This book was presented by Mr. Alfred Yoemans SB485 P24R65 S00295075 S 88842 This book may be kept out TWO WEEKS ONLY, and is subject to a fine of FIVE CENTS a day thereafter. It is due on the day indicated below: 5M — D47 — Form o •^- / ^^-^ THE PAKKS AND GARDENS PAEIS. Front is piece. TKliES AKD >AILDINC,S In the small Garden in the Place dn Carrousel. THE PAKKS AND GARDENS PAKIS COKSIDEIIED IN RELATION TO THE WANTS OF OTHER CITIES AND OF PUBLIC AND PRIVATE GARDENS; Being Notes on a Study of Paris Gardens. By W. ROBINSON, F.L.S. SECOND EDITION REVISED, SEVEN TH THOUSAND. ILLUSTRATED. 4C n ^ u : M A C J\I I L P A N AND C 0. 1878. LONDON: rniNTED BY WILLIAM CLOWES AND SONS, STAMFORD STREET AND CHARING CROSS. TO VEENON LUSHINGTON, Q.C. THIS BOOK IS DEDICATED B7 THE AUTHOR. 88842 INTRODUCTION. " And let it ajipcare that he doth not change his Country Manners for those of I'orraigiie Parts : But only prick in some Flowers of that he hath Learned abroad into the Customcs of his own country." — Bacon's Essay on Travel. Tins book originated as follows : when some years ago the author first went to Paris, he was privileged to note in the Times anything of importance with reference to horticulture that might 1)0 observed in that city and its neighbourhood interesting from an English point of view. Upon some of the points noted a lengthy correspondence arose, which (like most discussions) not being calculated to point to any definite conclusions, he was led to embody his notes upon the various subjects in the form of a book. At first the questions discussed were of purely horticultural interest, such as the extensive and skilful cultivation of hardy fruit-trees in France which has made fruit so good and plentiful in that country and led to its being so largely exported ; the remarkable culture of Asparagus round Paris ; the system by which in a harsh climate the French growers supply so well not only their own markets but those of many other cities with excellent salads throughout the winter and spring ; the cultivation in the market-gardens round Paris, in which at least threefold more produce is gathered than from similar extent of garden-ground elsewhere ; the very curious growth of Mushrooms beneath Paris, which had, till then, not been described or illustrated. With the idea of the book, however, came a feeling that the great system of public gardens formed of recent years in Paris, the many squares, the vast series of tree-planted streets and avenues, and generally that public gardening which has made New Paris, might be dis- cussed with profit at a time when our own cities are so much viii INTRODUCTION. in need of change. And I wished not only to record and illustrate what is' good in them, but also to point out what is harmful. It is scarcely necessary to show that a clean and ordered city is better than an ugly and filthy one, but it may be well to consider that from the lowest point of view it is the interest of even the poorest tradesman in London to help forward bold measures for its improvement. Whatever the fortunes of our country in the future, nobody can doubt that the English race will form the most numerous of civilised peoples, nor that the city where Shakespeare and Milton wrote will be holiday-ground to millions of English-speaking people besides those that inhabit it. The attractions of London to strangers are really greater than those of any other city that exists, but our total want of plan, or of any wise provision calculated to make locomotion j)leasant or even possible throughout London, and the filthy and depressing aspect of the narrow streets, efi'ectually drive away thousands of people from America and our vast colonies only too anxious to stay in London were it made possible to them. It is a common occurrence for Americans to run the gauntlet of Fleet Street and the Strand, and judging the whole town by their experience of a few narrow and greasy thoroughfares, to escape with all speed to pleasanter places. In Paris superb avenues may be seen often leading to nothing ; in London many important points of interest are practically unapproachable even to those who know the town. Of course we cannot cut down our Fleet Streets or our Strands, but we could at much less cost than that of similar improvements in Paris drive a series of noble roads through the wretched shanties that cover a good half of London, so that it would be possible to get some clear and comprehensive idea of its plan, its suburbs, its parks — its noblest treasure of all, its ship-cities, the river below the bridges, its buildings, and its commerce. The recent very remarkable improvements in Paris, such as the opening of the stately Boulevard de Saint-Germain running through and opening up to sun and air and trees the whole of the south of the city, and the new Avenue between the new Opera House and the Eue de Rivoli, have not only been made without cost to the town, but even with a balance on the right side, the vastly-increased value of sites for business premises in these new and noble streets having more than repaid the cost of their forma- INTKODUCTIOX. ix tion and the removal of the old houses tlirough which the.y were driven. Abroad, every little capital possessing enough interest to occupy one for two hours, is furbishing-up its attractions, while we in London are neglecting advantages the like of which are not possessed by any other city in Europe. The river, the bridges, the suburbs, the surroundings, are infinitely superior to Paris, but owing to stupid absence of plan many of the good points are lost, many of the best suburbs being unknown ground even to thousands of Londoners, owing to the impossibility of reaching them without struggling through narrow and mean streets and roads. The finest city avenue in Europe is the Champs Elysees in Paris, and probably few would think it possible that a site with equal capacities lies wholly unused in the heart of Loudon. Yet there it is in the Picgent's Park, barred up by the railing of Park Crescent, and frittered away recently by narrow strips of geometrical gardening. I have said as good a site as the Champs Elysees, but it is really much better, the wide expanse of beautiful ground which may be seen from the top of the Broad Walk being entirely in the hands of the State. It has tlius the advantage of being freely open to noble improvement without the enormous cost for removing massive, lofty, densely-packed houses which had so often to be incurred in Paris. In many other cases in like manner great opportunities are frequently unnoticed from dead walls or narrow streets or miserable railings stopping the view. All this is not only sad, from its depriving us of so much beauty that London might possess, but also from its far more serious evil in the depreciation of property. I think it is very clear that many quarters of London, beautiful in themselves, are greatly lowered in value owing to bad approaches. A good and simple system of broad tree-planted roads, radiating from the centre to the suburbs, and connected by outer circular roads, would tend to make all parts of the town of more equal value, and would go far to prevent tliat terrible isolation of the poor in various parts of the city the misery of which is at present a by-word throughout the world. The real want is a want of plan, and this it is to be hoped Parliament will some day give us power to obtain. At present this want is glaringly apparent, not only in the central and more crowded parts, but all round London, where xii INTKODUCTIUiN'. mcnts than tliey are ? My object is to point out in what way we may learn from the French, That they, in turn, may learn from us. will he apparent when it is stated that intelligent Frenchmen have in botanic gardens pointed doubtfully at plants of Rhubarb and Seakale and asked me if it were true that we eat them in England ! The general introduction into France of these two hardy easily- grown vegetables would be a material addition to the riches and food supplies of that country. Of the practices which we may with advantage, and which indeed we must, adopt from the French, those of fruit-culture command our first attention, because good fruit-culture combines the beautiful and the useful in a very high degree. There are at least six important ways in which we may highly improve and enrich our fruit-gardens and fruit-stores. First, by planting against walls the very finest kinds of Winter Pears — the Pears that keep long, the Pears that bring a good return, the Pears of which the French now send us many thousands of pounds' worth annually. Varieties of "Winter Pears are fre- quently planted in the open, in all parts of these islands, that an experienced fruit-grower in the neighbourhood of Paris or even further south would never plant away from a wall, knowing well that it would be sheer loss to do so. Sir H. Scudamore Stanhope has proved in his garden at Holme Lacy (p. 299) that improved wall-culture of the finer Winter Pears is as possible in England as in France. Secondly, by the general adoption of the cordon system of Apple-growing in gardens. This will enable us to produce a finer class of fruit than that grown in orchards. It may be carried out in spots hitherto useless or unemployed, and will enable us to do away with the big Apple-trees that now shade our gardens. It should be distinctly understood, however, that I do not recommend this system for orchard-culture, or for the 'pro- duction of the kinds and qualities of fruits that may he gathered in 2)rofusion from naturally -developed standard trees. Thirdly, by the general introduction of the true French Paradise stock into the gardens of the British Isles. Its merits are that it is dwarfer in growth than any other, and that in wet, cold or stiif soils it keeps its roots in a wig-like tuft near the surface — a most valuable quality on such soils. When well known, it INTRODUCTION. xm will be found an immense f,'ain in every class of garden except those on dry and poor sandy or gravelly soils, remarkable as it is in inducing early fertility, and affording a better result without root-pruning than either the Crab or English Paradise does with that attention. The knowledge that the Doucin of the French is an admirable stock for all forms of tree between the standard of the orchard and the very dwarf cordon or bush, will also be useful. The Apple should not be worked on the Crab unless it is desired to form standard trees in orchards — by far the best method, if properly carried out, for market and general supplies. Fourthly, by the adoption in Peach-culture of some of the smaller forms of tree that may be observed in French gardens, as they will enable us to cover our walls with fruitful handsome trees in a few seasons instead of w'aiting many years, as hitherto, only perhaps to see them partially covered after all. These forms, the cordon, U or double U forms figured in this book, are particu- larly desirable where the soil is too light and poor for the health and full development of large wide-spreading trees. Fifthly, by adopting for every kind of fruit-tree grown against walls a more efficient and simple mode of protection than we now use. In speaking of fruit-culture, nothing is more common than to hear our climate spoken of as the cause of all our deficiencies — the " fine " climate of Northern France being supposed to do every- thing for the cultivator. The error of this view of the case is well illustrated by the fact tliat the fruit-growers about Paris take care to protect their fruit-walls in spring by means of wide temporary copings. In this country I have never anywhere seen a really efficient temporary coping, though endless time is wasted in applying boughs, nets, etc., none of which are in the least efiiectivc in protecting the trees from the cold sleety rains, which, if they do not always destroy tlie fertilising power of the blossoms, prepare them to become an easy prey to frost.* Sixthly, by the acquirement and diffusion among every class of gardeners of a knowledge of budding, grafting, pruning, and training equal to that now possessed by the French. ]\Iany of the illustrations in this l)ook show the mastery they possess over each detail of training — the branches of every kind of tree being con- * Since writing the above, various persons have introdnceil useful wide temporary and iiermancnt copings, and with excellent results. xiv 1XTI{0DUCT1(»X. dnctcil in uiiy ^vay tlic trainer may (lesire, and \vitli tlic greatest ease. This knowlcilgc is quite common amongst amateurs and workmen whose fellows in this country know nothing of such subjects. There are numerous professors who teach it in France ; in this country, where it is really of far greater importance it is not tauglit at all or only in the most imperfect manner. It is a common thing in France to see a professor of fruit-culture and his class assembled round a tree pruning it and discussing every operation as it goes on. We require walls for our fruit-trees more than the French do, and there is no way in which we need im- provement more than in the matter of the proper covering oi fruit-walls and development of wall-trees. With standard trees, pruning may be dispensed with to some extent ; but so long as we are obliged to devote walls to the production of our finer fruits, such knowledge as is now possessed by French fruit-growers would prove a great aid. In the vegetable department we have also several important things to learn from the French, and not the least among these is the winter and spring culture of Salads. Enormous quantities of these are sent from Paris to our and other markets during the spring months. As I write this (April lOtli) the market-gardens near London are faintly traced with liglit green lines of weak young Lettuce-plants, that have been for weeks barely existing under the influences of our harsh spring. Around Paris at the same season and for months before, in consequence of the adoption of the cloche and a most skilful system of culture, it is a pleasure to see the size and perfect health of the Lettuces — the diflerence in culture, and not the imaginary difference in climate, solely producing the result. By adopting the French system they may be grown to fully as great perfection near London and in the home counties as near Paris. The fact that we have to be su2)plied by our neighbours with articles that could be so easily produced in this country is a standing reproach. The French system will have the first difficulty to get over— that of people becoming used to it, and slightly changing their modes of culture to accommodate it ; but it must some day be universally adopted by us, and with the certain result of a great benefit being reaped from it by the horticulturists of the United Kingdom. This culture is, in all its stages, so distinct from what is done else- INTRODUCTIOX. xv wherc, that it is not surprising that growers do not even know liow to begin. No doubt many still suppose that tlie tender Lettuces sent in such abundance to our markets in winter and s])ring come from some paradise in tlie soutli ; tliese all the while being the result, in a harsh northern clime, of the most skilful culti- vation I have ever seen adapted to the growth of a vegetable. The French are also far before us in the culture and use of Asparagus, pursuing a system quite distinct from ours and growing- it so abundantly that for many weeks in spring it is an article of popular consumption. Some among us affect to ridicule French Asparagus in consequence of its being blanched nearly to the top of the shoot ; but to avoid this imperfection, if it be one, the grower has merely to adopt the superior mode of culture pursued by the French, but without blanching the shoot. But real students of Asparagus who have had much experience of its use both in France and England, and in its best state in both countries, will probably agree that he has but a very one-sided knowledge of Asparagus who prefers to eat it green. The ex- perience of persons who abuse French Asparagus is frequently limited to samj)les that may have been cut in France a fortnight before they reach the table in England, having passed the inter- mediate time in travelling and losing quality in market or shop. However, nobody will deny that it ought to be more abundantly and better grown in this country. Parisian Mushroom-culture is interesting and curious in a degree of which few have any conception, as will be seen by a perusal of the chapter devoted to it. The sketches and plan that illustrate it will help the reader to obtain a fair idea of places that have been seen by very few people beyond the cultivators. Among my own I have given illustrations from trustworthy French sources, such as Dubreuil's ' Arbrcs Fruitiers,' Decaisne and Naudin's ' Manuel de I'Amateur des Jardins ; ' from the col- lections of engravings belonging to Messrs. Vilmorin, Messrs. Hachette, from Mangin's 'Les Jardins,' the 'Revue Horticole,' and ' La Culture du Chasselas,' but these, as a rule, only when they were as useful in their way as if made specially for the book. Such illustrations have been used for the most part in discussing modes of culture at once good and different from those employed by us, and which have naturally been treated of by xvi INTRODUCTION. French authors. The main source of such ideas as are expressed in the book is personal observation in the gardens of Paris of every kind, at various seasons and for a considerable length of time. Since the first edition of the work was published, a variety of trials have been made concerning certain modes of culture de- scribed in it. Of improvements then advocated the preservation of Grapes without letting them hang on the Vines, has been adopted by most good Grape growers throughout the land; Asparagus on the distinct and wholly superior French plan has been tried with exactly the same excellent result as in the neighbourhood of Paris ; the true Paradise stock has been tried in various districts and found quite hardy and excellent on moist and stiff soils; the cordon system for choice Apples and late-keeping Pears grown on walls has been proved to be a great success ; the light, neat system of wiring garden-walls, forming espaliers and supports for fruit-trees, has been carried out in numerous gardens, and a great quantity of wide and effective coping for wall-trees has been erected throughout the country with very good results. W. K Ajvit, 1878. CONTENTS, rUBLlC NUUSERIKS U I. — The Bnis de Boulogne . II. — The Pauc Moxceau III. — The Garden of Plants . IV. — The Pauc des Buttes Chaumoxt V. — The Gardens of the Louvre, th Elyskk .... VI. — The Luxembourg Garden VII. — The Bois de Vincknnes . VIII.— Squares IX. — Avenues and Boulevards X.— Trees fob Cities . XI. — The Jabdin Fleuriste and other the City of Paris XII. — 'J'he Cemeteries of Paris XIII. — Ivy in Paris .... XIV. — The Gardens of Versailles . XV. — Winter Gardens . XVI. — A few Notes on Private Gardens XVII, — The t?CH00L of Horticulture at \ -Will. — The Cordon System of Fruit-growing . XIX. — The Paradise, Doucin, and Crab Stocks XX. — Some Notes on Fruit-gardens XXI. — The Peach Gardens of Montreuil XXII. — Fig-culture in the Neighbourhood of Pari XXIII. — Training ...... XXIV. — Fruit-culture: llnw are we tu Imi'icuve ? XXV. — Concerning certain Implements and Appliances used in French GARDEN^ b EUSAILI.ES PAOE 1 '20 4;-) CO 7!) 'Jl 102 110 131 149 1G5 173 184 193 222 250 261 280 30fi 323 351 369 390 408 437 xviii CONTENTS. CHAP. XXVI. — The Market-Gaudens of Paris XXVII. — Asparagus-cultuee .... XXVIII.— Salads in Paris XXIX. — Some Vegetables of the Paris Market XXX. — Mushroom-culture in Caves under Paris XXXI. — Lilacs of the Paris Gardens XXXII. — Flower, Fruit, and Vegetable Markets PAGE 458 468 478 490 505 526 533 Index 543 LIST OF ILLUSTEATIONS. Trees and Buildings ...... Frontispiece Bois DE Boulogne ...... To face page 16 IvY-CLAD Rocks and High Lawns ... „ 68 Corner for Play ...... „ 126 A City Avenue Garden ..... „ 136 A Contrast ,,178 Groups of Statuary ...... „ 194 Winter Garden ...... ,, 224 Lake and Island View FJocky Grottoes in Banks, clothed with Ivy Rustic Bridge between Wooded Islands The " Grand " Cascade in the Bois de Boulogne ..... Plantations on Banks of Lake ; rock- shrubs and small cascades False Curves to Banks. Ivocky margin of Island in Lago Mag- giore ...... Water margin in Loch Achray . View by the Seine, looking north from near the Bridge of Suresnes . Weeping Beech on Sloping Bank of Island ..... Bois de Boulogne .... Sketch in the Pare Monceau Hardy Bamboo (Bambusa nietake) in the Pare Monceau Castor-oil Plant .... Giant Knntweed (Polygonum sacha- linense) in the Pare Monceau, Sept. 1877 Tropical Arum (after a storm), Pare Monceau ..... Montagna^a Heracleifolia . Jlnsa Ensete, in the Pare Moncean. 1868 Beauty of form from Hardy Plants Isolated Ferula on Grass . 