No. CIX.

THE

MINOR

DRAMA.

HI-A-WA-THA;
OR,

ARDENT SPIRITS AND LAUGHING WATER.
A MUSICAL EXTRAVAGANZA.
BY C H A R L E S M. WALCOT.

WITH CAST OF CHARACTERS, STAGE BUSINESS, COSTUMES,
RELATIVE POSITIONS, &c., &c.

AS PERFORMED AT THE PRINCIPAL THEATRES.

NEW

YORK:

S A M U E L F R E N C H,
121

PRICE,

NASSAU

STREET.

121/2 CENTS.

FRENCH'S STANDARD DRAMA.
PEICE 121/2 CENTS EACH.—BOUND VOLUMES $1.

VOL.

L

1. Ion
2. Fazio,
3. The Lady of Lyons,
4. Richelieu,
5. The Wife,
6. The Honeymoon,
7. The School for Scandal,
8. Money.
With a Portrait and Memoir
of Mrs. A. C. MOWATT.

VOL. II.

VOL.

III.

! 17. The Poor Gentleman,
9. The Stranger,
10. Grandfather Whitehead 18. Hamlet,
19. Charles II.,
11. Richard III.,
20. Venice Preserved,
12. Love's Sacrifice,
21. Pizarro,
13. The Gamester,
14. A Cure for the Heartache 22. The Love Chase,
23. Othello, •
15. The Hunchback,
16. Don Caesar de Bazan. 24. Lend Me Five Shillings
With a Portrait and Memoir With a Portrait and Memoir
of Mr. W.E.BURTOJSJ.
of Mr. CHAS. KEAN.

VOL.

IV.

VOL. V.

VOL. VI.

VOL.

VII,

VOL. VIII.

VOL. IX.

VOL. X.

VOL. XI.

Virginius,
33. A New Way to Pay Old 11. Speed the Plough,
[42. Romeo and Juliet,
King of the Commons,
Debts,
London Assurance,
34. Look Before You Leap, 43. Feudal Times,
44. Charles the Twelfth,
The Rent Day,
35. King John,
45. The Bridal,
Two Gentlemen of Ve- 36. Nervous Man,
46 The Follies of a Night,
rona,
37. Damon and Pythias,
30. The Jealous Wife,
38. Clandestine Marriage, 47. The Iron Chest,
31. The Rivals,
[48. Faint Heart Never Won
39. William Tell,
32. Perfection.
Fair Lady.
40. Day after the Wedding.
With a Portrait and Memoir With a Portrait and Memoir With a Portrait and Memoir
of Mr. J. H. HACKETT. of G. COLMAN the Elder. of E. BULWERLYTTQN.

25.
26.
27.
28.
29.

65. Love,
Road to Ruin,
57. The Apostate,
66. As You Like It,
Macbeth,
58. Twelfth Night,
67. The Elder Brother,
Temper,
59. Brutus,
68. Werner,
Evadne,
60. Simpson & Co.,
69. Gisippus,
Bertram,
61. Merchant of Venice,
Town and
The Duenna,
62. Old Heads and Young 70. King Lear,Country,
71.
Much Ado About NoHearts,
72. Blue Devils.
thing,
63. Mountaineers,
56. The Critic.
64. Three Weeks after Mar- With aPortrait and Memoir
of Mrs. SHAW.
With a Portrait and Memoir
riage.
With a Portrait and Memoir
of R. B.SHERIDAN.
of Mr. GEO. H. BARRETT. I

49.
50.
51.
52.
53.
54.
55.

73. Henry VIII.,
81. Julius Caesar,
74. Married and Single,
82. Vicar of Wakefield,
75. Henry IV.,
83. Leap Year,
76. Paul Pry,
84. The Catspaw,
77. Guy Mannering,
85. The Passing Cloud,
78. Sweethearts and Wives, 86. Drunkard,
79. Serious Family,
87. Rob Roy,
80. She Stoops to Conquer. 88. George Barnwell,
With a Portraitand Memoir With a Portrait and Memoir
of Miss. C. CUSHMAN.
of Mrs. JOHN SEFTON.

. VOL. XlIL

VOL. XIV.

VOL. XIL
89. Ingomar,
90. Sketches in India.
91. Two Friends,
92. Jane Shore.
93. Corsican Brothers,
94. Mind your own Business
95. Wiiting on the Wall,
96. Heir at Law,
•
With a Portrait and Memoir
of THOMAS HAMBLIN.

VOL. XV.

97. Soldier's Daughter,
105. Game of Love, [Dream. 113; Ireland as it Is,
98. Douglas,
106. A Midsummer Night's 114. Sea of Ice,
115. Seven Clerks,
98. Marco Spada,
107. Ernestine,
100. Nature's Nobleman, 108. Rng Picker of Paris, 116. Game of Life,
101. Sardanapalus,
117. Forty Thieves
109. Flying Dutchman,
102. Civilization,
118. Bryan Boroihme,
110. Hypocrite,
103. The Robbers,
119. Romance and Reality,
111. Therese,
104. Katharine & Petruchio 112. LaTourdeNesle.
j 120. Ugolino.
With a Portrait and Memoir] With a Portrait and Memoir With a Portrait and Memoir
of ED WIN FOREST. i of JOHN BROUGHAM, j of BARNEY WILLIAMS.
[Catalogue continued on third page of cover.]

THE

MINOR

DRAMA.

No. CIX.

HIAWATHA:
OR,

ARDENT SPIRITS AND LAUGHING WATER.
A

MUSICAL EXTRAVAGANZA,
IN

TWO ACTS.

BY C H A R L E S

M.

WALCOT,

Author of "Washington, or the Spirit of '76 ;" "Giovanni in Gotham ;"
" Fried Shots;" "The Dons not Done;" "Britannia and Hibernia;"
"Edith;" "The Haunted Man;" "David Copperfield;" "Frank
McLaughlin;" "Richard ill to Kill;" "Hoboken ;" "A
Good Fellow;" "Old friends and New Faces ;" "A
Stitch in Time;" "The Customs of the Country;" "Patience and Perseverance;"
"Snip Snap," &c. &c.
TO WHICH ARE ADDED,

A Description of the Costume-—Cast of the Characters—Entrances and Exits-*
Relative Positions of the Performers on the Stage, and the whole of the
Stage Business.

Entered according to Act of Congress, in tho Tear One Thoutand Eight Hundred and Fifty-Six, by Chat. M. Wtffotb
in the Clerk's Office of the District court of the United States for the Southern Dirtrict of New York.

NEW YORK:
SA11DEL F R E N C H ,
lai NASSAU-STREET,

,

Cast of the Characters.—(HIAWATHA.)
First produced at Wallack's Theatre, N. Y., under Mr. Stuart's management, Thursday, Dec 25th, 1856.
Hiawatha—a character strikingly more in the style
of a Short-Boy than a Long-Fellow
Mr.
Nukkleundah—a creation, a la Frankenstein
"
Gitchi Manito—great, viewed as a spirit, but, as a
part, a "Small Potato"
"
Wabun—a down-east Indian
"
Kabibonokka—of the north
"
Shawondasee—of the south
"
Yenadizzi—the original "Young New Y o r k " . . . . "
Dammidortur-—a-n-arrow-minded person, father of
Minnehaha...
"

Walcot.
Reynolds.
Levere.
H. B. Philips.
Lee.
Harrison.
C. Stuart.
Owen.

Minnehaha—surnamed " Laughing Water," and
eminently calculated, (when she has a good
chance) to infect her audience, to the danger of
sundry bands and strings
Mrs. John Wood.
(The celebrated Comedienne, from Boston, her
first appearance here.)
Poohpoohmammi—an indescribably self-willed young
lady ; in fact, a sort of u Genesee Squaw"
Miss Mary Gannon.
No-go-miss—Hiawatha's Grandmamma
Mr. G. Holland.
Hianakite—Poohpoohmammi's mother
*' Peters.
INDIANS.

Messrs. Harrison, Rea, Bee, Oliver, Cotton, De Silveria, Hill, James,
Mason, &c.
SQUAWS.

Mesdamea Carman, Thompson, Hall, Pyne, Peters, Bishop, De Voe,
Browne, Carter, &c.

STAGE DIRECTIONS.
EXITS AND ENTRANCES.

L. means First Entrance, Left. R. First Entrance, Eight S. E. L,
Second Entrance, Left. S. E. R. Second Entrance, Right. U. E. L.'
Upper Entrance, Left. IT. E. R. Upper Entrance, Right. C. Centre.
L. C. Left of Centre. R. C. Right of Centre. T. E. L. Third Entrance,
Left. T. E. R. T/iird Entrance, Right. C. D. Centre Door. D. R.
Door Right. D. L. Door Left. U. D. L. Upper Door, Left. U. D. R.
Upper Door, Right.
%* The Reader is supposed to be on the Stage, facing the Audience,

812
W142h
DEDICATION.

TO

W.

STUART,

ESQ.

My DEAR MR. STUART,

Written in thirty-four hours, during eight days of almost constant
suffering from rheumatism, "Hiawatha" is necessarily but a poor
offering, even at the shrine of such considerate friendship as yours;
but T, nevertheless, venture to inscribe it to you, because, by so doing,
I obtain an opportunity of publicly recording my deep sense of your
rare courtesy, liberality and good faith as a manager, but for which, and
the goodwill evinced towards myself, even your excellent company
could scarcely have been expected to achieve the triumphant production
of a Two Act Musical Extravaganza, after only ten days from your
receipt of the MS., and but two full rehearsals.
But knowing well how much the artist-disposition, kindled by
urbanity and delicate consideration, might surmount, I risked for it,
the hasty construction of a mere vehicle for the conveyance of the
highest artistic talent, to the most appreciative of audiences ; and with
the heartiest acknowledgment of my indebtedness to all concerned in,
and upon, " Hiawatha," to you, my dear Mr. Stuart, (the " Great
Spirit," to whose benign influence may also be ascribed its signal
success,) I dedicate it, with the sincere regard of,
Your obliged friend,
CHAS. M. WALCOT.

