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Digitized by the Internet Archive 
 
 in 2012 with funding from 
 
 University of North Carolina at Chapel Hill 
 
 http://archive.org/details/tiromusicusbeingOOmazz 
 
Tht first thing to he learnt is the names of the Notes on the PlANO FoRTE in 
 order lb attain -which please to ohserve that the -white Keys are arranged equally from om tnd 
 of the Instrument to the other, -whereas the hlack Keys are placed more irregular heingdixided 
 in'o clusters of two and three alternately, the Keys are named after the first fev en Letters 
 of the Alphahet viz: A. B.C .D.E .F. G . 
 
 The White Key immediately helow («iat is to fay to the left of") the two hlackKeysi« called C 
 in every part of the Instrument .where the two hlack Keys appear, and hy that Note you may 
 find all the rest, for Example, having got C, the next white Key ahove it (or to the right^isD. 
 the next E.F.G.A.B , till you come to C again, which will he found in the fame filiation as 
 your first C. that is to fay helow the two hlack Keys, you must likewise learn them backwards 
 "beginning with C, and proceeding to the left or downwards B.A.G.F.E.D. please to ohserve 
 that all white Keys in the whole instrument are hut a repitition of these feven Notes, thev must 
 he learnt not only hackwards and forwards with great fluency, hut likewise hy Skips, and contrary 
 to the natural progrefsion as from C to E^frbm E to A . &c . reckoning from Note to Note as 
 occasion may require . _ 
 
 Having gain'd a competent knowledge of the white Keys, we next proceed to the hlack Keys 
 or Flats and Sharps . The hlack Key next ahove or to the right of C is C Sharp, that ahove 
 1> is D Sharp, E has no Sharp, the next ahove Fis F Sharp, ahove G, G Sharp, ahove A, A Sharp, 
 B has no Sharp , the hlack Key to the left or helow D,is D Flat , helow E,is E Flat , F has no Flat 
 helow G,G Flat , helow A, A Flat, B, B Flat, C has no Flat . 
 
 Hence it appears that the fame Keys are made use of hoth for Flats and Sharps, in the different 
 filiations, those ahove the natural Notes heing Sharps, those helow them Flats . 
 
 Having fully exercised yourself in the Names of all the Kevs on-the Instrument, we next 
 proceed to learn the Notes on the Paper those that have this mark /fj or Cliff at the he 
 are called the Trehle, and are to he play'd with the right hand . 
 
 "9 
 
 beginning 
 
 Example . 
 
 F4- ^J J j '~r^ 
 
 rfffH 
 
 C DEFGA B C D E FGA BCDEF 
 
 Those Notes with this Mark 0" at the heginning are to he play'd with the left, that 
 heing the Mark of the Bafs Cliff . 
 
 $ 1 1 1 1 i i 
 
 j j j J J r 
 
 fe£ 
 
 FGABCDEFGABCDEFGAB C 
 
 These Notes must all he learnt hy heart that when they are met with in any piece of 
 Music they may readily he known again and their Names afcertamd . 
 
 Ohserve that the lowest Note in the first Example is to he found exactly in the 
 middle of the Instrument, is therefore called middle C, being the highest Note in 
 the Bafs, and the lowest in the Trehle, and hy reckoning from this Note you may 
 easily find the rittiati.m of all the rest 
 
% 
 
 Fur the convenience of those -whose memories are weak and cannot easily acquire the Note? 
 I have fubjoin'd the following Table, to he learnt by Heart by the Scholar federating the lint .< 
 from the Spaces that they cannot be well miftaken . 
 
 Treble Notes 
 
 g 
 
 -^b 
 
 m 
 
 D 
 
 1 L 
 
 SXi.a — above 
 
 £ 
 
 1L* 3l £ 
 
 above]"" ahovei~ 1 L tele 
 
 -3i 
 
 1 L i nc - 
 
 -*tL^ 
 
 E 
 
 G 
 
 ^frr-S- 
 
 M - *'*'{ /hnvef ^"^ 
 
 3.S._£ 
 
 all o Ve~ 
 
 m 
 
 3i 
 
 i iace 
 elowS 
 
 -3^-& 
 
 f 
 
 +rS, 
 
 8.S.! 
 