24 Rhus glabra laciniata. Hardy shrub, j cut down annually to secure fine \ foliage ..... I Aralia japonica (Hort.). Hardy shrub I with fine leaves .... \ Ailantus and Cannas ] Group and single specimens of Plants isolated on the Grass ' Portion of plan showing Yuccas, Pam- pas grass, Tritomas, Retinospora, I Acanthus latifolius, Arundo, Donax i variegata, etc., irregularly isolated ' on the Grass .... Nook in Pare Monceau Japanese Honeysuckle on Stem of Birch- tree, Pare Monceau Clematis on Trees in May, Pare Monceau Ugly and needless Structures in the Pare Monceau .... Roads in the Pare Monceau. How to spoil a Garden .... Cocked-up Flower-bed in the Pare Monceau ..... Plan of the Jardin des Plantes. How not to lay out a Botanic Garden Old Judas-tree, Garden of Plants New Weeping Honey Locust (Gledit- schia Bojoti), Garden of Plants Algerian Ivy, Garden of Plants . Cedrela Sinensis (New Tree), Garden of Plants LIST OF ILLUSTRATIONS. The Jujube-tree (Zizyi)hus jujuba), Garden of Plants .... Clipped Trees in the Garden of Plants. Ert'ect of large umbelliferous Plant, Garden of Plants .... Sacred Bean in the open air Climbing Hardy Asparagus, Garden of Plants Old Acacia-tree, Garden of Plants Planting of Stream above Stalactite Cave, Pare des Buttes Chaumont Unmutilated Shrubs on Turf, Pare des Buttes Chaumont Type of ]\Iodern French Garden plan . View from Central Clifl' towards Stalactite Caves .... Rock-shrubs and trailing evergreens . Group of Ptocks, Pare des Buttes Chau- mont ..... Little Gardens within the Louvre, exterior view .... Little Gardens within the Louvre, view from the interior .... The Survival of the most Unfit : Trees in Tubs ..... In the Inner Garden, Tuileries . Vicious mode of Tree-planting . Marble Seat, Tuileries Garden . In the Garden of the Elysde Flowers in Hollow Wall . Climbing Rose isolated on Grass Wreaths on Trees, Luxembourg Gardens Fountain in the Gardens of the Luxem- bourg ..... English part of Luxembourg Gardens . The Gardens and Palace of the Luxem- bourg ..... Border of Roses, Luxembourg Gardens Streamlet issuing from Ivy - clad Rock Small Lake with Chateau in distance ; weeping and erect Trees on Islet View across larger Lake . Rocky Streamlet with Yuccas and trail- ing Shrubs ..... Streamlet entering Luke . Margin of Lake near Temjile, with tuft of Giant Arundo .... Near Lac des Minimos, showing bad effect of Road and Walk parallel with margin ..... In the Square des Batignolles . I'ortion of Margin of a Paris Square, not hedged in . Ill the Square Montrouge. evening — (a wretched statue is omitted) . Showing widening of Walk for Play- ground, with Seats and Shade-giving Trees. ..... 101 102 103 104 108 109 110 111 ii:; Streamlet in Paris Square with Yuccas and Water-side Plants . . . IIT) Acanthus on Turf in Paris Square . 119 Margin of a London Square, with edge of Plantation designed to cut off the view ...... 121 Structure in centre of a London Square 123 A Town Square opened up . . 125 The Square and Fountain des Innocents 127 Tuft of large Grass (Sorghum) in Paris Square 130 Planes on Paris Quays . . .155 Glass-covered Corridor between the Plant-houses in the Jardin Fleuriste 167 Diagram showing the arrangement of a group of Glass Houses in the .Tardin Fleuriste 169 Caves under the Jardin Fleuriste, used for storing tender Plants in Winter. 171 Propagating-house in the Jardin Fleu- riste 172 End view of Range of Small-jilant Houses in the Jardin Fleuriste . 172 In a Paris Cemetery in the Nineteenth Century . . . . .174 View in an American Garden-cemetery, 1876 ■. 175 A Contrast : the Cemetery of P&re la Chaise . . ". . .178 St. Clothilde 183 Ivy in Wreaths and Sheets on Railings of Suburban Gardens (Auteuil) . 184 Ivy on Trees in Champs Elysees . . 185 Rocky Caves covered with Ivy . .187 Small-leaved Ivy on Tree in Paris Square 188 Ivy on High Window . . .189 Ivy over High Wall. . . . 190 Screen of Irish Ivy — Boundary to Garden on Banks of Seine at Cour- bevoie . , . . ,191 Versailles. — Fountain of the Bosquet de I'Arc de Triomphe . . .197 Terra-cotta Mania in Garden, Fortifi- cation Style: a Sketch in Suburbs of York. Examjile of modern Land- scape-work . . , . , 200 Statue on Terrace. — Vase from the Basin of Neptune. — Vase Borghese . 202 The Colonnade at Versailles . . 204 Water-spout Gaidening at Versailles. Fountains of the Basin of Neptune . 206 ('ottage in the Little Trianon . . 208 Streamlet in the Little Trianon (Spring) 209 The Gardener's House in th<.' Little Trianon . . . . .210 Oranaevv in the Little Tri.-inon, wrc.'ithed witli Wistari.i in llowrr . LMl LIST OF ILLUSTRATIONS. Fronch-ganlen Side of the I.ittlo Trianon ..... View on the English-garJcn Side of the Little Trianon (h-and Trianon : one of the results of the " Genius of Le Notre ! " . An Avenue of old Lombardy Po])lars at Versailles (near the Little Trianon) ..... A Shorn Tree (•' ideal " form : after years of mutilation the trees are even more hideous) Among the Trees, Little Trianon (Spring) In the Little Trianon (Summer). Section of a Conservatory arranged in the Natural Style Ground-plan of Winter-garden . Cool Conservatory with Vegetatiou planted out. .... Acanthus latifolius in Window in Paris Wreath of Wistaria above Ivy (by Roadside, Vincennes to Montreuil) . A Paris Garden not spoiled by Beds . Ti-ellis for Vines on Top of Dead Wall (Vincennes) .... A Town-garden in Paris . The Degradation of Water (in small Garden near Vincennes). A garden horror : the mirror-globe Wall Pear-tree with vertical branches: ten years planted Outhouse covered with Plum-trees at Versailles ..... Trellis for Pear-trees : ten feet high . View of portion of Square devoted to double Espaliers of Pear-trees at Versailles ..... Double Trellis for Pear-trees : ten feet high ...... Wall of Easter Beurrii Pears In the School of Horticulture at Versailles. Wall of Peach-trees in the Potagerie at Versailles ..... Side-view of protection to double line of Espaliers. . . . . Border of superimposed Cordons at Versailles ..... Plan of a Fruit-garden for the north of France ..... Double Espalier with a row of Cordons on each side, showing mode of pro- tecting the whole in spring . Fruit-tree in the Vase form Hedge of Pear-trees (half formed) The Apple trained as a Sim]>le Hori- zontal Cordon, grafted on tlio French Paradise Stock .... r.\c.K 212 217 220 23:^ 2:56 241 249 2.50 25G 200 263 264 265 266 267 269 270 271 •27.T 277 278 279 Simple and Double Cordon Trees train- ing as Edgings .... Cordon Tree on low Wall of Plant-house Young Cordon Tree of the Lady Apple trained as an Edging The White Calville Apple . Reinette du Canada trained as a Cordon Edging of Simple Cordons three years old in Fruit-garden at Brunoy Grafting by approach, to unite the points of Horizontal Cordons . Another Jlode of Grafting to unite the Cordons ..... The Horizontal Cordon trained as an Edging Simple Mode of protecting Cordon Apple-trees in M. Jamin's Garden at Bourg-la-Reine .... Narrow border in front of fruit-wall . Peach wall and border Simple wooden support for Cordon Iron support let into stone Iron support, with ratchet wheel at the top ..... Wall of Cordon Pear-trees in the Gar- dens at Holme Lacy Obliqvie Cordon Pear. 2nd year Oblique Cordon Pear. 3rd year Pear-tree trained as a Vertical Cordon The Pear trained as an Oblique Cordon Pear-tree trained in U form for very high walls ..... The Spiral Cordon against walls Young Peach-tree trained as an Oblique Cordon. 1st j'ear Peach-tree trained as an Oblique Cor- don. 2nd year's pruning The Peach trained as an Oblique Cordon. (Du Breuil) .... Young Peach-tree with three stems, a ditl'erent variety being grafted on each Flower of the French Paradise Apple . Fruit of the French Paradise Apple . Thomery mode of fi.xing the bottles Ferri^res mode of fixing the bottles Portion of upright used iu Grape-room at Ferrieres .... Section of Grape-room at Heckficld ^Ir. Dodd's tube for Gi-apes in Water . Kemp's Grape-rail .... Interior of Grape-room at Thomery Permanent tiled coping to Peach-wall, Bourg-la-Reine .... Peach-tree (Candelabrum) with the vertical branches in the (J form Peach-tree with 20 vertical branches (Candelabrum form) in full bearing. Pyramid Beurre Dumont . Winged Pyramid, Beurre Hardy 283 285 286 287 288 289 290 291 294 294 295 295 296 297 298 299 300 301 304 305 «07 309 317 317 317 319 320 32 1 322 323 324 325 326 327 LIST OF 1 [.LUSTRATIONS. rAoi: Pear Triomphe Je Jotlniirne, iu Palmotte form . . . . .3-28 Plan of Fruit-garJen for the North of France .... 329 Pear - tree grown by M. Croux, of Sceaux ..... 330 Pear-tree with horizontal branches . 331 Mode of supporting stake for trees trained as shown in the preceding figure 331 View of Espalier Pear-trees and lines of Apples trained as Cordons in gar- den at Brunoj .... 332 Plan of Espalier in preceding figure at corner of line .... 332 Pear-tree in Columnar form . . 333 Portion of Self-supporting Espalier of Pear-trees 334 Stake for fixing the wires in the ground 334- Espaliers of Pear - trees with the branches grafted by approach . . 335 Specimen of fontastic training in Garden at Bi-unoy ..... 336 Pear-tree trained in the Balloon form, ten feet high . . . .337 Pear-tree in Balloon form, seventeen feet high and six feet iu diameter . 338 Plan of Pear-tree in Balloon form . 338 Crossed and Self-supporting Espalier Pear-trees at Saulsaie . . . 342 Pear-tree with the branches trained in lines exactly above each other, and all the points united by grafting . 349 Fantastic training in forming name . 350 A Spur-pruned Peach-tree . .351 Early Spring Aspect of a portion of Peach-wall in garden at Montreuil . 352 Espalier-training at Montreuil . . 353 Espalier-training at ]MontreuiI. Tiie Montreuil Fan .... 354 Small Wooden Coping used to protect young Peach-trees iu Spring . . 354 Second Pruning of Fruiting Peach- branch ..... 355 Mode of preserving the Lower Part of the Stems from the Sun . . 356 Fruiting Branch of Peach submitted to the third year's pruning . . 357 Pruning to replace old fruit-spur . 358 Itesult of the preceding operation . 358 Spring aspect of Fruit-garden formed in North Germany by M. Lepere fils 359 Mode of Pruning to cover bare spaces on the branches of Peach-trees, first year ...... 360 Piesult of preceding operation, second year ...... 360 Summer miinagcmont of tlio reach . .■>61 Shoot of Peach without Fruit Peach-tree trained horizontally : aspect before Pruning .... Disbudding of the Peach, second year . Disbudding of the Peach, second year , Grafting by approach to furnish bare spaces on the main branches of the Peach-tree ..... I Multiple Grafting by approach, to fur- nish bare spaces on the stems of Peach-trees .... Details of the preceding Figures Peach-tree in the double U form Peach trained in the double U form, with the points of the branches united by grafting Branch of Fig-tree bearing the Figs formed during the preceding year . ' Fig-tree growing on level ground, j with the branches grouped in four [ sets Fig-tree with the branches trained in two sets ..... I Showing the Mode of burying the Fig- trees cultivated on level ground, to preserve them from being destroyed [ by frost in winter ' Fig-tree planted on slo])ing earth buried for the winter months . Fig-tree planted on sloping ground, with earth basin on lower side to I better retain the water . j Section showing Fig-tree planted on j inclined ground, with earth basin to retain the water .... Stem of Fig the sixth year after plant- I ing . . . ■ . j Fig-branch with young Figs Branch of Fig-tree after the gathering I of the croj) ..... Branch of Fig-tree after the gathering ; of the crop ..... ' The Chasselas de Fontainebleau . t Wall of Chasselas at Thomery, showing : the Vines trained as Horizontal Cordons ..... Low Double Espalier, and Mode of Pro- tecting the Vines in Spring I Section of top of wall at Thomery, showing the projection of the tem- 1 porary coping .... j Pruning to obtain the two arms of Cordon .... Sulphur Distributor employed Thomery .... Low Espalier of Vines trained vortical! four feet high Layer of Vine raised and planted basket .... he 362 363 363 365 366 367 367 370 371 372 373 373 374 375 375 377 378 379 381 .381 382 382 383 :183 LIST OF ILLUSTRATIONS. Rose-Charmeux's System of Vertical Training ..... Vines trained Vertically with alter- nated spurs. .... Movable Scaffold used for thinning the Grapes . . , . , Shade to protect the Grape-thinners from strong sun .... Frame fur carrying small baskets filled with Grapes from the walls to the store-rooms ..... Mode of Grafting the Vine at Thomery Mode of Grafting the Vine, by ap- proach, practised at Thomery . Gouge used in Grafting the Vine : ten inches long ..... Small Pit used for Forcing the Vine . Small span-roofed Pit for Forcing the Viue ...... French mode of training Vines on open Wall Pear-tree trained as a " Palmette Verrier " . The Palmette Verrier. Second, third, and fourth pruning The Palmette Verrier. Fifth pruning. Palmette Verrier, with weakly outer Branch completed by Grafting Pyramidal Pear-tree Pyramidal Pear-tree. First pruning . Top of Young Pear-tree Pyramidal Pear-tree. Second pruning Leading shoot of Pear-tree. Part of old leading shoot barked and left to tie the young shoot to . The best position at which to prune for the terminal bud .... Incisions made above and below branches and buds to check irregularity of growth ..... Pyramidal Pear-tree. Third pruning . Grafting by approach, to cover bare spaces on Pyramidal Trees Grafting by approach as applied to Wall and Espalier Trees Pyramidal Pear-tree. Fourth pruning Pyramidal Pear-tree. Fifth pruning . Pyramidal Pear-tree with drooping Branches ..... Wall Pear-tree re-grafted . Pendulous Training of Wall Pear-tree . Grafting to furnish useless Water-shoots with Fruit-buds .... Proi)er mode of cutting shoot l^hoot cut too long .... Shoot cut too low .... Young shoot of Pear i>roperly pinched at about four inches from the base . Shoot of Pear pinched too short . I'AGE [ rAGi; ! Result of over-pinching . . . 407 384- J Another result of over-pinching . . 407 ; Pinching of the second growth of the 384 Pear 407 The stipulary shoots forced into growth 385 ' by the removal of the principal shoot 407 j Fruit-trees in a Front Garden (Vin- cennes) . . . . .413 Pyramidal Pear-tree Re-grafted . . 41.") Varieties of Vertical Training . . 418 386 Upright Pear-tree for Wall (Argenteuil) 419 387 Fruit-trees along Railway . . . 432 Section of Railway-embankment and 387 Terraces for Fruit-trees. . . 433 Fruit-hedge fully furnished . . 434 387 Form of Fruit-tree Fence . . . 435 388 Railway Fence furnished with Fruit- trees ...... 435 388 The Cloche as used in Winter-Lettuce I culture ..... 437 389 I The Cloche as used in the raising of i Seedling Plants . . . .438 391 The Cloche as used in the Propagating- house. ..... 439 392 ' Carriage for transporting Orange-trees. 440 393 I Truck for moving Plants in Tubs and I large Pots 440 394 ' Portion of Pear-stand at Ferriferes . 442 395 ! End View of Pear-stand . . . 442 396 ' Section of Pear-rail in the Fruit-room 396 ; at Ferriferes . . . .442 397 I Narrow Frames used for Forcing . 443 397 Frame for making Straw Mats . . 443 Straw Mat (Paillassou) used for cover- 398 ing Frames ..... 444 The S(5cateur Lecointe . . . 446 398 The Common Sdcateur . 446 The Kaidisseur .... 446 Key of Raidisseur .... 447 398 Collignon's Raidisseur . . . 447 399 Side View of Collignon's Raidisseur . 447 j Thomery Raidisseur. . . . 447 400 Borel's Raidisseur .... 448 Open Loop ..... 449 400 Loop after three turns . . . 449 401 Bur-reed (Sparganium ramosum) . 4.")1 402 Reed-mace (Typha latif.dia) . . 451 Mode of Protecting Walls . . . 4.').; 403 Mode of arranging Wires on Walls 454 404 Wall Wired for Oblique Cordon Train- 405 ing ...... 455 I Trellis for Young Trees in Nurseries . 455 406 Gourd of the Paris Market . 467 407 Figure showing the depth of the succos- 407 sive annual earthings given to the 407 As|)aragus 470 Planting .\sparagus ; Trenches at I'lant- 407 ing-time and after a Season's growth 470 407 Frames uscil for Forcing Asjiaragus . 475 LIST OF ILLUSTRATIONS. Section of Frames for Forcing Asparagus Preparation for Forcing Asparagus Argenteuil Asparagus Buncher (closed) Asparagus Bunrhor most commonly used in France .... Argentouii lUmcher (open) Sartrouville Buncher (filled) Cloches over Lettuce in Spring . Plants of the Lettuce Petite Noire under the Cloche in October . Diagram showing the several stages of Lettuce-culture under the Cloche . Some Lettuces of the Paris Market — Lettuce — Grosse Brune Paresseuse (Summer) .... Lettuce — Crepe (Spring) . Palatine (Autumn) . Lettuce — Batavia blonde (Summer) Lettuce — Komaine verte d'hiver . Lettuce — Romaiue blonde marai- chere ..... Lettuce Gotte .... Barbe de Capucin .... Early French Forcing Carrot of the Paris Market .... Carrot — Scarlet Horn „ Intermediate Scarlet „ Intermediate Scarlet Stumj)- rooted .... „ Intermediate Nantes Scarlet . Turnip-rooted Celery TACK 475 476 477 477 477 477 479 479 I 482 48.") 485 I 48,5 485 485 I 485 \ 486 I 487 j 491 492 492 ' 493 49.i 496 Mode of Tying-up the Cardoon for Blanching ..... Blanched Cardoon .... De Laon Artichoke .... Some Navets of the Paris Market — Navet gris de Morigny N. des Vertus rond . N. des Vertus Marteau N. de Meau.\ .... N. Jaune de Montmagny Cantaloup Melon of the Paris Markets. Mouth of Mushroom-cave at Montrouge Passages in Mushroom-cave View in Mushroom cave at Montrouge. Plan of large Subterranean Quariy at Fortes Terres, Frepillon Section following the line C, D, in preceding figure .... Sectional View : Operations as carried on in the Mushroom-caves at Montrouge Section. — Slushrooms attacked by the "moUe" ..... View in old Subterranean Quarries devoted to Mushroom-culture Mushroom-bed in Open-air (.January) . Cave-mushrooms as gathered The Pansy-basket of the Paris Market. A Flower-market and City-square in one. The new Central Flower-market, with Plantation of Paulownias for shade (early morning view) . 