks upon his work. He feels that the praise which he receives is due, not to himself, but to the part which he assumes; and so he said to me impressively: “It is not only the greatest honor of my life to represent the character of jesus; it is for me also the most solemn of religious duties." I was astonished and pained to see, not long ago, in the col- umns of a New York paper, the statement that most of the peo- ple of that city who went to see the Ober-Ammergau Pas- sion Play in 1880 discovered there no sign of reverence in the parts presented, and were more struck by the capacity of Maier to absorb beer, than by his pious aspirations. This seems to me incredible, and I JOSEPH MAIER. cannot understand how any one can be so lacking in ability to discern simple piety and intrinsic merit. As for his private character, that joseph Maier may drink beer is very probable: he would not be a German if he did not do so. But that he is (as the newspaper account would imply) a coarse, sensual man, I can pronounce to be unqualifiedly false. This I do, not as a defender of religion, nor as a Catholic or a Protestant, but simply a man who hears a worthy person slandered in his absence. I say it the more positively, too, not only from what I myself saw of Maier, but also because a literary friend of mine who lodged nearly the whole summer at his house, and is certainly qualified to 268 THE PASSION PLAY judge of his private life, represents him as a thoroughly refined. modest, sensitive man, pure and blameless in life, unselfish, and devoted to his family. After the lapse of ten years it was with mingled pleasure and curiosity that I again conversed with Maier. True, the lines in his face had in the interval somewhat deepened, and he modestly said that he was now too old for the part; but his hair and beard were still jet-black, his tall form was as erect, his step was as light, and his gestures were as graceful as before. However, he looked weary, and said that he was ex- hausted by the arduous work of preparation. In my first interview with him, moreover, I thought he exhibited consid- erable reluctance at coming once more into the light of world- wide fame and criticism. One change in my surroundings made me realize forcibly CHRIST AND HIS DISCIPLES AT BETHANY. that I myself was ten years older. In 1880, in that very street, I had seen Maier's children run to meet their father, and had watched him catch them up and hold them to his breast, while his wife looked on from the door-step with a happy smile. Now I perceived that the small children of ten so. " .\ CHRIST DISPUTING WITH THE DOCTORS. .~'. (Haj’maunl. 0g.- THE PASSION PLAY 27r years before had grown to be tall, buxom maidens, who evi~ dently took upon themselves the care of housekeeping, to spare as far as possible their mother. I asked Frau Maier if it was true that, just as she had done in 1880, she would refrain from attending the Passion Play. “As before, I shall only see the first part," she replied. “After the scene of the Last Sup- per I can bear to I‘". hear no more, and come back to my house alone." This is not strange; for she is evidently a woman of the gentlest heart and finest sensi- bilities, and would be tor- tured by the sight of the real- BY THE RIVER. istic sufferings, and finally the death which, apparently, awaits her husband on the stage. What a transformation takes place in Ober-Ammergau on the Saturday preceding a performance! A multitude of peasants from north, south, east, and west, keep pouring into the town all day long in groups of three or four, having shoes in their hands and umbrellas strapped on their backs—and sometimes even carrying a feather-bed wrapped around a pole. These people have been tramping over the mountains 272 THE PASSION PLAY from their homes fifty or sixty miles away. For them the journey has the sacredness of a religious pilgrimage. To see the Passion Play is the greatest event in their lives, and they would make almost any sacrifice to witness it. On the Saturday which we spent here, there suddenly appeared toward nightfall a train of landaus, wagons, and omnibuses, all heralded by cracking whips or echoing horns. The streets, so quiet but an hour before, were quickly swarm- ing with human- ity. From the variety of lan- guages that filled the air, one might have fancied that the Kofel was the Tower of Babel. Most of the visit- ors wore an anx- ious look, like ] ' ‘ _ I'illrlwl mu iuiirililu'n Sign. 1: " F‘ j ‘' persons searching ' for lost baggage; ' and many who . had tempted Fate by engaging noth- ing in advance, rushed frantically from house to house inquiring for beds. We looked upon all this with sympathy, of course, but also with a wicked sense of superiority, arising from the fact that our own rooms and tickets were secure. It is true the accom- modations for visitors at Ober-Ammergau in 1890 were better and more numerous than ever before; and yet, so crowded was the town, that, on looking out of my window at daybreak, Sunday morning, I discovered a gentleman completing his toilet in a carriage where he had spent the night. ONE OF THE HOTELS. THE PASSION PLAY 27.?» Two incidents of that day can never be forgotten. As I was trying to write in all this hubbub, I suddenly heard beneath my window the word Chicago. In that remote Bavarian valley, this name produced on me the effect that the word “Spaghetti" does on an Italian. I sprang to the casement and looked out. In the yard below stood a young man talking to my friend. “I first heard of the Passion Play,” he was saying, “through one of Mr. Stoddard's lectures in Chicago. Ever since then I have been anxious to visit Ober-Ammergau in 1890, and here I am. Did you ever hear him? " "Alas, yes," cmus'r. (Carm'cehus) replied my friend; “and, what is more, here at my side is his photogra- pher, and Mr. Stoddard him- self is upstairs preparing to in- flict another lec- ture on the pub- lic." “He never 1 SPRANG TO THE CASEMENT AND LOOKED OUT. 274 THE PASSION PLAY does anything but lecture me,” grumbled the photogra- phen “Gentlemen," I called softly from the window, “you had better put an end to this exchange of confidences. The lec- turer will be down directly. Waiter, bring at once refresh- ments for four." Beside the trough, in front of our hotel, there had rested, . undisturbed by any German ‘ child, for three long days, a l v good-sized water-pail. On Saturday, at three o'clock in the afternoon, an American family en- tered the little inn. Five minutes later I thought I heard a familiar mel- ody outside, and looking from the window, be- held a characteristic specimen of Young America standing erect in the pail, and, to the amazement of the peace- ful villagers, sailing tri- umphantly up and down the trough, whistling meantime with all his might the strains of Yankee Doodle! That evening, to escape the tumult YOUNG AMERICA AT 0858- - AMMERGAU. 