 "Bel 
 
 Bafs Notes 
 
 ^i: 
 
 -&fc 
 
 ~E 
 IX 
 
 £ 
 
 ■4rt, 
 
 ^ 
 
 above 
 
 I I ■ ~ 
 
 Z. jjj iS Si 
 
 =£C 
 
 -f- . Line J 
 
 G 
 
 -©- 
 
 xr 
 
 helow 
 
 3£ 
 
 %-s-it 
 
 azfe 
 
 I 
 
 az& 
 
 £-S- 
 
 &■?>• a 
 
 ^ 
 
 ■ J Up 
 
 nW t -i _• 
 
 -B- 
 
 1 Space^ 
 
 below 
 
 ^r 
 
 2.S. „ 
 below 
 
 3.s. ir 
 
 below 
 
 4.S.1T- 
 below 
 
 . The Bafs fometimes extends itself upwards into the Treble and the Treble downwards into 
 the Bafs in which case they may he said to horrow from each other, in the following Ex: 
 =ample the Notes of both are fynonymous . 
 
 The Trehle 
 defcending 
 into the Bafs 
 
 P 
 
 C B A G 
 
 ^Wf 
 
 W 
 
 £ 
 
 ~C B A - T? 
 
 C p E F 
 
 The Bafs 
 
 afcending 
 into the 
 
 H^ 
 
 ing ^ ' m + 
 
 Treble l ^T I J EfE 
 
 C D E — F- 
 
 It is on this account that another Cliff called the Tenor Cliff is occasionally used in order to 
 
 keep within the compafs of the five Lines; it is markd thus — si or thus 3HE& isplac'd fometimes 
 
 on the first Line fometimesthe third or fourth and where evcritftands that Note is called t-C • 
 
 Before we proceed further in the Theory it will he necefsary to exercife the Scholar in the practi- 
 cal knowledge of what has "been faid already, for which purpose without looking further He may 
 pick out the Notes hoth Trehle and Bafs of two or three Airs that are moft familiar which will 
 relieve the mind and awaken attention to the more obstruse parts of the Science . 
 NB : This Mark O fignifies the Thumb, 1 the if 1 Finger, 8 the Second, *c . &c . 
 
 Of Tlats and Sharps &c. 
 
 A Sharp is mark'd thus $ and if placed at the beginning of a Piece denotes that all the Notes on that 
 Line or Space (with their Corresponding Octaves^ are to he half a Tone higher thro -1 the whole Piece, 
 Ifplacd in the middle of a Tune it is confin'd to that Bar only in whith St ftands . 
 
 A FL'tb fignifies that the Note on that Line or Space fhould he half a Tone lower fubject 
 to the reftrictions as the foregoing • 
 
 A Natural S] is merely meant to restore those Notes that were before Sharp or Flat to their Natural State. 
 AfingleBarl ferves to divide the measure and a double Bar || is the conclusion of each part . 
 
A Repeat is markd thus X. or thus .^< and means that fuch part of the Tune must go over again, 
 fometiipes it is join d to the douhle Bar j|. -which means the fame thing . A Slur thus '^fignifies 
 
 that the Notes over -which it is placed fhou'd he join'd together as much as pofsihle which can only he 
 done hy keeping the finger on the Key till the next is ready . If put over two Notes of the fame line 
 orfpacC it ought to he held out the full time of hoth Notes, without heing ftruck again . 
 
