This BOOK may be kept out TWO WEEKS ONLY, and is subject to a fine of FIVE CENTS a day thereafter. It was taken out on the day indicated below: Lib. 10M-N '36 ra^i^TOisis ^OQSEJS MELODIES. ver! -- - ■ ^T~ m "SRI" In Uniform Style SONGS FOR OUR DARLINGS Edited by UNCLE WILLIS Paper 30 cents. Boards 50 cents. Mrs.partingtonX }iotl\ef G^oo^e % ^Lelodie^ CONTAINING ALL THE ORIGINAL RHYMES OE MOTHER GOOSE, BESIDES MANY OTHERS OF A SIMILAR CHARACTER: AND FULL DIRECTIONS FOR COSTUMES AND ACTING SOME OF THE PRINCIPAL PIECES. A CHOICE SELECTION OF MUSIC, ESPECIALLY ADAPTED TO THE RHYMES. Edited by UNCLE WILLIS, UNIFORM WITH " SONGS FOE OUR DARLINGS." BOSTON" 1889 LEE AND SHEPARD Publishers 10 MILK STREET NEXT " THE OLD SOUTH MEETING-HOUSE " NEW YORK CHARLES T. DILLINGHAM 718 AND 720 BROADWAY Entered, according to Act of Congress, in the year 1874, by S. W. TILiTON & CO., In the Office of the Librarian of Congress, at Washington, D. C. 1> STREET. V BOSTGH, IVlxsS. PREFACE TO MRS. PARTINGTON'S EDITION OF "MOTHER GOOSE. Mj^J?HE little songs by " Mother Goose " have been the delight Y1L of the nursery for nearly two hundred years, and have lost none of their original attractiveness. Children of the rich and poor have listened to them, and learned them, without doubt- ing the identity of Mother Goose, or the truth of her wonderful ditties. " Little Jack Horner," " Jack and Jill," and the " Cow that jumped over the Moon," were verities in the nursery, not to be questioned by the young listeners, who, with open eyes and ears, heard them chanted by loving lips. Some over-wise people have tried to place the dame among the myths, but Mother Goose was a person, and, more than that, a person of Boston, of wealth, and respectability, and warm affection, and sung the songs, ~ or most of them imputed to her, to amuse her own little grand- -* child, in whom she much delighted. Her eldest daughter, . Elizabeth Goose, the mother of this grandchild, was married, in <£> 1715, by the great Dr. Cotton Mather, to Thomas Fleet, a printer, ^O and when the grandchild came upon the stage, the venerable PRE FA CE. Mrs. Goose, in her position of grandmother, grew melodious, and sang to her pet all the little ditties which she had learned when a child herself, being the very ones composing this book. Thomas Fleet was much disturbed by her singing, as he was a studious person, and desired quiet ; but all his remonstrances were in vain, and his ridicule was equally futile. The baby must be sung to ; and so she went up and down the house singing her songs to the little one. Thomas, being a shrewd man, at last thought he might make a little fun, and perhaps some money, out of the songs, be- sides indulging in a little malicious feeling against his mother-in- law, by publishing her nonsensical rhymes, as he regarded them ; and therefore he gathered them together in a small pamphlet, and issued them with the following title : " Songs for the Nursery ; or, Mother Goose's Melodies for Children. Printed by T. Fleet, at his Printing House, Pudding Lane. 1719. Price two coppers." And thus were these remarkable melodies first made public. The title, " Mother Goose," given them for the malicious purpose named, proved the grand element of popularity for the songs, which he never dreamed they were to attain. The name is asso- ciated with the earliest memories of every one's childhood, the term Mother giving a sort of sacredness to the songs she sings. Think of the tender regard with which the old lady has been cherished during so many generations ! and the name of Thomas Fleet would have been scarcely known to-day but for its being coupled with hers on the title-page of the book designed to ridi- cule her. Even " Pudding Lane " is forgotten, except on the old maps. Probably some of the songs were of her own compo- sition, and we can fancy how proudly she must have felt when i PRE FA CE. she had achieved some new lyric, and sang it to her one auditor, — the representative of unborn millions, — while Thomas Fleet sat with his fingers in his ears, or scolded and fumed in his study, at the