499 499 5U0 501 501 501 501 501 503 505 506 507 511 515 518 520 524 525 533 THE PARKS AND GAUDENS OK PAltlS CHAPTER T. The Bois de Boulogne. ^^ If tlicrn be .any aim moro wortliy of a national botanic gavtleu than another, it is surely the expression of the beauty of the vegetable world ; but the botan- ists at the Jardin des Plantes have so arranged matters there that all who visit it in the hope of seeing a fair garden will be disappointed. So we had better follow the world to the Bois de Boulogne. There we break •juite away from the old and dismal style of French garden- ing, with its clipped trees and unendnralde monotony, and from the sad results of the open-air pedantry of the botanist. The ]5ois is in many ways a garden such as a great city like Paris should possess ; a noble system ot roads, ample space, and fine sheets of water contributing to render it deserving of a visit from all for whom gardens possess an interest. Pains are taken to make the vegetation along the banks of the artificial water diversified in character, so that at one place we meet with conifers, at another rock-shrubs, at another Magnolias, £»3^i^ D. H. HILL LIBPARY North Carolina State Colleg© 2 THE PAPiKS AND GARDENS OF PATHS. [Chap. I. and so on ; without the eternal repetition of common things -wliicli one too often sees. The islands seen from the margin of the lakes are beautiful, in consequence of the presence of a varied collection of the finest shrubs and trees. They show at a glance the superiority of per- manent embellishment over fleeting annual dispLay, The planting of these islands was expensive at first, and required a good know- ledge of trees and shrubs, besides a large amount of taste in the designer ; but it is so done that were the hand of man withheld from them for half a century they would not suffer in the least. Nothing could be easier than to find examples of gardens quite as costly in the first instance which, while involving a yearly expen- diture, would be ruined by a year's neglect. In spring the scene is animated by the cheerful flush of bloom of the many shrubs that burst into blossom with the strengthening sun, and while the Oaks are yet leafless the large, swollen flower-buds of the splendid deciduous Magnolias may be seen conspicuous at long distances through the other trees. In summer, along the margins of these islands the fresh pyramids of the deciduous Cypress start from graceful surroundings of hardy Bamboos and Pampas grass, and far beyond is a group of bright silvery Negundo in the midst of green vegetation, with an infinite variety of tree-form around. In autumn the number and richness of the tints of the foliage afibrd a varied picture from week to week ; and in winter the many graceful forms of the deciduous trees among the evergreen shrubs and Pines offer as much to interest an observant eye as at any other season. Looking deeper than the immediate results, we may see how the adoption of the system of careful permanent planting enables us to secure what is the most important point in the whole art of gardening— variety, and that of the noblest kind. "We are told that " change or variety is as much a necessity to the human heart in buildings as in books ; that there is no merit, though there is some occasional use, in monotony ; and that we must no more expect to derive either pleasure or profit from an architecture whose orna- ments are of one pattern and whose pillars are of one proportion than we should out of a universe in which the clouds were all of one shape and the trees all of one size." All this applies to public gardens with even greater force. In them we need not be tied by Chap. I.] THE BOIS DE BOULOGNE. the formalism which conveuieuco uiul oconomy re(|uiro the arclii- tect to bear in mind, no matter liow widely he diverges from the commonplace in general design. In garden or in park there is practically no limit to variety ; in buildings there are many. Vegetation varies every day in the year, but buildings bear the stamp of unchangeableness. In the tree and plant world we deal with things by no means remotely allied to ourselves : their lives, LAK1_ AN 11 I-,LA\il VIEW A/I ahsuni Aii's.',-h'Av structure on this point of tiu: island has been omitted in the sketch. from the unfolding bud to the tottering trunk, are as the lives of men. There is infinite change in the individual, and boundless variety in species and their forms. Therefore the opportunity for variety is beyond comparison greater in gardening than in the building art, or indeed in any other art whatever. As yet we are far frOm perfection as builders, and the garden still holds the relation to the building art which is described by B 2 4 THE PAT^KS AND GAIIDKNS OF TAlilS. [Ciiak I. Bacon. There is no indication that any knowh'clge of the all- important necessity for variety exists in the minds of those tvIio arrange or manage our gardens, public or private. And yet this unrecognised variety is the life and soul of true gardening. If people generally could see this clearly, it would lead to the greatest improvement our gardening has ever witnessed. Considering the wealth of the vegetable kingdom, even in northern countries, and the differences in soil, climate, and position which we can command, it is impossible to doubt that our power to produce variety is unlimited. The necessity for it is great. What is the broadly marked defect of the gardening of the present day ? The want of variety. What is it that causes us to take little more interest in the ordinary displays of *' bedding out," which are fostered with so much care, than we do in the bricks that go to make up the face of a house ? Simply the want of that variety of beauty which a walk along a flowery lane or over a wild heath shows us may be afforded by even the indigenous vegetation of- one spot in a northern and unfavourable clime. But in our parks we can, if we will, have an endless variety of form, from the Fern to the Oak and the Pine — infinite charms of colour and fragrance, from the Alpine plant to the Lilies of Japan and Siberia. And yet out of all these riches the fashion for a long time has been to select a few kinds which have the property of producing dense masses of their particular colours on the ground, to the almost entire neglect of the nobler and hardier vegetation. The expense of the present system is great, and must be renewed annually, Avhile the end obtained is of the poorest kind. To a person with no idea of the rich variety of vegetation the system may prove sufficient, and to the professional gardener it is often so ; but to most persons the result attained by the above method is almost a blank. There can be little doubt that numbers are, for this reason unknown to themselves, deterred from taking any interest in the garden ; in fact, it is without meaning to them. Eyes everywhere among us are hungering after beauty ; but in our public gardens they, as a rule, look for it in vain ; for the presence of a few things with which they are already as familiar as with the texture of a gravel walk must impress them with an opinion that gardening is the most inane of arts. In books Chap. I.] THE BOIS DE BOULOGNE. they everywhere find variety and some interest, even if high merit is rare : the same is the case in painting, in sculpture, in music, and indeed in most arts; hut in that which shouhl possess it more than any other, and is more capable of it than any other, there is as a rule little to bo found. This is not merely the case with the flower-garden and its adjuncts ; it prevails in wood, grove, shrubbery, and in everything connected with the garden. ROCKY GROTTOES IN BANKS, CLOTHED WITH IVY. 77/fjf serve for shelter or garden-stores: a suggestion for tlwse wlu> build liidecus wooden structures for such purposes. What attempt is made in our parks and pleasure-grounds to give an idea of the dignity and beauty of our hardy trees ? How rare it is to see in any garden a tithe of the beauty afforded by deciduous shrubs ! Hitherto our gardening has been governed by two schools— by one of which a few, or comjiaratively few, plants are grown ; while by the other, the botanic-garden school, every obtainable thing is grown, be it ugly or handsome. What we 6 TllK PAUKS AM) GAliDENS UF TAIUS. [Chap. I. want for the ornamental public garden is the mean between these two : we want the variety of the botanic garden without its so- called scientific but very unnatural and ugly arrangement ; we want its interest without its weediness and monotony. There is no way in which the deadening formalism of our gardens may be more effectually destroyed than by the system of naturally grouping hardy plants. It may afford the most pleasing results, and impress on others the beauty of many families now almost unused. Suppose that in a case where the chief labour and expense now go for an annual display, or what some might call an annual muddle, the system is given up for one in which all the taste and skill and expense go to the making of features that do not perish with the first frosts. Let us begin, then, with a carefully selected collection of trees and shrubs distinguished for their fine foliage — by noble leaf-beauty, selecting a quiet glade in which to develop it. It would make a feature in itself attrac- tive, and show many that it is not quite necessary to resort to things that require the climate of Kio before we find marked leaf- beauty and character. It would teach, too, how valuable such things would prove for general use. Many kinds of leaf might be therein developed, from the great simple-leaved species of the lihubarb type to the divided ones of Lindley's Spira3a, and the taller Ailantus, and other noble-leaved trees of Asia and America. The fringes of such a group might well be lit up with beds of Lilies, Irises, or any showy flowers ; or, better still, by hardy flowering shrubs. An irregularly and artistically planted group of this kind would prove at all times a source of interest ; it might be improved and added to from time to time, but the original expense would be almost the only one. Pass by this rather sheltered nook, and come to a gentle knoll in an open spot. Here we will make a group from that wonderful rosaceous family which does so much to beautify all northern and temperate climes. And what a glorious bouquet it might be made, with American and European hawthorns, double-flowered cherries and peaches, plums, almonds, pears ! While we should here have a marked family likeness prevailing in the groups, we should entirely escape the monotony resulting from planting, say, five or six thousand plants of lihododendron in one spot, as is tlie fashion with somr ; for t acli tree would dillt-r considerably from its I.] THE BOIS DE BOULOGNE. neighbour in flower and fruit. Then, having arranged the groups in a picturesque ^Yay, we might finish off with a new feature. It is the custom to margin our shrubberies and ornamental phmtings with a rather well-marked line. Strong-growing trees come near the edge as a rule, and many of the prettiest spring-flowering shrubs of low growth are lost in tlie shade or crowding of more J\us:ic Bridge between Wooded Is'atids. robust subjects. They are often overshadowed, often deprived of food, often injured by the rough digging which people usually think wholesome for the shrubbery. The best of these should bo planted as neat low groups, or isolated well-grown specimens, not far from the medium-sized or low trees of the central groupings, but quite clear of their shade. The result would be that choice dwarf shrubs would display a perfection to which they are usually strangers. It would be putting them as far in advance of their ordinary appearance as the stove and greenhouse plants at the 8 THE TAKKS AND GAKDENS OF PAIMS. [Chap. I. great flower-shows are to the ordinary stock in a nursery or neglected greenhouse. It would teach people that there are many unnoticed hardy little shruhs which merely want growing in some open spot to appear as beautiful as any tropical or subtropical plant. The system might be varied as much as the plants themselves, while one garden or pleasure-ground need no more resemble another than the clouds of to-day do those of yesterday. In the rich alluvial soil in level spots, near water or in some open break in a wood, we might have numbers of the fine herbaceous families of Northern Asia, America, and Europe. These, if well selected, would furnish a type of vegetation now very rarely seen in this country, and flourish after once being planted without the slightest attention. On rocky mounds quite free from shade we might well display true Alpine vegetation, selecting dwarf shrubs and the many free-growing, hardy Alpines which flourish everywhere. To turn from the somewhat natural arrangements, occasional plantings might be made as the years rolled on to show in greatest abundance the subjects of greatest novelty or interest at the time of planting. In one select spot, for example, we might enjoy our plantation of Japanese ever- greens, many of them valuable in the ornamental garden ; in another, the Californian Pines ; in another, a picturesque group of wild Roses ; and so on without end. Were this the place to do any more than suggest what may be accomplished in this way in the splendid positions ofi'ered by our public gardens and parks, scores of arrangements equal in interest to the above could be mentioned. If the principle of annually planting a portion of a great park or garden of this kind were adopted instead of giving all the same routine attention after the first laying out, it would be found to be the greatest imi)rovement ever introduced into gardening. The embellishment of the islands in the Bois de Boulogne is very successful, but it is merely one of many fine results that artistic planting would secure. Plantations as full (»f interest and beauty might be made in other portions, and the fact is the vegetable kingdom is so extensive that, although tlie combination of knowledge and taste necessary to success might not often be found in the designer, the materials for any number of varied pictures could never fail. CUAI'. I.] THE IJOIS DE BOULOGNE. More than one view of the river as it glides along one side of this nohle park may serve to show how much may be gained by arranging the ground and planting so that the beauty of the natural water may be seen. In the park various artificial lakes have been made, while, for the most part, the fine opportunities ofl'ered l)y tlie river have not been taken advantage of. Wherever a garden or park possesses natural advantages of this kind it is THE 11 GRAND " CASCADE IN THE BOIS DE BOULOGNE. Pines, Birch, and Ivy have somewhat concealed its original ugliness. well to develop them in preference to making pieces of artificial water. Lake-like reaches, islets, effective planting, turf-margined bays, and every feature that makes water, or ground near water, charming may be secured in such a case far more readily than with artificial water. As a combination of wild wood and noble pleasure-garden, the liois is magnificent. As regards size, it is amjde, containing more than two thousand acres, of which nearly half is wood, a quarter 10 TlIK PAllKS AND GAUDENS OF PARIS. [Ciiai-. 1. grass, an ciglith roads, and more than seventy acres water. In some spots it has more beauty and finish than any of our London parks ; while in others large spaces are covered with a thick scrub- like wood, in which there is an abundant growth of Avild flowers, such as are never seen in our prim London inclosures. There are plenty of wukl Cowslips dotted about, even over the best parts of it, in spring. From a landscape-gardening point of view, the great drawback of the Bois is its want of breadth. Except for the roads and avenues that intersect it, it is, speaking generally, a mass of dense monotonous wood. There is no open, airy space of any extent (except the broad roads) for a long distance from the gate nearest Paris. This of course is stupid in a park of such vast extent. Even if effect were not taken into consideration, it must, nevertheless, be remembered that the result of such dense masses of low wood is to prevent that motion of the air which is so desir- able in a great park. It would be difficult to find a city park so ill-arranged in this respect. It is owing to other things than design that the parts more distant from Paris are breezy, open, and pleasant to the eye. The racecourse of Longchamps and the training-ground necessitated open spaces, and the result is very satisfactory from a landscape point of view. Various banks and rocks near the water here are very tastefully adorned with Ivy and rock-shrubs. The planting of the banks near artificial water offers an opportunity for securing good effects which are worth studying. The contrast with the water, and the certainty that from across the water at least the result of tasteful planting will be seen and not be obscured by chance or unre- strained growth or unwise planting, should encourage the planter to devote his attention to the subject. One happy eflect here is afforded by ivy on the rocky margin of the water, in combination wath rock-shrubs and hardy Cuprcssus and Junipers. Sheets of luxuriant Irish Ivy fall over the rocks and carpet the banks. This is welcome in winter, when it forms such a contrast to the dug surface on which so many shrubs have to stand through most of the year. Among the evergreen rock-shrubs and low conifers suitable for such positions, a few good deciduous early-flowering shrubs may be placed with charming effect ; such, for example, are the Japan Pyrus (P. japonica) and its varieties, the Forsythias, Chap. 1.] 'IIIK BOIS 1)E BOULOGNE. 11 tlie large white Chinese Magnolia (M. conspicua), and other early- flowering shrubs. The attractive Chinese, Japanese, and Ghent Azaleas, and the Rhododendrons, are, of course, admirable for such positions ; but there is a peculiar fitness in placing the very early- flowering shrubs on these well-carpeted green banks, where the surroundings are not so winterly as they are often needlessly made in gardens. There is one feature in the Bois de Boulogne wliich cannot be too much condemned — the practice of laying down here and there on some of its freshest sweeps of sloping grass enormous beds con- taining one kind of flower only. In several instances, near the plantations on the islands, may be seen huiulreds of one kind of tender plant in a great unmeaning mass, just in the positions where the turf ought to have been left free for a little rci)ose. This is done to secure a sensational cllcct, but its onlv result is to 12 TllK PAPiKS AN]) GAllDENS OF PAULS. [Chai-. 1. spoil some of the prettiest spots. Let us hope that some winter day, when the great beds are empty, they may be neatly covered with green turf. It would be a great gain to horticulture if ten out of every twelve " flower-beds " in Europe were blotted out witli fresh green grass. The illustrations in this chapter show some of the beauty of the Bois, in the part that is most essentially a garden. They show ■^ the rocks in the lower -■: -JpAS' lake with their drapery ■$^W^ - . ■'■>iS''^J*^-:i ^^ Ivy and shrubs ; ^ V,. "" the "grand" cascade ;^^j^^U. ,r"' from its best point of ^" "^ view — it was origin- ally ill-formed and False curves io tanks, /u,>. ........ . . . . uuhappy as regards ugly atid needless. Compare ivitk tH'O margris to natinal I \. J O water on page i-i. its SUrrOUudiugS, but nature has thrown a graceful mantle over it in parts — the island view, which is pretty ; the St. Cloud view, from a point near the training-ground, one of the most charming views in Paris, but which is more the result of accident than design ; the bridge with its fringe of creepers and shrubs ; and the river view, which tells of the wisdom of develoj^ing the natural advan- tages of a beautiful stream, instead of wasting efforts in creating :in artificial lake. The main defect of the most frequented part of the Bois de Boulogne is that the banks which fall to the water are in some parts too suggestive of a railway embankment, and display but little of that indefiniteness of gradation and outline which wo find in the true examples of the " English style " of laying out grounds. This fault is common to almost every example of the "picturesque" garden to be seen about Paris ; in most of the walks, mounds, and turnings of the streams may be detected a family likeness and a style of curvature which is certainly never exhibited by Nature, and would never be drawn by an artist who had studied her. The natural style of laying out ground cannot be fairly judged of till we are accustomed to obey in our gardens the same laws by which artists are governed in their work. An avowedly geometrical Chap. I.] TIIK liOTS DE BOULOGNE. in garden with stately and aLnndant vegetation is often more pleasing than a so-called natiirally designed garden in which the great lines are laid down by persons who have no knowledge of or feeling for what is right in the matter. It must not he supposed that the right thing is not possible : a good deal of English work Rociy margin of island in Lago Maggiore. in this direction is irreproachable. The gentle and graceful gradation which would generally recommend itself in our lowland gardens is indeed easier to form and to keep in order than such stiff embankments as those by the water here. These too clearly bear the impress of the engineer and the navvy. More vicious still are the walks which run by the margin of U 'ater margin in Loch Achray. the water on all sides, destroying the good eflfect which turf running down to clear water generally produces. These walks are a fatal error in a scene like this : from many points of view they are offensive. There is no surer way of robbing garden-lake scenery of its charms than by putting formal walks close to and 14 TlIK PATJKS AND GAT^DEXS OF PAIHS. [Chap. T. parallel with flic margin. Frequently it may he found desirahle to approach the water edge for the sake of a view, or for other reasons. In such cases it is right to approach it holdly, and to let the gravel touch and run into it. Then it should recede again and leave the margin green, quiet, and artistic in outline and gradation. It is vexing to notice that these eternal and ever visible serpentine walks steal all beauty from the margins of the water. Forming racecourses in important positions in public parks is surely a great mistake. France is large enough to accom- modate her racing men in the way usual in other countries. The creation of a new steeplechase-course in the very best position in the Bois, just beyond the top end of the upper lake, is as vulgar an error as can well be committed in a public garden ! Imagine the best part of the Eegent's Park in London, or the Central Park, New York, prostituted to the purposes of "suburban meetings " ! And not only is this park thus misused from time to time, but a large space railed in with a " grand stand " and all its appurtenances are in permanent occupation of what, three years af^o, was one of the most beautiful spots round Paris. It is un- worthy of a city to allow its finest open spaces to be thus violated. Apart from the incongruity of a great city or state taking such doubtful gambling business under its care, there is the objection that the great numbers attracted are likely to do much damage to the planting, as, indeed, thoy often have done on crowded days in this park. The older Longchamps course, almost apart as it is, might have been excused in a people anxious to naturalise " meetings " that English people even dread coming near their houses ; but this creation of a second racecourse in the same park is no credit to the city authorities. Trees and Avenues in the Bois de Boulogne. — It would be impossible to find nobler roads and avenues than in the Bois de Boulogne ; but they are bordered by the usual badly grown trees seen everywhere in Paris. There may be some reason for being satisfied with mere sticks in narrow streets and in gas-saturated earth, but not here ! Trees are planted everywhere to give shade, but they are so managed that they never afford any such jileasant shelter from the sun's rays as may be enjoyed under tall spreading trees. The shade, forsooth, from these starvelings is not to be CiiAP. I.] THE BOIS I)E BOULOGNE. 