 Staccato Notes thiTrf f or thus f f are oppos'd to the foregoing heing exceeding fhort and pointed 
 hut care must he taken after ftrilcing the Note to ftay out the full time as in these kind of Pafsages 
 the Ear is apt to he deceiv'd and hurry on . A Pause O 1 over a Note generally mea-ns a full Stop , 
 there are different kinds of Pauses (tho'hy an unacountahle defect^ hut one way of marking them 
 fometimes it is meant to he fhort and fudden,fometimes foftly fustain'd and to die away upon the 
 Ear, at other times a gentle Cantahile or extempore flourish is proper, hut these diftinctions cannot 
 he acquired hut hy long practice and experience . 
 
 A Shake A* is p erf orm'd thus f I £ ~ 
 
 he careful! to play the Notes 
 equally and never finish a Shakewifhout making a return from the Note helow as no Shake can 
 
 he complete without it . A Turn <x^ is used when a Note is of so fhort duration as not to air 
 
 =low time for a regular Shake thus 
 
 ■on which the Shake or turn is mark'd 
 An inverted Turn <s> or S is played thus 
 
 he cautious to hegin and end on the Note 
 
 -e/>- 
 
 hy heginning on the Note helow i 
 
 There are two forts of Measure or Time viz, Common Time and Triple Time, Common Time con= 
 sfists of an equal numherof Notes in a Bar, fuch as 2 Minims, 4 Crotchets, 8 Quavers &c . 
 the usual Marks are thus(j consisting of 1 Semibreve &c . in a Bar, which is flow . thus ( j 
 fomewhat quicker 4 or 2 Crotchets in a Bar, which is quick or flow, according to the Italian Terms 
 commonly inserted at the heginning of a Piece, for an explanation of which fee the Dictionary 
 at the end of this Book . Triple Time consists of 3. 6 . 12 . Arc . Notes in a Bar and is mark'd 
 
 thus | or three Minims in a Bar, to he played flow % or 3 Crotchets fomewhat faster this is likes 
 =wife called Minuet time, | or three Quavers very quick, hut all depend on the Characters mark'd 
 at the heginning . There are two other fprts of Measure which heing a mixture of hoth Times 
 are called Compound Common Time , and Compound Triple Time . Compound Common 
 Time is mark'd thus !® or Twelve Crotchets in a Bar, '| or twelve Quavers f or Six Crotchets , 
 8 or Six Quavers, Compound Triple Time has these Characters, 4 or Nine Crotchets in a Bar, 
 
 g or Nine Quavers, The Numhers and Proportions of all different Times may he found hy 
 inspecting the following Example . 
 
 Common Time 
 
 Example 
 
 Triple Time 
 
 wimimm ii«i^ ij ipit- a line 
 
 Compound Common Time 
 
 P 
 
 m 1 1 ■ n * g • q • i i /g 
 
 J. J.J r-j^f fi,, !. J.it Sg 
 
 1 
 
 rrrr rrrrrrrr"^m[£fL£r^i^""r^[i.r 
 
 Compound Triple Time 
 
 $ 
 
 ^ 
 
 S 
 
 J.J.J 
 
 4 rrrrrr r r r^ ^ LL Tiui r llt - 
 
\u Apogiatura or diminutive Note placed, before a large one thus 
 
 P°'^ 
 
 fufpends or borrows half of it , So that a Minim with a fmall Crotchet before. it is play'd 
 
 -4 
 
 like two Crotchets - »□ playM thus P- m and fo in the fame proportion of all the 
 
 other Notes . "When an Apogiatura comes before a dotted Note it takes away two thirds 
 
 of the Note Ex: 
 
 playd thus 
 
 The Notes, their Names Proportions, Refts &.< 
 
 Serriibreve Rest 
 
 Semi- 
 1 quaver 
 
 Demi- 
 
 , femi- 
 I quaver 
 
 A Speck (or Dot) after any Note or Rest makes it half as long again . 
 
 The Speck of A ^ 
 
 
 Semibreve 
 
 — — Minim 
 
 — Crotchet 
 
 Ouaver 
 
 c_> 
 
 • 
 
 q 
 
 J 1 
 
 d ■ 
 
 • 
 
 
 I 
 
 ~t 
 
 • 
 
 p 
 
 N 
 
 V 
 
 • 
 
 * 
 
 is a Minim 
 
 is a Crotchet 
 is a Quaver 
 
 is i.Semi quaver 
 
.5 
 
 1NTROBUC T ION. 
 
