iH V J A, ^'■ A YALE UNIVERSITY APR801909 THE UfckARYr RUTHWELL CROSS by The Rev. JAMES MCFARLAN MINISTER OF RUTHWELL, 1871-1889 ' Tire not to tellen Of the Tree of Glory, Where the Prince of Peace Thol£d His Passion.' From ' The Holy Rood: A Dream. In the Vercelli Codex SECOND EDITION J. MAXWELL AND SON DUMFRIES 1896 PRICE SIXPENCE THE RUTHWELL CROSS—NORTH SIDE THE RUTHWELL CROSS by The Rev. JAMES MCFARLAN MINISTER OF RUTHWELL, 1871-1889 'Tire not to teller Of the Tree of Glory, Where the Prince of Peace TholI:d His Passion.' From ' The Holy Rood: A Dream. In the Vercelli Codex SECOND EDITION J. MAXWELL AND SON DUMFRIES 1896 THE RUTHWELL CROSS historical sketch of its period The Runic Monument at Ruthwell dates, according to leading archaeologists, from the period of the Anglo-Saxon Heptarchy. North- umbria was one of the greatest of the Saxon kingdoms ; and, although Dumfriesshire formed a part of the kingdom of Strathclyde, the country to the east of Nithsdale was frequently under the supremacy of the Northumbrian kings. The great King Edwin, whose name is preserved in that of the capital of Scotland, introduced Christianity into Northumbria in 627. Strathclyde may boast that it was not indebted to Saxon kings for its first knowledge' of the Cross, since it had received the Gospel from S. Mungo about the middle of the sixth century. At the same time it is clear that this part of the country was specially influenced by THE RUTHWELL CROSS the religious movement which King Edwin sanctioned, and which was carried on by the followers both of S. Augustine and of S. Columba, wherever the supremacy of North- umbria extended. It was Ethelberga, Edwin's queen, who brought Paulinus, of the school of S. Augustine, from Kent. It was King Oswald, the successor of Edwin, who brought Aidan, the disciple of S. Columba, from Iona. And in the actions of Paulinus and Aidan, and in those of their immediate successors, we see at work the twofold influence which made the Church of Northumbria what it was toward the close of the seventh century. There was an Italian in¬ fluence, and there was also a Scottish, or rather a Scoto-Irish, influence at work in this early Anglian Church; and traces of both these in¬ fluences are preserved in the Ruthwell Runic monument. If it was Paulinus who converted Northumbria, it was Aidan who founded the ecclesiastical settlement at Lindisfarne, and who consecrated Hilda, the royal abbess, in whose service, at the Abbey of Streaneshalch, on the Yorkshire coast, Caedmon, the timid herd-boy, discovered his gift of sacred song. And if it was such men as Benedict and Wilfrid THE RUTHWELL CROSS 5 who brought the pattern of the ornamentation on the Bewcastle and Ruthwell Crosses from the Christian tombs in the Roman catacombs, ' The Lay of the Holy Rood,' part of which is inscribed in Runes upon the Ruthwell Cross, is as much due to the influence of the men of Iona and Holy Island as to that of the men of Kent. The date of the Bewcastle Cross is determined by its bearing the name of Alchfrid, the son of Oswy, who held supremacy over the greater part of Britain, and who, like his brother Oswald, had been trained at Iona. This Alchfrid, how¬ ever, decided in favour of the Roman party at the Synod of Whitby, and became the patron of Wilfrid, whose hand may have sketched his costly monument sometime about the year 670, when Ecgfrith became King of Northumbria. Under King Ecgfrith, again, the chief spiritual influence emanated from the devoted Cuthbert, whom we find successively at Melrose, Holy Island, and Carlisle, when that city and its neighbourhood, including the Dumfriesshire part of Strathclyde, were possessions of the see of Lindisfarne. It is to this period (670- 700), when Northumbria stretched from sea to sea—from Whitby to Morecambe Bay, from 6 THE RUTHWELL CROSS Holy Island to the Solway—that the Ruthwell Cross is held to belong. The devotion of S. Cuthbert, the religious zeal of Bishop Wilfrid, and his love of art, the poetic fervour of Csedmon and Cynewulf, all tended to render the closing decades of the seventh century specially great in the history of Northumbria. No greater time was in store for the kingdom, and the art which is shown on the Bewcastle, Hexham, and Ruthwell pillars disappeared from it during the struggles which preceded its submission to Ecgberht in 827, when, along with the other kingdoms of the Heptarchy,-Northumbria was merged in the kingdom of England. ^ "5{5" ^ ^ So striking is the similarity in the figures