121/2Crosby street, N. Y.,
Dec. 29, 1856.

HIAWATHA.
ACT I.
Scene I.—The Great Med Pipe Stone Quarry on the mountains of the
Prairie: from the mountain descends a cascade, falling into a winding
coutse, and forming a stream at the foot of the mountain or rock, which
is set at back. Curtain rises to music, during which Gitche Manito,
the Great Spirit, gradually advances through mediums and stands on
rock, then finding a pipe near him he sits down, takes tobacco fi om pouch,
fills his pipe, takes out a match-box. lights a match, and with it his pipet
which he then proceeds to smoke, when the music changes to symphony of *• Chough and Crow,''1 during which, and while he smokes,
diminutive figures of tribes of Indians are seen approaching from all
quarters in the far distance, and at the end of the opening solo by Gitchi
Manito, all the Indians enter from all sides, singing chorus as they
apprcwch.
SOLO—MANITO.
The Fox and Crow for moose are gone,
The Choctaws on a spree,
The Pawnees to obtain a loan
From Mo-hawk's charity.
My mild cloud dances on the fen,
The Red Man's on his way,
No rows, my men, come hither and attenTion lend to what I say.
Chorus—Entering,
No rows, my men, let's hurry and attenTion lend to what he'd say.*
Solo.
My child and nurse were fast asleep,
My wigwam closed an hour,
And scarce from winking I could keep,
When I started on this tour;
Big Will Derhinds and short Hen Kens
Shot turkeys on the way,
And they vows like men, they'll readily attenTion lend to what you'd say

HIAWATHA.
Chorus.
W e vows like men, &c.
Solo.
Mohawks, I see, Mandans, Choctaws,
Blackfeet and Shoshomcs,
Good De (a) l-o'-wares, some chickasaws,
And likewise Chevokeys.
You smoked your pipe, we smoked you t'nen,^
And hastened on our way,
W i t h vows, like men, to readily attenTion lend to what you'd say.
Chorus
W i t h vows, like men, &c.
Git. See here, people, my good people,
Aborigines, red people,
Listen to a hint I'll give you,
To a hint that's worth your heeding,
From the wisdom of an old 'un
The nut of a smart Indian :
You have land to grow tobacco,
Rice to jerk your little pudding,
Cotton of the South the staple,
W r o u g h t into a useful fabric,
Sugar, adjunct of the pudding,
Of the many phase of pudding,
You have wooden hams and nutmegs,
Of the home of the great daylight,
Gheezis, the great beaming sunlight.
Northern hand-craft, western grain crops,
Corner lots, the safe investment,
For the grocery, the investment,
W h y in thunder not content t h e n l
I am weary of your squabbles,
Of your Tammany outpourings,
;
Your infuriated Sachems,
The heads of the old wigwam.
Of the whig, too, the old fogie
In his home lodge, his headquarters;
" All your danger is in discord,
" All your strength is in your union !"
Wab. Well, see here, folks, I kinder lite that idea,
Guess, on that question, this crowd won't divide here.
No one won't kick up no internal broils.
Providing always that we shares the spoils.
Kab. That suits my book, I'm a peace man, by thuYider!
Only let's have a fair shake at the plunder,
Now them's my sentiments, what's Shawondasees 1
SHAWONDASEE rises suddenly.

5

ft

HIAWATHA.

Sha. I thought I'd have to fire up here like blazes,
But see the thing in your light very clearly,
Honor ! my country !—
Kab. [Aside to SHA.] Snacks 1
Sha. Ah ! you've touched me nearly.
Git. What says Mr Mudjekeewis 1
Of the far west he tne father!
Wab. Well, he's agreeable.
Kab. You're good enough to say so,
If thus he slips his chances, why he may do.
Wab. Don't be afraid, he's busy j u s t at present,
And couldn't come, but since you seem so pleasant,
Just understand that he won't take no man's sarse,
If you skin him, he'll take it out of Kansas.
Kab. I'm satisfied.
Wab. I guess you'd best be rather.
[HIAWATHA ivhoops outside—all jump up and look out> L. V
But see who comes !
Omnes. H i ! hi 1 h i ! hi!—awatha !
[ Whooping'
Enter HIAWATHA, L. U
Git. Wherefore thus behind hand, sonny ?
Hia. I saw your smoke, but says T there's no knowing
W h o s e puff' it is in this grand age of blowing ;
Suppose, says I, instead of the Great Spirit,
It's Charles's gin, of which they puff the merit,
It might be Barnum—blowing for aught I know,
But hard luck put his pipe out long ago.
I heard no bell, so 'spose you didn't ring it,
The reason why I'm late is—stop, I'll sing it.
SONG.—HIAWATHA.

I.
I popped my head out of the door
To see where the smoke was arising,
And waited five minutes or more.
But thought it was nothing surprising ;
Till it formed a small cloud in the South
That grew black as it roll'd ?long Nor'ard,
Mum, pays I, I won't open my mouth,
Til.1 1 know what's the game going for'ard.
That wasn't so green for a poor Aborigine,
W h o o ! whoo ! whoo !
You can't fool this here b'hoy !
N.
Well, I travell'd along on my way.
W i t h nobody holding communion,
Till I heard some " R o u g h s " shouting " Let's play
A hand at the game of disunion."

HIAWATHA.

7

No, no, says I, boys, it's played out,
You may puff and blow all you desire;
But try, and you'll soon solve the doubt,
That you're making a smoke without fire.
That wasn't so green for a poor Aborigine,
W h o o ! whoo ! whoo !
You can't fool this here bh'oy !
Git. You are right, my son.
Hia. Well, yes, I rather guess so
I runs with Thirty-eight,—I do—what !
Git. Mes' so !
Hia. So much for Mose, I think he's had his day
As hero of Burlesque, of Farce and Play,
{Made so by me, iho1 others got the pay.)
To his own grandest, noblest of spheres
I yield him, and bespeak for him three cheers.
Wah. I guess we'd best not get on quite so fast,
The bill we fust begun on hain't been passed ;
I don't want to be led no idle dance,
I'm from down East
Hia. So look to the Main chance.
I overheard your motion to divide—
Not on the question, you were all allied
"With wondrous unanimity on that.
Well, I see plain enough what 'tis you're at,
And I consent, altho' my heart it grieves,
Only remember—" Honor among
"
Wah. )
Kah. \ Hem !—Oh, of course, of course !
Sha. )
Hia. That question settled and the country safe,
W e must remember not to disturb or chafe
Those who for eccentricities have patent.
And upon quiet little jobs have fattened.
Therefore, that all may be couleur de rose,
I beg to emphatically to propose
Imprimis—that it shan't be cause of quarrei,
That 'gainst our doors, box, basket or ash-barrel
Become a standing joke for foreign people,
Tho' piled as steep as Trinity Church steeple,
That boys both short and tall have leave to lam
Just who they please, and no one care ahem ;
That authors be encouraged to abuse
The audiences who pay them to amuse,
And local plays still blackguard and belie
Opulence, taste and liberality.
Kah. What authors are so destitute of souls 1
Hia. Your mongrel Scnecas and Semi-Knowles,
Don't interrupt m e ! — T h a t the foul disgrace

[All

cheer

8

HIAWATHA,

Of having earned a fortune, may efface
All claim to be considered of the Ton
Kab. Well, here old chap, I say, you're getting o n — Hia. H u s h u p !—No author shall be bound to know
Society, but paint all classes low ;
The rich all dough-heads without hope of leaven,
And not a single virtue under Heaven !
Wab. Well, yes—that's 'bout as fair as you can say,
Best let them things go on in the old way ;
'Tain't no u s e gettin' u p no revolutions,
Nothing like sticking to our institutions.
Omnes. Ay, ay, ay, ay !
Hia. Exactly!—same all through,
That's the old story,—scratch me, I'll scratch you.
W e l l , that's all settled, and you understand
Discord's for ever banished from the land ;
So wash the war paint from your precious faces,
Ajcopt the best course for your several races,
T o break u p all your clubs, bury the chopper,
I n fact, do everything that's right and p r o p e r Then all start off, bound trouble to defy,
Resolved emphatically to " Root H o g or Die."
S O L O . — H I A W A T H A and

[All whoop,

CHORUS.

A I R . — " Root Hog or Die.11
Now boys from the South, from the North, East and W e s t ,
J u s t hush up all your jaws, for I guess you'll find it best
To bury all your difference, and I can tell you w h y , —
J u s t to go in for the Union—root hog, or die !
Chief, Mayor, or President—'taint a bit of matter—
Stand side by side, boys—millionaire or squatter.
Do jog along.
Chorus —Chief, Mayor, &c,
II.
W e ' r e just the greatest nation that ever you did see ;
W e can whip the whole creation, if they won't let u s bo *
.
Messieurs Johnny Bull and Crapeau, both are spry—
B u t united, we can teach 'em how w e root, hog, or die.
Chief, Mayor, &c.
III.
Whenever you're disposed with each other's acts to grumble,
Just call to mind the fable of the sticks in a bundle ;
A n d remember that, divided, you can break them every one>
B u t while they hold together, boys, it ain't to be done.
Chief, Mayor, &c.
All whoop and dance up.—(Closed in.)

9

HIAWATHA.