15 compared to that from stately trees beneath the tall limbs of which the cool air might circulate. It is easy to imagine the effect of really well-grown trees along these superb avenues. They only want room on all sides and freedom from the municipal pruning-knife. For grand avenues trees must have space to grow, and sufficient exposure to winds to cause them to anchor VIEW BY THE SEINE, Looking north from near the Bridge of Suresnes. Pc7'elof>itig vii-.vs of thii kind is better than dabbling »'' artificial ivater. This quiet nook of i lie /•ark has escaped the attention of tite landscape-engineer ; there are, therefore, no false curves on tlie banks, no hard straight margin, and no parallel walk. Compare this 7uith margins of artificial water in this same park, and kerbstone to our man Serpentine. well in the soil on all sides. The lines of young Planes and other trees are often planted at a distance not greater than from nine to twelve feet from the dense, badly grown wood, so that their tops touch ; and the trees themselves are often only fifteen feet apart in the lines ! It is curious to notice how people persist in wasting money in so planting trees that they can never attain 16 THE 1\U}KS AND GARDENS OF PAIUS. [Chap. T. a third of their proper size. The result here dephn-otl is not owing to tlie soil or any other disadvantages of the site. Many of the trees of Europe and America would attain their full stature and dignity here if not crammed together in the way the engineers seem to have decided that trees should grow. More noticeable still is the condition of the trees in the wood itself generally. They look as if France wished only to grow coppice-wood for barrel-hoops in this her favourite park ! Monotony reigns along all the main drives from this cause. There is nothing to be seen but illimitable and impenetrable forests of sticks and brambles. Why allow the trees to crowd each other to death or starvation ? Thousands of Acacias and Oaks are struggling for bare life, while by thinning them out those left would form noble trees in good time. "Where a wood of Pines breaks the monotony, it looks like a deserted nursery — the trees as close together as a plantation of saplings, and never thinned ! These woods ought not only to be properly thinned, but spaces cleared to give breadth and to relieve the eye. In these spaces various noble aspects of tree-life might be easily developed, ■ There are other and better gardens than those that require the mowing-machine. It is in such wide expanses of ground as this that the tree-gardens of the future will be made, and not in the narrow botanic gardens hitherto formed in Europe. Even all the trees and shrubs native in France planted, not in any formal order, but in ample groves and groups, would form features which would be very beautiful and interesting, while valuable to the country. And instead of bracken beneath and around these trees, why not naturalise everywhere in the grass the beautiful hardy herbaceous plants of France ? In such a way we might form gardens requiring no perennial care, and which would soon surpass in beauty the trimmest and most costly. The (JardeuH of the Acclimatisatiun Societi/.— Nowadays other gardens than those avowedly botanical or horticultural often claim attention from their gardening interest. In our own Zoological Gardens there have for some years past been attractive lioral displays both in spring and summer. The warm tempera- ture and light of some of the new houses afforded opportunities for indoor gardening which were taken advantage of. This desirable innovation might be carried out with advstatage in many Cn.u'. I.] THE BOIS I)E BOULOGNE. 17 other cases. The temperature, moisture, air, etc., given to houses of exotic phxiits of various classes would j)erfectly suit various forms of animal life difficult to preserve in good health in cold northern countries. The interest and beauty of both the animal and vegetable kingdom might be heightened by such a mixed arrangement as we speak of, tastefully and judiciously carried out. The economy resulting from adapting the same structures and heating power to the wants of both the animal and vegetable Weeping Beech on Sloping Bank of Island. treasures would permit of fuller justice being done to each. In cities rich enough to afford first-class separate establishments, this proposal in its entirety would not so readily commend itself. But, however objectionable it might seem to introduce zoological elements into the botanic garden, there would be no two opinions as to the good of adding all the charms of vegetation to the zoological garden. In small cities with only one zoological or botanical garden it would be easy so to arrange the two matters 18 TPIE PARKS AND GARDENS OF PARIS. [Chap. I. that a happy result might be produced. If these ideas be sound so far as buildings are concerned, they are equally so as regards the open air. The old narrow idea that a small portion of ground in a town suffices to worthily represent vegetation in a public garden — the idea that we see illustrated in so many continental cities, and in some dozen of our own — must be got rid of before we ever see ornamental horticulture properly carried out in any city. Every garden and open space may do as much towards this end as any similar space of the so-called botanic garden. That it should do so two things are mainly requisite — first, that the BOIS DE BOULOGNE. Line of r lanes near the Mare cfAntetiil, shcnviug scrubby 'MOod and crirnuicd planting. garden should be laid out on a sensible plan ; secondly, that it should not be devoted to imitating what is done everywhere else. Beautiful it might be made with every flower or tree that those who resort to it love ; but, in addition, let it show us one or more families of trees, shrubs, plants, or fruits, as completely illustrated as may be. It should, in fact, like a useful type of man, know a little of everything and everything of something. Among modern public gardens, that of the Acclimatisation Society in the Bois dc ]>oul()gne shows a fair attempt to make a garden, mainly zoological, satisfactory from a landscape point of view. At one Chap. I.] THE BOIS DE BOULOGNE. 19 time it was pleasant, from the judicious planting of a variety of trees and shrubs. Recently, however, the zoological element has predominated so much over the rest that the beauty of the place is almost destroyed, with, perhaps, the exception of the winter- garden, which shows a variety of subtropical subjects planted out. It is suggestive of what lovely scenes may be made by means of this plan as compared with the tub-and-pot one. Here masses of Bambusa gracilis grow up 15 feet high, and with all the elegance of a weeping "Willow, while graceful Palms and Tree-ferns look quite at home when seen without the usual ugly assemblage of pots and tubs. c 2 20 TIIK TARKS AND GAlfDEXS OF PARIS. [Ci CHAPTER II. The PARC MONCEAU. AVhat first excites the interest of the visitor accustomed to the monotouons type of garden now so common is the variety, beauty of form, and refreshing verdure which characterise this garden — for it is not a park in our sense. The true garden is a scene which shoukl be so delightfully varied in all its parts — so bright, so green, so freely adorned with the majesty of the tree, the beauty of the shrub, the noble lines of fine-leaved plants, and the minute beauty of the dwarfish ones ; so perpetually interest- ing, with vegetation that changes with the days and seasons, rather than stamping the scene with monotony for months ; and so stored with new or rare, neglected or forgotten, curious or interesting plants — that the simplest observer may feel that indefinable joy which lovers of Nature derive from her charms in her own fairest gardens. If any good at all is to be done by means of flowers and gardens, we must give men a living interest in them, and some other objects than those which can be taken in by the eye in a moment. Numbers are occui^ied with gardening as it is at present, but it cannot be doubted that a system with something like an aim at true art would be sure to attract many more. It is patent that there are numbers even among the educated classes who take little or no interest in the garden, simply because they can in few places find any real beauty or character in it. Here it is that the phase of gardening which is known among us as the siibtropical, and which so much helped to open people's eyes to the drawbacks of the " bedding out " so common a few years ago, was first practised extensively. Tliis system CHAl'. II.] THE PARC MONCEAU. 21 of garden-decoration, wliicli simply means the use in gardens of plants having large leaves, picturesque habit, or graceful port, has taught us the value of grace and verdure amid masses of low, brilliant, and unrelieved fluwers, and has reminded us how far we have diverged from Nature's ways of displaying the beauty of vegetation. Our love for rude colour led us too often to ignore the exquisite and inexhaustible way in which plants are naturally arranged. In a wild state flowers are usually SKETCH IN THE PARC MONCEAU. relieved by a setting of alnuidant green ; and even where moun- tain and meadow plants of a few kinds produce a wide blaze of colour at one season, there is intermingled a spray of pointed grass and other leaves, which tone down the mass and quite sepa- rate it from anything shown by what is called the " bedding system" in gardens. When we come to examine the most pleas- ing examples of our own indigenous or any other wild vegetation, we find that their attraction mainly depends on flower and fern, 22 THE PAllKS AND GARDENS OF TATIIS. [Chap. II. trailer, shrub, and tree, sheltering, sniiporting, and relieving each other, so that the whole array has an indefinite charm and mystery of arrangement. We may be pleased by the ■wide spread of purple on a heath or mountain, but when we go near and examine it in detail we find that its most exquisite aspect is seen in places where the long Moss cushions itself beside the Ling, and the fronds of the HARDY BAMBOO [Famhtsn nietake) in the Pare Monceau. Polypody peer forth around little masses of heather. Everywhere we see Nature judicious in the arrangement of her highest effects, setting them in clouds of verdant leafage, so that monotony is rarely produced— a state of things which it is highly desirable to attain as far as possible in the garden. We cannot attempt to reproduce this literally — nor would it be wise or convenient to do so— but assuredly herein will be found the chief source of true beauty and interest in our gardens ; and the more we keep Chap. IT.] THE PARC MONCEAU. 23 this fact before our eyes, the nearer will be our approach to truth and success. We should compose from Nature, as landscape artists do. We may have in our gardens — and without making wildernesses of ShtnvtHf; one yea r's errmxth CASTOR-OIL Eurofrfnn climnie ; grmut/t hi open air . PLANT. />/ff fl/ tetiiii'r /i/ants that titnkf vignrnif; them — all the shade, the relief, the g^'ace, the beauty, and nearly all the irregularity of Nature. This bold growth of " fine-foliaged plants " has shown us that one of the greatest mistakes over made in the garden was the adoption of a few varieties of plants for 24 THE PARKS AND GARDENS OF PARTS. [Chap. II. culture on a vast scale, to the exclusion of interest and variety, and too often of beauty or taste. We liavc seen how well the pointed, tapering leaves of the Cannas carry the eye upwards ; how refreshing it is to cool the eyes in the deep green of those thoroughly tropical Castor-oil plants, with their gigantic leaves ; how noble the Wigandia, with its fine texture and massive out- line, looks, after we have surveyed brilliant hues and richly Cinnt Knot-weed (rolygonuiii sachaliiieiisc) i the rare Monceait, Sept. 1877. painted leaves ; how too the bold tropical palm-leaves beautify the garden. In a word, the system has shown us the diflfer- oncc between the gardening that interests and delights all beholders, and not the horticulturist only, and that which is too often offensive to the eye of taste, and pernicious to every true interest of what has been called the " purest of humane pleasures." But are we to adopt this system in its purity — as shown, for Chap. II.] tup: pauc monceau. example, by Mr. Gibson wlien superintendent of Battersca Park ? It is evident that to accommodate it to private gardens an expense and a revolution of appliances would be necessary, wliich are in nearly all cases quite impossible, and if possible hardly desirable. We can, however, introduce into our gardens most of its better features ; we can vary their contents, and render them more interesting by a better and nobler system. The use of all Tropical Arum {after a storm), Pure Monceau. plants without any particular and striking habit or foliage or other desirable peculiarity, merely because they are natives of very hot countries, is unwise and generally impossible. Selection of the most beautiful and useful from the great mass of plants known is the good gardener's pride, and in no branch must he exercise it more thoroughly than in this. Some of the plants used are indispensable — tlie difi'erent kinds of Pucinus, Canna in great to. H. HILL LIBRARY North Carolina State College 26 THE PARKS AND GARDENS OF PARIS. [Chap. II. MONTAGN^A HERACLEIFOLIA. variety, Polym- nia, Colocasia, Ulidea, Wigan- dia, Ferdinanda, Palms, Yuccas, Dracaenas, and many fine-leaved jilants. A few specimens of these may be ac- commodated in many gardens ; they will embel- lish the houses in winter, and may be trans- ferred to the open garden in summer. Some Palms, like Sea- forthia, may be used with the best effect for the winter decora- tion of the con- servatory, and be placed out with a good result, and without danger, in sum- mer. Many fine kinds of DracaB- nas. Yuccas, Agaves, etc., are adapted f o r standing out in summer, and are in fact benefited by it. So with Chap. II.] THE PARC MONCEAU. 27 some Cycads and other plants of distinct habit — the very things best fitted to add to the attractions of the flower-garden. Thus we may, in all but the smallest gardens, enjoy all the charms of this style of gardening, without creating any special arrangements for it. But what of those who have no conservatory, no hothouses, no means for preserving large tender plants in winter ? They too may enjoy the beauty which plants of fine form afford. A better effect than any yet seen in an English '\/i^.- ^Ma^»?#^ MUSA ENSETE, IN THE PARC MONCEAU, 1868. ( The artist is responsible for the liberties taken with the "formalities " around.) garden from tender plants may be obtained by planting hardy ones only ! There is the Pampas grass, which when well-grown is unsurpassed by anything that requires protection. There are the Yuccas, noble and graceful in outline, and hardy. There are Arundo conspicua and Donax, and there are noble hardy herbaceous plants like Crambe cordifolia, the giant Japanese Polygonums, Iihoum Emodi, Ferulas, and various graceful umbelliferous plants that will furnish effects equal to any we can produce by using 28 TIIK TAliKS AND GARDENS OF PARIS. [Chap. II. the tenderest exotics. Acanthuses too, when well-giown, are very suitable for this use. Then we have a hardy Palm, that has pre- served its health and greenness, in sheltered positions where its leaves could not be torn to shreds by storms, through many hard winters. And when we have obtained these, and many like subjects, we may associate them with not a few things of much beauty among trees and shrubs — with elegant young Pines ; not of necessity bringing the larger plants into close or awkward association with the humbler and dwarfer subjects, but sufficiently so to carry the eye from the minute and pretty to the higher and more dignified forms of vegetation. By a judicious selection from the vast number of hardy plants now obtainable in this country, and by associating with them, where it is convenient, house plants that may be placed out for the summer, we may arrange and enjoy charms in the flower-garden to which we are as yet strangers, because we have not utilised the vast amount of plant loveliness now in our garden-flora. In dealing with the tenderer subjects, we must choose such as will make a healthy growth in sheltered places. In all parts the kinds with permanent foliage, such as the New Zealand Flax and the hardier Dracaenas, will be found as effective as around London and Paris ; and to such the northern gardener should turn his attention. Even if it were possible to cultivate the softer-growing kinds, like the Ferdinandas, to the same perfection in all parts as in the south of England, it would by no means be everywhere desirable, and especially where expense is a consideration, as these kinds are not capable of being used indoors in winter. The many fine permanent-leaved subjects that stand out in summer without the least injury, and may be transferred to the conservatory in autumn, there to produce as fine an effect all through the cold months as they do in the flower-garden in summer, are the best generally. But of infinitely greater importance are the hardy plants ; for however few can indulge in the luxury of rich displays of tender plants, or however rare the spots in which they may be ventured out with confidence, all may enjoy those that are hardy, and that too with infinitely less trouble than is required by the tender ones. Those noble masses of fine foliage displayed to us by Chap. II.] THE PARC MONCEAU. 29 tender plants have clone much towards correcting a false taste. In whatever part of these islands one may live, one need not despair of producing sufficient similar effect to vary the flower- ROM HARDY PLANTS. All tlu- plants sIutmh arc, ivith two exceptions, luxrJy. [Drnum by Alfred Dawson.) garden or pleasure-ground beautifully by the use of hardy plants alone. The noble lines of a well-grown Yucca recurva, or the finely chiselled yot fcrn-liko s})ray of a graceful young conifer, THE PAllKS AND GARDENS OF PARIS. [Chap. 11. will aid liim as much in this direction as anything that requires either tropical or subtropical temperature. The fault of this " subtropical gardening," as hitherto seen, is its lumpish monotony and the neglect of graceful combinations. The subjects are not used to contrast with or relieve others of less attractive port and brilliant colour, but are generally set down in large masses. Here we meet a troop of Canuas, numbering 500, in one long formal bed ; next there is a circle of Aralias, Isolated Fcru'a, on Grass {Decaisnc and Naudin). or an oval of Ficus, in which hundreds of plants are so densely packed that their tops form a dead level. Isolated from every- thing else, as a rule these masses fail to throw any natural grace into the garden, but, on the other hand, go a long way towards spoiling the character of the subjects of which they are composed. For it is manifest that we get a far superior effect from a group of such a plant as the Gunnera, the Polymnia, or the Castor-oil plant, properly associated with other subjects of entirely diverse Chap. II.] THE PARC MONCEAU. 31 character, than when the masses of such" as these become so hxrge that there is no relieving point within reach of the eye. A single specimen or small group of a fine Canna forms one of the most graceful objects the eye can see. Plant a rood of it, and it soon becomes as attractive as so much maize or wheat. The fact is, we do not want purely " subtropical gardens " or " leaf gardens " or " colour gardens," but such gardens as, by happy combinations of the materials at our disposal, shall bo doli<'htful, cver-chanfjinor museums of beautiful life. For it is *SP ;•}<: ' f\ hiis _^!al>ra lacitiiatn. Hardy shrub, cut dcnun annually to secure yinc foliage. ijuite a mistake to assume that because people, ignorant of the inexhaustible stores of the vegetable kingdom, admire the showy glares of colour now so often seen in our gardens, they would be incapable of enjoying scenes displaying some traces of natural beauty and variety if they could see them. The fine-leaved plants have not yet been associated immediately with the flowers : hence also a fault. Till they are so treated wo can hardly see the great value of such in ornamental garden- ing. Avoid unmeaning masses, and associate more intimately the 32 TllK PAllKS AND GARDENS OF PARIS. [CUAP. II. fine-leaved plants with the brilliant flowers. A quiet mass of green might be desirable in some positions, but even that could be varied most eflectively as regards form. The combinations of this kind that may be made are innumerable, and there is no reason why flower-beds should not bo as graceful as bouquets well and simply made. Fine effects may be secured, from the simplest and most easily obtained materials, by using some of our hardy treos and Aratia japonica l^flort.). Ilnrdy shrub iitith Jinc Icat'cs. slirubs in the picturesque garden. Our object generally is to secure large and handsome types of leaves ; and for this purpose we usually place in the open air young plants of exotic trees, taking them in again in autumn. As we usually see them in a diminutive state, we often forget that, when branched into a large head in their native countries, they are not a whit more remarkable in foliage than many of the trees of our pleasure-grounds. Thus, if tlic well-known Paulownia im- CUAI'. II.] THE PARC MONCEAU. 