1n the town, we walked to an ad- joining height, and stood in silence to survey the valley. The curtain of the night was falling on that larger stage we call the world. Below us, in the gathering darkness, was the little town, where, on the following day, the story of the Son eassssto R..." an...“ H. m .wmmmmisi ems e5. .5550 THE PASSION PLAY 277 of Man would be portrayed with a reality and pathos which, we well knew, would be over- whelming. At that great height the dwellings of the villagers ap- peared as small as earthly things appear beside the awful mys- _ LOOKING DOWN ON OBER-AMMERGAU. terlesof Heaven. 9 “How is it possible,’ exclaimed my friend, “that simple peasants in the first place can understand, and, sec- ondly, can represent with any skill such a stupendous subject as the Passion Play? Apparently, it is as far above them as is this hill on which we stand.” “Call to mind, swered, "the face we saw Q, I an- this morning at the foun- tain,—that of the man who takes the part of Thomas— and remember that the principal characters in this drama are not common peas- ants. The sacred play is moms, not alone the central feature 278 THE PASSION PLAY in the history of this village: it is the one great event in their individual lives. Toward certain parts in it they gradually progress from childhood to old age, and finally enact those characters with wonderful enthusiasm and religious fervor. None but the people of Ober-Ammergau itself may participate in the Passion Play,—and of them only those whose lives are w“ ‘144.4% *1 R‘i-W‘fi, -. ' ‘it: GOING TO THE PERFORMANCE. reasonably blameless. Not to be worthy to appear at all is, therefore, a disgrace; while to enact the part of Christ is the greatest honor of which they can conceive.H On Sunday morning, at a quarter before eight o'clock, we approached the theatre, in company with about four thou- sand people. Visitors to Ober‘Ammergau are, of course, liable to en- counter stormy weather, which will seriously detract from their enjoyment of the occasion, although the play goes on in THE PASSION PLAY 279 spite of tempests. I, however, was wonderfully fortunate. The weather could not have been finer. The sky was cloud- less, and the atmosphere so clear that mountains, miles away, seemed close at hand. Moreover, the air, though cool, was warm enough to make a sojourn out of doors a positive de- light. It was the realization of the poet's lines: “ Sweet day, so cool, so calm, so bright, The bridal of the earth and sky." I noticed that the crowd itself was much more orderly and quiet than ten years before. The cause was j evident. Then only the best seats had been re- served, while now each place in the great building had its number and corresponding ticket. Accord- ingly, the bum- blest peasant had no need of hurry or solicitude. Above the wooden wall we could discern a part of the interior—espe- OU'TSIDE THE ENCLOSURE. cially a pediment decorated with a fresco representing Christ surrounded by the poor and suffering, and bearing the inscrip- tion: “Come unto Me all ye that labor and are heavy-laden, and I will give you rest." But it was only on entering the building that we beheld its decorations to advantage. Upon the curtain were finely painted figures of Moses, Jeremiah, and Isaiah. To the right and left of these were passageways which represent streets in Jerusalem. Two houses in the foreground typified respec- tively, the dwellings of Pilate, the Roman Governor, and 280 THE PASSION PLAY Annas, the high priest. The greater part of the stage was entirely open to the sky, the actors being thus fully ex- posed to sun and rain. About half the seats in the auditorium were covered with a wooden roof. From the first, the impression pro- duced was remarkable. On every face there was a look of eager expectation; and as we sat, awaiting the opening of the play, the view of the mountains and the valley, and of the waving trees, blue THE STAGE AND CURTAIN OF 1890. sky, and singing birds, gave to the scene a charming air of freshness and reality. “ How clearly on my inner sense are borne The fresh fair beauty of the mountain morn, And cries of flocks afar, and, mixed with these, The green delightful tumult of the trees. The birds that o’er us from the upper day Threw flitting shade, and went their airy way,— The bright-robed chorus and the silent throng, And that first burst and sanctity of song!” Among those who were then behind the scenes, awaiting their duties for the day, was the daughter of Biirgermeister Lang, who was to assume the part of Mary, the Mother of Jesus. No better choice could have been made. Before I knew who she was, or even that she would appear in the Passion .722 ozoo> no; EC. oz< momma THE PASSION PLAY 283 Play at all, I was impressed with her sweet, intelli- gent face and pleasant voice, as she emerged from the doorway of her father's house, and paused to an- . i swer, in his place, a few important questions. THE STAGE OF 1880. In 1880 this difficult part was not well taken; but in 1890 its rendition was most satisfactory. Every scene in which the young imper- sonator of that sacred character appeared still lingers in my memory among the ineffaceable recollections of the Play. !