SCENE II.—Interior of DAMMIDORTUR'S Wigwam or Lodge. At change,
Symphony of Cuckoo Song, to ivhich enter MINNEHAHA, who exclaims
*' Heigho," whenever the music imitates the Cuckoo.
SONG.—MINNEHAHA.

I.
It can't be denied, because 'tis true.
Although 'tis anything but right
That nobody comes this way to woo ;
Therefore for a husband I hav'nt a sight—
Fellows enough, and good-looking, I see,
But all married men, and not for me.
Heigh-ho I Heigh-ho ! Heigho ! Oh dear ; oh dear •
W h a t fools men are—
Will nobody marry poor Minnehaha !
II.
They call me " Laughing "Water," tho' w h y
I'm sure I don't know any more than I c a r e ;
But this I do Know, I'm j u s t ready to cry,
And if 'twere'nt improper I'd certainly swear.
Now ain't it a shame, these fellows should be
All married men and not for me.
Heigh-ho ! Heigh-ho ! Heigh-ho 1 Oh dear, oh d e a r !
W h a t fools men are—
Will nobody marry poor Minnehaha!
Min. Oh dear, oh dear, what shall I do 1
I've read the last sensation novel through,
And not one new hint does the book contain
H o w to improve one's chances of a swain.
I've called in fashion's aid to win a beau,
My calls are fruitless and my whoops no go.
W h a t ' s to be done ? Some stir I must create—>
I'll write a book—or, better, imitate
The cheap and nasty method now to shine—
Claim some one else's " Halifax" as mine.
Perhaps some captain bold of country quarters
Might induce me to misapply my gar—boot-lace,
And end this most unsatisfactory strife
'Twixt can't-help maidenhood and would-be wife.
W h a t can Poohpoohmammi have been about,
All the long, weary time that I've been out 1
She, too, poor girl, 's as badly off as I,
But she's that sort that never will say die
She'd make believe she doesn't want to m a r r y ;
Can such a girl exist 1 Oh, nary ! nary!
Poohpooh, dearl

[Catting,

10

HIAWATHA.

Pooh [ R . 3 E.—In wigwam] Minne, darling, is that you?
Entering.} W h y , bessum 'ittle heart, come kissum, do ;
Kisses her.'] And tell me what it looks so glum about—
Urn's 'ittle Minnehaha mustn't pout.
Min. Poohpooh, my dear, fact is I'm bored to death.
Pooh. Hush ! never own it, you take away my breath.
Be calm, indifferent to the latest minute.
Min. I've tried it often, dear, *' there's nothing in it.'*
Pooh. Nothing in modesty % W h a t d'ye talk about %
Min. Nothing, believe me, that game's all played out.
Plot, danger, mystery's all the order n o w —
Imminent peril! Grand prospective row !
Governor furious, Mamma in tears,
Novels and sewing machines for some two years ;
Then child repentant, aged paient floored ;
Denoument—family harmony restored.
Pooh. Well, if you really like that style of thing—
The regular Young New York, slap-dash, full swing—
Perhaps you won't quite faint to learn that I
Have had a fond perspiring youth laid by
For some time past, all duly primed and loaded,
And ready to go off, but that's exploded,
Unless there's some excitement about going,
Pistols and parleys, blustering and blowing.
But know, also, to your delight, my dear,
While you were out another has been here,
Pretending to want arrows of your Papa,
But really for a peep at Minnehaha.
Min. [Speaking quite fast.] F o r m e ? O h !
[Kisses
Describe him if you can! Dear, describe him, if you fan ! !
Is he a tall, stout, short, thin, thick-set man 1
Long teeth, white eye-lashes ?—No, no, I mean
White,teeth, long eye-lashes—and is he g r e e n ? —
I should say young. H a s he a tender head ?—
Heart, heart, I mean. My dear, why has he fled \
Pooh. Says he—is Mr. Dammidortur in 1
No sir, says I—at which he gave a grin ;—
From which, thinks I, it's plainly to be seen
It's Minnehaha ! Mister, that you mean.
And so I tried him. No one's here, says I,
But me and the Tom Cat. Oh, yes !—good bye,
Says he—I'll call again some other day—
Picked himself up, and marched himself away.
But 'twixt ourselves my dear, I've strong suspicion
H e ' s somewhere in the neighborhood a flsh'n'.
Min. Then Poohpooh, dear, why did'nt you invite
The gentleman to stay and have a bite
Before he started. Tell me, did he look
A taking sort of man 1
Pooh. Yes. [Aside.'] W i t h a hook

her

11

HIAWATHA.
Min. Love-making's not in my line, but I feel
My heart runs after him.
Pooh. Right off the r e e l !
Min. Papa's away, and won't be home till n i g h t ;
I think it therefore anything but right
This stranger should be left to go neglected.
H e may be some one that papa expected.
I n short, I think the best thing we can do,
Is to—in fact—run after him, don't y o u l
Pooh. My sentiments, my darling, to a T
Go in and win !—let's have a reg'lar spree.
Min Prudence, my dear !
Pooh, Oh, who at that can match me ?
Prudence, of course.
Min. But don't forget the latch-key.

[Mocking

her.

HORNPIPE DUET.

Pooh. Come along with me.
iRuns and takes key out of door.
Min. Are you sure you've got the key 1
Pooh. Ope your eyes and see.
[Shows hey,%
Min. W h a t a bit of fun 'twill be.
Pooh. Well, we'll go it, if we know it.
Min^ W e ' r e the fellows that can do it;
Pooh. Well, you've got to, if you travel with Poohpoohmammi.
Min. Tol de riddle, lol di riddle lol, de ri do do.
Pooh. W h a t the dickens do you mean by tol de ri do,da 1
Min. W h e n one's got no more to say, tol de riddle lol de ray,
Ooes about as well, as anything.
Pooh. Well, perhaps it may.
[Repeat tol de rol, dance hornpipe and exeunt, D. F.
SCENE III.—Romantic Landscape, with set waters—deep

stage,

Enter INDIANS, whooping and jumping, 2 and 3 B. L.
Kab. Now, boys, I want to hear what you've to say
About a fishing party for to-day.
We've bait, galore, and lines a thousand hanks.
There's plenty to be hooked about the b a n k s ;
Who joins 1
Om7ies. All! a l l !
Kab.WeW said, boys, every one.
Wab. Yes, if there's any hooking to be done.
Kab. Come, then, let's paddle, there's no time to lose ;
So let's be off, at once, to the canoes.
But where's our Nukkleundah 1 without him
Our chance of jollity is rather slim.
Wab. Oh ! here he comes, I thought he'd be a l o n g ;
He'll keep us lively with his jest and song.
[Symhony of Non Piu Andrai, to which enter NUKKLEUNDAH, L. U^
down c.

18

HIAWATHA.
NuKKELEUNDAH

si?lg8.

Now, my lads, since we're bent on a bender,
Mind your eye, and let nothing be slow.
H a n g the chap who would be a suspender
Of fun, when a spree is the go.
See that the baskets are stocked with provisions;
And as fighting's prohibited, now,
'Mongst the bottles, allow no collisions,
For we can't spare the blood that would flow.
Oh, be chary ;
And, oh, Nary.
Oh, no Nary ;
A sweet drop to be wasted allow.
Whiskey, brandy, rum and porter,
Let continually flow ;
But don't drink any more than you'd orter ;
For 'tis loose to get tight, you must know.
Wab. W h a t ' s come of Hiawatha ?
Nuk. Oh \ to-day
H e ' s on an altogether different lay.
You know the arrow-maker, Dammidortur.
W'ell, Minnehaha, nicknamed Laughing W a t e r ;
His child is devilish handsome, and still s i n g l e ;
And I'll j u s t bet a cow against a shingle,
My bold Hiawatha's spooney on her.
Wab. W e l l !
Does that prove he can't go with us 1 Do tell.
Nuk. No, not exactly, for truth to say,
I'm slightly nipped myself in the same w a y ;
And must do the genteel before I go.
But there's no back-out in this child, you know,
So that I'll find, and no doubt, bring him too.
Wab. If Laughing W a t e r don't prove too deep for you.
Kab. Hooray, then ! Now, boys, one raise, good and hearty,
For North, South, East, West—all one jolly party. [All who&p.
Chorus.
H i p ! hip ! hip ! Hurrah ! hurrah ! hurrah !
For North and South, together.
Hip ! hip ! hip ! Hurrah ! hurrah ! h u r r a h !
East and W e s t , all in one tether.
Brothers, all heart 12nd hand,
W h o shall our Union's band,
Dare in this thrice-happy land to sever 1
Never shall faction rend
Kith and kin—friend and friend :
AH shall the Union defend forever !
Hip ! hip ) hip ! Hurrah !
[Exeunt omnes, R. 2 and 3 B.

HIAWATHA.

13

When all have disappeared, R., enter HIAWATHA, in a canoe, L.
Hia. Extremely patriotic and quite proper ;
Disunion's a card I beg to copper.
Nevertheless, I'm very glad they've gone,
For I can catch my little sturgeon now, a l o n e ;
And in the meantime wait till Dammidortur
Gets home, which, by this time, I think he'd ought'er.
Oh, Minnehaha ! fervent is my wish
That you've no preference for venison over fish ;
Because, instead of shooting you—a deer
(As in the original song it doth appear),
I mean to try to catch for you, my charmer,
The King of Sturgeons, yclept Mishe Nahma.
So, come up, now, old fellow, and Iet1s at you.
IFishing."] Let's see which is the strongest—come, od rat y o u !
Ah, there's a bite [Pulls up ] by jingo ! but I'll strike.
[Pulls ap:] Psha ! it's the Maskinoza, the blamed pike.
{Throws it in.] W h a t ! you won't nibble, eh, old fellow—say.
Don't keep me fishing for you here all day.
That was another ! [Pulls up.] W a y with you, you trash.
You're no account, you're only Ugudwash
The sun-fish, leave ! [Throws it in.] Gome, stir yourself, old Nahma,
You're for a chowder for my Minnehaha.
Scissors ! but that feels like h i m ! pull ahoy !
No—no you don't—[Canoe rocks] try it again, old boy,
[Great fight and rocking of Canoe.
By thunder ! now I've got h i m ! ah he's collared !
[Fish rises and swallows him and Canoe*
No,—no it's me ! it's me ! I'm gone ! I'm swallowed !
[Disappears in jaws of sturgeon, B.
Enter

POOHPOOH and

M I N N I , L. 2 E.