33 ])erialis were too tender to staud our winters, and if we were accustomed to see it only in a young and simple-stemmed condition and with large leaves, we should doubtless plant it out every summer as we do Ferdinanda. There is no occasion whatever to resort to exotic subjects, while we can so easily obtain fine hardy plants— which, moreover, may be grown by everybody and everywhere. By annually cutting down AILANTUS AND CANNAS. Sii^^vsii/i^ tlu effects to be obtained from certain young trees cut down annually. young plants of various hardy trees and shrubs them make a simple-stemmed growth every year, a rule, obtain finer efiects than can be got from The Ailantus, for example, treated in this way, fine a type of pinnate leaf as can be desired, place Astrapsea Wallichii in the open air, so long stemmed young plant of the Paulownia makes superb leaves. The delicately cut leaves of the , and letting we shall, as tender ones, gives us as Nor need we as a simple- a column of Gleditschias, 34 THE PARKS AND GARDENS OF PARIS. [Chap. II. borne on strong young stems, would be as pretty as those of any Fern ; and so in the case of various other hardy trees and shrubs. Persons in the least favourable parts of the country need not doubt of being able to obtain as fine types of foliage as they can desire, by selecting a dozen kinds of hardy trees and treating them in this way. Pretty are the results obtained in this Park by carpeting the ground beneath masses of tender subtropical plants with quick- growing ornamental annuals and bedding plants, which will bloom before the larger subjects have put forth their strength and beauty of leaf. If all interested in flower-gardening had an opportunity of seeing the charming effects produced by judiciously intermingling fine-leaved plants with brilliant flowers, there would be an immediate improvement in our flower-gardening, and verdant grace and beauty of form would be introduced, while all the brilliancy of colour that could be desired might be seen at the same time. Here is a bed of Erythrinas not yet in flower : but there is a brilliant mass of colour beneath them. It is a mixture of Lobelia speciosa with variously coloured Portulacas. The beautiful surfacings that may thus be made with annual, biennial, or ordinary bedding plants, from Mignonette to Petunias and Nierembergias, are almost innumerable. The bare earth is covered quickly with the free-growing dwarfs ; there is an immediate and a charming contrast between the dwarf-flowering and the fine-foliaged plants ; and should the former at any time put their heads too high for the more valuable things above them, they can be cut in for a second bloom. In the case of using foliage-plants that are eventually to cover the bed completely, annuals may be sown, and they in many cases will pass out of bloom and may be cleared away just as the largo leaves begin to cover the ground. Where this is not the case, and the larger plants are placed thin enough to allow of the lower ones always being seen, two or even more kinds of dwarf plants may be employed, so that one may succeed the other, and that there may be a mingling of bloom. It may be thought that this kind of mixture would interfere with what is called the unity of eflect that we attempt to attain in our flower-gardens. Tliis need not be so l»y any nu-ans ; the system could be used eflectively ill the most formal of gardens. CiiAP. II.] THE PARC MONCEAU. 35 One of the most useful and natural ways of diversifying a garden, and one that we rarely or never take advantage of, consists in placing really distinct and handsome plants alone and in groups upon the grass, to hreak the monotony of clump margins. To follow this plan is necessary wherever great variety and the highest heauty are desired in the ornamental garden. Plants may be placed singly or in open groups near the margins of a bold clump of shrubs or in the open grass : the system is applicable to all kinds of hardy ornamental subjects, from trees downwards, though in our case the want is for the fine-leaved plants and the more distinct hardy subjects. Nothing, for instance, can look better than a well-developed tuft of the broad-leaved Acanthus latifolius, springing from the turf not far from the margin of a walk or shrubbery ; and the same is true of the Yuccas, Tritomas, and other things of like character and hardiness. We may make attractive groups of one family, as the hardiest Yuccas; or varied groups of one species, like the Pampas grass— not by any means relocating the individual, for there are about twenty varieties of this plant known on the Continent, and /lants u.'Ua^j vi thc^^ra^,: from these half a dozen really distinct and charming kinds might be selected to form a group. The same applies to the Tritomas, which we usually manage to drill into straight lines : in an isolated group in a verdant glade they arc for the first time seen to best advantage. And what miglit not be done with these and the like by making mixed groups, or letting each plant stand distinct upon the grass, perfectly isolated in its beauty ! Let us again try to illustrate the idea simply. Take an import- ant spot in a pleasure-ground — a sweep of grass in face of a shrubbery — and see what can be done with it by means of these isolated plants. If, instead of leaving it in the bald state in which it is often found, we place distinct things isolated here and there upon the grass, the margin of shrubbery may be made as free as the fringe of a copse on the side of a mountain. If one who knew many plants were to arrange them in this way, he might produce numberless fine effects. In the case of the smaller plants, D 2 .')() THE TAKKS AND GARDENS OF rAlUS. [Chap. II. such as the Yucca and variegated Arundo, groups of four or five good plants should be used to form one. In addition to such arrangements, two or three individuals of a species might be placed here and there upon the grass with the best effect. For example, there is at present in our nurseries a great Japanese Polygonum (P. Sieboldi), which has seldom yet been used with much effect in the garden. If anybody will select some open grassy spot in a pleasure-garden, or grassy glade near a wood — some spot considered unworthy of atten- \ \ •'' ?: tion as regards ornamenting it- V and plant a group of three plants of this Polygonum, leaving fifteen feet or so between the stools, a dis- '^7^:.%^.:t^zJ:;:r::'j::T: ^^^^^ ^^p^^^ of vegetation win be Uitif alius, Anoido Uonax variegaia, the TCSUlt. It is nCcdlcSS to mul- etc, irregularly isolated on the e^rass. ,• i i ,^ i • i i tiply examples ; the plan is capable of endless variation, and on that account alone should be welcome to all lovers of gardens. But many will only see in it an interference with the mowing machine or the formal margin. The progress of improvement in our gardens is much retarded by the habit of looking from the housemaid's point of view at any suggested innovation. Very often the question is not, " Is the alteration a desirable one ?" but " How will it interfere with the progress of the garden dusters?" If one suggests the very obvious improvement that might be wrought by breaking up and arranging in a perfectly easy, varied, and broken manner the margin of a mass of choice shrubs — formal even to ugliness the reply will probably be, " How could we get the mowing machine to work ?" Need it be said that gardens are not made for the mowing-machine, the broom, or the edging-iron, but for the highest expression of the beauty of the vegetable kingdom, and for the enjoyment and instruction of men and women ? The gardener should be relieved of much of the needless, fruitless drudgery that he now has to endure. The whole course of his existence at present is a weary repetition of the same endless routine. Not in one place out of twenty are the gardener's labours devoted to the formation of features which take ClIAP. II.] THE PARC MONCEAU. 37 care of themselves after planting, and improve year by year. To be told in the face of this, in an age when people go to the trouble of scratching over and replanting the same flower-gardens year after year, that any attempt at a purer system of gardening is likely to interfere with the progress of the mower or the straight run of the edging-iron is really too much. Certainly it is a little easier to mow and rake, if raking be permitted, a long, straight, and, it may probably be, bare margin to a belt of plantation or mass of choice shrubs, than it is to give the necessary attention AV>cX- in Pare Monccan. to a border fringed as some of the shrub borders in Battersea Park have been recently. But the difference in aspect is so great that the small additional care required in mowing, etc., should never be named against it, especially at a time when the whole of the resources of most gardens go to produce costly displays which endure but a few short months, leaving the ground ready for fresh labours. One kind of arrangement needs to be particularly guarded against — the geometro-picturesque one seen in some places com- bined with much showy gardening. The plants are often of the finest kinds and in the most robust lualth. all the materials for 38 THE PARKS AND GAHDENS OF PARIS. [Chap. II. the best results are abunclaut, and yet the scene fails to satisfy the eye, from the needless formality of many of the beds, pro- duced by the heaping together of a great number of species of one kind in long, straight or twisting beds with high raised edges frequently of hard-beaten soil. Too many such examples are found. The formality of the true geometrical garden is charming to many to w'hom this style is offensive ; and there is not the slightest reason w^hy the most beautiful combinations of fine- leaved and fine-flowered plants should not be made in any kind of geometrical garden. But in the purely picturesque garden it is as needless as it is false in taste to follow the course here objected to. Hardy plants may be isolated on the turf, and may be arranged in beautiful irregular groups, with the turf or some graceful spray of hardy trailing plants for a carpet. Flower-beds may be readily placed so that no objectionable stage-like results will be seen : tender plants may be grouped as freely as may be desired — a formal edge avoided by the turf being allowed to play irregu- larly under and along the margins, while the remaining hare ground beneath the tall plants may be quickly covered with some fast-growing low plants. Choice tender specimens of Tree-ferns, etc., placed in dark shady dells, may be plunged to the rims of the pots in the turf or earth, and some graceful or bold trailing herb placed round the cavity so as to conceal it ; and in these and various ways we may have every loveliness of the plant world free from all geometry. The day will come when we shall be as anxious to avoid all formal twirlings in our gardens as we now are to have such twistings i)erpetrated by landscape-gardeners of great repute for aj)plying wall-j)aper or fire-shovel patterns to the surface of the reluctant earth, and w^hen we shall cease to tolerate in our gardens such scenes as no landscape-artist would endure in a sketch. The old landscape-gardening dogma,* which tells us we cannot * " In gardening, tlic materials of the scene are few, and those few unwieldy, and the artist must often content himself with the reflection that he has given the best disjjosition in his i)ower to the scanty and intractable materials of nature." — Ai.LisoN. (This is only one of many statements, equally untrue, made by jjersons who had no idea of the extent of the plant world.) ClIAP. II.] THE PARC MOXCEAU. 39 have all the wild beauty of nature in our gardens, and may as well resign ourselves to the compass and the level, the defined daub of colour and pudding-like heaps of shrubs, had some faint force when our materials for gardening were few ; but considering our present rich and, to a great extent, unused stores from every clime, and from almost every important section of the vegetable kingdom, it is demonstrably false and foolish. There is a graceful way of using hardy climbers here which, improved and modified, deserves to be generally practised. The numerous cultivated hardy climbers are rarely seen to advantage, owing to tJieir being stiftly trained against walls. The greater Jafynttese Hnneysuck'e on Stent of Birck-tree, Pare Monceau. number of hardy climbers have gone out of cultivation, owing to tlieir being generally ill-placed sind ill-treated. One of the happiest of all ways of using them is that of training tliem in a free manner against trees ; by this means many beautiful efi'ects may be secured. The trees must not, as a rule, be those crowded in shrubberies. They must stand free on the turf. Established trees have usually somewhat exhausted the ground near their base, which may, however, aftord nutriment to a hardy climbing shrub. In some low trees the graceful companion may garland their heads ; in tall ones the stem only may at first be adorned. But some vigorous climbers could in time ascend the tallest trees, and 40 THE I'AinvS AND HARDENS OF PAIUS. [CriAP. IT. we can conceive nothing more beautiful than a veil of such a one as Clematis raontana suspended from the hranch of a tall tree. A whole host of lovely plants may he grown in this way, apart from the well-known and popular climbing plants. There are, for example, many species of Clematis which have never come into cultivation, but which arc quite as beautiful as climbers can be. The same may be said of the Honeysuckles, wild Vines, and various other families the names of which may be found in cata- logues. In consequence, however, of the fact that no system of growing these plants to advantage has ever been carried out in our gardens, nurseries are by no means so rich in them as could be desired. Much of the northern tree and shrub world is gar- landed with creepers, which may be grown in the way suggested and in similar ones, as, for example, on banks and in hedgerows. The naked stems of the trees in our pleasure-grounds, however, have the first claim on our attention in planting garlands. There would seldom be reason to fear injury to established trees. The view showing the effect of Clematis on trees is drawn and engraved from a photograph taken in May, showing an old and vigorous plant of the handsome and hardy Clematis montana allowed to have its own way. to some extent. This climbing shrub, of which the large-flowered variety called grandiflora is grown here and there on walls, is most precious for those who wish to garland trees and stumps and hedges with lovely flowers. It is as hardy and free as the common English Clematis vitalba. The sketch will also suggest to many various ways in which hardy climbers may be used to produce similar beautiful efTects. Other families of climbers might be named as equally useful, but the Clematises are so numerous, so hardy, so beautiful in flower, and so singularly varied in the colour and form of their l)lossoms, that whole wild gardens of beauty may be formed of them alone. After the great central blemish of monotony in gardens, few of the secondary ones call for censure more loudly than needless ugly structures. No doubt the majority of these unfortunate erections have some reason to be : they are simply in the wrong position. A good, honest black saucepan in the middle of the dining-room table would not be more incongruous than a tool-shed is in the middle of Cavendish Square. In the Pare Monceau there are several CiiAP. II.] THE TARC MONCEAU. 41 villanously ugly find wholly needless buildings which arc quite out. of place, and tend to confuse and limit the garden. There is ahout the most absurd of bridges stuck over an unclean pool of water, with a hard, black asphalte margin — proper enough in a CLEMATIS ON TREES IN MAY, Pare Monccaii tanyard no doubt, but not in a fair garden. Such puerile struc- tures are figured with the most elaborate detail in illustrated works, as if thoy were as worthy of admiration as a Roman arch. A man who really knew their value and harittany and of Normandy — 64 THE PAliKS AND GARDENS OF PARIS. [Chap. III. in all a lovely and wonderful host which certainly deserve some better illustration in a national garden than they have already had at the hands of the classifier. But when we come to think of the extent and the wants of this varied country, the taste of its people for the more refined branches of cultivation, and the vast improvement that has in many districts to be wrought before the land can enjoy in all its parts a full expression of the wealth and happiness it is capable of producing, then we may see more fully the great aid which a really worthy national garden would afford to France. Her now bare northern fields have to be made beautiful and fertile ; her mountains have to be replanted. Hero is a reason, even if there were not twenty others as cogent, for a worthy national arboretum. The gardens and orchards of France have to be replenished ; the planting in her cities and towns made more beautiful and varied ; the pure and invigorating pleasures and material benefits of good gardening have to be brought to the doors of every owner of a rood of land ; and in short there are many objects of national importance which a Garden of Plants worthy of Paris and of France could materially aid. But these squares and these rows of clipped Limes, and narrow beds for trees and shrubs, and railed-in compartments contrasted with bear-pits, and the general aspect of barren formality, demean and ridicule and blight the whole beautiful art of gardening and all that it concerns. Let it not be supposed from the silence in France on mismanagement of this kind that the evil effects noted are only evil to the few who notice them. Those who see the errors know how to avoid them. It is the public who visit places of this kind, and naturally take them to be models of their kind, who insensibly imbibe a harmful influence — harmful to an incalculable extent. Therefore, for many reasons there is no nobler work before the municipality of Paris than the creation of a Garden of Plants worthy of tlie name. The old one is a fitting site for museums, for herbariums, for the skeletons of whales and the pits of bears, or even for big glass sheds filled witli sickly over-crowded plants, but a fair garden it can never be made. A Garden of Plants worthy of France should not be much less than a thousand acres in extent. If much larger spaces are devoted to mere parks with a small variety of vegetation, and for CUAP. III.] THE GARDEN OF I'LAX'J'S. the sole object of their air and space and drives, why shoukl not an equally large one be devoted to this national purpose, con- sidering that a botanical garden of the nobler type would have more than the charms of the park, even in the objects for which that is avowedly created. A Garden of Plants worthy of France THE JUJUBE TREE [^/.izyphus jujuba).