ridiculous songs she sung. Yet these ridiculous songs have been published in all the civilized languages of the world, and genius has lately given them grander meanings, and drawn from them morals which even older and wiser heads than those for which they were designed may profit by. Hundreds of editions have been published in our own country, — ■ it would be matter of interest to know how many, ■ — and most of them have been illustrated by pictures of a grotesque character, though worthy of better. In this edition the publishers have paid re- spect to Art, and have studied to make the pictures in accord- ance with the text, rendering " Mother Goose " pictorially attractive for her little readers, besides serving to awaken in them a taste for art. And thus the venerable dame appears in a new garb, the old spirit remaining, and moves on to new fields and new triumphs. All of the original Mother Goose rhymes are in this collection, besides many others of a similar character ; and in making this selection we have found material from which we shall, at no distant day, make a volume of Mother Goose's stories. yu^> ^^j^i/mX'-v. AUTHENTICITY OF MOTHER GOOSE. !>E sent the advanced sheets of " Mother Goose " to the venerable Mrs. Partington, requesting her sagacious opinion regarding the book. After reading, she handed them to Isaac for his examination, while she pursued her domes- tic avocation. He turned over the leaves carefully and looked at the pictures, reading the luminous text, aloud, with manifest delight. " Was there ever such a woman as Mother Goose ? " he asked, at length. Mrs. P. looked at him over her spectacles, the consciousness of wisdom beaming from her eyes, while she" hovered over the big 7 AUTHENTICITY OF MOTHER GOOSE. earthen pan containing her sponge of bread, which she stirred with a spoon, as if revolving an answer that was somewhere in the bread. She not being naturally a revolver, the process of educ- tion was slow with her. " Such a woman ! " said she, when her mind had perfectly mas- tered the situation ; " of course there was such a woman, or how could this book be here, with all its songs and pictures contagious ? There is no more doubt of her indemtity than there is of mine, and people have followed her perigree back to the original gosling." " But did she write the songs ? " asked Ike, scanning the " little man " with the " little gun," and wishing he had one. " Perhaps she did, and perhaps she didn't ; full as much one as t'other ; but if she did or didn't write them, she sung them, which is all we care about, and they have come down to posteritory for us to believe or not — as some do and some don't, — but the book is hers to all intents and porpoises, just as she wabbled them to her grandchildren." " How did they print 'em if they were not written ? " -the young critic still queried. This was rather a poser ; but what barrier could stand before the acumen of Mrs. Partington ? She said, — " A funnygraphic colporter took them down short-handed." As she said this she gave a stab with the spoon into the sponge, as though she were exterminating doubt, and Ike doubted and queried no more. A smiling triumph rested on the serene brow of Mrs. P., and she returned the sheets to the publishers, with her full approval, and the permission to use her name as sponsor for the book. ]\JO¥S^ ^OOgSj'g ]M5es_ P 7>- --N j=l -\ —I 1 — J- z^: j *_ * lv__5_^ pp .a_ i piu lento. Little Johnny Green; Who pull'd her out! Little Tommy Trout. What a 4 1 L~ — i — — — I , — i 1 1 — j — # r3 i-=^— ^^^F j — -J- gi— — ~ F/—?— *-«—» -— * -* f — ■ -~- . . * * pra ienfo. ^=1= E =^->-j=^— C = I^=I ^ t=E --N — -N — -N- raW. zfc= =|: i naugh- ty boy was that To drown poor Pus - sy Cat. m~i L36 MISTRESS MARY. Allegretto moderate. I mp fr:3t=fr±dt -4--* :*-:*- #- : ^ _ t- -feirN: ' ' J. > * - mp SaE Mis- tress Ma- ry, quite con- tra- ry, How does your garden grow ? "With IS $3=3=3=1 § — #-*-*- 1? — <-.» # j — ^,\.J^_ 33 cock - le-shells, and sil - ver bells, And fair maids all in a row. ^ ^ 1 T~ ±fc 2^_^ # 1 _J SIMPLE SIMON. Allegro moderate -Sof- ten. _c. a Sim - pie Si - mon met a pie- man, Go- ing to the fair; Says I _ j_._* mf . . . • " • ten. / M|t: * -*— 0- -Jtr. =r^5= Simple Simon. 