of ftt Wini\)tx&it j» of J^ortfj Carolina Cfjt£ book toag presented MissSwsanCi. AV^ers $dr—~*6 fft /&L//**^rJ. jtf tt/j*^^*^ jtf^^J/^- '/ft* y ;l.» ,1' V ■ ''. "^i ••• *• V V ij$, O* * **«*•' * M<* V i. Cw, -• -V *t y w \ \ \y te I LWeatherly Illustrate^ by I^.Ell^ Edwards f *|W ^-4K NEW YORK ERDUTTON =Sr COMPAN s ,39. WEST TWENTY THIRD STREET TWILIGHT LAND. •^jT'HE day is done, the day is done, ^"^ And all the troubles of the day! The long last crimson of the sun Is melting into silver gray. The old world slowly fades from view, Within another world we stand, And all is strange and all is new, For this, for this is Twilight-land. THE TWILIGHT HOUR. Children, who read these little rhymes, Out of the Twilight-land sent clear, There's many a one in these hurrying times, Has not the time, like you, to hear. But, children, this is your hour indeed; And this is its beauty, this its power, That all you love and that all you need Comes to your hearts in the twilight hour. This is the hour when dreams come true, And life has never a tear or care, When those you have lost come back to you, And all your castles are strong and fair. Then, children, who read, and I who write, — Shall we not pray with all our power, That whatever we lose of the world's delight, We lose not the peace of the twilight hour? A CONTENTS. TITLE PAGE, i. THE MISGUIDED LAMB, 21,23. J&%y THE OLD PICTURE BOOK, 48. THE POET AND THE PRINTER, 32, 33. BELL'S DREAM, 10, 11, 14, 15. THE POET AND THE "^ S p PRINTER, 32, 33. 4~ 4t ■ ! i*e- BELL' S DREAM, 10, 11, 14, 15. MINNIE'S CALCULATIONS, 27. LONDON RIVER, 17. THE ABBEY SWALLOWS, 19. SORROWS, 31 r.ff£ 7I//5G UIDED LAMB, 21,23. HARRY' S SOLILOQUY, 35. CONTENTS. THE DEAD RABBIT, 37. e NO THANK YOU, TOM, 53. THE UNAPPRECIATIVE KITTEN, 39. ^4 BUNCH OF FLOWERS, 55. /w THE DONKEY AND THE CHILD (picture), 40. | '--f THE CHILDREN'S SONG, 58. P B SUMMER TIME (picture), 41. CHRISTMAS (picture), 57. 7^E G«"5 SOLILOQUY, 42. TOBY'S LESSON, 44. r.#£ CHILDREN S SONG, 59. ^ .50 £/£# OF ^i9ZZ K, 61 . £J, SELINA'S DESTINY, 46. 777.fi £AZ>, 63. 7Y/E LOBSTER AND THE MAID, 49, 50, 51. s, Vt BELLS DREAM. It was the little Isabel, Upon the sand she lay. The summer sun struck hotly down, And she was tired of play, And down she sank into the sea, Though how, she could not say. — She stood within a dreadful court, Beneath the rolling tide, There sate a sturgeon as a judge. Two lobsters at her side; She had a sort of vague idea That she was being tried. And then the jurymen came in, And, as the clock struck ten, Rose Sergeant Shark and hitched his gown And trifled with a pen, Ahem — may't please your Lordship. And gentle jurymen ! "The counts against the prisoner Before you, are that she Has eaten salmon once at least, And soles most constantly, Likewise devoured one hundred shrimps At Margate with her tea." J IO TO "Call witnesses I" — An oyster rose, He spoke in plaintive tone, "Last week her mother bought a fish,' (He scarce could check a moan,) — "He was a dear dear friend of mine, His weight was half a stone I " "No oysters, ma'am?" the fishman said, "No, not to-day 1" said she; "My child is fond of salmon, but Oysters do not agree 1" The fishman wiped a salt salt tear, And murmured "Certainlyl" "Ahem- — but," interposed the judge, "How do you know," said he, "That she did really eat the fish?" "My Lud, it so must be, Because the oysters, I submit, With her did not agree 1" "Besides, besides," the oyster cried Half in an injured way, "The oysters in that Ashman's shop My relatives were they: They heard it all, they wrote to me, The letter came to-day 1" • v - II 12 ^s w *>> ^ ^ 22 But when they drew a pail for him, (You really scarce might think it,) . He wagged his tail and winked his eye, , And simply wouldn't drink it. It chanced one day they went to pay Their morning salutation, But though they called, he never came, Much to their consternation. They sought him high, they sought him low, But nol they could not find him, They said "He will, he must come back, And bring his tail behind him." They sought him up the windy cliff, And down the ferny hollow, And still they said "He can't be lost!" And still their feet did follow. Alas! they found him dead at last — Alas! for Ruth and Mary: But then, you see, he always was So crooked and contrary. -J<*S; ' 21 24 « — 25 MINNIES CALCULATIONS. Said Minnie with pride, As she counted her chicks, "When they're grown a bit bigger, I'll sell all the six. And as each ought to fetch At the least half a crown, I can quite well afford me A new Sunday gown." Alas for our castles! How soon they all slipl The cat ate one chicken, And one got the pip; And while mourning