— Garden of Pla should be arranged in a natural manner, showing in its very disposition that all known of the art of pure garden-design had been considered. It should be roomy enough for the full and natural development of every tree or shrub or flower, native or hardy, in France. It should group the largest of these, not merely as isolated specimens, but also in groves, so as to show 56 THE PARKS AND GARDENS OF PARIS. [Chap. Ill- the full expression of their beauty in the various ways in which they might he used. The principles on which vegetation is arranged to express the highest amount of beauty and give the greatest charm having been settled from the beginning of the world, no professor should be allowed to plant it to illustrate his notion of classification. The place for his work, it cannot be too clearly understood, is the herbarium or the museum. Such a garden should illustrate the flora of France nobly and naturally, as far as possible without burying it under a nightmare of long names ; it should have open lawns, if only to let people see the beauty of the many treasures of the garden at varying distances, though there are many other reasons ; it should have few glass houses, and these not in prominent positions. Those who are really interested in tropical vegetation can now see it in a few weeks, whereas a few generations ago it was problematical if it could be seen at all. Even those who imagine they can illustrate the vegetation of the tropics in a glass shed will probably admit that we had better leave the building of the glass sheds till we have done justice to the treasures of the vegetable kingdom hardy in our climate, and which we may arrange under the dome of the sky. It is hardly necessary to add that it should not be a place for exhibiting geometrical tracings on the ground, and various other and more costly puerilities of which gardens are frequently made the scene, "We have nothing in England like the Garden of Plants — half zoological, half botanical, and nearly surrounded by museums containing vast zoological, botanical, and mineralogical collec- tions. The portion entirely devoted to botany is laid out in the straight, regular style, while other parts have winding walks, and some trifling diversity here and there. The place is really an important school of botany, and as such it is useful, though with nothing to charm. Here Buffbu, Cuvier, Jussieu, and other great men have worked; and here at the present day, even in minor departments, are many men of well-known ability. Although the Garden of Plants is qnito inferior in point of beauty to any of our large British botanic gardens, it contains some features which might be introduced into them with advau- ClIAI>. III.] rilE GARDEN OF PLANTS. 07 tagc. Its chief merits are that its plants are better named than in any British garden ; it possesses several arrangements which enahle the student to see conveniently all obtainable useful plants better than in any British botanic garden. Its chief faults are that it has a bad position in an out-of-the-way part of the town ; the greater part of its surface is covered with plants systematically disposed ; the houses are poor and badly arranged compared to those in our own good botanic gardens ; and there is no green turf to be seen in its open parts. It has, in addition, a very bad atmosphere for evergreens, and a ridiculous maze. There is one admirable feature which nmst inii bo forgotten, and that is the fine collection of fruit- trees. This was established by the National Conven- tion by a decree dated June 1793 : ''So as to estal- lishthe uniformii of nomenclature necessary for all parts of the re- public." The col- lection dates from •■•>■ '"'//■ 3, 5. 2-. -J, 37, '""'■ '■''''" the year 1792, when the fruit-garden of the Chartreux of Paris was broken up, and two trees of each variety transported to the Garden of Plants. In 1793 it contained 185 varieties. In 1824, when Thouin died, there were in it 265 varieties of pears alone ; it has now more than 1400 varieties of this fruit. It is interesting and important to know that the collection still preserves the greater portion of the very types described a century ago by Duhamel. A large division is devoted to the culture of plants used as food, and in commerce. It is at once successful, useful, and complete. The chief varieties of all garden crops are to be seen ; the various species of Pihubarb, all important varieties of Lettuce — in a word, everything that the learner could desire to see in this way. It is not merely the plan of the thing, but the manner in which it is 58 THE TAKKS AND (.LVKDENS UF TAUIS. [Chai-. 111. carried out, that is good. Such arrangements, well planned and cut ofl* by judicious planting from the general verdure and chief area of any of our great public gardens, would be of the greatest service. Near the river end of the garden there is another very interest- ing division. It is chiefly devoted to medicinal and useful plants of all kinds, arranged in - ^^ \-^' -^ - -^ - - jt distinct way. First we have the Sorghums, Millets, Wheats, and cereals generally — all plants cultivated for grain. Then come plants cultivated for their stems, from Polymnia edulis to Ullucus tuberosus. Next we have the chief species and varieties of Onion ; such plants as Urtica utilis, the Dalmatian Pyrethrum rigidum, and almost everything likely to interest in this way, from Lactuca perennis to the esculent Hibiscus. Here again the plants are well named and kept clear and distinct, each having full room for development, the general space devoted to the subject being sufficiently large ; and the practice of giving each plant a portion of the whole breadth of each bed to itself is better than the more crowded arrangements adopted in our British botanic gardens. The " school of botany " is simply a department planted on the natural system, remarkable for the correctness of tlie nomenclature and the richness of its collection. Here again everything is well taken care of and kept distinct ; the aquatics are furnished Avitli fcnientcd troughs, in which they grow luxuriantly, one of the Effect of large umbelliferous Plant. — Garden of Plants. Chap. III.] THE GARDEN OF PLANTS. 59 singular and handsome Sacred Beans (Nelumbium) growing in the open air. The whole is most satisfactory, with one exception — that the director places out the greenhouse and stove plants in summer to complete the natural orders in the beds. These poor plants are stored pell-mell in winter in a great orangery, from which they are taken out in early summer literally more dead than alive. They make a few leaves during the summer, and arc again put into their den to sicken or die. Here among the herbaceous plants growing on a rough old stake is a beautiful plant of Ivy, trained in a way suggestive of what may be done with other Ivies in similar ways. Placed in a narrow bed here in the botanical arrangement there was no attempt whatever at making it " ornamental," and yet the result, as will be seen by the woodcut (p. 51), is more beautiful than if planted or trained on a wall. The noble leaves clothed the stake, and the shoots about the bottom began to wander over the ground in the most charming way, even here among these stiff and narrow beds, which seemed designed to destroy all beauty and individuality in plants. On a lawn it may be imagined how much • mi- • Sacred Bean in the, prettier it would be. This is probably the best way of growing the liner kinds of Ivy. It would be diHicult to imagine anything more beautiful than a group of l)yramids, each of a dilferent kind of Ivy, springing from the turf in some quiet corner of the garden. There is a Cedar of Lebanon, planted by Jussieu, to whom it was given by the English botanist CoUinson. It is the first Cedar ever planted in France. Beyond this there is not much tree-beauty in the garden, though there are several new or rare hardy trees, some of which have been drawn and engraved for this book ; among them being Cedrela sinensis and Gleditschia Bojoti, the last a lovely light-leaved weeping tree. An interesting object is all that now remains of a somewhat remarkable tiee which has stood for nearlv thrc-r hundi^'d years nair. {r//„u It would 60 THE PARKS AND GARDENS OF RAIHS. [Chap. III. in the gardens of the Museum. The seed from which this tree sprang was received amongst others from North America in the year 1601, by Jean Eobin, Professor of Botany at the Garden of Plants, and, thirty-five years later, it was planted here by Ves- pasien Robin, so that it is now probably two hundred and seventy- six years old. The top of the tree, having gradually decayed, was cut oflf many years since, and the stump which remains is about nine feet high, and three feet three inches in diameter at the base. The branches, however, which still continue alive, exhibit a considerable amount of vigour, which promises a prolongation of existence for many years to come, though its beauty is gone. This venerable tree is considered to be the parent of all the varieties of Eobinia which are now so extensively spread over Europe. M. Carriere, one of the heads of departments hero, among other services to horticulture, has long been an acute observer of those sports or difi'erences among plants which, when preserved and increased, often prove of great value. Frequently it happens that what may be called, from a botanical point of view, a mere variety is of as great importance for our gardens as the most distinct of species. In gardening the question of form is second to no other, and frequently valuable deviations from ordinary forms characterise what are called mere varieties. Thus such varieties of hardy native trees as the weeping wych Elm and the weeping Beech are more precious for the garden landscape than most new species of hardy trees ; this must be evident to all who have seen these varieties in a mature state. We are, indeed, only in the beginning of our due appreciation of the value of the varieties as distinguished from the original forms of hardy trees. All interested in trees would do well to observe accidental deviations from the normal type in gardens under their care, as they may find something of high importance to our gardens. A stray shoot or sucker showing a habit difi'erent from the type may, if separated and increased, perpetuate constantly its peculiarity. He who observes and increases it may render as great a service to the gardens of Europe as was rendered by those who secured for us the upright Yew or the weeping Ash. In a culloctiun of the genus Asparagus, one, A. Broussouctii, is CnAi>. III.] THE GARDEX OF TLAXTS. 61 tlio spring and early with the beauty of remarkahle for its great vigour and rapidity of growth — it quickly runs up with dense vigour to a height of ten feet in spring, its foliage is glossy and dense, and it might be used with success as a covering for bowers or to make pyramids in a diversified garden of hardy plants. Asparagus tenuifolius is as graceful and elegant as the one before named is vigorous. It is probable that a variety of forms of this family will be found to pos.^ess some merit for our outdoor gardens. Among the hardy plants here one is often struck during the various seasons, particularly in summer, " " the fine Umbelliferaj, one of wdiich (]\rolopospermum) is illustrated in this chapter. These plants have hitherto been left too much in the botanic garden, whereas they have rare merits as decorative plants for the choicest hardy collections. There is a deep green and fern -like beauty displayed by them, which one does not meet in any other plants. Some of them, while very beautiful in very early spring, like the Ferulas, die down in early summer ; but the one hero illustrated lasts longer into the season. The illustration is to show the effect of this type of plant rather than the botanical details. Not only are a great variety of umbelliferous plants beautiful in themselves, but from their absolute distinct- ness from any types common in gardens they impart wholly new features to the garden. Of course they should be very carefully placed, so that while their beauty may have full eff'ect on the garden landscape in winter and early in the year, when their large and delicate plumes spring up— tlicrc may not when ClimUng Uartiy Aspnrcxgus.— t-ord,-}! of l'l,i 62 THE PARKS AND GARDENS OF PARIS. [Chap. III. these die down be awkward blanks left. By placing them singly or in groups on tlie grass this would not occur. For the information of those taking a botanical interest in curious plants, I may state that Cuscuta major is luxuriantly grown here upon the Nettle, C. Epithymum upon Calliopsis tinctoria, C. Engelmanii upon a Solidago, and Orobanchc grows upon Hemp. 0. minor has been grown upon perennial Clovers, and 0. HederfB upon Ivy at the bottom of a wall ; so that there ought not to be the difficulty which botanic gardeners find in growing these curious plants. Orobanche ramosa is also grown here upon Calliopsis tinctoria. The best way with the Orobanches is to scrape the soil away to near the root of the plant on which it is intended to be parasitical, and then sow the seed. A very old and fine pair of dwarf Fan-palms, given to Louis XIV. by Charles William, Margrave of Baden- Durlach, are usually placed in summer one at each side of the entrance of the amphitheatre. They have straight clean stems, and are more than twenty feet high. They escape the notice of many visitors, but are well worth seeing by all plant-lovers, both on account of their age and their exceptional height. Should any visitor to the Garden of Plants wonder at the poor external aspect of its glass-houses and various other departments as compared with those at Kew, he would do well to bear in mind that money has a good deal to do with such things ; and that the grant for museums, lecturers (the lectures are free), the expensive collection of animals, and every- thing else in the Garden of Plants, is miserably small. On the other hand, the gardens and plants of the city are j)lentifully provided with means, the municipality of Paris often spending prodigious sums for the purchase of plants, and even for the plant decoration of a single ball. One ball at the Hotel de Ville during the festivities of 18G7 cost considerably over £30,000, while the Garden of Plants gets from the state not more than one-third of that sum for a whole year for museums and all. Although the Garden of Plants is the very opposite of a model of what a garden ought to be, it may be noticed that the public have free access to it at all hours of the day. This is a rule very much to be desired in all such cases. There are one or two small departments in this garden shut off from the public except at certain Chap. III.] THE GARDEN OF PLANTS. 63 hours, tliough it is by no means wise or necessary to do so But even tlicse partially closed departments are only surrounded by low open railings, so that their contents can be viewed and enjoyed OLD ACACIA TREE. Ganifn of Plants {Rrvtie I/orticot,). to a groat extent from the parts always open. This suggests compa- rison with the state of things at Kew, which is only open to the public in the afternoon. For some time past there has been a growing desire that the Kew Gardens should be opened at an earlier hour. The speakers of the various deputations to the First Commissioner 64 TIIK PAIJKS AND GARDENS OF PAIUS. [Chap. 111. of Public "Works have expressed this desire with far too much diffidence. From official utterances and their repetition, some persons have become impressed with an idea that " science " and botanical research require the f:jardens to be closed for half the day, and even some members of the deputations seem to have accepted this nonsense in its entirety, and said they did not want the botanic part of the gardens to be open at all, except at the hours at which they are now open. But this is not fighting half the battle. Setting aside local interest, from the point of view of horticul- turists and botanists of England and throughout the world, it is an injustice to keep the gardens shut up during the best hours of the day. Even in the case of local residents, if they enter the gardens the moment they are opened there is very little time in the short winter days to see anything. Throughout the whole of the winter and spring the most agreeable time to visit Kew is the morning and noon ; in summer, too, it would be, to persons visiting London, far preferable to go out to Kew in the early morning. Numbers of persons come from our colonies and America to London to whom one visit or frequent visits to Kew are important ; and the time and arrangements of these people are very often interfered with by the absurd rules that exist there. Then, taking the case of anybody in London wanting to see a certain plant in flower at Kew, or to look up any other question there, is it not ridiculous that this cannot be done without encountering difficulties as to hours ? Of late years the plants put out in the various parts of the London parks are even more choice and costly than those at Kew, as, for example, in various parts of Hyde, Battersca, and Victoria Parks. Yet there is no reason for keeping the public out at any time. People may be seen there enjoying the flowers in the morning sun. Surely if this be possible in London itself, with its vast and varied population, it is no less possible at Kew. To those who know anything of botanic gardens and their management, the " scientific purpose " objection to their being thrown open early would be amus'ing if it were not so untrue and so puerile. On the contrary, this very purpose is a reason for their being open throughout the day. How have " scientific purposes " suff'ered in Edinburgh and Dublin and Paris by tlic opening of scientific gardens at an earlier hour ? ClIAP. III.] THE GARDEN OF PLANTS. 65 There never was a more reasonable demand, and it must be granted sooner or later. The question of expense is no sufficient excuse. Surely the first and most legitimate object for expendi- ture in such a garden is that it may be enjoyed by those who pay for it. It is, however, very doubtful if early opening would increase the expense in any material way ; but assuming for a moment that it would, the answer is — save the money needed, by reducing expenditure on things less essential than the opening of the Gardens. The hours in public gardens should be from six o'clock until dusk throughout the summer, and in winter from nine o'clock till dusk. •66 TIIH PARKS AND GARDENS OF PARIS. [Chai-. IV. CHAPTEK IV. The PARC DES BUTTES Chaumont. This is, as regards garden-design, the most distinct and interest- ing garden in Paris. After Versailles and the Garden of Plants and the Champs Elysees, and even the varied beauty of the Pare Moncean, no one is prepared for the striking difterence shown by this garden. There are beautiful open lawns with tasteful fringes of shrubs and groups of trees ; and in many parts an airiness and breadth which are admirable. It is the boldest attempt at what is called the picturesque style that has been made in any Paris or London gardens. It is hardly wise to attempt expensive and extraordinary works in places of this sort, but in this instance an unusual effort was to some extent invited by the peculiar nature of the ground. The whole park may be described as a diversified Primrose Hill with two or three " peaks and valleys," and immense masses of rock. Old quarries, enormous in size, and surrounded by acres of rubbish, once occupied this spot. It was by cutting away the ground around three sides of these, and leaving the highest and most picturesque side intact, that the present results were brought about. A very extensive and imposing cliff rises to a height of over one hundred and sixty feet, half surrounded by an artificial lake. Hard by, enormous stalactite caves, Chap. IV.] THE PAliC DES BUTTES CHAUMONT. 07 sixty feet in height from floor to ceiling, have been constructed. These last are well formed and striking, though hardly the kind of thing to be recommended for a public garden. It is better to leave the eccentricities of the cave-makers out of the question till we have provided for the population of great towns green lawns, trees, and wide open streets and ways, with their consequence, purer air. Through the top of one of the great caves a stream dashes in, and as its course, as it tumbles down the steep above the aperture, is gracefully planted, the effect is very pretty. I'lanthig of Si ream ahoz'e Stalactite Ca-jc.