 > ■ £,A,&, 2 ■ * - 
 
 33: 
 
 n 
 
 zx 
 
 -©- 
 
 n 
 
 rs&^ 
 
 4 3 2 1 °_ 1 2 3 4 
 
 a 1 ° I' ! I ° I a 
 
 -^ 
 
 n 
 
 13 
 
 3: 
 
 1 2 
 
 « 
 
 2 1 
 
 TVI" ll -'iM 
 
 4 3, 
 
 i 
 
 2 1 o 1 2 3 4 
 
 ** i ii i u 
 
 M-lJ-l -iVl'l i 
 
 1 
 
 ^ 
 
 n 
 
 oI8oH§18Si«18. 3 1 o 
 
 - g o I i o L z ^ i a - a ^ i a ^ t 
 
 ^ ■ i r rrfiffffm^ 
 
 CC t J =33 
 
 T7 rr. 
 
 o o21o 132 1 8J3 g 
 
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 4 4324 32 LJ 8 1 "2 ,32 L3 * 4- 
 
 ff^ 
 
 *U o I ii I fi I 5 
 
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 13 
 
 33: 
 
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 o nl212 Jg3<;3ji Q <^ 
 
 n 
 
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 33: 
 
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 4 4 4 2 3 4 
 
 33: 
 
 rz 
 
 3 123 2(3 12 3 1 23 
 
 i rrrrirfrrirrrrifff 
 
 m 
 
 4 1 , | ■ 4 43 2 .32 12 lo 1 2 3 4 
 
 J J J - i 5 i 
 
 grtfrtfrctt' ■■! 
 
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 olol2n 12 -3.1. 23 _J2«12 3] 
 
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 rr jj^jii j j j-j» ir jt tt i^-i^ 
 
 ■■q n 
 
 4 43 24 32 13 2 1 Q2_ 3 2 31 4 
 
^ feW l tfii Mffl^^^i 
 
 m 
 
 w— m 
 
 *& 
 
 3XE 
 
 ffi 
 
 O 4 
 
 23= 
 
 4202 
 
 3ZE 
 
 IcLlf ClLfH 
 
 ts. 
 
 pus 
 
 ift 
 
 4o ,,■ O 1 j 1 O ■ « -#- g 
 
 12 i 
 
 ' , . * ! « ' n , HQ2 ■ O 4 g \ 2 O 2 t. 1 • ° 
 
 gfr air inanttij-ii i i i ^H-0 sp£ 
 
 t= 
 
 ^ 1 Q g 4- ' 2 O 2 * 
 
 O ml O ± -0- ± O 2 i 2 
 
 1 ii p 1 1 m p I i t- i p.iti£iR 
 
 t 2 O 2 t 1 ° 1 4 2 
 
 2 O 2 
 
 ^F 
 
 * 
 
 ^=; 
 
 *Q 
 
 ^=£i 
 
 ^ 
 
 I 
 
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 4&- 
 
 5cn 
 
 3© 
 
 m 
 
 3 4 2 O 
 
 TT 
 
 ii j^errcjrife^gl^^r^ 
 
 3 1 3 
 
 4y4' 
 
 4c 2 4 
 
 " ^ |-' ^|3m-| 
 
 §& 
 
 4®- 
 
 _U Q 
 
 3§E 
 
 K 
 
 4 02 
 
 4OIO 
 
 4020 
 
 24 
 
|2 2- 
 
 i 4 O 3 4 3 O 2 4 1°. I 
 
 "iff .if ->f .^"l4f .rf ,-rf .-ffio'Sf .rf ..f .»f 
 
 I 
 
 ^^f^ 
 
 P 
 
 ^ 
 
 i 
 
 4 . 
 