__ _—_.._*%—_E—__ .7 . l l l l l l l It is a remarkable fact that the Virgin in the Passion Play is, from first to last, represented only as a woman,_the lov- ing, tender, broken- hearted Mother of This is the more remarkable be- Jesus. cause these Bavarian peasants are devout Catholics; but the theological Roman presentation of Mary would of course be out of place in this portrayal of her earthly life, and hence, with admir- 284 THE PASSION PLAY able good judgment it has been omitted from the drama. Another attractive character in the drama was the St. John. In this, too, there was great improvement over the performance of 1880. True, the role of the beloved disciple was not very prominent, but everything he said or did was admirably rendered. His great affection for his Master; his grief at the appall- ing tragedy, which as a faithful friend and follower he must behold; above all, his tenderness to Mary, when he called her “Mother," obeying thus the thrilling injunction of Him who hung upon the Cross; all these were beautiful expressions at once of a delicate nature and a loving heart. “I venture to make a prophecy," whispered a friend during one of these scenes: “Ten years from now, this young St. John will be selected for the char- acter of Christ.” ' Another memorable face among the personators at Ober- Ammergau was that of Peter. Apparently, no one could look the character more perfectly than did the worthy peas- ant who assumed that part. Clad in his Oriental mantle, as he stood in the open air, with the sunlight falling on his silvery TH E PASSION PLAY 285 hair and beard, he seemed a living reproduction of Peter, as painted by so many artists in the history of Christianity. Since, therefore, in addition to his looks, he is a faithful and intelligent actor, it is not strange that the festival of 1890 marked the fourth time, that, at intervals of ten years, he has been selected for the part. It was precisely eight o’clock when a cannon-shot woke the echoes in the neighboring mountains. It was the signal CHRIST. ( C araccz') As in an ordinary theatre, the for the drama to begin. leader of the orchestra raised his baton, and the first strains of a solemn overture floated out upon the quiet air. This was the visible prelude to the Play; yet there was one unseen by us, for, dur- ing the performance of the overture, all the principal actors were assembled be- hind the curtain, together with their pastor, engaged in silent prayer. The music of the Pas- sion Play as now performed was written by an Ober- Ammergau schoolmaster. He was a man of remark- able musical ability, and 286 THE PASSION PLAY many of the chorals in his com- position are dignified and noble, while, as a whole, the music of the drama is in perfect harmony with the simple, sublime, and pathetic scenes which it accom- panies. At length, the preliminary music being concluded, a com- pany of twenty-four persons made their appearance, and moved with slow and dignified steps across the stage, to stand there in a slightly curving line. we LEADER OF THE ckoRus. They representgd a Company of guardian spirits, who through the entire Play were to per- form the duty of the old Greek Chorus in the Athenian drama; that is to say, their part was to announce and to explain its various scenes and tableaux, as well as to impress upon the audience their moral lesson. Their dress was simple but imposing, like their theme. THE CHORUS- Over long white tunics, girdled at the waist, were draped mantles of exquisite color, bordered with silver braid. Like IN GETHSEMANE. \ a..\ I.‘ THE PASSION PLAY 289 all the costumes used in the Pas- sion Play, these must be made of fine material, for daylight makes the use of tin- sel and cheap q u i t e TABLEAU OF JOSEPH AND HIS BRETHREN. impossible. There are in the Passion Play eighteen acts and twenty-five tableaux, before and after each of which the Chorus sings. These tableaux are regarded as no less essential fea- tures of the drama than the acts themselves; their object vbeing to explain to the spectator the Divine Plan of Redemp- tion, as accepted and implicitly believed in by the villagers. It will be seen, then, that the Passion Play not only rep- resents the actual events connected with Christ’s life, but TABLEAU OF ADAM AND EVE OUTSIDE OF PARADISE. also calls to mind the types and prophecies of those events supposed to be revealed in the Old Testament. Accord- ingly, when the choristers have sung a few explanatory stan- zas, they fall back gracefully to the right and left, while the 290 THE PASSION PLAY curtain rises to reveal the tableau, which, it is thought, typifies the act that is to follow. Hence, the symbolic groups, dramatic scenes, and sacred songs glide one into another all day long without the slightest interruption. Thus a tableau of the miraculous fall of manna in the wilderness precedes the scene of the Last Supper; a repre- sentation of the despair of Cain over the murder of his brother, Abel, typifies the act where Judas, in his remorse, takes his own life; the scene of Tobias taking leave of his parents prefigures Christ’s departure from Bethany; the group of Adam and his by the sweat of the brow foreshadows Christ's an- guish in Gethsemane; and young Isaac bearing the altar-wood up Mount Moriah is emblematic of Jesus bearing His cross to Calvary. _ Still another of these ta- bleaux portrays Joseph sold some. To JERUSALEM. into captivity by his brethren, and is symbolic of the betrayal of Jesus for thirty pieces of silver. Some of these scenes are wonderful,—first, from the multitude of participants (num- bering, as they frequently do, three or four hundred per- sons); and secondly, from the statue-like repose maintained by even the little children two or three years of age. In one of these tableaux there were perhaps a hundred children; yet through a powerful glass we were unable to detect in them the slightest movement, even when fully three minutes had elapsed between the rising and the falling of the curtain. Moreover, in 1890, I was even more impressed than ten years before with the astonishing rapidity with which these groups family earning their bread ' TH E PASSION PLAY 291 were formed. Each individual man, woman, and child must move directly to his place with the precision of machinery, for otherwise such