DCa2IGNE FOR THE HOUSES OF PARLIAMENT. BEDICATED, BY PERMISSION, TO HIS ROYAL HIGHNESS THE DUKE OF SUSSEX. BY THOMAS HOPPER, ARCHITECT. LONDON: PUBLISHED FOR THE AUTHOR, AND SOLD BY MR. J. WEALE, ARCHITECTURAL LIBRARY, 59, HIGH HOLBORN; MESSRS. ROAKE AND VARTY, STRAND; MESSRS. BOONE’S, 29, NEW BOND STREET; MR. HOGG, 25, EDGEWARE ROAD; AND MR. JOHN WILLIAMS, LIBRARY OF ARTS, GREAT RUSSELL STREET. To His Royal Highness AUGUSTUS FREDERICK, DUKE OF SUSSEX. STR, Your Royal Highness’s gracious Permission to allow the following Work to be dedicated to you, confers upon it a distinction which I am proud to acknowledge, and for which I am profoundly grateful. Your Royal Highness’s Illustrious Rank, the exalted station you hold in the noblest Institution in the World, the zeal with which you have promoted the Charitable and Useful Institutions of Great Britain, the warm Patronage you have ever bestowed upon the Arts, the correct taste in Architecture which your Royal Highness cultivated during your residence in Italy, and the accurate knowledge you are known to possess of the various StyYLEs and Crasses of that Art, point out your Royal Highness as pre-eminently qualified to judge of Works of Art, and of Architecture in particular, upon right principles. For these reasons it is with much diffidence that I submit the following Designs for the New Houses of Parliament to your Royal a 9 ° Highness’s judgment. Whatever be their merit in other respects, it will be seen, at least, that they do not innovate upon established principles. That the Work may be found not altogether unworthy of your Royal Highness’s gracious condescension is the humble and earnest hope of, SIR, Your Royal Highness’s Most devoted, humble, and faithful Servant, 40, Connaught Terrace, "THOM AS HOPPER. 732 INTRODUCTION. AS nearly all the Architectural Competitions of late times have caused great dissatisfaction without producing much improvement in the Architecture of our Public Works, it seems fair to infer, either that the Designs of our Architects have been deficient in merit, or that there has been a general defect in the constitution of those Tribunals to which the Designs were referred. The proceedings relative to the Competition for the New Houses of Parliament afford an undeniable proof that men of the greatest abilities commit great errors when they meddle with matters which they do not understand: for if the Rules and Regulations laid down in this case by the Committees of both Houses of Parliament had been complied with, the selected Design must have been rejected, pre-eminently beautiful as it was considered. The Plan which had been proposed by the Government Architect was submitted to Committees composed of the first men in the Kingdom. They resolved not to examine that Plan, but to have recourse to Competition: and they accordingly invited Architects generally to deliver in Plans for the Work. They prescribed the Style of Architecture, the Requirements, and the Conditions of the Competition ; and they recommended an Address to the Sovereign to appoint Commissioners competent to select five Designs, which should be made IN ACCORDANCE WITH THE ConbpIiTions. And, as it was thought expedient to exclude Professional Men from the Commission, a better Selection of Amateurs could not, perhaps, have been made than the five Gentlemen who were appointed for that Office. Government issued Notices in the Gazettes that A NON-COMPLIANCE WITH THE CONDITIONS PRESCRIBED BY THE CoMMITTEES would cause the rejection of any Design. The Competitors, aware that the best means of preventing an evasion of these Conditions would be a Public Exhibition of the Designs previous to adjudication, solicited that such might take place. This was promised, but the promise was not kept. No inquiry took place respecting the Site for the Building, although evidence might have been adduced to prove the uneligibleness of the intended Site; neither was any information sought as to the impropriety of adopting