:'-,'¦ WILLIAM STRANG CATALOGUE OF HIS ETCHED WORK GLASGOW PRINTED AT THE UNIVERSITY PRESS BY ROBERT MACLEHOSE & COMPANY LTD. FOR JAMES MACLEHOSE AND SONS, PUBLISHERS TO THE UNIVERSITY OF GLASGOW MACMILLAN AND CO. LTD. LONDON THE MACMILLAN CO. NEW YORK SIMPKIN, HAMILTON AND CO. LONDON MACMILLAN AND BOWES CAMBRIDGE DOUGLAS AND FOULIS EDINBURGH MCMVI WILLIAM STRANG CATALOGUE OF HIS ETCHED WORK ILLUSTRATED WITH 471 REPRODUCTIONS With an Introductory Essay hy LAURENCE BINYON GLASGOW JAMES MACLEHOSE AND SONS PUBLISHERS TO THE UNIVERSITY I906 TO CHRISTIAN McAUSLAND Contents PAGE Introduction by Laurence Binyon, - - vii Catalogue of Etchings, - i Alphabetical Index of Etchings, - - 195 Index of Subjects, - - 201 Introdu&ion THE enlarged fame and success that Mr. Strang has lately won by his very remarkable series of portrait drawings have but crowned with more popular recognition a gift already for many years past recognised and prized by the discerning. It is as an etcher that Mr. Strang first found admirers, and as an etcher that he is most famous. His ceuvre has for some time considerably exceeded that of Rembrandt ; and the best of his work is already with the classics of the etcher's art. The present catalogue, with its complement of reproductions, exhibits in a more vivid and convincing way than any words the range and power of his work on metal. But before saying what there is to say about the etchings with which this book is concerned, it is well to point out that they represent only one side of his activity. b WILLIAM STRANG For Mr. Strang is a thorough craftsman. In a time like ours, when many popular painters hardly know an etching from a woodcut, how refreshing it is to find a man who is interested in the use of all the instruments of graphic expression, and whose knowledge and mastery of his tools and materials recall the healthiest times of art. Mr. Strang is less known as a painter in England than on the Continent ; his Bathers won the gold medal at Dresden, and his etchings a silver medal at the Paris International Exhibition. But he is one of the very few living British artists who have the courage and the power to carry out heroic themes in paint. His series of Adam and Eve paintings, made for Mr. Hodson's house near Wolverhampton, challenge comparison with the most ambitious productions of modern art, and make one wish that more opportunity were afforded him for the exercise of his painter's gift. Mr. Strang's work on wood forms a notable addition to the very small amount of original wood engraving done in the past. Like Durer and Holbein, he has sometimes made use of BY LAURENCE BINYON other hands to carry out his designs, as in the chiaroscuro Dance of Death, lately published by the Essex House Press. But the Book of Giants is engraved by his own hand, and the huge Plough — one of the largest woodcuts ever executed — was cut by him, with the assistance of his friend, Mr. Bryden. But neither as painter nor as wood engraver is Mr. Strang so widely known as by his drawings. Artists are so often appreciated by their con temporaries for the qualities which form their least title to permanent fame, that one is glad to signalise in this instance a right instinct and judgment in the public. For the most constant distinction and most essential characteristic of Mr. Strang's art are his fine draughtsmanship. A few years ago Mr. Strang, always experi menting, like a true artist, with his resources, hit on a new manner of portrait-drawing, founded on the famous Holbeins at Windsor. i Using paper prepared with a wash of pink or lilac tint, he drew, not with the chalk and Indian ink of Holbein, but with black chalk only; and by erasing the lights and rubbing the chalk where necessary, found a means of b2 ix WILLIAM STRANG expressing the finest shades of modelling in the simplest way. During the last few years, modifying and developing this method, Mr. Strang has made a great number of portraits, which taken together make a noble series. The later ones aim at a more pronounced colour-effect. At their finest these drawings recall the great German in the austerity and decision of line, the dignity of pose, the admir able spacing of the design, the well-considered relation of the head to its frame. Besides these portraits, there are numberless studies from the life, and sketches for com positions, which assuredly will find their place in the portfolios of collectors along with the treasured drawings of old Masters. Few, com paratively, are the British artists who have left drawings of high intrinsic interest or beauty ; indifference to the virtue of severe and searching draughtsmanship has been a constant weakness with our school. The greatest fault of the Royal Academy is that it has not been academic ; it has not provided the salutary basis of thorough scholarship in drawing, which is the use and justification of an academy's BY LAURENCE BINYON existence. Providence sent to our shores in 1863 an artist from France, Alphonse Legros, who some ten years later was appointed professor at the Slade School, and for the last quarter of the nineteenth century strongly influenced through his training a whole genera tion of young artists. Even those farthest removed from him in aim and temper of mind received a schooling such as had never been available in England before — a schooling in direct and scrupulous draughtsmanship from one bred in the great tradition of Ingres. Of all M. Legros's pupils, the one who is nearest akin to him, and who has imbibed most of his spirit, is William Strang. It was, we may suppose, under the inspira tion of Legros, one of the world's great etchers, that Mr. Strang began to work on copper with acid and needle ; and he soon found an absorbing fascination in this art. Though eschewing the tricks of picturesque printing beloved of amateurs, he has tried almost every manner of etching, both pure and in combination with aquatint, mezzotint, and other grounds. Like Rembrandt, he uses xi WILLIAM STRANG the dry point sometimes for the enrichment of a bitten plate, sometimes for an entire print, but I think the dry point is less con genial to him than the burin, with its greater capacities for force, firmness, and severity. He is among the very few artists since Diirer who have given us original engravings : for the burin has been almost confined to repro ductive engravers ; original artists have been impatient of * its labour. Such a beautiful plate as the small nude called Ceres (No. 305) shows how apt and expressive an instrument the burin is to Mr. Strang's way of seeing things, and of defining his vision with his hand. This and many another nude study suggest, too, the kind of way in which Mr. Strang sees beauty. The sense for beauty has indeed been denied him by many alto gether ; these are convinced that he has a downright passion for ugliness. It is quite true that his abhorrence of the pretty has been sometimes an almost morbid obsession, and he has often exceeded on the other side. We may concede this, without joining in the cry of ugliness raised by those who in art as xii BY LAURENCE BINYON in life associate beauty almost exclusively with the human face, who have never trained their eyes to the larger beauty of human form, still less to the beauty of line and mass everywhere latent in the living world about us. In Mr. Strang's drawing of a nude the face is always made subservient to the main outline of the figure, and in compositions, again, the figures are always subservient to the main design. That beauty which is instinctively sought by the artist is to be found here, in the under lying and controlling design, in the whole, not in the detail of its parts. I would even say that this predominant desire for fine design has brought its weakness, as in com positions where natural and spontaneous move ments have been controlled a little too obviously into lines and masses that would make a better pattern, or where the artist's repertory of attitudes and gestures has been too readily drawn on, the subject in hand too little considered for its own sake, and the charm of naturalness impaired or lost. Most of the artists who have sacrificed over much of nature for a priori conceptions, have xiii WILLIAM STRANG been votaries of the elegant or the " heroic." Mr. Strang is exceptional, in that while at bottom his affinities are with the artists, like Ingres, who are called "academic," he has no prejudices about "the dignity of art," and is not preoccupied with the creation of a beautiful human type. His types are strong, and though always a little abstract, are expressive. He deals in a racy humanity, which the traditions of academic art would hold in something like horror. As one goes through the long series of etchings, developing from those careful plates like the Carpenters Shop (No. 43) and others of the early " eighties " to the bold, free, and forcible style of the last few years, one may like or dislike choice of subject, sentiment, etc., but no one can help acknowledging the wonderful invention, the rare power of group ing, the sense for the elemental forces of weight and mass, which give variety and impressiveness to all. As with most Scots, a stubborn and persistent racial flavour tinges all Mr. Strang's work. He has no more scruples about borrowing motives from the old masters than BY LAURENCE BINYON Rembrandt had. Now Veronese, now Titian, now Velazquez will give him the