crowds could not be grouped in half an hour's time. The management in this respect is nothing less than marvelous, for not a sound is heard behind the cur- tain, though sometimes nearly half the inhabitants of the village are assembled there. But nowI was naturally impatient for the first act of the Play itself. JOSEPH OP ARI II-IATHEA. Scarcely had the chorus left the stage, after its first appear- ance, when the air was filled with shouts of rejoicing, and down the streets of Jerusalem I saw a vast multitude of men, women, and children eagerly advancing, waving palm-branches THE ENTRY INTO JERUSALEM. and shouting “Hosanna!” as the Christ made his entry triumphal into the city riding upon an ass. Only a small portion of this multitude can be repre- sented in a pho- tograph, for if the whole stage were portrayed, the figures would be micro- scopic; but such a picture may at least suggest what the real scene must be. If it be thrilling to behold upon an ordinary stage (as in the play of Julius Casar) a moving multitude of fifty actors, imagine the effect produced by five or six hundred 292 THE PASSION PLAY men, women, and children, all clad in Oriental costumes, singing and shouting together in the vivid sun- light and under the open sky. One fancies that he is witnessing an actual procession in the Holy City. The face of the Christ himself who has made this triumphal entry is well worthy of study. Through- out the drama one sees upon that countenance many different expres- sions, but they are all full of inter- CBRISL (MM/cm’) est. One of the most striking is that which his face wears when he enters the Temple and looks upon the desecration of His Father's house. His features express indignation, but indig- nation mingled with grief. In the whole course of the Passion Play there is perhaps nothing that puts the delicate apprecia- tion of Maier more to the test than the scene in the Temple with the money-changers. Think of the opportunity for rant- ing and extravagance when he overturns the tables of those who sell doves and drives the traders forth with a whip of cords! An inappropriate gesture or an unduly violent move- ment would here be revolting. But Maier is equal to the test. Advanc- ing slowly, and with an inde- scribable mien of sadness and majesty, he pushes aside the tables, not in hasty anger, but rather as though A MULTITUDE UPON THE STAGE. CHRIST TAKING LEAVE OF HIS MOTHER. ( Plackkorst) \ a Q ‘I. I.- Q Q I! O s a a \ ‘n’. THE PASSION PLAY 395 their presence were pollution; and we are so absorbed by his look and action that we hardly notice when they really fall. Perhaps we should not do so, were it not that real doves, thus freed from their cotes, fly over the walls of the audi- torium into the adjoining town. But a still more difficult task is that which Maier encoun- ters in the scene of the Last Supper. The grouping here of Master and disciples closely resembles Leon- ardo da Vinci’s well- known painting. In fact, it reproduces that picture in life with all its Oriental coloring. The scene is one of great beauty and impressiveness, especially when, the dispute having arisen among the disciples as to which shall be chief, the Master rises and with inimitable dignity and re- proachful love, slowly passes from one to another, to set them the example of humility by washing their feet. The intensity of his feelings at this time is shown by the remark that Maier after- ward made to one of us: “You cannot imagine how I come to love those men at the Last Supper while I am washing their feet." During the distribution of the bread and wine the silence of the immense audience seemed almost painful in its inten- sity, the climax being reached when the announcement was IN THE TEMPLE. 296 THE PASSION PLAY made: “Verily I say unto you, that one of you shall betray I! me. In the consternation which followed, even Judas himself, THE LAST SUPPER. (Da Vinrr') confused and fearful, exclaimed with the others, “Lord, is it I?" and Maier answered him sadly, yet not without some sternness in his voice: “Judas, that thou doest, do quickly." THE LAST SUPPER. This admonition to Iscariot is soon followed by a scene revealing the hall of the Sanhedrin. At first, however, when the curtain rises, Judas has not yet made his appearance before THE PASSION PLAY 297 the priestly Council. Caiaphas and Annas occupy the seats of honor above the tables of the scribes. A most exciting debate is being carried on, as to what shall be done with the Galilean, the words uttered be- ing such as must naturally have been spoken on the occasion. In fact, whenever the text of the Passion Play leaves the direct narration of the Gospels, the language is not only sim- ple and dignified, but frequently CAIAPHAS. eloquent. The words of Maier himself are usually only such as are recorded in the New Testament. The session of the Sanhedrin was presided over by Caiaphas, who, it will be remembered, in private life was the THE HALL OF THE SANHEDRIN. biirgermeister of the village. He was richly attired in a long white robe with silver fringe, while on his breast gleamed the twelve jewels, symbolic of the Israelitish tribes. 298 THE PASSION PLAY THE DEBATE. It was he who first addressed the Assembly with passion- ate eagerness. “Fathers of the people," he exclaimed, “our religion is in danger of being overthrown. Did not this Gal— ilean drive out the buyers, traders, and sellers from the Tem- ple? Did ye not see how he entered our city in triumph? He is carrying the people with him and is teaching them to despise us.’ Shall we wait quietly here till the last shadow of our power be gone? I, at least, am in favor of his death." The aged Annas also rises from his seat, and exclaims in tones tremulous with emo— tion and infirmity: “By my ‘ gray hairs, I swear not to rest ‘ until our religion is made safe by his destruction! ” By the time that Judas , makes his appearance before J them, they have decided to THE JUDAS OF 1890. IO‘.- \.1 ‘on \3‘\. f a . .3‘ r. . .