Min. Well, here we are, I wish that I could say
As much for him we're after.
Pooh. 'Tis the way
W i t h all the men.
Min. W h a t , not to be on h a n d !
Pooh. Unless you snub 'em well, and then they *ll stand
Just where you please to put 'em and not move,
Unless you rashly let on you're in love,
Then they begin to hedge, fight shy and jockey
And then your chance to win is mighty rocky,
I know—I've had a brush myself, mile heats
But t h e y don't catch this filly at repeats.
Min. Well, there's no fun in going home j u s t yet.
Pooh. Devil a bit—let's have a little bet.
Come, my scarf against yours, I do a mile
Quicker than you.
Min. I take that, there's my pile.
[Puts scarf Ot
Pooh. It's covered. [Puts down scarf] I'm 2-40, nothing shorter.
Min, Oh, trot out, you may beat on the first quarter,

14

HIAWATHA.

But you can't foot no gait that I can't fetch,
Tell you I'm awful fast on the home stretch.
Pooh, Well, ready—
[MINNEHAHA starts R,
Hold hard, wait for the word go.
Miii. [Comes back.] Ah, all right, now then—let's be reg'Iar.
Pooh. Go—
[Speaks quickly and starts E .
Min. Here, that won't wash—come, let's have a fair start.
[ P O O H comes back.
Once round, then off at " g o . "
Pooh. W i t h all my heart,
Let's get off now, I hate this coming back.
Min. Suits me, I've got the inside of the track,
Now steady, off she goes-—I told you so
That's pretty, neck and neck—now for it—Go !
[During this speech they have started slowly from L up stage to B.
cross footlights to L . and then bolt off R.
Slow music in orchestra from litoile du Nord. The STURGEON appear*
floundering in the water which turns red.
Sturgeon.

[Sing's."]

Oh, here's a g o ! this fellows broke my heart
Ugh o h ! u g h oh ! Oh don't it s m a r t !
I took him down, because 'twas time to s u p
And now I swow ! I'm throwing him u p !
Hia.
\
Let me out, you son of a—trout,
I'm nearly smothered entirely here,
Such horrid sights, your dreadful lights
Reveal—my pluck is, converted to fear,
Oh, if you can reach.
Throw me on the beach !
Sturgeon.
Oh, here's a go! &c.
[The STURGEON throws HIAWATHA out of his mouth on the stage.
Hia. Perdition catch thy arm !—thy jaws I should say
If I were playing Richard—" Arm," I would say,
The chance is thine, but oh the vast renown,
Thou'st gained by gobbling Hiawatha down,
Afflicts him more than Whiskey can assuage,
Now let m? T^U no more about the stage
To spin out this already lingering act,
But stick to brevity if not to fact,
Hurry the cakes that this crude scene may end
And to delighted shouts the drop descendV
[Rolls over as if dead.
[Distant shouts as at a race course, MINNEHAHA and POOHPOOHMAMMI seen in little figures running with varying success on the
~ opposite bank at back towards L. H., shouts grow louder as they
disappear, L.

HIAWATHA.

15

Enter MINNEHAHA first, closely followed by POOHPOOHMAMMI, L . 1 a
Min. Ha ! h a ! my dear, I told you I should win.
Pooh. Only because I broke up coming in,
One fellow snouted so on the home stretch,
I lost the race by looking at the wretch,
H e had such eyes—they made me grow unsteady,
Else I'd have beat you easily, my ladv.
Min. Mem ; „never risk a break up with a lover,
You lose ground that you can't always recover.
The scarfs are mine, and so I'll take my prize.
[Goes to pick up scaifs in which HIAWATHA has partially rolled
himself y sees him and screams^]
W h a t ' s this that thus secreted in them lies
Like Kirby when he used a piece to tag,
And died rolled up in the American flag.
W h y 'tis a man, and dead or fast asleep;
W h a t ' s to be done 1
Pooh. Don't be alarmed, he'll keep.
Let's look ! why, yes, it is the very man.
Min. What, my man 1
Pooh. Yours.
Min. Dispute it if you can,
I found, and claim him by right of discovery,
That is, if there's a chance of his recovery.
Pooh. No fear but all your rights you'll soon find out,
Locate your claim, and settle him no doubt
Min. S e e ! see he moves ! [approaching].
I wonder if he*fl bite %
Pooh. Y e s , at a beefsteak, judging by his p l i g h t ;
Let's raise him up, I think he wants to speak.
Min. I hav'nt got the face.
Pooh. Well, I've the cheek. [Kneels by HIAWATHA].
So just let me hear what he has to say—
If you don't want, why look another way.
Min. No, never mind, I guess I'll risk it, dear. [Kneels on other side*
Pooh. He's whispering something.
Min.
Whatl
Pooh. I can't quite hear.
Min. Poor fellow ! let me try—he's faint no doubt—
I'd like to understand.
[Puts her face close to HIAWATHA, as if to listen, he kisses her.
Pooh. Can you make out?
Min. Well, yes, he says he's better, but quite weak,
So I don't mind remaining, while you seek
Refreshment for him, anything, bread and meat.
Pooh. I'm not quite sure it's meet that he should eat,
But I'll bring something—don't get in a flurry,
I won't be long gone.
Min. Oh, you need'nt hurry,
I don't think I'm much frightened, darling, now.

16

HIAWATHA.

Pooh. {Knowingly.] Oh ! Great Institution ! handsome men, I vow !
Exit POOHPOOH, L.

Min. Do you feel better, sir 1
Hia. I can't speak loud,
I'll try and whisj^er though, if I'm allowed.
Min. Oh, certainly.
[Leans lo listen—he kisses her.
Hia. Much better, thank you, though
Not well, but mending nicely, but so-so.
[Kisses her twice.
Min. Have you been ship-wrecked 1 Shall I call a surgeon!
Hia. No, I've been fish-wrecked, given up by a sturgeon.
[Rising and advancing.
Tell me, my sweet preserver, who you are,
"Who've saved me from this pickle and the jar
That shook me senseless when I was thrown ashore—
Hav'nt I seen or heard of you before 1
Min. Not that I know of.
Hia. Let me know your name.
Mm. 'Tis Minnehaha.
Hia. Oh, the same, the same
Child of the arrow-maker Dammidortur,
Handsomest of women-—" Laughing Water !"
ARIA—HIAWATHA, (" Tu Vedrai.")
Do but try and venture arter
Me, and I'll just bet a quarter
You'll find I'm just the sorter
Kinder chap that you've been looking for so long;
I've a wigwam just the dandy,
Stocked with all things nice and handy,
From salt pork to Wild's best candy ;
And all's yours, love, if you'll only come along,
Min. They call me " Laughing Water," but I guess
You won't find many girls that laugh much less.
Hia. And why so, sweet—can I your vapors scatter %
Min Why, I'm sixteen, and that's no laughing matter.
Then father's such a grumpy slow old poke,
Living with him, I tell you, now's no joke.
There's never any fun in our house—
I really sometimes wish I were a mouse,
That other little mice might come and play with me,
Or else some great big pussey run away with me.
Hia. My darling, look at me ! Behold your cat I
Who, if he's not mistaken, smells a rat—
My real name's Hiawatha, but my Nom
De circonstance, is Thomas, vulgus Tom.
I'm full of fun as any fiddler's dog,
Or chip munk playing bo-peep in a log ;
Then, dwell, come dwell with me,
And our home shall be, our home shall be,

17

HIAWATHA.
In a pleasant cot, in a tranquil spot,
W i t h a distant view of the changing sea.
Min. My gracious !—Oh, you mus'nt think I m e a n t — ,
Hia. No, no, I don't—hut say that you consent,
Sweet Minnehaha, lovely, laughing water.
Min. Ail square 1
Hia. As a die !
Min. Then take me, H i a w a t h a !

[Ala

Julia.

Enter POOHPOOH, with basket of provisions.
Pooh. "Well, 'pon my word, good people, you get on.
I hope you've not been dull while I've been gone ?
Min. W h y , no ; you've been so quick you must have run.
But what do you think 1 Oh, such a bit of fun !
T'm going to be Mrs. Hiawatha !
Pooh. Well, that's what I call rushing matters, rather.
Hia. Strike while the iron's hot—there's nothing like it.
Min. Wouldn't you like a chance, my dear, to strise it 1
Pooh. I'm mortal, and confess my sex's weakness—
Ready to suffer with becoming weakness.
Enter NUKKELUNDAH, R. 1 E.
Nuk. Me, too ; come, fellow-suiferer, [Crosses to POOH.] your h a n d
Don't be alarmed, good folks, we understand.
Hia. W h a t , Nukkel?
Min. Poohpooh, dear, is this your one 1
Pooh. Well, yes ; I call him so—only for fun,
Hia. By Jove, old fellow, this is glorious 1
Nuk. Let's fire a salute, since we're victorious.
Hia. W i t h all my heart—bang I
[Kisses Mitf.
Nuk. Bang 1
[Kisses POOHPOOH.
Min. O h l
> Pooh. S t o p !
Hia. Bang I
[Kisses M i x
Nuk. Bang !
[Kisses POOHPOOH.
Min. Some one will hear you !
Hia. Let some one go hang !
Pooh. [To NUKKELUNDAH.] Now be so good as to restrain your ardor,
Or keep it for the products of the larder.
Hia. Most wise suggestion. Is it agreed 1
Min. Pooh, and Nuk. Agreed !
Hia. Let's lay the cloth, then, and sit down and feed.
Nuk, [Produces things from basket.] "Where did you get these 1
Isn't this a funny go 1
Hia. [Assisting girls also.] Of the old aboriginal Delmonico.
[They spread cloth} eatables and drinkables.
It doesn't matter whether it is correct—'
That's all played out—the main thing is effect.
Nobody cares about truth now-a-days,
Or who the deuce could stand our local plays 1

18

HIAWATHA.