 -8H 
 
 r i r 
 
 
 
 3£ 
 
 H5 
 
 « *e 
 
 ■ omc — 4 
 
 XT 
 
 ^ 
 
 1 
 
 13 3 ^ O 4 
 
 34 
 
8 
 
 1 2 O i 2 o I 3 3 4 g 1 
 
 L.w..;i.J 5p3iqiq^T 1 ^TTTnTtT 
 
 o • 
 
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 5 
 
 :t: 
 
 Andante jry^ sj 
 
 4 O "2 * O 2 | 2 O 4 ' ? 4 2 
 
 31 
 
 Jr r i J 
 
 4 Q. <3 
 
 f-HfUl^ 
 
 m f f 
 
 O m 2 o i a 2-1 o 
 
 o l 2 a 2 1 Q.lQft s o 
 
 F pnff i rrr i N j ri ' r r ' J J r nl 
 
 Q. g "j tj- O 4 'l 
 
 
 4 gjj_j O I g 4 4 g 1 ° 1 g 
 
 fcl^ 
 
 i 
 
 4 €> i 'i,3„, 
 
 2 Q 4 | Q ' ft I {■ O 1 Q 
 
 PH 
 
 F. l Q 
 
 2 i « •a..i 
 
 1mm 
 
 4 4. 
 
 O . 2 O 1 2 O 1 
 
 wiv u m, -A \J g* * \j I 
 
 ffi 
 
 1 r i . f r f 
 
 4 2 
 
 4 O 2 4 Q2 f 204 
 
 m^i, i r fi. i r ^^ 
 
 2 3^21 O » 2 Q j 2 Q o 1 2 3 1 Q 
 
 r r i - i r rij I mm r I ! r r H 
 
 4 2 
 
 4q2 4 o y 4 2 O 4 
 
 r r i,i r f^J-rHi^n 
 
 F=FC£ 
 
 Alle 2-retto \ 
 
 ' rig 1 ? l , , , 1 ',3,, g* -£g :?t Q« i g» .^ t^ftfl^ -r- 
 
 2 
 
 
 SS 
 
 4 Q 
 
 mm 
 
 3 2q 2 
 
 nig i iTf f ;ir; i-^nH Jicf f ^ 
 
 1 Q 1 3 1 4 a .3 
 
 3 O -2 , J ^ 1 2 n 
 
 ^ , . o 2 I O 1 a 1 * g • 3 a a ■ f ° ■? ' E . r f ■.: 
 
 P3 r i riiiJTt^^fflsrrn^TTJp i 
 
 £E 
 
 ° 4 ^ ° 
 
 1,4 
 
 £££ 
 
 ^Sfeg^ i 
 
 j O 4 9 1 4 
 
 st= t 
 
 24 
 
9 
 
 3 - . I % I O 3 
 
 An dan tine? 
 
 TZ3 
 
 g .lgj O 8 1 
 
 ^ifcin -c 
 
 *> o o ,o o o o2«« 
 
 I „-W 1-p- ^iil.f 1 V2 If- 42 1-p- 4 2l-p- *2l-» fj— £ 
 
 ^%r r - i tf r^Tg fo g ffr 1 ^ ^ iM 
 
 3 , «3 + 
 
 i qQ ftj'.gtl 6jij , oi^ i 3 3 < 2 .r-igp.-r 2° rf.° 
 
 re 
 
 4 4 %-g 4 4* -f-4 g -p- i- . ,ol-p- 4^-#-4 O 4- Qlt>, 
 
 =pp^= 
 
 2 3 a :i | 
 
 2 3 2 3i *.3 q * 2 O 123 
 
 < 4 9 -^.^^^.-4-o 
 
 Allegretto 
 
 ^:JtjT | j^^jrjT | jrjT|j f 
 
 t 2 O 4 
 
 jet: 
 
 j2 o 1 Q 3 *. 2 
 
 "> 2 * 02fa t O 4 4 
 
 ( »; r Jrri r J r t f ||^^p 
 
 ■ I ■ 
 
 j n j r j 
 
 lgg.3 i 
 
 pn 
 
 2 3 2 3 ! * t 3 g 
 
 1 2 1.2 | , -*. j 2 i 2 2 
 
 ffrrrfffff^in'rif 
 
 p=^# 
 
 p 
 
 4 2 
 
 fs 
 
 jtjT i jt jrurjruTjriJr.^ 
 
 xc 
 
 3: 
 