\ 1R. c 0.. S 1 I ( .1 Olll ‘ use‘. THE BETRAYER’S KISS. THE PASSION PLAY 301 put the Nazarene to death; but of this they cunningly say nothing. On the contrary, they only tell Iscariot that they wish to imprison his Master for a short time, to prevent his uttering any more extreme doctrines. Judas stands for some time beside a table in the centre of the hall, listening to the words of the Council and struggling with his feelings. The THE PARTING AT BETHANY. sight of the money. however, and its ring upon the table, de- cide him. As if lured on by an irresistible attraction, he clutches the silver, tests each piece with his teeth, and sweeps it eagerly into the bag. Meantime, his evil genius (the agent of the high priest) stands watching him intently, as Mephis- topheles watches Faust, lest at the last moment he may recoil. A very beautiful scene in the Passion Play is that of the departure of Christ from Bethany, on his journey to Jeru- salem. His disciples are full of foreboding and urge him not to go thither, but Jesus answers them with the command, 302 TH E PASSION PLAY “Follow Me," and unhesitatingly bids farewell to His Mother and friends, and even to the village of which He was so fond. The parting of Jesus from His Mother is exceedingly pathetic, the more so, as the spectators are well aware of the fate that awaits the Saviour at the hands of His enemies. He Himself knows perfectly what He is to undergo, for He exclaims: "Dear hospitable Bethany, I shall never again linger in thy quiet valley. Beloved Mother, the time appoint- ed from the beginning has come for me to give my- self up as a sacrifice in obedience to the Fath- er’s will.H At length the last embrace is given, and Mother and Son separate only to meet again on the way to Calvary. The scene of the garden of Gethsemane, whither Maier leads his disciples from the Last Supper, was to us the most touching portion of the entire Play. One naturally trembles at first with apprehension, lest something be done that may offend; but all such anxiety is needless while Joseph Maier takes the part of Christ. Three times he goes apart to kneel in prayer. Three times he pleads in agony: “Oh, my Father, if it be possible, let this cup pass from me." But, finally, when he has gained the spiritual victory, there falls from his lips the sublime expression: “Nevertheless, not as IN GETHSEMANE. I will, but as Thou wilt!” There are some voices that can electrify us like a bugle-call, or thrill us with an overwhelm- THE PASSION PLAY 303 PREPARING FOR THE IDR'D’S SUPPER. ing pathos. Maier has such a voice; and in this scene his simple utterance of the word “Father" affected us more pow- erfully than any other feature of the Play. Meantime, his disciples are sleeping on, unmindful of their master's agony. He looks upon them sadly, yet ten- derly, as one might look upon a weary child. Then, as though foreseeing the trials which await them, he murmurs: “Sleep on now and take your rest; " but soon awakens them HIS UISCIPLES ARE SLEEPING. 304. THE PAssIoN PLAY with the words: “Rise, let us be going; be- hold, he is at hand that doth betray me." It is indeed time. The Roman guards have come, and, guided by the faithless Judas, have surprised the Christ and his disciples in the shadows of Gethsemane. Iscariot ad- vances with a rapid step, like one forcing himself in desperation to some hateful act that he has promised to perform. His man- "KBACAPTWE K'NG' ner perfectly portrays his loathing for this act of treachery. With a quick, convulsive movement, he seizes the hand of his master, and imprints upon his pallid cheek the fatal kiss. Then, with an appearance of relief and shame, he skulks away among the trees, and lets the Roman soldiers do their part. There is something sublime in the isolation of the Christ, as he quietly surveys the soldiers, who recoil before his glance. All the apparent weakness of the previous hour has vanished. Calm and collected, he confronts them like a captive king. Buthis disciples, who had so recently uttered JUDAS BETRAYS HIS MASTER. protestations of devotion, even unto death, all hurry off in terror through the shadows of the garden, leaving him friend- less and alone. Probably no amount of reading can convey .1 (Dari) CHRIST LEAVING THE JUDGMENT-HALL. DI". 010' THE PASSION PLAY 307 to one the utter loneliness of Christ at this pathetic crisis of His life so well as this impressive scene at Ober-Ammergau. Following so closely on the agonizing scene in Gethsemane, it is a never-to-be-forgotten moment when one beholds the tall, majestic form of Maier moving away in solitary grandeur with the Roman guards. He is at once conducted to the judgment-hall of Caiaphas. cmzrsr TAKEN CAP'I‘IVE. (Hofnmnn) The high priest trembles with hatred and rage, as the pris- oner appears in the distance, and exclaims angrily: “Bring him nearer, that I may look upon his face." Finally, after hearing the testimony of several witnesses, he cries impetuously, “I, the high priest, adjure thee by the living God, tell us whether thou be the Christ, the Son of God?" Maier remains for a moment silent, then with calm dignity replies: “Thou hast said it; and hereafter shall ye see the Son of man sitting on the right hand of power, and coming in the clouds of heaven." At these words 308 THE PASSION PLAY Caiaphas leaps from his seat, and, tearing open the breast of his tunic, exclaims: “What further need have we of wit- nesses? Behold, now, ye have all heard his blasphemy. What think ye? " The answer comes at once, unanimous and in decisive tones, “He is guilty of death." Caiaphas is evidently rejoiced at this verdict, but knows that only a partial victory has yet been gained; for, since THE JUDGMENT~HALL OF CAIAPHAS. Judea is a Roman province, this sentence must be ratified by the Roman governor, Pilate, to whom the victim is now led. The space before Pilate's house is occupied by priests and people, all clamoring like hungry wolves for the death of the so-called false prophet and impostor. Attended by one or two officers Pilate steps calmly out upon his balcony, and in a cold, unimpassioned voice, which contrasts finely with the howling of the mob, inquires the meaning of the uproar. It is admirable to see his evident disdain for the fanatical priests, as