and in the scroll-work on the Bewcastle and Ruth¬ well pillars, that it is impossible to doubt that they belong to the same period ; and, while the value of the former chiefly lies in its being a memorial to Prince Alchfrid, the son of* Oswy and the patron of Wilfrid, the supreme interest of the Ruthwell Cross rests in its Christian inscriptions, and especially in its Runic legends round the vine scroll-work on its sides. THE RUTHWELL CROSS—WEST AND SOUTH SIDES THE RUTHWELL CROSS description of the cross The Monument, as it now stands in Ruthwell Church, is (including the new cross-beam which the Rev. Dr. Duncan provided in 1823) 18 feet in height. Its base, which bears on one face a rudely-formed Latin cross, is sunk about 8 inches in the ground. It is not so symmetri¬ cal as the Bewcastle shaft. About the cross¬ beam it has a stunted appearance, which sug¬ gests that it -may originally have been a ' wheel' cross, and higher than it now is. In the panel on the face towards the south immediately above the Latin cross on the base, the subject is the Annunciation, the angel Gabriel appearing unto Mary: the inscription is from the Vulgate, S. Luke i. 28 : ' ingressus angelus' ('the angel having come in')—are the only words now distinguishable. The next subject is, 'Jesus healing the man born blind': the inscription is from S. John ix. i. : ' et praeteriens [jesus] vidit [hominem caecum] a nativitate' ('and Jesus passing saw a man blind from his birth'),—et sanavit eum ab infirmitate' (' and healed him from his infirmity'), not in the Vulgate, being added. 8 THE RUTHWELL CROSS Above, there is a representation of ' the woman which was a sinner,' anointing the feet of Christ: the words are from S. Luke vii. 37, 38: ' ATTULIT ALABASTRUM UNGUENTI : ET STANS RETRO SECUS PEDES EJUS LACRIMIS COEPIT RIGARE PEDES EJUS, ET CAPILLIS CAPITIS SUI TERGEBAT' (' she brought an alabaster box of ointment, and standing be¬ hind, with tears began to wash His feet, and with the hairs of her head did wipe them'). This forms the main panel on the southern face. Above it is the Salutation between Mary and Elizabeth. The Latin letters are doubtless from the Vulgate of S. Luke, but they are nearly obliterated. This last subject is worked on the narrower part of the pillar, which is of red sandstone, and not, like the principal part of the shaft, of grey sandstone. , Again, where the stone curves inwards to the cross-beam, there is an archer pointing his arrow upwards. The top-stone bears on this face a human figure and a bird: S. John, and his sign—the Eagle. The inscription, which is partly de¬ stroyed, is from S. John i. I: 'IN PRINCIPIO ERAT VERBUM' (' in the beginning was the Word'). THE RUTHWELL CROSS 9 On the base of the northern face there is no work distinguishable, though apparently two figures had been represented upon it. In the first panel is, ' The flight into Egypt,' much destroyed, but with traces of the words ' MARIA ET JOSEPH,' round the margin. Above is a scene from S. Jerome's life of S. Anthony. Paul the first hermit, and Anthony the first monk, met in the Egyptian desert after their long and lonely wanderings. A raven brought them a loaf of bread in their hunger and weariness. They gave thanks to God, and, having broken the loaf, they sat down to eat it under a palm-tree, and by a cool spring. The inscription runs: 'SCS PAULUS ET ANTONIUS EREMITAE FREGERUNT PANEM IN DESERTO ' (' S. Paul and S. Antony, hermits, broke their loaf in the desert'). The principal figure on this face is in the next panel. It is Christ, represented as usual with a cruciferous halo, His right hand raised to bless, His left holding the sacred scroll, and His feet treading on the heads of swine. The inscription is: 'IHS. XPS. JUDEX AEQUITATIS. BESTIAE ET DRACONES COGNOVERUNT IN DESERTO SALVATOREM MUNDI' ('Jesus Christ, A 2 THE RUTHWELL CROSS the Judge of Equity. Beasts and dragons knew in the desert the Saviour of the world'), from the apocryphal Gospel of the Nativity. Above this is another figure with the feet resting on two globes. It is crowned with a small halo, and bears a lamb in its bosom. The figure is supposed to represent S. John the Baptist, with the Agnus Dei. Dr. Duncan re¬ garded it as an image of the Father. Only one word can be distinguished on the margin —' adoramus ' (' we adore'). Again, there are two figures as the pillar narrows towards the cross-beam, but the subject has not been discovered. The northern face of the top-stone is of peculiar interest. Resting on a