a Style not caleulated to resist the London smoke, and the atmosphere of the river, nor adapted to the locality. It appears, indeed, that the Committees had no scientific information respecting the Style of Architecture best adapted to the purpose and situation. The Gothic Style is understood; but as to the Elizabethan, Mr. BARRY says in his Report, “that it is a heterogeneous mixture of two Styles in their decline.” One Commissioner stated in his evidence that there is no definite description of it: another, that the best example of it is the Screen in King’s College Chapel, put up in the time of Henry the Eighth, which is of a rich Italian character: another said it was an improper term whereby to designate a Style which was the Grecian, grafted upon the Gothic; and that many of the Designs submitted to them as Elizabethan did not come within that designation; yet they were not rejected on that account. It seems that the Commissioners did not feel warranted, by obeying the Resolutions of the Committees and the Orders of the Government, to exclude a Design distinguished for its beauty. Since the adoption of that Design, one of the Commissioners has published a declaration (which, he says, cannot be controverted) that neither the Commissioners, nor the Committees of Parliament, nor the Ordinary Executive Department of the Office of Woods and Works have given any consideration to the details of the Design (which had heen adopted upon their recommendation :) that the Design is much too highly overwrought, and not in accordance with the purposes of a House of Parliament; and that it must be altered, to make it correspond with the North Front of Westminster Hall, which it is very properly proposed to incorporate with it. For these reasons I have thought it expedient to publish my Design for the Building, in order that it may be subjected to minute examination, upon the grounds of conformity to the prescribed Regulations, and the Resolutions of the Committees, and the accurate incorporation of the North Front of Westminster Hall. I am aware that there is a strong prejudice against the adoption of the highest species of Gothic Architecture on this occasion, under the idea of its being too Church-like; and, therefore, my Design may be considered as partaking too much of the Ecclesiastical character. 1 have, however, been guided by the examples of the noblest Buildings in that style, which were the Works of Ecclesiastics, who studied the principles of the art in Cloisters, and who, by their knowledge and skill, ennobled the profession of Architecture. And if it be desirable to imitate the form and style of Idolatrous Temples in what are called the Orders of Grecian Architecture, surely the grand and sublime Christian Temples are equally worthy of imitation: although in Houses of Legislature the form and character of the Building must necessarily be unlike either a Cathedral, Church, or Monastery: and, therefore, in my endeavour to assimilate my Design to the grandest works in that style, I have paid due regard to the importance, the character, and the uses of the Building. As I have ventured to offer an opinion against the manner in which Architectural Competitions have hitherto been managed, I am induced to subjoin to my Designs for the Houses of Parliament the Design which I delivered in competition for the Post Office, and with it the Design which was executed two years after the delivery of mine. PREFACE ONE of the most important features in Architectural Composition is expression, i. e., that, both from the external and internal character of a Building, some idea should be conveyed of the purposes for which it is intended. It is very true that many Edifices of ancient times, raised for one purpose, have ultimately been changed to another. The Heathen Temples and Basilicas of Imperial Rome are now converted into Christian Churches; while their Fora, Porticos, Colonnades, and many of the nobler Appendages to their Public Buildings have