he replies to their accusations: “ No Roman condemns a. man unheard. Let him approach." The scene between the Christ and Pilate is one of the most interesting in the entire drama. The Roman evidently THE PASSION PLAY 309 regards him as an innocent and unoffending dreamer. But when the prisoner utters the words: “My kingdom is not of this world. . . . To this end was I born, and for this cause came I into the world, that I should bear witness unto the truth." Pilate looks at him, as though there flashed upon his mind the possibility of something deeper in his thoughts than he has yet be- lieved; and he gives utterance to that well-known phrase (echoed, alas! throughout the ages by all thoughtful men) “ lVns z'st PVa/zr- heir? ” [What is truth?] ( At this moment a servant is seen making his way to the proconsul, asserting that he has an important message for him from his wife. Pilate bids him approach. “What word dost thou bring me from my beloved wife?" he asks. The servant answers: “She begs of thee most earnestly to have nothing to do with the just man now standing at thy judgment-seat, for she has suf- . fered many things in a dream mums‘ because of him." Pilate makes a gesture, as though con- firmed in his secret determination. “Return," he replies, “and tell her she need not fear on this account. I will do all in my power to release him." Then turning to the priests, he asks: “Did you not say this prisoner was from Galilee?” “Yes," answer many voices, “he comes from Naza- reth. He is a Nazarene.’ 9 310 THE PASSION PLAY “In that case," exclaims Pilate joyfully, “this is not my affair. Herod has come from Galilee to Jerusalem to celebrate the feast. Conduct the prisoner, therefore, to his proper judge." With these words he retires, while the priests, furious at this new delay, are forced to lead their victim to a new tribunal,— the judgment-hall of Herod. There, surrounded by a few courtiers and cl-nns'r. ( Titian) some Jewish priests, still trembling with excitement, we see upon the throne a man who evidently looks on Jesus as demented, and wishes to have sport at his expense. To all his jests, however, Maier returns not a word, but stands in statue-like repose, as though his thoughts were far away. Herod ‘ finally becomes offended “.at this reticence, and orders him to be clad in a royal robe, and shown to the people in mockery as a “king; ” and when the priests clamor for a serious decision, he re- plies: “My judgment is, that the man is a fool, (Raphael) CHRIST BEARING THE CROSS. THE PASSION PLAY 313 incapable of committing the crimes which you have laid to his charge.” Then, dis- missing the council, he exclaims to his cour- tiers: “Come, let us make up for this lost time with wine and song! " Again, therefore, the uncomplaining prisoner is led to Pilate, who once more steps forth upon his balcony. The scene which follows is intensely excit- \ a ing. The multitude numbers several hundred men, who move and speak in perfect unison, and seem the very embodiment of bigotry and hatred. Pilate perceives that Jesus is the vic- tim of an unreasonable and infuriated mob. All now depends on his firm- ness. He evidently does not like to give him up to death, regarding such a course as mean and cowardly. He therefore adopts another plan of “'“ER “Hm PM“ rescue, by ordering the thief, Barabbas, to be brought before him from his dungeon. When he appears, the Roman looks . " -~'i.'- l THE. JUDGMENT‘HALL OF HEROD. 314 THE PASSION PLAY MAIER BEFORE HEROD- upon this grisly, repulsive man, and smiles, believing that he has solved the problem. “Men of Jerusalem," he cries, “you know it is my custom at this festival to set at liberty a prisoner. I now intend, as usual, to do so. This man, Barabbas, is a murderer. The other prisoner here is one against whom I can find no cause for condemnation whatsoever. Which of them will you, then, that I release?" The answer comes at once from priests and populace alike: “Release Barabbas! ” Pilate, astonished at this response, hesitates a moment, and then once more exclaims: “Nay, I appeal to your reason,— your humanity. Here is an innocent,— there a guilty man. Choose once again, which of them I shall release to you." Once more five hundred hoarse and furious voices cry, with a wild unanimity that makes our hearts stand still, “Re- lease Barabbas! Crucify Him! Crucify Him!" Pilate surveys them in amazement; then turns and looks in pity on the man whom they are thus unmerci- fully bounding on to death. But the cry grows louder: “If thou condemnest not this would-be king, thou art not Caesar's friend." The weak spot is touched. The Roman, anxious to retain imperial favor, first falters, and then yields; yet, as he does so, breaks his Sceptre, Jesus to the Cross! BARABBAS. THE PASSION PLAY 315 exclaiming in disgust: "Such a people as this I cannot comprehend.” Then, as if terrified at what he (1 \ has done, he calls for water, an \._ washes his hands before the multi~ #\ tude, exclaiming fiercely: “Bear me witness! Bear me witness! I find no fault in him. I wash my hands of his innocent blood.” Scarcely have these words fallen from his lips, when the Jews cry out in tones that send a shudder through us as they echo over the adjoining hills: “His blood be on us and on our chil- dren ! ” The following scene re- veals again the wretched man whose treachery has wrought this appalling re- sult. That his master would be doomed to die was some- thing Judas had never sup- posed possible. Accordingly his remorse is terrible; and when he learns that Jesus is condemned to the horri- " cRuclFv HIM." ble death of crucifixion, he rushes into the presence of the priests and begs in piteous accents for the prisoner's'life. But in reply he hears only derisive words and taunting laughter, and, hurling the accursed silver at their feet, Judas goes forth, assuring them with cmusT. (Heck) 316 THE PASSION PLAY THE SCOURGING. awful words. that he and they will now go down together to the deepest hell. Among his utterances of despair are these: "I am the outcast villain who hath brought His benefactor to these bonds and death! The scum of men ! There is