branch, which resembles the work on the sides of the Cross, and which may be designed to re¬ present the last spray of the interlacing vine, is a bird—the Dove of Peace, it has been supposed. But the legend in the margin is not in this case in Roman characters. It is Runic, like the in¬ scriptions on the sides ; and Professor George Stephens has deciphered its meaning thus: ' Caedmon me fawed' (' Caedmon made me').1 The vine tracery on the sides of the Cross, 1 See date 1889, p. 26. THE RUTHWELL CROSS intermingled with birds and beasts, which devour the grapes, is the most beautiful part of the workmanship. Some of the creatures on the vine-tree resemble lizards, while others have been conjectured as representing squirrels or 'little foxes.' But the special interest of the monument rests in the legends round the clambering vine ; since it has been established beyond a doubt that these are a quotation from ' The Lay of the Holy Rood,' an entire text of which is preserved in the Vercelli Codex. The Vercelli Codex, described by Professor Stephens as ' an ancient, half-ruined skin-book in Old South English, containing homilies and poems,' was found by Professor Blume, a German man of letters, in the library of a con¬ vent at Vercelli, in Piedmont, in the year 1832. In translating one of these poems—' The Holy Rood: a Dream'—Mr. John Mitchell Kemble, the noted Anglo-Saxon scholar, was struck by discovering certain lines with which he seemed to be familiar. He had previously made a special study of the Runes on the Ruthwell Cross, and was the first in these modern times to discover their Christian mean¬ ing. Now, in this 'ancient skin-book,' he finds THE RUTHWELL CROSS what he had found before upon the Ruthwell stone. The characters which Professor George Hickes described in his learned Thesaurus of Northern dialects in 1703, as, 'Voces vere runicce,, hoc est, mysticae et occultae,' had at last uttered their hidden meaning ; the ' Rune,' which means ' the whisper,' or ' the secret,' had revealed its truth. The Ruthwell Cross was not semi-heathen, nor the work of two different periods of history, but a monument of the palmy days of the Christian Kingdom of North- umbria, a memorial of the faith of S. Wilfrid and the Abbess Hilda, and a record of the sacred verse of some still unknown Saxon minstrel. Who the author of the Runic poem may have been remained uncertain, and Kemble inclined to the opinion that ' The Holy Rood' was of later date than the seventh century. In 1856, the Rev. D. H. Haigh, an excellent archaeologist, made new and accurate casts of the Cross, and especially of the top-stone, which had hitherto been neglected, though the Runes on it had been shown in the engraving by Adam de Cardonnel in 1789. The results of Haigh's work led him to conjecture that the author of the poem was Cczdmon. THE RUTHWELL CROSS Kemble acknowledged the value of Haigh's casts in his preface to his translation of the poem, published by the JElfric Society in this same year. But he died in the spring of 1857, and his opinion regarding the Runes on the top-stone has thus been lost. Haigh carefully compared the Ruthwell and the Bewcastle monuments, and was of opinion that they were not only of the same period, but the work of the same artist. He also concluded that there was no one living at the time of their erection who could have composed the Runic verses on the Ruthwell monument save Csed- mon. It was left to Professor George. Stephens of Copenhagen, however, to discover the signifi¬ cance of the Runes on the top-stone. A com¬ parison of the plate of Adam de Cardonnel, engraved for the Vetusta Monumenta of the Society of Antiquaries, London, in 1789, with Haigh's cast, and with tracings by the Rev. J. Maughan of Bewcastle, led Stephens to the conclusion that Caedmon is the author of the Runic verses on the Cross; 'Caedmon me fawed ' being the true rendering of the Runes on the top-stone. A 3 i4 THE RUTH WELL CROSS In his elaborate and beautiful work on the Ruthwell Cross, published in 1866, Professor Stephens clearly unfolds this view, and he ably defends the same in his Studies on Northern Mythology, published in 1883. By his kind permission his translation of the Runes on the Cross is here given. As in a dream, the poet hears the Cross—'the Saviour's Tree'—relate the story of Christ's Passion :— East side— ' Girded Him then God Almighty, When He would Step on the gallows Fore all mankind, Mindfast, fearless. Bow me durst I not; (Rood was I reared now,) Rich King