been desecrated to inferior and unworthy uses: but, so far from the correctness of the practice being proved by its adoption in these instances, the very incongruities which it occasions speak strongly against it. Our early Monastic Buildings define, by their form, the uses for which they were intended: for, although the same great features of style and similar ornaments were adopted in Cathedrals, Churches, Chapter Houses, Halls, Mausoleums, and Hotels de Ville, yet, being essentially varied and distinct in form, no doubt could ever be entertained of the real purpose for which the whole structure was raised. Giving the Committee on the New Houses of Parliament credit for right intention in prescribing the Gothic Style; although, by including with it the Elizahetlion, much confusion resulted, I imagined their object to be, that the new Buildings should accord with Westminster Hall and St. Stephen’s Chapel; and thereby partake of an Ecclesiastical character, in conformity with the spirit of our Constitution, combining Church and State; Religion being the foundation of Legislation in all countries, especially in ours, where it forms a great feature in our Legislative proceedings. I have, therefore, in my Designs, adopted that class of Gothic Architecture which has been considered the most pure, especially as it accords with Westminster Hall and St. Stephen’s Chapel, which latter was undoubtedly one of the most beautiful, and, for its size, perhaps the most perfect Gothic Building ever erected. I have endeavoured, amidst the immense necessary combination of Buildings, to mark as strongly as possible the use or destination of each portion, and to connect them so as to form a harmonious whole. The Principal Front is appropriated to the Royal Entrance—the Entrance to the House of Peers _to the North End of Westminster Hall to the Residence of the Gentleman Usher of the Black Rod—and to the Law Courts, as Appendages to the Sovereign and the Lords. A ani aS Sia 8 wkd ii tian be dis Bidinisi This Front is approached through a quadrangle, which, though not actually required, yet adds greatly to the general effect of this part of the Building. The Front next the Abbey contains the Law Courts, which finish a portion of the Building connected with the Principal Front. Beyond it is the Great General Quadrangle, which contains a variety of Buildings combined in one group; i. e., the Front of each of the two Halls of Debate, the Centre Library, the Entrance to Westminster Hall, the House of Commons Committee Rooms, the Speaker’s House, and the Residence of the Sergeant at Arms; together with the various other Entrances and Offices appertaining to the House of Commons. The River Iront, separated from the River by a broad Terrace, contains the Libraries and Dining Rooms for both Houses — the East Front of the two Halls of Debate—the Houses of the Gentlemen Usher of the Black Rod and of the Speaker of the House of Commons — and various other Offices, so arranged relatively with each other as to make the two Halls of Debate the principal object. In the original Design I omitted the principal Centre Tower, as it would necessarily be exceedingly expensive; and, although an- important improvement to the appearance of the Building, it seemed more calculated for an Hotel de Ville than for Houses of Parliament ; but, as it appears that the general opinion is against me, I have annexed it to these Designs, in order that they may be judged of with or without a Tower. In the formation of the Plans, I have been guided by the valuable information which I received from the Earl of Devon and Mr. Estcourt, the Member for the University of Oxford. I have endeavoured to keep the Building within the ancient boundary of the River, and as distant from the surrounding Buildings as the confined nature of the site would admit. LIST OF Athol, Her Grace the Duchess of Abingdon, Right Hon. the Earl of Ashburton, The Right Hon. Lord Antrobus, Sir Edward, Bart. Abdy, John