no help for me! For me no hope i My crime is much too great! The fearful crime no penance can make good l Too late! Too late! For he is dead—and I— I am his murderer! Thrice unhappy hour In which my mother gave me to the world! How long must I drag on this life of shame, And hear these tortures in my outcast breast? As one pest-stricken, flee the haunts of men, And be despised and shunned by all the world ? Not one step farther ! Here, oh, life accursed, Here will I end thee l" (Cu {do Rmz') Finally, in desperation, he loosens his girdle, ties one end of it about his neck, and prepares to hang himself—the THE DESCENT FROM THE CROSS. THE PASSION PLAY 319 curtain falling at the moment when he is fas- tening the other extremity of the girdle to the tree. From this point onward the tragic scene grows more and more intense. THE BALCONY OF PILATE. and reveals the stately form of Maier bound to a column. His garments are already stained with blood, and amid brutal mockery soldiers are beating him with ropes. Yet not a groan escapes the suf- lerer’s lips. \Vith a look of agony upon his face, he stands there, patiently enduring all, until his strength can bear no more. He reels, the ropes are loosened, and he falls sense- less to the ground. But even this is not enough. No sooner has he re- covered consciousness, than the soldiers resume their cruel sport. They put a sceptre in his hand; they place him on a stool which they call a throne, and, bow- ing before him, pay him mock reverence with vul- gar jests. Then they blind- mm m REMORSE_ fold his eyes and strike him 320 TH E PASSION PLAY ( Ittenbarli ) on the face, saying: “ Prophesy, O King, who thy next assailant will be! " They even go so far as to push him headlong off the stool, and he falls forward on the floor. All this is gross and brutal; yet it does not exceed the recorded facts of history. Through it all Maier never loses his kingly dignity. All the abuse of his persecutors recoils upon themselves; and we lose not a particle of our admira- tion for the lofty nobility of the man who never stoops to make complaint, but endures all with silent heroism. Finally, the climax of the persecution is reached when one PRESSING THE THORNS INTO THE FLESH. THE PASSION PLAY 321 e‘— '~,‘l—~ ~a—I-v -— *j— e— " ‘ ON THE WAY TO CALVARV. of the soldiers proposes to add to the prisoner's regal aspect by crowning him with thorns. The crown is quickly plaited, and amid shouts of derision is placed on his pallid brow. . Then, in order not to wound ' their own hands, four of them take sticks and, using them as levers, press the thorns down into the bleeding flesh. At this moment there is hardly a man in the audience who does not long to leap upon the stage and rescue Maier from such torture, while the excited, breathless look upon the peas- ants’ faces indicates how deeply they are moved by all reahsm' CROWNED WITH THORNS. 322 THE PASSION PLAY W— ' ' W’ One of the most impressive scenes in the great tragedy is that of the multitude accompanying the Christ to his crucifixion. The crowd, as usual, numbers hundreds of people. Most of them mock the Saviour with cruel taunts and fill the air with jeer- ing cries. In their midst we see the doomed man moving slowly, with difficulty dragging his heavy cross. As he passes one of the houses, there (Kart/we!) is enacted the episode of the Wander- ing Jew. A man‘appears, who tells the sufferer to move on and not disgrace his house by lingering before it. Maier turns and fixes on the man one long, reproachful look. It is enough. The haunted wretch turns and disappears,— destined henceforth, according to tradition, to find no more rest on earth,—-not even that of the grave. The movement of the cortege is painfully slow, owing to the extreme weakness of the condemned, who, at last, utterly exhausted, totters, and, borne down by the cross, falls heavily to the ground twice. On each occasion, however, he is goaded up and onward by the soldiers, who have no mercy on his weakness. The Roman centurion alone seems more humane. He offers him a flagon of water, saying: “Here, drink and refresh thyself." The weary sufferer drinks, and attempts to rise, but cannot do so. Meanwhile, down the street at the left of the stage, have been THE CENTUHON DESCENT FROM THE CROSS. (Rubens) THE PASSION PLAY 325 "‘ . " , <|\v_ . ' .- ‘oalvr‘>|_ 7.. -"','_:-' i a". [mangy-£18.33. Q'I;§f‘i.: self‘; “swag: ' i .' . '.=_~"__ .; > ‘ MARY RECOGNIZES HER SON. advancing Mary, the Mother of Jesus, Mary Magdalene, and John the disciple. They do not know yet of the condemna- tion of Jesus; but alarmed by their own fears and the increas- ing tumult, they approach the procession. A thrilling moment ensues when Mary recognizes in the exhausted man—her son. With a pierc- ing cry she falls into the arms of Mary Magdalene, exclaim- ing: “Oh, my God, it is my son, my Jesus!" A few minutes later, when the crowd has disappeared, and while the Chorus (this time robed in black) are singing their sad chant, We hear behind the curtain the heavy blows of a hammer, and shudder at the thought 326 THE PASSION PLAY of what these ominous sounds foretell. Another mo- ment and the cur- tain rises to re- veal the scene of Calvary. The crosses of the two thieves are erect CALVARY. on either side, the malefactors being simply bound to them with ropes, no pretense of crucifixion being made in their case. In the centre, the cross of Jesus lies at first prostrate. The sol- diers are on the point of lifting it; but there is an instant’s delay; for the priests have read the inscription sent by Pilate to decorate the cross, and are enraged at it. They will not have it so, and send the messenger back to the Roman Gov- ernor insisting that the legend shall not read “This is Jesus the King of the Jews,” but rather “This is Jesus who said, ‘I am the King of the Jews.’ " Pilate, how- "R- “Eg'w-BHMM ever, sends back the paper with J his well-known words, “What I have written I Ks.