hint for a figure's attitude, or for a composition ; through Legros and Ingres he has sought, in his own way, something of the classic purity and rhythm of Raphael. Yet he remains always a Lowland Scot; and the people he etches, though they may play a part as Spanish peasants (as in the Don Quixote series, Nos. 430 to 459), or as Indian soldiers (as in the Kipling set, Nos. 380 to 409), are still natives of that south-western Scotland which gave us Burns's songs. The two sets, each of thirty plates, which I have just mentioned are the latest of those sets published in book form (with or without text), which now amount to a fair number. The earliest, The Earth Fiend (Nos. 175 to 185), illustrations to an admirably written Scots ballad by the artist, was published in 1892. It was followed by Death and the Ploughman's Wife, 1894 (Nos. 115 to 126), another ofthe artist's poems ; The Christ on the Hill, 1 895 (Nos. 246 to 254) ; Paradise Lost, 1895 (Nos. 256 to 266) ; The Pilgrim's Progress (Nos. 80 to 93) ; The Ancient Mariner (Nos. 289 to 301) ; and Western WILLIAM STRANG Flanders, 1898 (Nos. 346 to 355), to mention the most important. As one would imagine from Mr. Strang's temperament, he is most happy and most at home in subjects like those of The Pilgrim's Progress, where a homely foreground is lit up or shadowed by the presence of beneficent angels or demon powers ; in the purely ideal and remote atmosphere of Paradise Lost he is not a native, though the grim and fantastic side of Coleridge's poem is very congenial to his imagination. Like Stevenson, he has a strong relish for the horrible, and knows how to give it the impressiveness of art. Some of the Kipling plates are triumphs in this respect. Over some of the original prints of phantasy, such as At the Back of Beyond (No. 278), many will puzzle for a meaning or a moral. It is better not to tease out of them a too definite significance. When asked what such subjects are about, the artist will laugh and reply : " I don't know." Doubtless a thought is there, but it escapes the mesh of language. But besides these important sets or groups, what a number of fine single plates, and what xvi BY LAURENCE BINYON a variety of themes, are included in Mr. Strang's production ! Some of the later dry- point landscapes are among his best work. But perhaps those which command the most universal interest and admiration are the portraits. In them Mr. Strang seems to have modelled his technique on the few but famous masterpieces of Van Dyck's needle ; at any rate, his Cosmo Monkhouse (No. 199), his Mr. "Justice Lindley (No. 241), his Reginald Blomfield (No. 230) are not unworthy of the company of the fan Breughel, the Snyders, the Erasmus, and recall them in the splendid firmness of the modelling, the economy of line, and the rejection of all adventitious help of light and shade or seductive tricks of printing. But it is in such later portraits as the Rudyard Kipling (No. 345) that the artist has found his com- pletest and most personal success, working with the added freedom and bigness of manner which time and use have given him. Laurence Binyon. CATALOGUE OF ETCHINGS CATALOGUE OF ETCHINGS i. Potato Lifting 1882. Etching, 10 in. x 7 in. 2. The Sick Child 1882. Etching, 8 J in. x io| in. Number of Proofs, 35. CATALOGUE OF ETCHINGS 3. Macbeth's Witches 1882. Etching, 9 in. x 7 in. Published in "English Etchings." 4. Head of a Peasant 1882. Etched Mezzotint, io£ in. x 8| in. Number of Proofs, 60. CATALOGUE OF ETCHINGS 5. Tramps 1882. Etched Mezzotint, 9 in, x 11 in. Number of Proofs, 45. 6. Job 1882. Etching, 10 in. x 7 in. Number of Proofs, 60. CATALOGUE OF ETCHINGS 7. Joan of Arc 1882. Etching, 8 in. x 6 in. Number of Proofs, 40. 8. The Model 1882. Etching, 4 in. x 8 in. Number of Proofs, 40. 9. Tinkers 1882. Etching, 7 in. x 9 in. Published in "Portfolio." CATALOGUE OF ETCHINGS io. The Prodigal Son 1882. Etching, 7 in. x 8 in. Published in "Portfolio." 11. The Bookstall 1882. Etching, 4| in. x 3! in. Number of Proofs, 30. 12. Herds1882. Etching, 4I in. x 4 \ in. Number of Proofs, 35. 13. The Poet 1882. Etching, 7 in. x 10 in. Number of Proofs, 50. 14 CATALOGUE OF ETCHINGS 14. The Bather 1882. Etching, 7 in. x 8 in. Number of Proofs, 45. 15. The Traveller 1882. Etching, 8 in. x 6J in. Number of Proofs, 50. CATALOGUE OF ETCHINGS 1 6. Sir Francis Seymour Haden, P.R.E. 1883. Etching, 10 in. x 7 in. Published in "English Etchings." 17. The Village Fiddler 1883. Etching, 6 in. x 8 in. Number of Proofs, 50. i6 CATALOGUE OF ETCHINGS 1 8. The Errand 1883. Etching, 6 in. x 8 in. Number of Proofs, 30. 19. The Lame Beggar 1883. Etching, 6 in. x 4! in. Published in "English Etchings." 20. Grace 1883. Etching, 4! in. x 6\ in. Published in "English Etchings." 21. The Good Samaritan 1883. Etching, si in. x 7I in. Number of Proofs, 35. CATALOGUE OF ETCHINGS 22. Temptation 1883. Etching, 9 in. x 7 in. Number of Proofs, 40. 23. Man with a Cloak 1883. Etching, 8 in. x 6 in. Number of Proofs, 40. 10 23 CATALOGUE OF ETCHINGS 24. Interior of a Cottage 1883. Etching, 6 in. x 8 in. Number of Proofs, 55. 25. Portrait of A. Jaffray 1883. Etching, 8 in. x 6 in. Number of Proofs, 55. 26. Death and Dr. Hornbook No. 1. (Afterwards included in Burns' Set.) 1883. Etched Mezzotint, 8 in. x 6 in. Number of Proofs, 50. CATALOGUE OF ETCHINGS 27. Susannah and the Elders 1883. Etching, 7 in. x 8 in. Number of Proofs, 60. 28. Adam and Eve 1883. Etching, z\ in. x 4 in. Number of Proofs, 20. 29. Portrait Head 1883. Etching, 6 in. x 4J in. Number of Proofs, 10. 30. The Road to Calvary 1883. Etching, 6 in. x 8 in. Number of Proofs, 65. 12 32 33 CATALOGUE OF ETCHINGS 31. The Trinket Seller 1883. Etching, i\ in. x 9! in. Number of Proofs, 35. 32. Fruit Seller 1883.Etching, 8 in. x 6 in. Number of Proofs, 50. 33. Portrait of C. Desclayes 1883. Etching, 8 in. x 6 in. Number of Proofs, 36. 13 CATALOGUE OF ETCHINGS 34. Fortune Teller 1883. Etching, 9 in. x 7 in. Published in the " Burlington Magazine." 35. The Woman in the Temple 1883. Etching, 10 in. x 7 in. Number of Proofs, 60. 14 37 CATALOGUE OF ETCHINGS 36. Lazarus 1883. Etching, 5^ in. x 4 in. Number of Proofs, 45. 37. Portrait of Ernest Sichel 1883. Etching, 8 in. x 6 in. Number of Proofs, 45. 38. Portrait of Mrs. M'Ausland 1883. Etching, 10 in. x 7 in. Number of Proofs, 30. IS CATALOGUE OF ETCHINGS 39. Head of a Peasant Woman 1883. Etched Mezzotint, 11 in. x 8| in. 40. Meal Time 1883. Etching, 10 in. x 7 in. Published in "Portfolio." 16 41 CATALOGUE OF ETCHINGS 41. The Entombment 1884. Etching, 8 in. x 6 in. Number of Proofs, 50. 42. The Mourners 1884. Etched Mezzotint, 9! in. x 7! in. Number of Proofs, 55. CATALOGUE OF ETCHINGS 43. The Carpenter's Shop 1884. Etching, 7 in. x 9 in. Number of Proofs, 50. 44. Job and his Comforters 1884. Etching, 10 in. x 8 in. Number of Proofs, 60. 18 -_ii3 43 44 CATALOGUE OF ETCHINGS 45. Woman Darning 1884. Etching, 6f in. x 8 in. Published in "English Etchings." 46. Portrait of J. B. Clark 1884. Etching, 9 in. x 6 in. Number of Proofs, 55. '9 CATALOGUE OF ETCHINGS 47. Manoah's Offering 1884. Etching, 10 in. x 7 in. Number of Proofs, 65. 48. The Sower 1884. Etching, 9 in. x 7 in. Number of Proofs, 12. 49 5° CATALOGUE OF ETCHINGS Seven illustrations to 'Ballad of " *Aiken rDrum" by ^{Jcholson 49. "A Strange Wight" 1884. Etching, 6 in. x 8 in. Number of Proofs, 35. 50. "Ba the Bairns" 1884. Etching, 8 in. x 6 in. Number of Proofs, 35. 21 CATALOGUE OF ETCHINGS 51. " Berry your Crap " 1884. Etching, 8 in. x 6 in. Number of Proofs, 35. 52. "I'll turn the Bread 1884. Etching, 8 in x 6 in. Number of Proofs, 35. 22 CATALOGUE OF ETCHINGS 53. "A New-made Wife" 1884. Etching, 6 in. x 8 in. Number of Proofs, 35. 54. " He was nae mair seen 1884. Etching, 6 in. x 8 in. Number of Proofs, 35. 23 CATALOGUE OF ETCHINGS 55. Title Page 1884. Etching. 11 in. x 8 in. Number of Proofs, 35. 56. Death and Dr. Hornbook, No. 2 1884. Etching, 11 in. x 8 in. Number of Proofs, 50. 24 /ETE BROWMIE OF E>L£ ENOCH. William Nicholson. lUllJlraUd U'llh 31X tick i H(7S W'lLLUM STRWC. 55 CATALOGUE OF ETCHINGS 57. Greengrocer's Shop 1884. Etching, 7 in. x 9 in. Number of Proofs, 50. 58. Mother feeding a Child 1884. Etching, 9 in. x 7 in. Published in Portfolio. 25 CATALOGUE OF ETCHINGS 59. The Sieve Mender 1884. Etched Mezzotint, 11 in. x 14 in. Number of Proofs, 55. 60. Portrait of T. W. Williams 1884. Etching, 10 in. x 7 in. 26 CATALOGUE OF ETCHINGS 3%ine illustrations to Burns'1 Poems 61. Tarn o' Shanter 1884. Etchings, 6 in. x 8 in. Number of Proofs, 55. 62. John Anderson 1884. Etching, 8 in. x 6 in. Number of Proofs, 55. 63. The Jolly Beggars 1884. Etching, 8 in. x 6 in. Number of Proofs, 55. 64. The Cottar's Saturday Night 1884. Etching, 6 in. x 8 in. Number of Proofs, 55. 27 CATALOGUE OF ETCHINGS 65. "Ca the Yowes to the Knowes" 1884. Etching, 6 in. x 8 in. Number of Proofs, 55. 66. "November Chill" 1884. Etching, 6 in. x 8 in. Number of Proofs, 55. 28 I 65 67 CATALOGUE OF ETCHINGS 67. Title Page 1884. Etching, 10 in. x 8 in. Number of Proofs, 55. 68. Hallowe'en 1884. Etching, 8 in. x 6 in. Number of Proofs, 55. The Ninth Etching in the Series of Burns Illustrations was "Death and Dr. Hornbook," 1883. Number 26 in this Catalogue. 29 CATALOGUE OF ETCHINGS 69. A Gust of Wind 1884. Etching, 6 in. x 8 in. Number of Proofs, 45. 70. The Dissecting Room 1884. Etching, 8 in. x 1 1 in. Number of Proofs, 50. 