Rutherford, Esq. Arcedekene, Andrew, Esq. Abraham, Robert, Esq., Architect Atlas Insurance Office, (two copies) Bute, The most Noble the Marquis of Bridport, The Right Hon. Lord Brook, The Right Hon. Lord Bramston, Thomas William, Esq., M.P. Beauchamp Proctor, Sir William, Bart. Berners, Rev. Archdeacon Bennett, John, Esq., M.P. Burroughs, Henry N., Esq., M.P. Baillie, Colonel Hugh, M.P. Baker, Colonel, M.P. Bence, Colonel Bence Benyon, Richard de Beauvoir, Esq. Bennett, Philip, Esq. Batt, Robert, Esq. Bawtree, John, Esq. Baker, George Leeke, Esq. Brooksby, Rev. Thomas Burn, William, Esq., Architect, Edinburgh Buckwell, William, Esq. Bird, George, Esq. Bird, William, Esq. Bird, William, jun., Esq. Bramah, Joseph John, Esq. Browne, Joseph, Esq. Conyngham, The Most Noble the Marquis of Colborne, Right Hon. Lord SUBSCRIBERS. Coutts, Miss Burdett Close, Colonel Coulthurst, W. M., Esq. Chapman, James, Esq. Dinorban, Right Hon. Lord Dashwood, Sir George, Bart. Denison, William, Esq., M.P. De Horsey, Spencer, Esq., M.P. Disney, John, Esq. Dixon, Charles, Esq. Davidson, Henry, Esq. Davidson, Walter, Esq. Deedes, William, Esq. Dobson, John, Esq., Architect, Newcastle Ely, The Most Noble the Marquis of Eustace, Sir William Estcourt, Thomas Bucknell, Esq., M.P. Edge, Charles, Esq., Architect, Birmingham Farquhar, Sir Walter, Bart. Fleming, John, Esq., M.P. Fortesque, William, Esq. Fisher, Frederick W., Esq., Surveyor, Sarum Gosford, The Right Hon. the Earl of Gordon Robert Esq., M.P., Sec. to the Treasury Goddard, F., Esq., Architect Grissell, Thomas, Esq. Hulse, Sir Charles, Bart. Hood, Honourable Alexander Hayter, William Goodenough, Esq., M.P. Huntley, John Weale, Esq. Hanbury, Mrs. Sampson Hayward, William, Esq., Architect, Colchester Haycock, Edward, Esq., Architect, Salop Ilchester, The Right Hon. Earl of Johnson, Abraham, Esq. Kerrison, Sir Edward, Bart., M.P. Knight, Robert, Esq. Leigh, The Right Hon. Lord Lurgan, The Right Hon. Lord Langton, Colonel Gore, M.P. Long, Walter, Esq. M.P. Lennard, Thomas Barrett, Esq. Lloyd, Thomas, Esq. Monson, Right Hon. Lord Murray, The Hon. James Plantagenet Miles, Philip John, Esq. Majoribanks, Edward, Esq. Mules, William, Esq. Matthews, Mr. Paris Miles and Edwards, Messrs. Manby, Charles, Esq., Engineer Northumberland, His Grace the Duke of Newman, John, Esq., Bridge House, Architect Poltimore, Right Hon. Lord Parker, Sir Hyde, Bart. Powell, John Harcourt, Esq. Pennant, George Henry Dawkins, sq. Phillips, John Robert Spencer, Esq. Parker, Christopher Cummins, Esq. Phillips, Mrs. Perkins, A. M., Esq. Peniston, John, Esq., Architect, Sarum Peto, Samuel, Esq. Pitt, George, Esq. Radnor, Right Hon. the Earl of Roden, Right Hon. the Earl of Reay, Right Hon. Lord Rayleigh, The Right Hon. Lord Round, John, Esq., M.P. Rebow, J. Gurdon, Esq. Rooke, Charles, Esq. Saye and Sele, Right Hon. Lord Stafford, Right Hon. Lord Strangeways, Hon. William Sparrow, Lady Olivia Skipwith, Sir Grey, Bart. Scott, Sir Edward, Bart. Sturt, Charles Henry, Esq. M.P. Shirley, Edward, Esq., M.P. Scrope, William, Esq. Saville, George, Esq. Sterry, Wasey, Esq. Streat, William, Esq., Architect Taylor, Sir Charles, Bart., (two copies) Talbot, Christopher R. Mansell, Esq., M.P., (five copies) Tuflnell, John Jolliff, Esq. Tyrell, Charles, Esq. Townsend, Rev. Henry Tribshaw, William, Esq., Architect, Haywood, Staffordshire Vivian, Sir Hussey, M.P., Master General of the Ordnance Warwick, Right Hon. the Earl of Warwick, Right Hon. the Countess of Western, Right Hon. Lord Webb, Colonel Waddington, Henry, M.P. Warren, Rev. J. C. Blair Worral, George, Esq. Wright, Peter, Esq. West, James, Esq. Wainwright, George William, Esq. Wainwright, Charles, Esq. Winsland, Nicholas, Esq., (two copies) Weale, Mr. John, Bookseller and Publisher. Spea kers House t Grmmistee tia l i Wateng room’ | Grmarattee loom /| FBnlrance To Commitee [loons (ormmuitee Loom I 30 X 20 [ 1 ] i. tee Loom) 30X 30 g X (lark of Elections, ! 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