137 i_p. Sim- pie Si - mon to the pie - man, " Let me taste your ware ! " LITTLE BO-PEEP. Andante quasi Allegretto. E±S=±=?=b=5: Lit-tle Bo-peep has lost her sheep, And can't tell whereto find them; ^4* — &—0 1-?-* — #-cg — J — ^— — J - 1# — # — #-*--#— l^. T ._ # 1 fvr-j-Ti — g £ -j3» — #-^# — » — f » - t-j — a i a » » 1 crcsc. f rfim. ^=— Leave them a- lone and they'll come home, Wagging their tails be-hind them. =m&=fEE& 138 CURLY LOCKS. £= Andante. &r- L v- &=& =t Cur - ly locks ! cur - ly locks : wilt thou be mine 1 ? Thou p e sostenuto 'M: shalt not wash dish-es, nor yet feed the swine; But sit on a cushion, and H* ±3=z: if? ct £ ^g^ s=^Eg=a^a=== ^ :z-====EE===b3!==5==^===^J=====f==E sew a fine seam, And feast upon strawberries, sugar and cream. SING A SONG OF SIXPENCE. 139 Allegretto. P rf 1 -? — fe — ^ f — f-h* — i> — & — tr — I — = Sing a song of Six - pence, A pock - et full of Rye ; £ •=,-, =E£ «: -1-0 *=£*= ■*—•—*- -K — #-3 Four-and-twenty Blackbirds Bak'd in a Pie : When the Pie was open'd, The *P-T- i — — — + 7. _i — ^ — J_J — hz w — j — j ** §fe=?=EE£ ^^^M s 3=tf :*±*: —fe-^rr^-JTrir M -f-T— fe" Birds began to sing ; Wasn't that a dain- ty dish To set be-fore a King ? i i« &=SESSE^SE3 ^i * — m-d is** T=fc — (■ -3- I V ^ 4- 140 THE OLD MAN IN LEATHER. Moderate. mf —\ b te js — izr zN" S_t — # -= 1± — — _ ^^^ : £ One mist - y, moist - y morn - ing, When cloud- y was the 3 3s*^ =e a=c=t s -h- wea ther, Oh, there I met an old man, Cloth- ed all in =t fe ---—■i-^-- 1 -^ -H 1— I ff-j - 1 -- J # *=*=* -P 1- £E=gE ^ -4— . 5B=f: trip -N-^ fe^^^ re 4r=5c=c lea ther j Cloth- ed all in lea - ther, With cap un - der his -*-?■ J L- e& -jfr r f p . 5 ¥ r I E £ :=t -•■ -•■ ■#■ ••■ -^ -•• m tnp B The Old Man in Leather. 141 chin, how d'ye do ? and how d'ye do f And how d'ye do, a - gain ? -fc- Kr-l 4-^ 1 r^-^ N-J *-d— j-r#— 1 1 ^ i Allegretto, mf. JACK AND JILL. ±L fc 7=9- 7d-r Jack and Jill Went up the hill To fetch a pail of wa - ter; ■#■ ■•- ■•-■#■ ■#■■•-" ■*■ ==^ ^^=^ ^^^=^^±^^=^^= ==^^== ==^ I -N— » =F =? := r :: 35_ Jack fell down And broke his crown, And Jill came tum-bling af - ter. :N— «- -i — 7- ten. -«- — « — #- -|V *t3 1 ^r :£ r~ 142 DICKORY, DICKORY, DOCK. Allegro. m £E ~N- 1 f ^ ^|fe^ A -* 7 s - =t: mouse ran up the clock; The clock struck One, The ten. 1 s ±± 5z± tsaf A=~ 3EE£e ~* P*-* mM mouse ran down j Dick - o - ry, dick - o - ry, dock. '- js £ £33E£ 5fc pEg: 3E3 3==S=|Egl=gS^] ten P P E^=gg=SE CJC A» "-7=5- Hi LITTLE JACK HORNER. 143 Allegretto con moto. mf * m •=k Lit - tie Jack Horn - er Sat in a cor * fc3 r^~-3z 3^ mf -m—d =5- : :£= rr .« — j — i _i — §— # P* =£=& -?-*■ - s f- a r- 8ves* := ft T _____ _,_ej — _■ — _. Eat - ing a Christ - mas pie ; He put in his thumb, And I ~-# -d* _-__=_&=-_j _£S^=S i^- -+r+r 4 ■.* — jv §L_3__ __«_5__ ig3jgE|i gJ j _,[__ =__: * jf rif. ad &_». pnll'd out a plum, And said/ 'What a good boy am I!" !S________E 5* IS H^l 144 HUMPTY DUMPTY. Allegretto. =t 3 g Hump - ty Damp - ty sat on a wall, Hump - ty Dump - ty pm33^ UXJH =f = £^ E ^ cresc. m had a great fall ; All the king's horses, and all the king's men s — j— g=^g~— J __«| __J =l=p &-3 _ J-_] ;y . crcsc E^ 7v * f-d.-^- H • «_■ F= fe* Couldn't put Hump- ty Dump - ty to- geth • er a- gain. Footlight Frolics By Mrs. CHAS. F. PERNALD. COMPRISING School Opera, Charades, ENTERTAINMENT Christmas Capers, y^V FOR HOME AND Home Plays ^^^^^m Sfetes^^ SCHOOL. &o. NEATLY BOUND IN BOARDS, 50 CENTS. IN PAPER COVERS, 30 CENTS. A BAKER'S DOZEN miiimmmmmmmiiimmiiimmmmmmiii ORIGINAL HUmORQUSi DIHLOQUES By GEO. M. BAKER contents: DIALOGUES for male characters. Containing: The Thief of Time. The Hypochondriac. A Public Benefactor. The Runaways. Coals of Fire. Ignorance is Bliss. The Rival Politicians. DIALOGUES for female characters. Containing: The Red Chignon. Using the Weed. A Love of a Bonnet. A Precious Pickle. Cloth, 75 Cents Boards, 50 Cents By 2s/L. 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