their brother And sister, the four Were crushed by the carter-boy Slamming the door. , Don't reckon your chickens Before they are hatched, Is a proverb some fancy Can never be matched. But I think that this other Deserves to be told: — Don't count on their value Until they are sold. 26 4 &■ DREAMS. Sometimes, beneath the brightest skies, The children pause amid their play. With parted lips and earnest eyes In silence looking far away. may not know, we cannot see The wonder-world whereon they gaze ; ven grant, whate'er their dreams may be They find them true in after days! Dreaming sit the children, Pausing in their play, Dreaming of what is, ah! so sweet Because, because so far away. And we too have our dreams, our own, Amid the rush and toil of life, Our dreams of days and things long flown That come like peace comes, after strife. Old hands we feel, old eyes we see, Within our ears old voices ring; They are but dreams, maybe, maybe, But oh! the blessing that they bring. Dreaming like the children, We dream from day to day, Dreaming of what is, ah! so sweet Because, because so far away. 28 SORROWS. There are sorrows, little children, That you cannot understand, As you watch our tears in wonder, As you take us by the hand. There are sorrows, little children, You cannot bear them yet, But you nestle close beside us, And you help us to forget. You comfort us, my darlings, And yet you know not how; You show us Heaven is near us, Though our tears may blind us now. There are little ones in Heaven, Gone a little while before, And they stand, to watch us coming, Beside the golden door. There are little ones in Heaven, They are calling you and me, When our hearts have grown forgetful. And our feet would wayward be. We can hear them, if we listen, We may meet them all one day, When our tears shall fall no longer, And the shadows flee away I 30 THE POET AND THE PRINTER Two little girls — I met them once, But quite forget their name, You'll find them on page twenty-four The printer is to blame, The picture ought to face the w ords, But there! it's all the same. Two little girls, as I remarked, They left their snug abode, Because they thought their dinner must Taste better on the road, For forks and spoons and tablecloths, They really incommode. The ditch is far, far pleasanter Than any high-backed chair, I'm sure you will agree with them If you'll observe them there; And when they'd finished, off they trudged All thro' the summer air. At last they reached a bridge (the bridge You'll see on twenty-five), And on the bridge those little girls Are hanging all alive; It's marvellous how hanging Will make some children thrive! They pondered which was best, to be Upon the bridge or under, And what they'd do suppose the bridge Were just to split asunder, But as they couldn't settle that, They gave it up in wonder. n Now, had these children dined at home, I think I may explain, We never should have seen them here At dinner in the lane: Unless when they had dined at home They'd dined out here again. And had the bridge been never built I think it must appear These children ne'er had found it, though They'd sought from year to year; So, how they could have hung on it, Is not exactly clear. And had I said, when I was asked, "I cannot sing in winter, I've run my throat against a door, And spiked it with a splinter;" — It would have put the artists out, And much annoyed the printer 1 33 ■ ,u % . I/- ; 34 HARRY'S SOLILOQUY. "There's ne'er a kitty so sweet and so pretty, ' There's ne'er such a kitty I've seen in my life ; "I'm certain," said Harry, "if ever I marry, I shall only want kitty, a house, and a wife." "This dear old barrow is nice, though it's narrow, It will do very well to take us about ; For my income of course is too small to keep horses, But that doesn't matter, we'll manage without." But alas I for the dreams of the barrow and kitten, His father's old pointer came back from the wood And the poor little pussy with terror was smitten, And scampered away as fast as she could. And the gardener returned from his evening ablution, And trundled the barrow straight off to the shed; And Mary arrived, and with stern resolution Just carried off Harry and put him to bed. 35 THE DEAD RABBIT. Weep on I he has a happier fate Than many such as he, To lie there in the gentle snow, And die so quietly : To feel your warm tears fall on him, To feel your tender hands. You know he feels as well as you, You know he understands. He might have now been dying Shot by a cruel gun; With panting heart and glazing eye For life he might have run. E'en now he might be hanging Above your larder shelves, And you, you might, indeed you might, Have eaten him yourselves. Weep onl you will not better it; Or change the world's old way, For men will hunt and course and shoot, Though you should weep for aye. Weep onl be not ashamed of it, You'll own in after years, That you yourselves, if not the world, Are better for your tears. 