3° 7i CATALOGUE OF ETCHINGS 71. Portrait of E. R. Mullins 1884. Etching, 9 in. x 6 in. Number of Proofs, 45. 72. Young Puritan 1885. Etched Mezzotint, 11 in. x 8 in. Number of Proofs, 40. 3i CATALOGUE OF ETCHINGS 73. Head of a Man 1885. Etched Mezzotint, 9 in. x 7 in. Number of Proofs, 15. 74. Portrait of Mrs. Thomson 1885. Etching, 10 in. x 7 in. 75. Portrait of Capt. Fell Woods 1885. Etching, 10 in. x 7 in. 3* 74 75 CATALOGUE OF ETCHINGS 76. Poverty 1885. Etching, 7 in. x 9 in. Number of Proofs, 65. 77. The Umbrella Mender 1885. Etching, 9 in. x 7 in. Number of Proofs, 35. 33 CATALOGUE OF ETCHINGS 78. Market Girl 1885. Etching, 11 in. x 8 in. Number of Proofs, 45. 79. Basket Sellers 1885. Etching, 7 in. x 9 in. Number of Proofs, 30. 34 TtlEFILCRiriSmOCrvESS FROM -THIS -WORLD TO THAT WHICH -IS-TO'COtlE BYJOHN'BUNYAN ILLUSTRATED-BY-W-STRANC LONDON -john-c-nimmo liDCCCXCV 80 JOHN BUNYAN 82 CATALOGUE OF ETCHINGS Fourteen illustrations to Bunyan's Pilgrim s Progress 80. Title Page 1885. Etching, 7 in. x 5 in. 81. Frontispiece 1885. Etching, 7 in. x 5 in. 82. In the Interpreter's House 1885. Etching, 7 in. x 5 in. 83. Christian and the Damned 1885. Etching, 5 in. x 7 in. 35 CATALOGUE OF ETCHINGS 84. Vanity Fair 1885. Etching, 5 in, x 7 in. 8 5 . Mercy 1885. Etching, 7 in. x 5 in. 86. Marriage of Matthew and Mercy 1885. Etching, 7 in. x 5 in. 87. In the Dungeon 1885. Etching, 5 in. x 7 in. 36 85 1 f y| ': - 1 ' & *V ^jj^j| 87 CATALOGUE OF ETCHINGS 88. The Man with the Muck Rake 1885. Etching, 7 in. x 5 in. 89. Christian at the Cross 1885. Etching, 5 in. x 7 in. 90. Mercy at the Gate 1885. Etching, 5 in. x 7 in. 37 CATALOGUE OF ETCHINGS 91. The Slough of Despond 1885. Etching, 7 in. x 5 in. 92. Christian's Repentance 1885. Etching, 7 in. x 5 in. 93. Christian fighting Apollyon 1885. Etching, 7 in. x 5 in. 94. The Cottar's Family 1885. Etching, 7 in. x 9 in. Published in "Portfolio." 38 w?&& 95 2> 97 CATALOGUE OF ETCHINGS 95. Portrait of Gen. Sir Ian Hamilton 1885. Etching, 9 in. x 7 in. 96. Portrait of Gen. Sir Ian Hamilton 1885. Etching, 8 in. x 5! in. Number of Proofs, 60. 97. Portrait of W. Strang 1885. Etching, 8 in. x 5 in. Number of Proofs, 30. 39 CATALOGUE OF ETCHINGS 98. Shelter 1885. Etched Mezzotint, 8 in. x 6 in. Number of Proofs, 50. 99. The Shepherd's Wooing 1885. Etching, 8 in. x 6 in. Published in "English Etchings." 100. Portrait of a Lady Knitting 1885. Etching, 8 in. x 6| in. Number of Proofs, 35. 40 IOO CATALOGUE OF ETCHINGS 101. The Story 1886. Etching, 5 in. x 8 in. Number of Proofs, 45. 102. Rev. Wm. Stephen 1886. Etching, 15 in. x 11 in. Number of Proofs, 45. 41 CATALOGUE OF ETCHINGS 103. Burial of Stephen 1886. Etching, 6 in. x 8 in. Published in "Hobby Horse." 104. The Faggot Gatherer 1886. Mezzotint, 9 in. x 7 in. Number of Proofs, 30. 42 104 io6 CATALOGUE OF ETCHINGS 105. The Monk 1886. Mezzotint, 10 in. x 5 in. Published in " English Etchings." 106. Blind Beggar 1886. Etching, 6 in. x 5 in. Published in "English Etchings." 107. The Resurrection 1887. Etching, 8 in. x 6 in. Number of Proofs, 45. 43 CATALOGUE OF ETCHINGS 1 08. Portrait of Dr. Joachim 1887. Etching, 12 in. x 9 in. Published in "English Etchings." 109. The Crutch 1887. Dry point, 7 in. x 6 in. Number of Proofs, 10. no. Man with a Cloak 1887. Etching, 6£ in. x 4J in. Number of Proofs, 30. 44 U3 CATALOGUE OF ETCHINGS in. Portrait of Dr. Balfour 1887. Etching, 9 in. x 6£ in. Published in "English Etchings." 112. Portrait 1887. Etching, 8 in. x 6 in. Number of Proofs, 35. 113. Portrait of Sir Wm. Drake 1887. Etching, 9 in. x 6 in. Number of Proofs, 38. 45 CATALOGUE OF ETCHINGS 114. After Work 1888. Mezzotint. Published in Germany. 46 DEATH AND THE PLOUCHMANS-WirC ABALLADtlADE&CTCHCD BY WILLIAM 'STRANG' "5 W> } ! T'fX' c-': #*•/ | 1 I& 116 CATALOGUE OF ETCHINGS Twelve illustrations to ''''Death and the Ploughman s Wife" 115. Title Page 1888. Etching, 9! in. x 6 in. Number of Proofs, no. 116. Frontispiece Etching, 5 in. x 8 in. Number of Proofs, no. 47 CATALOGUE OF ETCHINGS 117. A Ploughman's Wife 1888. Mezzotint, 8 in. x 7 in. Number of Proofs, no. 118. "A Hallanshaker." 1888. Etching, 8 in. x 7 in. Number of Proofs, no. 48 ii7 CATALOGUE OF ETCHINGS 119. "His timmer Staff" 1888. Etching, 8 in. x 7 in. Number of Proofs, no. 120. " Ae Day as to the Well" 1888. Mezzotint, 8 in. x 7 in. Number of Proofs, no. 49 CATALOGUE OF ETCHINGS 121. "Grim Death" 1888. Etching, 7 in. x 8 in. Number of Proofs, no. 122. "He was imprisoned" Etching, 8 in. x 7 in. Number of Proofs, no. 5° I24 CATALOGUE OF ETCHINGS 123. " Wi' Girning o' his Chaps" 1888. Etching and Engraving, 7 in. x 8 in. Number of Proofs, no. 124. "That Night the Ploughman" 1888. Etching, 8 in. x 7 in. Number of Proofs, no. Si CATALOGUE OF ETCHINGS 125. By the River 1888. Etching, 8 in. x 7 in. Number of Proofs, no. 126. Death Defeated 1888. Etching, 5 in. x 3 in, Number of Proofs, no. 52 CATALOGUE OF ETCHINGS 127. The Rehearsal 1889. Dry point, 7 in. x 8 in. Number of Proofs, 6. 128. Despair 1889. Etching and Dry point, 10 in. x 8 in. No. of Proofs, 45. 53 CATALOGUE OF ETCHINGS 129. The Last Supper 1889. Dry point on Copper, 10 in. x 8 in. Number of Proofs, 35. 130. Portrait of W. H. May 1889. Etching, 6 in. x 8 in. Published in "English Etchings." 54 129 13° CATALOGUE OF ETCHINGS 131. Taking the Oath 1889. Dry point, 10 in. x 12 in. Number of Proofs, 20 132. Thunderstorm 1889. Dry point, 12 in. x 14 in. Number of Proofs, 8. 55 CATALOGUE OF ETCHINGS 33. Woman burning Weeds. 1889. Mezzotint, 14 in. x 12 in. 134. Portrait of W. Strang 1889. Dry point, 9 in. x 7 in. Number of Proofs, 15. 56 1 ¦ "***& 134 8? A- i.'/ «¦£ CATALOGUE OF ETCHINGS 135. The Preacher 1889. Etching, 10 in. x 8 in. Published in Germany. Number of Proofs, 15. 136. The Soup-kitchen. 1889. Etching, 12 in. x 10 in. Number of Proofs, 35. 57 CATALOGUE OF ETCHINGS 137. The Convoy 1889. Mezzotint, 8 in. x 6 in. Published in "English Etchings." 138. The Marriage at Cana 1889. Etching, 9 in. x 14 in. Number of Proofs, 70. 58 140 CATALOGUE OF ETCHINGS 139. The End 1889. Etching, 8 in. x 10 in. Number of Proofs, 60. 140. The Salvation Army 1889. Etching, 13 in. x 19 in. Number of Proofs, 100. 59 CATALOGUE OF ETCHINGS 141. The Student 1889. Etching, 4! in. x 8 in. Number of Proofs, 45. 142. Head of a Woman 1889. Etched Mezzotint, 10 in. x 7 in. Number of Proofs, 45. 60 144 CATALOGUE OF ETCHINGS 143. A Sale of Prints 1889. Etching, 12 in. x 16 in. Number of Proofs, 60. 144. Frontispiece to Book of Poems 1890. Number of Proofs, 6. 61 CATALOGUE OF ETCHINGS 145. Women Bathing 1890. Etching, 8 in. x 9 in. Number of Proofs, 45. 146. Supper at Emmaus 1890. No. 1. Etching. Number of Proofs, 55. 62 CATALOGUE OF ETCHINGS 147. The Castaways 1890. Etching, 8 in. x 1 1 in. Number of Proofs, 55. 148. The Phantom 1890. Etching, 6 in. x 7 in. Published in "English Etchings." 63 CATALOGUE OF ETCHINGS 149. Frontispiece to Poems of Cosmo Monkhouse : Corn and Poppies 1890. Etching, 5 in. x 4 in. Number of Proofs, 6 150. Invitation Card to Exhibition of Etchings 1890. Etching, 6 in. x 5 in. Number of Proofs, 10. 151. The Cause of the Poor 1890. Etching, 9 in. x 8 in. Number of Proofs, 60. 64 149 150 151 152 [k, £S&3jL ¦53 CATALOGUE OF ETCHINGS 152. Old Clothes 1890. Dry point, 6 in. x 7 in. Number of Proofs, 25. 153. Invitation Card to Medical Congress at Birmingham 1890. Etching, 6 in. x 7 in. Number of Proofs, 8. 65 CATALOGUE OF ETCHINGS 154. Portrait of W. Strang 1890. Etching, <)\ in. x 6£ in. Number of Proofs, 45. 155. The Worshippers 1890. Dry point, 8 in. x 6 in. Number of Proofs, 25. 66 1 154 155 CATALOGUE OF ETCHINGS 156. Boccaccio 1890. Etching, 8 in. x 7 in. Number of Proofs, 50. 157. Drowned 1890. Etching, 8 in. x 6 in. Published in "English Etchings." 158. Invitation Card for an Exhibi tion of Sculpture 1890. Etching, 6 in. x 5 in. Number of Proofs, 6. 67 CATALOGUE OF ETCHINGS 159. Tobit and his Brethren 1890. Etching, 9 in. x 8 in. Number of Proofs, 30. 160. The Sick Tinker 1890. Etching on Zinc, 9 in. x 14 in. Number of Proofs, 55. 68 i6o CATALOGUE OF ETCHINGS 161. The Tower 1890. Dry point on Zinc, io£ in. x 8| in. Number of Proofs, 20. 162. An Upland Farm 1891. Etching, 6 in. by 8 in. Number of Proofs, 35. 69 CATALOGUE OF ETCHINGS 163. Charon 1891. Etching, 18 in. x 2 if in. Number of Proofs, 55. 164. Portrait of William Wright 1891 Etching, n in. x 8 in. 70 CATALOGUE OF ETCHINGS t 165. Portrait of William Wright 1891. Dry point on Copper, 8 in. x 6 in. Number of Proofs, 20. 166. The Top of the Hill 1891. Etching, 7 in. x 5 in. Number of Proofs, 35. 167. A Fish Stall 1 891. Etching, 9 in. x 7 in. Number of Proofs, 45. 7i CATALOGUE OF ETCHINGS 1 68. The Hedger 1891. Mezzotint, 12 in. x 9 in. Number of Proofs, 55. 169. The Mill 1891. Dry point on Copper, 5 in. x 4 in. Number of Proofs, 15. 72 1 68 170 i7i CATALOGUE OF ETCHINGS 170. Flight into Egypt 1891. Etching, 8 in. x 7 in. Number of Proofs, 55. 171. Evening 1891. Etched Mezzotint, 12 in. x 12 in. Number of Proofs, 60. 73 CATALOGUE OF ETCHINGS 172. Danse Macabre 1891. Etching, 8 in. x 7 in. Number of Proofs, 50. 173. The Nymph 1891. Dry point, 9 in. x 4 in. Number of Proofs, 12. 174. Old Man Reading 1891. Etching, 7 in. x 5 in. Number of Proofs, 30. 74 BHHHHHMHHHHI THE-EARTrtFIEND^A BALLADMADEIETCHEC BY-WILLIAM- STRANG* LONDON -ELKIN-MATHEWS-AND JOHN LANE TNVICO -STREETS MDCCCXC11 '75 177 CATALOGUE OF ETCHINGS Illustrations to Ballad of " Earth Fiend'" 175. Title Page 1891. Etching, 8 in. x 5 in. Number of Proofs, 55. 