—rarc des Buttcs Chaumont. The streamlets in this park are arranged and planted in a tasteful way, their beds being sometimes rocky ; and by taking advantage of their twinings and tiny cascades, positions have been formed for a great variety of hardy plants which arc grouped along the sides. Among these the free-flowering Yuccas, Y. fila- mentosa and Y. flaccida, occur in groups and masses, and are very efiective when in bloom. Such handsome evergreens are well introduced in places which are generally left to common water- weeds only. By the side of these streamlets alpine plants are sometimes placed, to grow here and there in little beds along their course, associated with lowland marsh-plants ; but alpine r 2 68 THE TARKS AND GARDENS OF PARIS. [CiiAr. TV plants can never be grown tlius. With the supply of water that these parks command, nothing could he easier than the creation of healthfully covered rocky mounds with true alpine plants, even if the great rocky cliffs did not invite this type of vege- tation. One of the most beautiful features ever seen in such a place is afforded by enormous curtains of Ivy, which drape the great rock walls with the most refreshing verdure at all seasons. Here and there towards the base of these ivy-clad rocks spring flower- ing shrubs, like the Japan Pear and the Forsythia, sparkling with blossom in early spring. The effect of these among the Ivy is very suggestive, especially to those weary of the prim bareness which flowering shrubs too often display in dug borders. Along the crest of the cliffs in many places where the turf of the high lawns meets the Ivy, a hardy flower, the common red Valerian, comes in to play a very useful part. This bright old border flower, which like the Wallflower adorns many ruins and bridges, has established itself in groups among the upper part of the Ivy, and its effect in summer growing above sheets of Ivy forty or fifty feet high is very charming. Here and there in this garden may be noticed unshorn fringes of shrubs instead of the mutilated objects and frequently dug borders too often seen. In nature, especially on mountains, nothing is more delightful than the way the shrubs and low trees nestle themselves in little colonies and groups on the grass. Our gardens will never be worthy of intelligent beings so long as all the flowering shrubs and like plants are primly placed on bare dug borders, margined by a stiff formal line. The effect is all the worse when a line of some showy flower forms a belt, making the whole thing as glaring and changeless as possible. What calls for this hideous and unnatural nakedness ? It is only the convenience of the mowing-machine that is consulted. It is sad to think of the miles of shrubbery in London parks and in gardens elsewhere so mutilated annually that either indi- vidual beauty or good effect of the whole is impossible. Unhappily the great central cliff is so high that it cannot be veiled like the minor ones with Ivy, and it is so formed that it presents only an arid mass, on closely examining which one may see ugly seams of plaster bulging out. There never was in a 1 liliiiiii;;ir:':!jiii;iii,i.Hin''ii;mEii'' ,11 ■';':' 'fii i II III' i"' (JllAP. IV.] THE VAllC DES BUTTES CHAUMUNT. (JD garden such a chance of having walls of rock-plants almost as interesting as those one meets with on an Alpine pass, and yet it is entirely lost. By leaving chinks here and there and filling them with turf; by leaving the face of the high rock sloping in places, so that they would be well exposed to the rain ; by having little streamlets trickling over the face of the cliffs here and there ; by scattering a few packets of seeds over the surface in spring, a rock vegetation of great beauty could soon be obtained. The great silvery Saxifrages of the Pyrenees and the Alps might have spread forth their rosettes here, while little Harebells, Thymes, Eock-brooms, Stone-crops, Houselecks of many kinds, «£ JLaj. L'nmittilatcd Shrubs on TurJ.—Parc des Buites Chaumont. with hundreds of the prettiest plants of northern and temperate climes, might also have been grown. Now all is daubed over and plantless, save a bit of wiry grass in some few spots ; and the face of the high rocks is only suggestive of danger. This results from leaving the face of the higher part of the rocks almost vertical, so depriving vegetation of all chance of foothold. But the system of plastering, instead of having broken isolated clumps of rock, is still more to blame for the crater-like bareness of this enormous mass. With plastered rock, and a hole left here and there in which a plant may dwindle or perish, there is no chance of any but a stone-yard effect — one-fourth the 70 'HIE PARKS AND GARDENS OF TARIS. [Chap. IV. quantity of natural blocks of stone, visible through a rising mass of rock-shrubs, Avould have been far better. By this means one could get the necessary elevation, concealing the basis of the stones with evergreens and trailing plants, and not sealing up with cement in any part. A mistake has been made in placing a cafe on the edge of the rock, occupying one of the finest central sites in the park. There are plenty of less prominent positions in which such houses might be placed, if they were thought necessary, but in so small a park as this, surrounded as it is by houses or sites accessible in a few moments, such buildings ought not to be tolerated. Besides, they add very seriously to the cost of public gardens. The restaurants here, and a few other build- ings wholly needless in the garden, have cost not less than £20,000, a sum that wisely laid out would suffice to form a large public garden. A marked defect in many French gardens is having too many walks. The way these are wound about in symmetrical twirlings is quite ridiculous. In these cases the garden is made for the walks, not the walks for the garden. In gardens other- wise charming, with plenty of turf and groups of handsome plants in great variety, and a command of good views, one sometimes sees five times as many walks as are necessary. In the plans of the modern French landscape-gardeners, all of whom delight in forming " English gardens," a series of walks like so many sections of eggs are crowded over the surface without reference to the wants of the place or the formation of the ground, and evidently without thought of the hideous efi'ects they produce in the garden landscape. It is hardly necessary to state that to secure a good and quiet effect in gardens not one inch of walk should be made or exposed more than is needed for convenience. One walk, concealed or half hidden in parts where the formation of the ground or the planting permitted, might often well rei)lace a round dozen of the senseless intercrossing windings complained of. One can scarcely carefully examine this park without being struck by the power of garden-design to beautify unpromising sites in town or country. A more unlikely position for a garden could hardly be found, and yet there are now parts of it almost as lovely as the little open lawns that here and there spread out among the rocks and trees of the fairest mountain region. CuAP. IV.] THE PARC DES BUTTES CHAUMONT. 71 It is sad to reflect that an art capable of so much shoukl be left to the control of persons ignorant of it, often by men belong- ing to other professions, whose education unfits them for such work. Here, for example, the too-abundant walks and roads, the absurdly stiif tank-like curve and margin to the water, the unnecessary bridges, the restaurant impudently placed in one of the best sites in the park, the badly formed artificial rock, and the other disfigurements of this noble garden are mainly owing to the influence of the engineer element in the direction. The engineer, the architect, even the botanist naturally enough nl|:lllll!||lil|llllilllllllllll!V ^ ^i" /"-f |[ -^ :zi_:i m^:^ r-rm-iTFT rr: : rn French Garden Plan. (Emouf, 'L'art des jardins') thinks mainly of his own profession, and regards the horticultural portion of his duties as being an afi'air which may be deputed to any sufficiently pliant creature. But we shall never have beautiful, and in all ways instructive and useful, national gardens so long as we confide their direction to men to whom garden- ing is quite a secondary matter. Unhappily there is too much of the evil result of this seen, not only here but in all countries. In England we are at present without means to remedy this state of things. While our Eoyal Horticultural Society had still some vigour, it endowed a professorship of botany, but the creation of 72 THE PARKS AND GARDENS OF PARIS. [Cnw. IV. a professorship of any of the important branches of horticulture never entered into its scheme. In France it is somewhat different. There the state and the municipal authorities teach the useful arts betimes. And Paris would greatly help progress in horticulture by founding a school of gardening, through which she might eventually obtain garden-artists who would adorn and not deface her gardens. With true art and good examples in the national gardens, every private garden, even to the smallest, would benefit greatly ; just as now nearly every blemish may be traced to the expensive puerilities of Versailles, the ugliness of the Garden of Plants, and the stony dreariness of many other national gardens. Numbers of persons interested in horticulture, especially those who have not travelled or gained experience, look to public gardens as models of all that is worth imitation. It is most unfortunate that with us this influence can rarely be anything but injurious to all the true interests of garden-design. Most of our public gardens and parks are planned in direct violation of the very essentials of the art of laying out grounds ; many of them show precisely what to avoid, and though this merit is not alluded to in their guide-books, it may, to one who rightly uses it, be of greater importance than any other feature. Kew, for example, in some respects superior to any botanic garden or botanical establishment in the world, is in jDoint of design no higher than a chess-board. That breadth — i.e., an open spread of lawn here and there — is the most essential princij)le in garden- design one would think known to anybody arranging or planting a public garden or park. Without this we cannot get anything but a confused effect — we cannot see the beauty and dignity of our now rich arboreal flora ; without this we may have a thousand kinds of noble trees, and get little better effect than in an unthinned plantation. It is, in fact, as impossible to make a really beautiful garden or park without open turfy lawns as it is to make a lake without water. At Kew, both in general design and in the arrangement of details, this principle is com- pletely ignored, arid the good old one adopted of putting in a tree wherever there is room for it. The result is that the largest botanic garden in the world is devoid of any picturesque beauty. As to the Paris botanic garden it is infinitely worse ; there not only is there no breadth, but even the very turf has disai)peared. Chap. IV.] THE PARC DES BUTTES CHAUMONT. 73 Take, again, the Royal Horticultural Society's garden at South Kensington, and, leaving out of view entirely the question of style, assume that the geometrical is the only one. This garden was specially designed for flower-shows and for the reception of crowds. Now, if there has been any one thing taught by all previous experience of large flower-shows and the gardens in which they have been held, it has been that the happiest efi'ect is only obtained where there is a quiet open lawn for walking, Vurw/rovt Central Cliff tcnuards Stalactite Caves. — Fare dcs Buttes Cluiumonl. and giving easy access to the various points of interest in the garden. And what has been done to meet this want ? The design is the most complicated ever seen, even for a geometrical garden. Every spot where the turf might have spread out to form a foreground, or a setting for the difl'erent objects which a garden should contain, is frittered away — here a maze (what an idiotic adjunct to any public garden ranking above that of a tea- house!); there a short avenue of Lombardy Poplars cutting oflF the view, for no evident reason ; beyond, placed on a bank, lest its 74 THE PARKS AND GAKDENS OF PAIUS. [Chap. IV. lovely efiect should be lost, a fire-sliovel pattern wrought on the earth, with all the beds filled with broken stone-rubbish of various colours ! In short, there is no room anywhere except on parched and wearying gravel walks. At every step a sensitive person who visits the garden in the hope of seeing trees or plants or flowers is offended by a sickly low-clipped yew-hedge, a dead wall, a flight of steps, or a ghastly corridor. If a prize had been off'ered for the very worst kind of garden in which to enjoy a flower-show or plants or trees of any kind, a garden more fitted to win it could scarcely have been designed. It is true that of late improvements have been carried out by the simple removal of some of the features alluded to. Every step in removing hedges or mazes or gravelled panels is accompanied by an immediate improvement in the general aspect of the garden. These are some of the results we get by employing men to plan or direct our national gardens who are not, in the true sense of the word, landscape-gardeners. There is nothing so dangerous to the beautiful but as yet undeveloped art of landscape-gardening as its practice by men into whose life the love and knowledge of it has not been interwoven by long practice and devotion. Thus, if we have an architect who does us the honour to add the term gardener to that of his own profession, we are very likely to see stones where we asked for grass and flowers and trees. His heart is in buildings, and accordingly he is not always content to limit architecture to its legitimate use, but brings it into the garden to the invariable ruin of the latter. Hence a thousand things that men will cart away as abominations, ugly, costly, and in all ways hateful, as soon as they understand what pure landscape-gardening might do towards the adornment of the willing earth ; hence the gardens at Versailles, mouldering, slimy, dead as the state of things that gave them birth — a garden tomb, in fact ; hence the fountains and geometrical desert at the Crystal Palace, acres of unclean water-basins, horizons of dead walls, decay of stone, gigantic water-spouting apparatus ; hence such unmeaning wastes as those of Trafalgar Square and that at the Bayswater end of the Serpen- tine : these constitute a little of what we get by having an architect to carry out that which should be entrusted to an artist gardener. To a painter we are actually indebted for the revival Chap. IV.] THE PARC DES BUTTES CHAUMONT. 75 of the absurd practice of using coloured gravels. It is needful to bear in mind that our benefactors in the above way are not wittingly unkind, but simply give us the best they know. If they knew the many " leaf-builders," they would not build where building is out of place, and then cut the lime-trees into shapes to " harmonise " with the stony dreariness thereby created, as is often the case in France. This brings us to the subject — what the landscape-gardener of the future should know. He should be in the most complete sense a gardener. He should know all about gardening, whatever he did not know. He should know Kock-shrubs and traiUng evergreens. the trees after their kind, from the stateliest forest trees to the lowliest flowering trees — know as far as possible their aspect in age as well as in youth — know the circumstances suited to each as regards soil and position — know their value in the landscape, singly or in groups or groves — know their character in all seasons, whether of spring blossoms, summer green, or autumn glory. Then there is the important question of floral embellishment. Is it to be artistic and natural, of materials which we can grow in the open air ? The mountains and hills and plains of northern and temperate countries must ever be the main source of interest 76 THE PARKS AND GARDENS OF PARIS. [Chap. IV. in the gardens of such countries. These must be our storehouse for material ; these, in a sense, the spring of our right feeling as regards arrangement. Therefore no man can be a true landscape- gardener unless he has a fair knowledge of the flora of these countries — the plant-inhabitants of wood and copse, of rock and meadow. Not less needful for him is a certain amount of educa- tional travel : as his highest duty and pleasure must ever be the planting of beautiful trees so as to allow them to attain fullest vigour and express their highest beauty, he must study them in their own homes to do them justice in our gardens. The cha- racter and associations of a tree are not easily understood by those who have not seen it in its native country ; therefore every landscape-gardener should see the natural mountain woods of Europe, as well as her forests ; should see the rich and varied treasures of the woods in Eastern America, the giant Pines on the great western ranges, and take advantage of every oppor- tunity to see the natural forest and coj)se vegetation of the northern world. To travel southward would be a benefit, too, but it is not essential. If only as the best way of noting beautiful or suggestive scenes observed in his travels, the power of sketch- ing faithfully and rapidly should be possessed by every landscape- gardener. It is, however, otherwise essential in his profession. Beyond sketching, his artistic ambition should not soar ; it is his privilege to make ever-changing pictures out of Nature's own materials — sky and trees, and water and flowers and grass. If he would not prefer this to painting in pigments, he has no business to be a landscape-gardener. But most essential of all for him is garden-travel. He ought to know fairly well what others have done and are doing in landscape-gardening. Years might be jirofitably employed in visiting gardens, not one of them without some feature instructive for the garden-artist. Yet bad design has been so much the rule that good models are most rare. At present it is absolutely necessary to see hundreds of gardens before one gets a clear all-round idea of what good design actually is. Many places for years praised as models are really examples of what to avoid. But we have to thank accident, diversity of surface, peculiar individual taste, and sometimes what is called neglect, for so neutralising the eftbrts of the geometrical designer, for centuries, that it is yet possible for the independent Chap. IV.] THE PAllC DES BUTTES CHAUMONT. 77 mind to distinguish the right from the wrong path. Every visit paid to a garden shonkl make the path of future effort clearer. Artists and writers throw false glories round places famous for size only, or for miles of clipped trees, or for mere extravagance of expenditure — a personal visit may give the young observer a wholesome antidote. A good engraving or picture may, by the introduction of artistic touches and variety, give a pleasant im- pression of a place really devoid of beauty of any kind, as a visit GROUP OF ROCK. ■Pare des Buttes Chaitmont. to many Italian gardens would show. Surely the old French styles, as witnessed at Sceaux, at the Grand Trianon, at St. Cloud, or what remains of it, and at Fontainebleau, only require to be seen to be for ever laughed at as examples of garden-design. But some modern gardens in France, such as parts of Vincennes, the English garden in the Little Trianon, and many other gardens on the Continent, deserve to be seen. Then again some of the public gardens and cemeteries in America should be visited. 