 . i!J.o+i is 
 
 £ 
 
 jj i mi i rirtf irifrfTj' riffi; , i 
 
 ? I ' lM" Mill I l i^f ll I I JJJ.J 
 
 ^4 
 
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 s ~~n\* 3 <Z 1 j \ Q j3 3 & ai'j a lili « 1 8 3 3« i ft , 
 
 Allegrettc 
 
 i ; i : q o i o 
 
 a 3_*.3 a j 2 .3 
 
 jio^oio 
 
 , o *"-" 
 
 '"^^^fffe^ ^ n^ff^fnTr 
 
 13) '.33aio l a i a 3 _ i g a i £feg i a 3 . i Q ataoao i 3 i 
 
 Lesson.III' 
 
 Andante 
 
 
 * 3 3 g 4 a * O -t 
 
 4 2 t o 1 1 
 
 
 3 a i 
 
 a i ° o 3 
 
 I j J J I . ! ■ I 
 
 
 P=S 
 
 - 2 o i a 
 
 F=+ 
 
 V^htT I r i li-Lte 
 
 ppp 
 
 » -v y 
 
 2 3 
 
 O O o o O n — I **"^" 
 
 ^B^P 
 
 a 
 
 24 
 
a 3 1 2 O 1 « 3 t l33l*3fll °ij»g 4 ' 
 
 11 
 
 4 3 2*321 
 
 « *a 3 1 2 o i .« 3 T h* 2 1 « 3« > o i ** i , i r I rr-n-r 
 
 liiiiiiiiililiii^^^^^ 
 
 ^^^^^^^^m 
 
 
 3 3 . a 
 
 1 "j O 4 
 
 l * o 3 
 
 .3 2 3 
 
 2 i 3 g 3 1 3 , 
 
 .2 o « 1 • 2 -ft 3-* 2 
 
 I: 
 
 ?53f£ 
 
 P^f 
 
 tt 2 3 2 1 3 
 
 P^ 
 
 1 1 ! | [ I ee ^^-H I ! ' II I I 
 
 • • „ . n * i o 2 I p 2 i 
 
 O I g ? | 8 3 4- O 12 
 
 1 
 
 J o .V, li , . » . , . j . «-i- r g — f-f-4-f4=pp 
 
 i =gg=E=pj 
 
 •? o 1 o 1 2 ? \ * 3 4 3 8 j o ± ^ 
 
fH 
 
 4? 3 2 3 4 2 
 
 1 3 2 3 -4- 4 
 
 a 2 
 
 rrazioso 
 
 1 'U S 
 
 
 Ulil 
 
 2 o 9 o o 
 
 i 
 
 4 -ft 3 -ft 4 
 
 
 1=1 
 
 ^ 
 
 O 1 * 
 
 3 2 9 
 
 I 2 
 
 O 2 4 3 2 3 4 g 
 
 4 3 2 3 4 
 
 P^^^fe=§ 
 
 ft_g_^2 O I q 3 4 ? |J. Of o 
 
 -g-Q-8 O I g 3 4 <? fcJpl 
 
 r r - 
 
 ^^^#^^^^^ 
 
 — UiLr=J=i=Jlti 
 
 4 to 
 
 il 
 
 £ 
 
 4 o 
 
 rrr^ 
 
 * ^ 
 
 ^eI 
 
 J ^ ' v^" 1 ^ 
 
 24 
 
2 1 2 3 * 2 i o 12 | 2 1 a 
 
 2 1 
 
 18 
 
 4 ,3 2 
 
 &4i 
 
 1 2 3 2 1 g 2344 32 
 
 1 2 3 2 1 _0 
 
 2 3 4 
 
 P 
 
 '"iiljifii Jss 
 
 1 2 1 o 2 1 " 2 43 23 4 
 
 rifr.f r r r i r LLLlt 1 r mi-* 
 
 ^^ 
 
 ■ o <i 
 
 3 - a ' 
 
 £ 
 
 '2 4 3 2 3 4 4 
 
 
 3_2 1 o 1 ?— | ? 
 