176. Peasant crushed by Earth 1891. Etching, 4 in. x 3 in. Number of Proofs, 55. 177. Peasant seeking Justice 1891. Etching, 4 in. x 3 in. Number of Proofs, 55. 75 CATALOGUE OF ETCHINGS 178. Children discovering Fiend 1891. Etching, 7 in. x 8 in. Number of Proofs, 55. 179. Man and Woman Reading 1891. Etching, 7 in. x 6 in. Number of Proofs, 55. 180. Man and Witch 1891. Dry point on Copper, 7 in. x 5 in. Number of Proofs, 55. 76 iSi mw. x CATALOGUE OF ETCHINGS 181. Peasant sitting on Earth 1891. Etching, 4 in. x 3 in. Number of Proofs, 55. 182. Fight of Man and Fiend 1891. Etched Mezzotint, 6 in. x 7 in. Number of Proofs, 55. 183. Fiend killing Man 1891. Etching, 6 in. x 8 in. Number of Proofs, 55. 77 CATALOGUE OF ETCHINGS 184. Cupid Reaping 1891. Etching, 4 in. x 3 in. Number of Proofs, 55. 185. Man Ploughing 1891. Mezzotint, 6 in. x 8 in. Number of Proofs, 55. 78 i " ij I^^^^^H h*^» j •.vfip feB&a f r:$S| Pf5?v ,>l flfcaL-^^^i i ^^^tela^. Kfr-pi ¦ T -'/' T5JM n fiumiLig^— ^^H V? :jj '•! ,!-^^^^-—- 187 CATALOGUE OF ETCHINGS 1 86. Portrait of J. B. Clark 1891. Etching, 9 in. x 7 in. Number of Proofs, 65. 187. Portrait of William Strang 1891. Etching, 9 in. x 6 in. Number of Proofs, 60. 79 CATALOGUE OF ETCHINGS 1 88. Socialists 1891. Etching, 10 in. x 12 in. Number of Proofs, 90. 189. The Violoncello Player 1891. Dry point on Copper, 8 in. x 7 in. Number of Proofs, 25. 80 ¦W/*A.— ¦&*&£ ^ ; %t | M j^__^^^flii^^ *^^^«« " ~: -;«' gB^B 8 :{^e£l„_* _,_Ji£L; g^""'-^ »WP'B1 WWw> «1 __/ ^|| Jfc-J 11 Kifejp^iM wr^ * '; !J -tf%f8lM Wf^0^r. Vj^| WfM Jl* V %'*KfcJ*F^ba'^£iL littl HI www^ml r$ fr* iiiL tfiP V. (i if##'"' »!;'' Ml IHIT M p ¦^fev*S ! BkHHT Jl ^ss^jL F--<£ W^i' Z -'^- XX,-- "^§P' £^?£^--.~-------"" ..,.( .^- -^ _:^v;;^^: - 190 192 CATALOGUE OF ETCHINGS 190. Women Washing 1892. Dry point on Copper, 9 in. x 6 in. Number of Proofs, 25. 191. The Lake 1892. Dry point on Copper, 5 in. x 4 in. Number of Proofs, 20. 192. By the River Side 1892. Etching, 9 in. x 6 in. Number of Proofs, 30. CATALOGUE OF ETCHINGS 193. The Fair 1892. Dry point, 8 in. x 10 in. Number of Proofs, 20. 194. Raising of Lazarus 1892. Etching, 6| in. x 4^ in. Number of Proofs, 40. 195. Poor Peter 1892. Etching, 6 in. x 7 in. Number of Proofs, 40. 82 CATALOGUE OF ETCHINGS 196. Monks in Church 1892. Etching, 9 in. x 6 in. Number of Proofs, 35. 197. Adoration of the Shepherds 1892. Dry point on Copper, 6 in. x 9 in. Number of Proofs, 25. 83 CATALOGUE OF ETCHINGS 198. Going to Church 1892. Etching, 3 in. x 5 in. Number of Proofs, 30. 199. Portrait of Cosmo Monkhouse 1892. Etching, 9 in. x 6 in. Number of Proofs, 55. 84 CATALOGUE OF ETCHINGS 200. Portrait of Thomas Hardy, No. 1 i893. Etching, 12 in. x8 in. Number of Proofs, 12. 201. Al Fresco 1893. Etching, 5 in. x 9 in. Number of Proofs, 45. 85 CATALOGUE OF ETCHINGS 202. Portrait Group of Shipbuilders 1893. Etching, 10 in. x 14 in. 203. Summer i893. Dry point, 9 in. x 5 in. Number of Proofs, 25. 204. The Conventicle i893. Dry point, 8 in. x 7 in. Number of Proofs, 20. 86 2o6 207 CATALOGUE OF ETCHINGS 205. The Brickfield 1893. Etching, 5 in. x 10 in. Number of Proofs, 30. 206. The Grandfather 1893. Etching, 6 in. x 5 in. Number of Proofs, 20. 207. Portrait of John Pope 1893. Engraving, 6 in. x 4 in. Number of Proofs, 18. 208. The Quarry 1893. Etching, 6 in. x 8 in. Number of Proofs, 30. 87 CATALOGUE OF ETCHINGS 209. Death and Dr. Hornbook, No. 3 1893. Etching, 7 in. x 8 in. Number of Proofs, 45. 210. Portrait of Robert Louis Stevenson 1893. Etching, 12 in. x 9 in. Number of Proofs. 100. 88 209 t ^s*pss^ m \r**h'Z) mM -^-^ \\ \ L _ . ,> CATALOGUE OF ETCHINGS 211. Woman in a Field i893. Etching, 4 in. x 6 in. Number of Proofs, 25. 212. War 1893. Engraving, 10 in. x i2| in. Number of Proofs, 85. 89 CATALOGUE OF ETCHINGS Fight Illustrations to Lessing s " Nathan the Wise " 213. Portrait of Lessing 1893. Etching, 4J in. x 3 in. Number of Proofs, 6. 214. Nathan the Wise 1893. Etching, 4J in. x 3 in. Number of Proofs, 6. 215. Nathan the Wise 1893. Etching, 4J in. x 3 in. Number of Proofs, 6. 216. Nathan the Wise 1893. Etching, 4^ in. x 3 in. Number of Proofs, 6. 90 214 215 2l6 li ' 1 V Wtf& •;j|| JKi -1 -'il mKh | j |l|§feSr-!'fe' ijpw^l^^ . wIe^'- ¦ Bf"^ fBilaisIS 4y^.iWiU£ J- ¦'.", 1 .:_._; 217 219 CATALOGUE OF ETCHINGS 217. Nathan the Wise i893. Etching, 4J in. x 3 in. Number of Proofs, 6. 218. Nathan the Wise 1893- Etching, 4^ in. x 3 in. Number of Proofs, 6. 219. Nathan the Wise i893. Etching, 4J in. x 3 in. Number of Proofs, 6. 220. Nathan the Wise 1893. Etching, 4^ in. x 3 in. Number of Proofs, 6. 91 CATALOGUE OF ETCHINGS 221. The Cradle 1894. Etching, 8 in. x 7 in. Number of Proofs, 40. 222. The Fallen Tree 1894. Etching, 8 in. x 14 in. Number of Proofs, 35. 92 4 ^m^&d aiftfi} "- §s ; ¦fiUfe |3|§pl #31 223 224 CATALOGUE OF ETCHINGS 223. The Stone Cutters 1894. Etching, 6 in. x 9 in. Number of Proofs, 30. 224. Portrait of W. Strang. 1894. Etching, 10 in. x 6 in. Number of Proofs, 50. 225. Book Plate 1894. Etching, 4 in. x 3 in. Number of Proofs, 6. 93 CATALOGUE OF ETCHINGS 226. Anarchy 1894. Engraving, g\ in. x 16 in. Number of Proofs, 75. 227. Portrait of Thomas Hardy, No. 2 1894. Etching, 9 in. x 6 in. Number of Proofs, 45. 228. The Mountain Nymph 1894. Engraving on Zinc, 8 in. x 5 in. Number of Proofs, 25. 94 226 / lA ~2j^v- ¦£ 227 229 230 CATALOGUE OF ETCHINGS 229. Portrait of W. Ian Strang 1894. Etching, 7 in. x 6 in. Number of Proofs, 60. 230. Portrait of R. Blomfield 1894. Etching, 10 in. x 7 in. Number of Proofs, 60. 95 CATALOGUE OF ETCHINGS 231. Knackers 1894. Etching on Zinc, 10 in. x 15 in. Number of Proofs, 55. 232. Portrait of R. Bryden 1894. Dry point, 9 in. x 6 in. Number of Proofs, 25. 96 232 234 CATALOGUE OF ETCHINGS 233. Head of an old Man 1894. Engraving on Zinc, 10 in. x 8 in. Number of Proofs, 30. 234. Portrait of a Lady 1894. Dry point, 9! in. x 7 in. Number of Proofs, 15. 97 CATALOGUE OF ETCHINGS 235. Portrait of Reginald Cripps 1894. Etching, 8 in. x 6 in. 236. Portrait of C. J. Knowles 1894. Etching, 9 in. x 7 in. 98 237 CATALOGUE OF ETCHINGS 237. The Hangman's Daughter 1894. Etching, 6 in. x 7 in. Number of Proofs, 40. 238. Portrait of Austin Dobson 1894. Etching, i\ in. x 5^ in. Number of Proofs, 40. 239. Portrait of Austin Dobson Frontispiece to American Edition of Austin Dobson's Poems. 1894. Etching, 5 in. x 3 in. 99 CATALOGUE OF ETCHINGS 240. Portrait of Sir Charles Dilke 1894. Etching, 9! in. x 7 in. 241. Portrait of Lord Justice Lindley 1894. Etching, 10 in. x 7 in. 100 242 CATALOGUE OF ETCHINGS 242. Portrait of a Lady 1895. Etching, 10 in. x 7 in. 243. The Slaughterhouse i895. Etching on Zinc, 10 in. x 12 in. Number of Proofs, 60. 101 CATALOGUE OF ETCHINGS 244. The Bathers 1895. Mezzotint, 14 in. x 16 in. Number of Proofs, 50. 245. The Fallen Cross i89S. Engraving on Copper, 7 in. x 13 in. Number of Proofs, 50. 102 THE' CHRIST UPON THE' HILL A BALLAD BY -COSMO-MONKHOUSE ETCHEDBY WSTRANC LONDON ¦ SMITH ¦ ELDER & CO 1 5 -WATERLOO PLACEMDCCCXCV 246 247 CATALOGUE OF ETCHINGS Nine Illustrations to Ballad of " The Christ upon the Hill" 246. Title Page 1895. Etching, 8 in. x 6 in. Number of Proofs, 50. 247. Michael Fleeing 1895. Etching, 6 in. x 5 in. Number of Proofs, 50. 248. Charcoal Burning 1895. Etching, 6 in. x 7 in. Number of Proofs, 50. io3 CATALOGUE OF ETCHINGS 249. At the Cross i89S. Etching, 8 in. x 5 in. Number of Proofs, 50. 250. The Light in the Window i89S. Etching, 6 in. x 5 in. Number of Proofs, 50. 251. Michael carrying Figure 1895. Etching, 7 1 in. x 6 J in. Number of Proofs, 50. 104 249 250 ¦Ssli! » - fSJ '¦' m Bill IISm r\^psp*jfc a •ife)jffi^'t?]* NPPATf- 1 =53 CATALOGUE OF ETCHINGS 252. Christ Beside the Fire 1895. Etching, 4 in. x 7 in. Number of Proofs, 50. 253. Christ Blessing i895. Etching, 6 in. x 7 in. Number of Proofs, 50. 254. Michael below Cross 1895. Engraving, 3 in. x 6 in. Number of Proofs, 50. i°5 CATALOGUE OF ETCHINGS Twelve Illustrations to Milton s "Paradise Lost" 255. Frontispiece : Portrait of Milton 1895- Etching, 7 in. x 5 in. 256. Title Page 1895- Etching, 7 in. x 5 in. 257. Paradise Lost i895. Etching, 7 in. x 5 in. 258. Paradise Lost 1895. Etching, 7 in. x 5 in. 106 PARADISE LOST BY JOHN MILTON ILLUSTRATED BY WSTRANC LONDON- JOHN -C-NIMMO MDCCCXCV -55 256 -57 ^p^ aSIIi ^B^P Hi B B -J^i' ¦ ¦¦ i/:: ; jtW^JjSj .££&§ ¦ fclJrl b^Ihhk £t " '* •i-^v'-'^^BisEj '¦^95 il - :-:--.^-.w-^?r-~^ i^^^a 2k?~ 260 CATALOGUE OF ETCHINGS 259. Paradise Lost i895. Etching, 7 in. x 5 in. 260. Paradise Lost 1895. Etching, 7 in. x 5 in. 261. Paradise Lost i895. Etching, 5 in. x 7 in. 262. Paradise Lost i895. Etching, 7 in. x 5 in. 107 CATALOGUE OF ECTHINGS 263. Paradise Lost i89S. Etching, 7 in. x 5 in, 264. Paradise Lost 1895. Etched Mezzotint, 7 in. x 5 in. 265. Paradise Lost 1895. Etching, 7 in. x 5 in. 266. Paradise Lost i89S. Etching, 7 in. x 5 in. 108 263 266 ¦• i% -¦-¦ wSk |'^l c - r m ;A 1 1 I 1 | f ' _ *-#*? ' 267 CATALOGUE OF ETCHINGS 267. Study of a Man's back 1896. Engraving, 7 in. x 2 in. Number of Proofs, 25. 268. Portrait of a Man 1896. Etching, 8 in. x 6 in. Number of Proofs, 35. 269. Portrait of Herr Von Seidlitz 1896. Etching, 9 in. x 7 in. 109 CATALOGUE OF ETCHINGS 270. Portrait of Prof. Hans W. Singer 1896. Etching, 8 in. x 6 in. 271. Portrait of D. R. Strang 1896. Etching, 8 in. x 6 in. Number of Proofs, 40. no 2/0 272 274 CATALOGUE OF ETCHINGS 272. An Old Tree 1896. Etching, 9 in. x 6| in. Number of Proofs, 55. 