I n which all authors seem to have to do
I s to pitch into the Fifth Avenue.
Nuk. That's a fixed fact! Who'll have a glass of sherry \
Hia. All hands—allow me.
[Helps MINNEHAHA—NUKKLEUNDAH AcZpsPooHPOOH—Thty all drink
Nuk. Deuced good wine that.

Hia. Very.
[Takes glasses and puts them down—NUKKLEUNDAH
MAMI'S glass and does the same.']
And now, to do the true dramatic thing,
I 'spose you are aware w e ought to sing 1
Nuk. Not me, I thank you.
Min. Lor' is that the ton 1
Hia. Yes, at the least convenient time, a song
Duet, or trio, always is dragged in.
That's the true opera-style—so, come, begin.

takes POOHPOOH*

TRIO.

[Goes Vip*

-

HIAWATHA, MINNEHAHA and PGOHPOOHMAKI,

'Tis a very funny thing here to wait and sing,
W h e n the dinner's getting cold ;
But they do it every day
In Opera and Play,
And 'tis very fine, we're told—
Oh, 'tis funny, very funny—
Oh, 'tis funny—funny, funny.
B u t , on second thoughts, that w e
B e such fools I can't agree,
A s to wait, as to wait.
W e can fancy very well,
Echo sounds t h e dinner b e l l :
Echo, echo, sounds the dinner bell,
For 'tis late—for 'tis late—'Tis a very funny thing, &c.
[After Trio all go up, and sit to dinner*
Nuk. I hope you've had a good time—take some pie.
Min.
Oh, I think it's good fun.
Pooh. Yes, so don't I.
Hia. Minne
, my darling duck, a glass of wine 1
Min. W i t h pleasure, dear.
Pooh. [Aside to M I N . ] I say, love, draw it fine,
Min. Oh, it's such fun !
Pooh. Mind, not another glass,
'Twill get into your head.
Min. My dear, it has.
[Drinks with HIAWATHA.
Nuk. Another glass of sherry, dear, for you.
Pooh. Not if this court know herself, and she think she do.
JEnter DAMMIDORTUR and HIANAKITE, L. 1 E., MINNEHAHA and Poon>
POOHMAMMI scream, and cling to HIAWATHA and JSTUKKLEUNDAH.

HIAWATHA,

19

Hian. My daughter and yours, too ; as I'm a sinner,
A n d with two fellows, sitting down to dinner.
Dam. [To HIAWATHA.] I've read of something like this in D o n J u a n
H e ought t'have had a licking—I'll give you ono
Pooh. Oh, hold me, Nukkle.
Min. Save me, Hiawatha !
Hia. Look here a minute, Mr. Dammidortur
Nuk. And you look here too, Mrs* Hianakite
Min. Oh, I shall faint!
Pooh. And I'm most dead with fright !
Hia. I love this gal.
Nuk. And I love this one, I do.
Hia. And you can't get 'em.
Nuk. So you needn't try to.
Dam. I can't \—well here come those who can and will.
Enter INDIANS, at all

sides—yelling,

Hia. Call in your tribes from every vale and hill ;
Boys, these old ducks our wives from us would sever.
Shall they dissolve our Union 1
All. N e v e r ! n e v e r !

[Yells.

[The INDIANS seize DAMMIDORTUR, L. and HIANAKITE, R . , and hold them
from HIAWATHA ; MINNEHAHA, NuxkLEUNDAH and POOHPOOHMAMMI,

who embrace.—HIANAKITE

faints

in INDIAN'S arms.

F I N A L E — F R O M « Gazza Ladra?
AND L A U G H I N G T R I O —
" Vadasi via de Qua."
Min.

Hia.

and Pooh. See what dreadful small potato,
T i s to fight poor human natur',
Girls will marry soon, or later,
If it's only just for fun !
Useless all the muss you're making,
And the trouble you've been taking,
Don't you see that Union breaking,
Arn't the cheese, and can't be done.

Hia. and Omnes. Very severe, Papa, (Mamma,)
Upon my word you are,
You've gone a step too far.
H a ! ha ! ha ! h a !
H a ! ha ! ha ! ha !
You've gone a step too far.
END OF ACT I.

20

HIAWATHA.
ACT IT.
SCENE I . — A Wood.
Enter

iVb-GO-Miss and HIANAKITE, L .

No. Yes, this is what I call a pretty go—
Biinging his gals home here. I'll let her know——
Hian. And my young hussey, too, has brought a fellow.
Oh, I'll fix him off nicely, I can tell her.
No. What can that scamp of mine want with a wife 1
Ain't I the salt o' the young cusses' life ?
Don't I stick to him like fifty poor man's plasters ?
S a l t ! ugh ! why, lord, I'm a full set o' castors.
If it was female beauty he was arter,
H e never could have chose this Laughing W a t e r ;
Or else I don't know where the fool's eyes could be,
Beauty ! she beautiful! ugh—look at me !
Hian. Ah well, I'll spoil my precious hussey's fun,
I'll get some girl, if I can hit on one,
Graceful and handsome, to pretend to be
In love with Nukkleundah
No. W h y not me 1
I'll do it for you to a charm, my dear.
Hian. No, 'twould be troubling you too much, I fear.
I think I know a gal can win him, though,
Gammon and wheedle him, and——
No. Ugh ! I know !
I could, if I was only set the task,
"Walk round him like a cooper round a cask.
Hows'ever, my gay miss'll keep me busy,
I'll see if I can get young Yenadizzi
To fool about her ; he's one of them fellows
That's just cut out to make a lover jealous.
You'd best get him to make love to yours too.
He'll make more mischief than a girl can do,
Flirting with Nukkelundah.
Hian. Good, my dear,
'Twill set both chaps against the gals, that's clear.
No. If we can only manage that, good-bye
To any more of 'em for you and I.
My boy will soon let Minnehaha slide,
And your gal won't be Nukkelundah's bride ;
So come along—the festival's begun—
They'll come off second best, though, 'fore 'tis done.
I've made 'em think I ain't a bit displeased,
And, just to show how quick I was appeased,
I got all ready for the festival,
A s if I really doted on the gal.
They won't suspect our trap until they're caught,

HIAWATHA*

21

And then! Lord, how the thought on't makes me snort!
Come on, my dear—I'll wife him.
Hian. Ah, we'll show 'em !
No. Consarn their ugly picters !
Hian. Blame 'em.
No.

Blow 'em !

[Exeunt NOGOMIS and HIANAKITB.

SCENE II. —An Indian Village.
The Indians discovered lying, sitting and standing about the stage eating
and drinking.
CmRUS.-~(Amilie.)
Hiawatha! Hiawatha ! and Minnehaha,
And Nukkel and Nukkel and Poohpoohmamma,
Jolly luck to you both, boys, the same to your gals,
As long as you live, is the wish of your pals..
May you ne'er want a friend, or a bottle to give, #
Nor be troubled with shorts as long as you live;
May you never do anything much more amiss,
Than kiss whom you please, and please whom you kiss ;
May he that loves Poohpooh, and he that loves Minne,
Ne'er want a good coat, a clean shirt, or a guinea.
Wab. Here come the brides and bridegrooms—shout, boys, shout !—
All shout, " Whoo—whoo—whoo /"—Enter HIAWATHA, leading MINNEHAHA and NUKKELUNDAH, with

POOHPOOHMAMMI, from wigwam,

u. E. R., bowing as they advance.}
Good—now, another rouser—spit it out!
[All shout as before very wildly
Hia. Most worthy and enthusiastic friends,
We don't get often on these festive bends,
But as my lovely Minnehaha's beau,
You've kinder got me on a string, you know.
I trust the peck and things are all 0. K.
Nuk. That claret is La Rose, I beg to say.
Hia. The Pate de fois gras arrived to-day.
Pooh. The pork and beans were cooked in a new pan.
Min. The oysters stewed on the Canal street plan
Hia. In fact, without a show of vain pretence^
This spread's got up regardless of expense.
So now let's pitch in, boys, and have some fun—
Come, say the word now, what's first to be done ?
Wab. Guess how, 'twould Trinder help the thing along
If your gal there would sing the crowd a song. ,
All. Ay, ay, ay, ay—a song from Minnehaha.
Min. [Bashfully.'] Oh, no} I couldn't, really, I'm so—
Hia. Psha, psha !
Every one understands that sort of thing—

22

HIAWATHA.