37 THE UN APPRECIATIVE KITTEN. "Did e'er you see a flow'r like that, So exquisitely pretty?" Said Mabel to her Kitty-cat; But not a word said Kitty. \ Perhaps it was in her delight Mabel contrived to squeeze her, For though Kit stared with all her might, The sunflow'r did not please her. "Well, well, why don't you answer me? Why don't you say it's pretty?" But still she could or would not see, — She was perverse, was Kitty. "Sweet mistress, pray restrainyour ire Said Kit in trepidation; "Why must I say that I admire, When I've no admiration?" "Don't ask me that, you stupid cat," Said Mabel in a passion; "You must, you shall admire, — because Because it is the fashion 1" 39 4" 4T *** 4 4 •1 7y/.£ C^Z'S SOLILOQUY. Am open cage, some feathers fair, Two little maidens crying, And Pussy seated on a chair, The mournful scene espying. Tear after tear rolls down each cheek. Sob after sob arises, While Puss, as well as she can speak, Calmly soliloquises 1 "If they would keep a bird in cage, They should not leave it undone ; For that's the tale in every jail From Panama to London. Their ducks and chicks they pet and feed, And yet I've often noted, They eat the very birds indeed To which thev're most devoted. Then wherefore look so cross and sour, Why make this sad commotion: Why should not I a bird devour For whom I've no devotion!" 42 ?>\ G « ® TOBY'S LESSON. A was the Alphabet Toby must say, B was the Birch that made him obey, C was the Collar he wore to explain, D the Disgrace he had got in again, E was the Evening when Toby was gay, F was the Fate that befell him next day, G was the Grave look on Muriel's face, H was the Hist'ry of Toby's disgrace: — I was the Ink that he spilt on the floor, J was his Jump to get out of the door, K was the Kick that he got as he past, L was the Lesson — alas I not the last, M was the Milk that he stole from the cat, N was the Nap that he took after that, O was the Owl that gave him a fright, P was the Poaching he went for at night, Q was his Queer look all dirty and worn, R his Return somewhat early next morn, S was his Smile that would not avail, T was the Twitch of his terrified tail, U "Understand me" he tried to assert, V, his Vain effort his fate to avert, W, the Whip which he saw held on high, X, the Xpression that rose in his eye, Y was his Yap when at last the whip fell, Z (like his feelings) I'll leave you to tell. 44 45 SELINA'S DESTINY. Selina Sophonisba Ann Had a soul above a frying-pan, And, when her mother to cook began, She took to her heels and away she ran Selina Sophonisba, she Stood all day long 'neath the apple tree, Till she became most dreadfully What is commonly called hungansr! Selina Sophonisba Ann About her dinner to think began, But the voice of a little Fairy-man Said, "Don't go back to the frying pan, "Stay here beneath the apple tree, And you will find your destine, A prince is coming of high degree, Who will make you queen of his fair country." The prince came not : and the moments ran, And her thoughts to supper to turn began, So Selina Sophonisba Ann Went gladly back to the frying-pan. 46 47 THE OLD PICTURE-BOOK. It was an old old picture-book, Full of the merriest tales Of mermaids fair with golden hair, And ships with silver sails \ Of fairies light who danced at night, Of goblins on the stair, \.~-j And many a knight in armour bright Y\ ho fought for ladies fair. It was only a battered picture-book, But 'twas worth its weight in gold, For it spoke to the children's tender hearts, And its tales were never old. It is an old old picture-book, Battered, and torn, and brown; But why does the mother sit and sigh? Why do her tears run down? She listens through the long long evesj She waits for the opening door, But the little hands that turned the leav Will turn them again no more. It is only a battered picture-book But she cannot lay it by, For hearts may change, but a mother's love Is a love that cannot die! >3> ~k?-& 48 THE LOBSTER AND THE MAID. He was a gentle lobster, (The boats had just come in,) He did not love the fishermen, He could not stand their din; And so he quietly stole off, As if it were no sin. She was a little maiden, He met her on the sand, "And how d'you dor" the lobster said "Why don't you give your hand?" For why she edged away from him He could not understand. "Excuse me, Sir," the maiden said, "Excuse me, if you please," And put her hands behind her back, And doubled up her knees, "I always thought that lobsters were A little apt to squeeze." 