“ , l L 1 "a; have written.” a 1' H As if rejoicing to outwit the priests, the Ro- man centurion sfilzes thg P313613 THE UPLIFTED cnoss. THE PASSION PLAY 327 and with one blow of the hammer nails it just above the sufferer's head. As the cross was then slowly raised to the perpendicular, and the form of Maier was seen, suspended upon it, I caught my breath in fear lest it should fall forward and precipitate him to the ground. Apparently he had no support whatever. Not a trace of any ligament could be discerned, and it was hard to believe that he was not actually nailed to the wood. THE CRUCIFIXION. The fact is that Maier wears beneath his tightly-fitting suit of silk a strong corset, into the back of which are fastened hooks which clasp into corresponding rings in the body of the cross. These constitute his only real support; although a tiny piece of wood is placed beneath one heel, and nails, driven between his fingers, give the slightest possible relief to his extended arms. At best, however, to hang there for twenty minutes, is, as he himself assured us, exceedingly exhausting. The realism in all this is terrible. Apparently we see the blood-stained nails piercing both hands and feet. 328 THE PASSION PLAY The crown of thorns still wounds his forehead; his garments are still marked with the blood of the scourging; and, most trying of all, when the centurion’s spear pierces his side, what seems to be real blood spurts forth and leaves a crimson stain. The figure of Maier, as it hangs upon the cross, com- pletely satisfies, from a physical point of view, our ideal of the crucified One. He is a man more than six feet tall, and has a form that a sculptor might covet for a model. While, therefore, he was suspended on the cross, his figure stand- ing out in clear relief against the background of the inner stage, it seemed to us that we had never seen a crucifix in marble, of ivory, or on can- vas, that equaled it in beauty. His words uttered from that position were given with inimitable tenderness. Never can I forget the first sen- tence that he spoke. Our MAIER ON'I'HE nerves had been for some CROSS- time strained to their utmost tension by his previous sufferings and pitiful position, and it thrilled us indescribably to hear him, in a voice broken with pain, answer the railings of the crowd with the pathetic utter- ance: “Father, forgive them: they know not what they do." Soon after he turned his weary eyes from his mother to his beloved disciple, and exclaimed: “Mutter, sz'elze Dez'nm So/lm,~So/m, sz'e’lze' De’z'rze Mm‘ie’r/ " All the details were carried out just as narrated in the Gospels. The soldiers cast lots for his garments; the sponge luo~o HE IS RISEN. THE PASSION PLAY 331 was held to his parched lips; and the mysterious, awful words were uttered: “My God! My God! ‘Why hast thou forsaken me?" Finally. it is evident that the end draws near. With a loud voice he cries at last: “Father, into thy hands I commend my spirit." The head droops wearily upon the breast. It is finished. The descent from’ the cross was beautiful and affecting. The scene was MATER DOLOROSA. (Guido Rem) almost an exact reproduc- tion of the masterpiece of Rubens. Two ladders were placed against the cross, one in front, the other in the rear. Nico- demus first ascended and tenderly drew the nails from the wounded palms. The stiffened arms were gently laid upon the shoulders of Joseph of Arimathzea, who stood on the ladder facing the divine figure. Then, by means of a long roll of linen cloth, the body was gradually lowered to the ground. Nicodemus, Joseph, and John lifted the prostrate body, and, with a touching combination of solicitude and tender reverence, laid their precious bur- den at the feet of Mary, his head resting on his mother's lap. What made this scene even more pathetic was the fact that it took place under the open sky, as if in actual life. ",5 "mum The lights and shadows of the clouds 332 THE PASSION PLAY fell on the. form suspended on the cross. The breeze stirred the mantle of the weeping mother. The birds flew lightly back and forth above the stage, singing joy- ously, much as they did, perhaps, on Calvary itself, blithely unconscious now, as then, of earthly tragedy and woe. The seventeenth act of the Passion Play is devoted to the scene of the Resur- rection. Four Roman sol- diers are seen watching at the door of the sepulchre in AT THE FEET OF MARV- THE PASSION PLAY 333 BEARING THE BODY TO THE TOMH. which the body of Jesus has been placed. At first they dis- cuss the earthquake and other strange phenomena connected with the crucifixion, but finally they fall asleep, and all is still. Suddenly a crash like a thunder-peal is heard; the door of the sepulchre falls prostrate, and for an instant Maier is seen THF RESURRECTION 334 THE PASSION PLAY within the doorway, clad in a glittering mantle, and with a look of triumph on his pallid face. The next moment, two gilded gates spring from the tomb on either side, and make before him a dazzling screen of light. Another instant, and they are thrown back again. But the Christ is gone. We have beheld the vision of the Resurrection. Before the last act of the drama, the chorus enters on the THE ASCENSION. stage to sing a hymn of exultation, the spirit of which is expressed in the. joyful words: “Hallelujah! For the Lord is now risen!" When, at the conclusion of the song, the chorus as usual falls back to the right and left, there is seen in the background a representation of the Ascension, as the Christ, standing upon a slight elevation, gives to his Mother and disciples his blessing and farewell. Nevertheless the real climax of the Passion Play is reached beside the cross of Calvary. The subsequent scenes of the Resurrection and Ascension, although well given, are comparatively unimpres- sive. But that which will remain forever in the memory is THE PASSION PLAY 335 the expressive, noble face of Maier on the cross. To-day, although four thousand miles from that idyllic village on the heights, its influence is with me still, and even now, whenever I recall those gentle features, I feel as if some spirit from a better world were breathing on my soul its benediction. ' lllll ll l Jill illllill \l ,. I}. \i..\: ,. ri- bl (is. . .Qrvu‘olari 5% .II nine-UK...‘ ‘P...- -. _. ._ a. . . . Q \. \’ . ‘