We know you want to sing, my dear, so sing.
Min. Oh, now, for shame—how can you, I declare
I only know one song, and I don't dare
To sing that all alone—'taint fit to hear,
Unless—oh, won't you sing it with me, dear 1
Hia. With all my heart, if it's a song I know,
Min. Oh ! you must know it, for it's all the go
In London, in the Susan Hopley set,
There's been but these two copies sent hero yet,
I altered some few of the words a bit,
Called it my own, and copy-righted it.
[Gives HIA., a Ballad.
Hia. Ha ! just the sort of song for two to sing,
Tune—*' As I vas a valkin' vun mornin' in spring.
Min. The story's very touching; what you'd call
Domestic, yet romantic—
Hia. Like « Sam Hall,"
TWO PART SONG.
[In imitation of the London Beggar Singers,]
I.
Min. Oh, my love he is a saileur, so galliant and bold,
He's as straight as a flagstaff,
Hia. And jest nineteen year old.
For to cruise the wide world, he
Min. Has left his own dear,
And my heart it is
Hia. A bustin be—
Min. Cause he is not
Both. Here.
II.
Hia. Oh, his parents they bound him all
Min. To a carpenter,
But a sea-farin life he did
Hia. Very much prefer,
For his sperit
Min. Was tremenjous and
Hia. Fierce to behold,
.n a young man bred a
Min. Carpenter, and ony
Both. Nineteen year old,
III.
Min. Oh, my buzzum ! it is tosted jest like—
Hia. The rollin' sea,
For fear his affecs^ms don't
Min. Still p'int toe me,
For a
Hia. Sweetheart can be found in
Min. JEadh port* I am-told,

23

HIAWATHA.
Hia. Eckspeshally for a young man ony
Both. Nineteen year old.
IV.
Hia. And it's o h ! for my lovyer I grieve
Hia. And repine,
For fear that fine formed man mayn't
Min. Never be mine
Ail the cashes of Injee
Hia. Both silvier and goold,
Min. I'd give for my saileur boy.
Both. Ony nineteen year old.

[After song, all crowd round HIA., an&JSHm., a little up, whooping,
SfC.—NO-GO-MISS

and HIANAKITE advance from

R. to c .

Hian. Well, what says Yenadizzi, will he do it?
No. Tickled to death, and swears that he'll stick to it.
H e ' s coming presently to join the dance,
And means to pitch in then, if there's a chance.
Keep u p your pluck up, it's all right, old gal,
You'll see he'll go in the whole animal.
[They go up, K*
[All suddenly cry—" Yenadizzi, Yenadizzi! W h o o ! w h o o ! w h o o !
Enter YENADIZZI, R. U . — H I A . meets and salutes hinu
Hia. My hyfalutin friend, how do you do 1
I'm charmed to see youj—
Yen. Oh ! really you are too—
Yes, 'pon my honor, really, I declare—
Your charming bride, too, [Kisses M I N . ' S hand] exquisite, I swear I
Your friend, I think—yes, really very proud,
Friend's wife, sweet creature ! may I be allowed—
[Kiss's POOH.'S hand.
Delighted, positively—how d'ye do ?
j To the men,
Meschers petits, comment vous portez vous 1
(To the girls*
Min. [To H I A . ] W h a t a particularly handsome chap !
Hia. Y e s , he's good looking, but a horrid sap.
H e travels on his pretty, nothing here,
[Touching his head.
No. [Aside.] That won't be long your case- my boy, that's clear.
Pooh. Oh ! isn't \e a duck !
Nuk. Well, come, that's cool I
My dear, I don't like—
Pooh. Darling, don't be a fool.
Nuk. My love, you needn't quite devour the p u p —
Pooh. Don't be a noodle—
Nuk. B u t —
Pooh. My sweet, s^ut u p !
[NUKKELUNDAH flounces up indignantly*
No. [Aside to YENADIZZI.] A t 'em, my lad, they're struck with you,
I see,
• Yen. Yes, 'tis a hi«i, I t h i n k ; that's j u s t like me.
No. Oh ! you're too elegant to be resisted—
[Aside.] Lucky for you, if your neck don't get twisted,

24

HIAWATHA.

B u t I don't care, so as h e makes these fellows
Nukkelundah and Hiawatha jealous.
Yen.
[Who has sauntered up to MINNEHAHA, L. C ] N o t heard tho
Traviater—oh! dear me,
W h y , what a savage your liege lord must b e !
Min. W h y , I've been told that's such a naughty piece.
Yen. Oh, no, not more than j u s t enough to increase
It's popularity ; it isn't broader
Than novels of the yellow-covered order;
And then 'tis done in Fourteenth-street, you know,
W h e r e only fashionable people g o —
And so, of course, 'tis proper.
Min, ( L . c ) To be sure.
Nothing with fashion's stamp can be impure.
Licentiousness may then claim admiration,
Tho' shocking when in a cheap publication.
Yen. Yes ; cheap and nasty—-I catch the idea.
Pooh. [Coming down L. of M I N . ] Minnc——, what are you preaching about, dear 1
Yen. [Aside c ] Jealous, poor little dear I—jealous, 'tis plain,
" O f my devotions at another's fane."
Wab. Come, mister, won't you do a little suthin'
To keep the pot a biling 1 Ain't there nothin*
That you can sing or dance 1—they say you're some
Punkins at pigeon-wings : so step out—-come.
Omnes. Ay, ay, a dance—a dance—whoo, whoo, whoo, whoo !
Yen. Oh, really now you flatter me, you do.
Upon my life, I'm but an amateur.
Min. Oh, do oblige u s .
Pooh. Oh, you will, I'm sure.
Nuk. Your manner, madam, actually appears —
Pooh. If you don't hold your tongue, I'll box your ears.
Wab. Oh, see here, don't let's have so 'much paw-paw.
Yen. Well, then, suppose we dance a pas de trois 1
These charming ladies, will they be so kind 1
Pooh. With pleasure.
Min. [To H I A W A T H A ] Shall I, dear 1
Hia If you're inclined,
My love, by all means jerk your little pas.
Yen. You're most obliging, 'pon my life you are.
Nuk. [To POOIJPOOHMAMMI.] Mind, I object.
Pooh. Oh, stuff, m y dear !
Nuk. I swear
I'll lick that chap !
Pooh. "Well, lick him, I don't care.
Yen. Now, ladies, by your leave. Commencz, Messieurs.
[ Y E N A D I Z Z I , MINNEHAHA and POOHPOOHMAMMI take placet*

Leader. W h a t ' s it to be 1
Yen. Oh, sir, our choice is yours.

25

HIAWATHA.

[Indians
sit around—No GO-MISS and HIANAKITE in corner, R. together, watching-—HIAWATHA
and NUKKLEUNDAH, who sit at L .

corner.
D A N C E . — Y E N A D I Z Z I , MINNEHAHA a7id POOHPOOHMAMMI.—During
which YENADIZZI makes tender advances to MINNEHAHA and P O O H POOHMAMMI, at which NOGOMISS and HIANAKITE
rejoice—NUKKLE-

UNDAH gets very uneasy, he by gestures threatening YENADIZZI,
but restrained by HIAWATHA, who smokes his pipe in great composure, and sips a tod which he gets from L . 1 E., when dance is
about to commence.
As soon as dance commences, NOGOMISS watches till YENADIZZI begins to flirt with MINNEHAHA, then NOGOMISS goes round stealthily at back and gets beside HIAWATHA, who does not notice Y E N A DIZZI kissing POOHPOOHMAMMI, but as he is about tq Jciss M I N N E - *
HAH A, NOGOMISS nudges HIAWATHA, who thereupon turns and

sees what transpires.-—HIAWATHA
gets up in a rage amidst the
yells of applause of the Indians at the dance.
f
Hia. [Throiving YENADIZZI into R. C ] I ' m hanged if I stand t h a t ;
see here, you sir,
"What in thunder do you mean by kissing her 1
Yen. My good sir, I
No. [Sarcastically.'] I t ' s only courtesy.
Min. Of course not, and I ain't the least bit hurt, you see.
No. Y o u can't take umbrage at mere courtesy.
Pooh. [To NUKKLEUNDAH.] I'd like you to object to his kissing m e . '
Yen. [2b HIAWATHA.] Oh, quite preposterous ! Sir, your conduct's low
Hia. I t is, e h ! Well, I can take you anyhow. ,
Min. Don't be absurd.
Yen. [Alarmed.] My good friend, n o w keep cool.
Min. You're making yourself a n egregious fool.
Pooh. W h a t small potatoes ! ^
* •'
No. Go in—give him beans !
Hia. N o ; but I'll lick him, only j u s t for greens.
[Pitches into YENADIZZI-—General row—NUKKLEUNDAH
makes fowards YENADIZZI, but is stopped by POOHPOOHMAMMI, who takes
him by the ear and leads him off u . — M I N N E H A H A clinging to H I A WATHA, exclaiming—

Min. Oh, spare him !—spare him, dear. Don't kill him quite !
No. Give it him—give it him I I t serves him r i g h t !
[All get well up and closed in.
SCENE III.—Landscape, or wood in two.
KITE, laughing,

Enter NO-GO-MIS and
(L.)

No. Didn't I tell you what a row thero'd be.
Hian. And Yenadizzi licked, that tickles me.
My gal tells her chap he's a jealous donkey,
But that kiss that she got so raised his, monkey
That she .can't gammon him to look it over.
No. Poor Minnehaha, too has lost h e r lover.

HIANA-

26

HIAWATHA.

Her goose is cooked, that Hiawatha swears—
He's done with her forever, he declares.
See, here he comes, and after him the gal,
liTour daughter, too. Now for a tragical,
Comical, semi-serious pow-wow ;
Let's stand aside and watch 'em, anyhow.
[NO-GO-MIS and

HIANAKITE exit, L.