273. The Mill Ford 1896. Etching, 4 in. x 8 in. Number of Proofs, 45. 274. The Farm Yard 1896. Etching, 4 in. x 8 in. Number of Proofs, 55. CATALOGUE OF ETCHINGS 275. Stirling Castle 1896. Etching, 7 1 in. x 5 in. Number of Proofs, 55. 276. Dunglass 1896. Etching, 5 in. x 12 in. Number of Proofs, 35. 277. The Monument 1896. Etching, 6 in. x 7 in. Number of Proofs, 35. 112 277 CATALOGUE OF ETCHINGS 278. At the Back of Beyond 1896. Etching, 7 in. x 9 in. Number of Proofs, 55. 279. Haystacks 1896. Etching, 7 in. x 8 in. Number of Proofs, 40. 280. The Visit 1896. Etching, 4 in. x 8 in. . Number of Proofs, 40. "3 CATALOGUE OF ETCHINGS 281. Portrait of William Sharp 1896. Etching, 12 in. x 9 in. Number of Proofs, 45. 282. Portrait of W. Strang 1896. Etching, 8 in. x 6 in. Number of Proofs, 15. 283. The Flag 1896. Etching, 8£ in. x 3^ in. Number of Proofs, 35, "4 285 CATALOGUE OF ETCHINGS 284. On the Road 1896. Etching, 7 in. x 9 in. Number of Proofs, 45. 285. Portrait of a Man 1896. Etching, 9 in. x 6\ in. "5 CATALOGUE OF ETCHINGS 286. Epping 1896. Etching, 5 in. x 7 in. Number of Proofs, 25. 287. Ruined Castle 1896. Etching, 6 in. x 8 in. Number of Proofs, 65. 288. The Stethoscope 1896. Etching, 5 in. x 3J in. 116 290 CATALOGUE OF ETCHINGS Thirteen Illustrations to " The Ancient Mariner " 289. The Bride hath Paced 1896. Etching, 10 in. x 14 in. Number of Proofs, 50. 290. He cursed me with his eye 1896. Etching, 6 in. x 16 in. Number of Proofs, 50. 117 CATALOGUE OF ETCHINGS 291. Shooting the Albatross 1896. Etching, 13 in. x 8 in. Number of Proofs, 50. 292. The Wedding Guest 1896. Etching, 9 in. x 8 in. Number of Proofs, 50. 118 CATALOGUE OF ETCHINGS 293. Death and Life in Death 1896. Etching, 13 in. x 8 in. Number of Proofs, 50, 294. Frontispiece 1896. Etching, 7 in. x 7 in. Number of Proofs, 50. 119 CATALOGUE OF ETCHINGS 295. The Storm Blast 1896. Etching, n in. x 8 in. Number of Proofs, 50. 296. The Penance 1896. Etching, 8 in. x 14! in. Number of Proofs, 50. 120 295 297 CATALOGUE OF ETCHINGS 297. The Spectre Bark 1896. Etching, 10 in. x 7 in. Number of Proofs, 50. 298. The Hermit 1896. Etching, 11 in. x 9 in. Number of Proofs, 50. 121 CATALOGUE OF ETCHINGS 299. The Pilot's Boat 1896. Etching, 8 in. x 9I in. Number of Proofs, 50. 300. Prayer in the Kirk 1896. Etched Mezzotint, 10 in. x 11 in. Number of Proofs, 50. 122 299 LIST OF PLATES 1 Frontispiece 2TheWeddinc 3 The Bride t The Storm-blast 5 SHOOTINC THE ALBATROSS 6 Tut Penance 7 the Spectre-Bark. 8DEATM AND LlEE-IN-DEATH 9 THE SHIPMATES DIE 10 THE HERMIT II The- Pilots boat 1 2 PRAYER IN THE Kl RK LIMITED TO DO COPIES THIS IS N5 FUBL1SHCD BYROBT. DuNTHOftFSE 5VICO 5TRF ET LONDON'*. 301 CATALOGUE OF ETCHINGS 301. Index 1896. Etching, 8 in. x 4 in. V Number of Proofs, 50. 302. Fantasy 1896. Etching, 8 in. x 6 in. 123 CATALOGUE OF ETCHINGS Six Illustrations to Book on Etching by Hans W. Singer and William Strang 303. Head of an Old Man 1897. Dry point, 6 in. x 4 in. 304. The Escutcheon i897. Etching, 6 in. x 4 in. 305. Ceres 1897. Etching, 6 in. x 4 in. 306. Resting 1897. Mezzotint, 6 in. x 4 in. 124 3°3 3°4 3°7 SoS 3°9 CATALOGUE OF ETCHINGS 307. Study of a Head 1897. Etched Mezzotint, 6 in. x 4 in. 308. Trees 1897. Soft Ground Etching, 6 in. x 4 in. 309. Milton Hills 1897. Etching, 5 in. x 10 in. Number of Proofs, 40. "5 CATALOGUE OF ETCHINGS 310. Tennyson 1897. Etching on Zinc, 12 in. x 10 in. Number of Proofs, 60. 311. Grotesque 1897. Etched Mezzotint, 8 in. x 7 in. Number of Proofs, 50. 126 3I; 3'3 CATALOGUE OF ETCHINGS 312. Mother Earth 1897. Etched Mezzotint, 8 in. x 6 in. Number of Proofs, 35. 313. Portrait of Rudyard Kipling, No. i 1897. Etching, 10 in. x 6 in. Number of Proofs, 12. 127 CATALOGUE OF ETCHINGS 314. The Dancers 3J5' i897. Etching on Zinc, 10 in. x 8 in. Number of Proofs, 45. The Cat 1897. Etching, 8 in. x 6 in. Number of Proofs, 30. 128 3'4 H^K^I WZ? ¦¦''''' ./7-< r;.i ->, , ( 3'7 CATALOGUE OF ETCHINGS 316. Descent from the Cro ss 1897. Etching, 9! in. x 15 in. Number of Proofs, 55. 317. Kilcreggan 1897. Etching, 6 in. x 9 in. Number of Proofs, 55. 318. The Mask 1897. Etching, 5 in. x 8 in. Number of Proofs, 38. 129 CATALOGUE OF ETCHINGS 319. The Canal 1897. Etching, 6 in. x 8 in. Number of Proofs, 25. 320. Portrait of Peter D. Strang i897. Dry point on Copper, 10 in. x 3 \ in. Number of Proofs, 25. 321. Portrait of Ian Strang 1897. Etching, 8 in. x 6 in. Number of Proofs, 30. 130 320 321 THE DOMAIN 1 ii • it.wWm /AtffNUW «W0 TO Ml OSTLt OK THL FtA*. -r *.-.j, --i >¦;.¦.- ¦?¦..-¦'-,¦_-'¦- ¦¦•¦ ".'-- -'• v/.'7i- -:¦¦"¦¦ v "--X- -<^.- •;-'¦- I---" 1. 1 .i* i.^ ai-L'J: ¦:'-.•-:- ¦¦¦¦ -¦¦¦". ;-. „hS.r ¦_-^'. *|i" ¦i>i'lA 'Llli, | i Bit., feUgt ^¦"¦""k ¦ 354 355 CATALOGUE OF ETCHINGS 353. Towers at Courtrai 1898. Etching, 6£ in. x 6£ in. 354. Roof of Cloth Hall, Ypres 1898. Etching, 10 in. x 6 in. 355. Beguinage at Bruges 1898. Etching, 8 in. x 5 in. r43 CATALOGUE OF ETCHINGS 356. Book Plate 1898. Etching, 3^ in. x 3 in. Number of Proofs, 10. 357. The Traffic 1899. Dry point on Zinc, 8 in. x 9 in. Number of Proofs, 25. 358. The River Bank i899. Etching, 4 in. x 10 in. Number of Proofs, 40. 144 359 CATALOGUE OF ETCHINGS 359. A Lodging for the Night Illustration to Short Story by Stevenson. 1899. Etching, 10 in. x 10 in. Number of Proofs, 50. 360. Thrawn Janet Illustration to Short Story by Stevenson. 1899. Etching, 9 in. x 8 in. Number of Proofs, 50. 145 CATALOGUE OF ETCHINGS 361. Portrait of a Lady i899. Mezzotint, n| in. x 9 in. 362. Wooden Houses 1899. Dry point on Pewter, 6 in. x 9I in. Number of Proofs, 15. 146 CATALOGUE OF ETCHINGS 363. The Sire de Maletroit Illustration to Short Story by Stevenson. 1899. Etching, 8 in. x 7 in. Number of Proofs, 50. 364. The Treasure of Franchard Illustration to Short Story by Stevenson. 1899. Etching, 10 in. x 7| in. Number of Proofs, 50. :47 CATALOGUE OF ETCHINGS 365. The Place of the Easterlings, Bruges 1899. Etching, 7 in. x 7 in. Number of Proofs, 45. 366. Portrait of a Man 1899. Dry point on Pewter, 7 J in. x s| in. Number of Proofs, 10. 148 3&7 i^^W^ V % ^>JP ¦ T t'> ^ f , Mr •ifc^^r \ /«! \ -. - ! -^N. / ---^--^ 368 CATALOGUE OF ETCHINGS 367. The Steading 1899. Dry point on Pewter, 4! in. x 7J in. Number of Proofs, 15. 368. Portrait of Dr. Garnett 1899. Etching, 8 in. x 5! in. 149 CATALOGUE OF ETCHINGS 369. Portrait of a Lady 1899. Dry point, 10 in. x 7 in. Number of Proofs, 55. 370. Father Time 1899. Etching, 8 in. x 6 in. Number of Proofs, 20: 15° CATALOGUE OF ETCHINGS 371. The Boatman 1900. Etching on Zinc, 16 in. x 18 in. Number of Proofs, 70. 372. Electric Light 1900. Etching, 10 in. x 14 in. Number of Proofs, 55. r5i CATALOGUE OF ETCHINGS 373. The Billiard Players 1900. Etching, n in. x 13 in. Number of Proofs, 55. 374. Farm on the Forth 1900. Dry point on Copper, 6 in. x 8 in. Number of Proofs, 25. 152 373 574 37 5 CATALOGUE OF ETCHINGS 375. Street Merchants 1900. Etching, 11 in. x 1 2 in. Number of Proofs, 55. 376. The Crucifix 1900. Dry point on Copper, 7 in. x 8 in. Number of Proofs, 20. 153 CATALOGUE OF ETCHINGS 377. The Wood-cutter 1900. Dry point on Copper, 7 in. x 8 in. Number of Proofs, 15. 378. Near Darleith 1900. Dry point on Copper, 5 in. x 7 in. Number of Proofs, 20. 379. On the Hill 1900. Dry point on Copper, 6 in x 9 in. Number of Proofs, 20. 154 CATALOGUE OF ETCHINGS Thirty Illustrations to Rudyard Kipling s Short Stories 380. Frontispiece of Rudyard Kipling with Puppets 1900. Etching and Aquatint, 7 in. x 6 in. Number of Proofs, 20. 381. Incarnation of Krishnu Mulvaney 1900. Etching and Aquatint, 7 in. x 8 in. Number of Proofs, 20. 155 CATALOGUE OF ETCHINGS 382. Without Benefit of Clergy 1900. Etching and Aquatint, 6 in. x 8 in. Number of Proofs, 20. 383. The Mark of the Beast 1900. Etching and Aquatint, ,\ in. x 6 in. Number of Proofs, 20. '56 3«3 3«4 3°5 CATALOGUE OF ETCHINGS 384. Bertran and Bimi 1900. Etching and Aquatint, 6 in. x 9 in. Number of Proofs, 20. 385. Reingelder and the German Flag 1900. Etching and Aquatint, 6£ in. x 7 in. Number of Proofs, 20. 157 CATALOGUE OF ETCHINGS 386. The Finances of the Gods 1900. Etching, 6 in. x 8 in. Number of Proofs, 20. 387. The Mutiny of the Mavericks 1900. Etching and Aquatint, 7 in. x 6 in. Number of Proofs, 20. 388. Moti Guj — Mutineer 1900. Etching and Aquatint, 5J in. x 6£ in. Number of Proofs, 20. 158 386 390 CATALOGUE OF ETCHINGS 389. Beyond the Pale 1900. Etching and Aquatint, 6i in. x 7 in. Number of Proofs, 20. 390. The Gate of the Hundred Sorrows 1900. Etching and Aquatint, 6 in. x 8 in. Number of Proofs, 20. 391. A Matter of Fact 1900. Etching and Aquatint, 6 in. x 8 in. Number of Proofs, 20. 159 CATALOGUE OF ETCHINGS 392. The Return of Imray 1900. Etching and Aquatint, 5 in. x 7f in. Number of Proofs, 20. 393. Lispeth 1900. Etching and Aquatint, 5J in. x 8£ in. Number of Proofs, 20. 394. The Taking of Lungtungpen 1900. Etching and Aquatint, 6 in. x.8 in. Number of Proofs, 20. 160 ; -y JUl^P" *MM llr'/Cm.'Ji i 392 1 gft i 1 ¦ hi ¦j^ ** _ ... ;S . . ~^^^^^. 395 B^SS***^ — IV\..-' - 5 *,^S! % ;\ ' m '-' . -^¦¦fc ->'' ^H J'jgl ^^^H^W. 3^Bm ^y^ ••• niii^ ^_^^fthi'r- -'*'''^?-^T^B 396 397 CATALOGUE OF ETCHING 395. In the House of Suddhoo 1900. Etching and Aquatint, 6 in. x 7 in. Number of Proofs, 20. 396. A disturber of Traffic 1900. Etching and Aquatint, 6 in. x i\ in. Number of Proofs, 20. 397. My Lord the Elephant 1900. Etching and Aquatint, 6 in. x 8 in. Number of Proofs, 20. l6l CATALOGUE OF ETCHINGS 398. In the Rukh 1900. . Etching, 6| in. x 7^ in. Number of Proofs, 20. 