heaving, The Lord of Light-realms ; Lean me I durst not. Us both they basely mocked and handled, Was I there with blood bedabbled, Gushing grievous from (His dear side When His ghost He had up-rendered). * * * * West side— Christ was on Rood-Tree. But fast, from afar, His friends hurried, Athel to the sufferer. (To aid their Atheling.)1 Everything I saw. 1 i.e. Hero. THE RUTHWELL CROSS i5 Sorely was I With sorrows harrowed, (Yet humbly) I inclined (To the hands of His servants,) (Striving with might to aid them). With streals [shafts] was I all wounded. Down laid they Him Limb-weary. O'er His lifeless head then stood they, Heavily gazing at Heaven's (Chieftain).' The words in brackets are supplied from the Vercelli Codex} The poem is in the language of a warlike age, and is partly expressed in heathen nomenclature. In the poet's fancy of the Sorrowing Tree, there seems also to be a reminiscence of the myth of Balder, at whose death all trees and plants, save the mistletoe, wept. In the part of the poem which intervenes between the two parts quoted above, the words occur ' Gloomy and swarthy Clouds had covered The corse of the Wald'en (Prince), O'er the sheer shine-path Shadows fell heavy, Wan neath the welkin. Wept all creation, Wailed the fall of their king.' 1 From Thorpe's translation of the ' Dream ' in Cooper's Report on Fcedera. 16 THE RUTH WELL CROSS Afterwards the Cross itself stoops in pity to suffer the ' Hilde-rinks' (brave men)—Joseph of Arimathaea and his friends, to receive the lifeless form of their 'Atheling,' as it 'stood there streaming with blood-drops, with streals all wounded.' But if the phraseology, and even the thought- form of the poem are mythic, the spirit of the ' Dream' is essentially Christian. It breathes of Calvary, — of the anguish, and of the triumph ; and the dreamer, awaking in his ' humble homestead,' 'filled with flame-thoughts,' exclaims:— ' Now the hope of my life Is—that Tree of Triumph Ever to turn to, I alone, oftener Than all men soever Magnifying its Majesty. Mighty my will is To cleave to the Crucified : My claim for shelter Is right to the Rood.' So we leave him 'gladly longing' . . . 'till the Lord's Cross-Tree shall call and fetch him from the coils of this care-world to the City Celestial.' THE RUTHWELL CROSS 17 The ' Dream' opens with a vision of the 'Marvellous-Tree' gleaming with light, glitter¬ ing with gold, and sparkling with ' fairest gem- stones,' while— ' All the seraphs beheld it wistful, Angel-hosts of endless beauty.' And when the Tree has told its tale of anguish, the poem closes in a strain of sublime hope, and describing the splendid 'on-march' of the victorious Son with His ' ghostly legions,' —the multitudes of the redeemed, to His ' old home-halls' in ' God's high kingdom.' 'THROUGH THE CROSS EACH CHRISTIAN MAY REACH THE KINGDOM ; SOAR MAY EACH SOUL FROM EARTH SKYWARD, IF TO WUN WITH THE WALDEND 1 SHE WILLETH RIGHTLY.' 1 ' If to dwell with the Prince.' 18 THE RUTHWELL CROSS DATES OF INTEREST IN THE HISTORY OF THE CROSS A.D. 670. The Bewcastle Monument, supposed to be a com¬ panion pillar to the Ruthwell Cross,,erected in memory of Alchfrid, Prince, or King of Deira under Oswy. 670. Ecgfrith, whose name is on the Bewcastle Monu¬ ment, as a mourner, King of Northumbria. 680. Death of the Abbess Hilda. Csedmon at Stre- aneshalch. Wilfrid, ' the kingly bishop of the Northumbrians,' returned from Rome. The Cross probably erected. 685. S. Cuthbert at Carlisle. Ecgfrith slain in battle with the Picts at Nectansmere. 687. S. Cuthbert died in 'the Isle of Fame.' 709. S. Wilfrid died ; buried at Ripon. The Venerable Bede writing his history at Jarrow. Northumbria the seat of English religion and learning. 756. Fall of Northumbria. Tradition holds that the Cross stood of old at Priestside, on the Solway shore, and that it was brought to its present situation by a team of oxen, or by the angels ! and that a church was built over it. 1640, The General Assembly convened at Aberdeen on July 28 passed an Act anent the demolishing of Idolatrous Monuments, as follows :— THE RUTHWELL CROSS 19 A. D. Forasmuch as the Assembly is informed, that in divers places of this Kingdome, and specially in the North parts of the same, many Idolatrous Monuments, erected and made for Religious worship, are yet extant—such as Crucifixes, Images of Christ, Mary, and Saints departed—ordaines the saids monuments to be taken down, demolished, and destroyed, and that with all convenient diligence : and that the care of this work shall be incumbent to the Presbyteries and Provinciall Assemblies within this Kingdome, and their Commissioners to report their diligence herein to the next Generall Assembly. 