Enter HIAWATHA, R. 2 E.
Hia. My heart's broke by the very girl that won i t ;
False Minnehaha's been and gone and done it.
There's no one here for me to love or lick,
" All, all is lost now"—so I'll cut my stick.
Enter POOH-POOH, supporting' MINNEHAHA, R.
Pooh. Pluck u p a spirit, dear, and tell him flat,
You want to know what sort of game he's at.
You've done no w rong, and won't stand his abuse.
Go to him—give him Jessy —
Min. W h a t ' s t h e use ?
H e won't believe me.
Pooh. Pll speak to him : Here !
See, Mister—'taint for me to interfere,
But you'll break this girl's heart—that's what you will.
Hia. Pve had dor-darn bad luck—so I guess I skill.
She's bruk mine, anyhow.
Min. Oh, don't say so !
W h a t have I done %
Hia. Go, false one, Gf—g—go.
R E G I T . A * ^ A I R . — " i ^ L is LOST N o w . "
All is lost now ! Oh, f never—no, I never
Could have thought as how you'd sever
The true love's knot 7; ou' tied with me.
Cut, cut your stick, n o w , go, false deceiver.
See this face, down tvhich is running
All the paint you once said made me look st R u n n i n g ;
Now 'tis plain you were but funning,
J u s t to get me on a string, I see.
Still round here I feel a sneaking
Kindness, that would fain be leaking,
'Bout which now 'tis not worth speaking,
Since you've treated m e so ill.
Tho' that other cove mkiy get ye,
Strikes me that I've spoiled his pretty,
Yet, ne'er fear, I will nojt hit y e —
No ! I love you, false one, still.
[MINNEHAHA bursts into tears, and
supporting MINNEHAHA, R.
\

cries loudly

Exit

POOH-POOH,

HIAWATHA.
Hia. A h ! false to me 1 to me ? to me 1 to me 1
[NO-GO-MIS enters, L., and signs to HIANAKITE to exit, which she dc
then NO-GO-MIS advances to HIAWATHA, R.
No. My son, in what a dreadful rage you be.
Hia A v a u n t ! begone ! thou damnable old hag ;
I swear I'll tie your head up in a bag,
[f you provoke me farther.
No. Here's a muss !
Hia. W h a t sense had I of the infernal buss ;
\ didn't see it 'till you told me on't.
Vd all the kisses I could ask or want.
She that is kissed, her husband thinking true,
Let him not know it, and she's good as new !
[Crosses to L.
No. Weil, I declare, that's pretty talk to me.
Hia. I had been happy if each Cherokee,
Pawnee, and all had kissed her cherry lip ;
So I'd not known it, I'd not cared a fip !
Oh ! now, forever, farewell the cheerful m u g —
Farewell, tobacco, and the whiskey j u g !
i
Farewell, Ojibeways and Chickasaws—
Farewell, my own crack tribe and the big wars,
In which we licked our enemies. Oh, farewell,
"*'"***
Farewell my togs, in which I've cut a swell,
And oh, ye mortal Injuns, whose rude whoops
Swell in the breeze like fashionable hoops.
Friends, foes, Kith, Kin, all, all, and every one,
F a r e w e l l ! This fellow's occupation's gone !
No. My s o n !
Hia [Seizing and shaking NO-GO-MIS.] Villain, be sure h"» kissed her
be quite sure !
Swear thou hadst occular proof, or by this skewer,
[Draws knife.'] Thou better hadst been born a tinker's dog,
Toad, skunk, worm, bed-bug, cock-roach, pollywog,
Than raise my dander u p !
No. Upon my life !
Hia. If this be a base lie on my poor wife,
Never smile more—abandon all your tods,
There'll be the devil to pay, by all the Gods ;
For nothing can be too tarnation bad
Natur'd for that.
[Throws her off to L., and gets R.
No. [Scolding violently.] Well, cuss your impudence, I'll starve you
out.
Knocking your poor old grandmother about,
And all because I told you for your good,
If I did n't see it, who the devil could 1
But there, I see I've been a precious fool,
Nothing like taking family matters cool.
She'll make a nice accommodating wife,
And entertain your company to the life,

;8

HIAWATHA.

I've done ; from this I've nothing more to say,
You may j u s t go to the devil your own way.
[Exits NOGOMIS in a great rage, L.
Hia. Th' old gal's in earnest,—would I were satisfied.
Enter NUKKELUNDAH B,.
Nuk. See here, these girls insist that they're belied ;
Now that wont do for me, and Poohpoohmamma
Says I'm a fool; I'm not so green tho' damme,
As to be humbugged, by that sort of talk.
I mean to make that fellow toe the chalk,
You've had your fling at him, and I'll have mine.
Hia. Kind heaven, I thank thee, for my cause is thine
By one or both of us the slave shall die.
Your hand.
[They join hand.
Nuk. But mind I'm in for the first shy.
DVETT—Buoni

la Iromba.

Nuk.
If your'e the trump I think you are
Loving your gal as I do,
Ready to fight as drink you are,
Then we shall put him through.
Hia.
I'm in the pool with you, my boy,
For drinking and righting too,
But one at the time will do my boy,
Either can put him through.
Together.
If you're the trump, &c.
Loving your gal, &c.
Ready to fight, &c.
You or I will put him through.
Enter all the Indians, R.
Wabun. Look'ee here, Ingins, here's a precious go !
I'm blest if I han 't struck a light '11 throw
A reglar 'Iumination on this muss
About the gals ; that mischievous old cus
Mother Nogomis and that other fright,
W h a t d'ye call her—old ma'am Hianakite,
"With Yenadizzi and old Dammidortur
Know more of this here row than what they'd orter.
I caught 'm all together a while ago
Jawning like thunder all about it —So
I jist kept dark and listened for a spell,
They could'nt see me, and I heern'em tell
How it had been agreed to get that pup,

[Exeunt L . ]

29

HIAWATHA.
That Yenadizzi dandy to shin u p
To both the gals to get their fellows riled,
That their intended marriage might be spiled.
Nukkelundah and tp'ther have both gone
To pay the dandy for the work he's done.
And here comes Minnehaha in a stew,
N o t knowing clearly what they mean to do.
Y o u keep her here and I'll engage 'fore long,
To fix what the French call a Denoument!
Strengthen a Sangaree with a small stick,
And let Her sip it for, poor thing, she's sick.
Enter—MINNEHAHA,

E. 1 distracted;

[Exit W A B U N L .

dressed in white;

hair down, <$-c.

Min. Come, come, come, come, come, come, come, come, to dinner,
You must eat, I wont have you any thinner,
You're angry, e h l what harm, sir, have I spoken,
"Whip your ill nature ! get you to Hoboken,
Oh, you're returned ! Am I to blame to love him.
Come, stop that, you've no right to pinch and shove him,
W h e r e art thou 1 He's here somewhere ; love, where be ye \
Ah, Ketchee! Ketchee! Peep-bo! A h ! I see ye,
Stand off, I say ! What, gone again 1 Who'll dare
To keep him from me 1 Ha ! look there ! look there !
[Sings
'

from

"the

Maniac"]

-• I see him leap the garden wall,
H e heeds me not,
No, by E v i n g s ! I am not mad !
Oh, release me !
No, by Evings ! I am not mad 1

H e r e he jumped down ; oh, I'll dig dig the den u p .
I've come to something to be digging men u p .
[Sings—from
At end of Mad scene—YENADIZZI

Lucia, and rushes offn.

is heard without,

1, L.

R. H. U. E .

, Yen. Help ! h e l p ! help I murder ! m u r d e r ! h e l p ! ) Hia. {Outside, u.] Stop thief!
Nuk. [Outside, R.] Seize him ! Upset him !
Enter YENADIZZI, running breathlessly,
Yen. If you'd just as lief,
I'd rather you'd permit me to escape.
; Min. [Entering, R. 1 . ; seizing him.] Never! you
vile scrape,
You stole a kiss, an unprovoked attack.
Yen. My dear, I'm quite prepared to give it back.
Min. Wretch ! can you give me back my peace of
,. Pooh [Also holding him.] W h a t satisfaction, fool,
JHav'nt I lost a husband 1

R. U.

got me into this

mind %
am I to find %

30

HIAWATHA.

Min. And I too 1
~Yen. Damme, I'll marry both, if that '11 do.
'<?,. [Enter R. ; outside.] This way he ran !
[ Outside, R ] Come on !
"*ly love 1
.. jvit. And mine !
Hia. [Outside, n.] "Vengeance 1
Nuk. Destruction !
Hia. Torture !
Nuk. D e a t h !
Yen. [Getting to L, corner.] " D e m fine ! "
Enter HIAWATHA and NUKKLEUNDAH R. U. hastily.
Nuk. At last my turn is come, and thus I seize—
[Lays hold of YENADIZZI, but POOHPOOHMAMMI seizes NUKKLEUNPAH
and passes him over to R.
Pooh. Turn yourself over here, sir, if you please,
And have the goodness, will you, to keep cool.
Nuk. [Passionately.] Ma'am, do you take me for an arrant fool.
Pooh. Of course I do !
NUKKELUNDAH bursts away and stalks up followed

by POOHPOOHMAMMI.

Min. [To HIAWATHA.] 0 pray hear reason, dear.
Hia. My mind's made up !
Yen. So's my account, 1 fear !
Ilia. Seizing YENADIZZI, and bringing him c ] Nukkel, the victim's
yonrs, if now you claim him.
Pooh, ( R . ) I'll slap your face, now, if you only name him.
Nuk. (R.) Yes, but I tell you.
Pooh. H u s h up 1
Nuk. I cave in 1
Hia. Then thus I instantly " go in and win. 1 '
[About to scalp YENADIZZI—WABUN speaks loudly as entering with1
NOGOMIS, HIANAKITE and DAMMIDORTUR, tied in a rope, L, U. E .