 2 1 o 
 
 r rr Li g i ■ i ^^ 
 
 2 1 o J 
 
 O 1 2 m 2 1 2 
 
 O 1 2 • 2 1 2 P 4 J J 
 
 ^ -a o i 2 a « i a o i 2 ■ * v * " •* g * q - 
 
 ) 4 2^ O 1 2 1 
 
 4^2^ o 1 2 1 *J^ 
 
 * _2^ O | 2 1 4 
 
 £ 
 
 24 
 
 xX- 
 
 ?=& 
 
 PPNf 
 
14- 
 
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 a o o 
 
 3 1 ± 3 3 1 
 
 IV. 
 
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 UH-M- 
 
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 f44^ 
 
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 All? Mod? 
 ? a i o i - a ri 2 13 4 3 4a i o 4 2 Q 2 oia 
 
 J. -. i *■ 1 P - ,-y =— 1 — >"■ .r ^r • — i ' — m . j 
 
 a 
 
 mm 
 
 m± t m 4- 2 
 
 3 4 a | o 42q 2 o i a ° j 
 9i ' « . , 
 
 -& 
 
 W 
 
 fl^ 
 
 2 i til 
 
 £1 
 
 r r i u 1 1 r 
 
 &, 
 
 =?=Fp 
 
 -r=F£ 
 
 E 
 
 # — * 
 
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 oiS if*i 
 
 W i V,h l J n i f.tfftf | f^ 
 
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 2C1 — s 
 
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 ^ 
 
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 m 
 
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 £- » o ■f , ,', ll fi'°f,ffffi',4i 1 l.l.°" °\ 4 r-? . 
 
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 & 
 
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 '24 
 
j yf ii fffrT i 'm i' iyi i i i iiTir ^H 
 
 15 
 
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 ££ 
 
 A):tt r |f d l 
 
 
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 1 O 3 « 
 
 r r I |rt^ f Ji I § I 1 J ^ 
 
 j ' 1 1 ii I 'i ul'i T "i 'Tli T " rfh 1 1 TTT 
 
 d i ' C 
 
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 L ,. r fffffffMi fffff- ir rf ff ^ if ;? ti f[r ; 
 
 V « 4 1 ? * I 2 1 O i 
 
 U-T-f-^ .— P-|T J r r g ,1 r f g j r^ ^ 
 
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 nft ° 5 * O * H.I HHl . I 4 .2 O 4 fl 
 
 g f 1 g f VniJ J 'JTT3 I J n r fr l J g 
 
 O 1 
 
 O 2 
 
 '^ 
 
 i 
 
 o l 
 
 lHH 
 
 ^ 
 
 £ 
 
 XX 
 
 XX 
 
 p 
 
 2 j; O 4 3 042° ? Lo g 1 o 
 
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 i i K f l-fr i r^r *i*Tftf i 
 
 P^g 
 
 u;^fjf r i .if I p ^ ; [r i 'fr r ^T ^m 
 
16 
 
 Andante 
 
 (=£ka 
 
 3 14 2 3 1 O ' ° | gj 3 2 f 31^2 O 1 
 
 M^'EJ*^* 
 
 I? 1 
 
 ^f- 
 
 m 
 
 3 2 4 1 
 
 S=P 
 
 6-^i r^ta. 
 
 o a i 2 
 
 g a 1 g O 2 Q 2 Q 3 4 8 ,. 3 8 1 
 
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