399. Toomai of the Elephants 1900. Etching and Aquatint, 6 in. x 7 in. Number of Proofs, 20. 162 398 4oo 401 CATALOGUE OF ETCHINGS 400. The Miracle of Purun Bhagat 1900. Etching and Aquatint, 8 in. x 6 in. Number of Proofs, 20. 401. The Undertakers 1900. Etching and Aquatint, 5 in. x 7 in. Number of Proofs, 20. 163 CATALOGUE OF ETCHINGS 402. William the Conqueror 1900. Etching and Aquatint, 7 in. x 6 in. Number of Proofs, 20. 403. Bread upon the Waters 1900. Etching and Aquatint, 5 in. x 7 in. Number of Proofs, 20. 404. On the City Wall 1900. Etching and Aquatint, 7| in. x 5 in. Number of Proofs, 20. 164 irofe' - -¦ 1 J .1 ^#1^ '¦¦.'. 5 & tft-Si f n 'NJ jM b "T^Mf ', > ?/.-¦ 1 ^HJMflH |^X^^ fy 1 ¦. '¦'¦:t ^*s^n yg ft j j 402 403 404 4o5 40'j 407 CATALOGUE OF ETCHINGS 405. The Judgment of Dungara 1900. Etching and Aquatint, 6 in. x 7 in. Number of Proofs, 20. 406. The Man who would be King 1900. Etching and Aquatint, 6 in. x 6| in. Number of Proofs, 20. A 407. The Man who would be King 1900. Etching and Aquatint, b\ in. x 6 in. Number of Proofs, 20. 165 CATALOGUE OF ETCHINGS 408. The Ride of Morrowby Jukes 1900. Etching and Aquatint, 6 in. x 7! in. Number of Proofs, 20. 409. On Greenhow Hill 1900. Etching and Aquatint, 8 in. x 6 in. Number of Proofs, 20. 166 409 4io 4ii 412 CATALOGUE OF ETCHINGS 410. Petworth 1901. Dry point on Copper, 3 in. x 6 in. Number of Proofs, 25. 411. Portrait of Harrison Townsend 1901. Etching, 9 in. x 7 in. 412. Sleepy Hollow 1901. Dry point on Copper, 5 in. x 6 in. Number of Proofs, 15. 167 CATALOGUE OF ETCHINGS 413. The Edge of the Wood 1901. Dry point on Copper, 5 in. x 5 in. Number of Proofs, 25. 414. The Supper at Emmaus, No. 2. 1901. Dry point on Copper, 7 in. x 7 in. Number of Proofs, 15. 415. Old Kilpatrick 1 901. Dry point on Copper, ?.\ in. x 4 in. Number of Proofs, 15. 168 413 414 4<7 CATALOGUE OF ETCHINGS 416. The Procession 1901. Dry point on Zinc, 8 in. x 16 in. Number of Proofs, 25. 417. My Friend in Soho 1901. Aquatint, 9 in. x 8 in. Number of Proofs, 45. 169 CATALOGUE OF ETCHINGS 418. The Nativity 1901. Etching, 8 in. x 6 in. Number of Proofs, 40. 419. The Distant Hill 1901. Etching, 6 in. x 8 in. Number of Proofs, 55. 170 420 42 1 422 CATALOGUE OF ETCHINGS Ten Illustrations to Isaac Walton s " Compleat Angler " 420. Portrait of Isaac Walton 1902. Etching, 6 in. x i\ in. 421. Portrait of Cotton 1902. Etching, 6 in. x 4J in. 422. 'The Compleat Angler' 1902. Etching, 6 in. x 4^ in. 423. 'The Compleat Angler' 1902. Etching, 6 in. x 4^ in. 171 CATALOGUE OF ETCHINGS 424. ' The Compleat Angler ' 1902. Etching, 6 in. x 4^ in. 425. 'The Compleat Angler' 1902. Etching, 6 in. x \\ in. 426. 'The Compleat Angler' 1902. Etching, 6 in. x 4^ in. 427. 'The Compleat Angler' 1902. Etching, 6 in. x 4! in. 172 4^4 42 5 426 427 429 CATALOGUE OF ETCHINGS 428. 'The Compleat Angler' 1902. Etching, 6 in x 4^ in. 429. 'The Compleat Angler' 1902. Etching, 6 in. x 4! in. '73 CATALOGUE OF ETCHINGS Thirty Illustrations to " Don Quixote " 430. Frontispiece No. 1. Portrait of Miguel de Cervantes with Don Quixote and Sancho. 1902. Etching and Aquatint, 8£ in. x i\ in. Number of Proofs, 20. 431. The Second Sally 1902. Etching and Aquatint, 7 \ in. x 8 in. Number of Proofs, 20. 174 43° 43' 432 433 CATALOGUE OF ETCHINGS 432. The Cortes of Death 1902. Etching and Aquatint, 8 in. x 6| in. Number of Proofs, 20. 433. Sancho and the Teeth 1902. Etching and Aquatint, 8£ in. x 6f in. Number of Proofs, 20. '75 CATALOGUE OF ETCHINGS 434. The Farmer's Boy 1902. Etching and Aquatint, 9 in. x 7 in. Number of Proofs, 20. 435. The Maids at the Inn 1902. Etching, 7 in. x 9 in. Number of Proofs, 20. 176 434 i^- CATALOGUE OF ETCHINGS 436. The Squire of the Mirrors 1902. Etching, 7 J in. x 4 \ in. Number of Proofs, 20. 437. Death of Don Quixote 1902. Etching, 8 in. x 10 in. Number of Proofs, 20 177 CATALOGUE OF ETCHINGS 438. Sancho the Governor 1902. Etching, 7 in. x 8 in. Number of Proofs, 20. 439. Maritornes 1902. Etching and Aquatint, 8 in. x 6 in. Number of Proofs, 20. 178 438 439 440 441 CATALOGUE OF ETCHINGS 440. Madness of Don Quixote 1902. Etching, 8 in. x 8 in. Number of Proofs, 20. 441. The Duchess 1902. Etching and Aquatint, 8 in. x 6 in. Number of Proofs, 20. # 179 CATALOGUE OF ETCHINGS 442. Burning the Books 1902. Etching and Aquatint, 6 in. x 7 in. Number of Proofs, 20. 443. The Windmill 1902. Etching and Aquatint, 8 in. x 6 in. Number of Proofs, 20. 18c 442 443 444 445 CATALOGUE OF ETCHINGS 444. Fight with the Yanguesans 1902. Etching, 7 in. x 8| in. Number of Proofs, 20. 445. After the Yanguesans 1902. Etching and Aquatint, 5^ in. x 9 in. Number of Proofs, 20. 181 CATALOGUE OF ETCHINGS 446. The Tossing of Sancho 1902. Etching and Aquatint, 7 in. x 8 in. Number of Proofs, 20. 447. The Galley Slaves 1902. Etching, 7 in. x 8£ in. Number of Proofs, 20. 182 447 448 449 CATALOGUE OF ETCHINGS 448. Dorothea 1902. Etching and Aquatint, 8J in. x 7 in. Number of Proofs, 20. 449. The Wineskins 1902. Etching, 6 in. x 7 in. Number of Proofs, 20. 183 CATALOGUE OF ETCHINGS 450. Don Quixote Suspended 1902. Etching and Aquatint, 9 in. x 4^ in. Number of Proofs, 20. 451. The Goatherd 1902. Etching, 6J in. x 7^ in. Number of Proofs, 20. 184 450 m n 451 452 453 CATALOGUE OF ETCHINGS 452. Dulcinea del Toboso 1902. Etching, 7 in. x 6 in. Number of Proofs, 20. 453. The Knight of the Mirrors 1902. Etching, 6 in. x 9 in. Number of Proofs, 20. 185 CATALOGUE OF ETCHINGS 454. The Lion 1902. Etching, 7 in. x 6 in. Number of Proofs, 20. 455. The Wedding of Camacho 1902. Etching, 6 in. x 8 in. Number of Proofs, 20. 186 454 455 457 CATALOGUE OF ETCHINGS 456. The Ape 1902. Etching and Aquatint, 6 in x 8 in. Number of Proofs, 20. 457. The Puppet Show 1902. Etching, 7 in. x 9 in. Number of Proofs, 20. 187 CATALOGUE OF ETCHINGS 458. Clavileno 1902. Etching and Aquatint, 8 in x 6 in. Number of Proofs, 20. 459. Sancho Whipping Himself 1902. Etching, 6 in. x 7 in. Number of Proofs, 20. 188 459 CATALOGUE OF ETCHINGS 460. Portrait of H. Cox i9°3' Etching, 12 in. x 8 in. Number of Proofs, 20. 46 1 . Portrait of John Masefield 1903. Etching, 7 in. x 5 in. Number of Proofs, 30. 189 CATALOGUE OF ETCHINGS 462. Portrait of Walter Brock 1903. Etching, 10 in. x 14 in. 463. The Eating House 1903. Etching, 8 in. x 13 in. Number of Proofs, 55. 190 463 CATALOGUE OF ETCHINGS 464. The Flower Seller 1903. Etching, 9 in. x 7 in. Number of Proofs, 50. 465. The Philosopher 1903. Dry point, 9 in. x 7 J in. Number of Proofs, 35. 191 CATALOGUE OF ETCHINGS 466. Portrait of the Right Hon. Joseph Chamberlain 1903. Etching, 15 in. x 9! in. Number of Proofs, 100. 467. The Vale of Health 1903. Etching, 5 in. x 7 in. Number of Proofs, 25. 192 466 CATALOGUE OF ETCHINGS 468. Girl's Head 1904. Dry point 8 in. x 6 in. Number of Proofs, 15. 469. The Water Spirit 1904. Dry point, 7 in. x 5 in. Number of Proofs, 20. 193 CATALOGUE OF ETCHINGS 470. Wine Drinkers 1904. Engraving, 8 in. x 8 in. Number of Proofs, 6. 471. The Field Gate 1904. Dry point on Copper, 6 in. x 7 in. Number of Proofs, 20. 194 47o 47' Alphabetical Index Adam and Eve, Adoration of the Kings, Adoration of the Shepherds, Ae Day as to the Well, After the Yanguesans, After Work, A Hallanshaker, Al Fresco, Anarchy,Ancient Mariner, The, 289 Ape, The, A Strange Wight, At the Back of Beyond, At the Cross, Balfour, Dr., Portrait of, Basket Sellers, Ba' the Bairns, Bather, The, Bathers, The, Beguinage at Bruges, Belfry of Bruges, Berry your Crap, Bertran and Bimi, Beyond the Pale, Billiard Players, The, Binyon, Laurence, Portrait of, Blind Beggar, Blomfield, R., Portrait of, Z PLATE 28 33° 197120 445 114118 201226 to 301 456 49 278249 111 79 50 14 244355 346 5i 384389373341 106 230 Boatman, The, 371 Boccaccio, 1 56 Book on Etching, 303 to 308 Book Plate, 225, 356 Bookstall, The, 11 Bread upon the Waters, 403 Brickfield, The, 205 Bride hath Paced, The, 289 Bridges, Robert, Portrait of, 342 Britannia, 324 Brock, Walter, Portrait of, 462 Bryden, R., Portrait of, 232 Bunyan's Pilgrim's Progress, 80 to 93 Burial of Stephen, 103 Burning the Books, 442 Burns' Poems, 61 to 68 By the River, 125 By the River Side, 192 Canal, The, 319 Carpenter's Shop, The, 43 Castaways, The, 147 Cat, The, 315 Ca' the Yowes to the Knowes, 65 Cause of the Poor, The, 151 Ceres, 305 Chamberlain, Right Hon. Joseph, Portrait of, 466 Charcoal Burning, 248 195 ALPHABETICAL INDEX PLATE Charon, 163 Children discovering Fiend, 178 Chorley Farm, 326 Christ Beside the Fire, 252 Christ Blessing, 253 Christ upon the Hill, The, 246 to 254 Christian and the Damned, 83 Christian at the Cross, 89 Christian's Repentance, 92 Christian fighting Apollyon, 93 Clark, J. B., Portrait of, 46, 186 Clavileno, 458 Compleat Angler, 420 to 429 Conventicle, The, 204 Convoy, The, 137 Cortes of Death, The, 432 Cottar's Family, The, 94 Cottar's Saturday Night, The, 64 Cotton, Portrait of, 421 Cox, H., Portrait of, 460 Cradle, The, 221 Cripps, Reginald, Portrait of, 235 Crucifix, The, 376 Crutch, The, 109 Cunninghame-Graham, R. B., Portrait of> 343 Cupid Reaping, 184 Dancers, The, 314 Danse Macabre, 172 Death and Dr. Hornbook, 26, 56, 209 Death and Life in Death, 293 Death and the Ploughman's Wife, 115 to 126 Death Defeated, 126 Death of Don Quixote, 437 Descent from the Cross, 316 Desclayes, C, Portrait of, 33 Despair, 128 Dilke, Sir Charles, Portrait of 240 Dissecting Room, The, 70 PLATE Distant Hill, The, 