Wah [Down L. corner^] No, no—hold on ; don't hurt that .silly cuss.
These is the critters that made all the muss.
Min. My father!
Pooh. Mother!
Wab. Y e s , and aunty, here.
Old Mrs. Belzebub came pretty near
Fixing your flints, and blowing you to thunder,
For they was bent on keeping you asunder,
And so they set that fool a making love
To both the gals.
Min. Oh, if you could but prove
That interesting fact beyond a doubt,
From all this bother it would help us o u t ;
Form a convenient climax to our play
And end things in the good old-fashioned way.

31

HIAWATHA.

[A loud, SIOIL whoop heard at back; all separate to either side, look
about and listen.
Hia. " If I were superstitious, I should say,"
Some one's about your wishes to obey ;
But tho' I own at present 'tis obscure,
It only wants a gong to make me sure.
[Gong—change to fancy scene, discovering GITCHE MANITO.
Git. {Advancing c ] To clear up, then, this troublesome mishap,
Save some blue fire and a vampire trap,
v
I come, like an established fairy queen,
To make you happy in a new last scene.
Hia. J Tis Gitchie Manito ! oh, welcome tones !
I knew he'd come, I felt it in my bones.
Git. I heard your wish, and knew j u s t what you meant.
Min. Speak !
Pooh. Quick!
Nuk. My Pooh !
Hia. My Min !
Git. [ Very loud.~\ Is innocent !
[Indians yell,
N k \ ^ w e e ^ i n J u r e ( l excellence—come to my heart.
[HIAWATHA, who is L. C , and

NUKKLEUNDAH,

who is

R o.,

back

quickly upon GITCHI-MANITO, and knock him down; he gets up, and
limps off, while MINNEHAHA and HIAWATHA, and NUKKLEUNDAH and
POOHPOOHMAMMI, meet and embrace.— NO-GO-MISS, HIANAKITE, and

DAMMIDORTUR, upset WABUN and Exeunt, L. 1.—YENADIZZI steals
across from R. to L., but is checked by IIIAWATHA'S voice.
Yen. I guess it's about time I should depart.
Mia. Yes, cut your stick, follow your crowd along, !
W e let up on 'em, tho' perhaps 'tis wrong,
Trie attempt and not the deed recoils upon
All who'd dissolve our happy Union.
[The Symphony of "Finale" is commenced, when MINNEHAHA advances,
and stops the Leader.
Min. One moment if you please
t'To AUDIENCE ] Should you ask me whence this drama,
W h e n c e these cut-woods and setpieces,
"With t h e impress of the Forest,
^jVith the smell of Metamora,
W i t h the rushing of live supers,
W i t h its frequent song and chorus,
And its queer instrumentation,
4-s of scoring by La Manna 1
2, should answer—I should tell you—Ifrom Longfellow's " Hiawatha,"
J'rom the song of the Professor,
f h e edition of one Ticknor,
^ r o m t h e store of Mr. Lockwood ;—
Vou have seen it as 'tis altered
B y the pen of Charley Walcot

32

HIAWATHA.

The Comedian, the Mummer.
Should you ask where Charley Walcot
Found his version of the story,
This his murder of Longfellow ;
I should answer—I should tell you—
I n the scarcity of subjects,
In the dearth of striking subjects.
I n the knowledge of its value,
In its value for its title.
Y e who love extravaganza,
Love to laugh at all things funny,
Love the bold anachronism,
And the work of paste and scissors,
And 4< the unities" destruction,
Nigger airs, old glees and catches,
Interspersed with gems of Op'ra,
Jokes and puns, good, bad and so-so,—
Come and see this mutilation,
This disgraceful Hiawatha,
Mongrel, doggrel Hiawatha !
FINALE.—"ISMisire

i
•
;

d'Amore.

Min. Our mimic troubles ended, we have nothing else to do,
But turn with some anxzety, kind gentlefolks to you,
In hopes you'll come again, and bring your friends to see our
pranks,
That we long may have your countenance and you our hearty
thanks.
Chorus,
In hopes, &e.
Nuk. My little woman here and I may sometimes have a spat
Pooh. My dear, don't be absurd
Nuk. My love, I will speak, and that's flat.
An angry word may now and then, like bitters in the cup
Gf life, disturb our sweets
Pooh. W h a t then 1
Nuk. "We'll kiss and make it up.
Chorus. A n angry word, &c.
MORAL.
Hia. A s with them, so with these happy States, still let the maxim,
be,
Shake hands and make it up again, whene'er they disagree.
A s with us, so m a y the enemies of Union ever fail.
And patriot hearts and hands protect what treason would
assail.
Chorus.
As with us, &c.
THE END.

[Catalogue

continued

VOL. XVI.
121.
122.
123.
124.
125.
126.
127.
128.

from

second

page

VOL. XVII.

Th< Tempest,
129.
The Pilot,
130.
Carjenter of Rouen,
131.
King's Rival,
132
Li tie Treasure,
133.
Domby & Son,
134.
Par tits and Guardians,] 135.
J e v ss.
136.

Camille
Married Life,
WenlockofWenlock
Rose of Et trick vale,
David Copperfiold,
Aline or the Rose of
Pauline,
[Killarney,
J a n e Eyre.

VOL. XIX.

cover."]

137. Nifrht and Morning,
138 iEthirip,
139 T h r e e Guardsmen,
140 Tom Cripple,
]41.*HenriettP,theForsak*n
142. *Eustache Baudin,
143 Ernest Maltravers,
144. Bold Dragoons.

VOL. XX.

145. Dr&d.; or^ the Dismal
Swamp.
H6.*Laft Days of Pompeii.
147. Esneralda.
148. Peler Wilkins.
149.*Bea the Boatswain.
150.*J O nathan Bradford.
151. Retribution.
152.*Miaeralli.

of

VOL. XVIII.

VOL. XXI.

161. All's Fair in Love.
5 3 . French Spy.
54. W e p t of W i s h - t o n 362. Hofer.
163. Self.
Wish.
164 Cinderella.
155.*Evil Genius.
165. Phantom.
156.*Ben Bolt.
157.*Sailor of France
138. Red Mask.
159. Life of an Actress.
160. W e d d i n g Day.

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1. The Irish Attorney,
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5. The Dead Shot,
6. His Last Legs,
7. The Invisible Prince,
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23 Widow's Victim
24. RobeitMacaiie.
With aPorttaitand Memoir
of Mr. F. S. CHAMniAU.

VOL. IV.

VOL. V.

VOL. VI

33. Cocknies in California, '41. Grimshaw, Bagshaw,
25. Secret Service,
and Biadshav,
26 Omnibus,
I 34. Who Speaks Fbst,
42 Rough Diamond,
27. Irish Linn,
I 35. Bombastes Fuiioso,
43. Bloomer Costume,
30. Macbeth Travestie,
28 Maid of Croissey,
44. Two Bonny castles,
37. Irish Ambassador,
29. The Old Guard,
45. Born to Good Lu:k,
30 Raising the Wind,
! 38- Delicate Ground,
46 Kiss in the Dark,
31. Slasher and Crasher,
39. The Weatheicock,
32. Naval Engagements. I 40. All that Glitters is not 47. 'Twoitld Puzzle a Con[juior,
With a Portrait and Memoir
Gold.
[ i. Kill or Cme.
of Miss ROSE TELBLN. With a Portrait and Memoir! With a Poi tiait and Memoir
of F. M. KENT.
of W. A. GOODALL.

VOL. VII.

j

49. Box and C^x Married 57.
50. St. Cupid, [and Settled,' 58.
51 Go to-bed Tom,
59.
52. The Lawyers,
GO.
53. Jack Sheppard,
61.
54. The Toodles.
62.
55. The Mobcap,'
G3.
56. Ladies Beware.
64.
With a Poi trait ar.d Memoirl
of SOL SMITH.
73
74.
75.
76.
77.
78.
79.
80.

VOL. XIII.

10I.*TWO Queens.

65.
66.
67.
68.
69.
70.
71
72.

Temptation,
Paddy Caiey,
Two Giegories,
King Charming,
Pocahontas,
Clockmakei's Hat,
Married Rake,
Love and Murder,

89.
90
91.
92.
93.
94.
95.
96.

A Good Fellow,
Cherry and Fair Star,
'-Gale Breezely,
Our Jemimy,
^Miller's Maid,
* Awkward Anival,
*Ciossing the Line,
Conjugal Lesson, i

VOL. XL

VOL. X.

31.
Ireland and America,
Pretty Piece of Business, I82.
<
Irish Broom-maker,
i83.
84.
To Paris and Back for £51*
85.
That Blessed Baby,
86
Our Gal,
87.
Swi«s Cottage,
Young Widow.
,88.

97. My Wife's Mirror.
98. Life in New York.
99.*Middy Ashore.
100.*Grown Prince.

VOL. IX

VOL. VIII.

Morning Call,
Popping the Question,
Deaf as a Post,
New Footman,
Pleasant Neighbor,
Paddy the Piper,
Bryan O'Lynn,
Irish Assurance.

O'Flannigan and Fairies
Irish Post,
My Neighbor's Wife,
Lish Tiger,
P. P. or Man and Tiger,
To Oblige Benson, State Seciets,
iaisft Yankee.

VOL. XII.

VOL XIV.
105.
106.
107.
108.
109.
110.

The Demon Lover
Matrimony.
In and Out of Place.
I Dine with my Mother.
Hiawatha.
Andy Blake.

102.*Thumping Legacy.
l03.*Unfimshed Gentleman.|
104.*House Dog.
fi^" American Plays 1 2 ^ cents each; or ten for $1
price.
%* All orders will receive prompt attention.
N. B.—A new Play published every week.
* Those marked thus (*) are in Press,

Sent by Mail, on receipi of

^ . FRENCH, 121 Nassau Street, Ne\V York.

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