1642. In the Index of the Principal Acts of the Assembly holden at S. Andrews, 27 July, Not Printed,, the Sixth Item is as follows:—'Act anent Idola¬ trous Monuments in Ruthwall.' In obedience to this Act it was probably thrown down during the ecclesiastical troubles of Charles the First's reign, in 1642 or 1644, during the ministry of the Rev. Gavin Young, who allowed its broken pieces to remain within the church, where they found protection for 130 years or more, in the old-fashioned earthen floor. 1695. R is referred to by Bishop Gibson in his additions to Camden's Britannia, published in this year. 1703. Archdeacon Nicolson of Carlisle1 gave an account 1 Afterwards Bishop of Carlisle, and subsequently Archbishop of Cashel. 2o THE RUTIIWELL CROSS A.D. of it to Professor George Hickes, which is pub¬ lished in that author's splendid Thesaurus of ancient Northern dialects. 1726. Mr. Alexander Gordon, M.A., published, his Itine- rarium Septentrionale, in which he gives careful engravings of the Cross, and states that 'it lies flat on the ground within the church of Ruth- well, in the Stewartry of Annandale.' 1772. Mr. Thomas Pennant of Downing, in Flintshire, visited the monument on the 18th May of this year, along with the Rev. John Lightfoot,botanist, and the Rev. John Stuart of Killin. He describes it in his Second Tour in Scotland, thus : ' After dining at Annan we made an excursion to Ruth- well, whose church contains a most curious monument—an obelisk, once of great height, now lying in three pieces.' He seems not to have noticed the Runes on the top-stone ; but the next visitor of importance did so. 1789. In this year were published by the Society of Antiquaries, London, in the Vetusta Monumenta, Adam de Cardonnel's plates of the Cross, with description by Richard Gough, F.S.A., giving 'the Roman-lettered sides and the Runic-lettered sides,' and also the inscriptions on the top-stone. About this time copies of these plates were obtained by the Icelandic archaeologist, Thor- kelin, from which he, and after him another Icelandic scholar, Fin Magnusen (in 1837), pre¬ pared their works on the Cross. 1802. The Rev. Dr. Duncan of Ruthwell found the fragments of the Cross lying outside the church. THE RUTHWELL CROSS 21 A.D. He erected the two principal parts in the manse grounds. The red-sandstone fragments were discovered in a grave shortly before this. 1823. The erection of the pillar, with new cross-beam and old top-stone, completed by Dr. Duncan. 1832. The Verceili Codex, containing 'The Holy Rood : A Dream,' discovered by Dr. Blume. 1833. Dr. Duncan's account of the Cross published in the Archdmon me fawed on the topmost stone. He found the mce fauoetho as others have found it, but his minute examina¬ tion of the Ccedmon, letter by letter, gave him Kedmon. This Kedmon mce faucetho, he thinks, whatever it may have meant, must apply only to the upper stone, which is about five feet six inches long. On this same upper stone he found the word for ' gallows' and other runes, which led him to believe that the Cross has in this upper part, where the runes are no longer legible, a further stanza from the ' Lay of the Holy Rood,' which contains the words,' This is no outcast's gallows.' He suggests that this upper stone may have been the original Cross, and that the great shaft twelve feet high was added a few years later. 1894. For some time Major General Sir Robert Murdoch Smith, . K.C.M.G., Director of the Edinburgh Museum of Science and Art, had been anxious to obtain a mould of the Cross ; and in July 1894, the preliminary arrangementshaving been completed, Italian moulders were sent from the Edinburgh Museum to Ruthwell. Under the supervision of Mr. D. J. Vallance, Curator of the Edinburgh Museum, a perfect mould of the monument was then obtained, from which casts were afterwards taken for the museums at Edinburgh, South Kensington, and Dublin, and for the Library at Durham Cathedral. 28 THE RUTHWELL CROSS A.D. 1895. cynewulf's Elene, a metrical translation from Zupitzds edition, published by Jane Menzies, Edinburgh. In her preface, the translator refers to the German theory that the Ruthwell Cross was erected by some noble lord of Northumbria, as a memorial to the poet Cynewulf. Printed by T. and A. Constable, Printers to Her Majesty at the Edinburgh University Press