78 THE PARKS AND GARDENS OF PARIS. [Chap. IV. Nothing will profit more. In each country also travel is needed as a guide to judicious planting. Even in a small country like Britain there is an immense amount of wasted energy, owing to ignorance of the trees that will thrive in any given district. No fairly instructed landscape-gardener would, for example, plant trees where they are certain never to attain maturity — a common error, however. In teaching the art of garden-design all has yet to be done. "What we want is a body of trained garden-artists imbued with sympathy with nature and love for the work. Such a training as that above mentioned would give us men who would add to our healthy pleasures, and to the beauty of country and town. Gardening is now, even with the most civilised nations, in the same state as that in which art is among the Pawnees, who daub diagrams of a few horses and men on their blankets. We leave all the pictures to those who make them in oil, when we could make living pictures. Garden-artists will, it is to be hoped, be a part of the working force of the coming time. ( 79 ) CHAPTEE V. The Gardens of the Louvre, the Tuileries, and THE ELYSEE. The Gardens of the Louvre. The Place clu Carrousel, stretching between the Palaces of the Louvre and the Tuileries, a large open paved square, at its eastern end merges into a narrower space, to which I wish more particularly to direct attention. On one side the Place is per- fectly bare and without ornament ; but on the other the eye is refreshed by two little gardens which embellish the smaller space referred to, and form veritable oases in a desert of paving-stone. There is perhaps no spot more capable of teaching a valuable lesson in city-gardening. Viewed externally from their immediate surroundings, the gardens have a pretty effect, and show at once the utility of such near buildings. On the one hand there is a space as devoid of vegetation as the desert — on the other, by the creation of the simplest type of garden, the sculptor's work in stone and the changeless lines of the great buildings are relieved by the living grace of vegetation, so as to make a garden -picture of the most charming kind, and all by merely encroaching a little on the space that would otherwise be monopolised by paving-stones. The view from inside the gardens, however, shows their good effect with still greater force. The gardens are very small and most simple in plan, a circle of grass, a walk, and a belt of hardy trees and shrubs around the whole, with an edging of Ivy. No gaudy colouring of the ground — no expensive temporary decora- tion with tender costly flowers, but all green and quiet. It has been the rule amongst landscape-gardeners and others 80 THE TAKKS AND GARDENS UF TAIUS. [Chap. V. to accept as a law that when a garden is made very near to any kind of ornamental building it is indispensable to make it " associate " with the buildings — to carry the lines of stone as much as possible into the garden, to make it as angular and, it may be, as brick-dusty as possible, like some recent examples with us. These gardens, among many others, prove the fallacy of this. There are numbers of men professing taste in designing gardens who would never think of putting anything in this Little Gardens within the Louvre, exterior vietv. {Ha. A\ Tuileries, at Versailles, the Luxembourg, and in other gardens, public and private ! Every one of them has cost hundreds of pounds to rear it to a condition that is presentable, and only to produce a deep round tuft of not very healthy green leaves at the end of some seven feet of black stem. Costly tubs that rot ; costly storing in large conservatories in winter ; costly carriage from house to open garden, and from open garden to house, and all to no good purpose whatever. The foliage differs not at all, or in but a trifling degree, from that of evergreens common in our shrubberies ; the clipped head of green is far inferior to that aftbrded by tlie hardy and elegant spineless Eobinia : the flowers are few or none. The whole thing is a relic of barbarism, and as such should be excluded from any well- arranged garden. The T/ie Sur7'i7' ( 5»1 ) CHAPTER VL The Luxembourg Garden. The garden here is niuler the sole control of an arcliitect, in whose education horticulture has, naturally, formed no part. There have been ahle horticulturists at the Luxembourg, but their po^Yers for the improvement of the gardens may be estimated by the fact that a dozen flower-pots could not be purchased by them with- out first obtaining permission from the architect. No change for good is possible under such a system. Horticulture is an art which more than any other is concerned with living things in infinite variety. Without long acquaintance with numbers of tliesc living things under various conditions, no man can intelligently know their wants and arrange them so that we may enjoy them. The profession of an architect has no one thing in common with that of horticulturist. Being wholly concerned with inorganic matter, it is impossible that he could, if really an architect, ever give the study necessary to master even one phase of horticulture. It must surely be obvious that, if our object is to have beautiful gardens, no more serious error can be made than by committing the charge of a garden wholly to the care of men who know, and still worse care, nothing about the art. If we are content with stones and walls where there is no need for them ; with a posing ground for the refuse of the studios ; with diseased and melan- choly trees in formal lines ; with flowers drilled into set forms, with false curves and railway-like slopes, with a leprosy of vases and broken gravel instead of flowers and grass, then let us hold to the engineer, the architect, or anyone else who bars the way. This system also secures for us a garden as changeful in aspect from year to year, as a piece of oilcloth. The cause is not difiicult to 92 THE TAKKS AND GA1U)ENS OF TARIS. [Chap. VI. seek. The director not knowing liow to lead tlie way himself, will not let anyone else move. Few men who love their work can endure the dull rule resulting from so harmful a system. The curiously had system of planting young trees heneath the old ones, mentioned and illustrated in connection with the Tuileries gardens, may also he seen here, the general tree-mis- management resulting in overcrowded trees, without natural dignity or size. to iloUoiu It ail. Among the more instructive features of the garden may he mentioned tlie fountain of Jacques Dehrossc and its surroundings. Stretching from the foot of this fountain there is a long water- basin, with a walk on each side bordered with Plane-trees, which, meeting overhead, make a long, leafy arch, the effect of the fountain-group at the end being good. It is, of course, heightened by the leafy canopy of Planes, but very much more so by the use made of Ivy and Virginian Creeper. Between the trees the Irish Ivy is planted, and then trained u}) in rich, thick, but graceful Chap. VI.] THE LUXEMBOURG GARDEN. 93 wreaths, so as to join tLe stems at about eight feet from the ground. At about a foot or so above the Ivy, another and almost straight wreath of Virginian Creeper is placed, and the effect of these two simple wreaths from tree to tree is excellent. They seem to fall from the pillar-like stems of the Planes, the bottom of the lower wreath resting on the earth. An adoption of such a plan would add verdure and grace to many a formal grove, now bare about the base of the trees. A little pavilion here has a hollow wall with a space for plants in it, reminding one of a way of growing flowers 'f^^^ , ■ in various countries which deserves mon attention than it has re- ceived from us. It con- sists in leaving hollo\' the upper portion ci a terrace or other wall and using this fur flowers. The crest of the wall is, in fact, a flower-border from one to two feet in breadth ; but, though narrow, it has a depth of from two to three feet for soil, thus giving ample root-room for the pro- duction of a vigorous and graceful vegetation. The architect or builder can easily arrange for such wall-vases. One may often see very charming eff"ects produced in this way on the Continent, even in poor houses where little evidence of other beauty is to be seen. By adopting the principle of variety instead of repetition in such cases, a beautiful garden of flowers miglit be grown on the crest of many a barren wall near, or part of, a town house. In one of the small side gardens here is a climbing Eose, allowed to grow free on the grass unstaked and untrimmed. CUmbiiiff Kose isolated on Grass. 94 'I'llK I'AIIKS AND (lAKDKNS OF I'AKIS. [('' VI. There are remedies for some of our garden-troubles if ])eople will only try to find them out. There are few more unprofitable and tedious labours than that of continually pruning and training climbing plants. In many positions we can only partially avoid this ; in others we can avoid it altogether, and obtain a much more beautiful result. For example, many vigorous trailers and climbers are more beautiful planted out on banks of turf and let alone than under the most carofnl traininc:. Such effects are, of :EES. -/.«-.•,•//./ course, most suitable for the wilder and more picturesque spots, but in some degree they may be carried out in any part of the garden. That is to say, climbing Eoses might be allowed to grow naturally, and be at the same time so thinned out and otherwise attended to that they would not become weak in flower or growth. There are also here some edgings of pcgged-down Hoses which form very beautiful margins to masses of flowering shrubs and the like. It is one of the ways in which the liose, so often grown on FOUNTAIN IN THE GA! HE LUXEMBOURG 96 THE TARKS AND GARDENS OF PARIS. [Chap. VI. the end of a stick, may be shown to best advantage, its foliage springing from the turf. Usually in geometrical gardens the portion nearest the building is a terrace commanding the surroundings — here, on the contrary, the part nearest the palace is a basin flanked by balustraded terraces. The grass banks that rise from the lower garden to the balustrade are not left naked, but planted with two lines of dwarf Kose-bushes. There seems no reason why such spots should be left bare. Continuous borders, not beds, run round the plots of grass in the flower-garden here, and from spring to the end of autumn these are never flowerless. The system adopted is one of " bedding " plants and herbaceous j)lants mixed, but all are changed every year. A spring flower this week is replaced by a summer flower- ing plant next week, and so on as the season requires. Stocks of plants are always kept on hand to carry this system out, and the placing of the herbaceous plants into fresh ground every year causes them to flower as freely as the tender bedding plants. But these borders also contain permanent bushes — Lilacs, Eoses, &c., which give a line of verdure throughout the centre, and prevent it from being overdone with flowers. Among these woody plants are others very sweet for many weeks through the better part of the season. These are low standard bushes of the common Honeysuckle. Alternating between a Eose and a Lilac, or other bush, and throwing down a head of flowering shoots, few exotic subjects are more welcome in the flower-garden than these Honeysuckle-standards. There are also mixed beds of Ferns in the open air, isolated specimens of Tree-ferns and graceful Wood- wardias elevated on moss-covered stands, which add a touch of novelty to the garden as compared with others in Paris. Many large trees — Planes and Chestnuts — have been moved in full leaf in this garden in midsummer. They are taken up with great " balls " of earth, by powerful machinery, and very success- fully ; but though it may be very desirable in Paris to move common trees of large size to complete and re-arrange straight avenues here and there, the plan, generally, is not worth the expense. Before the alterations that took place here some years ago there was a good botanic garden, an irregular sort of English garden, which the French call the " never-to-be-forgotten nursery," and many matters of interest now passed away. The garden used Cjiap. VI.] THE LUXEMBOURG GARDENS. to be famed for its Eoses, and for perhaps the largest collection of Vines ever brought together. The Vines were removed bodily to the Jardin d'Acclimatation, in the Bois de Boulogne, and thus it lost some of its most important treasures. Those taking interest in fruit-gardens should see the little one here. Although small, it is a model of its kind, and very in- structive in much that relates to the training and culture of fruit- trees. The glass-house department retains most of its former English part of Luxembourg Gardens. attractions, and to the horticultural visitor will present a good deal of interest. It contains the best collection of Orchids in any public garden about Paris, Camellia-houses in which the specimens attain great size, and good miscellaneous collections. Free lectures are delivered here, which are thoroughly practical, and illustrated by the aid of living specimens and all the necessary material. The lecturer usually addresses a large and attentive class, consisting of several hundred persons, and elucidates the 98 THE TAKKS AND GARDENS OF -TARIS. [Chap. YI. subject in a way which cannot fail to benefit the numerous amateurs who attend. As botanical professors lead their pupils on occasional excursions over meadow and hill, so the lecturer takes liis classes to famous horticultural establishments from time to time, — to Moutreuil, famous for its Peaches ; Thomery, for its Vines, and so on. The custom of lecturing on pure gardening, as distinguished from botany, is common in France, and in many cases a source of much good. It has, in fact, been a main cause of the knowledge of fruit-trees, grafting, &c., so widely spread in France, the lecturers being always men knowing the subject thoroughly. Here we leave all the garden-lecturing to the botanists, who, of course, never discourse on horticulture. This is a pity when wo consider how few of the sciences commonly so called are so important for the well-being of a country, and for its beauty, as that of horticulture. Visitors to the Continent in the summer months can hardly fail to be struck with the growth in tubs or boxes of certain plants of which we in this country make comparatively little use. Some may remember the beautiful effect produced on a quay fronting the Lake of Lucerne by a number of standards, includ- ing Orange-trees, Portugal Laurels, Pomegranates, Pittosporums, Yellow Jasmines, Evergreen Oaks, Euonymus, Aucubas, and Figs. At Vienna a similar assortment may be seen in front of some of the principal cafes, Avhere one may sit in the open street under the shadow of the Oleander and the Pomegranate. The Oleander is, with the Myrtle and the Pomegranate, a great favourite of the Parisians. The reasons for this are obvious — its elegant habit, glossy foliage, profusion of bright rosy or white flowers, endowed, moreover, with an agreeable almond-like perfume, offer recom- mendations hardly to be exceeded by those of other plants. The culture, moreover, is easy. Indifferent as to the treatment it receives in winter, it may be kept in cellars or passages ; hence its frequency abroad in the windows of the artizan and at tlie doors of the merchant's office. Much as one may dislike the culture of trees in tubs, it is impossible not to admire the superb specimens of Oleanders in large tubs which may be seen in the Luxembourg Gardens in summer, often so profusely covered with flowers that the upper part of each bush looks like a bed of flowers. They are treated CllAI'. VI.] THE LiixK:\rnouRG gardens. 90 somcwliat like Orange-trees in tubs, carried like tliem into tlie open air in summer, and stored in half-lighted buildings in winter. Probably the complete winter's rest that the plants get in an orangery, and the making of all their growth out-of-doors in the full light and free air, are more conducive to their well-being than the culture they receive in glass-houses. The treatment given it on the Continent insures the plant a perfect rest in winter : as it cannot grow in the cellars, caves, and dark orangeries in which ■ / In'icr of tl it is then placed. Therefore, when put in the open air, the growth of the plant pushes equably and immediately : the shoots, being produced in the open air, are indifterent to any changes therein, and the plants enjoy the full sun and uninterrupted light. It may be noticed in two different conditions about Paris— in the large specimen form in tubs of various sizes, and as small neat plants in six-inch pots. These last are sold in great numbers in the markets, and flower as abundantly as the best managed of the H 2 100 THE PARKS AND GARDENS OF rAlUS. [Chap. YI. large specimens. The finest examples of large specimens I have ever seen are those in the garden of the Luxembourg Palace. Judging by the habit of the Oleander, as generally seen with us, it might be supposed that it would not make an ornamental tree for a terrace, but nothing can be finer than the immense specimens seen in these gardens, the heads being round, dense, and some- times as much as ten feet through, resembling when in flower a bed of Eoses. They are certainly far handsomer objects than Orange-trees, grow equally well or better in tubs, and are more worthy of culture in this way. The following account of their culture was given to me by M. Kiviere fils, late of the Luxem- bourg Gardens, "This beautiful shrub is a native of North Africa and the south of Europe. In a state of nature, it prefers damp and fresh soil ; it is consequently found in abundance on the banks of rivers and the edges of marshes. In tlie wild state it rarely reaches the height of more than from three to five feet, but under cultiva- tion it may grow even to nine or ten feet. Its flowers are of a delicate rose colour, and from seed horticulturists have succeeded in obtaining yellow, white, and double-flowering varieties, which form some of the most beautiful ornaments of our gardens. The sap is very poisonous, and it is therefore advisable never to put any of the flowers in the mouth, and to take care that no children should be allowed near the jilants. The hotter the district in which tlie plant is grown, the more poisonous is the sap. " The Oleander puts forth its flowering branches a year before blooming and then blossoms for two consecutive years, so it is well not to cut them down in the autumn after the first time of flowering. The beautiful specimens so much admired in tiie Gardens of the Luxembourg are from sixty to one hundred years old. They are grown in tubs three or fouf feet square, and in a compost of peat and loam well enriched. The operation of re-potting should be performed every five years, about the mouth of May. The sides of the tubs being movable, the earth is taken away from the roots of the tree, which is itself lifted up about three inches, so as to remove the soil aU round it ; it is then lowered into its former place and potted up with the compost just described. "The Oleander is generally placed out of doors about the 10th of May, and as it grows naturally under a burning sky, it is advisable to give it as much sun as possible. A few days after it is put out, the surface of the soil in the tubs should be mulched with manure, and during the whole of the summer season they should be copiously watered at least three times a week. As soon as October comes, the waterings are diminished, and the top portions of the mulching being taken away, the surface is stirred up with a pointed stick to render it more ]ierm(.able. The Oleander being extremely sensitive to culil, the plants should be taken under cover once more about the 15th of October, where they must remain until the 10th of May, being watered in the meantime not more than three or four times every CiiAP. YL] THE LUXEMBOURG GARDENS. 101 month. In France the Okamler-trec is attacked by a parasite called the Clicrmes Nerii, which does it a great deal of injury. While in the greenhouse no iKiins should be spared to deliver it from it.s enemy by means of a stiff dry brush. The mis- chief caused by this insect will often kill the tree ; prompt means must therefore be taken as soon as it makes its appearance. If, in spite of all care, the Chermes still keeps up its depredations, all the old W(X)d that is attacked must be prnmd out. By this means the evil may be entirely remedied, a new set of shoots appearing and bcarin.: flowers the fallowing year." The groves of stunted and crowded trees, the great expanse of gravel, and the stiff borders are somewhat relieved in the Luxem- bourg garden by a considerable extent of ground disposed in a more easy and natural manner, which, as usual, is called the " English garden." Here there is some repose from wide carpets of turf on which are dotted Pillar-roses, Yuccas, groups of fine foliage plants, masses of Eoscs, with a result that in this part the effect is much better than in the older quarters. The Papyrus of the ancients. Papyrus antiquorum, has here been for years a striking object, planted out in summer in masses. Border oj Roses. — Luxembourg Gardens. JO: TIIK PARKS AND GARDENS OF PARIS. [Chap. VH. StrcainUt issuin« jroiit Ivy-c'.ad Kock. CHAPTER VII. The Bois de Vincennes. The Bois de Vincennes may be briefly deseribod as a vast training ground, but it is also, in parts, a beautiful public garden. It is much broader in effect than the Bois de Boulogne, and has really tine open airy spaces such as all large public parks should have ; but this we mainly owe to the drill-master. Here, as in the Bois de Boulogne, the plantations are far too dense, and the trees starved for want of space. Still there are pleasant openings and graceful evergreen trees and sparkling water, and altogether it would be difficult to find a nobler advance on the old dismal French garden with its shorn trees and hideous formalism. A glance along some parts of the lakes here is more instructive and satisfying than a study of all the geometrical gardening in France. Across the little Lake S. Mande is a good view of the old Donjon of Vincennes. On the islet in the lake there is a large interesting group of trees showing weeping and columnar trees in juxta- position. The effect of these — Lombardy and other Poplars, and the weeping Willow — is shown in the illustration of tlie small lake. The state in which water becomes a vital element in garden scenery is seen here in the large lake that sparkles in the sun and gives pleasant distance to the plantations. A temple on a knoll over the water has a certain beauty in the landscape ; but such structures arc mere all'cctation!^ in modern uardeus. If we must CiiAi'. Yll.] THE BOIS DE VINX'EXNES. 103 li-xve Luikliiigs, let them be sucli as have relation to modern wants. In the neighljourhood of this temple there is some pretty planting with glossy evergreens by the rocks near the water, tufts of the Giant AriinJo and rock- trailers. The most instructive .and beautiful thing in the park is this larger lake near the entrance from the Avenue Daumesnil. This is right in various ways — in size, variety of meadow and wood on the shores, islands, rocky islets, judicious planting and not i (. , ^ lu i cr ct Trees on Islet oflensive rock-gardens. The bridge connecting two of the islands is a doubtful feature ; if it be necessary at all, it is certainly placed in too conspicuous a position. One of the charms of the park is the commanding view it gives on one elevated spot of a sweep of country outside the park and beyond the fortifications, the district of the confluence of the Seine and Marne. The ]\[arne is at our feet ; a glimpse of the Seine may be seen in the distance, an