419 Disturber of Traffic, A, 396 Dobson, Austin, Portrait of, 238, 239 Domain, The, 322 Donald Campbell, 333 Don Quixote Series, 430 to 459 Don Quixote Suspended, 450 Dorothea, 448 Duchess, The, 441 Dulcinea del Toboso, 452 Dunglass, 276 Drake, Sir Wm., Portrait of, 113 Drowned, 157 Earth Fiend, 175 to 185 Eating House, The 463 Edge of the Wood, The, 413 Electric Light, 372 End, The, 139 Entombment, The, 41 Epping, 286 Errand, The 18 Escutcheon, The, 304 Etcher, The, 328 Evening, 171 Faggot Gatherer, The, 104 Fair, The, 193 Fallen Cross, The, 245 Fallen Tree, The, 222 Fantasy, 302 Farm on the Forth, 374 Farmer's Boy, The, 434 Farm Yard, The, 274 Father Time, 370 Fell Woods, Capt., Portrait of, 75 Field Gate, The, 47' Fiend killing Man, 183 Fight of Man and Fiend, 182 Fight with the Yanguesans, 444 Finances of the Gods, The, 386 196 ALPHABETICAL INDEX Fish Stall, A, PLATE l67 Flag, The, 283 Flight into Egypt, 170 Flower Seller, The, 464 Fortune Teller, 34 Frontispiece to The Pilgrim's Pro gress, 81 Frontispiece to Death and the Ploughman's Wife, 116 Frontispiece to Book of Poems, 144 Frontispiece to Poems of Cosmo Monk- house : Corn and Poppies, 149 Frontispiece : Portrait of Milton, 255 Frontispiece to The Ancient Mariner, 294 Frontispiece of Rudyard Kipling with Puppets, 380 Frontispiece to Don Quixote, 430 Fruit Seller, 32 Furnes from the Dunes, 351 Galley Slaves, The, 447 Garnett, Dr., Portrait of, 368 Gate of the Hundred Sorrows, The, 39o Ghent Gate, Bruges, 352 Girl's Head, 468 Goatherd, The, 451 Going to Church, 198 Good Samaritan, The, 21 Grace, 20 Grandfather, The, 206 Greengrocer's Shop, 57 Grim Death, 121 Grotesque, 311 Gust of Wind, A, 69 Haden, Sir Francis Seymour, P.R.E., Portrait of, 16 Hallowe'en, 68 PLATE Hamilton, Gen. Sir Ian, Portrait of, 95-96 Hangman's Daughter, The, 237 Hardy, Thomas, Portrait of, 200, 227 Haystacks, 279 Head of a Man, 73 Head of an Old Man, 233, 303 Head of a Peasant, 4 Head of a Peasant Woman, 39 Head of a Woman, 142 He cursed me with his eye, 290 Hedger, The, 168 Herds, 12 Hermit, The, 298 He Was Imprisoned, 122 He was nae mair seen, 54 His Timmer Staff, 119 I'll turn the Bread, 52 Incarnation of Krishnu Mulvaney, 381 Index of Plates to The Ancient Mariner, 301 Interior of a Cottage, 24 In the Dungeon, 87 In the House of Suddhoo, 395 In the Interpreter's House, 82 In the Rukh, 398 Invitation Card to Exhibition of Etchings, 1 50 Invitation Card to Medical Congress at Birmingham, 153 Invitation Card for an Exhibition of Sculpture, 158 JafFray, A Portrait of, 25 Jessie o' Ardrossan, 335 Joachim, Dr., Portrait of, 108 Joan of Arc, 7 Job, 6 Job and his Comforters, 44 John Anderson, 62 197 ALPHABETICAL INDEX Jolly Beggars, The, 63 Judgment of Dungara, The, 405 Knackers, 231 Kilcreggan, 317 Kipling, Rudyard, Portrait of, 313, 345 Kipling's Short Stories, 380 to 409 Knight of the Mirrors, The, 453 Knotty Ash, 339 Knowles, C. J., Portrait of, 236 Lady Knitting, Portrait of a, 100 Lake, The, 191 Lame Beggar, The, 19 Last Supper, The, 129 Lazarus, 36 Lessing, Portrait of, 213 Light in the Window, The, 250 Lindley, Lord Justice, Portrait of, 241 Lion, The, 454 Lispeth, 393 Lodging for the Night, A, 359 Looney Fisher, The, 337 Lute Player, The, 329 Macbeth's Witches, 3 Madness of Don Quixote, 440 Maggie Ross, 334 Maids at the Inn, The, 435 Man and Witch, 180 Man and Woman Reading, 179 Man Etching, 331 Manoah's Offering, 47 Man Ploughing, 185 Man with a Cloak, 23, no Man with the Muck Rake, The, 88 M,an who would be King, The, 406, 407 Maritornes, 439 Market Girl, 78 Mark of the Beast, The, 383 PLATE Marriage at Cana, The, 138 Marriage of Matthew and Mercy, 86 Masefield, John, Portrait of, 461 Mask, The, 318 Matter of Fact, A, 391 May, W. H., Portrait of, 130 M'Ausland, Mrs., Portrait of, 38 Meal Time, 40 Mercy, 85 Mercy at the Gate, 90 Michael below Cross, 254 Michael Carrying Figure, 251 Michael Fleeing, 247 Mill, The, 169 Mill Ford, The, 273 Milton Hills, 309 Milton's Paradise Lost, 256 to 266 Miracle of Purun Bhagat, The, 400 Model, The, 8 Monk, The, 105 Monkhouse, Cosmo, Portrait of, 199 Monks in Church, 196 Monument, The, 277 Mother Earth, 312 Mother Feeding a Child, 58 Moti Guj— Mutineer, 388 Mountain Nymph, The, 228 Mourners, The, 42 Mullins, E. R., Portrait of, 71 Mutiny of the Mavericks, The, 387 My 'Friend in Soho, 4r7 My Lord the Elephant, 397 Nathan the Wise, 213 to 220 Nativity, The, 418 Near Darleith, 378 Newbolt, Henry, Portrait of, 344 New-made Wife, A, 53 Nicholson's Aiken Drum, 49 t0 55 November Chill, 66 Nymph, The, '73 198 ALPHABETICAL INDEX PLATE Old Clothes, 152 Old Kilpatrick, 415 Old Man Reading, 174 Old Tree, An, 272 On Greenhow Hill, 409 On the City Wall, 404 On the Hill, 379 On the Road, 284 Paracelsus, 336 Paradise Lost, 257 to 266 Peasant Crushed by Earth, 176 Peasant Seeking Justice, 177 Peasant Sitting on Earth, 181 Penance, The, 296 Petworth, 410 Phantom, The, 148 Philosopher, The, 465 Pilot's Boat, The, 299 Place of the Easterlings, Bruges, The, 365 Ploughman's Wife, A, 117 Poet, The, 13 Poor Peter, 195 Portrait, 112 Portrait Head, 29 Portrait of a Lady, 234, 242, 361, 369 Portrait of a Man, 268, 285, 366 Pope, John, Portrait of, 207 Potato Lifting, 1 Poverty, 76 Prayer in the .Kirk, 300 Preacher, The, 135 Procession, The, 416 Procession at Furnes, 350 Prodigal Son, The, io Puppet Show, The, 457 Quarry, The, 208 Quarrymen, The, 325 Quay of the Rosary, Bruges, 347 Raising of Lazarus, 194 Ramparts of Ypres, 348 Rehearsal, The, 127 Reingelder and the German Flag, 385 Resting, 306 Resurrectionists, The, 338 Resurrection, The, 107 Return of Imray, The, 392 Ride of Morrowby Jukes, The, 408 River Bank, The, 358 Road to Calvary, The, 30 Roof of Cloth Hall, Ypres, 354 Ruined Castle, 287 Sale of Prints, A, 143 Salvation Army, The, 140 Sancho and the Teeth, 433 Sancho the Governor, 438 Sancho Whipping Himself, 459 Sand Dunes, 349 Sargent's, Alice, Ballads, 332 to 336 Second Sally, The, 431 Seidlitz, Herr Von, Portrait of, 269 Sharp, William, Portrait of, 281 Shelter, 98 Shepherd's Wooing, The, 99 Shipbuilders, Portrait Group of, 202 Shooting the Albatross, 291 Sichel, Ernest, Portrait of, 37 Sick Child, The, 2 Sick Tinker, The, 160 Sieve Mender, The, 59 Singer, Prof. Hans. W., Portrait of, 270 Sire de Maletroit, The, 363 Slaughterhouse, The, 243 Sleepy Hollow, 412 Slough of Despond, The, 91 Socialists, 188 Soup-Kitchen, The, 136 Sower, The, 48 Spectre Bark, The, 297 199 ALPHABETICAL INDEX PLATE Squire of the Mirrors, The, 436 Steading, The, 367 Stephen, Rev. Wm., Portrait of, 102 Stethoscope, 288 Stevenson, Robert Louis, Portrait of, 2 10 Stirling Castle, 275 Stone Cutters, The, 223 Storm Blast, The, 295 Story, The, 101 Strang, D. R., Portrait of, 271 Strang, Ian, Portrait of, 229, 321 Strang, Peter D., Portrait of, 320 Strang, W., Portrait of, 97, 134, 154, 187, 224, 282 Street Merchant, 375 Student, The, 141 Study of a Head, 307 Study of a Man's Back, 267 Summer, 203 Supper at Emmaus, 146, 414 Susannah and the Elders, 27 Taking of Lungtungpen, The, 394 Taking the Oath, 131 Tam o' Shanter, 61 Temptation, 22 Tennyson, 310 That Night the Ploughman, 124 Thomson, Mrs., Portrait of, 74 Thrawn Janet, 360 Thunderstorm, 132 Tinkers, 9 Title Page to The Brownie of Blednoch, 55 Title Page to Burns's Poems, 67 Title Page to The Pilgrim's Progress, 80 Title Page to Death and the Ploughman's Wife, 115 Title Page to Ballad of Earth Fiend, 175 Title Page to The Christ upon the Hill, Title Page to Paradise Lost, Tobit and his Brethren, Toomai of the Elephants, Top of the Hill, The, Tossing of Sancho, The, Tower, The, Towers at Courtrai, Townsend, Harrison, Portrait of, Traffic, The, Tramps, Traveller, The, Treasure of Franchard, The, Trees, Trinket Seller, The, Umbrella Mender, The, Undertakers, The, Upland Farm, An, Ursula Norn, Vale of Health, The, Vanity Fair, Village Fiddler, The, Village Shop, Violoncello Player, The, Vision, The, Visit, The, 246 256 159 399 166 446 161 353 411 357 5 15 364 308 31 77 401 162 332 467 84 17 327 .89 323 280 Walton, Isaac, Portrait of, War,Water Spirit, The, Wedding Guest, The, Wedding of Camacho, The, Western Flanders, 346 to 355 Wi' Girning o' his Chaps, 123 William the Conqueror, Williams, T. W., Portrait of, Windmill, The, 443 Wine Drinkers, 47° 420212 469 292 455 402 60 ALPHABETICAL INDEX PLATE PLATE Wineskins, The, 449 Women Washing, 190 Without Benefit of Clergy, 382 Wood-cutter, The, 377 Woman Burning Weeds, 133 Wooden Houses, 362 Woman Darning, 45 Worshippers, The, 155 Woman in a Field, 211 Wright, William, Portrait of, 164, 165 Woman in the Temple, The, 35 Women at the Cross, 34° Young Puritan, 72 Women Bathing, 145 201 INDEX OF SUBJECTS BIBLICAL SUBJECTS. PLATE PLATE Adam and Eve, 28 Lazarus, 36 Adoration of the Kings, 33° Adoration of the Shepherds, 197 Manoah's Offering, 47 Burial of Stephen, 103 Marriage at Cana, The, Nativity, The, 138 418 Crucifix, The, 376 Prodigal Son, The, 10 Descent from the Cross, 316 Raising of Lazarus, Resurrection, The, 194107 Entombment, The, 41 Road to Calvary, The, 3° Flight into Egypt, 170 Supper at Emmaus, Supper at Emmaus, The, No. 146 2, 414 Good Samaritan, The, 21 Susannah and the Elders, 27 Job, 6 Tobit and his Brethren, 159 Job and his Comforters, 44 Woman in the Temple, The, 35 Last Supper, The, 129 Women at the Cross, 340 INDEX OF SUBJECTS GENERAL SUBJECTS. PLATE PLATE After Work, II4 Eating House, The, 464 Al Fresco, 201 Electric Light, 372 Anarchy, 226 End, The, 139 