49 ?^* "Your ignorance," the lobster said, "Is natural, I fear, Such scandal is a shame," he sobbed, "It is not true, my dear!" And with his pocket-handkerchief He wiped away a tear. So out she put her little hand, As though she feared him not, When some one grabbed him suddenly And put him in a pot, With water which I think he found Uncomfortably hot. It may have been the water made The blood flow to his head, It may have been that dreadful fib Lay on his soul like lead: This much is true, — he went in gray, And came out very red. <2S^ 51 NO THANK YOU, TOM. They met, when they were girl and boy, Going to school one day, And."Wont you take my peg-top, dear?" Was all that he could say. She bit her little pinafore, Close to his side she came, She whispered "Nol no, thank you Tom,' But took it all the same. They met one day the selfsame way, When ten swift years had flown ; He said, "I've nothing but my heart, But that is yours alone." "And won't you take my heart?" he said, And called her by her name; She blushed and said "No, thank you, Tom, But took it all the same. And twenty, thirty, forty years Have brought them care and joy, She has the little peg-top still He gave her when a boy. "I've had no wealth, sweet wife," says he, "I've never brought you fame:" She whispers "Nol no, thank you, Tom! You've loved me all the samel" S3 54 A BUNCH OF FLOWERS. It was only a bunch of flow'rets wild, Gathered by children one morning fair; And it went away in the twilight gray To the mighty city's din and glare. And the great grand flow'rs in the market smiled At the little bunch of flow'rets wild; \ i And the crowding passers had but a care For the many flow'rs that were rich and rare. A mother stopt in the market place, She saw the flow'rets shining there, And she thought of her child, with his wan, thin face, Pining all day in the London square. She left those lordly, blazing flow'rs, She thought of her far-off childhood hours; She took that bunch of flow'rets wild — Her dearest gift to her crippled child. And she spoke to him of the thousand ones Who toiled in the city hour by hour, Who never had seen the country suns, And never had plucked a country flow'r. And a new light shone in his mournful eyes, He hushed his sad, complaining cries; For that little bunch of flow'rets wild Had changed the life of the crippled child. 55 56 57 THE CHILDREN'S SOXG What is the song the children hear, O pealing bells, O Christmas bells, Echoing high and low, When skies are dark and winds are drear, What is the song the children hear Across the winter snow: Christ is born (the joy-bells ring) Christ is born to be your King, Christ has come from Heaven to br Peace to earth below. r ga** mg What is the song the children sing, A carol sweet all hearts to greet, Good news for high and low: What is the news the children bring, What is the song the children sing As through the streets they go: Christ is born (the children sing), Christ is born to be our King, Christ has come from Heaven to bring Peace to earth below. 58 59 A BOUGH OF HOLLY., He sat on Christmas morn alone, No friend to bid him cheer; He missed them not, though all were gone, Who loved him yester-year. And gaily rang the Christmas bells, Their wondrous tale of old; He heard no meaning in their sound, ' He sate and hugged his gold. He watched the happy folks go by, He scowled to see them glad, And then a little maid drew nigh, A holly bough she had.' She lifts her pleading face to him, She begs in accents wild : What is it makes his eyes grow dim: Why does he call the child? — • He seems to see his mother's face, Who died long years ago, And the holly bough he knelt to place Upon her grave of snow. He listened to the Christmas bells, He felt their meaning then; Peace upon earth, and in his heart Peace and good- will to men! 60 6i fi* THE END. The old milestone is reached at last, And night will be upon us soon; The western light is changing fast, And slowly climbs the crescent moon. The path that we have trod erewhile Stretches behind us, growing gray, And here we stand beside the stile That ends our journey for to-day. Our twilight talks have gone so fast, Like all things glad, it so must be; The old milestone is reached at last, That means good-bye for you and me. But we will have no mournful chimes, Sweet children, no, we shall not part; For while you listen to my rhymes, You cannot ever leave my heart! 62 63 64 $M$&WBtimmatiSm. stss^ WmM Iff ^wfcWil ^$1§S i new York erdutton * company 39. west twenty third street. r *sn ah-