Errand, The, 18 Basket Sellers, 79 Evening, 171 Bather, The, H Bathers, The, 244 Faggot Gatherer, The, 104 Billiard Players, The, 373 Fair, The, '93 Blind Beggar, 106 Fallen Cross, The, 245 Boccaccio, Book Plate, 156 225, 356 Fantasy, Father Time, 30237o Bookstall, The, 11 Fish Stall, A, 167 Britannia, 324 Flag, The, 283 By the River Side, 192 Flower Seller, The, 464 Fortune Teller, 34 Carpenter's Shop, The, 43 Fruit Seller, 32 Castaways, The, 147 Cat, The, 3'5 Cause of the Poor, The, 15' Girl's Head, 468 Charon, 163 Going to Church, 198 Conventicle, The, 204 Grace, 20 Convoy, The, 137 Grandfather, The, 206 Cottar's Family, The, 94 Greengrocer's Shop, 57 Cradle, The, 221 Grotesque, 3" Crutch, The, 109 Head of a Man, 73 Dancers, The, 314 Head of an Old Man, 233, 3°3 Danse Macabre, 172 Head of a Peasant, 4 Despair, 128 Head of a Peasant Woman, 39 Dissecting Room, The, 70 Head of a Woman, 142 Domain, The, 322 Hedger, The, 168 Drowned, 157 Herds, 12 2 A 2C >3 INDEX OF SUBJECTS PLATE Interior of a Cottage, 24 Invitation Card for an Exhibition of Sculpture, 158 Invitation Card to Exhibition of Etchings, 1 50 Invitation Card to Medical Con gress at Birmingham, 153 Joan of Arc, Knackers, Lame Beggar, The, Looney Fisher, The, Lute Player, The, Man with a Cloak, Market Girl, Mask, The, Meal Time, Model, The, Monk, The, Monks in Church, Mother Earth, Mother Feeding a Child, Mountain Nymph, The, Mourners, The, My Friend in Soho, Nymph, The, Old Clothes, Old Man Reading, On the Road, Phantom, The, Philosopher, The, Poet, The, Poor Peter, Potato Lifting, 7 231 19 337329 23, no 78 3i8 40 8 105 196 312 58 228 42 417 173 152 174 284 148 465 13 195 1 PLATE Poverty, 76 Preacher, The, 135 Procession, The, 416 Quarrymen, The, 325 Rehearsal, The, 127 Resurrectionists, The, 338 Sale of Prints, 143 Salvation Army, The, 140 Shelter, 98 Shepherd's Wooing, The, 99 Sick Child, The, 2 Sick Tinker, The, 160 Sieve Mender, The, 59 Slaughterhouse, The, 243 Socialists, 188 Soup- Kitchen, The, 136 Sower, The, 48 Stethoscope, The, 288 Story, The, 101 Street Merchants, 375 Student, The, 141 Study of a Man's Back, 267 Summer, 203 Taking the Oath, 131 Temptation, 22 Tinkers, 9 Top of the Hill, The, 166 Traffic, The, 357 Tramps, 5 Traveller, The, 15 Trinket Seller, The, 3> Umbrella Mender, The, 77 Village Fiddler, The, '7 Violoncello Player, The, 189 Visit, The, 280 204 INDEX OF SUBJECTS PLATE PLATE War, 212 Women Bathing, 145 Water Spirit, The, 469 Women Washing, I90 Wine Drinkers, 470 Worshippers, The, 155 Woman Burning Weeds, 133 Woman Darning, 45 Young Puritan, 72 Woman in a Field, 211 2A2 205 INDEX OF SUBJECTS ILLUSTRATIONS. PLATE PLATE Ae Day as to the Well, 120 Cottar's Saturday Night, The, 64 After the Yanguesans, 445 Cotton, Portrait of, 421 A Hallanshaker, 118 Cupid Reaping, I84 Ape, The, 456 A Strange Wight, 49 Death and Dr. Hornbook, 26, 56 ,209 At the Cross, 249 Death and Life in Death, 293 Death of Don Quixote, 437 Ba' the Bairns, So Death Defeated, 126 Beguinage at Bruges, 355 Disturber of Traffic, A, 396 Belfry of Bruges, 346 Donald Campbell, 333 Berry your Crap, 5i Don Quixote Suspended, 450 Bertran and Bimi, 384 Dorothea, 448 Beyond the Pale, 389 Duchess, The, 441 Bread upon the Waters, 4°3 Dulcinea del Toboso, 452 Bride hath Paced, The, 289 Burning the Books, 442 Escutcheon, The, 304 By the River, 125 Farmer's Boy, The, 434 Ca the Yowes to the Knowes, 65 Fiend Killing Man, 183 Ceres, 3°5 Fight of Man and Fiend, 182 Charcoal Burning, 248 Fight with the Yanguesans, 444 Children Discovering Fiend, 178 Finances of the Gods, 386 Christ Beside the Fire, 252 Frontispiece to The Pilgrim's Christ Blessing, 253 Progress, Frontispiece to Death and 81 Christian and the Damned, 83 The Ploughman's Wife, 116 Christian at the Cross, 89 Frontispiece to Book of Poems, 144 Christian Fighting Apollyon, 93 Frontispiece to Poems of Cosmo 1 Christian's Repentance 92 Monkhouse : Corn and Poppies ¦,'49 Clavileno, 458 Frontispiece : Portrait of Milton, 255 Compleat Angler, The, 420 to 429 Frontispiece to The Ancient Cortes of Death, The, 432 Mariner, 294 206 INDEX OF SUBJECTS Frontispiece of Rudyard Kipling with Puppets, 380 Frontispiece to Don Quixote, 430 Furnes from the Dunes, 351 Macbeth's Witches, 3 Madness of Don Quixote, 440 Maggie Ross, 334 Maids at the Inn, The, 435 Man and Witch, 180 Galley Slaves, The, 447 Man and Woman Reading, 179 Gate of the Hundred Sorrows, Man Ploughing, 185 The, 39o Man who would be King, The, Ghent Gate, Bruges, 352 406, 407 Goatherd, The, 45i Man with the Muck Rake, The, 88 Grim Death, 121 Maritornes, 439 Mark of the Beast, The, 383 Hallowe'en, 68 Marriage of Matthew and Mercy, 86 Hangman's Daughter, The, 237 Matter of Fact, A, 39i He cursed me with his Eye, 290 Mercy, 85 Hermit, The, 298 Mercy at the Gate, 90 He was Imprisoned, 122 Michael below Cross, 254 He was nae mair seen, 54 Michael Carrying Figure, 251 His Timmer Staff, 119 Michael Fleeing, 247 Miracle of Purun Bhagat, The 400 Incarnation of Krishnu Mulvaney, 381 Moti Guj— Mutineer, 388 Index of Plates to The Ancient Mutiny of the Mavericks, The, 387 Mariner, 301 My Lord the Elephant, 397 I'll turn the Bread, 52 In the Dungeon, 87 Nathan the Wise, 213 to 220 In the House of Suddhoo, 395 New-made Wife, A, 53 In the Interpreter's House, 82 November Chill, 66 In the Rukh, 398 On Greenhow Hill, 409 Jessie 0' Ardrossan, 335 On the City Wall, 404 John Anderson, 62 Jolly Beggars, The, 63 Paracelsus, 336 266 Judgment of Dungara, The, 405 Paradise Lost, 257 to Peasant Crushed by Earth, 176 Knight of the Mirrors, The, 453 Peasant Seeking Justice, 177 Peasant Sitting on Earth, 181 Light in the Window, The, 250 Penance, The, 296 Lion, The, 454 Pilot's Boat, The, 299 Lispeth, 393 Ploughman's Wife, A, 117 Lodging for the Night, A, 359 Portrait of Lessing, 213 207 INDEX OF SUBJECTS Prayer in the Kirk, Procession of Furnes, Puppet Show, The, PLATE 3O0350 457 Quay of the Rosary, Bruges, 347 Ramparts of Ypres, 348 Reingelder and the German Flag, 385 Resting, 306 Return of Imray, The, 392 Ride of Morrowby Jukes, The, 408 Roof of Cloth Hall, Ypres, 354 Sancho and the Teeth, 433 Sancho the Governor, 438 Sancho Whipping Himself, 459 Sand Dunes, 349 Second Sally, The, 431 Shooting the Albatross, 291 Sire de Maletroit, The, 363 Slough of Despond, The, 91 Spectre Bark, The, 297 Squire of the Mirrors, The, 436 Storm Blast, The, 295 Study of a Head, 307 Taking of Lungtungpen, The, 394 Tam o' Shanter. 61 That Night the Ploughman, 124 Thrawn Janet, 360 Title Page to The Brownie of Blednoch, jj Title Page to Burns's Poems, 67 Title Page to The Pilgrim's Progress, 80 Title Page to Death and the Ploughman's Wife, 115 Title Page to Ballad of Earth Fiend, 175 Title Page to The Christ upon the Hill, 246 Title Page to Paradise Lost, 256 Toomai of the Elephants, 399 Tossing of Sancho, The, 446 Towers at Courtrai, 353 Treasure of Franchard, The, 364 Trees, 308 Undertakers, The, 401 Ursula Norn, 332 Vanity Fair, 84 Vision, The, 323 Walton, Isaac, Portrait of, 420 Wedding Guest, The, 292 Wedding of Camacho, The, 455 Wi' Girning o' his Chaps, 123 William the Conqueror, 402 Windmill, The, 443 Wineskins, The, 449 Without Benefit of Clergy, 382 208 INDEX OF SUBJECTS LANDSCAPE. PLATE PLATE At the Back of Beyond, 278 Monument, The, 277 Boatman, The, 371 Near Darleith, 378 Brickfield, The, 205 Old Kilpatrick, 415 Canal, The, 3'9 Old Tree, An, 272 Chorley Farm, 326 On the Hill, 379 Distant, Hill, The, 419 Petworth, 410 Dunglass, 276 Place of the Easterlings, Bruges, The, 365 Edge of the Wood, The, Epping, 413 286 Quarry, The, 208 Fallen Tree, The, Farm on the Forth, 222 374 River Bank, The, Ruined Castle, 35S 287 Farm Yard, The, Field Gate, The, 274 471 Sleepy Hollow, Steading, The, 412 367 Gust of Wind, A, 69 Stirling Castle, Stone Cutters, The, 275 223 Haystacks, 279 Thunderstorm, 132 Tower, The, 161 Kilcreggan, 317 Knotty Ash, 339 Upland Farm, An, 162 Lake, The, 191 Vale of Health, The, 467 Village Shop, 327 Mill, The, 169 Mill Ford, The, 273 Woodcutter, The, 377 Milton Hills, 309 Wooden Houses, 362 209 INDEX OF SUBJECTS PORTRAITS. PLATE PLATE Balfour, Dr., III Kipling, Rudyard, 3'3, 345 Binyon, Laurence, 341 Knowles, C. J., 236 Blomfield, R., 230 Bridges, Robert, 342 Lady Knitting, 100 Brock, Walter, 462 Lindley, Lord Justice, 241 Bryden, R., 232 Man Etching, 33i Chamberlain, Right Hon. Joseph, 466 Masefield, John, 461 Clark, J. B., 46, 186 May, W. H., 130 Cox, H., 460 M'Ausland, Mrs., 38 Cripps, Reginald, 235 Monkhouse, Cosmo, 199 Cunninghame-Graham, R. B-, 343 Mullins, E. R., 7i Desclayes, C, 33 Newbolt, Henry, 344 Dilke, Sir Charles, 240 Dobson, Austin, 238, 239 Pc>^e, John, 207 Drake, Sir Wm., U3 Portrait, Portrait Head, 112 29 Etcher, The, 328 Portrait of a Lady, 234, 242 , 361, 369 Portrait of a Man, 268, 285, 366 Fell Woods, Captain, 75 Portrait Group of Shipbuilders, 202 Garnett, Dr., 368 Seidlitz, Herr Von, Sharp, William, 269 281 Haden, Sir Francis Seym our, P.R.E., Sichel, Ernest, 37 16 Singer, Prof. Hans W., 270 Hamilton, Gen. Sir Ian, 95, 96 Stephen, Rev. Wm., 102 Hardy, Thomas, 200, 227 Stevenson, Robert Louis, Strang, D. R., 210 271 J affray, A., 25 Strang, Ian, Portrait of, 229. , 321 Joachim, Dr., 108 Strang, Peter D., Portrait of, 320 INDEX OF SUBJECTS PLATE PLATE Strang, William, 97, 134, 154, 187, Townsend, Harrison, 411 224, 282 Williams, T. W., 60 Tennyson, 310 Wright, William, I64, l65 Thomson, Mrs., 74 GLASGOW I PRINTED AT THE UNIVERSITY PRESS BY ROBERT MACLEHOSE AND CO. LTD.